Saturday, April 27, 2024

Top 10 Sam Rockwell Films

 

Sherman J. Pearson here for another Top 10. With the release of A German Tragedy this round, Sam Rockwell has now quietly appeared in a dozen LRF productions, which made now seem like a good time to look at his body of work.

Top 10 Sam Rockwell Films
10. The Child Martyr
9. A German Tragedy
8. Hawkworld
7. Steins Gate
6. Delaware
5. The Raven
4. Nevada, Iowa
3. Libra
2. Cosa Nostra
1. Of Rocks and Sand

Now Showing: A German Tragedy

 

A German Tragedy
Genre: Drama / Romance
Director: Noah Baumbach
Writer: Wyatt Allen
Cast: Adam Driver, Sam Rockwell, Eliza Scanlen, Margarita Levieva, Jim Sturgess, Geoffrey Rush, Sophia Bush

Plot: A small theater in New York, it’s the last show of the season. They are playing Romeo and Juliet. It’s the last scene, Romeo (Jim Sturgess) and Juliet (Margarita Levieva) are laying dead on the floor. The seats are not filled at all and the people watching don’t seem to be too excited to be there.

Theo Wagner (Adam Driver) carefully looks through the curtains, trying not to be seen, to take a look at the reaction of the audience. Once again he is devastated that there is only very little interest and excitement to see.

After the show Theo is at the office of John Hayward (Geoffrey Rush), the owner of the theater. Hayward hated not only the show, he also hated that the audience hated it and the critics hated it, probably even the actors hated it. He tells Theo that he wants to see results quickly as they can’t afford another downer season like this. He gives Theo only the next season to prove himself, if they don’t drastically get better, he has to give the power to someone else, someone who will be better.

Theo is wandering down the streets of New York at night, thinking about his life. He sees the big city lights, the advertisements of all the big shows around the city, the people coming out the theaters and cinemas in awe of that they just saw, discussing with their friends what they just witnessed together.

In an apartment in New York. Fragile things are being thrown intentionally to the ground by an angry women (Sophia Bush). The woman seems to be ranting about her boyfriend, she is telling herself she is an idiot for believing that she would be the one to change him. Telling herself that everybody told her from the start that it’s not a good idea, but she was dumb enough to ignore them. She even paid the rent for him when he struggled to find a job as an actor because of his attitude and how did he thank her? By sleeping with her best friend. Blake Stewart (Sam Rockwell) steps into the scene trying to calm his girlfriend down. He is telling her that it was just an accident that can’t be undone, but he is sure he will find a job soon, as the world can’t seem to get enough of him. His ex-girlfriend tells him to fuck off and go to hell, as she hopes to never see him again. She also adds that after almost raping that actress at his latest movie he will never find work again. Stewart throws on his jacket and leaves the apartment.

He walks down the streets of New York as he runs into Theo. Theo recognizes Blake Stewart as one of his old high school classmates. He tells him that they did one show together when Blake was in his senior year. Blake starts to remember Theo, saying that he always thought that he was pretty talented for his age. Theo explains to him that he is now the director of a theater here in New York, but he is really not doing well right now as he is seriously considering to look for something else. Stewart tells him that he is a movie actor but would love to do theater for a change, he asks him why doesn’t want to do theater anymore. Theo tells him that they haven’t been as successful as he would like to. Blake tries to convince him to hang on and disguises his wish to play for him as a favor for an old friend. He wants Theo to let him audition at least one time. He also asks Theo if he could sleep at Theo’s place today as his place doesn’t seem to be available for him tonight. Theo is very skeptical of this, but he agrees to let him stay at his place for one night

At Theo’s place Blake Stewart discovers a bunch of applications for different reality and trash TV formats written by Theo. Stewart didn’t know that they used screenplays for those. He tells Theo that it would be career suicide to exchange theater for a format like this. Under the applications, he could also find a screenplay about Johann Wolfgang von Goethe’s Faust. He asks Theo about it because he doesn’t remember what it’s about. Theo explains that it’s a German tragedy about a scientist who is failing to find the cure to the plague making its way to his city. He meets Mephisto the devil who makes a deal with him, promising to change his life for the better. Stewart is interested he wants to act out a scene with Theo.

They act out the scene where the protagonist Dr. Heinrich Faust read out by Theo is making the deal with Mephisto who is read out by Blake Stewart. Stewart’s performance is phenomenal, Theo is carried away by Stewart’s interpretation of the character. He wants to work with Stewart. Stewart holds his hand out telling him that this is kind of like making a deal with the devil, but he wants Theo to trust his vision when agreeing to work with him. Theo shakes it, they decide to order some Pizza and spend the whole night refining the screenplay.

The next day Theo Wagner presents his finished play to John Hayward. He likes it and tells Theo once again that he has great expectations for next season.

Nina Pritchard (Margarita Levieva) the women who played Juliet in the first scene and her friend Eliza Thompson (Eliza Scanlen) are sitting at a bar. Nina is talking about the state of their theater and how it’s not sustainable if they continue like this, she thinks it might be time to get a different director. Eliza thinks that Theo is really talented he just needs some time to do really great things. Nina is wondering why Eliza is defending him as he always casts her in very minor roles. Eliza tells her that she just didn’t really have the chance to showcase her skills to him. She really wants to impress him before the next season starts, because she thinks a lot of him, as they get interrupted by two guys approaching them. The guys are hitting on them which Eliza is more uncomfortable with than Nina. Nina flirts with one of them, while the other guys who is trying to flirt with Eliza soon notices that his effort is not going to be successful as Eliza is pretty reserved. Nina is taking they guy she flirts with home to the apartment she shares with Eliza. Eliza is unlocking the door while Nina is making out with the guy. Eliza quickly rushes to her room to give them their space.

The next morning Nina leaves her room, telling Eliza that she can come out of her hiding place as the guy he spend the night with has already left. Eliza asks her how it was. Nina tells her the guy was a complete wimp. They both laugh. Eliza tells her that they have to go soon, as they are having the big meeting today. Eliza is already ready to go, Nina just puts on something she could find laying around.

The whole ensemble came together to see what they will show next season. Theo introduces Blake Stewart to the ensemble and finally proudly shows them his play of Faust. He hands out a copy to everyone and wants them to read and study it. He would like them to think about which role they could be playing, even though he already has a bit of the cast in mind he is open for ideas.

Stewart talks to Theo and tells him that he noticed a certain interest for Theo in Nina, as he caught him looking at her a couple of times. Theo explains to him that it’s nothing and he just imagined her as Gretchen a role in the play, which Nina as their leading actress seems to be fitting for. He is focused on the upcoming season and nothing else.

They are doing a couple table reads to get to know the play better as Blake Stewart introduces himself to Nina. He tells her he needs her help as he is really interested in Eliza but he noticed that she is really shy and that’s why he would like Nina to come with them as he brings Theo with him to loosen up the situation a bit.

The four have a picnic in the park. The two girls are just leaving to go to a restroom, as Stewart tells Theo that he thinks that Nina and him are really looking good together. Theo is unsure about it, but Stewart reminds him of the deal they made and how Stewart promised to make his life better if Theo trusts him. He tells Theo that he is the main man of this whole production and really should take advantage of it, because that is how it goes.

Theo and Nina are talking about the theater and that next season they really have to deliver. He opens up to Nina and tells her he will lose his job if they don’t bring more people to the seats. Theo counts on Nina and tells her that she will probably once again play a big role in the show. The night comes to an end as Nina says goodbye to Theo with a kiss.

A lot of the ensemble are trying out for different roles. Nina is of course trying out for the role of Gretchen. Gretchen is Dr. Heinrich Faust’s love interest in the play and also the female role with the most „screen“ time. Nina’s confident and easy demeanor is a hindrance for her to play Gretchen. She is struggling to play the more reserved and insecure character.

Eliza is also trying out for Gretchen, she doesn’t seem to struggle as much as Nina, on the contrary it’s almost like she was born to play Gretchen.

Nina and Theo are having a date and are playing mini golf. This time they met without Blake and Eliza and have a lot of fun without them. The night ends in Theo’s apartment where Nina ensures Theo that she will help him to make this season a lot better than the last one as they make out and eventually have sex.

Blake Stewart and Theo meet up to discuss the casting and further planing. Theo tells Stewart he wants James Reeves (Jim Sturgess) as Dr. Heinrich Faust, he played Romeo last season, his performance was unspectacular but solid. Blake will play Mephisto and Nina will play Gretchen. Stewart is not so sure about Nina playing Gretchen, he tells Theo that he probably knows better than him, that Eliza is the better Gretchen. Theo tells him he can’t pick Eliza after everything he has said to Nina. Stewart says that if Theo picks Nina to play Gretchen it will be just as bad as last season.

Theo is watching closely as Nina tries out for Gretchen and he soon has to admit to himself that Blake is completely right, there is no way Nina could successfully play Gretchen.

It’s the day the cast will get announced. Theo is reading the cast from a paper, when announces Eliza as Gretchen, he looks up to see Nina’s reaction. Nina is looking like she misheard it, but soon realizes that she heard it just right. After finishing the announcement it gets a bit loud as everyone is congratulating each other on getting a certain role. Theo is trying to make his way to Nina, who is already coming at Theo. Before he can start explaining himself Nina slaps him in the face and than storms out of the building.

The rehearsals start and Nina is nowhere to be found. Theo is trying to call her but she is not answering. Eliza tells him that Nina doesn’t want to see any of them. She even criticized Eliza for taken her role.

They are playing out a couple scenes from the play. James Reeves as Dr. Faust is summoning Mephisto, of course played by Blake Stewart, who is promising to make Faust’s life better if he is making a deal with him. They soon visit a witch kitchen to brew him a potion that will make the old scientist young again. Faust meets Gretchen played by Eliza on the street and gets rejected by her. Faust wants to be with her and tells Mephisto to make her his mistress or else the deal is off. Mephisto is figuring out a way to bring them together

Theo is looking for reconciliation with Nina and she finally agrees to meet up with him. They are drinking a coffee together and Nina tells him that she felt really screwed over by Theo. First he sleeps with her and tells her how important she is for the theater and than he casts her best friend and room mate in the role that was supposed to be hers. She says she loves Eliza but she knows that she is the way better leading woman and is the more talented actress between the two, Theo ensures her that Eliza is not replacing her it’s just that Gretchen’s characteristics fit Eliza perfectly and it would be a shame not to use it to their advantage. Nina tells him that she is done with the theater, she tells him she already had offers before and now decided to agree to them. Theo is devastated to hear that, he didn’t want to lose Nina, but he sees that she already made the decision.

Mephisto is gifting Gretchen jewelry in Faust’s name. Faust and Gretchen fall in love and are in search of some time alone but Gretchen’s mother is in the way. Mephisto is handing Gretchen a sleeping potion to give to her mother so Faust and Gretchen can have some time alone. Gretchen and Faust spend the night together only to find out the next morning that the sleeping potion was deadly and Gretchen’s mother will not be waking up from it. Gretchen is ashamed of her decision to give her mother the sleeping potion, so is her brother who is plotting to revenge his mother’s death. He is hunting down Faust and Mephisto. Mephisto incites Faust to fence with Gretchen’s brother which he decides to do. During the fence duel Faust pierces through his opponents body, killing Gretchen’s brother too. Mephisto and Faust flee.

Gretchen is in the church, after losing her mother and brother and also not having heard from Faust, she is on the brink of insanity. A ghost appears reminding her that it’s all her fault, the ghost also confirms Gretchen’s assumption about her being pregnant. Gretchen faints. Suddenly Theo wants them to stop.

He is not happy with the scene, as he thinks that Eliza could portray Gretchen’s hopelessness and frustration a bit better. He explains that this is the climax of Gretchen’s character. He reminds Eliza that after that, Gretchen’s goes on to kill her newborn and gets the death sentence. Theo says the doesn’t get this energy from Eliza’s performance at all, she is not even close. Eliza is apologizing to Theo, holding back tears.

Theo is in his office doing some paperwork, as Eliza comes in wanting to talk to him. She tells him that she thinks she is not the right person to play Gretchen and feels like Nina would play a better Gretchen than her. Theo disagrees, as he saw Nina trying to play Gretchen and not even coming close to the way that Eliza is portraying her. He is telling Eliza that she is doing great, it’s only the last scene that she is struggling with. Eliza is opening up to Theo saying that she is really blaming herself for Nina’s current situation, revealing that Nina lied about having other options and is now desperately trying to make ends meet. Theo is surprised to hear that but ensures Eliza that she is not responsible for Nina’s situation.

Nina is coming out of Hayward’s office with a smile on her face. Blake Stewart is running into her, asking her what she ís doing here. She tells him that Theo reached out to her, offering to put out a good word for her in trying to get her job back. She asks Stewart what he is doing here so early today, looking at the comfy clothes he is wearing. Stewart tells her he sleeps here, as his living situation is currently a bit chaotic. Stewart tells her that he is glad that Nina is back, as he couldn’t understand why she left. He wondered why Nina was so upset when Theo slept with her and than chose Eliza for the role, telling her that it’s a pretty normal thing to do in the show business. He also adds that it wouldn’t surprise him, if Theo also has slept with Eliza. Nina tells him that he should stop talking bullshit and rather go look for a place to live, so that he doesn’t have to sleep in the props room.

It’s the day of the first showing. Eliza is practicing the church scene in front of the bathroom mirror in her apartment, suddenly her phone alarm goes off reminding her that it’s time to go to the theater. On her way out of the apartment Nina is waiting for her, she tells Eliza that even though things were complicated between them she wishes Eliza nothing but the best. Eliza thanks her and makes her way out of the apartment

The first show exceeds expectations, the additions of the brilliant Blake Stewart as Mephisto and innocent Eliza as Gretchen are paying off. Especially Stewart’s performance captivated the audience, some people really looked scared when Mephisto gets summoned for the first time as Stewart is playing his role to perfection. After the show the whole ensemble is happy and in the mood to celebrate their great start to the season, they decide to go to a bar together. Eliza is texting Nina that she should come too, but she doesn’t text her back.

After a couple drinks the normally tense Eliza loosens up a bit and has some fun with the rest of the ensemble. Stewart shows that he is not only a great actor, he is also really good at partying. He is dancing a little crazy with Eliza for a while to the amusement of the others. After a while Eliza sits down next to Theo in need of a break. Theo notes that it’s nice to see her like this after all she went through. Eliza replies that she still didn’t get the church scene right but Theo tells her that it doesn’t matter because she did great. Eliza thanks him for giving her the chance. He says that she deserved it. Eliza smiles at Theo and they come closer until they start to kiss.

Nina was just entering the bar as she sees Eliza and Theo kiss, with a skeptical look on her face she turns around and leaves.

The next day just before their next show Eliza is once again practicing in front of the bathroom mirror. Nina just enters their apartment asking Eliza why she came home so late this morning. Eliza explains that the whole ensemble was celebrating the success of the first show. Nina asks Eliza if she has slept with him. Eliza is a bit confused, asking Nina what she is talking about. Nina thinks that Eliza is taking her for a complete fool, as she noticed how Eliza looks at Theo. Nina wants to make sure that Eliza knows that she will never be as good as her and Eliza is just next in line to get replaced when Theo gets bored. Nina turns around wanting to leave but Eliza replies that if she really was that good she would’ve easily found another job and wouldn’t have to pathetically beg Theo and Hayward to get her job back. Nina starts to attack Eliza. A scuffle between them starts to ignite until Eliza pushes Nina off of her, causing her to stumble back and to unfortunately hit her head on the bathroom sink.

Nina is unconscious, Eliza is in shock, holding her hand in front of her face. She is looking for signs of life, as suddenly her phone alarm starts to go off, telling her that it’s time to go the theater. She thoughtfully looks at the still unconscious Nina and decides to go and leave her alone.

Eliza is in a chair in front of a mirror getting her make up done. Her legs tips nervously up and done. The make up artist is noticing that Eliza is even more nervous than at the first show.

The show starts and Eliza is playing Gretchen to perfection. For the first time she is able to get the church scene just right where Gretchen breaks down because of her mother’s and brother’s death and also her unwanted pregnancy. The audience can feel the guilt, the frustration, the hopelessness. The curtain closes, the audience stands up and applauds. Eliza has done it, she looks over at Theo, who was watching the show hiding behind the curtain just as he always does. Theo is proudly applauding together with the audience, recognizing Eliza’s astonishing performance. A smile starts to build on Eliza’s face. 


Friday, April 26, 2024

In Development

 
Spider-Man: Requiem: A few more returnees are set for the third Spider-Man film in LRF with Ansel Elgort (Spider-Man, Buried Child) back as Harry Osborn, Sissy Spacek (Spider-Man, Halo 4) back as Aunt May and Kiefer Sutherland (Spider-Man vs The Sinister Six, The Crow: Wings of Isaiah) back as NYPD Captain George Stacy. Javier Bardem (L.A. Rex, The Wolfman), who was announced as part of the film at the LRF Comic-Con, has also been seen on the set as Dr. Otto Octavius. Damien Chazelle is once again directing the Marvel Universe production from a script by D.R. Cobb and Chad Taylor.

Kill Zone: The Chris Pratt-led war film, Kill Zone, has added Freddie Stroma ("Peacemaker", The Giver of Stars) and Kelvin Harrison Jr. (Sam, The Hit Maker) to the cast. They will play members of a US Marines unit are come under a heavy ambush. Zack Snyder directs the true story film. Jimmy Ellis and John Malone penned the script.

Boy's Life: Julian Hilliard (Harvard Psychology, Amityville), Josh Hartnett (Wonder Woman: Labyrinth, Broadway), Annabelle Wallis (Rock Paper Scissors, Star Trek: Enterprise) and Dane DeHaan (The Mars Room, Life of a Champion) have been cast in a big screen adaptation of Robert McCammon's novel Boy's Life, a coming-of-age mystery novel set in 1964 Alabama that mixes in a bit of the supernatural. Hilliard and Hartnett will play a boy and his father who stumble upon a dead body. Wallis will play the mother, while DeHaan will play the eccentric and suspicious son of a wealthy family in town. Benh Zeitlin (Beasts of the Southern Wild, Wendy) has been tapped to direct the film as his LRF debut, while Eden Townsend (One By One, The Terminal Spy) wrote the adaptation.

Amnesiac: Joseph Gordon-Levitt (Broadway, Stepford) and Michael Shannon (Murder Mysteries, Obsession) have been cast as the two leads in Amnesiac, an original superhero film from writer Jack Ryder (Bravo/Samurai, The ComeBack). Gordon-Levitt will play a masked vigilante who suffers from amnesia, while Shannon will play his mysterious neighbor who finds himself investigating the crimes going on in the city. Drew Goddard (Bad Times at the El Royale, The Cabin in the Woods) has been hired to direct the film, which hopes to be the beginning of a new franchise for the studio.

Slowly Dying: Director Alexander Payne (The Holdovers, Downsizing) is finally set to make his LRF debut with Slowly Dying. In the film, Paul Giamatti (The Beat Goes On, Whaling) will play a New York professor and author who is fired from his teaching position following a politically-themed public outburst. He is soon offered a guest position on a California-based potlicial talk show, but is afraid to fly and does not have a driver's license so he sets off on a cross-country road trip to appear on the show. Rachel Sennott (Bottoms, Time Out!) and Shailene Woodley (Vampire, The Producer) will also appear in the film. Sennott will play a student Giamatti hires to drive him, while Woodley will play a host on the show. Alex Conn (The Actors, The Hippie Preacher) penned the script.

The Ninth Hour: Another novel adaptation is due out in early Season 30, with an adaptation of Alice McDermott's novel, The Ninth Hour, on the way. The story depicts a widowed woman who is taken in by the local Catholic church in early 20th century Brooklyn, New York. Elisabeth Moss (Sleeping Beauties, Plastic Man 2: Electric Boogaloo) will play the widow, while Mackenzie Foy (The Nest, Kiss Me Katie) and Nicole Kidman (The Phantom of the Opera, The Virgin Suicides) have signed on to play a couple of the several nun characters in the film. Reed Morano (Batgirl, The Brilliant Friend) has been hired to direct the film, which has been adapted by Rosie JoLove (My Sister, The Girls).

Release: The Crow: Midnight Garden

 

The Crow: Midnight Garden
Genre: Supernatural/Thriller
Director: Nathalie Biancheri
Writer: Jack Brown
Based on the comic by James O'Barr
Cast: Brendan Fraser, Sophie Thatcher, Happy Anderson, Clarke Peters, Violet McGraw, Ione Skye, Cara Buono, Jon Bass, Peter Greene





Budget: $47,000,000
Domestic Box Office: $76,135,098
Foreign Box Office: $69,775,390
Total Profit: $28,828,503

Reaction: This Jack Brown-penned Crow film grossed slightly less than the previous two from writer Jacob Jones, but managed a bigger profit in large part thanks to its smaller budget.



“The Crow: Midnight Garden takes a little while to get me properly invested in the story. There are a few plot holes I found throughout, but, similarly to other Crow movies it didn’t stop me from being entertained while watching it. I would put this Crow film on the same level of the others, count me in for another.” - J. Johnson, DailyMovieNews.com



"The Crow is alive! Writer Jack Brown finds that new take on the popular cult classic that's a lightning-in-a-bottle adaptation. Something we fans of the OG Brandon Lee movie have been waiting on. Overall, I would say this is a sample of the IP potential, then take your time for the next one to make sure it's worthy follow-up." - Stephen Anderson, Entertainment Weekly?




"This take on The Crow mythos from writer Jack Brown does a lot right with the property. I was not familiar with Sophie Thatcher before this, but she impressed me as the title character here. Brendan Fraser maybe isn't the most obvious choice here, but he also did a really good job playing a cop falling apart at the seams. Despite a little less action, The Crow: Midnight Garden is more cohesive in terms of tone (and sound) than the two previous films in LRF from writer Jacob Jones, but it is also very depressing - even for a Crow film! Midnight Garden is almost more of a gloomy, gothic drama than a story of a supernatural avenger - and that's okay!" - Dave Manning, Ridgefield Press








Rated R for graphic violence, disturbing sexual content, language and thematic elements




Thursday, April 25, 2024

Last Resort Films Jukebox: The Crow: Midnight Garden

 




Now Showing: The Crow: Midnight Garden

 

The Crow: Midnight Garden
Genre: Supernatural/Thriller
Director: Nathalie Biancheri
Writer: Jack Brown
Based on the comic by James O'Barr
Cast: Brendan Fraser, Sophie Thatcher, Happy Anderson, Clarke Peters, Violet McGraw, Ione Skye, Cara Buono, Jon Bass, Peter Greene

Plot:  October 30, 1978. 
A solitary crow flies high above the city of Seattle, Washington, finally landing on the iconic Space Needle. 600 feet above the city, the crow caws into the night as a storm approaches the Emerald City.
 
Violet (Violet McGraw) sneaks out of her house in the middle of the night, careful not to wake up her sleeping mother Rose (Ione Skye). Violet walks down the street while listening to a local college radio station playing Joy Division - her favorite band - on her little portable radio. She sees the lights of a police car and ducks behind a tree to not be stopped for a curfew violation. Violet walks all the way to a community garden - her favorite place. She lays in the garden, surrounded by flowers, illuminated in the moonlight. Suddenly a man's shadow blocks the light, alerting Violet. She tries to stay calm and ask what the man wants. No response. Violet screams as she is attacked.

The next morning, Seattle PD Detective Joe Salk (Brendan Fraser) arrives at the community garden. Police tape blocks off the entrance to the community garden. Joe is angry when he sees Violet's brutalized corpse. He looks around and quickly notices that her shoes and underwear are missing from the scene. Rain begins pouring from the heavens. Joe frantically tries to get the crime scene covered, but the rain begins washing away any hope of DNA or fiber evidence. 

Joe attends the autopsy of Violet's body. He gets sick as the coroner describes the shocking amount of violence the girl went through before her death. Joe vomits in a garbage can. As he wipes hip mouth, he thinks he hears Violet whisper his name. Joe hears screaming and crying from the hallway where officers are holding Rose back, not wanting her to see Violet's body. Joe tells them to let her go. Rose storms into the room and sees Violet's body and the violence she suffered. Joe asks Rose why Violet was in the garden instead of in her bed at home. Rose confesses that Violet has always been a bit troubled since her father left and frequently snuck out of the house at night, although she never knew where exactly she went off to. Rose asks Joe to promise to catch the killer. Joe tries not to promise, but Rose insists that he promise. Joe looks over at Violet's body and makes the promise to catch Violet's killer.

Joe leaves the building and fires his gun at a dumpster. Other officers rush over to see the source of the gunfire. Joe yells at them that they just heard a car backfire and to go back inside.

October 30, 1988. 
A gravestone rests in a Seattle cemetery. The engraving reads "Violet Corbeau. 1966-1978. Beloved Daughter Taken Too Soon." A hand reaches out of the ground. It's Violet (Sophie Thatcher) who has seemingly aged in real-time over the last 10 years of purgatory in the grave. Violet is confused when she sees her name on the gravestone. She walks away from the cemetery. A crow flies over and lands on her shoulder as she walks.

Joe Salk wakes up from yet another alcohol bender. He makes coffee and goes into his office, trying not to make noise to wake up his family. The wall is covered in crime scene photographs and pieces of his investigation on the case that was the one who got away. At the center of it all is a school photo of the victim - a young girl named Violet. His wife Sharon (Cara Buono) becomes upset that Joe is once again focused on the case of Violet's murder. She tells Joe that she has stood by for a decade now hoping he would become the man she married again. Joe doesn't know what to say. A crow lands on the window sill as Joe combs through files.

Joe later visits the grave and finds the hole in the ground and an empty casket. Violet's mother Rose arrives with flowers on the 10th anniversary of Violet's death. Rose first becomes angry at the sight of Joe, then becomes distraught when she sees that someone has seemingly stolen Violet's body from her grave. Rose reminds Joe of his promise to catch Violet's killer. Joe says that he didn't forget - he thinks about Violet every second of every day. 

Violet visits what used to be the community garden, which is now a vacant lot taken over by drug dealers and prostitution. The users lay among the weeds, completely strung out. Violet finds the exact spot where she was killed. She has flashes of memory from her death, but cannot see the face of her killer. A drug dealer comes over to her and offers to sell her crack cocaine. Angry about what has happened to her old favorite place on the planet, Violet attacks the drug dealers. One pulls out a knife and stabs her in the chest. Violet cannot feel any pain and pulls the knife out. Her wound quickly heals. She then stabs the drug dealer with his own knife. The others run away. 

Joe is at the police station looking over what little evidence was found at the crime scene 10 years earlier for the thousandth time. His superior Captain Gil Proyas (Clarke Peters) sees this and chastises him. Proyas reminds Joe that there are new crimes and new murders in Seattle every single day that aren't going to solve themselves. Joe doesn't respond to Proyas, who then walks away. Joe finally finds something that catches his interest - a notorious child molester named Lester Millen, who had a thing for girls who looked a lot like young Violet, was released from jail shortly before Violet's murder.

Joe leaves the station, intent on finding Lester, hoping that will lead to something - any sort of resolution for Violet's case. Violet, herself, confronts him in an alleyway behind the station. Joe is surprised and pulls his gun. Once he gets a look at her, Joe holsters his sidearm assuming Violet is just another young punk and tells her to take a hike. Violet asks Joe if he ever figured out who killed her. Joe is completely surprised by the question. He demands to know who she is, but she rushes off. A crow lands where she had been standing. Joe gets in his car - although he does take note of the Joy Division button the girl was wearing.

Lester Millen (Jon Bass) watches from his car as young children play at a playground. He reaches his hand down his pants, but is interrupted by Joe getting into his car. Joe aims a gun at Lester's hand in his pants. Joe shows Lester a picture of Violet's dead body at the crime scene. Lester becomes annoyed, commenting that the macabre picture is ruining his "mood". Joe drags Lester out of the car and begins beating him in front of the children at the playground, who all run off calling for their parents. Joe eventually regains control and stops the assault. He assures Lester that he will be watched closely and if he's seen anywhere near children again it will be the last place he ever visits. 

After Joe leaves, Violet confronts the beaten Lester. She demands to know if he killed her. Lester is hysterical, insisting he may be perverted but that he would never kill anyone - he doesn't have it in him. Violet asks the crow if Lester deserves to continue to live his life as a child molester and pervert. The crow shakes its head to Violet. She nods to the crow. Terrified, Lester speeds away from Violet. She jumps on the hood of his car. He barrels through the streets of Seattle, trying to shake her off. She stands up and begins kicking in his windshield. Once a hole has been made, she reaches through and pulls him out of the moving car. The car swerves toward an oncoming bus. Violet jumps up away from the car, which crashes into the bus, killing Lester. Violet drags Lester’s body back to the playground.

Joe is back at the station when he looks again at the crime scene photographs of Violet. He registers her missing shoes and the Joy Division button on her jacket. Joe tries to rationalize the situation and ignore any supernatural component, but he becomes convinced that Violet has become a sort of specter or ghost.

Lester's dead body has been found at the playground - sprawled out on the merry-go-round, with his guts twisted around repeatedly. Joe is called to the crime scene by Captain Proyas. Joe tries to pretend he isn't familiar with Lester, but Proyas confronts him, informing him that he is a suspect in the murder as he was seen angrily questioning Lester earlier. Joe tries to explain that he was simply questioning Lester on the case, nothing else. Proyas suggests Joe keep things by the book until Internal Affairs has a chance to look into the matter. Joe throws down a spent cigarette, which ignites a large flaming crow on the ground. Joe looks at Proyas and comments that whoever killed Lester has too much free time.

Violet finds Joe’s house. The door is wide open. Inside, the house has been cleaned out aside from Joe’s belongings. Sharon has clearly packed up the rest of the family’s stuff and left Joe. Violet explores the house until she finds Joe’s home office. Inside the office, she sees the pictures of her posted all over the wall. She is overwhelmed by memories and emotion.

Richard Harold Davis (Happy Anderson) watches TV coverage of Lester’s murder in a large dark basement. Guns, whips and various torture devices hang on the walls. Richard is angered by the news of Lester’s death. Screams and cries of young girls are heard in the distance. Richard grabs a cattle prod and walks toward the cries. Several young girls are kept in cages. He threatens to shock them if they keep making noise. One girl doesn’t stop crying, so Richard shocks her with the cattle prod. She cries louder. He takes his belt off and enters the cage. He beats her with the belt until she is too weak to even cry.

Joe Salk returns home, instantly realizing that Sharon and the kids have left him. Resigned, Joe sits in his favorite chair - the only piece of furniture remaining in the living room. Joe spots the crow sitting on the window sill. In disbelief, Joe rubs his eyes. When he looks again, Violet is standing in front of him. She tells him that she doesn’t have much longer so she needs him to find the killer faster. Joe rants that he has taken every angle that he can think of on the case and it has gotten him nowhere. Violet asks if there was anyone else at the garden that night. Joe sighs, saying no witnesses and no DNA evidence. Violet tells him that there was a police car that stopped someone near the garden the night of her murder - they may have seen something.

Joe storms into the station and begins digging through filing cabinets. He is stopped by Captain Proyas, who demands to know what Joe thinks he’s doing. Joe says that some other officers stopped someone near the community garden October 30, 1978 and he needs to know who they stopped. Proyas helps Joe look through the files until he finds that night’s shift log. Proyas tells Joe that the only logged traffic entry in that vicinity was from Officer David Pstashinki. Joe asks where he is. Proyas regretfully says that Pstashinki is on his deathbed, dying from bladder cancer. 

Joe speeds to Cherry Hill Hospital and demands to see Pstashinki. A nurse leads Joe into the hospice wing. Joe walks down the hall - room after room of people anticipating their own deaths - until he finds the room of David Pstashinki (Peter Greene). Joe wakes up Pstashinki and asks him about October 30, 1978. Pstashinki sighs, saying he knew he would eventually have to confess to his mistake that night. Pstashinki tells Joe that he and his partner spotted a car on the side of the road that night near the community garden. It was toward the end of their shift - both tired, ready to go home. They started to run the plates on the car in case it was stolen. Then this big guy came out of the brush, saying he was just stopping to take a leak. The guy passed a field sobriety test and said the girl's shoes in the car were his daughter's. It was only the next day that the missing shoes on the dead girl made it all click for him. Pstashinki confesses that he was too ashamed and embarrassed of letting a killer go right after the crime that he and his partner have both taken it to their graves. Joe demands a name. Pstashinki says he never once forgot the name of the man... Richard Harold Davis. Joe storms out of the hospital room. Pstashinki shouts after Joe to please forgive him. Pstashinki sees a crow land next to his bed as the life slips out of his body and his vital signs monitor flatlines.

Joe calls the station from a payphone in the hospital lobby. He asks Proyas for the address of Richard Harold Davis. Proyas gives him the address and asks if he wants any backup. Joe tells Proyas that he needs to do this to make everything alright again. Joe goes back out to his car, finding Violet and the crow sitting on the hood of his car. Joe tells Violet that he has an address to check out. Joe, Violet and the crow drive to the address, finding a rundown, abandoned house on a large property on the outskirts of Seattle. They check out the interior of the house, which is in a state of total disrepair. As they walk in, the crow makes a slight caw. Violet tells Joe that the man in the hospital is dead. Joe regrets not forgiving Pstashinki. Searching through the house, they find a lot of animal skulls but not much else. Joe looks out an upstairs window and notices that there is a barn on the far end of the property with a light on inside. 

A torrential rainstorm falls as Joe and Violet make their way down a slope toward the barn. Joe slips in the mud and loses his gun. As Joe frantically searches the mud for his gun, Violet and the crow forge on ahead. Violet bursts through the doors of the barn. Nobody appears to be inside, but she does notice a trap door. She moves toward it, but is caught in a bear trap. She rips the trap off her leg and continues toward the trap door. As Violet and the crow go down a set of stairs, Richard shocks the crow with his cattle prod. Richard grabs the immobilized bird and bites its head off. Violet suddenly feels the effects of her wound from the bear trap and yells out in pain. Richard looks at her, commenting that she is older than he prefers but he can make an exception. He then notices her Joy Division pin. This triggers his memory. With Violet on the ground holding her leg, Richard goes to a chest and pulls out the shoes he took off young Violet’s feet after he killed her. Richard begins to drag Violet by the hair toward the cages. Joe, having heard Violet’s yell, gives up on finding his gun for now. He moves closer to the barn, finding a sledgehammer outside, commenting that it will have to do. Joe sneaks down in the basement where he tells Richard that his days of murdering helpless young girls is over. Richard drops Violet and pulls out a gun. Joe charges at Richard with the sledgehammer. Richard fires his gun at Joe, hitting him multiple times. Joe keeps coming though, slowly. He swings the sledgehammer at Richard, hitting him in the face. Richard’s face quickly heals, revealing that he has absorbed some of the crow’s abilities when he bit its head off. Joe, bleeding out from the gunshot wounds, apologizes to Violet for not finding Richard sooner. Violet tries to forgive him, but he dies before she can muster the words. Now with another death to avenge, Violet regains her powers. She takes Richard’s cattle prod and repeatedly shocks him, but it doesn’t hurt him. She manages to trick Richard into getting trapped in one of his animal traps. Violet lets out a scream. Suddenly a murder of crows descend upon the barn. The crows attack Richard, devouring him. Richard screams in pain as the crows pick the flesh off his body. Eventually the screams stop. Richard Harold Davis is dead and will never harm another young girl. Violet frees the girls from Richard’s cages. When they make it back outside, police sirens approach. Captain Proyas and several officers converge on the location, finding the girls, Joe’s body and what is left of Richard Harold Davis’ picked apart corpse.

Violet goes to see her mother, who she realizes has never recovered from Violet’s death a decade prior. Violet calls her ”mom”. Rose breaks down in tears, hugging her daughter. Rose sobs that she thought Violet was dead all these years. Violet explains that she is dead, but the crow brought her back to make things right and make her killer pay for what he did. Rose asks Violet if she succeeded. Violet nods her head. Violet tells her mother that she has to leave, but asks Rose to try to be happy even without her. Violet returns to the cemetery. She transforms back into her younger self as she climbs back into her own grave.


Wednesday, April 24, 2024

Resume: Brendan Fraser

 




Brendan Fraser has been working on a bit of a renaissance in recent years/seasons in and out of Last Resort Films, starting with his acclaimed debut in Season 11. Now he's set to put his name cache to the test as the leading man in the latest film in the Crow anthology film series. Let's take a look at his Resume....















Season 11
Buried Child
Director: Clint Eastwood
Writer: Chad Taylor


Budget: $40,000,000
Domestic Box Office: $91,201,331
Foreign Box Office: $62,492,755
Total Profit: $53,800,393



Brendan Fraser made his LRF debut with a big bang as the mentally slow eldest son in Clint Eastwood's Buried Child. In addition to the film winning Best Picture, Fraser managed to take home the film's lone acting GRA for Best Supporting Actor.



Season 15
A Reputation
Director: Noah Baumbach
Writer: Mo Buck


Budget: $52,000,000
Domestic Box Office: $73,897,112
Foreign Box Office: $15,579,540
Total Profit: -$18,905,314



Fraser was back just a few seasons later with another major supporting role in a potential prestige picture, A Reputation. The film was acclaimed by critics, but flopped at the box office. Fraser won another GRA trophy, this time as part of the award-winning Best Ensemble Cast.



Season 23
Uncharted 4
Director: Brad Peyton
Writer: APJ


Budget: $235,000,000
Domestic Box Office: $179,224,103
Foreign Box Office: $396,558,400
Total Profit: $83,505,115



Up next for Fraser was another supporting role, this time as the roguish older brother of Ryan Reynold's Nathan Drake in the fourth Uncharted film. Like the preceding three films in the franchise, Uncharted 4 was a box office hit. Fraser's role was pointed out as a highlight by critics.



Season 25
Troll Mountain
Director: George Martin
Writer: Sammy-Jo Ellis


Budget: $235,000,000
Domestic Box Office: $179,224,103
Foreign Box Office: $396,558,400
Total Profit: $83,505,115



Fraser returned in Season 25 with a voice/motion-capture role as the Troll King in George Miller's fantasy adventure. The film flopped at the box office despite its solid reviews.



Tinseltown
Director: Sam Mendes
Writer: Andrew Doster


Budget: $50,000,000
Domestic Box Office: $67,943,998
Foreign Box Office: $40,234,005
Total Profit: $1,000,046




Fraser continued his busy Season 25 with a supporting role in the classic Hollywood set Tinseltown. He plays the driver/bodyguard of silent film star Mabel Normand. The film received solid reviews and Fraser won another GRA for Best Ensemble Cast.



Up Next:
Following The Crow: Midnight Garden, Brendan Fraser has yet to officially line up his next LRF role.


Review:
  • Highest Grossing Film: Uncharted 4 ($575,782,503)
  • Most Profitable Film: Uncharted 4 ($83,505,115)
  • Most Awarded Film: Buried Child (3 Wins + 7 Nominations)
  • Best Reviewed Film: Buried Child (Metascore: 84)