Good Marriage
Genre: Mystery/Drama
Director: Pedro Almodovar
Writer: Gwendolyn King
Producer: Rosie JoLove
Based on the novel "A Good Marriage" by Kimberly McCreight
Cast: Diane Guerrero, Kingsley Ben-Adir, Nicholas Braun, Bradley Whitford, Sonequa Martin-Green, Logan Browning, Stephan James, April Bowlby, Oliver Jackson-Cohen, Stephen Kunken, Paul Schneider, Sanaa Lathan, Louis Mustillo, Justina Machado
Budget: $34,000,000
Domestic Box Office: $21,999,045
Foreign Box Office: $17,593,005
Total Profit: -$18,559,346
Reaction: A couple of seasons ago, it looked like the Novel Adaptation Curse was going the way of the dodo bird, but this film combined with the failure of last season's novel adaptations shows that it has not yet gone away. This season will have no shortage of more novel adaptations with a whopping six more on the way.
"Good Marriage features way too many small side characters and pointless subplots, killing its momentum frequently. When the film is firmly focused on Lizzie's investigations into both Zach's criminal charges and her husband's actions, the film works really well. I hated that it constantly shoots itself in the foot by going away from those, meandering through uninteresting, unimportant red-herrings." - Woodrow Nelson, Baxter Bulletin
"'Good Marriage' disappoints with an overloaded plot and characters that fail to establish a meaningful emotional connection. While Diane Guerrero delivers a solid performance, the story often feels convoluted and unbalanced. The constant revelations and twists do not add to the suspense but instead unnecessarily complicate the narrative. The plot becomes lost in subplots, and some characters come across as shallow and uninteresting." - Clark Chase, Chicago Sun-Times
"Diane Guerrero's performance in this mystery thriller is solid and dynamic, standing out in an otherwise average film. Gwendolyn King's screenplay is engaging when it chooses to focus on the character's struggles rather than relying heavily on constant plot twists. The movie maintains a brisk pace, but the resolution in the third act feels underwhelming. Overall, it's a decent adaptation of a novel, amidst a crowded field of disappointing adaptations." - Ryan Amini, The Atlantic
Rated R for violence, sexual content and language
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