Friday, October 16, 2026

Release: The Silver Swan

 

The Silver Swan
Genre: Animation/Family/Fantasy
Directors: Tomm Moore and Nora Twomey
Writer: Jacob Jones
Voice Cast: Morgan Freeman, Emmy Rossum

Budget: $30,000,000
Domestic Box Office: $12,003,077
Foreign Box Office: $15,999,009
Total Profit: -$26,763,294

Reaction: Even with a more modest budget than our usual animated release, The Silver Swan was a tough one to market for a variety of reasons (a capella soundtrack, no dialogue, traditional animation, etc.).




"The Silver Swan is a visually gorgeous, melancholy fairy tale that feels perfectly suited to Tomm Moore and Nora Twomey’s storybook sensibilities. The watercolor-inspired Irish setting and hand-drawn musical fantasy sequences are often enchanting, while Morgan Freeman’s narration gives the film a warm, timeless quality. The emotional ending lands surprisingly hard for a family film even if the narration spells out things too obviously for those not paying attention. The story also occasionally feels slight and repetitive in the middle stretch." - Tony Hardaway, Orlando Sentinel


"The Silver Swan is a beautifully realized fable that thrives on its exquisite visual storytelling. Reminiscent of classic Disney shorts and recent dialogue-light triumphs like Flow, the narrative remains simple, allowing the stunning animation and musical landscape to do the heavy lifting. Casting Morgan Freeman as the primary narrator was an inspired choice; his iconic, resonant warmth anchors the film, proving once again that the man could read a dictionary and entirely captivate an audience. It's a poignant, bittersweet cautionary tale that leans into visual majesty over complex plotting, and it succeeds wonderfully because of it." - Dexter Quinn, Cinematic Observer Newsletter


"The Silver Swan often feels oddly insecure in its own storytelling. The relentless narration repeatedly explains feelings, intentions, and themes that are already perfectly clear, flattening what could have been a more emotionally resonant experience. Most bafflingly, the film outright states its moral in the closing moments - a choice that feels less like thoughtful family storytelling and more like a lack of confidence in both the audience and the filmmakers’ own ability to communicate meaning through character and imagery. Combined with repetitive pacing and a premise stretched thin, the result is a film that looks magical but too often talks itself to death. And don't get me started on the a cappella soundtrack..." - Walter Williams, Animated Times






Rated PG for thematic material





Thursday, October 15, 2026

Last Resort Films Jukebox: The Silver Swan

 

Now Showing: The Silver Swan

 

The Silver Swan
Genre: Animation/Family/Fantasy
Directors: Tomm Moore and Nora Twomey
Writer: Jacob Jones
Voice Cast: Morgan Freeman, Emmy Rossum

Plot:  DISCLAIMER: The following feature will be told both in part by the stylings of The Kings’ Singers and the narrator (Morgan Freeman). We thank both for their participation.

Once upon a time, out in the faroff brooks of Ireland, where the trees swayed among the breeze and the brook babbled and bobbed along the river, there lived a beautiful young swan with a long, shiny golden beak, shimmering black eyes and long, neatly trimmed silver feathers, granting her the name of the Silver Swan (Voiced by Emmy Rossum).

All the animals by the lake loved the swan, for she was beautiful and swam about with grace and precision. Yet even so, the swan was unhappy. Every day, she would wake up and hear the chirping noise of songbirds singing their merry tune, the croaking of frogs as they hopped from one lily pad to another, the quacking of ducks as they waddled into the river, yet the swan, as graceful as she was, did not speak. For she had no voice of her own.

For years, the swan had wanted so desperately to sing and talk to her animal friends. Yet, whenever she tried to open its beak, no sound would come out. Spring past, summer too, fall and winter, no matter what season, the swan continued to yearn for the day that she too would speak. A dream that she thought would never come true.

One day, however, the Silver Swan noticed a beaver scurrying down the path, carrying with it a map. Now, the Silver Swan had never seen a beaver down this part of the lake before, so she followed the beaver down the path until finally, the beaver stopped in its tracks, its beady eyes scouring through a piece of paper.

The swan gently approached the beaver, nodding in acknowledgement of its presence. The beaver however, paid no attention. The swan stood about, unsure of what to do. Why had the beaver rejected their bow?

The swan lightly bobbed its head up and down in a final bid to get the beaver’s attention. Yet the beaver stayed focused on their paper. Now the swan was really perplexed. What was so special about this piece of paper that the beaver would ignore all of her gestures? The swan swam towards the beaver, her eyes gazed on the paper, and wouldn’t she believe it, it was no ordinary paper. This was a map, guiding the way to a place called the Land of Harmony.

Well, the Silver Swan was very excited. She spun around and around in the lake over the idea. As she did, however, she splashed several drops of water onto the beaver. The beaver tapped onto the map, silently acknowledging the swan’s presence. By watching the swan bob her head up and down, he could tell that she wanted to join him, so the beaver held the map up to the swan, motioning for her to follow him.

The beaver and swan would travel down the river, stopping by to greet the praying mantis along the way. Before they could travel any further, however, the swan spotted a mess of lily pads scattered about, frogs hopping here and there, to and fro, blocking the pathway.

The beaver was frustrated. Now they had no way of reaching the Land of Harmony! While the beaver stewed in their sorrow, the swan examined the hopping path of each frog and got an idea.

She swam up to the lily pads, hoping to catch the eye of the next frog she saw. As luck would have it, one tiny little frog would spot the swan, stunning in size and stature. He hopped up to the swan, landing on her beak. The frog and swan eyed each other, not sure of what to say.

Before long, the frog’s eyes would motion towards the map, and he too would learn of the swan and beaver’s journey to the Land of Harmony. The frog had always wanted to find his own voice, having grown tired of ribbeting in the pond, so when the frog saw that the path had been blocked, he turned towards his friends, motioning for them to move their pads aside.

The frogs, wanting to be kind to their young friend, hopped off their pads, setting them aside so the swan could move forward. The swan thanked the little frog by giving him a little peck on the cheek and invited him to join them by sitting on her back. So they went over, continuing their journey towards the Land of Harmony.

The days passed by, and the river grew long and arduous, the mornings being harsh and long, the evenings being dark and cold. All the animals grew tired from their travels.

And hungry.

Lucky for them, the beaver knew of a place where they could stop to eat. A nice little tree with a few bushes with enough berries and leaves and plants for them all to share. The beaver even found a nice twig for him to chew on! That night, the animals rested by the plentiful garden, dreaming about what their lives would be like once they reached the Land of Harmony.

The beaver figured that once he got his voice, he could tell all the jokes in the world.

The frog hoped that one day, he could be the king of the pond with a voice commanding enough for all to hear.

And the swan? She just wanted a voice to call her own.

The next day, however, there was trouble in the air. A terrible storm was on pace for the brooks, and the winds were growing harsher and stronger. The swan, beaver and frog tried to press forward, but the waves were growing too large for the swan to swim, and the map was only just barely hanging onto the beaver’s hands. Any time the frog tried to hop, he’d nearly get blown away.

All of a sudden...

KABOOM!

Lightning struck, causing the beaver to jump into the brook, only to realize that he had forgotten the trusty map. Just before he could reach, however…

KABOOM!

The thunderous lightning hit again, perilously close to the brook, forcing the animals to close their eyes to keep from being blinded. When the lightning went away, the beaver trepidatiously stepped onto the ground, his jaw opened wide when he saw that the map to the Land of Harmony had been ripped to shreds thanks to the lightning and now, was sure to be soiled by the rain.

The beaver, frog and swan all hung their heads in defeat. Now they would never reach the Land of Harmony! The swan sadly turned towards her newfound friends, giving them a small nod, as a token of thanks for trying and started to swim away…

Before she could go far, however, the animals heard another, unfamiliar sound. That of a blackbird chirping on top of a tree, inviting them to go under its branches. The beaver and frog did so, but the swan could not. Instead, the blackbird took its nest over, placing it on top of the swan’s head.

At that moment, the blackbird saw the charred remains of what was once their map and fluttered about.They knew the way to the Land of Harmony, and they were more than happy to help them on their journey! The others were overjoyed, it was as if though the clouds had parted and the sun was once again shining in the sky! The blackbird led the way, guiding the animals throughout the bobbing brook until finally…

…they arrived.

The Land of Harmony, at long last.

The first thing the swan saw was that of a violin soaring through the sky, similar to that of the blackbird. That was only the beginning as the animals saw:

* A herd of trumpets marching, being led by a snare drum.

* A trombone slide, one that a young piccolo slid down.

* A cello gondola being used by a pair of saxophones, one tenor and one alto.

* A group of flute flies fluttering about, one even being eaten by the frog (who in turn tweeted like the flutes)

And at the center of it all was the most beautiful sight. An organ sporting many faces and many different voices, all singing the same song. It was a marvelous sight, a beauty to behold!

That’s when the swan spotted something not too far from the organ. A small little red button, with a note placed on top. It read:

“Press the button, you make your choice,

And claim yourself a beautiful voice,

One that all the world can see,

A gift from the Land of Harmony!”

The swan was overjoyed. At last, she would finally have the voice she was after. She pressed the button, waiting for her chance to speak…

…but nothing happened.

At least, not at first.

The next thing anyone knew, the organ began to play a soothing song, one fit a swan so graceful and beautiful as herself. And when she sung, she had the most wonderful voice. It was oh so stirring and all so stunning.

She swam and spun about, singing her joyous melody for all to hear. When she was finished, the swan felt free. Finally, she had found her voice…

…but as she opened her eyes. She noticed something.

The frog and beaver were gone.

The swan was confused. Did they not want to have their voice as well? The swan looked over to the button again, the note now longer than what it was before.

“Claiming your voice comes at a price,

You must share the wealth and play nice.

If you are greedy, then I fear,

All your friends will disappear.”

In pushing the button, the swan had made a fatal error. All three of the animals had to push it at the same time. By only pushing it herself, she had neglected her friends, the very creatures that got her to this point.

The swan was heartbroken, all she had wanted was to have a voice all her own, but knowing now she had no one share it with…

…she started to cry.

And so the swan made the long, sad, arduous journey back home, dejected and without life in her body. She would forever have her voice, but now, she would forever be alone.

The moral of this story? Cherish those you have around you and share your joy with others…

…because you never know when it might disappear.

THE END


Wednesday, October 14, 2026

From the Desk of Alfie Ellison, VP of International Development: The Mercy Seat

 

Last Resort Films is proud to announce the development of The Mercy Seat, a bold and formally daring new feature film inspired by the iconic song by Nick Cave and the Bad Seeds. Conceived as a psychological descent into memory, guilt, and spiritual reckoning, the project will reimagine the song’s haunting interior monologue as a cinematic experience grounded in character, tension, and moral ambiguity.

Golden Reel Award winning filmmaker Martin Scorsese is attached to direct, bringing his unparalleled command of character-driven storytelling and his long-standing exploration of faith, sin, and redemption to the project. Widely regarded as one of the greatest filmmakers of all time, Scorsese’s involvement signals a film that will be as thematically rich as it is formally ambitious, blending intimate performance with visceral, subjective filmmaking.

Leading the film is Robert Pattinson, one of the most compelling and unpredictable actors working today. Pattinson will portray Frankie McRae, a man awaiting execution whose version of events refuses to remain fixed, shifting between confession, denial, and something more elusive. Known for his transformative performances and willingness to explore psychologically complex material, Pattinson is expected to anchor the film with a performance that is both volatile and deeply internal, placing the audience inside a mind that may no longer distinguish between truth and invention.

Rather than functioning as a traditional crime narrative, The Mercy Seat is envisioned as a layered character study that unfolds across fractured timelines and competing perspectives. As Frankie recounts the events leading to his conviction, each version of the story introduces new details, contradictions, and emotional truths, gradually dismantling any sense of objective reality. The film will explore the nature of guilt not as a fixed state, but as something fluid - constructed, denied, and reshaped in the face of judgment.

At its core, the project will examine themes that have long defined Scorsese’s work: the search for redemption, the burden of sin, and the fragile line between self-perception and reality. Set largely within the confines of a prison in the hours leading up to an execution, the film will expand outward through memory and imagination, creating a cinematic language that mirrors the escalating intensity and repetition of its source material.

Production is expected to prioritize a grounded visual approach that gradually gives way to more subjective and expressionistic imagery as the narrative unfolds, reflecting the instability of Frankie’s perspective. Early discussions suggest a focus on immersive sound design and a restrained integration of musical elements inspired by the original track, used to heighten tension rather than guide it.

With Martin Scorsese at the helm and Robert Pattinson in the lead, The Mercy Seat represents one of Last Resort Films’ most ambitious projects to date - an unflinching, character-driven work that aims to challenge audiences while delivering a haunting and unforgettable cinematic experience.

Project Details:
The Mercy Seat
Based on the song by Nick Cave and the Bad Seeds
Genre
Crime / Psychological Drama
Attached Talent
Director Martin Scorsese
Star Robert Pattinson

Logline
On the eve of his execution, a convicted murderer recounts his crime through a series of shifting, contradictory memories, forcing those around him—and the audience—to question whether he is hiding the truth, rewriting it, or has lost any grip on it entirely.

A Second Look: Grand Theft Auto

 

Welcome back for another edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes. 

With LRF returning to Liberty City for the recently released Grand Theft Auto IV, it seems like a good time to revisit the studio's first attempt at bringing Rockstar's enormously popular video game franchise to the big screen, all the way back in Season 6. Based closely on Grand Theft Auto III, the film follows Claude (Oscar Isaac), a small-time criminal betrayed and left for dead by his girlfriend Catalina (Eva Mendes), who escapes police custody and begins working his way through Liberty City's criminal underworld in pursuit of revenge. Along the way, he becomes entangled with rival mob families, the Yakuza, corrupt law enforcement, and a collection of other unsavory characters. At the time, I was fairly impressed by how directors Josh and Benny Safdie and writer Harry Wright managed to translate a video game largely associated with stealing cars and mowing down pedestrians into a reasonably compelling crime thriller. I was particularly fond of the ensemble cast, which was overflowing with talented performers, even if many of their characters were somewhat underwritten. I considered it a surprisingly successful adaptation of material that didn't necessarily lend itself to traditional cinematic storytelling.

Revisiting it now, however, I find myself considerably less impressed with the actual storytelling. The cast remains a major asset, with Isaac, Robert Duvall, Jon Bernthal, and company giving the film more credibility than its screenplay probably deserves, but there's remarkably little depth to any of these characters. The biggest problem is that Grand Theft Auto follows the structure of its source material far too literally, bouncing from one criminal assignment to another without developing much of a cohesive narrative. What works perfectly well as a series of missions in a video game becomes a rather repetitive and episodic experience on the big screen. Perhaps even more disappointing is the absence of the biting satire and irreverent humor that have always been such an important part of the franchise's identity. The Safdies bring some welcome intensity to the proceedings, but the film takes itself far too seriously without giving us enough substance to justify that approach. In hindsight, I wish Wright had taken considerably more liberties with the source material instead of treating the game's storyline like a blueprint that needed to be followed. There's a perfectly decent crime movie here, but very little that makes it feel distinctly Grand Theft Auto.

Original Grade: B

New Grade: C+


Tuesday, October 13, 2026

Release: Grand Theft Auto IV

 

Grand Theft Auto IV
Genre: Crime/Action/Drama
Director: Taylor Sheridan
Writer: Mo Buck
Based on the video game series
Cast: Sebastian Stan, Cameron Britton, Trevante Rhodes, Stephanie Beatriz, Joe Cole, Micheal Ward, Imogen Poots, Ashton Sanders, Pilou Asbaek, Alison Oliver

Budget: $100,000,000
Domestic Box Office: $100,472,059
Foreign Box Office: $102,099,780
Total Profit: $9,676,226




"Grand Theft Auto IV succeeds more as a moody immigrant crime drama than a traditional action adaptation, though its ambition occasionally outweighs its execution. Taylor Sheridan brings grit and emotional heaviness to Liberty City, even if the plotting can feel episodic and some supporting players are underserved. Sebastian Stan is okay as Niko, but the film’s emotional center belongs to Cameron Britton, whose Roman is warm, funny, and genuinely heartbreaking. His performance gives the story stakes beyond the violence." - Cooper Wilson, The Earl Hays Press


"While the movie is missing much of the satirical commentary the games are known for, this adaptation makes the American Dream feel like a threat again. A rich haunting performance by Stan and Asbaek was born to play Dimitri. It occasionally struggles to balance the espionage subplots with its street level grit, but as a meditation of the trauma of war following you across the ocean, its a powerhouse of a film." - J. Jonah Johnson, Variety



"Despite flashes of atmosphere, Grand Theft Auto IV struggles with messy plotting, thin villains, and major miscasting. Sebastian Stan is a talented actor, but he feels far too polished and conventionally handsome to convincingly embody Niko Bellic—a hardened, weathered survivor shaped by war and poverty. The film also rushes through relationships and criminal factions so quickly that Dimitri and Playboy X never develop into compelling antagonists, instead feeling like checkpoints in an overstuffed story." - Dave Manning, Ridgefield Press






Rated R for violence, language, drug content,  and sexual content






Game to Film: Grand Theft Auto IV

 

Welcome back for another Game to Film! This is the second of several entries we'll see this season. For this one, we're looking at the cast of Grand Theft Auto IV - the long-awaited fourth GTA film entry for LRF. Taylor Sheridan (Rodeo, The House Down the Street) is behind the camera, working from a script by Mo Buck (Gas Bar Blues, Echoes of Red).