Friday, March 6, 2026

The Trades with Reuben Schwartz (Season 35)

 
Here we are at the halfway point of LRF’s 35th season and so it’s time to check in on the news and rumors at the studio this season. Welcome to The Trades with Reuben Schwartz!

The biggest headline running throughout the season has been the relatively low domestic box office. The studio has had just one movie cross the $100million mark in America, The Punisher: Purgatory. While films like ThunderCats and Zorro have held international appeal, neither has the profit margins of a runaway blockbuster. Rumor has it that Phil Dolan has been working vigorously with the studio’s research & development team to find scripts that will bring people back to the theaters.

When looking at films that made a splash in the first half of the season, I wanted to circle the Dust Saint. While the film’s isolating style was not everyone’s cup of tea, directors and actors alike have taken notice of writer Holden Abbott’s hot start at the studio. After earning Brad Pitt a Best Actor nomination for Exodus last season, Abbott has positioned Paul Dano in a prime spot to show up in that category this season. The one question that remains is how well Abbott’s style can extend beyond the religious subtext present in the first two films, leading to excitement to see what comes next.

In general, it appears religious-themed thrillers is a big trend at the studio currently as Man of God is another film that made a critical impact this season. Even Discovery, Damien Chazelle’s sci-fi drama about a mind-reading device, deals with the push-and-pull between science and faith. Given the ensemble nature of that film and the way it spreads out its performances, I will be intrigued to see who is put forward on the FYC ballot for that one as the film appears to be an early GRA contender at this point.

The talk of the town is currently the return of Martin Scorsese and Leonardo DiCaprio, due for their first LRF collaboration since Sinatra. Everyone pays attention any time the two link up and Rubicon Lies sounds like a thrilling subject matter. The octogenarian director’s last film for the studio was Season 24’s Monaco, which earned him the Best Director award at the GRAs. And of course we all know Leo’s history at the studio: 9 performances, 5 Best Actor wins (and a sixth nomination to boot).

Of course, returning to the box office point, the studio knows that Batman is waiting in the wings and that will almost assuredly do major business as that character always has. But the hope would be that some new franchise, whether new or original, will help carry on the studio for another 35 seasons and beyond. The Friend Zone sounds like it could a big swing towards that, though Michel Gondry’s direction likely makes it a bit offbeat than typical mainstream fare. Returning to the Tom Clancy playbook could be a smart call given the immense popularity of Splinter Cell in the opening seasons, though Jon Hamm is certainly no Tom Cruise. Speaking of Cruise and those R&D meetings from earlier, there have been murmurs among the lot about when the mega-star will next return in a non-Green Lantern role.

As always, I look forward to see how the rest of the season turns out and checking back in with you all before the GRAs!

Thursday, March 5, 2026

GOSSIP RAG (SEASON 35)

 

In this segment, we will delve into the inside dirt on some of the latest and upcoming LRF releases and the studio's stars....




JACOB ELORDI
After steaming up screens in the original Tara’s Web, Jacob Elordi famously sat out the disastrous sequel Tara’s World - a move that, in hindsight, may have been career genius. But he made a high-profile return for Tara’s Wrath, and it paid off: the erotic thriller threequel delivered the franchise’s best box office and critical response to date. Insiders say Elordi was initially reluctant to rejoin the series, but a healthy pay bump and a script that offered a deeper, darker psychological edge finally sealed the deal. Paired with Victoria Pedretti, the film gave Elordi what he reportedly wanted most - substance with the seduction. “It wasn’t just about looking good in silk sheets anymore,” one crew member quipped. “He finally got to show some teeth - and audiences ate it up.”





MELISSA BARRERA
Melissa Barrera made a quiet return to the spotlight this season with a major role in LRF’s Zorro revival - but not without a few conditions. After being dropped from Scream 7 and left out of LRF’s Ghost Rider sequel following her controversial comments about the Gaza war - remarks many deemed antisemitic - studio execs were reportedly blunt about the expectations if she wanted to stay in the good graces of the marketing machine. Sources say Barrera was instructed to keep a very low profile during the Zorro press tour, with strict guidance to avoid any political discourse or potentially divisive topics. To her credit, the actress played ball, sticking to light soundbites, red carpet smiles, and breezy interview banter. “It was a vibe check, not a muzzle,” one insider said. “And she passed - at least this time.”





WILL SMITH
After famously passing on The Matrix, Inception, and Django Unchained because he didn’t “get them,” Will Smith was determined not to let another genre-bending blockbuster slip through his fingers. That’s what led him to accept the lead role in Zack Snyder’s Spelljammer, the now-infamous D&D-inspired sci-fi epic that fused space opera with high fantasy - and left many audiences as confused as he initially was. Insiders say Smith admitted from day one that he didn’t fully understand the concept - even repeatedly asking Snyder to explain what a Spelljammer is - but was drawn in by the spectacle and Snyder’s passion. While the film divided critics and bombarded viewers with dense lore, Smith’s charismatic performance was one of the few things nearly everyone agreed on. As one cast member put it: “He still doesn’t know what a Spelljammer is, but he tried.”





ANA DE ARMAS
Ana de Armas may have dodged a bullet - literally and emotionally. The actress was reportedly the top choice for the lead female role in Ghost Recon, the big-screen adaptation of the Tom Clancy video game franchise, but abruptly passed on the project after learning her ex, Ben Affleck, had signed on to direct. Making matters even stickier? Ben’s brother, Casey Affleck, was also attached in a supporting role. “She didn’t even read the final script,” one insider claimed. “As soon as she heard ‘Ben’s directing,’ she was out.” While no public drama has played out between the former couple, sources say things between them have remained “frosty” since their split - and working together, even from opposite sides of the camera, was simply not on the table.





FRANCIS FORD COPPOLA
Francis Ford Coppola will make a surprising return to theaters this season with New Christianity, a moody, blood-soaked high school horror drama about a murderous cult operating under the guise of teen faith. But sources say the legendary director wasn’t exactly in his element during the production. Coming off the high-profile flop of his long-gestating passion project Megalopolis, Coppola reportedly took New Christianity as a gun-for-hire gig - though working with a cast of Gen Z stars like Noah Jupe, Finn Wolfhard, and Olivia Rodrigo proved more jarring than expected. “He kept calling Rodrigo ‘Olive,’” one crew member said. “And there was a full day of confusion over what a Finsta was.”

Sunday, March 1, 2026

The Roundup with Jeff Stockton (Season 35 Round 5)

 
 
The first half of Season 35 was dicey. Here's The Roundup.... 


3. N/A

2. Unreasonable Doubt
I think Walter McKnight was very clever combining the rom-com genre with the crime genre and did so in a very interesting fashion. Cristin Milioti was super charming (as usual) and Channing Tatum seemed like he was having a blast as the love interest/villain.

1. Blood and Glory
This one felt like a spiritual successor to films like 300 and TV series like Starz's Spartacus - and I mean this in a good way. Everything felt heightened to the extreme - the action, the scope, the violence, the sexuality, etc. It did a good job of combining history and excitement.


3. Profits
The studio is only around $50 million in profits for the season at the midway point. Obviously the studio still has a Batman flick due out later in the season, but even with that I don't think the studio can afford many more flops this season.

2. Running from the Spotlight
This one just didn't click with me whatsoever. The cast didn't feel like a big screen cast (even a low budget one) - it wreaked of TV movie production (not even streaming). The stakes were small but made to feel overly serious. Jacob Jones has delivered better teen films than this.

1. Box Office
We're at the official halfway mark of Season 35 and it is quite concerning that we've only have one film - The Punisher: Purgatory - managed to crack $100 million at the domestic box office.

On Location (Season 35 Round 5)

 
Blood and Glory 
- Ouarzazate, Morocco



Running from the Spotlight
- South Orange, New Jersey, USA



Unreasonable Doubt
- Cincinnati, Ohio, USA

Saturday, February 28, 2026

Box Office Breakdown (Season 35 Round 5)

 



Blood and Glory
Budget: $100,000,000
Total Box Office: $196,666,547
Total Profit: -$4,102,064











Running from the Spotlight
Budget: $10,000,000
Total Box Office: $7,685,149
Total Profit: -$8,777,100











Unreasonable Doubt
Budget: $30,000,000
Total Box Office: $73,817,196
Total Profit: $18,099,545








Box Office Facts
Blood and Glory
Director Tarsem Singh has quietly had a pretty successful LRF career despite Blood and Glory just missing out on profits. His previous three LRF productions were all profitable - combining for nearly $350 million in profits.

Running from the Spotlight
Out of writer Jacob Jones' 66 films for the studio, Running from the Spotlight has come in as the lowest grossing of his career. The previous low grosser had been Season 29's Connected with $18 million worldwide.

Unreasonable Doubt
Unreasonable Doubt is the 8th official Romantic Comedy released by the studio, but is just the fourth to make a profit at the box office.







Genre Rankings
Blood and Glory
Action: #217
Historical: #17
War: #12

Running from the Spotlight
Drama: #394
Teen: #6 

Unreasonable Doubt
Romantic Comedy: #3
Crime: #45




Season 35 Round 5
Total Box Office: $278,168,892
Total Profit: $5,220,381

Season 35 Totals
Total Box Office: $1,856,702,828
Total Profit: $54,86,892





Season 34 Summary
1. ThunderCats : $372,054,861
2. The Punisher: Purgatory : $231,004,586
3. Zorro : $215,997,717
4. Blood and Glory : $196,666,547
5. Discovery : $167,267,665
6. The Tick : $166,896,092
7. Spelljammer : $158,394,702
8. Unreasonable Doubt : $73,817,196
9. Tara's Wrath : $73,090,751
10. Man of God : $63,494,668
11. The Writer and the Film Star : $39,529,721
12. Thus Dreamed Zarathustra : $34,589,058
13. The Letter Never Sent : $29,417,143
14. Dust Saint : $26,796,972
15. Running from the Spotlight : $7,685,149