Wednesday, February 4, 2026

Now Showing: The Tick

 
The Tick
Genre: Comedy/Superhero/Animation
Director: Pierre Perifel
Writer: Lon Charles
Based on the character created for comics and television by Ben Edlund
Voice Cast: Rob Riggle, Michael Cera, Alison Pill, Jimmy Tatro, Vanessa Hudgens, Neil Patrick Harris, David Alan Grier, Johnny Knoxville

Plot: The Tick (Rob Riggle), clad in a hospital gown over his classic blue costume, kicks open the heavy doors of his cell in a mental institution on the outskirts of The City. Security chases after him, but The Tick is already narrating his dramatic escape to an audience of none. "And so, like the storm itself, I rise! Unbound! Unstoppable!" The Tick pauses mid-sprint to scratch his head. "Why am I here again? Ah, hero stuff!" He launches forward, crashing the last wall of the hospital. He looks out at the skyline of The City in the distance and begins marching toward the lights on the horizon.

In a bland office, Arthur Everest (Michael Cera) sits hunched at his desk, crunching numbers as an accountant. He adjusts his collar nervously, revealing the corner of his moth costume peeking out. Arthur is called to his boss's office, where he is fired for wearing a superhero costume under his work attire. Arthur tries to plead his case, arguing that moth-themed attire is technically not a dress code violation, but his boss isn't willing to listen. Arthur walks out of the building with a box of his belongings.

Meanwhile in The City, a low, earth-rumbling roar silences the hustle and bustle of the city. A massive, scaly dinosaur, lumbers through the city streets. "Fear not, citizens! The Caped Wonder is here!" The City's famed superhero, the Caped Wonder (Johnny Knoxville) flies heroically through the city toward the chaos. He lands with theatrical flourish. His eyes land on The Tick, who has cluelessly wandered into the scene. The Caped Wonder orders The Tick to stand down or face his righteous fury. The Tick stares at The Caped Wonder in confusion. The dinosaur lets out a roar and lunges forward. With one quick gulp, The Caped Wonder vanishes into the dinosaur's mouth with one big gulp. The Tick squints at the dinosaur. Calling him by the name Neil, The Tick tells the dinosaur to spit up the superhero. Neil roars in The Tick's face. The Tick grabs Neil by the tail, slamming him into the ground. Neil retreats, leaving The Tick standing victorious on the streets of The City. 

Among the stunned crowd of onlookers is Arthur alongside his disinterested sister Dot (Alison Pill). Dot turns to leave, telling Arthur to make sure he doesn't forget their mother's birthday. Just as Arthur is about to leave himself, The Tick's hand clamps down on his shoulder, accidentally ripping away at his suit, revealing his moth costume. The Tick comments that Arthur has the look of a sidekick and asks if he ever considered a career in the service industry... serving justice, that is.

In his dimly lit lair adorned with eccentric and priceless treasures, Chairface Chippendale (Neil Patrick Harris) - a villain born with a wooden chair for a head - watches footage of The Tick's heroics on a large screen. Chairface is intrigued by The City's newest hero - and pleased by the demise of the Caped Wonder.

The Tick and Arthur have lunch at a local diner. The Tick doesn't touch his meal. Arthur nervously asks what they should talk about, suggesting the subject of strategy. The Tick becomes wide-eyed excitement. Arthur  asks about The Tick's origin story. The Tick scratches his head and tells Arthur that he doesn't really have any origin he can remember. He just woke up one day knowing one thing - that he must protect The City with every ounce of his super-powered being. Arthur asks if he really can't remember anything before today. The Tick earnestly proclaims, "Not one thing!" 

After their conversation at the diner, Arthur and The Tick walk down the streets of The City. The Tick begins asking about Arthur's secret base, commenting that he's between one right now. They arrive at Arthur's modest apartment. The Tick's towering frame barely fits through the front door. The shelves in the apartment are crammed with comic books and the table is covered with half-finished blueprints or moth-themed gadgets. The Tick points to an empty corner and announces that he'll set up camp there. Arthur tries to explain that his apartment isn't a secret base - it's where he lives - but The Tick begins making right at home. Arthur gives in and allows The Tick to stay with him but pleads with him to not break anything or talk to the neighbors.

Arthur wanders the streets of The City, trying to make sense of the chaos he's been pulled into. He turns a corner and finds The Tick waiting atop a fire hydrant, dramatically posed as if he’s been expecting him all along. The Tick declares that destiny clearly intends for them to be a team. Arthur tries to deny it, insisting he’s not a sidekick, but The Tick is unfazed. He gestures to Arthur’s moth-themed suit and says it’s proof enough. With no room for protest, The Tick starts marching toward a nearby diner, announcing that justice runs best on a full stomach.

Inside a quiet, old-school diner, Arthur sips coffee while The Tick flips through a laminated menu like it’s a sacred text. They sit awkwardly in a booth, The Tick barely fitting. Arthur asks where The Tick came from. The Tick admits he has no idea. He remembers waffles. He remembers justice. Beyond that, it’s all blank. Arthur asks if he at least remembers his real name. The Tick shakes his head—he only knows what matters: the urge to fight evil and the fact that he feels amazing in his suit. The Tick hammers the table and loudly orders “two of your strongest breakfasts—justice-style!” Arthur just quietly asks for more coffee.

Their meal is interrupted by the sounds of a loud explosion down the street. Without hesitation, The Tick leaps into action, urging Arthur to follow. Arthur hesitates but runs in after him. Suddenly, another hero arrives - Die Fledermaus (Jimmy Tatro), who makes a flashy entrance and loudly proclaims his superiority. Arthur isn’t impressed. Moments later, American Maid (Vanessa Hudgens) charges into the fray with precision and focus, taking down several henchmen with swift strikes. The Tick joyfully tosses goons like beach balls. Die Fledermaus mostly lurks in the background, offering sarcastic commentary and keeping his distance from actual combat. American Maid handles business quickly and cleanly. Arthur takes cover behind a vendor cart. One henchman charges him, and Arthur panics, but manages to knock him out with a broom handle. He’s shocked he pulled it off. 

After the last henchman flees, a giant screen flickers on overhead. Chairface Chippendale appears. He praises the heroes for delaying his plans but warns them that the true spectacle is coming: he intends to carve his name into the Moon. Everyone stares in disbelief. The Tick stares at the sky with confusion and declares the Moon “too pure” for graffiti. Arthur points out the absurdity, but American Maid notes Chairface has the money and tech to try something this big. Die Fledermaus groans and asks if they really have to stop him. The Tick nods solemnly and says evil never rests - and neither does justice.Arthur says they just had lunch. The Tick declares they need a second lunch as justice requires protein.

The heroes gather in the dimly lit City Hall, where Mayor Blank (David Alan Grier) addresses them with dramatic overtones and misplaced metaphors. He congratulates them for not completely failing. American Maid tries to focus the group. She suspects Chairface’s lunar weapon is being powered by stolen tech from the city's science museum and hints at someone inside City Hall helping him. Die Fledermaus is more interested in whether this mission will get media coverage. Arthur, visibly overwhelmed, points out that he’s not trained for any of this. The Tick, however, paces like a general preparing for war. He slams a fist into his open palm and declares they must "unchain the Moon from the clutches of facial furniture!"

That night, the team infiltrates the museum. Arthur hacks the security system using a laminated employee handbook. American Maid disables the patrols with grace and tactical precision. Die Fledermaus fakes a limp to avoid helping, while The Tick loudly declares each hallway cleared after stomping through it. In the main hall, they discover a makeshift launch device cobbled together with parts from city-funded projects. Evidence points clearly to Chairface - blueprints, his monogrammed gloves, and even a discarded headshot. Suddenly, a trap springs. Chairface appears via hologram, gloating that they’ve arrived just in time to fail. The exhibit room locks down with steel panels. Lasers activate. American Maid dives into action while The Tick uses his body to shield Arthur, absorbing multiple blasts with no real concern. Once the lasers shut off, The Tick brushes off the singed spots on his suit. 

As the heroes regroup outside, sirens wail. A crowd has gathered. Descending from the sky with fanfare and a full brass intro is The Caped Wonder - somehow alive. He lands with authority, holding a press conference on the spot. He explains—very seriously—that he survived being eaten thanks to his emergency quantum-phase belt, which ejected him at the “last molecular moment.” Reporters nod like this makes perfect sense. As he begins to announce a new "Justice Initiative"... Neil the dinosaur, half-sedated and cranky, emerges from a nearby alley. Neil tail-slaps him into a billboard advertising Caped Water™, his bottled water brand. The billboard collapses. 

On a nearby rooftop, Arthur, The Tick, American Maid, and Die Fledermaus regroup. Arthur stares at the Moon. The beginnings of a giant “C” are burned into its surface. He quietly admits he’s starting to feel like he belongs in this world. The Tick puts a massive arm around his shoulders and tells him that identity doesn’t come from memory - it comes from purpose. Arthur half-smiles. 

Elsewhere, Chairface Chippendale puts the finishing touches on his Moon-laser array. The “C” is nearly complete. Tomorrow night, he’ll broadcast to the world as he engraves “H” and then “A” into the lunar surface. Chairface's pet Man-Eating Cow munches on office plants in the corner, grunting. 

Tick, Arthur, and American Maid cram into Arthur’s cramped apartment. Tick is too large for the couch and knocks over half the kitchenette. He calls the place cozy but riddled with justice potential. Arthur has laid out a plan: sneak in through Chairface’s supply depot, bypass his perimeter alarms, and disable the weapon from the inside. American Maid adds that she’s recruited help. Die Fledermaus arrives wearing an unnecessary stealth suit and holding a latte. He offers zero tactical advice but insists he’ll be in all the photos. Tick volunteers to be the decoy, boasting that laser blasts tickle like compliments from a cactus.

That night, the team makes their move. Arthur and American Maid climb a maintenance duct while Die Fledermaus “covers the rear” - really just loitering near the getaway van, practicing hero poses. Tick charges the front gate. Alarms blare. Laser turrets activate. Guards in high-tech armor engage him. Inside, Arthur hacks through the control systems while American Maid disables the energy cores. They find Chairface’s control chamber empty. A prerecorded hologram appears. Chairface grins, announcing that this was all a trap… to lure them away from his real target. He’s not just branding the Moon. He’s going to carve CHAIRFACE across the entire sky - using orbital satellites. Outside, while trying to get the radio to pick up the oldies station, Die Fledermaus accidentally upon a satellite feed from Chairface’s real location: an abandoned observatory high above The City. Chairface has been operating from there, using the tower as a decoy. Die Fledermaus panics and tries to radio the team. No one answers. He shrugs, takes a selfie, and runs. Meanwhile, Arthur realizes the trap too late. Chairface triggers a collapse of the facility they’re in, forcing a desperate escape. The Tick bursts through flaming wreckage, carrying his teammates on his back. As they run, Arthur points to the sky. The Moon now reads “CHA.”

The Tick, Arthur, American Maid, and Die Fledermaus pile into an emergency-response hovervan “borrowed” from City Hall. Dot reluctantly joins as their driver after Tick begs her with a strangely poetic monologue about destiny, sandwiches, and moonlight. Dot, unblinking, says she doesn’t care about the Moon, but she’d prefer it didn’t say “Chairface.” She hits the gas. The hovervan roars. Arthur, holding the laser schematics, reveals the observatory's exact location. 

Chairface adjusts the trajectory of the beam as the laser finishes the "I" in his name. Just then, the observatory roof explodes. The Tick crashes through on a zipline - "It's justice o'clock!" Chairface hurls a switchblade-tipped cane. The Tick eats it. Literally. Says it tastes like cowardice. Outside, American Maid disables the antenna array while Die Fledermaus distracts guards by pretending to be an elite ninja. Dot provides sniper support with tranquilizer darts, mostly hitting the floor. She remains eerily calm about it. While Tick faces Chairface, Arthur slips into the control room and tries to override the laser feed. A countdown blinks on the screen indicating the completion of the next letter in Chairface's name. Arthur taps into his old accounting mindset. He treats the system like a bloated spreadsheet: find redundancies, eliminate loopholes, redirect input values. He manages to redirect the satellite signal... directly back at the observatory. Chairface deploys a final weapon: a mechanical exosuit shaped like a giant golden top hat, with monocle lasers and extendable mustache whips. Chairface and Tick clash. Tick is thrown through a wall of planetary charts, gets up, and throws Chairface into a gyroscope. Tick climbs the scaffolding and leaps, punching the satellite feed cable just as Arthur reroutes the beam. The redirected laser fires skyward—then turns - slamming down into the observatory’s satellite dish. When the light fades, the Moon now reads: "CHAAAAAAaaa...." Chairface is buried in debris, his mustache limp and sparking. Man-Eating Cow wanders over and sits on him.

In the aftermath, Mayor Blank declares a city-wide holiday: Tick Day. The mayor tries to take credit, but reporters focus on the heroes. American Maid turns down a Senate run. Die Fledermaus tries to sell a memoir but no one wants it. Dot goes back to work like nothing happened. Arthur is offered his accounting job back... but declines. He’s found purpose in chaos.

Back in Arthur’s apartment, Arthur makes coffee and eats toast. Tick bursts in with a new mission: a suspicious goose is causing problems in Midtown! Arthur sighs and asks if he can finish his toast. The Tick pauses, deep in thought. He declares that while justice waits for no man... or goose... it can wait for something as important as toast! They leap off the balcony, Arthur reluctantly following.



Tuesday, February 3, 2026

In Development

 
Man of God: Emma Myers (A Minecraft Movie, "A Good Girl's Guide to Murder"), Billy Howle (Infinite Storm, Kid Snow), and Tim Blake Nelson (Sins of the Father, Klondike) are set to round out the cast of the crime thriller Man of God starring Josh Brolin. Myers will play a young woman who fits a killer's target type, Howle will play a suspicious small town worker, while Nelson will play a sheriff. James Mangold is directing from a script by John Malone and Sammy-Jo Ellis.

Spelljammer: Zack Snyder's D & D movie Spelljammer has completed its casting with the additions of William H. Macy (Desert Dreams, The Hulk 2), Naomi Scott (Mirror's Curse, Eye of the Scarecrow), and Gal Gadot (Y: The Last Man, Happy Nuke Year). Macy's role will be a voice-over role, while Scott and Gadot will appear as a wizard and ranger, respectively. Dawson Edwards penned the script based on the Dungeons and Dragons campaign setting of the same name.

The Letter Never Sent: Scarlett Johansson (Creature from the Black Lagoon, Jurassic World Rebirth) is set to star in the romantic drama The Letter Never Sent. She will play a married woman who uncovers a letter from a former lover, rekindling old feelings. Rupert Friend (Fading Nights, Becoming Carole Lombard) has been cast as her husband, while Jonathan Bailey (The Thin Man, The Pull of the Stars) will play the letter's author. John Crowley (We Live in Time, Brooklyn) is set to direct from a script by Andrew Doster (The Eye of History, Rise Again).

Discovery: Julia Roberts (Wonder Woman: Labyrinth, Malik) and Tom Holland (The Brothers Kendrick, Odysseus - Part Two) will headline Discovery, a sci-fi thriller about the discovery of a device that can allow mind-to-mind communication and the ethical dilemmas that ensue with a group of scientists. Roberts will play the leader of a neuroscience lab who must decide if they will publicly reveal the device, while Holland will play a graduate student at the lab. Damien Chazelle (Spider-Man: Requiem, Oklahoma!) has been hired to direct, while the script was penned by Jimmy Ellis (Convalescence, Cleveland) and Chad Taylor (Starlight, The House Down the Street).

Blood and Glory: Dave Bautista (Batman: Knightfall, Man Made Machine) and Cosmo Jarvis (Tarzan, Kill Zone) are set to star in Blood and Glory, a bloody historical epic set to depict the war between Persia's King Darius III and Macedonia's Alexander the Great in 331 BC. Bautista will play Darius while Jarvis will play Alexander. Jamie Campbell Bower (Norse: Valhalla, X-Men: Hellfire) and Sam Spruell (H is for Hawk, The Hanging Sun) have also signed onto the project as Hephaestion and Parmenion, respectively. Tarsem Singh (Constantine: The Hellblazer, Paradise Lost) is set to direct from a script by Jack Brown (The Crow: Yomi, We Still Know Where You Live).

Running from the Spotlight: Disney teen stars Kylie Cantrall (Descendants: The Rise of Red, "High School Musical: The Musical: The Series") and Malia Baker (Hair of the Bear, Descendants: The Rise of Red) will star in Running from the Spotlight from director Michael Fimognari (Jingle Bell Heist, To All the Boys: Always and Forever) and writer Jacob Jones (The Guns of Peridido, Danya). The film is about a high school theater star (Cantrall) who loses out on a lead role to a new performer (Baker), causing her to spiral downward.

PREMIERE MAGAZINE #342

 

Monday, February 2, 2026

The Roundup with Jeff Stockton (Season 35 Round 2)

 

Moving on to Round 2. Here's The Roundup....


3. Zorro
Welcome to LRF, Johnny Mercer. His debut Zorro was solid, although maybe a bit dry at times. With its box office performance, I am interested to see a potential sequel.

2. Thus Dreamed Zarathustra
As usual Meirad Tako delivered something very unexpected in every possible way - both good and bad (mostly good).

1. The Punisher: Purgatory
I think Dwight Gallo's Punisher series might just be my favorite LRF Marvel franchise. It feels like its own violent, gritty thing and its all perfectly cast.

3. Profits
While there have been a few solid earners so far, no major blockbusters. It might be another season where the studio profits are made or broken by a couple late season hits/flops.

2. Thus Dreamed Zarathustra
I didn't dislike the film, but I do think it was marketed wrong as a Drama / Biopic. 

1. Diego Luna
I've never understood the appeal of Diego Luna. He seems small and lack the charisma I expected from the new Zorro. He wasn't terrible, but he didn't click for me.

On Location (Season 35 Round 2)

 
Thus Dreamed Zarathustra
- Vienna, Austria



Zorro
- Durango, Mexico



The Punisher: Purgatory
- Staten Island, New York, USA

Sunday, February 1, 2026

Box Office Breakdown (Season 35 Round 2)

 



Thus Dreamed Zarathustra
Budget: $19,000,000
Total Box Office: $34,589,058
Total Profit: -$3,125,025











Zorro
Budget: $82,000,000
Total Box Office: $215,997,717
Total Profit: $40,032,008











The Punisher: Purgatory
Budget: $75,000,000
Total Box Office: $231,004,586
Total Profit: $38,089,444









Box Office Facts
Thus Dreamed Zarathustra
Director Florian Henckel von Donnersmarck, made his LRF debut with Thus Dreamed Zarathustra. The last 10 films from directors making their debut have combined to gross $2.15 billion at the box office - an average of $215 million per film. The average profit is $53 million. Granted these numbers are highly inflated due to Supergirl: Power.

Zorro
Speaking of LRF debuts, writer Johnny Mercer made his debut here with Zorro. Four of the last film debut films from writers have now managed to turn a profit.

The Punisher: Purgatory
The three Punisher films have now combined to gross $666 million at the box office with a combined profit of $138 million.




Genre Rankings
Thus Dreamed Zarathustra
Drama: #290
Biography: #56

Zorro
Action: #206
Western: #5

The Punisher: Purgatory
Action: #195
Superhero: #111
Crime: #7




Season 35 Round 2
Total Box Office: $481,591,361
Total Profit: $74,996,427

Season 35 Totals
Total Box Office: $966,266,694
Total Profit: $122,722,958





Season 34 Summary
1. ThunderCats : $372,054,861
2. The Punisher: Purgatory : $231,004,586
3. Zorro : $215,997,717
4. Tara's Wrath : $73,090,751
5. The Writer and the Film Star : $39,529,721
6. Thus Dreamed Zarathustra : $34,589,058

LRF TRIVIA TIDBITS (Season 35 Round 2)

 


Welcome back for more LRF Trivia Tidbits! Season 35’s second round leans hard into mythmaking—reframing history through surreal biography, reviving a pulp legend with auteur polish, and pushing a hardened comic-book franchise deeper into its own brutal mythology. As always, the most interesting stories happened just off-camera.

Thus Dreamed Zarathustra
Originally conceived as a more conventional biopic of Friedrich Nietzsche, the project gradually evolved through rewrites into something far more fantastical and philosophical in tone. Director Florian Henckel von Donnersmarck remained committed throughout that transformation, even turning down another upcoming Season 35 release - The Molander Case - to see Thus Dreamed Zarathustra through as it became a stranger, more ambitious reflection of its subject rather than a straight historical portrait.


Zorro
With Zorro, LRF quietly completed an unexpected pulp trifecta, following earlier adaptations of Tarzan and The Lone Ranger in recent seasons. The connection runs deeper than coincidence: all three characters once shared airtime in the early 1980s animated series The Tarzan/Lone Ranger/Zorro Adventure Hour, making LrF recently an inadvertent echo of Saturday-morning adventure history.


The Punisher: Purgatory
While Mel Gibson’s Frank Castle and much of the supporting cast return for a third outing, Purgatory introduces a major new antagonist in Jonathan Tucker’s take on Jigsaw. Rather than a straightforward adaptation, the character merges elements of classic Punisher villain Jigsaw with Finn Cooley, creating a composite foe that fits seamlessly into the series’ grounded, relentlessly violent tone.