Friday, July 31, 2026

Top 10 Jacob Jones Films 2.0

 

Sherman J. Pearson here for another Top 10. Writer Jacob Jones was back on the big screen with his latest script, The Bounty Hunter, this round. I haven't looked at his Top 10 films in over 6 years, so now seemed like a good time.

Top 10 Jacob Jones Films 2.0
10. The Oil Slick
9. Tara's Web
8. Victims
7. Saving Yemen
6. Danya
5. The Phantom of the Opera
4. Accordion De Chanson
3. Emergency
2. Golden Girl
1. E.P.

Thursday, July 30, 2026

Now Showing: Fading Star

 

Fading Star
Genre: Drama
Director: Christopher Storer
Writer: Holden Abbott
Cast: Chloe Grace Moretz, Laura Linney, Mark Ruffalo, Leo Woodall, Charlie Tahan, Eliza Coupe, Fivel Stewart

Plot: Olivia Holloway (Chloe Grace Moretz) sits on a couch staring in disbelief at her phone, watching a tabloid news story - in the video is herself with the headline, “Former Child Star’s Public Meltdown: Where Did It All Go Wrong?” She begins pacing around her apartment before receiving a phone call from her mother. On the other side her mother is her voice of reason - she pleads with Olivia to come back home - leave LA behind and settle back down locally. When Olivia hangs up she sits in silence, contemplating the decision.

Olivia sits in a taxi - delivering her to her childhood home. Through conversation with the taxi driver it is revealed Olivia has not been home in 10 years. After a brief awkward conversation Olivia sits in silence.

Olivia is met on her childhood home’s doorstep by her mother Linda (Laura Linney) - although Linda seems relieved to have her daughter home, she also seems to feel the weight of the scandal bringing her home. Their reunion is very simple, a hug and Linda asking if she needs food. Olivia says she’s ok walking straight toward her childhood bedroom - filled with memorabilia from her time as a child star. These items, once symbols of success - now remind her of everything she’s lost.

Linda comes into her room and sits next to Olivia. She asks Olivia if she needs anything she will always be here. Olivia looks at her in silence, Linda tells her that she knows that in the past she has pushed her and she’s sorry but she is glad she’s back. Linda tells Olivia that she will leave her be until she is ready. Olivia nods at her mother - thanking her.

Olivia goes for a walk around town - hood on. Marcus Wright (Leo Woodall) a former neighbor of Olivia recognises her as she walks - he attempts to approach her but can’t seem to find the words. He simply just welcomes her back to town, mentioning he remembers her as a young girl and is glad to see her back in town.

Later, Olivia walks into a local cafe and runs into Tom Harris (Charlie Tahan), a local journalist who grew up watching Olivia on TV. Tom initially sees Olivia as a story to capitalize on - his chance to write about a fallen star - but as the two of them talk, he senses that there is more to Olivia than the tabloids show. Still, his professional instincts begin to tug at him, as she leaves the cafe he wonders whether this could be his big break.

Olivia walks the streets of her small hometown. Some residents seem to still recognise her and admire her - however most have moved on. She stumbles upon a house that she recognises from her childhood. Her former friend Rachel (Fivel Stewart) exits the building, Olivia approaches her straight away. Rachel seems to resent Olivia for past wrongdoings. Rachel mentions that she has moved on from Olivia - she left her when she needed her most. Olivia is shocked, she was following her dream, but now Rachel resents her? Their conversation is uncomfortable.

Olivia returns back home and immediately goes to her mother - she recognises that she may not fit in this town anymore. Linda mentions a therapist she visits - maybe it's a good idea for Olivia to as well? She seems hesitant at first but agrees.

Tom Harris spots Olivia walk into the therapist office. He immediately begins to think - could this be his chance to capture a big story.

Olivia visits Dr. Jenna Brooks (Eliza Coupe) - she is calm, grounded and unphased by Olivia’s fame. In the beginning Olivia feels as though no one can understand the public scrutiny she faces as a former star. Jenna listens with patience, gently guiding Olivia to confront her past, but Olivia struggles to face the truth of what the industry did to her—how she was molded into a character rather than allowed to grow into her own person.

Tom makes it seem like happenstance when he runs into Olivia once more. Seeing she is distressed he asks if she wants to go for a coffee. She nods.

While getting a coffee the conversation starts off small and meaningful - a smile appearing on Olivia’s face. Once that smile appears, Tom sees his chance. Tom begins bombarding Olivia with questions - about her childhood, about her life now and about the therapist. Why would she be going there? What’s happening in her life. She begs him to stop, tears falling from her eyes. She pleads with him to stop.

As Olivia leaves the cafe she is immediately met by paparazzi attempting to catch her out. She runs from the cameras trying to cover her face. She manages to get away, recognising a building up ahead. Tom stands back, almost regretting his actions.

She walks into the building, the old studio where she filmed her TV show as a child. The lot is abandoned, reminding her of a time when her life was dictated by schedules, managers, and the pressure to perform. Her return to the studio sparks a series of vivid flashbacks to the days when she was a star, showing the unhealthy relationships she had with her managers and co-stars. Olivia had been pushed into the limelight, forced to project an image that was not her own. As she stares at an old picture of herself she begins to hyperventilate. She pulls the picture off the wall and smashes it on the ground. She grabs a coat rack and begins slamming the picture letting out a guttural scream.

Olivia’s emotional state continues to deteriorate. She becomes more isolated, drinking excessively, and the pressure of living up to the world’s expectations starts to consume her. Her breakdowns grow more frequent, culminating in a night where Olivia publicly lashes out during an encounter with the press. This outburst is captured by photographers and further fuels her downward spiral.

Afterward, Olivia retreats even further. Her mother, Linda, tries to comfort her, but Olivia’s frustration with her family’s inability to understand her pain deepens. She reaches out to Gary Holloway (Mark Ruffalo), her estranged father, in a moment of vulnerability. Gary, a washed-up former actor himself, is living alone in a shabby apartment. His return into Olivia’s life brings to light the brokenness that has always existed in their family. Gary is too far gone to be the father Olivia needs, and his emotional neglect during her childhood is evident. As they talk, Olivia realizes that her father's own unfulfilled dreams contributed to her struggles. The cycle of failed hopes and dreams runs deep in her family. Nonetheless the two of them continue to talk, whether it’s to air out the grievances or reconnect, even Olivia is unsure. Before leaving Gary attempts to apologise to Olivia. He places his arms around her - hugging her. The two offer each other a smile - a silent but loving gesture between the two.

As she leaves her father she is approached once more by Marcus, he offers her a quiet presence, unlike everyone else - he does not see her as a star, but a person who’s seems to have been through a lot. He encourages her to let go of the past and accept the reality of who she has become. Despite their connection, Olivia is still trapped in her self-loathing and doubt, unwilling to fully open up to Marcus about her internal battles.

The opportunity for a fresh start presents itself when Olivia receives a call from her former agent, offering her a role in a small independent film. The role could help her reclaim some part of her old life—yet, it is also a reminder of everything she hated about the industry. She questions it. Should she accept the role, giving in to the familiar pressures of Hollywood, or should she let go of the past entirely?

In this moment, Olivia returns to Jenna, who has been a quiet yet steady presence throughout her journey. In their final therapy session, Jenna forces Olivia to confront the truth: she cannot keep running. She has to face the fact that her worth is not tied to her fame or the approval of others. Jenna helps her realize that healing means accepting who she truly is, flaws and all.

Olivia rings her agent back again. She tells the agent that she wants to accept the role.

A few months later.

After filming the independent film - Sunset Dreams - we see Olivia back in her hometown smiling on the streets, looking better than ever. When she returns to her home she immediately opens a bottle of whiskey, sits down at the door and drinks. She places the drink on the ground. She cries - almost in silence.


Release: The Bounty Hunter

 

The Bounty Hunter
Genre: Action
Director: Zack Snyder
Writer: Jacob Jones
Cast: Chris Evans, Mackenzie Davis, Michael Cimino, Maya Hawke, Redding Munsell, Zach Roerig

Budget: $85,000,000
Domestic Box Office: $46,900,222
Foreign Box Office: $33,194,206
Total Profit: -$53,001,701

Reaction: Definitely a disappointment following the studio's recent success and writer Jacob Jones' success earlier this season with Double Date.




"The Bounty Hunter is a gritty, stripped down action film that mostly succeeds on getting by on physicality and emotion rather than spectacle. The action itself is a bit more straight-forward than I was expecting from a Zack Snyder film, but it's mostly effective. Star Chris Evans does his best in the title role, even if he seems miscast as an aging boxing champ. He does manage to sell the desperation and does a good job with the father-son dynamic central to the plot, helping add stakes to an otherwise familiar story." - Derek Halston, Iron City Film Review


"The Bounty Hunter feels assembled from the most generic pieces of modern action cinema. The action and fight scenes, by the end, feel repetitive and never escalate in a meaningful way. Chris Evans is a puzzling fit as a battered, blue-collar bruiser, never fully convincing. The supporting cast only compounds the issue—Michael Cimino is strikingly unconvincing as a villain, lacking menace or credibility, while the rest of the ensemble feels miscast or underwritten. Combined with a predictable story and a title that sounds pulled from a stock template, the film ultimately struggles to make an impact." - Calvin Bryce, The Overlook Dispatch


"The Bounty Hunter feels like a much smaller, simpler movie awkwardly stretched into something bigger than it needs to be. The script leans heavily on exposition and coincidence, while Tony and Rat swing wildly between quirky comic villains and genuinely violent psychopaths without much connective tissue. Chris Evans does what he can but is clearly miscast and he struggles to make the “Frank the Tank” material feel anything but unintentionally goofy. There are some decent moments, but the plotting gets repetitive, and the rapid and frequent tonal shifts from scrappy action comedy to life-or-death hostage thriller can be jarring." - Gregory Fletcher, Los Angeles Times-Journal





Rated R for action violence and language






Wednesday, July 29, 2026

IN DEVELOPMENT

 

Kill Bin Laden: Stanley Tucci (Rediscovered Harmonies, Malik), Adam Scott (Painkiller Jane, Poison Ivy: Mind Games), and Stephen Lang (Task Force X, The Devil's Revenge) have been tapped to round out the supporting cast of the political thriller Kill Bin Laden. Scott will play Obama's speechwriter Ben Rhodes, Tucci will play a counterterrorism advisor to the president, while Lang will play Admiral McRaven. Darren Aronofsky is directing the film from a script by Alex Conn.

Ilvermorny: The Hidden School: The latest Wizarding World film for LRF has continued to fill out its cast with a combination of fresh and veteran faces as Hilary Swank (Ruby Ridge, Runaway), Kyriana Kratter (The Healing Garden, "Star Wars: Skeleton Crew"), and Angela Bassett (Stretch Armstrong, The Quiet Between Us) have all joined the film. Swank will play the school's headmistress, Bassett will play the director of the Magical Congress of the United States of America, while Kratter will play a particularly studious student at Ilvermorny. Francis Lawrence stretches his YA muscles as director of the film based on a script by Dawson Edwards.

The Midnight Library: Jack Lowden (Northrock, Photographs) and Ben Whishaw (Echoes of Red, Care of Death) will round out the cast of the Jessie Buckley-led adaptation of Matt Haig's best-selling novel, The Midnight Libary. Meirad Tako has penned the book's adaptation.

Tales from the Crypt: Several more faces are set for the anthology-style film based on the Tales from the Crypt franchise. New additions include Katheryn Winnick (Undefeated Abe, Masters of the Universe: The Sword of Power), Logan Miller (The Liberation of Evil, Midnight Tales), Kathryn Newton (Tinseltown, The Nest), and Ryder Allen (Heartstone, The Scam of Success). They will appear in some of the four segments in the film, which will be directed by the team of Michael Dougherty, Bryan Bertino, Ti West, and Andy Muschietti. Joshua Collins wrote each segment.

The Chain: One of the most popular and acclaimed bands in history, Fleetwood Mac, are finally getting the biopic treatment courtesy of director Charlotte Wells (Aftersun) and writer Diane Esposito (Material Girl, Power Rangers). Sydney Sweeney (Starlight, Poison Ivy: Mind Games), Joe Keery (Starman, Heist Society), and Toby Kebbell (Duel, We Still Know Where You Live) are set to star as singer Stevie Nicks, guitarist Lindsey Buckingam, and drummer Mick Fleetwood, respectively. The film is expected to depict the formation of the most well-known lineup of the band and their eventual break-up amidst drug use, massive success, and failed romance.

Pokemon: It's long been in the works, but now the Pokemon franchise is finally headed to LRF screens as the debut film of Season 37. The Duffer Brothers (Hidden, "Stranger Things") are behind the camera for the blockbuster. Noah Schnapp (Haven, The Dark Tower IVL Wizard and Glass) joins the Stranger Things creator as Ash Ketchum who leaves his quaint hometown for an adventure across a Pokemon-populated world. Peyton List (Cedar Ridge, Camping) and Ross Butler (Tokyo Rose, Dragon Ball: The Wrath of the Demon King) will play Ash's traveling companions, Misty and Brock, respectively. Tanner Buchanan (Wrong Turn, Batman Beyond), meanwhile, will play Ash's rival, Gary. Diane Esposito (Material Girl, Power Rangers) also penned this one based on the massively popular multi-media franchise.

Now Showing: The Bounty Hunter

 

The Bounty Hunter
Genre: Action
Director: Zack Snyder
Writer: Jacob Jones
Cast: Chris Evans, Mackenzie Davis, Michael Cimino, Maya Hawke, Redding Munsell, Zach Roerig

Plot: Inside a small venue, a middle-aged man sits in his corner, cuts and bruises ravaging his face as he breathes heavily. He looks up to examine his opponent, chipper and young compared to him. He sighs, standing up, preparing to fight. In the background, an announcer claims that Frank (Chris Evans), the older fighter, was once a world champion. But now?

“OH MY GOODNESS! DOWN IN A FLASH!”

Frank crumples to the ground, immediately falling to the younger fighter. Frank tries to stand up, but nearly stumbles over himself. The younger fighter pounces, delivering a couple final blows to Frank. Frank tries to cover up, but he goes down, the referee’s count merely an echo…

“Frank? Are you okay?”

Now at the hospital, Frank opens his eyes, coming face to face with his wife Angela (Mackenzie Davis) and child Peter (Redding Munsell). Frank claims that he’s been through worse, but there’s little emotion in his voice. Angela tells him that he can’t keep doing this to himself. He’s not the man he once was. A tense silence grows between both spouses before Frank relents, admitting that this might have been his last fight. Angela assures him that he’ll find something new, the two exchanging a kiss.

The next day, Frank makes his official. He’s retiring from boxing. That afternoon, Frank is cleared from the hospital. As Angela drives the family home, Frank looks out at the city, the sun setting on the skyscrapers. Once the family reaches home, Frank tells Angela that he’ll pick up dinner later. He needs some time for himself.

Frank wanders about his town, aimlessly shuffling through society, paying little attention to anything. The mood shifts however when Frank hears a disturbance, finding a young woman being menaced by a crook (Zach Roerig) carrying her purse. Wanting to bring a sense of Justice, Frank charges toward the crook, slamming him towards a building before sending a warning.

“You fuck with this woman, I’ll see to it you’re six feet under, you got that?

The crook feins understanding, only to kick Frank in the shin, breaking his grip. The crook doesn’t go far, however, before being grabbed by the shirt by Frank and repeatedly elbowed on the back of his neck. Eventually, Frank rips the purse from the lowly crook’s hands and throws it to the lady. Enraged, The crook tries lunging after Frank, only to be caught and thrown onto a vehicle. He soon finds that the vehicle in question is a police car.

Frank sits inside the police department’s office, pondering his plight before an officer comes up to him. After giving the officer an explanation, Frank attempts to apologize, but the officer tells him not to worry. They’ve been on the hunt for the purse thief for months now, even putting out a thousand dollar bounty. The officer asks Frank if he’s ever considered being a bounty hunter. Frank isn’t sure what that entails, but says that he’ll think about it, asking if he’d qualify for the bounty.

“We’ll see what happens.”

That evening, Frank returns home to a relieved Angela asking him where he’s been. Frank doesn’t give an explanation, only saying that he needs to study, taking the walk to their bedroom, pulling out his phone and searching the term “bounty hunter”.

The next day, Frank returns to the police department, announcing his intent to become a bounty hunter. To test his moxie, the officers put him through a training progress, teaching him how to work with weapons and going over the examination process. He struggles at first, but as the days pass by, Frank finds himself growing more comfortable with the bounty hunter lifestyle, eventually earning his license. Now officially a bounty hunter, Frank goes over his first official case, a $100,000 bounty on a man who has eluded the legal system for several years.

“A man and his rat.” The officer claims.

Out in the rural parts of town, surrounded by an embarrassment of riches, a young man passionately makes out with his girlfriend when they hear door knocks. The man slinks his way towards the front door, standing face to face with a landlord. Not only gave they not paid their rent, they’re set to repossess all of their belongings and evict them.

The young man, named Tony (Michael Cimino) by the landlord feins shock, claiming to have the check for him, but once he leaves, the landlord is immediately shot in the head by his girlfriend. As the landlord collapses onto the ground, Tony embraces his precious Rat (Maya Hawke) before making an announcement. Tomorrow, they’re going to leave this dump and pull a hit on the mayor. He’s going to be delivering a speech declaring for another tenure. Rat is ecstatic, making plans in regards to the weaponry. Tony warns her not to get excited. They need to plan so that no one thinks of suspecting them…

“Crime’s only as good as your disguise, and baby, we’re the masters of them.” Tony states.

In the other side of town, Frank tucks Peter in for the night when he comes across Abigail, who is both happy and relieved that Frank is busy with the child. As the two walk toward the kitchen, Abigail asks Frank how the bounty hunting business is going.

“Pretty good, though the fact that so many people keep skipping court is kinda wild.” Frank admits before letting Abigail in on some news. The mayor is going to deliver a speech tomorrow. He’s not sure why, but something tells him that trouble may be lurking, so he’s going to stop by City Hall to keep an eye on things.

Early next morning, the mayoral security team prepares themselves for the big day. Two younger personnel however are unaware that Tony and Rat have snuck into the hall, dressed up to look like security themselves. Tony claims that it’s their first day on the job. While a crowd gathers together to hear the mayor’s big speech, Frank gets his briefing from the head of security, who thanks him for the added assistance. As the speech continues, Frank keeps an eye out for security, standing between the people and the mayor’s podium. His eyes turn towards Tony, his arms behind his back as Frank finds, to his shock, that Tony has a gun. One that he’s set to shoot at any moment…

“MAYOR, HE’S GONNA SHOOT!” Frank cries out to the mayor. With the disguise foiled, Tony shoots at the mayor, who barely dodges out of harm’s way. Frank charges towards Tony, wrestling the gun away from him, only for Rat tackle him to the ground, landing some punches before being chased off by security. Tony and Rat flee the scene, but while Frank is being helped up, he looks at Tony, seeing how familiar looks compared to his mug.

Frank is on the news again that afternoon, being interviewed by local press on the event. After the mayor thanked him for the warning, Frank alerted him to launch an investigation on the perpetrators responsible. Something tells him that this is far from over…

“YOU’RE DAMN RIGHT IT’S NOT OVER!” Tony shouts, throwing his remote at the TV. He rants about how Frank ruined everything and that the next time he sees him, he’ll—

“Sweetie, you’re cute, but maybe leave the threats to me.” Rat quips. She wonders what they’ll do now that they’ve been found out by the authorities. Tony declares that they’ll be bold and track down the person who ruined their plan and make sure they keep their mouths shut. Rat thinks this plan is ridiculous, but goes along with it when Tony promises that if the time comes, she can kick his head off. The two slink off, finalizing their plans.

For the next few days, Frank is hot on the trail for Tony and Rat, but is unable to find a lead. During a drive, he receives a call from Angela and Peter and heads out of the car. They haven’t heard anything from them either. Frank wonders if maybe they’ve given up, only to hear a “psst” coming from a nearby cafe. Suspicious, Frank walks up to a man wearing a suit that is best described as “a 50s detective who joined a gang”. The figure explains that he has a tip regarding Tony and Rat, having heard of their whereabouts. He also reveals that the two are burglars of the highest order, thieving people out of their items thanks to Tony’s cunning intellect and Rat’s physical prowess.

This information, while valuable, does leave Frank to openly question: “How do you know so much about them?” He follows up by asking the mysterious figure knows Tony personally, only for him to take off his bandana and reveal…

“I am him!”

Tony grabs at Frank’s shirt collar and warns him to stay out of their business, or they’ll make him a mantle-piece. Frank breaks free, hitting Tony like a hard right. Tony proceeds to sprint inside the cafe, Frank following suit. What follows is a pier-six brawl as Tony throws several chairs at Frank, the bounty hunter dodging each one of them, even saving an innocent woman from being hit by one. Frank grabs onto the chalkboard revealing today’s specials and chucks it towards Tony, only to be caught by Rat who proceeds to break the board into two, grabbing onto two sharp shards of wood.

Tony charges toward Frank, pinning him towards the wall and pulling out a hammer. Rat steps toward Frank, placing the shard of wood on top of his forehead. Tony gives Frank one last out. Either stay out of their business or be taken out of the equation. In an act of desperation, Frank squirms about, trying to use his legs to kick at Rat. He succeeds, causing Rat to lose balance and drops her second shard on the floor. Tony and Frank dive for the shard, Frank claiming hold of the shard and the hammer. Before Frank can do anything, however, Rat chucks a chair through the glass window, breaking it and giving them an opportunity for escape.

That evening, a frustrated Frank returns home, venting about how he was so close to putting Tony and Rat away. Angela assures him that all isn’t lost and that he’ll get another chance soon. Frank hopes so, and walks off to reflect on the situation. He sits on his bed, combing over how the two criminals got away, realizing that he could have been killed. He writes down his to-do list for tomorrow. Chief among them? Buy some firearms in case they try anything like that again.

On the other side of town, Tony is on the verge of completing a dox of their target, Frank, quietly nodding and writing down plans for tomorrow.

Early next morning, Frank is finalizing a purchase for his new guns when he receives a phone call from Angela who urges him to come home now. They’ve not only been burgled, she’s convinced that the thieves are still in the house. Frank wastes no time, storming out of the gun store and driving off.

In a cross-cutting montage alongside Frank’s desperate drive home, Angela and Peter come across Tony and Rat, who claim to be part of a ‘moving company’. Peter exposes the lie quickly when he spots his favorite stuffed animal in Tony’s hand. Rat breaks the facade further by calling him a “little brat”, causing Angela to step in and defend her child. Angela and Tony get into a brief shoving match…

…by the time Frank returns home, he finds that the kitchen is in ruins with dishes being thrown around. Angela meanwhile has been knocked out cold. Frank rushes to her aid, doing his best to wake her up. Angela coughs up blood, barely coming back to consciousness, revealing that they took Peter hostage. She tried to save him but Rat was too strong. Frank tells her not to worry. He’ll find the bastards and get Peter home. Frank sits Angela up on the couch and heads out.

As Frank drives all over town, Tony and Rat come across an abandoned building, several stories tall and unoccupied. Tony grabs onto the terrified Peter, still squirming about in a desperate attempt to break free. Rat kicks open the door and the two step inside, climbing up the stairs until finally they reach the roof-top. Peter begs them to take him home, but Tony is unwilling, explaining that “daddy has been real naughty to us, so we need to be naughty back”. In this case, Rat’s going to throw Peter onto the concrete. Before Rat can get her hands onto Peter, he bolts off, running around in circles to tire her out. Eventually, however, Tony slaps him on the face, causing him to fall down and land on his right arm. Rat picks Peter up by the waist, prepared to send him to his death when he sees a group of cars appearing on the horizon. Peter calls out for help, praying that his father is out there somewhere.

The police demand that Tony and Rat stand down and let the child go. Tony asks what they’re going to do about it.

“It’s not what…but who!”

The scene comes to a halt as Tony and Rat glance over towards the other side and find Frank. Not only has he alerted the police about what’s happened, but he’s come to save his son. Tony thinks it’s a little late for that and almost tells Rat to pull the trigger, only for Frank to pull out his new gun, threatening to shoot if they don’t comply. Tony feigns defeat, claiming that they’re ready to comply with all of Frank’s demands…

…only for Rat to throw Peter onto the rooftop and charge at Frank. He shoots at her, the thief dodging every bullet before tackling Frank to the ground, landing a few shots in the process. Tony pulls Rat off of Frank, getting in his own punches. Tony yanks the gun away from Frank, turning it towards him and Peter. To him, this is a better way of putting an end to Frank and his kid. All seems lost for Frank, when something comes to mind…

“...before you shoot Tony, I want to ask you something. Do you know a man named The Tank?” Frank explains that a long time ago, there was a man who dominated the world of boxing thanks to his sheer physical presence, able to knock opponents out without any question. He ruled the boxing world for many years, until finally, the years of wear and tear wore him down and he had to retire.

“What, that your Dad or something?” Tony asks, watching as Frank rises to his feet.

“No…I am Tank. Frank…the Tank!”

Feeling a new sense of adrenaline, Frank charges towards Tony, hitting him with several jaw-jacking punches, turning the clock back several years in the process. Rat tries to stop him, but Peter kicks her in the shin, leaving it between Frank and Tony. Tony tries to fight back, but without Rat to serve as his shield, he stands no chance. Eventually, Tony is backed towards the edge of the roof, dropping his gun when he realizes where he’s at. Frank steps up to Tony, delivering one final punch that sends him tumbling off the building, crashing onto the top of a police car in the process.

Frank turns his attention towards Peter, who rushes up to him and gets a hug. Frank is relieved that Peter is safe, but among seeing Rat come to her senses, tells him to go with the police. As Peter runs out, Rat stalks behind Frank, the bounty hunter unaware…

All of a sudden, Frank feels a sharp, piercing pain in his back and crumples to the ground. Rat lets out a roar, having placed a knife deep into his back. She pulls it out of his back and sets Frank up, forcing him towards the edge of the building. With Tony unconscious, Rat feels that there’s only one thing to do.

“If you’re taking us down, we’re taking you with us!” Rat exclaims as she throws herself and Frank off the building…

…At the last moment, however, a group of policemen come together, grabbing Frank into the process. As for Rat, she slams onto the concrete, having missed the police cars, killing her instantly.

Frank takes a look around him, unable to hear clearly. He sees Tony being taken away by police, then looks at Rat’s limp body before finally seeing Peter’s face as he contorts in fear over what’s happening to him.

Then, he passes out.

“Frank? Are you okay?”

Frank has returned to where he started, sitting inside the hospital, having been treated for a stab wound on his back. Frank tells Angela that he’s fine, causing Angela and Peter to give him a warm hug, tears streaming down their faces. They’re all thankful to be alive, and there’s even more good news. Frank has earned his $100,000 bounty for the capture of Tony. Peter asks Frank what he’s going to do with all that money…

Several months later…

Inside the same building where Frank saved Peter from Tony and Rat, a group of young kids, including Peter, are learning how to defend themselves in the event of trouble. Frank watches on, now serving as head instructor. Angela sneaks up behind him, saying that it was nice of him to donate the money towards making the building a safer place, but wonders what this means for his bounty hunting career. Frank assures her that he’s still a bounty hunter…

“...but I’m taking easier cases from now on. Besides, I think one battle for my life is enough for me.”

Angela and Peter both chuckle and share a kiss, watching their students practice their craft.


Tuesday, July 28, 2026

Release: Buffy the Vampire Slayer 2

 

Buffy the Vampire Slayer 2
Genre: Horror/Comedy
Director: Cathy Yan
Writer: Walter McKnight
Based on the Buffy the Vampire Slayer media franchise and characters created by Joss Whedon
Cast: Meg Donnelly, Dacre Montgomery, Max Irons, Annalise Basso, Kira Kosarin, Teagan Croft, Elisabeth Shue, Nick Frost, Sophie Lowe, Bailey Bass, Elena Kampouris

Budget: $40,000,000
Domestic Box Office: $72,416,224
Foreign Box Office: $59,109,445
Total Profit: $55,194,234

Reaction: This Buffy sequel has bested the first film in every possible box office category, showing that there is still an appetite for teenaged vampire slayers on the big screen.



"Buffy 2 is a chaotic, fun, and surprisingly heartfelt sequel that balances teen drama, horror, and dark comedy with flair. Meg Donnelly’s Buffy is grounded and determined, Dacre Montgomery’s brooding Angel adds depth, and Max Irons’ Spike is pure menace. From Victorian flashbacks to cheerleading showdowns, Cathy Yan keeps the action inventive and the stakes high, while family and friendship moments give the story real weight. Over-the-top, clever, and occasionally brutal, this sequel proves Sunnydale is never boring." - Dexter Quinn, Cinematic Observer Newsletter


"Buffy the Vampire Slayer 2 successfully blends horror and humor while expanding its world and characters. Cathy Yan brings a stylish, energetic tone, and Meg Donnelly continues to grow into the role of Buffy with confidence and vulnerability. The addition of Spike and Drusilla injects real menace, while the cheer competition climax is a clever and chaotic set piece. It’s a fun, character-driven sequel that builds momentum for the franchise." - Carla Vance, Midnight Screen Review



"While Buffy the Vampire Slayer 2 has moments of charm and solid performances, it struggles with uneven pacing and tonal inconsistency. The film juggles too many threads—Buffy’s grief, family drama, Angel’s backstory, and the Spike/Drusilla threat—without fully developing any of them. Spike stands out as a compelling villain, but Drusilla feels underused, and her quick exit undercuts the stakes (no pun intended)." - Cal Crowe, Washington Globe






Rated PG-13 for violence, some frightening images, and brief language.





SOCIAL SPOTLIGHT

 

Actors don’t just light up the screen — they light up the feed. Social Spotlight takes a look at how today’s stars promote their movies through the platforms that matter.

This round we have the latest Instagram post from Buffy the Vampire Slayer 2 star Meg Donnelly....