Tuesday, June 9, 2026

Release: Double Date

 

Double Date
Genre: Romantic Comedy
Director: Nicholas Stoller
Writer: Jacob Jones
Cast: Olivia Rodrigo, Joey King, David Iacono, Xolo Mariduena, Niles Fitch, Madison Wolfe

Budget: $20,000,000
Domestic Box Office: $56,079,110
Foreign Box Office: $24,290,050
Total Profit: $32,000,017

Reaction: Compared to writer Jacob Jones' previous Romantic Comedy films, this one practically did Avatar numbers - a very welcome sight.




"While its characters are charming and the central relationship dynamics are rooted in recognizable, relatable insecurity, the story lingers too long on repetitive beats and indulgent set pieces that dilute its emotional payoff. Moments of genuine warmth and self-reflection, particularly in its quieter character arcs, are undercut by abrupt shifts into broad comedy or moral lecturing. Still, beneath the excess is a solid romantic core that suggests a tighter cut could have delivered a sharper, more confident crowd-pleaser." - Dexter Quinn, Cinematic Observer Newsletter


"Double Date is a messy but charming romantic comedy that leans into its chaotic energy. Nicholas Stoller keeps things moving with sharp comedic beats, and Olivia Rodrigo and Joey King share an easy, believable chemistry. The film’s strength lies in its willingness to let its characters be flawed and impulsive, even if the narrative occasionally spirals. It’s uneven, but often funny and relatable." - Sabrina Cole, Pop Cinema Review



"While Double Date has a likable cast, it struggles under the weight of its own chaotic structure. The story jumps from scenario to scenario without clear momentum, and much of the humor relies on repetitive awkwardness rather than sharp writing. The central conflict feels drawn out and avoidable, making the characters’ decisions frustrating rather than engaging. Rodrigo and King do what they can, but the film often feels more scattered than satisfying. And once again, writer Jacob Jones has basically spelled out the moral message of his story so broadly that it robs the viewer of any satisfaction in the end, resulting in another eye-rolling ending." - Dave Manning, Ridgefield Press






Rated R for sexual content and language






Monday, June 8, 2026

LAST RESORT FILMS JUKEBOX: DOUBLE DATE

 


Now Showing: Double Date

 

Double Date
Genre: Romantic Comedy
Director: Nicholas Stoller
Writer: Jacob Jones
Cast: Olivia Rodrigo, Joey King, David Iacono, Xolo Mariduena, Niles Fitch, Madison Wolfe

Plot: Inside her bedroom, a woman finishes up a provocative dance for her socials. Upon posting her video, The doorbell rings, causing the woman to rush downstairs to the living room, revealing the pizza delivery man.

The woman excitedly greets the man, named Elliot (Xolo MaridueƱa), who struggles to speak back, transfixed by her face. Trouble emerges, however, when the woman, named Maddie (Joey King) realizes that she left her wallet in her bedroom. Not wanting to waste his time, Maddie starts flirting with Elliot in an attempt to have the pizza for free, even batting her eyes at him. Finally, Elliot relents and tells her that she can pay him next time, causing Maddie to give him a hug. As Elliot leaves, Maddie brings her pizza in the living room, setting it on the table.

Meanwhile, out in the neighborhood, another woman slowly saunters down the sidewalk, calm, and collected. The rest of the neighborhood seems to stop to look at her in awe, but as the woman steps towards Maddie’s door, she finds everyone staring at a guy washing his car, wearing far too tight-fitting shorts for his own good. Maddie opens the door, coming face-to-face with the woman…

“Hey Mads, what’s up?”

Maddie gives her friend, Molly (Olivia Rodrigo) a big hug and starts excitedly rambling about how it’s been so long since they’ve last hung out. As soon as Molly sees the pizza, the two step towards the couch to talk about life.

An hour passes by and most of the pizza is gone, the two ladies still gabbing on about whatever is on their mind, occasionally paused whenever Molly gets a text. Eventually, the conversation dies down until Maddie asks:

“How have things been since…the breakup?”

Molly has been okay. She’s been talking to a guy named Chase (Niles Fitch) on Tinder, she’s just not sure if she's ready to commit. Maddie admits that she’s not much help, but she does know that if you know it’s right, then you should go for it. Maddie suggests that they let off some steam by going to the park, which Molly agrees to.

Molly and Maddie head outside when they notice that the house next door has been sold. Maddie’s new neighbor is an attractive-looking young man named Josh (David Iacono). Molly keeps her cool, calmly introduces herself and a starstruck Maddie. The two briefly chat before Josh heads to his house.

When Josh leaves, the following conversation occurs:

“…Molly, why is my new neighbor hot?”

“Dude, don’t say that out loud.”

“Am I wrong though?”

Eventually, Maddie gets Molly to admit that she’s not wrong, but is adamant that she wants to see things out with Chase first.

At the park, Maddie and Molly sit on the bench, Maddie taking selfies alongside her friend. However, it’s clear that Maddie’s mind is still on her new neighbor. After exchanging their secret goodbye handshake (which involves the two hip bumping once another). Molly checks her phone, finding that Chase has left her last text unread for about an hour. Meanwhile, Maddie lies on her bed, fantasizing about being with Josh,.

Josh is busy mowing the lawn when he comes across Molly. The two briefly chat for a while, Josh mentioning that he came from a rough city, managing to rise above it. Molly asks Josh if he’d be available tomorrow. She’d love to show him around town. Josh would be up for it, he’ll just check with Laney (Madison Wolfe) first. The two share phone numbers and go their separate ways.

That evening, Maddie is busy preening herself in the mirror, shooting a text to Molly asking if she’s ‘the kind of girl Josh would like’. Meanwhile, as Molly anxiously awaits for Josh to call her back, she finally receives a text from Chase, who apologizes profusely for going silent, saying that he was busy with college papers. Molly is about to respond when Josh calls back.

The next day, Molly sits on the bench, waiting for Josh to arrive when, to her surprise, she comes across Chase. The two express shock over meeting each other in person for the first time before he sits with her. As the two talk, Chase admits that he’s a bit intimidated:

“I didn’t expect you to be—“

“This good-looking upclose?”

“Y-yeah…”

Molly gives insight on her past, currently making ends meet as a model for magazines and photo shoots. It’s there she reveals her nickname, given to her, ‘The Drug’. She claims that she got it because when people spend time with her, it puts them into euphoria.

Eventually, the conversation turns serious. Chase is still trying to figure out what he wants to do with his life. Molly admits that there are still things she’s unsure of and reveals that she once considered going into music but decided against it.

After some cajoling from Chase, Molly reveals her guitar and sings a verse from Elvis Presley. At the end, Chase compliments her singing, saying that he would buy an album from her. It’s at that point Josh finally arrives, introducing himself to Chase, who seems a bit taken aback by his sudden arrival and Molly’s sudden interest in him, but remains cordial.

The three walk across town, taking a glance at all the sights and sounds. Eventually, the trio reach downtown, where they notice a small dance festival going on. When Molly hears that one of her favorite songs is about to play…

Molly steps into the center, dancing very promiscuously, swaying her hips and even revealing a bit of her chest. Josh, finding the song catchy, decides to jump into the dance, awkwardly shuffling about alongside Molly. Feeling that he’s being overshadowed, Chase jumps into the fray by breakdancing, something that ends with Chase falling flat on his face. Chase and Molly look at each other, both stifling back their laughter.

At the end of the night, the group reach Molly’s house where Chase thanks Molly for the evening. Molly’s mind is more focused on Josh, however, as she asks if he’d be willing to go on to a restaurant down the street. Josh is interested, thinking that it could be a ‘double date’ and promises to text him regarding a time and date.

Josh looks at Chase as he watches Molly leave, telling him that he was a pretty good dancer. Chase however is hoping he didn’t blow his chance with Molly. Realizing that he likes her, Josh gives Chase his phone number, telling him to send a text when he can. Once Chase leaves, Josh decides to call Laney to let her know how everything went.

That evening, Molly nervously searches through her phone for Josh’s text…

The next day, Molly lies on the bed, having gotten little sleep when her phone rings…

“Molly, heeeeeeelp!”

…and she receives a panicky Maddie trying to decide what to wear. She wants to know if she should show ass or not.

Molly sighs, telling Maddie that she’s acting irrational. Maddie defends herself, saying that she’s just really interested in Josh. Molly swears they’ve had this talk before. Maddie falls for a guy and gets obsessed. What really causes Maddie to freeze up, however, is when Molly brings up the times that Maddie has drunk dialed guys late into the night.

“...I’ve done that?”

Hearing Maddie’s voice waver, Molly apologizes to Maddie, gently suggesting that she should be a bit more responsible before asking for some advice.

“Is it bad to think about a guy for an entire night?”

Maddie tells Molly that she’s got to be careful. If the guy is all she can think of, then that’s going to do things you’ll regret, only for Molly to abruptly hang up when she receives a text from Josh.

Molly proceeds to write mountains of text in response to Josh asking about a date tomorrow afternoon before breaking into a giggling fit.

Maddie stands by Josh’s house, anxiously waiting for his arrival. When Josh opens the door, Maddie frantically asks him if he wants to go to this lounge that she frequents. Before Josh can say anything, Maddie takes him by the hand and sprints off.

Eventually, the duo arrive at the Stray Cat Lounge. Maddie introduces Josh to the bartenders, chatting away with them and, upon telling them that Josh is new to the neighborhood, getting a few shots on the house.

After taking their free shots, the DJ announces the next song. Ecstatic, Maddie takes Josh by the hand and leads him towards the dance floor. Josh again shuffles about awkwardly while Maddie bounces about. During this time, Maddie asks Josh if he’s doing anything tomorrow. He briefly mentions a double date, causing Maddie to claim she can make it a triple date. Amidst the sea of bodies, Josh finds Elliot standing alone, looking forlorn at the sight of him dancing with Maddie.

Josh excuses himself, going in search for Elliot, eventually finding him by the bar, drowning his sorrows. Josh checks up on Elliot, wanting to see if he’s okay. Bizarrely, Elliot apologizes to Josh, swearing that he wasn’t ’checking out’ his girlfriend. Josh assures Elliot that he and Maddie aren’t dating. As far as he knows, she’s single.

Elliot is relieved, but wishes he had the nerve to talk to her, gushing about how sweet and kind she is.

“Pizza incident notwithstanding.”

Josh sits with Elliot, giving him some advice: Sometimes, you just gotta give it the old college try. You never know what might happen. Elliot thanks Josh, even offering his phone number to him, before rushing off to find Maddie.

Now a few drinks in, Maddie spots a familiar face. Her eyes blurry, Maddie breaks into euphoria when she finds Elliot, nearly tripping over herself. Elliot catches Maddie complimenting her on her wardrobe.

“Thaaaanks! I tried looking my best for Josh, but I think he’s gone.”

Maddie pouts, fretting that her ‘perky ass’ has gone to waste. Elliot offers to dance with her, drawing a mischievous gleam in Maddie’s eyes, asking if he can keep up.

As the strobe lights flicker on and off, Maddie and Elliot dance the night away, Elliot growing bolder with each shot taken. Maddie begins to grind on Elliot, the once shy guy not even phased by the sudden sexual turn.

Josh meanwhile is outside answering texts from a furious Laney. He soon realizes that Elliot and Maddie are still inside and groans, sending an Uber their way before rushing home.

The next day, Maddie groans herself awake, having conjured a hangover. As she ponders the fact that she’s both naked and somehow has Elliot’s underwear, Molly calls her side, asking what she should wear for today. To be more specific, she’s wondering if she should show any cleavage. Maddie’s response?

“Why are you so worried about how much boob you’re showing?”

Molly asks Maddie if she even knows what day this is. Maddie checks her schedule, finding that the date is not only today, but that it’s supposed to begin in half-an-hour. Maddie leaps into action, hanging up on Molly in the process. Maddie rushes through getting dressed, trying to find something presentable to wear. While she does, however, Molly is frantically texting Maddie, asking a serious question:

“ARE YOU SEEING HIM?”

Molly races through the street in her car, anxiously looking at her phone for the time and even passing through a stoplight, something completely out of character for her. As Molly panics, Maddie actually takes her time getting to the restaurant, even as she has a splitting headache.

Eventually, Molly reaches the restaurant, embarking on a search for Josh, only to find that he hasn’t arrived yet. She enters the establishment, a sizable yet comfy eatery, finding their table in the process.

Several minutes pass, and Molly remains a wreck as Maddie enters. As they wait for Josh, the noted change in personalities becomes apparent as Molly frantically asks Maddie if she’s showing enough cleavage, being unable to go a few words without mentioning Josh’s name. Maddie meanwhile chides Molly for speeding through a stop light and even asks if Molly has even talked to Chase.

Maddie asks Molly what’s going on. It's unlike her to be paranoid over a guy. Molly blurts out that she’s just interested in him. Something Maddie once said. Molly again asks the accusing question, this time to Maddie’s face. Maddie is absolutely confused, wanting to focus on the dinner in peace until…

“Oh shit…”

…Maddie admits to Molly that she might have fucked up, confessing to have asked Josh about the double date last night. Molly is incensed, looking about ready to choke Maddie out before at last, Josh arrives at the restaurant, finally revealing Laney to Maddie and Molly.

Laney…the girlfriend.

While Maddie gladly greets Laney as she enters the restaurant, Molly struggles to explain where their dates are before rushing out of the restaurant. Maddie, sensing that something is wrong, goes to follow her.

Maddie finds Molly on top of her car fighting back tears. Molly admits that she feels like an idiot. She got so excited after their night out a couple days ago that she started to think about life with Josh, completely ignoring Chase and accusing Maddie of something she genuinely didn’t know.

Maddie places a hand on Molly’s shoulder, telling her that it’s going to be okay. Molly just had a moment of weakness. Everyone has that.

“We don’t need to be perfect, we just need to be there when it matters most.”

Molly comes to her senses, thanking Maddie for calming her down. Maddie also makes another confession. After last night, she did some thinking, and reveals that she’s going to be more responsible going forward. The first step being to admit the truth to Josh.

Before Maddie can step back in the restaurant however, they both hear Chase and Elliot. Both Molly and Maddie are shocked that they’re here, even more so that they now have each other’s phone numbers. Elliot steps forward first, thanking Maddie for helping him get out of his shell. Chase also admits that he sees Molly as an inspiration, someone he could aspire to be.

The two couples officially form, with Maddie even paying Elliot the money she owed for the pizza. She’s left with one question however. How did they both know about the date?

“About time you figured this out.”

To Maddie’s surprise, Laney and Josh step out. The former looking relatively miffed. She doesn’t know what prompted either woman to chase after her man, but when Josh told her what happened last night, she had to take charge. She lambasts both women for their actions against Josh. Even as Maddie apologizes, Laney tells them that it will be a while before she’ll feel comfortable around them.

“You both have men who love you and will walk through hell for you, stay as far away from my man as remotely possible. Both of you.”

With that, Laney storms off, a sheepish Josh waving at the two women.

Now left without their triple date, the two new couples ponder what to do next:

“I don’t know about you guys, but I kinda feel like getting shitfaced.” Molly admits.

“Fuck that.” Maddie groans. “After what happened last night, I need a comfy day indoors.”

“Hey, I could always order takeout.” Chase suggests.

“Yeah, and I can always pick up a few games from my house.” Elliot adds, even asking if they like Super Smash Bros.

As Maddie geeks out over Super Smash Bros with Elliot, Molly and Chase reflect on the situation and agree that there could be some beautiful relationships blossoming, Chase stealing a kiss from Molly as confirmation.



Sunday, June 7, 2026

Release: 1995

 

1995
Genre: Drama/Adventure
Director: Stephen Chbosky
Writer: Joshua Collins
Cast: Grant Felly, Nell Fisher, Eli D. Goss, Ja'Siah Young, Asher Morrissette

Budget: $13,000,000
Domestic Box Office: $25,009,469
Foreign Box Office: $14,993,783
Total Profit: $15,766,699

Reaction: A very nice profit margin for such an inexpensive film whose most bankable star is a 14 year old girl.




"While 1995 nails its nostalgic tone and features strong young performances, it occasionally drifts, favoring vibe over structure. The episodic journey can feel meandering, and some emotional beats—particularly involving the parents—aren’t fully explored. Still, the ensemble works well together, and moments like the Hawthorne House give the film a meaningful core. It’s heartfelt, even if uneven." - Clint Avery, Backlot Review



"While it may be similar to a particular Stephen King story, Stephen Chbosky's emotional and insightful direction gives the heart of Joshua Collins' script time to breathe as the young cast (especially Fisher) shines with the roles they are given, even if they trip or skip a couple of steps along the way." - Jade Aubrey-Mitchell, The Gazelle




"1995 is an earnest, nostalgia-soaked coming-of-age drama that clearly wears its influences on its sleeve, sometimes to its own detriment. Stephen Chbosky brings warmth and sensitivity to the material, but the film leans so heavily into familiar beats of childhood mythmaking that it rarely surprises. The young cast is strong and naturalistic, yet the episodic structure and constant needle drops occasionally make the journey feel curated rather than lived-in. Sincere and emotionally accessible, 1995 works best as a mood piece, even if its sentimentality sometimes edges into self-conscious nostalgia." - Dave Manning, Ridgefield Press






Rated PG-13 for thematic material involving childhood peril, and some language.






LAST RESORT FILMS JUKEBOX: 1995

 


Saturday, June 6, 2026

Now Showing: 1995

 

1995
Genre: Drama/Adventure
Director: Stephen Chbosky
Writer: Joshua Collins
Cast: Grant Felly, Nell Fisher, Eli D. Goss, Ja'Siah Young, Asher Morrissette

The year is 1995, the final day of elementary school for Elijah (Grant Feely) and his friends: Trix (Eli D. Goss), Tony (Ja'Siah Young) and Phil (Asher Morrissette). Trix convinces them to ditch school. The boys stop at a gas station with the attendant keeping trying to keep an eye on them all at once. Phil plays on an arcade machine, Tony heads for the slushie machine, Eli browses a magazine shelf and notices someone put a playboy on the rack and he flips through the pages. The clerk is so distracted by the boys all at once, he doesn't notice Trix managed to sneak behind the counter unseen to swipe a pack of cigarettes. Trix calls for the boys to run, and he waves the cigarettes at the clerk to tease him. The clerk tries to capture Trix, but the boys are too fast. Trix keeps a couple smokes for himself but dumps the remaining box.

The boys wind up at a hotel, they race up the walkway knocking on all the doors in a game of 'knock-knock-ditch' they breach the fenced in pool and jump in(Today by Smashing Pumpkins plays, opening credits) The boys goof off in the pool until a hotel worker realizes they aren't guests and scares the boys away.

They end up in Elijah's tree house. Elijah mentions how his dad moved out, didnt see the split coming "they just never fought. I thought they were happy" Trix says his folks fight all the time and he and his brother place bets on the winners, he offers his smokes to the others, who turn down the offer citing the health risks. Trix shrugs it off "we all gotta die sometime," he says. Ash (Nell Fisher), the group's only girl, joins the group. Eli and Ash were a couple for 2 weeks in 3rd grade until they decided to stay friends. "My mom locked me out of the house," Ash says, "She's with a client" Ash makes the finger quote gesture.

As the sun starts to set, Tony mentions "The Hawthorne House," A house somewhere in the woods a few towns over. The site of an alleged Satanic cult that made sacrifices there back in the 70s and is said to be haunted. The kids are initially skeptical, but Trix says they should go find it. Eli and Ash are hesitant, and Trix says it'll be their final time to do something great for their childhoods. Phil speaks up, mentioning his military family has to move at the end of the summer. Trix says, "All the more reason to go."

The kids make the decision to go, and plan to meet up in the morning and not to mention it to the parents, "Not like they'll notice anyway," Tony says.

The kids set out with their own bags and special items: Ash with a beloved stuffed animal. Tony with a foam football. Phil with his Gameboy. Eli with a family picture of him and his parents when life was good. Trix and his Walkman with a mix tape he listens to every night. They initially don't know exactly where they're going, but their freedom knows no bounds.

In the first part of their journey, we learn a little more about the kids through their dialogue. Tony's dad never made it as a sports star, so he pushes Tony to live his dream. He mentions he likes sports, but doesn't know if he wants to go pro. "Why not? Those guys make millions of dollars playing games we play in P.E." Trix says. "But it's not what I'm meant to do," Tony says, "Maybe I'll be a firefighter.. or an astronaut."

In the course of their pleasantries, Ash stops dead in her tracks. When the boys catch on, Phil notices she has blood dripping down her leg. "Crap. My first period and it has to happen in front of you guys," Ash says. They boys aren't exactly sure what to do. Tony shouts, "That thing just bleeds like that?" Theyre all awkward about it, but luckily Ash had a change of clothes and a tree for privacy.

As they cross a highway overpass, they take a moment to stare at the traffic zipping by below. They do the truck-horn gesture at some semis until they get one to notice them and honk. They laughed and cheer, Trix howling like a wolf.
They have set up a campsite with sleeping bags, tents and food they packed. Trix tries to light a fire his way, but Phil, a former boy scout, helps get a fire going. "They taught you that in boy scouts?" Ash asks Phil. "Yeah," He says, "they didn't teach you in girl scouts?"
"All I remember about girl scouts is selling cookies to creepy guys outside grocery stores." She quips.
The peaceful setting with the fire gives Ash a chance to open up some on her life with her mother, how she's afraid to be her. She's thankful to how the boys helped her earlier, that it wasn't like Carrie. They remind her that she won't be like her mother. She says "this is why I kinda prefer hanging out with you guys. No drama like with the girls."

The next day, the kids pass the rotten carcass of an animal, and come across a rest area. While Phil and Tony browse the vending machines, Ash studies the bulletin board of missing people. Maybe in the hopes that their faces would be on the board, knowing that someone was looking for them. Trix sneaks around empty parked cars and semis jiggling handles, hoping to get a car he can try to steal from. Eli spots a payphone and tries to call his dad, and unfamiliar voice answers, politely telling him his dad is at work. Eli hangs up, staring at the phone. His parents are moving on and he's hardly had a chance to process life.
They're interrupted by an angry truck driver chasing Trix, grabbing him and throwing him against the wall, confronting him for stealing from his truck. Tony throws his coke bottle at the driver's head, and the kids bolt.
When they catch their breath, they confront Trix, Ash asking him why. He says he can't help it, that he hates it. He lives in a poor family that is in and out of prison, including his brother in juvie.

A walk through some woods prompts Trix to suggest never going home again and how they could just run away. "All of our lives suck anyway," he says. Ash says she needs a shower and a real bed. Phil is so trapped in his Gameboy that he gets separated from the rest and trips over a stick. He fumbles around for his glasses, comes within feet of a black bear.
Back with the group, Tony notices Phil is missing and the kids call out to him, they see the bear nearby and Phil looking terrified. The kids all scream and shout to make scare the bear away. When successful, they check on Phil and notice he wet his pants in terror.

They come across a river with a quick flowing current. Trix talks them into crossing the river to save some time, attempting to walk carefully along some rocks to the other side. Trix slips and a domino effect happens where the kids stumble and fall and end up pulling each other in. They manage to swim to a small cave along the river. Tired, they decide to camp out in the cave. They each try to carve their names in the cave rocks, a permanent mark to show they were once there.

As Trix, Tony and Phil sleep, Eli tells Ash they should get married someday. Ash hates the idea, "my mom's been married three times already, each husband worse than the last. I have 4 half siblings I'll never meet. Sometimes I wonder if my real dad is out there thinking about me, if he even knows me." She notices Eli is crushed by her marriage rejection. She lays her head on his shoulder. She asks how he envisions a marriage together, he smiles and explains: house, 3 kids, two dogs.. his vision trails on as we get a glimpse of the night sky.

The kids walk along a dirt path, it starts raining and they hop a fence to get shelter under an abandoned horse stable. Trix, listening to his headphones, starts singing along to the song on his mixtape, badly(Hey Jealousy: Gin Blossoms). The kids play along, singing, dancing, playing in the rain as the real song plays.

After the weather clears and the sky is dark, they continue onto the dirt path. Phil mentions how his dad says he's not 'man' enough. Trix jokes 'he's got a point' Phil asks what he means by that. "Look at you, you're like 10 pounds soaking wet. You're too shy and quiet, all you do is play on your stupid Gameboy.." Phil shoves Trix hard. "Damn it Phil, now I have to beat your ass." Before Eli could get Trix to stop, Trix slaps the taste out of Phil's mouth. "I wasn't trying to hit him that hard, honest." Trix says.
Tony shoves Trix in retaliation. The boys end up in a fight on the ground until Ash sees a car creeping toward them. She shouts, "Headlights!" And the kids find a spot to hide. The car stops for a moment, a light trying to survey the area around them. The kids tense up and are still, holding their breath. "It's a cop," Trix says under his breath. The cop doesn't see anything and drives on, still creeping along, just in case. They kids walk the opposite direction.

The early hours of dawn, the kids had been walking all night. The boys play a word game to pass the time, "Would you rather.." and before Tony asks his question, he steps into a bear trap and screams and cries. The kids scramble to help him and talk him through it while Phil helps get Tony loose. Phil uses a shirt as a tourniquet. Trix gets angry, "That's it. I don't even know why we're even doing this stupid thing anymore."
"You convinced us to," Eli says. "Stop listening to me. I'm far from a role model." He says in response, "Let's just get out of here."
"We've come too far to give up," Ash says. She looks at Tony whose slowly calming down. "Tony you ok, think you can go on?" She asks.
He nods, "Guess I have a reason to not show up for football tryouts next year," the group laughs.

As they venture on, the kids cheer Phil up for being tougher than his dad gives him credit for, reminding him of the great stuff he's already done and that they wouldn't survive without him. But they finally spot the Hawthorne house just up ahead.

The house is indeed haunting, vines growing around the outside. After all they've been through, the kids don't hesitate to enter the house. They explore the interior as Tony has some more insight into the legends he's heard about. They notice all kinds of items left behind by former explorers of the house. Mostly kids items: toys, dolls, blankets, children's books and children's VHS movies, kids drawings, pictures, etc. Ash thinks it's creepy, but Tony says, "People who left something of their childhood behind." Eli says to himself, "Sacrifices." "Think they were all forgotten, just like us?" Ash asks.

Realizing the house wasn't haunted, it's sacred. A place people left a piece of their childhood behind in. Tony places his foam football down. Ash kisses her stuffed animal one last time and sets it down. Trix sets his mix tape down. Phil hesitates a few minutes before setting his Gameboy down. Eli digs the family photo out of his pocket, stares at it one last time and sets it down.
No words, just silent understanding and tears in their eyes. They leave the house, their childhoods behind.

They start the trek walking back to their homes, but are near a slow moving train. The kids start running, but Tony is limping behind. The rest of the kids throw their bags onto the train and help each other up on the train. They encourage Tony to catch up and Tony manages to fight through the pain and catch up, Trix pulls him up. "You sure you don't wanna be Emmit Smith's backup?" Trix asks. "Please don't tell my dad." Tony says.
(Fade Into You by Mazzy Star plays over the visuals)
As the train rides on, the kids all laugh and reflect on their journey and childhood. Trix tosses his last unlit cigarette off the train, a gesture to show he intends on being better and it starts qith throwing out the object he stole earlier, Phil is laughing and making jokes, brimming with confidence. Tony is laying on the train floor, still hurt but ok He stares out the boxcar door at a world vast and open. Ash and Eli are next to each other. Pinkies of of their hands locked together. As long as they got each other, they can take on their worlds together.
The fade out is like a dreamy over-saturated sunlight as Fade Into You plays into the credits roll.



Top 10 Joey King Films

 

Sherman J. Pearson here for another Top 10. Joey King was one of the studio's hottest young stars though the studio's first 10 seasons, but has only appeared in a few projects since then. Well, she's back in theaters this round starring in Double Date opposite Olivia Rodrigo. This led me into taking a look at King's films....

Top 10 Joey King Films
10. Splinter Cell: Chaos Theory
9. Splinter Cell: Pandora Tomorrow
8. Tenth Circle
7. Mimsley and Me
6. Nobody
5. Titans: Evil Incarnate
4. Splinter Cell
3. Five Boroughs
2. Revolution
1. Letter to Myself