Thursday, February 29, 2024

Now Showing: Murder Mysteries

 

Murder Mysteries
Genre: Fantasy/Mystery
Director: Darren Aronofsky
Writer: John Malone
Based on a short story by Neil Gaiman
Cast: Adam Driver, Jared Leto, Michael Shannon, Jonathan Groff, Mia Goth, Sam Strike, Robert Aramayo

Plot: A blinding white light fills the universe. The Word creates Raguel (Adam Driver) out of the light, giving him life, and opens his eyes. Raguel is in a silver room, completely empty except for his nearly-formed, winged body. In front of Raguel is a window that goes from floor to ceiling, open to the sky. Raguel looks out the window. He can see the spires of the Silver City, and at the edge of the city, the Dark. Raguel can see others like him in the city, those who have left their rooms and are fulfilling their God-given duties, soaring through the sky from spire to spire. Raguel watches in awe as he waits in the room to be given his purpose.

The angel Lucifer (Jared Leto) enters Raguel's cell, introducing himself as Captain of the Lord. Lucifer seemingly glows from the inside. He tells Raguel that the Word has sent him. He tells Raguel his name and informs him that he is to be the Vengeance of the Lord. Raguel bows his head, knowing it to be true. Lucifer informs Raguel that something wrong has been done - for the very first time. Lucifer floats out the window of Raguel's room. Raguel follows him into space, flying behind him across the Silver City, to the outskirts, where the city stops and the Darkness begins.

Lucifer and Raguel land at the base of a vast silver spire. There Raguel sees the body of a dead angel, Carasel (Sam Strike). The body lay crumpled and broken on the silver sidewalk, its wings underneath it, loose feathers softly blowing away in a light breeze. The body has a stab wound in its chest. Lucifer tells Raguel that he must find who is responsible for this act, and how, and take the Vengeance of the Name on whoever caused this thing to happen. Raguel watches as a streak of blood slowly trickles down the wing of the murdered angel, dripping onto the ground. Lucifer tells Raguel that he has other work he must attend to. Lucifer flaps his wings majestically, rising upward and away from the scene. Raguel quickly realizes that the dead angel fell, and that he must have already been dead before he fell, or else he would have simply flown away. Raguel looks up at the countless windows that rank the street.

Raguel goes to the Hall of Being in the spire nearest to the dead angel. The Hall of Being houses the blueprints of what will soon be the Universe. Raguel asks to speak with the angel that discovered the body, Phanuel (Jonathan Groff). He is the senior designer working on Creation. Raguel watches Phanuel from the floor, directing his underlings on the design of the universe. Phanuel notices Raguel and descends to the floor. Raguel begins questioning Phanuel, who confesses that he discovered the body of Carasel, the name of the dead angel, when he was leaving the Hall to ponder the concept of regret. He had planned to fly away from the city, not all the way to the Dark, he would never do that even if others have discussed it. Carasel tells Raguel that he believes Carasel's destruction was self-inflicted. Carasel had been working under him, developing a very important new concept. Raguel asks what concept Carasel was working on, but Phanuel doesn't want to say as the concepts are considered sensitive until they are in their final form and spoken into existence by the Word. Raguel feels himself transforming. His eyes glow, and he becomes something larger than himself. Raguel becomes his function - the Vengeance of the Lord. Phanuel trembles, quietly confessing that Carasel and his partner were researching the concept of Death, and he must have taken his research too far as he was known to do from time to time. Phanuel then adds that he will probably have to give the concept of death over to Zephkiel now. Raguel asks who would have been the last to see Carasel alive. Phanuel suggests that Raguel speak to Saraquael, Carasel's partner.

Raguel floats to the highest of the mezzanine galleries that ring the Hall of Being to talk to Carasel's partner, Saraquael (Mia Goth). Raguel asks Saraquael what she knows about the death of her partner, Carasel. The light inside Saraquael pales and her eyes open wide.They look out the view from the window. They cannot see the Silver City from their vantage point, instead the view is of the Dark beyond the city. Saraquael shares Phanuel's suspicion that Carasel must have killed himself as he was constantly questioning how they could know if it was right to create a concept like death that they would experience themselves. Raguel asks for Saraquael's opinion on Phanuel. Saraquael says that Phanuel likes to take credit for the work of others, especially the concept of Love, which Saraquael and Carasel had worked on dutifully, but that Zephkiel is the real brains behind the designs no matter how important Phanuel paints himself as being.

Raguel flies from the window, plummeting toward the ground before turning and soaring toward a beautiful paradise in the middle of the Silver City, a place of rest and relaxation for the angels. He finds Lucifer staring at his own reflection in a glistening pool of water. Raguel reports the status of his investigation to Lucifer, informing him that both Carasel’s partner Saraquael and their superior Phanuel believe that Carasel killed himself after becoming too involved in his work on the concept of Death. Lucifer asks if Raguel believes that to be the truth. Raguel says that Carasel could not have possibly killed himself. Lucifer asks how he can know that for sure. Raguel says that he is Vengeance - if Carasel had died by his own hand then there would be no purpose for his existence. Lucifer runs his fingers through the crystal clear water of the pool as he ponders Raguel’s assessment. Drops of water fall like diamonds from Lucifer's perfect fingers. Lucifer nods and tells Raguel to carry on with his investigation.

Raguel sneaks past Phanuel and his worker angels to get to the cell of Zephkiel. Raguel finds a large cell - not a place for simply waiting until your purpose is given. This is a place to live, and work, and be. In the center of the room is a large chair where Zephkiel (Michael Shannon) sits, his eyes closed. Unlike the other angels that populate the Silver City, Zephkiel does not have wings. Zephkiel's eyes open as Raguel approaches. Raguel stares, confused by the lack of wings. Zephkiel informs him that he has no wings because his function does not call for him to leave his cell. He remains in that one room at all times to ponder. Phanuel reports the progress of concepts to him, and Zephkiel explains that he then gives his opinion and sometimes makes small suggestions - Recognition, Zephkiel supposes - that is his function as much as Raguel's is vengeance. Zephkiel asks if Raguel is here about the death of the angel Carasel. Raguel nods in the affirmative. Zephkiel states that he did not kill Carasel. Raguel asks if he knows who did. Zephkiel gives a slight smile and states that it is Raguel's function to figure out, not his own. Raguel then asks Zephkiel about love. Zephkiel struggles with the question, stating that only Carasel and Saraquael could really answer such a question and mean it. As he leaves Zephkiel’s cell, Raguel ponders that last comment, searching for its meaning.

Outside, Raguel looks up. High above the city, a phalanx of angels wheel and circle and dove - each holding a flaming sword which trails a streak of burning brightness. The angels move in unison through the pink sky. Raguel is struck by the beauty of the sight. He sees Lucifer leading the exercise, floating just below. Lucifer calls out for Azazel (Robert Aramayo), his second-in-command, who breaks off from the circle. The other angels adjust almost imperceptibly to his absence, filling the space. Lucifer tells Azazel to take over leading the exercise while he goes down to speak with Raguel. He now hovers where Lucifer had been, continuing the drilling. Lucifer descends down to Raguel. Lucifer tells him that Azazel is bright and enthusiastic, willing to follow his leader anywhere. Raguel asks what Lucifer is training them for. Lucifer simply says War. Raguel asks with whom. Lucifer is confused by the question. He looks at Raguel with clear eyes. He says that he does not know the answer to that question yet, but the Word has named them to be His army, so he must make sure they will be perfect for him. Lucifer then flies away from the area.

Raguel follows Lucifer to the edge of the city. Lucifer goes to the start of the Darkness. He turns around and looks to see if anyone is watching him. Raguel hides. Lucifer steps into the Darkness as Raguel watches from a distance. Lucifer listens to voices in the Dark. They make promises, they ask questions, whispering and pleading with him. These are Dark voices, not the voice of the Lord. Lucifer does his best to ignore them. From the Dark, Lucifer gazes upon the sight of the Silver City - at the perfection of the city, enchanted by the sight. Black serpentine tendrils slither and swarm around Lucifer, but they dare not touch the Captain of the Lord. Lucifer clearly enjoys the power he feels in the Darkness.

While waiting for Lucifer to return from the Dark, Raguel racks his mind about one thing that Zephkiel had said - that only Carasel and Saraquael could answer what Love is and mean it. Raguel gives up waiting for Lucifer and decides to return to the Hall of Being. Raguel finds Saraquael still working on the concept of death by herself. She has built a small prototype coffin out of raw energy. Saraquael explains that she had an idea that when someone dies, they can be buried beneath the ground in a wooden box. Raguel doesn't comment on the coffin, instead he holds his hand on Saraquael's forehead. Raguel sees flashes of Saraquael and Carasel making love - arms around each other, wings intertwined. Raguel removes his hand and the flashes stop. Saraquael senses that Raguel now knows something he was never meant to know. Raguel asks Saraquael if she knows where Zephkiel's cell is. Saraquael nods. Raguel tells her to go there and wait for him.

Raguel goes outside, returning to the place where Carasel's body had been. The angel's remains have been removed. There is nothing on the silver sidewalk to indicate Carasel's dead body had ever been there. Raguel kneels down to touch the ground. A shadow covers Raguel. He looks up to see Lucifer flying directly above him. Lucifer asks Raguel what is next. Raguels tells him that he is going Zephkiel's cell next as he believes he has it all figured out now. Lucifer asks to come along. Together they fly to Zephkiel's cell.

Zephkiel sits in his chair. Saraquael anxiously waits. Raguel and Lucifer fly into the room together. Raguel is about to speak when Phanuel rushes into the cell demanding to know what is going on. Raguel tells Phanuel that he should stay and hear what he has to say. Raguel thanks them all - Zephkiel, Saraquael, Lucifer, Phanuel - for being there. He says that his function is to the Vengeance of the Name, the Arm of the Lord. He says that Carasel is dead and he was brought into being to find out why he died, and who killed him. He has done this now. Raguel explains that the angel Carasel was a designer in the Hall of Being - a very good one at that. Raguel turns to Lucifer and asks him what he had been doing before he came upon Phanuel and Carasel's body. Lucifer angrily says that he already told Raguel that he was walking. Raguel demands to know where. Lucifer says that he does not see what business that is of Raguel's. Raguel becomes his purpose, demanding that Lucifer tell him the truth. Lucifer confesses to walking in the Dark. He has been walking in the Dark for some time now. It helps him gain perspective on the City, being outside it. Raguel asks what it is that Lucifer does in the dark. Lucifer says that he walks and listens to the voices. He says that others are not strong enough to walk in the Dark, but it is the only way to test himself. Raguel thanks Lucifer for his testimony. Raguel turns to Phanuel and asks how long he has been taking credit for Carasel's work. Phanuel tries to deny it, so Raguel asks him to explain Love. Phanuel glances around uncomfortably, struggling to give an answer. Raguel turns to Zephkiel, who says that Phanuel did indeed take credit for Love. Saraquael says that she and Carasel did not object to Phanuel taking credit for Love as he had promised them another prime project - like Death. Phanuel is excused by Raguel, his presence having already served its purpose.

Raguel walks over to the window. He looks out at the silver spires and the Dark beyond them. Raguel turns back around, noticing that Saraquael is shivering. He asks Saraquael who Carasel loved. Saraquael confesses that she and Carasel became lovers as they worked on the concept of Love together. They would go back to Carasel's cell whenever they could where they touched each other, held each other, whispered endearments and protestations of eternal devotion - when they were together nothing else matters. Raguel grabs Saraquael by the neck and asks why she killed Carasel then. Saraquael breaks down, revealing that once they moved on to work on Death, Carasel lost interest in their love. She killed Carasel to try to make the pain of being spurned go away, but the pain has not stopped. Raguel's purpose begins to take hold. A red glow surrounds him. He becomes the physical embodiment of the Vengeance of the Lord. Raguel's inner-light becomes brighter and brighter until it erupts from his eyes, chest, fingers and lips. A white searing fire consumes Saraquael slowly. She clings to Raguel as she burns out of existence. Soon there is nothing left of Saraquael. Raguel returns to his normal form.

Lucifer walks over to the place where Saraquael once stood, trying to find some remnant of the angel Raguel destroyed, but there is nothing to find. Lucifer, with tears in his eyes, looks up at Raguel and says that it was not right, not just what he did to Saraquael. Raguel says it was justice - Saraquael killed another, so she was killed in her turn. Lucifer says that Saraquael should have been forgiven because she loved. Raguel says that it was the will of the Lord. Lucifer comments that perhaps the Lord's will is unjust then - perhaps the voices in the Darkness speak truly after all. Lucifer, still with tears in his eyes, flies out Zephkiel's window. Raguel turns to Zephkiel and asks him if he is pleased. Zephkiel realizes that Raguel has figured out that Zephkiel is no angel after all - but rather the Lord himself. Zephkiel asks Raguel how he knew. Raguel says that all other angels have wings, but Zephkiel does not, which means he is something else entirely. Zephkiel is pleased with Raguel's ability to uncover the truth. Raguel asks Zephkiel why he had all of the events happen - nothing occurs without a reason and all the reasons are the Lord's. Raguel says that Saraquael was set up to be destroyed, and Raguel wants to know why. Zephkiel says that it was Raguel's function to destroy her. Raguel comments that he believes he was needed to destroy in order to demonstrate to Lucifer the Injustice of the Lord, but he does not understand the reasoning for this. Zephkiel tells Raguel that Lucifer must brood on the unfairness of Saraquael's destruction in order to bring him to make certain actions that are supposed to happen in the future as Lucifer has a grand role to play in the drama to come. Zephkiel asks Raguel what he will do now. Raguel ponders the question. He then says that he will go back to his cell and wait for his function to be needed once again.

Lucifer goes into the Dark. The voices there tell him that there will be a great war and Lucifer must command his army in a battle against the Lord and those loyal to him. Lucifer tells the voices in the Darkness that he is ready to accept his purpose. Black serpent tendrils slither along Lucifer's body. He closes his eyes, letting the Dark consume his entire being.

Raguel flies across the Silver City, returning to his cell. He goes to his window. In the distance he sees Lucifer fly out of the Darkness. Raguel knows that Lucifer's growing acceptance of the Darkness is not a good thing, but that it is not his purpose to be involved. Raguel closes his eyes and waits until the time comes for his purpose to be needed once again.

Lucifer returns to Azazel and the rest of his army, who are still running their majestic, fiery training exercises in the sky above the Silver City in perfect unity. Lucifer tells Azazel that he has finally realized his own purpose and the reason for their war preparations. Lucifer puts a halt to the training and asks his angelic soldiers to converge on him. He tells them that there will soon be a war in their heavenly world between the angels. Lucifer’s soldiers hang on his every word as if they are now suddenly understanding the purpose of their existences as well. Lucifer further explains that this war is his purpose and it will change the entire universe forever.


In Development

 
Mimsley and Me: In addition to directing the film, Frank Oz will also lend his expertise controlling the puppet and providing the voice for a puppet character in the film. Professional puppeteers Noel MacNeal and Steve Whitmire will also be lending their services and voices to some other puppet characters as well. Jacob Jones penned the script.

The Shadow: Christopher McDonald (D.I.C.K., Rosaline), James Frain (Green Lantern Corps: Sinestro War, The Architect) and Boris Kodjoe (Justice League Unlimited, "Station 19") are set to round out the cast of the pulp hero adaptation The Shadow. McDonald will play a doctor, Frain a thief, and Kodjoe a henchman to the main villain (played by Joe Taslim). Francis Lawrence directs from a script by Diane Esposito.

My Sister: My Sister is also finishing up its cast with the final additions of Aldis Hodge ("City on a Hill", Black Adam) and Folake Olowofoyeku ("Bob Hearts Abishola", Death Race 2050). Mati Diop directs from a script by Rosie JoLove. The film is based on the novel My Sister, the Serial Killer by Oyinkan Braithwaite.

Vampire: Katherine Langford (Skin, American Idiot) and Tom Bateman (Thirteen Lives, Death on the Nile) are set to join the Samara Weaving-led drama/thriller, Vampire. Robert Eggers is directing the film. The script was written by Ben Collins, based on the 1915 silent film, A Fool There Was.

Starman: Joe Keery (House Without End, 7 Days) was announced as the leading man of Starman, the latest DC Comics Adaptation, based on the 1990s comic series from James Robinson. Keery will play Jack Knight, the youngest son in a family of superheroes, forced to take over his father's mantle as Starman even though he's perfectly happy running his small antique shop. Richard Gere (Coma, Maybe I Do) has been cast as his father, Ted Knight, the original Starman. Ashton Kutcher (Pudd'nhead Wilson, "The Ranch") has also signed on to join the project in a supporting role as David Knight, Jack's classically superheroic older brother. Stranger Things creators The Duffer Brothers ("Stranger Things", Hidden) are set to direct the film from a script by Roy Horne (Scarlet, The Hammer of Thor).

Under the Influence: Sandra Bullock (Attraction/Deception, The Hazel Wood) and Robert Downey Jr. (The Beat Goes On, Harvard Psychology) are set to star in a new drama/thriller Under the Influence. Bullock will play a mother who recently dropped her daughter off at college. The daughter will be played by Thomasin McKenzie (The Pull of the Stars, Letters). McKenzie's college roommate will be played by Madelyn Cline (Flick, Friday the 13th). Downey Jr. will play the ex-con father of Cline's character who takes up residence in her dorm room and becomes an unwelcome fixture on campus. Andrew Dominik (To the White Sea, White Jazz) has been hired to direct the film, based on a script by Chad Taylor (The Omen, The Beat Goes On).

Wednesday, February 28, 2024

Premiere Magazine #282

 

The Roundup with Jeff Stockton (Season 29 Round 2)


Season 29 continues with another strong round. Here's The Roundup....

3. Box Office
Only two of the six films released so far in Season 29 have lost money - and neither lost a fortune for the studio either.

2. The Final Will
The Final loses momentum from time to time with its episodic set-up, but the casting is good (I've always liked Reeves in dramatic roles personally) and there are several good individual scenes.

1. The Tomb of Dracula
Some of the other critics weren't too fond of this addition to the Marvel Universe, but I found the film to be a lot of fun. It did a good job of continuing the MU dive into the supernatural following Nick Fury last season. The casting is strong, especially Antony Starr as Dracula. I look forward to seeing more of these characters in the future.


3. N/A

2. Novel Adaptations
While One By One did manage to buck the trend and make a little money for the studio, I still feel like it fell into all the same traps as many other novel adaptations for the studio. It never felt like a real movie to me, and the adaptation did not do enough to actually ADAPT the novel into the film format.

1. One By One
I couldn't get into One By One at all. The leading cast don't feel like good fits for their characters. The mystery was too obvious and not particularly thrilling.

Tuesday, February 27, 2024

On Location (Season 29 Round 2)

 


One By One
- Davos, Switzerland



The Final Will
- Camden, New Jersey, USA



The Tomb of Dracula
- Brasov, Romania

Box Office Breakdown (Season 29 Round 2)

 




One By One
Budget: $60,000,000
Total Box Office: $124,490,557
Total Profit: $4,430,898











The Final Will
Budget: $32,000,000
Total Box Office: $43,063,595
Total Profit: -$8,138,094











The Tomb of Dracula
Budget: $85,000,000
Total Box Office: $380,065,340
Total Profit: $86,415,472









Box Office Facts
One By One
The profits earned by One By One bring writer Eden Townsend's financial success rate over the 50% mark. Three of Townsend's five films have now made a profit (One By One, The Terminal Spy and Winter's Displeasure).

The Final Will
The Final Will is just the second Keanu Reeves-led LRF project to lose money at the box office. The other instance was The Emperor of Latium in Season 20. The other five films all made a profit for the studio.

The Tomb of Dracula
The Tomb of Dracula is the 8th R-Rated film in LRF's Marvel Universe to date. The Tomb of Dracula has become the highest grossing of the bunch, outgrossing the previous record holder, Elektra, by just over $100 million.



Genre Rankings
One By One
Mystery: #8
Thriller: #36

The Final Will
Drama: #225

The Tomb of Dracula
Horror: #4
Adventure: #20
Superhero: #68



Season 29 Round 2
Total Box Office: $547,619,492
Total Profit: $82,708,276

Season 29 Totals
Total Box Office: $1,356,763,452
Total Profit: $321,399,271



Season 29 Summary
1. Moon Knight : $574,049,247
2. The Tomb of Dracula : $380,065,340
3. The Omen : $195,502,663
4. One By One : $124,490,557
5. The Final Will : $43,063,595
6. Good Marriage : $39,592,050

Monday, February 26, 2024

Release: The Tomb of Dracula

 

The Tomb of Dracula
Genre: Horror / Superhero / Adventure
Director: Adam Wingard
Writer: Jack Brown
Based on Marvel Comics characters
Cast: Jeremy Allen White, Antony Starr, Joseph Quinn, Maika Monroe, Naveen Andrews, Stephen Rea, Mackenzie Crook, Vanessa Redgrave, Tim Curry (VOICE)




Budget: $85,000,000
Domestic Box Office: $147,480,094
Foreign Box Office: $232,585,246
Total Profit: $86,415,472

Reaction: The list of R-rated Marvel Universe films is fairly short, but now The Tomb of Dracula has become the highest grossing of the group.



"The Tomb of Dracula had so much potential, but it turned out to be wasted potential. Adam Wingard and writer Jack Brown, tried to add too much to this film, and in doing so it felt rushed and messy. Jeremy Allen White felt out of place, I just don’t think this role suits him. Too many characters and not enough development, I was disappointed with this film." - Terry Setev, The Bateau Gazette



"A cheesy B-grade horror movie that lacks any true character development, real thrills, or climatic action. I found this to be a waste since of Antony Starr's performance as Marvel's Dracula as he is my top choice so far for Best Villain this season. Too bad... Maybe if the title character faced a certain Daywalker..." - Susanne White, Tribune News Service



"The Tomb of Dracula works great as an homage to the classic Hammer Dracula films, but slightly less as a Marvel blockbuster event. The story isn't perfect, but it makes for a fun, entertaining debut of Dracula in LRF's Marvel Universe. I like how it sets things up for the future of Marvel's supernatural arm, even if the climax wasn't as eventful as it could or should have been. Jeremy Allen White makes for a nice reluctant hero, but Antony Starr absolutely steals the show with his Dracula (even if the role is a little under-written)." - Cal Crowe, Washington Globe






Rated R for bloody violence, language and thematic material



Comic to Film: The Tomb of Dracula

 

In this edition of Comic to Film, we will be taking a look at the latest Marvel Universe production, The Tomb of Dracula. The film is being directed by Adam Wingard (Heavy Rain, Maledicta) from a script by Jack Brown (Amityville, We Know Where You Live).













Sunday, February 25, 2024

Now Showing: The Tomb of Dracula

 

The Tomb of Dracula
Genre: Horror / Superhero / Adventure
Director: Adam Wingard
Writer: Jack Brown
Based on Marvel Comics characters
Cast: Jeremy Allen White, Antony Starr, Joseph Quinn, Maika Monroe, Naveen Andrews, Stephen Rea, Mackenzie Crook, Vanessa Redgrave, Tim Curry (VOICE)

Plot: 
1459
Wallachian Prince Vlad Dracula (Antony Starr) is leading a small army against a massive Turkish force  in a battlefield near the Carpathian Mountains. The Turkish army is much larger than Dracula's. The number of Dracula's soldiers dwindles as they are brutally slaughtered by the Turkish cannon fire. Eventually Dracula stands alone, surrounded by the bodies of his soldiers. He grabs his sword and attacks the Turkish forces single-handedly. He slaughters enemy after enemy as their sliced up bodies form mounds around him. Dracula is stabbed several times but continues fighting with every last breath until his body finally gives out as he is too out-numbered. 

After the battle has ended and the Turkish forces have moved on, Dracula awakens. He crawls over the sea of dead bodies, dragging himself into a nearby cave. In the cave, Dracula is approached by Varnae (voiced by Tim Curry), a monstrous bat-like creature. Varnae offers to give Dracula to bring him back from the verge of death and give him the power to conquer any enemy. Dracula, desperate, agrees. Varnae slices open his wrist with one claw and instructs Dracula to feed on his blood. Dracula continues to feed on Varnae until the monster is near-death. Varnae weakly tells Dracula that he has passed his powers onto him, but also his curse. Varnae walks out of the cave and into the direct sunlight. His body quickly engulfs in flames, killing him. 

Once night arrives, Dracula transforms into a bat and flies to his ancestral home... the Castle Dracula!

Present Day
Frank Drake (Jeremy Allen White) is reluctantly sitting through an Alcoholics Anonymous meeting. As soon as the meeting has ended and he has gotten his court-mandated paperwork signed, Frank heads down to a bar to meet his girlfriend Jeanie Ovington (Maika Monroe) and his best friend Clifton Graves (Joseph Quinn). Clifton is in the middle of describing the latest get rich quick scheme he is plotting. Frank and Jeanie simply roll their eyes at Clifton's plans. After a few drinks, Frank and Jeanie go back to his apartment only to find an eviction notice taped to his door. Frank and Jeanie are drunkenly kissing when they both notice a letter that had been slipped under the door. Frank decides to open it. He reads it aloud to Jeanie, learning that he has inherited a castle in Romania from a long lost relative. He suggests to Jeanie that they go over there and check it out in hopes of selling it to solve his money problems.

The next day, Frank tells Clifton about the castle. Clifton does some research and quickly learns that it is the castle rumored to have been home to Vlad the Impaler - also known as Count Dracula. Clifton tells Frank that he just stumbled into a goldmine and should set up the castle as a tourist attraction. Frank says that he wants to see it with Jeanie before selling it, if they can figure out how to get there. Clifton offers to pay for the plane tickets to Romania with the seed money for his latest get rich quick scheme if he can tag along. The three head to the airport. While Frank gets up to use the lavatory on the flight, Clifton makes a pass at Jeanie. She turns down his advances, insisting that if Frank is about to be rich she isn't going to screw up the relationship now.

When the plane lands down in Brasov, Romania, they have trouble finding any taxis to take them to their destination once they tell them it is Castle Dracula. They finally find a British driver, Otto (Mackenzie Crook), who is willing to drive them up the mountains to the castle. 
They drive through the village of Bran, at the base of the mountain. Otto tells them that the locals are all very superstitious and won't go anywhere near the castle because of the legends, but he doesn't buy into any of it. Once they reach the top of the mountain, they see the exterior of the ancient castle. Otto drops them off and gives Frank his phone number in case they need a ride back into the city.

Entering the castle, the three are attacked by a swarm of bats. They all run off in different directions from the bats. Clifton begins looking through the castle for valuables until he falls through some old floorboards and falls down into a lower level of the castle. Clifton follows a stone staircase down further into the lower levels of the castle until he finds himself in Dracula's tomb. Clifton finds a coffin and opens it. Inside are Dracula's bones with a silver stake jutting out of its chest. Clifton, knowing the value of the silver, takes the stake out of the skeleton and pockets it. Clifton turns to walk out of the room. Dracula returns to life after the stake was removed, with flesh reforming around the skeleton. Dracula attacks Clifton and is about to bite him, but stops himself. Dracula throws Clifton down into a pit, promising to deal with him later. 

Frank and Jeanie discover the broken flooring that Clifton fell through. They call out Clifton's name, but get no response. Suddenly a bat flies through the hole in the floor. Jeanie panics at the sight of the bat. The bat then transforms back into Dracula. Frank suddenly realizes that all of the legends are true. Jeanie immediately finds herself under Dracula's hypnotic thrall and begins walking toward him. Frank sees this and shoves her away from the vampire. Dracula draws near to attack. Frank scrambles for a weapon, but cannot find one. He does however notice that Jeanie is wearing a small crucifix. He takes it off her neck and holds it towards Dracula who recoils at the sight. Dracula transforms back into a bat and flees, flying out of the castle. Frank takes Jeanie up to bed and tries to call Otto to get a ride away from the castle, but he can't get a signal. Frank goes around the castle, locking every door and blocking all the windows to keep Dracula from re-entering the castle.

Dracula, in bat form, flies down to the nearby village of Bran. He finds a woman walking alone in the streets. He quickly attacks her, feasting on her blood. He feels reinvigorated and flies back toward his castle. A group of villagers find the woman's dead body. They organize a mob with the intent of burning down the castle once and for all.

Dracula manages to get back into his castle. He finds Jeanie sleeping all alone in bed. He goes to bite her, but finds that she is wearing a crucifix. He recoils. Frank emerges, revealing that he inherited the castle from a long-lost family member so they must be related. Frank pulls out a wooden stake and lunges at Dracula, but Dracula knocks him away. Jeanie wakes back up from the commotion. Dracula uses his hypnotic gaze to make Jeanie remove her crucifix necklace and toss it away. Meanwhile outside, the villagers have begun their approach toward the castle with torches. Frank comes to, finding Dracula feeding on Jeanie. Frank tries to stake Dracula once more, but Dracula turns into a bat and flees the scene. The villagers throw their torches into the castle. As the castle fills with smoke, Frank picks up Jeanie's body and carries her outside. Frank sees the villagers and tells them that Dracula left. Frank thinks Jeanie is dead, but she suddenly comes to, having been turned into a vampire by Dracula. She turns into a bat and flies off toward Dracula in the night sky.

Meanwhile in London, a large werewolf attacks a crowd. Taj Nital (Naveen Andrews) arrives on the scene. He manages to capture the attention of the werewolf. The werewolf charges after Taj, who runs down a narrow alley. Just when it looks like Taj is trapped in the alley and the werewolf is closing in, a cage falls from above trapping the werewolf. Taj fires a silver arrow from a crossbow at the werewolf, striking it in the chest and killing it. Taj pulls the cage up and uses pliers to pull out the werewolves fangs. He returns to the headquarters of the Nightstalkers in the sewers beneath Big Ben clock tower. Taj gives the fangs to the leader of the Nightstalkers, Rachel Van Helsing (Vanessa Redgrave), the granddaughter of the famed Dr. Abraham Van Helsing. She informs Taj that Dracula's Castle has come under new ownership after being inherited by Frank Drake, a long-lost descendant of Dracula. Rachel asks Taj to locate Mr. Drake for her.

Otto arrives as the sun rises, having received Frank's messages. Frank explains to Otto that Dracula is still alive, but fled when the castle caught fire. Frank and Otto hear yells coming from the burnt out castle. They rush inside, finding Clifton trapped in a pit. They help him out. They search the scene and the only valuable item left unscathed Brasov. Frank declines saying his plans have changed now. Clifton makes some phone calls, finding an auction house in London that is interested in the coffin. Frank and Clifton transport the coffin to London. They unload it in a warehouse belonging to the auction house. Dracula can sense his coffin has been moved away from his castle. He flies toward its direction with Jeanie behind him.

Frank and Clifton go to a hotel and drink in the hotel bar, toasting to what they hope will be a highly profitable auction. Frank eventually leaves the bar to up to the room. Inside he finds Jeanie waiting for him. She tries to seduce him and bite him, but they are interrupted by Clifton drunkenly stumbling into the room. Frank pulls out Jeanie's old crucifix necklace. He throws it at her. Jeanie recoils in pain. Frank manages to tie Jeanie up. Frank asks Clifton to watch her while he goes to the warehouse to check on the coffin. Jeanie takes advantage of Clifton's jealousy and convinces him to free her. Dracula arrives and tells them that they all must go to retrieve his coffin. Jeanie convinces Clifton to lead the way to the warehouse.

Inside the warehouse Frank sees Clifton enter. Frank is angry that Clifton isn't watching Jeanie as she might be able to escape. Jeanie then emerges, saying that she already did. Jeanie charges toward Frank to attack him, knocking him into a stack of antique furniture. He grabs the leg from a broken chair and stabs it into Jeanie's back. Dracula, outside, realizes that it is almost dawn and flies away. Sunlight begins to enter through the windows of the warehouse. Jeanie catches fire as the sunlight reaches her. Frank and Clifton watch as Jeanie burns to death. Frank looks at Clifton and tells him that their friendship is over. 

Edith Harker (Eve Hewson) is walking alone on a London street as snow begins to fall. Dracula watches her from atop a building, seeking out a new victim to feed on. He descends down to attack, but finds that she is wearing a crucifix and is unable to feed on her. Instead, Dracula summons rats to attack her as he flies away to find another victim to prey on. Edith fights off the rats, but there are too many of them. Her father Quincy Harker (Gabriel Byrne), son of Jonathan Harker, arrives. He is confined to a wheelchair. He pulls out a revolver and begins firing at the rats to get them away from his daughter. Once the rats are gone, Quincy notifies Rachel Van Helsing to inform her that Dracula has once again come to London.

Frank stands on the edge of bridge over the Thames River when he is approached by Rachel Van Helsing and Taj Nital. Rachel introduces herself as the granddaughter of Abraham Van Helsing, the man who originally slew Dracula over 100 years prior. She tells Frank that she tracked him down after learning that he inherited Dracula's castle. Frank agrees to be taken to the Nightstalkers headquarters to learn more about their mission.

Clifton is drinking himself stupid in a bar when he is finally cut off and kicked out of the establishment. Outside he is approached by Dracula. Clifton is afraid at first, but Dracula soon uses his hypnotic powers to put Clifton under his command. Dracula tasks Clifton with recovering his coffin as he cannot sleep without it.

At the Nightstalkers headquarters, Frank tells Rachel that he is in possession of Dracula's coffin, having taken it from the castle to sell it. Rachel tells Frank that they will need to use the coffin as bait to lure Dracula. The Nightstalkers arm themselves and Frank takes them to the auction house warehouse where the coffin is being kept. They are ambushed by Dracula and Clifton. Frank and Clifton fight while Taj fires a crossbow at Dracula that shoots wooden stakes. The warehouse catches fire during the fight. Dracula summons a swarm of bats to attack the Nightstalkers. Clifton loads Dracula's coffin into the back of a truck in the commotion. Dracula locks Frank, Rachel and Taj in the burning building. As the warehouse fills with smoke, Quincy and Edith Harker arrive and free them.

Rachel and Quincy thank Frank for trying to help them, but they tell him that his services are no longer needed as he is no longer in possession of Dracula's coffin and he has no experience hunting vampires or any other kind of monster. Frank tells that that he refuses to give up trying to stop Dracula since it ultimately is his fault that Dracula was awoken in the first place. 

Meanwhile, Clifton Graves drives a truck through mountains back toward Romania. Dracula sleeps in his coffin in the back of the truck.

Post-Credits:
Vampirism is on the rise following Dracula's return. Frank Drake, Edith Harker and Taj Nital get their weapons together to go out vampire hunting in London.


Release: The Final Will

 

The Final Will
Genre: Drama
Director: Darius Marder
Writer: Jimmy Ellis
Producer: John Malone
Cast: Keanu Reeves, Walton Goggins, Jason Isaacs, Colman Domingo, John Leguizamo, Molly Parker, Laurie Holden, Taylour Paige





Budget: $32,000,000
Domestic Box Office: $30,582,600
Foreign Box Office: $12,480,995
Total Profit: -$8,138,094

Reaction: Drama films like The Final Will always need a lot to go right in order to succeed at the box office. The domestic numbers for the film are pretty decent, but the film clearly struggled to connect with foreign audiences.



"The character work in The Final Will is especially strong thanks to good casting and some good writing from Jimmy Ellis. I think the film could have used a bit more plotting to help with the pacing though as it felt a bit meandering at times. Bonus points to the filmmakers for giving Keanu Reeves a serious dramatic role instead of the generic ass-kicking roles he's been typecast as in recent years." - Bruce Vickers, Baltimore Sun



"The Final Will gives Keanu Reeves a rare dramatic leading role and he mostly rises to the occasion, even if he does seem a bit sleepy at times. The supporting cast are the ones who really get to shine though, with the ensemble all giving complex performances. Darius Marder's direction, combined with Reeves' leading performance, can be a bit too subdued at times, but I have a sense that is what Marder and writer Jimmy Ellis were shooting for." - Brenton Smalls, Playboy




"While Keanu Reeves and his co-stars deliver appealing performances, the movie falls short of expectations. The narrative merely skims over the intricate dynamics of their group relationship, failing to draw anything meaningful. As the plot concludes, the resolution feels overly simple and unimpactful, leaving little lasting impression on the audience. Ultimately, despite the strong cast, the film disappoints in its lack of depth and memorability." - Connor Pierce,  Reelz.com







R for language and some violence