Tuesday, August 4, 2026

Now Showing: An Unholy Union

 

An Unholy Union
Genre: Horror/Thriller/Supernatural
Director: Joanna Hogg
Writer: Rachel Hallett Hardcastle
Cast: Elizabeth Olsen, Aubrey Plaza

Plot: A home video footage montage of a wedding flashes in and out. Maddie (Aubrey Plaza) and Lily (Elizabeth Olsen) are newly engaged, deeply in love, and excited for a fresh start together. We see them dancing, the speeches, and the final dance of the night together.

Maddie, a free-spirited artist with a flair for dark whimsy, is eager for creative inspiration, while Lily, a meticulous and quietly intense writer, craves stability and belonging. When Lily inherits a remote mansion on the coast from her estranged family, it feels like fate—a place where they can escape the world and build the life they’ve dreamed of.

On the drive there, they share plans for their future. Maddie imagines an art studio with an ocean view; Lily envisions a study with a grand window for her writing. They talk of quiet mornings, shared dinners, and nights by the fire, but as they approach, the mansion looms before them—a dark, towering structure with ivy-covered walls and windows that seem to stare back at them. Maddie, charmed by the gothic atmosphere, jokes that it’s “like something from a haunted fairy tale.” Lily, however, feels a sinking dread. Her mother’s cryptic warnings about the mansion echo in her mind, stories of tragedy and loss that she’d once dismissed but now seem to take on a new, foreboding weight.

Maddie is enchanted by the mansion’s eerie beauty. Its fogged mirrors, creaking floors, and flickering lights inspire her, sparking ideas for new artwork. But for Lily, every sound and shadow is unnerving, and memories of her mother’s warnings surface in flashes. As a child, she had overheard her mother speaking of an ancestor who “sacrificed her love to the mansion,” and of others who vanished or suffered strange fates. “The house takes what it cannot have,” her mother used to say—a phrase that haunts her now, filling her with a sense of inevitability.

Subtle lapses in memory begin to unsettle them both. Maddie finds herself forgetting small details about their relationship—like the name of the café where they met. Lily sometimes struggles to recall their plans or conversations. They brush off these lapses as stress from the move, but the discomfort lingers, adding tension to their once-intimate connection.

The mansion itself seems to amplify their discord. After each argument, the air feels colder, the shadows longer, and the walls seem to press in. Hallways narrow, doors grow heavier, and mirrors scattered throughout the mansion reflect strange, distorted images—Maddie’s face frozen in a forced smile, or Lily’s eyes vacant and unfamiliar, as if someone else were watching through her.

As the days pass, Maddie’s fascination with the mansion deepens. She spends hours sketching its shadowed halls, feeling a dark inspiration that excites her. Meanwhile, Lily feels a strange pull from the mansion, as though it’s demanding something from her. She finds herself muttering lines she doesn’t remember learning—“Love eternal… beauty preserved.” At night, Maddie wakes to hear Lily murmuring these words in her sleep, her voice echoing eerily through the house.

Their arguments grow sharper, each accusation more heated than the last. Maddie accuses Lily of being too fearful, too rigid, while Lily accuses Maddie of letting the mansion cloud her judgment. Their voices echo strangely, as if the mansion itself is absorbing their anger. The air becomes thick with tension, and it feels as though the walls are closing in, trapping them in an endless maze of darkened hallways.

One night, after a particularly bitter argument, Lily feels an irresistible pull toward the basement. She descends a narrow, creaking staircase and finds an old family portrait, its faces faded and scratched out, with only one woman’s face visible—a woman who looks hauntingly like her. In a flash, Lily remembers her mother’s hushed warnings about their ancestor who “sacrificed her love,” and how her family’s history was full of tragic, mysterious losses.

Other unsettling clues soon follow. She finds cryptic carvings on the cellar walls, strange symbols that stir memories of her mother’s stories. Maddie, exploring a forgotten desk, discovers letters referencing lovers who “never returned” and a curse meant to “preserve love in darkness.” Together, they uncover an ancient journal belonging to one of Lily’s ancestors, a woman who lured her lovers to the mansion, only for them to disappear. The journal hints at rituals that bind love eternally, of “hearts preserved in shadow” and “love that ends is love wasted.”

They realize that the mansion is no mere house—it is a sentient, possessive force that traps lovers, feeding on the beauty and tragedy of their love. The mansion’s twisted intent is clear: it wants them, and it will not let them leave.

The mansion’s hold over Lily intensifies. She begins repeating lines from the journal unconsciously, her voice distant and hollow. When she catches her reflection in a mirror, her face seems foreign, her expression cold, as if another presence is watching through her eyes. Maddie, terrified, feels like she’s losing Lily, the woman she loves slipping further away with each passing day.

Desperate to escape, they decide to attempt the ritual described in the journal, hoping it will sever the mansion’s hold. As they begin, there’s a brief moment of hope—a shared look, a feeling that they might finally break free. But as they perform the ritual, the room grows colder, the temperature plummeting until their breath forms clouds in the air. Shadows creep across the floor, seeming to stretch toward them, encircling them as if alive.

The air becomes suffocating, filled with ghostly whispers that grow louder, rising to an almost mocking crescendo. Maddie and Lily exchange a terrified glance, realizing too late that the ritual isn’t freeing them—it’s binding them more tightly to the mansion’s curse. The sense of betrayal hits them like a blow, and their brief hope is replaced by despair as they feel the mansion’s intent pressing down on them, its dark satisfaction wrapping around them like a shroud.

Afterward, the house falls silent. They stumble outside, numb and horrified, reaching their car and driving away in desperate relief. But as they drive, the landscape shifts, each turn bringing them back to the mansion. An overwhelming dread fills them as they realize they’re trapped in an endless loop, bound to return no matter how far they go.

Lily’s demeanor shifts completely. Her face becomes vacant, her voice hollow as she repeats phrases from the journal she should not know. Maddie watches, horrified, as Lily’s gaze grows cold, her movements stiff and unnatural, as if she is being controlled by something else.

As Maddie tries to steer them away, she notices Lily’s knuckles whitening on the wheel, her grip tightening. For a fleeting moment, their eyes meet, and Maddie sees a twisted expression of sorrow, anger, and desperation flicker across Lily’s face, as if she’s struggling against the mansion’s grip. But the look fades, replaced by a blank, lifeless stare, her hands locking onto the wheel with a strength that isn’t her own.

The car veers off the road, plunging into a ditch. In the final, chaotic moments, Maddie glimpses Lily’s face, contorted into a mask of fury and sorrow—a tragic final image of the woman she loves, lost to the mansion’s influence.

Maddie awakens to fragments of memory—the day she met Lily, the dreams they had, the love that once felt like a lifeline. But as she opens her eyes, she finds herself hanging upside down in the car, her body bloodied and aching.

She crawls out, calling Lily’s name in desperation. She finds her lying motionless in the ditch, her face pale and still. Maddie cradles Lily’s body in her arms, her grief echoing into the empty night, her heart breaking with the realization that Lily is gone. Maddie's howling fills the air.

Dazed and hollow, Maddie begins to walk back toward the mansion, drawn by an unseen force. Her memories start to blur, each step erasing fragments of her love for Lily, replacing them with a numb, hollow acceptance. She reaches the door, her hand rising to knock without her own volition. It swings open slowly, revealing the dark, empty foyer within.

Stepping inside, Maddie freezes. Before her stands her own reflection, twisted and ghostly, with hollow eyes and a haunting smile. The figure moves with a fluid, unnatural grace, each movement a disturbing imitation of her own. Maddie feels a chill seeping into her bones, her body growing colder, as though the life were draining out of her.

Her memories slip away entirely, her love for Lily fading into the shadows. Her reflection mouths silent words, words Maddie somehow understands: “To love is to possess… love eternal, beauty preserved.”

Then, faint and broken, she hears Lily’s voice, a whisper that chills her to the core. “I’m still here… Don't worry darling… I'm still here…” It’s a final echo, a fragment of the woman she loved, lost within the mansion’s curse. The whisper fades, but the hollow ache it leaves feels endless.

Her reflection raises a bloodied hand, brushing Maddie’s cheek. The touch is cold, sticky, as though marked with something dark and binding, sealing her fate. Maddie’s vision blurs, her body going numb as she feels herself merging with the mansion, her identity dissolving into its shadows.

Outside, the mansion stands silent and still, dark against the night sky. Faint shadows flicker in its windows, and whispers drift through its empty halls—echo


Monday, August 3, 2026

A SECOND LOOK: THE HULK

 

Welcome back for another edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes.

With The Hulk 3 recently restoring a lot of goodwill toward LRF's gamma-powered franchise, it felt like the perfect opportunity to revisit where it all began. Leigh Whannell's first film follows physicist Bruce Banner (Mark Duplass), who is recruited by General Ross (Don Johnson) to help weaponize gamma radiation against future extraterrestrial threats. When an experimental gamma bomb detonates prematurely, Bruce is transformed into the Hulk, forcing him to battle fellow gamma mutate Ben Tibbetts (Zach Gilford) while military leaders argue over whether the Hulk is mankind's greatest weapon or greatest threat. Back in Season 17, I thought this was one of Marvel's stronger origin stories, praising Mark Newton's comic-accurate script, Duplass' inspired casting as Banner, Don Johnson's terrific take on Thunderbolt Ross, and what I considered nearly perfect casting across the board. I walked away convinced that LRF had finally cracked the Hulk after years of uneven live-action results.

Watching it again after the third film, I still think the casting is virtually flawless. Duplass remains my favorite live-action Bruce Banner because he actually feels like a brilliant but emotionally fragile scientist rather than simply a reluctant superhero, and Johnson's Ross has only grown in stature as the series has progressed. What doesn't hold up quite as well is the scale. The action feels surprisingly restrained for a Hulk film, with much of the story confined to military bases and laboratories instead of embracing the sheer destructive spectacle the character thrives on. Like Mark Newton's first Fantastic Four film, The Hulk spends so much time carefully constructing a grounded, realistic origin that it occasionally forgets to simply let audiences revel in the fun of watching the Hulk cut loose. It's still an excellent foundation for the trilogy, but knowing where the character eventually goes makes this opening chapter feel a bit more cautious than it needed to be.


Original Grade: B+

New Grade: B-


PREMIERE MAGAZINE #358

 

Sunday, August 2, 2026

THE ROUNDUP WITH JEFF STOCKTON (SEASON 36 ROUND 8)

 

This round we got a worthy sequel, a strong showcase for one of LRF's brightest stars, and another reminder that good writing doesn't always translate into ticket sales. We also got one of the season's biggest disappointments. Here's The Roundup....



BUFFY THE VAMPIRE SLAYER 2
Sometimes a sequel doesn't need to reinvent the franchise. It just needs to remind you why you liked it in the first place. That's exactly what Buffy the Vampire Slayer 2 accomplishes. The film embraces the wonderfully weird balancing act that made the property such a cult favorite to begin with: genuine horror, tongue-in-cheek satire, and just enough self-awareness to keep everything from becoming too serious. The vampire action is fun, the humor lands more often than it misses, and the PG-13 rating gives the filmmakers enough room to deliver satisfying monster mayhem without losing the broader audience.

Is it perfect? No. But sometimes "worth the wait" is the highest compliment you can give.


CHLOE GRACE MORETZ
Every season seems to produce another reminder that Chloe Grace Moretz is one of LRF's most dependable leading actresses. She isn't always attached to the biggest hit. She isn't always attached to the highest-rated film. But she's almost always one of the best things in whatever she's in.

Fading Star certainly didn't approach the commercial success of Supergirl, and it is unlikely to generate the same awards buzz that surrounded her transformation into Madonna in Material Girl. But this performance reinforces something we've known for a while now: give Moretz substantial material and she'll deliver.

HOLDEN ABBOTT
Holden Abbott deserves better than his box office resume suggests. Yes, the numbers are ugly. Yes, another one of his films failed to catch on commercially. But if we're judging the work instead of the receipts, I genuinely don't think Abbott has written a bad pitch yet.

Formulaic occasionally? Sure.
Predictable in spots? Absolutely.
Poorly written? Not at all.



THE BOUNTY HUNTER
This one just never came together. Chris Evans never convinced me he belonged in this role. It's not that he's untalented—far from it—but this character required a rougher, more unpredictable presence than Evans naturally projects. It felt like star casting rather than right casting. Then there's Zack Snyder. Again, talented filmmaker. Wrong filmmaker. Nothing about his visual style or storytelling instincts felt like a natural match for this material. Instead of elevating the premise, the direction often made it feel oddly stiff and self-important. Throw in a villain who never feels remotely threatening, and you've got a movie that constantly asks the audience to invest in conflicts that never become convincing.

The disappointing box office doesn't surprise me in the slightest.


FADING STAR
This is one of those movies that's... fine. And that's kind of the problem. I enjoyed watching it. I admired several of the performances. Christopher Storer directs with confidence, and Chloe Grace Moretz carries the emotional weight beautifully. But I kept waiting for the story to surprise me. It never really did. Every major emotional beat felt exactly like the one I expected was coming. The themes are worthwhile, the execution is competent, but the screenplay rarely takes risks once it establishes its premise. Sometimes predictability isn't fatal.

In this case, it kept Fading Star from becoming something truly memorable.


BOX OFFICE
Well... We finally have our second losing round of the season. Round 3 earned that distinction thanks almost entirely to the financial crater left by Stretch Armstrong. Round 8 gets there the old-fashioned way: nobody showed up in large enough numbers. Even with Buffy the Vampire Slayer 2 turning a respectable profit, The Bounty Hunter and Fading Star combined to drag the entire round into the red. That's becoming the defining financial story of Season 36. Every time the studio seems ready to build momentum, another disappointing round pulls it right back down.

At this stage, the pressure on the final six films of the season is immense. The slate needs more than just solid performers. It needs hits.

ON LOCATION (SEASON 36 ROUND 8)

 


Fading Star
- Salt Lake City, Utah, USA


Buffy the Vampire Slayer 2
- San Diego, California, USA


The Bounty Hunter
- Atlanta, Georgia, USA

Saturday, August 1, 2026

BOX OFFICE BREAKDOWN (SEASON 36 ROUND 8)

 


BUFFY THE VAMPIRE SLAYER 2
Budget: $40,000,000
Total Box Office: $131,525,669
Total Profit: $55,194,234



The return of the Slayer proved to be another smart investment for LRF, with Buffy the Vampire Slayer 2 comfortably turning a profit despite its modest budget. While not one of the season's mega-hits, the sequel reinforced the franchise as a consistently reliable performer.

BOX OFFICE FACT
Writer Walter McKnight remains one of LRF's most dependable commercial voices. Across eight films dating back to Season 17, every one has turned a profit despite wildly varying budgets and genres.

GENRE RANKINGS
Horror: #45
Comedy: #40





THE BOUNTY HUNTER
Budget: $85,000,000
Total Box Office: $80,094,428
Total Profit: -$53,001,701



Despite its star power and action pedigree, The Bounty Hunter failed to recoup its sizable investment and became one of Season 36's biggest financial disappointments. The result continues an alarming downturn for one of LRF's previously most dependable blockbuster directors.

BOX OFFICE FACT
Director Zack Snyder's last two LRF films—Spelljammer and The Bounty Hunter—have now combined to lose more than $150 million, a dramatic reversal after successes like the Gears of War franchise and Kill Zone.

GENRE RANKINGS
Action: #281





FADING STAR
Budget: $27,000,000
Total Box Office: $23,730,087
Total Profit: -$15,509,333



Prestige drama once again proved to be a difficult sell at the box office as Fading Star became another financial setback. While its budget limited the damage, the loss continues a frustrating trend for one of the studio's newest writers.

BOX OFFICE FACT
Through five LRF films, writer Holden Abbott is still searching for his first profitable release. Collectively, his films have now lost approximately $80 million, averaging a $16 million loss per film.

GENRE RANKINGS
Drama: #354



Season 36 Round 8 Total Box Office:
$235,350,184

Season 36 Round 8 Total Profit:
-$13,316,800

Round 8 became the second unprofitable round of Season 36, as the combined losses of The Bounty Hunter and Fading Star outweighed the solid performance of Buffy the Vampire Slayer 2.



Season 36 Total Box Office:
$4,532,320,483

Season 36 Total Profit:
$854,332,540

With just two rounds remaining, Season 36 now finds itself in an interesting position. The year has delivered three Blockbusters, two major Hits, and a healthy collection of profitable mid-budget films, but those successes have been offset by several expensive disappointments. Barring an extraordinary finish, the season appears headed for a solid but unspectacular financial result by LRF standards.


SEASON 36 BOX OFFICE STANDINGS
1. Boba Fett — $763,673,771 👑
2. Donkey Kong Country — $720,434,668 👑
3. The Hulk 3 — $641,110,407 👑
4. Lobo — $480,893,956 🔥
5. Assassin's Creed: Eternal — $421,105,411 🔥
6. The Song of Roland — $263,839,608 💰
7. Luke Cage: The Purple Man — $249,978,106 💰
8. Stretch Armstrong — $144,189,611 ☠️
9. Buffy the Vampire Slayer 2 — $131,525,669 💰
10. Fletch — $123,159,160 💰
11. Echoes of Red — $82,814,137 💰
12. Double Date — $80,369,160 💰
13. The Bounty Hunter — $80,094,428 ☠️
14. Gray — $62,441,218 💣
15. Darkness — $43,316,174 💰
16. 1995 — $40,003,252 💰
17. Pirouette — $39,100,555 📉
18. Three Rounds — $34,386,590 💣
19. The Quiet Between Us — $26,319,562 📉
20. Heartbeat — $25,404,407 💣
21. Fading Star — $23,730,087 💣
22. Voice — $23,437,788 💣
23. Diary of a Wimpy Kid — $18,000,669 💣
24. 1016 West Monroe — $12,992,089 💣

LRF TRIVIA TIDBITS (SEASON 36 ROUND 8)

 

Round 8 of Season 36 highlights just how fragile film development can be. One sequel nearly collapsed before production began, another major role had to be recast after an early rejection, and a first-time feature director finally got his opportunity after the original filmmaker stepped aside.


BUFFY THE VAMPIRE SLAYER 2
Buffy the Vampire Slayer 2 came remarkably close to never entering production. First, Jacob Elordi declined to reprise his role as Oliver Pike from the original film. Then, star Meg Donnelly's superhero vehicle The Saints became a costly box office disappointment for LRF. Faced with those setbacks, writer Walter McKnight and director Cathy Yan seriously considered abandoning the sequel before ultimately pushing forward.


THE BOUNTY HUNTER
Natalie Portman was the filmmakers' first choice to play Angela, but she declined the role after feeling the character's limited screen time did not justify her involvement. Her departure opened the door for Mackenzie Davis, whose casting was enthusiastically supported by both star Chris Evans and director Zack Snyder.


FADING STAR
Fading Star marks Christopher Storer's feature directorial debut, though he wasn't the project's original choice. Todd Haynes was initially offered the film but opted to take time away from directing after the demanding awards campaign surrounding Season 34 Best Picture nominee Starlight, paving the way for Storer to make his first feature.