Thursday, January 31, 2019

Now Showing: The Queen of the Night

The Queen of the Night
Genre: Drama/Historical
Director: Joe Wright
Writer: H.G. Hansen
Based on the novel by Alexander Chee
Cast: Emma Watson, John Malkovich, Jean Dujardin, Matt Smith, Ian McShane, Barbra Streisand, Idina Menzel, Harrison Gilbertson, Damian Lewis, David Harbour, Cate Blanchett

Plot: The film begins in the year 1882, where rising Opera star Lilliet Berne (Emma Watson) learns that her life has become a muse for a future opera. She is shocked because only a few people know her life story. On a quest to find the one who betrayed her, she begins her story of her childhood. As the daughter of religious parents, she was ridiculed by her mother for prideful singing. In an effort to appease her mother, she pretended to lose her voice. However, before she could reveal the deception, her entire family died of the fever. Lilliet buried them and headed to New York. She hoped to find passage to her mother’s family in Lucerne. Her singing and ability to ride a horse landed her a spot in a circus heading to Paris. Once there, she performed hundreds of shows before her final act with the Emperor. There, she received a priceless ruby brooch. She left the circus to start a new life in either in Paris, or Lucerne.

After leaving the circus, Lilliet met a courtesan named Euphrosyne (Ian McShane). Their friendship prompted Lilliet to remain in Paris. However, when Lilliet defended her friend from a threatening man, the two are arrested and locked in a women’s prison named Saint-Lazare. Unwilling to lose her friend, Lilliet agreed to register as a courtesan. After her time in prison, she was invited to l’Hotel des Majuers-Plainsirs by the owner, Odile (John Malkovich). Odile explained that Lilliet was welcome to stay if she worked for her, and could only leave if she paid off the debt from imprisonment. Lilliet learned how to be a proper courtesan. Eventually, Euphrosyne introduced to a man known as The Tenor (Matt Smith). He adored her voice and asked Odile if he could take her to the opera. Odile agreed and he took Lilliet to meet a courtesan singer named Cora Pearl. Cora told Lilliet to never fall in love, and revealed that she was the Tenor’s previous “project” that failed. When they returned, the Tenor purchased Lilliet from Odile. Euphrosyne returned the ruby brooch, revealing that she had stolen it while Lilliet was in prison. The Tenor moved Lilliet into an apartment and she began her new life.

Meanwhile, in the present day, Lilliet searches for her betrayer. She lists four potential subjects: someone who loved her, someone who controlled her, someone who never thought of her, and someone who was dead. Liliet meets the first of the four, Euphrosyne, and deduces that she is not the culprit. Later, Lilliet goes to the Tenor. Once again, she determines he is not the culprit. In order to reveal who they are, Lilliet returns to the story of her past.

Months after her sale to the Tenor, Lilliet auditioned for a prestigious music school the Conservatoire. They revealed that she was a Falcon Soprano; a rare type of voice that is so powerful, it could break at any moment. They were hesitated to enroll her, but promised to consider it. The Tenor was so confident in her acceptance that he took her to study under a famous teacher named Delsarte (Barbra Streisand). Delsarte taught Lilliet acting and how to conceal her true emotions. After she received a rejection letter from the Conservatoire, Lilliet decided she must leave the Tenor. She pretended to attack a pair of policeman, and ended back in Saint-Lazare. However, when Lilliet's cellmate La Mutte - an orphan girl incapable of speech - died, Lilliet used Delsarte’s lessons and pretended to be La Mutte. The ruse works, and she was sent to an orphanage under the name Sidonie.

After many months at the orphanage, Lilliet met the Comtesse (Cate Blanchett); a powerful woman in Paris. The Comtesse arranged for Lilliet to work for the Empress in the palace called Tuileries. Lilliet loved her job and was treated very well by the other workers. However, things changed when Lilliet was chosen to accompany the Empress on a two-month long hunt. Finally, Lilliet met the Empress personally, and realized that she is caught between the Comtesse and the Empress; both of which hate the other. While at the hunt, Lilliet met a mysterious piano player she calls the composer. Immediately, she fell in love. However, when the Tenor found her, he explained that they were going to escape and she would return to Paris with him. Lilliet decided to escape on her own. While at a masked ball (where the Tenor was going to take her away) she escaped and slept with the composer.

Once Lilliet reached a train station, she considered leaving for Lucerne. However, she decided she did not want to live a normal life and decided to go back to Paris. Once there, she messaged the Comtesse and revealed she could talk all along. The Comtesse took Lilliet in, but told Lilliet that she owes her. A few weeks later, the Comtesse returned Lilliet to the Tenor and told Lilliet she is not allowed to leave him again. Begrudgingly, Lilliet obliged. The Tenor promised to continue her musical training and took her to a woman named Pauline (Idina Menzel). Meanwhile, in the present day, Lilliet tracks down the Comtesse. However, the Comtesse is protected by a royal guard and refuses to see Lilliet. Lilliet leaves, believing the woman is her betrayer.

Back in the past, Lilliet arrived in a town called Baden-Baden where she met Pauline. Despite Lilliet’s misgivings, she came to like Pauline and was excited to train beneath her. Pauline taught Lilliet to control her voice and play the piano. After a year together, Lilliet began to consider Lilliet family. However, when war started between Prussia and France, the Tenor forced Lilliet to return to Paris with him.

Back in Paris, Lilliet is reunited with the mysterious composer, Aristafeo Cadiz (Jean Dujardin). Lilliet invited him back to her apartment to practice. The Tenor confronted her about him, but let the lessons continue as long as Aristafeo left by night. After a few more weeks, Lilliet escaped the Tenor once again. She traveled to Aristafeo’s home to ask him to leave Paris with her. Instead, he convinced her to stay. They two survived the war together and considered themselves to be husband and wife. However, when Lilliet found a secret room he used for his affair with the Empress, Lilliet was heartbroken. She placed the brooch in the room and left.

Eventually, Lilliet traveled to Tuileries where she met Eugene (Damian Lewis), the commander of the newest regime the Commune of Paris. The two spent the night together. The next day, she traveled back to her apartment and found a note from the Tenor. He detailed an escape plan where she would meet a German spy and take a hot air balloon across the border into Germany. Lilliet showed the note to Eugene. He told her the plan was risky, but promised to help. They devised a plan to get her into the balloon while Eugene killed the spy that he believed would be the Tenor. Later, Lilliet invited Aristafeo to a private performance for the Commune. He came, but they were attacked by the Germans. The two escaped and spent a few nights hiding in the zoo. Then, Aristafeo knocked Lilliet out and took her to the balloon. As he secured her in the balloon, Aristafeo admitted that the Tenor paid him to ensure her safety. Aristafeo sent the balloon away just as Eugene attacked. Lilliet watched helplessly as Aristafeo was stabbed to death.

After crashing in Germany, Lilliet woke up in the hospital with two broken arms. The Tenor introduced her to the Prince (Harrison Gilbertson), a man she remembered from the hunt. One day, the Prince promised her freedom from the Tenor and an endless bank account if she acted like she was escaping the Tenor. She agreed, but knew that she had to do something to save her life. The next day, she told the Tenor that they could not be married and that she must return to Paris. Before she left, she discreetly told him the Prince was sending her away. The Prince met her back at her apartment and revealed that he planned to kill her if the Tenor could not forget her. Lilliet, however, told him that the Tenor knew her death would be caused by him, and would never forgive him. The Prince left, and Lilliet is finally free. She debuted in Paris later the same year.

Eight years later, Lilliet’s past catches up with the present narrator. Lilliet finally meets with Simonet, and realizes that he could not be author of the book. She declines to join his opera and leaves. Later, she attends a ball thrown by Euphrosyne to quell the rumors of Lilliet’s engagement to the Tenor. At the ball, however, she finally meets the composer of her opera: Aristafeo. He reveals that Eugene spared him after realizing that he was not the Tenor. He spent eight years writing the opera for her, but never built up the courage to talk to her because of her popularity. He asks Lilliet to meet him at a salon outside of town which the Tenor takes her to. There, even though she meets another of Aristafeo’s lovers, the two reconnect during a horseback ride in the rain. Afterwards, she learns that Aristafeo is going to duel the Tenor for her honor. Knowing that Aristafeo will not win the duel, Lilliet kills the Tenor to protect Aristafeo and leaves Paris.

Aristafeo and Lilliet reunite at an old friend’s home. While there, her maid Doro finds the flask Lilliet used to kill the Tenor. With the Paris police suspicious of Lilliet, she and Aristafeo leave for London on the advice of Doro. They tell the press that Lilliet is in Paris with a sickness and then hide her out in a hotel. While there, Aristafeo tries without success to find someone who will fund the opera. After a few months of hiding, Lilliet decides to go to an opera. Unfortunately, the Empress also arrives, and Lilliet curtsies to her to avoid being recognized. However, the press accuses her of sympathizing with an exiled Empress. When Lilliet returns to her hotel, she discovers that Doro has been working for the Comtesse all along, and has taken the flask back with her to Paris. Lilliet realizes that she can never return or she will be arrested and executed for the murder of the Tenor. When Aristafeo realizes what Lilliet has done, he plans to leave her, believing she is a monster.

However, Lilliet meets a wealthy American named P.T. Barnum (David Harbour) who wants to produce the opera in his country. He knows that Lilliet’s reputation would lead to a successful show. He offers her a huge contract and promises to make her a star with a comfortable life. Knowing that her life in Europe is over, Lilliet agrees to the deal and leaves Aristafeo behind. Lilliet invites her old circus from the beginning of the film to perform with her. Throughout the next year, Lilliet performs on a farewell tour in America. Lilliet narrates that uncontrollable fate was never her curse. Instead, her curse was the ability to choose her destiny all along.


Premiere Magazine #91


Wednesday, January 30, 2019

The Roundup with Jeff Stockton (Season 10 Round 1)

And now we're on to the big 10, Season 10 of Last Resort Films that is... Let's get right into The Roundup...
3. Parasite
It's a decent little horror film with a creepy premise and a solid turn from Emmy Rossum in the lead role. David Robert Mitchell is a director I look forward to seeing more from being a big fan of his film It Follows.

2. Horror

 The horror genre is back, baby. The genre had a rough go of it last season with just Asylum and Rachel Rising released by the studio - neither of which offered much in the way of scares.

1. 7 Days

 I really liked 7 Days. It's a brutal story for sure, but the violence is part of the story and is never glorified. You never like what Cranston does, but you understand why he is doing it.

3. Parasite Cast
Aside from Rossum (and maybe Emily VanCamp), the cast of Parasite felt miscast to me. Jennifer Connelly is talented, but she felt poorly cast as an eccentric woman on the paradise island, while Annable and Snow just aren't all that talented.

2. Ubik
 
Ubik is a hard one to break down. It was faithful to Philip K. Dick's writing to a fault. I don't really blame the writer on this one as they did what the fans of the author would arguably want. The problem with placating to the fans though is that you don't always end up with a very good film. This film in particular might be the least accessible film yet to be adapted from Dick's writing. Sometimes you have to throw stuff out the window to make for a successful film (see Minority Report, arguably the best and most successful adaptation of Dick's writing).

1. Box Office

 Last season a few big films saved the accounting department at the studio from a disaster. While 7 Days and Parasite did well, Ubik bombing so soon into the season is not too encouraging.

Release: Parasite

Parasite
Genre: Horror/Mystery
Director: David Robert Mitchell
Writer: Andrew Doster
Cast: Emmy Rossum, Jennifer Connelly, Emily VanCamp, Brittany Snow, Odette Annable





Budget: $20,000,000
Domestic Box Office: $21,972,554
Foreign Box Office: $28,820,199
Total Profit: $17,000,345

Reaction: A solid little success at the box office thanks to its modest budget. Parasite is the first horror film released by the studio this season, and its already more successful than any horror film released last season.


"While far from a perfect film, Parasite offers enough out-there, bizarre moments to keep genre fans plenty entertained." - Stan Kyle, Omaha World-Herald



"David Robert Mitchell is becoming a master of atmosphere as a director. Here he balances the paradise-like setting with the creepy events that transpire." - Allen Poole, AV Club

"The cast is full of pretty faces and exotic locales, but it all feels a bit hollow. The story can't decide where it wants to go at times, and some of the actors aren't necessarily up to the challenges they are given." - Matt Carson, Arizona News







Rated R for bloody images, violent and disturbing content and thematic material.

Tuesday, January 29, 2019

In Development

The Queen of the Night: Cate Blanchett (Made in Abyss, Mass Effect: Cerberus), Idina Menzel (Enchanted, "Glee"), Harrison Gilbertson (Look Away, Upgrade) and David Harbour (Dark Places, To the Moon) have all joined the ensemble cast of The Queen of the Night. Blanchett will play a powerful Parisian woman, Menzel will play an opera teacher, Gilbertson will play a prince, while Harbour will play P.T. Barnum. H.G. Hansen wrote the script based on a novel by Alexander Chee.

Uncharted 2: Joining the upcoming video game blockbuster, Uncharted 2, will be Anthony Hopkins (Before You Help, Riot Love), Joe Taslim (Merdeka, Splinter Cell: Pandora Tomorrow) and Justin Bartha (The Hangover Part III, "The Good Fight"). Hopkins will play a German man living at a monastery in the Himalayas, Taslim will play a Tibetan explorer, while Bartha will play Elena Fisher's (Brie Larson) cameraman. Brad Peyton is directing the film from a script by APJ.

Missing Men: Clint Eastwood's upcoming war thriller has added Jared Leto (Femme Fatale, The Outsider), Yvonne Strahovski ("The Handmaid's Tale", The Predator), Luke Bracey (Hacksaw Ridge, Point Break), Jay Hernandez (The Grind, "Magnum P.I.") and John David Washington ("Ballers", BlacKkKlansman). Bracey, Hernandez and Washington will play members of the military unit led by Casey Affleck, while Leto will play the film's villain with Strahovski as his girlfriend. Rookie writer Jimmy Ellis penned the original screenplay.

Maximum Max: Rounding out the cast of the original superhero film from writer Chad Taylor and director Jake Kasdan will be Lili Reinhart (Home Again, "Riverdale"), RJ Cyler (White Boy Rick, Power Rangers), Isabelle Nelisse (Close, The History of Love) and Nicholas Hamilton (Maximum Ride, It). Cyler will play Max's best friend, Reinhart will play his love interest, Nelisse will play Max's little sister, and Hamilton will play a high school bully.

Life of a Champion Part 2: Aaron Paul (Heart of Stone, Outlaw Country) and Clark Gregg (Ubik, The Life of the Party) will finish out the cast of Life of a Champion Part 2. Paul will play a drug dealer working for Dane DeHaan's lead character, while Gregg will play the owner of a wrestling company. Alex Conn wrote the film.

Skyrim:
Ray Liotta ("Shades of Blue", Blackway), Sean Bean (God of War, Blood Countess), Karl Urban (V, Thor: Ragnarok) and Christopher Plummer (Guilt, All the Money in the World) have signed on to the Skyrim, a film adaptation of The Elder Scrolls V: Skyrim video game. Liotta will play a powerful mage, Bean will play a cohort of Russell Crowe's character, Urban will play an executioner and Plummer will play a powerful elder. Mo Buck wrote the script before announcing his hiatus from screenwriting.

Now Showing: Parasite

Parasite
Genre: Horror/Mystery
Director: David Robert Mitchell
Writer: Andrew Doster
Cast: Emmy Rossum, Jennifer Connelly, Emily VanCamp, Brittany Snow, Odette Annable

Plot: The film begins with a girl, Jana (Emmy Rossum), who is in the hospital because she had an operation to remove a dangerous parasite that was growing inside her. In the evening she is joined by her three closest friends with whom she has a very solid relationship. In fact, as girls they had spent many years together in the same orphanage. The girls are presented, there is Emily (Brittany Snow), who is working as a nurse in a retirement home, Maya (Emily VanCamp), a girl who is trying to detoxify his alcohol problems and Sara (Odette Annable) who has just been fired for having problems with justice for a robbery. Following the intervention, Jana convinces her friends to experience the thrill of a holiday and agree on a trip to an island in the Bahamas, where she had been as a child with her parents, in which to rest and relax away from the world and their problems. There are also scenes where the girls are shown to get off the plane and rent the boat to reach that place.

The girls remain enraptured in seeing this wonderful place with caves, woods and streams. There is a big lake and Sara undresses and enters the water and the fun begins between games and jokes despite the attack of a water snake that scares Emily. After a few hours, the girls, tired, let themselves be carried away by the sounds and smells of that enchanted place and fall asleep on the lake. Suddenly there is a nightmare of Jana in which there are mysterious creatures, water and blood. At this point Jana wakes up all sweaty and hears voices coming from the lake and then from the nearby forest. Jana seems almost hypnotized and can not resist these noises and goes into the woods until at one point faints. Then we show the other girls who continue to rest while they are observed by something in the woods.

Jana wakes up in a small house in the company of a woman dressed in rags and apparently crazy named Doris (Jennifer Connelly). Meanwhile, the other girls wake up and do not find Jana. The girls, frightened, start to call her and over time grows in them the sense of abandonment that all of them felt when they were young when they were in an orphanage.

Meanwhile Doris tells Jana that she has been there for many years because she was the victim of an ancient curse. She tells her that she is attracted to that island by the ancestral call of the creatures that inhabit the lake: "le Vilia", the demonic nymphs that infest the waters of those places. Moreover Doris tells Jana things about her past that only she could know and the girl seems almost convinced by the lady and something seems to move in her belly. In fact, Doris convinces her to have a parasitic twin inside (which is not the one removed at the beginning of the film) and only by offering him the soul and body of other living things, in fact, Jana will be able to absorb inside herself the energy needed to nurture the creature and let it rise directly from its body.

Jana now seems almost hypnotized and her desire for meat grows and kills a small deer.

The other girls continue the search and Sara disappears along the way. The two girls remain reach a cave where inside there is a kind of room with a diary where the terrible history of that island is written and their destiny. Sara is brought by the "Vilia" in front of Jana who kills her with a wound in her throat and eats the remains.

Later Maya and Emily, at the exit of the cave, meet Doris who manages to bring them with a lie on the lake, the place where the nymphs are preparing the dark ceremonial.

The two girls are captured by the horrible "Vilia" and tied and gagged and are made to kneel in the water in front of Jana. It's night and the "Vilia" are all around the girls, with their transparent and sinuous bodies in the middle of the water. After a moment's hesitation, Jana's eyes turn white and kills them both and begins to devour them. The blood begins to flow into Jana's body and into the water and soon after the horrible parasitic twin arises from her and runs off to the middle of the lake. Jana slowly emerges from the hypnotic state caused by creatures and begins to realize what has happened. The upset girl comes out of the water and lies down by the lake with tears.

The film ends with Jana's eyes looking at the screen.


Monday, January 28, 2019

In Development

The Queen of the Night: LRF regular Ian McShane (The Creature: The Beginning, The Carpet Makers) has joined the cast of the upcoming historical drama The Queen of the Night, making it his 11th film for the studio. Also joining the film will be John Malkovich (Paradiso, The Question: Dark Tomorrow), Barbra Streisand (The Guilt Trip, Little Fockers) and Damian Lewis (Black Dublin, Carmilla). Joe Wright is directing the opera-themed film from a script by H.G. Hansen.

Uncharted 2: Orlando Bloom (Pirates of the Caribbean: Dead Men Tell No Tales, Unlocked), Sofia Boutella (Atomic Blonde, Alex + Ada) and Ray Stevenson (Green Arrow, Cold Skin) have all joined the highly anticipated sequel to Uncharted. Bloom will play a former associate of Nathan Drake (Ryan Reynolds), Boutella will play Flynn's girlfriend, while Stevenson will play Serbian war criminal Zoran Lazarevic. Brad Peyton returns to direct this sequel, once again penned by APJ.

Maximum Max:
After playing in the DC Universe with the Booster Gold films, writer Chad Taylor (One for the Ages, Calamity) is now trying his hand at an original superhero project. Timothee Chalamet (Hippies in New York, Cascade) will star in the project as a high schooler who develops superhuman abilities from an experimental drug. Rami Malek will play the villain, a pharmaceutical billionaire (Bohemian Rhapsody, The Story of the Assassin), while Owen Wilson (Revolution, Father Figures) and Melanie Lynskey (Blood on the Moon, "Castle Rock") will play Chalamet's parents. Jake Kasdan (Jumanji: Welcome to the Jungle, Sex Tape) is directing the film.

Missing Men: Another new writer, Jimmy Ellis, will make his debut this season. His first film will be the war thriller, Missing Men. Clint Eastwood (The 15:17 to Paris, The Mule) has signed on to direct the film. Casey Affleck (Manchester by the Sea, Deprogramming), Billy Magnussen (Booster Gold II: The Booster Gold Story, An Honest Mistake) and Tommy Lee Jones (Doppelganger 2, Jason Bourne) are set to star in the film about a military unit sent to Russian to track down a war criminal. Jones will play a general, while Affleck and Magnussen will play members of the unit.

Life of a Champion Part 2: The much talked about prequel to Alex Conn's (ID, Hippies in New York) debut film as a writer, Life of a Champion, is finally officially entering production. Dane DeHaan (The Informers, Life of a Champion) and Will Poulter (October Crisis, Life After Life) will reprise their roles from the first film as a pair of criminals. Lucas Hedges (To the Moon, Hippies in New York) will also star in the film as DeHaan's brother, who was mentioned but not seen in the previous film. Derek Cianfrance  (Life of a Champion, Sinkhole) returns to direct the film.

Skyrim: A big budget film version of the video game The Elder Scrolls V: Skyrim is on its way to the big screen from Last Resort Films. Peter Jackson (The Hobbit: The Battle of the Five Armies, The Lovely Bones) is set to produce the film which will be directed by Miguel Sapochnik ("Game of Thrones", Repo Men). The fantasy epic will star Chris Hemsworth (Bravo/Samurai, Numero Uno), Russell Crowe (Scion, Blood Meridian), Sarah Paulson (Glass, Doppelganger 2) and Jeff Bridges (Bad Times at the El Royale, Only the Brave). Hemsworth will play the lead character, a hero prophesized to control dragons. Crowe will play a "Stormcloak" who is imprisoned along side our hero at the beginning of the story. Bridges will play the governor of a hold in the land, while Paulson will play one of this companions.

Release: 7 Days

7 Days
Genre: Thriller/Drama
Director: S. Craig Zahler
Writer: Mo Buck
Based on the novel by Patrick Sénécal
Cast: Bryan Cranston, John Hawkes, Sterling K. Brown, Julianne Moore, Keith Carradine, Laura Dern, Joe Keery, Mckenna Grace



Budget: $27,000,000
Domestic Box Office: $52,302,669
Foreign Box Office: $40,411,980
Total Profit: $50,067,224

Reaction: A pretty big hit considering the tense subject matter and the hard R-rating. It more than makes up for the failure of Ubik, and is hopefully a bigger indicator of the box office this season than Ubik.


"S. Craig Zahler is possibly the most visceral filmmaker working today. He can depict heinous, brutal acts, but never loses track of characters and motivations. This might just be his strongest film yet, directing Bryan Cranston's violent downfall with a sure hand." - Michael Carthage, Associated Press


"Bryan Cranston, after several supporting turns for the studio, gets a headlining role in this tense film. Cranston gives the kind of intense performance that was a regular feature during his "Breaking Bad" days, but have been mostly missing since." - Grace Palance, indieWire


"While the dramatic arc and the acting are both high caliber, the filmmakers just get too carried away with depicting the violence on-screen. Did we really need to see all of that? I get the point of it, but for me, it was a big negative mark on an otherwise engrossing story." - Rick Green, New Yorker




Rated R for graphic bloody violence, scenes of torture, strong language, gross and disturbing images, and brief sexual references.

Sunday, January 27, 2019

Top 10 Mo Buck Films

Hello, I am Sherman J. Pearson, connoisseur of the Top 10 list. Periodically, I will post a Top 10 list that will correspond with a Last Resort Films release. For my first list for the studio, I have gone back and looked at the collected works of Golden Reel Award-winning writer Mo Buck.

Top 10 Mo Buck Films
10. Obsession
9. Halo 4
8. Inferno
7. Lullabies for Little Criminals
6. Runaway
5. Maria
4. Mandingos
3. Grand Theft Auto: Vice City
2. Calamity
1. Cape Torment

Feel free to post your own "Top 10 Mo Buck Films" list in the comments section below.

Now Showing: 7 Days

7 Days
Genre: Thriller/Drama
Director: S. Craig Zahler
Writer: Mo Buck
Based on the novel by Patrick Sénécal
Cast: Bryan Cranston, John Hawkes, Sterling K. Brown, Julianne Moore, Keith Carradine, Laura Dern, Joe Keery, Mckenna Grace

Plot:
DAY 1
John Hamels (Bryan Cranston) is waiting in front of the courthouse. He’s nervous, practically shaking. It’s the day his life will turn upside down. He’s never going to be same person again. He’ll probably never be able to look his family pictures, like the one he’s looking at, right now. Jasmine, his daughter, died almost ten years ago today and he’s still not over it. He cries and kisses the picture.

BEFORE
It all started ten years ago. On a sunny Sunday afternoon, Jasmine Hamels (Mckenna Grace) went outside to play with her friends. John had no idea that it would be the last time he saw his 12-year-old daughter. He never kissed her goodbye, never hugged her for one last time. She just went out to ride her bike a couple of blocks to go be with her friends, just like she did three to four times a week. It was almost routine at this point. Only this time, Jasmine never played with her friends and she never came back to eat dinner with her parents at 6 p.m. Jasmine was savagely raped and murdered in a park. John had a hard time to recognize her. His wife, and Jasmine’s mother, Katy (Julianne Moore), never had the guts to take a look at their daughter. She was completely disfigured, even John had a hard time to recognize her. John is a surgeon, that’s why he’s used to gross things, well that’s what Katy said.

DAY 1
John is still crying, as a mass of journalists slowly crawl up the stairs of the courthouse, he’s going to come out soon. John kisses the picture one last time as he tightens the grip on the gun he’s hiding in his pants.

BEFORE
Nine years. That’s how long John and Katy had to live without knowing who did this to their daughter. Nine years. Katy eventually moved on from their only daughter’s death, but not John. He said he would never get over it until he knows who did it and he has the chance to talk to him. He wants to hear him confess. That’s what will help John move on. Every time the alleged killer is mentioned on TV, John turns it off. The man who did this to his daughter isn’t worth the world’s attention. He isn’t even a man in John’s eyes, just a monster and monsters don’t have names, they don’t have any redeemable human qualities.

DAY 1
The lawyers are the first one out. John is sweating profusely. He juggles with the thought of giving everything up, to go back home and grieve in silence, just like everyone does, to finally get over it after nearly ten years. But John has gone too far, too far to just give up.

BEFORE
When John heard of the monster (John Hawkes)’s arrest, he did drastic things to ensure that his plan, his plan he planned for the last nine years, will come to fruition. Without his wife’s knowledge, John empties his savings account. With the money, he rents a used car, cheap and so common, it doesn’t even draw attention. He rents two apartments, one is the suburbs, just outside the city and one in the countryside, in a town where nothing ever happens. He also buys a gun on the black market and some communication material, some that can’t be traced. The same man who sold him his gun, Alex (Joe Keery) will also do something else for him later. He also gets in touch with a repairman, Stu Wilson (Keith Carradine) in the small town where he rented an apartment. He wants him to renovate a cottage deep in the woods. The cottage is owned by John’s colleague, but he never set foot in it in over two years. The plan is almost ready, there’s one last thing that needs to be done. He heads over to the hospital, where he works and he steals some material. He leaves without leaving any trace, incognito. When John comes back to his house, he sees divorce papers next to his newly acquired gun. Katy discovered his plan and is asking for divorce. The next day he will strike and he’ll get what he wants anyway.

DAY 1
Just before dawn, John calls Alex for one last favor. He will enter in the courthouse’s garage while John distracts the guard, unlock the transport van and will hide a tank of Nitroglycerin, that John will set off from distance. After Alex is done, John goes back to his car, where he will spend the entire day.

After the lawyers come out, the journalists are now too focused on them to focus on the convict being transported out of the building. John starts his car and follows them. When they get to a less-crowded area of the city, he sets off the tank of Nitroglycerin. He watches as the two policemen escorting the convict get out of the van to breathe. He puts on his Super Mario mask and grabs his pistol. He threatens the two men with his pistol and they’re both on the verge of collapsing. He gets away with the “monster” in the trunk. He removes his mask and breathes heavily. The plan is underway, there’s no going back now.

John drives all the way to the cottage. All his surgery material is there. He planned everything down to every little detail. He drags the still unconscious man inside and he ties him up. He dumps the van in the lake and he goes back inside. Before he wakes him up, he uses his satellite phone and he calls his wife Katy. He tells her that he kidnapped the monster who killed their daughter and he promises that he will execute him after 7 days. He will then come out and face justice for what he did. He says it’s the only way he can get over his little girl’s death. He makes the same call to the police. Detective Michael Woodson (Sterling K. Brown) listens to the call and he’s assigned the case. He needs to find John Hamels within a week.

John decides to wake up the man. He starts gently, asking him questions. He denies any wrongdoing regarding his daughter’s death and says he didn’t do it, even if he already admitted to the police that it was him who killed Jasmine. He believes he made a mistake and that he has the wrong person. The monster is doing this out of fear that John is going to kill him, but in his state of fury and despair, John has lost the sense to recognize human behavior and thinks the man is making fun of him. John decides to make him suffer slowly. He grabs a pair of pliers and removes his nails. He enjoys it at first, but when he sees that the man isn’t giving him any answers, he gives up. He grabs a hammer and strikes him directly on the kneecap. John leaves.

Michael Woodson receives an unsuspecting call. Katy Hamels is on line one and she’s ready to give Woodson every detail of her husband’s vendetta. She comes over to the police station and together, they start to understand that John will do her daughter’s killer. They just don’t where at that’s the key that will unlock everything.

DAY 2
John is still asking questions to the monster, with high hopes that he will finally confess, but even the broken kneecap didn’t work. He still claims that he didn’t do it. As another form of punishment, John shows him homemade video of what he intends to do to him, to try to persuade him to tell the truth. All of this while John is urinating on him. His efforts are vain, the monster keeps his mouth shut. Maybe two broken kneecaps will do the trick. He smashes the other one with the hammer before leaving.

DAY 3
As always, John starts his day by eating two bland toasts while listening to the morning news. Only this time, he wished that he hadn’t. Right when he turns on the television, they mention it. Anthony Sinclair. That’s the monster’s name. He’s human after all. The media draw a particular profile on the Sinclair, from his childhood to the murder of the Jasmine. For the first time in nearly ten years, he realizes that the man he branded as a monster, is human and has a name: Anthony Sinclair. John starts to regret what he’s doing. He never looked at it like the monster who killed his daughter was human. He pops open a bottle of whiskey and drinks it all. Completely drunk, he calls Katy. He doesn’t know it, but the called is tapped. Woodson is also listening. He says he will kill the man if the media continues to talk about him. The call abruptly ends when John claims he hears dogs approaching but there are no dogs.

Woodson calls sends out a memo to all the local news channel to not talk about Anthony Sinclair at all. Woodson then talks to the IT guys, but unfortunately, they weren’t able to trace the call, it was too short.

A couple of hours later, an even drunker John turns the TV on and a news channel is still talking about Sinclair’s criminal career. Tired to hear about him, he decides to pay him a visit. He starts by hitting him with his belt and after he refuses to let the cat out of the bag, John starts his first operation. He injects him curare, a powerful antibiotic that paralyzes the inferior members of a subject, but they’re still able to feel and more importantly, to feel the pain. He performs a Colostomy on Sinclair and cuts a part of his colon. John leaves a bloody Sinclair alone in the cabin, as he goes back to the apartment he rented.

DAY 4
Michael Woodson arrives at work early this morning to try to review everything he has on the Hamels case. As it starts to come to an end, he wants to do everything in his power to find Hamels before he kills Sinclair. A colleague gives him a box addressed to him. He opens it and there’s a letter from John, urging, once again, the media to stop talking about Sincair. When Woodson flips the box over to make sure there isn’t anything else, the part John removed from Sinclair’s colon drops on the floor. Woodson urges, once again, the media to stop talking about Sinclair, or else, he will sue them.

Katy Hamels is on the news again. She takes the opportunity to distance herself from her husband and to tell the world that he’s gone insane. In collaboration with the police, she releases a photofit of her husband. After she leaves, she receives a call from a fuming John who tells her that she didn’t have to do that and that he still loves her. He once again ends the call abruptly as he claims, once again, that he hears dogs approaching. John is drunk once again. He decides to go buy some food at a convenience store. He puts on his fake mustache and his fake beard. He also changes his glasses. Despite his costume, the clerk recognizes him. She tells him that she approves what he’s doing, and she promises that she won’t tell. As far as she’s concerned, that monster deserves it, for what he did to his daughter. When John goes back to the cottage, he decides to perform his second operation. Before he’s able to do anything, Sinclair snaps. He admits that he killed his daughter. Instead of fulfilling John’s desire, it triggers him to another level. He drops Sinclair’s pants and before he can do anything else, he hears someone knocking at the door.

DAY 5
John goes to the door and it’s Stu Wilson, the man who renovated the cottage. He says he was just passing by and he saw that John’s car was here and there was light inside, so he decided to come and ask if he likes it. John asks what is he doing out so late and before letting him the chance to answer, he says he likes it. Sinclair starts screaming and it catches Wilson’s attention. Suddenly, everything starts to make sense. He remembers the photofit on TV and realises that John is torturing someone inside the cottage. Stu punches John and tries to free Sinclair. John takes out his pistol and fires warning shots. Wilson gives up and threatens John that he will tell everything. John wishes him luck, because he’s an accomplice, he helped him to renovate the cottage. Wilson says he has nothing to lose and he wants the reminder of John’s money, or else, he’ll rat him out. John unlocks his safe and gives it to him, but before he lets him go, he has him perform the castration. A traumatized, but rich Stu leaves the cottage. One thing is sure, he will not rat John Hamels out.

John is having a nightmare. It’s a recurring nightmare in his life. It’s about an event that happened in his childhood. His best friend had a Great Dane, a dog and one day the big dog bit his friend in the face, disfiguring him. As a punishment, the father killed the dog in front of John, with a shovel. It all happened so fast, but he remembers it all. That day changed John. He always a unholy desire for vengeance and it was born that day.

In the afternoon, John decides to torture Sinclair once again. He says he wants to pop Sinclair’s left eye out. The procedure is underway and between two loud screams, Sinclair says that Jasmine wasn’t the only one. He did the same thing to three other girls, but he never got caught for those. He hopes that this revelation will stop John in his tracks, but he’s wrong. John thanks him for the juicy update, but he pop his eye out anyway.

John decides to call Michael Woodson to let him know what Sinclair told him while he was torturing the poor man. Woodson makes the call last longer on purpose to allow them to triangulate the call. John’s phone isn’t untraceable, unlike what Alex told him. When they get a localization, Woodson hangs up and they drive all the way to the address. Even if John called them from the apartment, he’s long gone when they get there.

DAY 6
The media interview the three mothers of the other young girls who were killed by Sinclair. Two of them say they approve what John’s doing due to the disgusting things this psychopath did to their kids, but not Maryse Perkins (Laura Dern). She’s interviewed live on TV, outside her house, by Woodson. She says she disapproves, because vengeance won’t bring back her daughter and that torture is wrong, no matter to who it’s applied. She ends the interview by begging Hamels to give Sinclair back to the authorities and to let the system take care of him. In retrospect, Maryse will wish that she never did that interview with Woodson. John is watching and he recognizes her house, he passes in front of it everyday on his way to work. He’s drunk and he didn’t like what she said.

Maryse is sipping on a pina colada with her cat on her knees, watching her favorite daytime soap opera, unsuspecting. She quit her job after her daughter died and lived on welfare ever since. She’s quite happy, given her situation, but things could be better. All of this brought back some old memories and those are the kind of memories you would rather forget. She hears someone slamming the door of his car out front and peeks in the window. She doesn’t see anyone. All of a sudden, her door bursts open and John Hamels is in her house. She starts screaming, and John threatens her with his pistol. He tells her to shut up and to follow her to the car and she obeys.

Everyone is now back at the cottage and John forces Maryse to come face to face with the man who killed her daughter. He leaves her alone with the man and urges her to torture him. He sits outside, drinking. Maryse and Anthony talk, but don’t exchange very much. She inquires if he’s hurt and if he needs medical help. She says she’ll never forgive him for what he did, but she reassures him that no other human being should have to face that. She wishes him luck and tries to leave. It’s now nighttime and she can’t see very well. She opens the front door and the path seems clear. She slowly advances and she’s hit from behind by John. He puts her back in the car and dumps her on the side of the road, somewhere, in the middle of nowhere. Mad that she didn’t do anything to him, John races back to the cottage and he takes out all his frustration on Sinclair with a scalpel, telling him that he deserves it, he deserves it all. John passes out in front of Sinclair.

DAY 7
Maryse Perkins contacted Michael Woodson as soon as she was able to enter somewhere, because everything was closed for the night. She tells him that she knows where he is and it’s not too late to stop him. Woodson drops his coffee and gets to his car. A horde of police officers and journalists follow him.

John wakes up when he hears someone tapping on his shoulder. He puts his glasses back on and sees that it’s his daughter Jasmine. He says that he will avenge her death soon and he must do it quick. He says he promised that he would do it on day number seven and it is today. He asks her if she thinks that will avenge her death, but she doesn’t answer. He begs her again and again, but she doesn’t answer. She slowly backs away and she finally disappears. John is now crying as he doesn’t know if he did the right thing. He calls Sinclair by his name for the first time and he asks him if he did the right thing. Sinclair says that if it helped him overcome her death, then it was worth it. He says he may or may not deserve this, but John is really going to kill him, he should do it now, because he can’t take it anymore.

While Sinclair is discussing with Hamels, Michael Woodson and his team of officers slowly circle the cottage. Woodson decides to act while Hamels is vulnerable and devoid of any weapons. He enters the cottage silently and hides his gun. He presents himself to Hamels and says that he has to arrest him now. He can’t do anything about it, the cottage is under heavy surveillance. Hamels doesn’t resist and he’s escorted out. Paramedics enter to attend Sinclair.

On his way out, John Hamels is asked only one question by the sea of reporters who are covering the event : was it worth it? He answers that vengeance wasn’t the solution but he’ll never regret the horrible things he did to Anthony Sinclair.


Saturday, January 26, 2019

Resume: Michael Fassbender

Michael Fassbender has appeared in works for Last Resort Films at a pretty steady pace, appearing in starring and supporting roles alike, but this season's first release, Ubik, will be his first film for the studio since Season 7. In this edition of Resume, we will look at the filmography of this magnetic actor...


















Season 2
Atlas Shrugged
Director: Cary Fukunaga
Writer: Dwight Gallo



Budget: $80,000,000
Domestic Box Office: $80,736,056
Foreign Box Office: $71,832,748
Total Profit: -$21,691,745


The critics raved about the performances in this film, including Fassbender's as the enigmatic John Galt. Ultimately this film will be chalked up as a failure though due to its bloated budget and inability to recoup those inflated production costs. The film was expected to be an awards contender, but didn't manage to get a single nomination.

Season 3
Dracula Lives
Director: Scott Derrickson
Writer: D.R. Cobb



Budget: $132,000,000
Domestic Box Office: $159,684,098
Foreign Box Office: $204,996,430
Total Profit: $138,841,582

This big-budget Dracula adaptation was a hit with critics and audiences alike. It was also the first sequel in the studio's Monster Universe, helping set the ground work for future films in the series. Fassbender played the famed monster hunter, Dr. Abraham Van Helsing, in the film.

American Outlaws
Director: Paul Thomas Anderson
Writer: Seth Overton




Budget: $67,000,000
Domestic Box Office: $75,485,067
Foreign Box Office: $43,238,661
Total Profit: $1,885,295

Fassbender played a supporting role in this western film from famed director Paul Thomas Anderson. The film managed to break even at the box office and garnered four nominations at the Golden Reel Awards, but failed to win any of them.

Season 4
Van Helsing
Director: Rupert Sanders
Writer: D.R. Cobb



Budget: $139,000,000
Domestic Box Office: $154,887,029
Foreign Box Office: $223,842,206
Total Profit: $116,112,832


One season after debuting the character in Dracula Lives, Fassbender brings Van Helsing back in his own film. This time he squared off against Dr. Moreau and an Invisible Man in this box office smash.

Season 7 
Cleopatra
Director: Guy Ritchie
Writer: Billy Rimmel



Budget: $83,000,000
Domestic Box Office: $35,579,082
Foreign Box Office: $54,910,822
Total Profit: -$40,658,195


After a couple seasons away from the studio, Fassbender returned as Marc Antony in this big budget flop based on the life of Cleopatra. The critical notices for the film were not bad, but audiences apparently just weren't interested in the film.

Season 10
Ubik
Director: Alex Garland
Writer: Rosie JoLove




Budget: $30,000,000
Domestic Box Office: $16,001,457
Foreign Box Office: $18,861,093
Total Profit: -$29,000,452

Fassbender played the protagonist (I think) in this mind-bending Philip K. Dick adaptation. Critics and audiences alike appeared to be confused by the affairs of the film, with it not making much of a dent with either.


Up Next: Fassbender is currently attached to a smaller drama from director Danny Boyle due out in Season 12. In addition to that, there are currently talks for a sequel to Van Helsing which would see Fassbender back to fight some more monsters on the big screen.

Review:
  • Highest Grossing Film: Van Helsing ($378,729,235)
  • Most Profitable Film: Dracula Lives ($138,841,582)
  • Most Awarded Film: American Outlaws (4 nominations)
  • Best Reviewed Film(s): American Outlaws (Metascore: 77)

Release: Ubik


Ubik
Genre: Sci-Fi/Drama
Director: Alex Garland
Writer: Rosie JoLove
Based on the novel by Philip K. Dick
Cast: Michael Fassbender, James McAvoy, Peyton Roi List, Lena Headey, Matt Smith, Clark Gregg, James Purefoy, Rafe Spall, John Gallagher Jr., Shannon Woodward



Budget: $30,000,000
Domestic Box Office: $16,001,457
Foreign Box Office: $18,861,093
Total Profit: -$29,000,452

Reaction: Definitely not how we wanted to start our 10th season. The gives writer Rosie JoLove her first bomb right out of the gate. Outside of Minority Report and the original Total Recall, Philip K. Dick adaptations have been historically unsuccessful at the box office, with this film joining those ranks.


"Philip K. Dick is infamously difficult to adapt faithfully. The best Dick adaptations are those that are more loose, like Blade Runner and Minority Report. Ubik is too faithful to the source material to the point of constant confusion." - Ben Bernard, New York Times


"Ubik brings Philip K. Dick's trademark reality-bending sci-fi to the big screen with mostly mixed results, albeit some strong elements. The film is often too confusing for its own good, but it is mostly well-cast and is never boring." - Shawn Moseby, Fresno Bee


"Rather than simplifying things for an audience, the filmmakers have opted to make the film as inaccessible as possible. Characters come and go without any introduction or explanation or motivation. Ubik is too confusing to make for a wholly enjoyable film-going experience." - Mark Rawls, Seattle Times





Rated R for violence, language, drug use and some sexuality.

Friday, January 25, 2019

Now Showing: Ubik

Ubik
Genre: Sci-Fi/Drama
Director: Alex Garland
Writer: Rosie JoLove
Based on the novel by Philip K. Dick
Cast: Michael Fassbender, James McAvoy, Peyton Roi List, Lena Headey, Matt Smith, Clark Gregg, James Purefoy, Rafe Spall, John Gallagher Jr., Shannon Woodward

Plot: We begin by detailing the disappearance of the dangerous telepath S. Dole Melipone. For Glen Runciter (James McAvoy), this causes a major problem, and he visits his dead wife Ella (Lena Headey) at the Beloved Brethren Moratorium. She is in a state of half-life, but through headphones, Glen can still talk to her. He is just running through the problem when a young man called Jory invades her body. Angry, Runciter goes to see the manager of the Moratorium. The manager says there is nothing he can do.

Meanwhile the debt-ridden technician, Joe Chip (Michael Fassbender), hears a knock at his apartment door. It is the Runciter scout G.G Ashwood (Clark Gregg) and with him is a beautiful young lady named Pat Conley (Peyton Roi List). Ashwood tells Joe that Pat possesses an unusually strong anti-telepath ability, and Joe should assess her. With Ashwood gone, Pat shows Joe a piece of paper proving he has already tested and failed her. She has now created a different present and if Joe passes, her she will help him get out of debt. On a test paper Joe draws a symbol meaning dangerous. He tells Pat the symbol means Runiciter should hire her immediately.

Runciter meets a woman called Zoe Wirt (Shannon Woodward). Her boss, Shepard Howard, needs some anti-telepaths to rid his company of psychics. Runciter leaves her for a few moments and talks to his in-house psychic, Nina. She tells him Miss Wirt is lying and she works for Stanton Mick (James Purefoy). This pleases Runciter, as he knows Mick is a very rich man, and Joe stands to make a lot of money. Back in the office, Miss Wirt says the job will take place on the planet Luna and lays out the conditions.

For the contract, Runciter decides to get together 11 anti-telepaths, including Pat Conley, plus himself and Joe Chip. Runciter is in his office familiarizing himself with the group when he suddenly finds himself outside an antique shop, looking at old coins. When he returns to the room, he finds only Pat, Joe and G.G still present. Even stranger, Pat and Joe are now married. Eventually, Pat admits she is just showing them her capabilities and takes them back to the original present.

The group leaves for Luna. Miss Wirt meets them on their arrival and takes them to a conference room where Joe Chip immediately starts taking a psi reading. Stanton Mick walks into the room and tells Joe to stop before floating to the center of the room and exploding. The blast kills Runciter. Joe and the others rush his body back to the ship, put him in coldpac and fly him to a Moratorium in Zurich.

On Al's (Matt Smith) advice, Joe stays at a hotel in Zurich and says he will send Wendy Wright to keep him company. However, when Joe wakes up in the morning, he is by himself. He goes to the phone to ring Al, but all he can hear is Runciter's voice. There is a knock and Joe opens the door to the Moratorium manager. The manager asks where Wendy Wright is and Joe says she never came. Thinking this strange, the manager searches the room. In the closet is Wendy's dead body.

Joe goes back to the Runciter offices in New York. Here Al shows him that all the coins and notes are now emblazoned with Runciter's profile. In addition, they are buying coffee and cigarettes that are already years old. Al and Joe decide to go to Baltimore to see if they can spend the Runciter currency. In a shop in Baltimore, the cashier takes the money, but the cigarettes they buy crumble in their hands. They go back into the shop and look at some of the other goods. In a big box of cigarettes, they find a note from Runciter. It tells them the situation they are in is serious.

Back in New York, Joe and Al are stepping into a lift when Al pulls Joe back. He says the elevator was not the usual one, but looked about 50 years old. Joe tells Al the elevator was normal and Al must be ill. In the bathroom they find another message from Runciter. It says he did not die from the blast, but they did. Al thinks he is dying the same way Wendy died, by regressing rapidly into old age. He says he has no chance for survival, but Joe will still live if he gets back with the others and stays with them.

Joe goes back to the room where they had earlier left the others watching TV, but no one is there. However, the television is still on and showing Runciter's funeral in Des Moines. Joe switches the television off, but it turns back on, this time Runciter's face appearing on the screen. He is advertising a product called Ubik, a spray that works to reverse deterioration. Suddenly Runciter begins to speak directly to Joe, telling him his only chance of survival is finding Ubik. He says he sent a sample to Joe's apartment.

When Joe gets back to his apartment, everything has regressed to what looks like the 1950s. In his post box, he finds a sample of Ubik, but instead of a spray can, it is nothing but old-fashioned medicine. At this point Joe knows he needs to get to Des Moines.

The funeral director Mr. Bliss picks Joe up from an airfield in Des Moines and takes him to the funeral. Mr. Bliss talks about Hitler, and Joe realizes it is now 1939. Joe is too late for the funeral, but drives back to the hotel with the others. On the way, a policeman stops them and hands Joe a ticket with a note from Runciter. It states that Pat Conley is big trouble. At the hotel, Joe starts to feel weak and Pat offers to escort him to his room. Joe refuses to take the elevator because of what Al saw earlier and insists they take the stairs instead. As he slowly makes his way, Pat taunts his efforts, claiming Ray Hollis (John Gallgher Jr.) hired her to kill Runciter and his best anti-telepaths. She leaves Joe outside his hotel room to die.

Joe eventually manages to open his room door where he sees Runciter sitting on a chair beside his bed. He sprays Joe with Ubik, restoring Joe's health, though he admits it is only temporary, and Joe needs to find more. Runciter goes onto say he is currently sitting in the Moratorium and Joe, along with the others, is in half-life. He blames all the problems on Pat, but when Joe questions him further Runciter admits he is lying and does not know what is happening.

Don Denny (Rafe Spall) comes to Joe's hotel room with a doctor. Joe tells him what Runciter said and offers him the Ubik spray to restore his health. When Denny uses the spray, he evaporates and a young boy called Jory replaces him. He says he is a half-life that eats other people's energy so he can continue to exist and control the half-life world. Joe tries to kill Jory, but it proves impossible.

Joe takes a taxi to the Matador restaurant. On the way, he sees a young lady walking down the road and tells the driver to stop. The lady tells him she has nothing to do with Jory and hands Joe a certificate that guarantees him a lifetime supply of Ubik. She says her name is Ella Runciter. She is helping Joe because she is passing onto another life and needs him to keep her husband company.

Joe goes to a pharmacy to pick up his Ubik. However, the spray can has regressed to a box of useless powder. Joe says he knows the pharmacist is Jory and that he has spray cans in the shop. Jory appears, but Joe still cannot get any spray. Outside the pharmacist, a woman approaches him and hands him some Ubik, saying she works for the company, and Joe summoned her when he refused to accept that there was no spray.

Back in the Moratorium Mr. Runiciter tries in vain to find the manager, as he wants to have a chat with Ella. Finally, a worker brings out her casket. Runciter goes to hand him a tip, but on each of his coins is Joe Chip's profile.