Friday, July 26, 2024

Now Showing: Masters of the Universe: The Sword of Power

 

Masters of the Universe: The Sword of Power
Genre: Action/Fantasy
Director: Len Wiseman
Writer: Mark Newton
Based on the animated series
Cast: Alan Ritchson, Samara Weaving, Callan Mulvey, Eleanor Tomlinson, Manu Bennett, Rufus Sewell, Dolph Lundgren, Virginia Madsen, Katheryn Winnick, Olga Kurylenko

Many moons ago...
In the golden halls of Castle Grayskull, joy is in the air. A younger King Randor (Dolph Lundgren), who has only recently become king, and his wife Marlena (Virgina Madsen), along with the rest of the Kingdom of Eternia, are celebrating the birth of twin - Adam and Adora. Banners float in the the breeze and music fills the air, but there are whispers from the dark reaches of the planet of the twins' intertwined destinies. 

Hordak (Rufus Sewell) and his younger pupil Keldor (Callan Mulvey), the man who will eventually become Skeletor, slither through the castle's corridors. In the nursery, Man-At-Arms (Manu Bennett), then known as Duncan, stands guard. When Hordak and Keldor emerge from the shadows and reach for the twins, Duncan is quick to attack the intruders. Hordak manages to snatch infant Adora and flee the castle. Leaving Keldor behind to be captured by other guards and imprisoned.

Duncan and King Randor pursue Hordak all the way to Snake Mountain. Just as they catch up to him in a deep cavern, Hordak disappears through a portal with Adora into another dimension. Randor tries to follow, but the portal closes before he can. Randor roars in anguish. Randor and Duncan return to Castle Grayskull empty-handed. Randor and Marlena are crushed at the loss of their daughter, but they wish not to instill fear in the people of Eternia. They call upon the Sorceress (Katheryn Winnick). She weaves her magic through the kingdom. The minds of Eternians are rewritten with her spell, their memories of Adora erased. Only a select few retain the truth: King Randor, Queen Marlena, Duncan, and the Sorceress herself.

Thirty years later...
Castle Grayskull, in the heart of Eternia, stands high above the kingdom as Skeletor's horde of skeleton forces attack. Seeing the onslaught, Prince Adam (Alan Ritchson) transforms into He-Man. On one side of the castle Adam and Man-At-Arms fight valiantly against Skeletor's horde - Adam with his sword of power and Man-At-Arms with his energy blasters. They work together with the Sorceress  to fight back the forces. King Randor , a seasoned warrior and ruler of Eternia, leads the charge on the opposite flank. Skeletor  himself emerges, attacking Randor with his obsidian blade. 

Meanwhile, Evil-Lyn (Olga Kurylenko) has taken advantage of the various battles and captures Teela (Eleanor Tomlinson), Adam's beloved. She uses her magic to bind Teela, taking her outside. Adam hears Teela scream for help. Adam uses his powers to transform his pet tiger Cringer into Battle Cat. Adam rides Battle Cat toward Teela's screams.

The duel between Skeletor and Randor still rages up to the steps of the castle, toward the throne of Eternia. Skeletor's magic and sword overwhelm Randor. Skeletor stabs Randor through the heart with his osidian blade. Randor stumbles to the floor as blood seeps from his wounds. Skeletor makes his escape from the castle, with his damage being done.

Adam catches up with Evil-Lyn and Teela, but she steps through a shimmering portal. They are soon joined by Skeletor, who taunts Adam, telling him he might want to check on his father. Adam rushes back to the Castle Grayskull on Battle Cat to find his father King Randor lying on the floor in a pool of his own blood. Queen Marlena is by her husband's side, her regal gown stained in Randor's blood. Adam kneels down at his father's side as well. Randor with his last bit of life grabs Adam and tells him to protect Eternia.

Teela, now a captive in Skeletor's lair in Snake Mountain, struggles against her bonds. Evil-Lyn cackles at having captured the Sorceress' daughter. This is news to Teela, having not known her mother is the Sorceress. 

Queen Marlena tells her son Adam that he has a secret twin sister that has been hidden from him all these years named Adora. She explains to Adam that Adora was stolen from them as an infant, taken to Etheria by the malevolent Hordak. She insists that she and Randor searched for her, but were unable to travel to the world she was taken to without leaving Eternia susceptible to Skeletor's forces. She tells Adam that he must team up with Adora as she wields the Sword of Protection just as Adam wields the Sword of Power. Both blades will be required to pierce the veil of evil that shrouds Skeletor. 

The Sorceress steps forward. She offers to create a portal to Etheria, knowing that this is the only way to make the kingdom of Eternia one again. She channels her magic. A rift materializes - a swirling vortex of energy. Adam steps forward with Cringer. Adam calls on the Power of Grayskull, transforming himself back into He-Man and Cringer back into Battle Cat. Together they step into the Sorceress' portal to Etheria.

After He-Man and Battle Cat have disappeared, the Sorceress channels as much cosmic energy as she can to send a psychic message to Adora, telling her that her brother has come looking for her. Adora doesn't know what to think of the message, assuming it was just a strange dream.

Adam rides Battle Cat through the jagged landscape of Etheria. Its skies are perpetually overcast, its soil scarred by the tyranny of the land's dictator, Hordak. Soon, bat-like creatures swoop down at Adam. He slashes at them with his sword. Battle Cat roars, swiping at the creatures with its claws. And then, she appears - a figure clad in white armor and a crimson cape, riding her white horse, Spirit - Adora (Samara Weaving), Hordak's loyal captain. Adam arms himself with his Sword of Power when he sees both his sword and her Sword of Protection both glowing in their close proximity. At that moment, Adam makes a choice. He allows himself to be captured by his long lost twin, raising his hands in surrender. Expecting a battle, Adora demands to know why Adam has surrendered. Adam simply tells her that they share more than a battlefield in common.

In the recesses of Snake Mountain, Evil-Lyn continues to taunt Teela after she learned that Teela did not know she is the daughter of the Sorceress. Skeletor tells Evil-Lyn that the taunting is not necessay, Teela is simply a pawn in his plan to take control over Eternia. Teela tries to wriggle free from her chains to no success.

Adam is imprisoned in a cold, iron dungeon. Adora interrogates him, demanding to know who Adam is and where he comes form. Adam tells her that he is Prince Adam of Eternia. Adora says it is impossible that Adam is from Eternia. Adam continues, revealing that he came from Eternia to Etheria in order to find her - his long lost twin sister. Adora is stunned, realizing that the Sorceress' psychic message was no dream after all. Adora whispers asking if it he is really speaking the truth. Adam tells Adora that he came to find her as they need to work together to save Eternia and Teela his beloved from the grasp of Skeletor. He tells her that their mother said that their two swords - the Sword of Power and the Sword of Protection - will need to be used together and will make them both stronger than they are alone. 

Adora is called into the chambers of Etheria's ruler, Hordak, who has become something of a sorcerer-king over the years. Cybernetic enhancements have kept him young and repaired the battle wounds that he earned on his way to power. Hordak asks Adora to tell him about the new prisoner. Adora is careful with how she speaks to Hordak - the only father-figure she has ever known. She lies to him, claiming that the prisoner is noboy important, just another worthless rebel. Hordak senses that Adora is not telling him the entire truth. Adora's mind races as she tries to formulate a story. Finally, she tells Hordak that the prisoner is stubborn and did not break upon her interrogation to tell her what rebel group he is aligned with. Hordak touches Adora's cheek and asks her if her loyalty wavers. Adora looks him in the eyes and insists that her loyalty is to him. Hordak dismisses Adora, but hints that he may have a talk with this new prisoner himself.

That night, Adora kneels in her quarters, with the Sword of Protection cradled in her hands. Its blade begins to shimmer. She hears the voice of the Sorceress telling her to look into the past. The light of the sword projects the images of her origin. Adora watches the projection as her infant self is torn from the arms of her true parets, King Randor's desperate pursuit, Duncan's loyalty. The power of Grayskull surges through Adora's veins. She stands, her sword ablaze. Her armor shifts, morphing her into She-Ra. 

She-Ra uses her powers to fight through Hordak's bat-like guards, eventually reaching Adam's cell. She gives him back his Sword of Power. As soon as his hand reaches the blade, his armor morphs into the armor of He-Man. As they leave the dungeon, He-Man mounts his Battle Cat. She-Ra mounts her horse Spirit, who begins transforming, becoming Swift Wing, a winged unicorn. Together the twins flee, leaving chaos in their wake. Hordak arrives to speak with the prisoner, finding him gone. Hordak orders his guards to find the prisoner and Adora. He-Man and She-Ra ride away from Hordak's palace of pain, galloping through a portal back to Eternia opened up by the Sorceress.

As Adam and Adora arrive to the Castle Grayskull, tears of both joy and sorrow stream from Queen Marlena's eyes as she hugs Adora for the first time since she was newly born. Adora looks around and asks where her father is. Marlenda regretfully informs Adora that Randor was killed by Skeletor's blade. Man-At-Arms steps forward to tell everyone that he has scouted Snake Mountain where Skeletor and Evil-Lyn are keeping Teela captive. Adora recognizes Man-At-Arms from the Sorceress' projection, thanking him for the effort he took to try to rescue her when she was taken. Man-At-Arms refuses to take any credit, insisting it was his duty to King Randor. Adam asks Adora to help him save Teela from Skeletor's clutches.  Adora agrees, saying that she would be a bad sister if she didn't help. 

And so, they rode - He-Man, She-Ra and Man-At-Arms. Battle Cat roars while Swift Wing glides against the winde. They descend upon Snake Mountain. They sneak through the caverns of the mountain until they find Skeletor's inner-sanctum. He-Man charges at Skeletor while She-Ra clashes with Evil-Lyn. Man-At-Arms, meanwhile, works to free Teela from her chains. Once Teela is free and at a safe distance, He-Man stops the fighting. He smiles at Skeletor, telling him that today is not his day. The Sorceress' magic conjures a portal behind them. He-Man, She-Ra, Man-At-Arms, Teela, Battle Cat and Swift Wing all disappear into the portal.

Upon returning to Castle Grayskull, Teela kisses Adam. When she sees the  Sorceress present though, she confronts her, demanding to know why the Sorceress never admitted to being her mother. The Sorceress explains that she simply wanted Teela to be able to grow up as a normal Eternian. 

Back at Snake Mountain, Hordak emerges through a portal of his own creation. He discovers that his old base of operations has now become home to his former pupil Keldor, who is now Skeletor, the principal enemy of Eternia. The two decide to reach a temporary alliance. Skeletor wants to rule Eternia, while Hordak wants Adora returned to Etheria. Hordak's bat army merges with Skeletor's skeleton army to create a potent force. 

As the armies reach the Castle Grayskull, the sun dips low in the sky, casting long shadows upon the battlefield. He-Man, She-Ra and Man-At-Arms fight side by side as the army reaches the castle walls. Skeleton soldiers crumble, bat creatures fall from the skies. The forces of good lay waste to the nameless soldiers of Skeletor and Hordak. Skeletor and He-Man begin battling up along a stairwell leading to the top of the highest tower in the kingdom. Sparks fly as He-Man's Sword of Power clangs against the obsidian blade that killed his father. Meanwhile, She-Ra faces off against Hordak. She-Ra with the power of Grayskull and the Sword of Protection gains the upperhand on the tyrant. Just as she is about to kill him, she hesitates just a moment, remembering that Hordak is the only family she had ever known until very recently. Taking advantage of She-Ra's hesitation, Hordak cowardly teleports away from Eternia. He-Man continues to grapple with Skeletor atop the tower. Skeletor lunges at him. He-Man uses Skeletor's momentum against him, sending him hurtling over the edge of the tower.

After the battle, a search is conducted for Skeletor's body, but none is found. Adora reveals that she froze when it came time to kill Hordak and he managed to teleport away.

In the grand hall of Castle Grayskull, Queen Marlena announces that the time has come for a new era. She tells Adam that he has earned the right to be the new king of Eternia. As she puts Randor's crown upon Adam's head, Marlena tells Adam that his father would be pround of him.

Adora is happy that she has found a family in Eternia, but something is missing. She tells Adam that she plans to return to Etheria to lead the rebel resistance against Hordak with the goal being to make Etheria more like Eternia. Adam gives his sister a hug, telling her that she will always have a home at Castle Grayskull. Adora rides Spirit away from the castle, waving to her new family as she disappears into a portal created by the Sorceress.

The now King Adam proposes marriage to Teela, asking her to be his queen - Eternia needs a new one now after all. Teela only has to think for a brief moment before excitedly agreeing with a kiss.


A Second Look: Masters of the Universe

 

Welcome back for another edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes.

In honor of the long awaited sequel to Masters of the Universe, easily one of the longest waits in LRF sequel history, I will take a second look at the original film from Season 4.

The original film pre-dates the creation of The Roundup, so I actually had to go back to my original notes to get a glimpse of my original opinion of Masters of the Universe. My notes mention that I felt that Alan Ritchson was a bit stiff in the lead role, even if he looks the part perfectly. The supporting cast felt a bit low-rent at times, especially given the film's budget. At the end of the day, Masters of the Universe was a perfectly average fantasy action blockbuster - it doesn't wow, nor does it really disappoint.

Taking a second look at Masters of the Universe now, I have to wonder what took so long to get a sequel going. While it released in tail end of LRF's era of shorter, less detailed plots, Masters of the Universe does a solid job of introducing the character and the fantasy world of the setting - and I say that as someone who never watched the cartoon. It does a good job of avoiding camp, although I do agree with my original assessment that the film's supporting cast felt overly cheap ad ill-equipped at times - especially Katheryn Winnick, who just sticks out like a sore thumb. The action is decent, albeit a bit simplistic. Viewing Masters of the Universe now got me excited for the long awaited sequel as I know Mark Newton has grown as a writer since Season 4.

Original Grade: C

New Grade: C+

Masters of the Universe Link: https://lrfdatabase.weebly.com/masters-of-the-universe.html



Thursday, July 25, 2024

Release: Brothers in Law

 

Brothers in Law
Genre: Western/Dark Comedy
Director: Armando Iannucci 
Writer: Jimmy Ellis
A Hill Valley Entertainment Production
Cast: Matthew McConaughey, Jeff Bridges, Johnny Knoxville, Danny McBride, Pam Ferris






Budget: $33,000,000
Domestic Box Office: $28,400,128
Foreign Box Office: $19,705,111
Total Profit: -$21,919,599

Reaction: Dark Comedy films always struggle at the box office. In fact, only three of the last ten films in the genre have made a profit, so the lack of success here is disappointing but not surprising to the accounting department.



"As much as I wanted to enjoy the movie, it has its faults. McConaughey effortlessly carries the film, while Jeff Bridges delivers a strong performance in a meaty villain role. The flashback scene with the coyote had me rolling in stitches while gasping at the violence, making it a standout moment. However, the story wraps up too neatly, lacking a satisfying payoff. Additionally, Armando Iannucci's direction didn't feel particularly inspired, leaving the film falling short." - Susanne White, Tribune News Service


"Although it has flashes of brilliance for its dark comedy elements, the story lacks substance and changes direction without reason. I enjoyed the viewing experience but was left puzzled by how quickly and effortlessly it reached its conclusion." - Kanta Ramsey, AV Club





"Brothers in Law aims to combine Western and Dark Comedy but occasionally stumbles in delivering a cohesive narrative. The tone is uneven throughout, so much so that the uneven tone almost becomes its own tone. Jeff Bridges and Danny McBride were the stand-out characters to me, providing levity and nuance to a story that needed it.  I know it sounds like I'm being overly critical, but I actually did enjoy the film, I just happened to be aware of its faults at the same time - they didn't stop me from enjoying the antics depicted on-screen. I probably would have structured the story slightly differently, but the mix of comedy and western has worked for decades and continues to work here (even if it is darker than most in the genre combo)." - Dave Manning, Ridgefield Press








Rated R for language, violence, and some disturbing images





Top 10 Most Controversial Films in LRF History

 
Sherman J. Pearson here for another Top 10. This season featured a great deal of controversy already earlier this season with the reaction to Slowly Dying. This got me thinking about some of the most controversial films in LRF history. I did have some trouble narrowing the list down to ten, so I have included some honorable mentions as well. Also, I don't normally go into too much detail or context, but I felt this specific category kind of requires it.

Top 10 Most Controversial Films in LRF History
10. Trigger
  • Suicide bomber as main character. 'Nuff said.
9. The William Hung Story
  • William Hung was already maligned enough for his lack of talent, but Alex Conn's script also added in fictional suicidal ideations to the real figure in a manner some were offended by.
8. Runaway
  • Possibly the biggest surprise Best Picture winner of all time. Eight films had higher Metascores during Season 8, but somehow Runaway came out on top.
7. Obsession
  • I recall writer Mo Buck not appreciating the reviews at the time, as the film received mixed reviews and were accused of missing the point. Writers calling out critics always invites controversy.
6. Lovestruck
  • Main character promotes sexist misogynistic behavior, yet is painted heroically by Alex Conn's script. Possibly the least likable "hero" in LRF history.
5. Isla Vista
  • Sometimes a writer (or writers) can make unlikable figures into compelling characters by diving into their psyche and trying to dissect why they do what they do (Lon Charles is a master at this). The script for Isla Vista didn't manage to provide any insight into Elliot Rodger or his actions - I doubt there were any to be had really. 
4. The Youngest Hart
  • The script painted Reese Witherspoon's villainous mother as a complete cartoon character, which led to plenty of controversy. Despite all that, Witherspoon still managed a GRA nomination.
3. High Society
  • The film itself wasn't anything special or controversial based on its script. This one makes the list because of the uproar writer James Morgan made when he disagreed with the critics' (mostly Jeff Stockton) assessment of the story and of his casting process.
2. Columbine
  • Alex Conn's script provided zero insight into the two teenagers who infamously shot up their high school. The film not only feels exploitive, but the script also seemed to know nothing about its subject matter, dragging the families involved through the muck without even being factually accurate.
1. Slowly Dying
  • The newest member of the list. Even if writer Alex Conn (making his 5th appearance in this Top 10) did not intend for his script or characters to come across as antisemitic, it clearly did come across that way. If that wasn't enough, his online arguments toward Jeff Stockton and other writers and critics only added to the controversy surrounding his latest film. 

Honorable Mentions:
The Cry of the Night Lady
  • The film has a rare NC-17 Rating and shocking sex and violence (and sexual violence).
Hated: The Ballad of GG Allin
  • GG Allin himself was always controversial as a performer, which this film leaned into in its portrayal. 
Green Arrow 3: SuperMax
  • This one makes the honorable mentions list only due to its leading man, Armie Hammer, as the film was released very shortly after the star was accused of sexual violence (although the film had already been written and been in pre-production before that).
Graduation Trip
  • Offensively unfunny comedy featuring jokes about AIDs, gay sex (and possible rape), a principal having sex with students, and autism. Not featured: laughter.
Chris, Travis & Juliet
  • Chris, Travis & Juliet features a character (its protagonist even) violently castrated THEN shot to death. Do I need to say more?
Firestorm
  • The story itself doesn't invite much controversy, but its outcome did as it became the first (and only) DC Comics Universe production to lose money at the box office.

Wednesday, July 24, 2024

Now Showing: Brothers in Law

 

Brothers in Law
Genre: Western/Dark Comedy
Director: Armando Iannucci 
Writer: Jimmy Ellis
A Hill Valley Entertainment Production
Cast: Matthew McConaughey, Jeff Bridges, Johnny Knoxville, Danny McBride, Pam Ferris

Plot: 1917

In a dense forest in Utah, Daniel McDaniel (Matthew McConaughey) slowly wakes up in his makeshift tent as he hears the sound of a steady stream. He is discombobulated a bit as he expected it to be morning but it is still dark out. A sudden loud ruffling of feathers and scream of horror causes him to instinctively lunge for his revolver. When he gets out, he finds his brother Hud (Johnny Knoxville), nude and holding one leg to his waist. Sticking from the bottom of his left foot is the pointed end of a Sheriff badge and blood streaming down from it. Daniel gives Hud a look of disbelief and Hud says he needed to relieve himself as he hasn't went since they skipped town. And then it just so happened to step on his way back that he stepped this little golden star. He asks what it was doing just laying around and Daniel shrugs, saying he doesn’t need it anymore anyways. Hud says he just remembered he had a question he wanted to ask - how does one wipe out here? Daniel shakes his head, yanks the badge from his brother’s foot, and throws it into the fire.

One Day Earlier

Sheriff Daniel McDaniel sits in the Sheriff's office with his deputy, Willard Wittset (Danny McBride). Daniel eats a sandwich while the two of them chat. This same conversation seems to have happened before as McDaniel’s facial expression seems annoyed. Willard keeps jabbing him about a man by the name of, Foster Seals and when they will finally head on up there for a chat. Daniel looks to Willard and asks if he really wants to take that job, it’s on the border of their jurisdiction and it feels like a waste of their time, he’s never even had a single charge against him. Daniel continues, they have no crimes, just the local drunk now and then and Willard wants the paperwork of talking to Seals. Willard rolls his eyes, saying he thinks he should be their prime suspect, given all the disappearances both here and neighbouring towns have had. Movement is heard from the holding cell next to them as a drunk man gets up and vomits all over the ground. Daniel gets up to knock on the bars telling the drunk to at least aim for the toilet. As Daniel is at the bars Willard bites into Daniel’s sandwich.

After a long day of nothingness Daniel, Willard and the drunk walk out of the office and into the street. All three walk straight to the local saloon and sit at the bar. Daniel sits down and a glass of whiskey is placed in front of him. Willard swears at the bartender asking if he isn’t good enough for him to remember his order. He just gets a beer. You can just tell that Daniel wants nothing to do with any more conversations with Willard. After his one drink Daniel leaves, as he walks the street back to his house, he sees that the door has been broken open. Daniel pulls his gun out and walks cautiously through the door. As he continues walking he hears the shower running. He opens the curtain and aims the gun. Hud falls over in the shower, hitting his head. Daniel turns the taps off and picks his brother up, putting him in a chair.

"I didn't do it," Hud swears. "What didn't you do?". Hud slaps his brother and points to the drawing, where Daniel sees blood mixing with the water down the drain. He stands up and puts his hands on his head before slapping his brother back. Daniel peeks out the window and asks where. "My old lady." Daniel asks to confirm that Hud's girlfriend is dead. Hud shakes his head. “My old lady’s, old lady.”

On his walk home, Deputy Sheriff Willard notices a door open at P.J. Walker's house. P.J. is a known frequent lover of Hud McDaniel. He is taken aback by a repugnant smell that eventually sends him into a violent cough. He comes upon a bedroom where he finds P.J.'s elderly mother dead in a pool of blood. While this initial discovery is horrifying, Willard is distracted by the decomposing body of a coyote - clearly the source of the awful smell. He feels conflicted, walking out of the room and then back in. He personally feels oddly unqualified for this moment. He then makes the mental connection from the dead woman to Hud and realizes he must be the main suspect. He now feels even more conflicted, knowing this involves the family of his boss. He slowly makes his way to Daniel's, nervously practicing his lines along the way. He takes a deep breath and knocks on the door. There is no response. He knocks again. After he's again met with silence, he looks into the windows and finds that no one is home. He wonders: have they skipped town?

Daniel and Hud go to the scene of the crime at P.J.’s home, walking cautiously as to no one sees them. Upon entry Hud immediately throws up, Daniel covers his mouth and nose with a handkerchief. Hud finishes throwing up and shows his brother the body of the old woman. Daniel flips her over, showing a knife on the ground, covered in the blood. She has a large gash on her neck where the knife would’ve been plunged into. Daniel realises the smell isn’t the woman and walks to the coyote, he asks Hud, what the fuck a wild coyote is doing in his girl’s house. Hud shrugs his shoulders. Daniel asks who killed the old woman if it wasn’t him. Hud tells his brother that he won’t believe him, he then points at the coyote before telling him the story.

A drunk Hud walks to P.J.’s home and enters. The old lady (Pam Ferris) tells Hud to fuck off, P.J. isn’t home. Hud laughs as he thinks it’s a joke. He then stands deadly silent as a coyote lurks around the corner. He points at the coyote before running out the door, closing it. The old lady grabs a knife nearby, he realises he left her by herself and storms back in. The old lady swings the knife to hit the coyote but the coyote jumps at her and causes her to stab herself in the neck. The coyote then runs over to Hud, he grabs his gun out but drops it, causing him to wrestle with the coyote. His arm is in the coyote’s mouth as he tries to squirm to the gun. He grabs it and shoots it dead.

Back in the present (Still one day earlier) Daniel asks to see Hud’s arm, there are indeed bite marks. He then walks to the coyote, a bullet hole in its head. He tells Hud that he will get him out of this. In the corner of the room is Willard. He shakes his head asking how Daniel can cover up a murder from his brother. Daniel tries to calm Willard but he won’t listen, convinced Hud killed the old lady. Willard pulls his gun. Daniel and Hud slowly back up before backing into the back door. Daniel sees a brick next to him and throws it at Willard, knocking the gun out of his hand. Daniel and Hud run out the back door and find some horses. They ride away out of town. Willard runs outside and fires his gun but it is of no use.

PRESENT DAY

Hud and Daniel wake up to the sounds of a dog and the voice of a man. The dog begins to bark when it sees Daniel and Hud. The older man (Jeff Bridges) pulls his gun and aims it at the two, he questions their names. They raise their hands and introduce themselves. The man tells them they best be getting off his property. Hud looks around asking him if he owns the goddamn forest. The old man puts the gun in Hud’s face asking if he has a death wish. Daniel speaks up for his brother apologising to the man, he proceeds to ask if the man has a name. “Foster, what’s it to you.” Daniel perks up asking, Foster Seals? Foster nods. Daniel then begins to ask Foster for a favour, if they can stay with him for the time being, a few days maximum. Foster doesn’t like the idea but says he is trying to be a better man, and how better than to help people. “You ain’t cops are ya?” Daniel and Hud look to each other, No.

Foster leads the two men back to his home, still inside of the dense forest, he seems to have built in between the trees. Hud asks him why he lives so far away from the rest of society. Foster just scoffs, he was never accepted there, too many rules, too many people. Hud continues to ask questions leading to a hit over the head from Daniel. They enter inside and a smell quickly makes the two men hold their breath. Foster apologises, it keeps the predators at large.

Willard walks through the forest attempting to track them down. He comes across their camping ground and an old fire. He bends over and sees the remains of the sheriff badge. His old sheriff is truly too far gone.

Foster and the brothers sit around a table, eating some food. The dog growls at Hud as he eats some chicken. Foster tells Hud that he won’t stop till he gives him his food. Hud throws his food on the ground leading to the dog eating it. Daniel begins a conversation with Foster, all the while trying to figure out whether he is trustworthy or what Willard had believed, a murdering piece of scum. Hud wonders aloud what the smell really is. Foster coughs at the question before coming up with the answer. He says that its old cow’s blood, he smothers the house with it to keep the bears away. The brothers see that as a sensible thing to do, after all there are too many cows in Utah.

Willard continues to follow the trail left behind by the brothers. He finally comes across Foster’s house, however being night, he decides to wait it out in the forest. He heads back down the hill and sets up camp, in the distance.

As the sun begins to rise and Hud and Foster sleep, Daniel walks around the house and steps over the snoring dog. He keeps on walking until he walks outside. He sees an outhouse in the distance and walks towards it. As he reaches it he sees a lock on the door. He grabs his gun and busts the lock open. As he enters the smell is sickening, quite literally making Daniel throw up. Blood stains the walls and as he look around he sees the bodies of young women, dead, laying. He continues into the barn and stops in his tracks, he sees PJ Walker’s dead body, and takes a knee, hat on chest. He apologises to her. As he does this Willard appears from behind him and tells him to raise his hands. Daniel turns it on its head praising Willard for being here for backup. He reminds Willard that they have been looking for Foster Seals for a long time, and, this is why. Willard looks around, disgusted at what he sees. He points the gun at P.J asking if its her. Daniel nods, and says they best go get the son of a bitch. As they walk down, vigilantly Willard reminds Daniel that he still has to arrest Hud for murdering the old lady. Daniel, fast thinking tells Willard that that too was Foster, although he knows the real story is much more bizarre. The two of them get to the back door of the house. They peer inside and see Foster standing over Hud, as he sleeps, aiming the shotgun down at his head. Daniel and Willard burst through the door and shoot a few shots at Foster, causing Hud to wake up screaming. Foster turns and fires his shotgun back at the two, some debris taking Willard’s ear clean off. Hud scurries away, behind a pillar. Foster’s dog chases after him and begins biting at his leg. Daniel fires a few more shots toward Foster all that miss. An awkwardly silent moment follows, well almost silent, with Hud’s screams from the dog happening intermittently. Hud grabs a blunt object nearby and hits the dog over the head, causing it to stop. Foster becomes enraged at this and storms over to Hud, being out of cover Daniel stands and fires, but he has no more bullets. He runs toward Foster and tackles him to the ground just as Foster pulls the trigger on his shotgun. Hud pats himself down, finding no wounds or bullet holes, except for the bites in his leg. Daniel does the same, no holes or wounds, but a ringing in his ear. He then looks at his shirt, blood stains the whole thing. He looks to his side and a headless Foster Seals lay next to him, he blew his own head off.

Hud limps back to town with Daniel and his bloody shirt. Willard walks with them head bandaged and ear in hand. As the three of them walk, Hud steps on something and lets out a yell. He raises his foot to show the sheriff’s badge. Daniel yanks it out of his foot and pins it back on his shirt. Willard comes up next to him, yelling that its good to have him back.


Release: Redhead

 


Redhead
Genre: Thriller/Horror
Director: Scott Cooper
Writer: Andrew Doster
Cast: Karen Gillan, Garrett Hedlund, Timothy Olyphant, Lili Taylor, Holland Roden, Alicia Witt, Alan Cumming





Budget: $26,000,000
Domestic Box Office: $25,395,157
Foreign Box Office: $50,184,002
Total Profit: $12,947,440

Reaction: Redhead proves to be a welcome return to the profit column for writer Andrew Doster after two sizable flops in a row - Camping and The Incredible Shrinking Man.



"Karen Gillan's performance as Lucy, a red-haired teacher tormented by her past, is compelling, yet the film's disjointed narrative undermines her efforts. The supporting cast around her deliver solid performances, but their lack depth and development. There are some decent scares here and there, but they rely far too heavily on cliched horror tropes." - Shawn Moseby, Fresno Bee


"The plot of Redhead can be frustratingly predictable at times. Karen Gillan, Garrett Hedlund and Timothy Olyphant deliver good enough performances to elevate the material though. Billy Cruder's script and Scott Cooper's direction deliver several moments of intense suspense, delivering a psychological horror experience worth the price of admission (for a weekday matinee at least)." - Stan Kyle, Omaha World-Herald



"Karen Gillan demonstrates her strong acting abilities in a familiar 'descent into madness' role, but this psychological horror thriller becomes predictable before it gains momentum. Despite director Scott Cooper's efforts, his expertise can't prevent the film from feeling like another clichéd entry in the genre." - Kanta Ramsey, AV Club








Rated R for violence, disturbing images, and thematic elements





Tuesday, July 23, 2024

In Development

 
An Anonymous Girl: Dove Cameron (Vengeance, Good Mourning), Virginia Gardner (Amityville, AKA Billy the Kid) and Jeff Ward (No Promises in the Wind, Lock Every Door) have rounded out the supporting cast of LRF's latest novel adaptation, An Anonymous Girl. Cate Shortland is directing the film from a script by Rosie JoLove. The film is based on the novel by Greer Hendricks and Sarah Pekkanen.

Tarzan: Jason Momoa's Tarzan will have company in the big budget adaptation in the form of Richard Armitage (Norse: Valhalla, Uncharted 3), Cosmo Jarvis (Kill Zone, OZ), Adelaide Kane (Midnight Tales, The Brilliant Friend) and Otis Dhanji (Talk to Me, Don't Me Me Go). Armitage will play a tracker on the hunt for gold in the jungles of Africa. Jarvis and Kane will play Tarzan's parents, while Dhanji will play a teenage Tarzan. APJ penned the script based on the character created by Edgar Rice Burroughs. James Wan directs.

Rediscovered Harmonies: Sophie Thatcher (The Crow: Midnight Garden, "Yellowjackets") will follow up her hit, GRA-nominated role in The Crow: Midnight Garden with a supporting role in the Emilia Jones-led Rediscovered Harmonies. Also signing onto the film will be Lana Condor (Maledicta, Moonshot) and Sabrina Carpenter (Bunny, The Water Cure). Marielle Heller directs the film from a script by Ben Collins.

X-Men: Hellfire: Entering production following the pre-production directorial change is the fourth X-Men film, X-Men: Hellfire. Jamie Dornan (Northrock: Verge of War, X-Men: Sinister), Toby Stephens ("Lost in Space", X-Men: Sinister), David Oyelowo (X-Men: The Cure, Mass Effect: First Contact) and Jessie Buckley (Lowell, X-Men: Sinister) are all back as Cyclops, Charles Xavier, Beast and Jean Grey, respectively. In this film, the Hellfire Club tries to unlock the Phoenix from within Jean Grey. Miguel Sapochnik (Finch, Skyrim III: Dovakhiin) has taken over for Alex Garland as director. Dwight Gallo (AKA Billy the Kid, The Punisher: Last Exit) is back as the writer of the Marvel Universe production.

Love Is Embarrassing: The Holdovers breakout star Dominic Sessa (The Holdovers) has signed on to star in Love Is Embarrassing, the latest directorial debut from writer Alex Conn (The Actors, Free the Chicago Seven!). In typical Conn fashion, Sessa plays a college student with romantic problems. Cailee Spaeny (Priscilla, Civil War) and Olivia Rodrigo (Revival, "High School Musical: The Musical: The Series") will star opposite Sessa. 

Eve of Destruction: Jeremy Allen White (Five Boroughs, The Tomb of Dracula) has been cast in the lead role in Eve of Destruction as a young man drafted into the Vietnam War. The film will shift between before and after his tour of duty. Woody Harrelson (Detroit: Become Human, Free the Chicago Seven!) and Jennifer Connelly (The Omen, The Vacationers) have signed on to play White's parents. Jeremy Saulnier (The Invincible Iron Man, Elysian) has been hired to direct the project which hails from writer Jimmy Ellis (The Final Will, Thorne) and producer Dwight Gallo (AKA Billy the Kid, Berserker).