Wednesday, July 2, 2025

GOSSIP RAG (SEASON 33)

 

In this segment, we will delve into the inside dirt on some of the latest and upcoming LRF releases and the studio's stars....




JEREMY ALLEN WHITE
Jeremy Allen White doesn’t just play Joe Namath—he apparently tried to become him. For his leading role in Broadway Joe, the actor dove headfirst into the life of the NFL icon, reportedly spending months buried in archival footage, mimicking Namath’s swagger, and training with ex-NFL coaches to nail that signature on-field flair. Sources say White went so method he refused to take off an old Namath-era Jets jersey—despite it hanging loosely off his much smaller frame—and could be heard reciting vintage Noxzema ad lines between takes. “He even started walking like him,” one crew member laughed. “It was half quarterback, half lounge lizard.”




DANNY RAMIREZ
Night Stalker, the grisly biopic released earlier this season, drew critical acclaim for Danny Ramirez’s bone-chilling turn as real-life serial killer Richard Ramirez. To tap into the darkness, Ramirez reportedly consumed hours of documentaries, trial footage, and taped interviews—studying the killer’s every gesture, stare, and sinister whisper. But sources close to the actor say the transformation didn’t come without a price. Ramirez has allegedly been haunted by nightmares long after production wrapped, struggling to shake the role’s lingering grip. “It got under his skin,” one insider admitted. “Even off-set, he carried that energy with him—it was like he brought something back from the abyss.”




MILLIE BOBBY BROWN
There was plenty of morphin’ drama behind the scenes of the latest Power Rangers reboot—most of it quietly orbiting around Millie Bobby Brown, who landed the coveted role of Kimberly, the Pink Ranger. While Brown was reportedly professional and far from a diva, insiders say the cast couldn’t help but notice the star treatment she received. From a supersized trailer to an entourage of personal assistants and catered perks, Brown’s elevated status became an unspoken elephant in the Command Center. “She wasn’t rude or difficult,” one source noted. “But let’s just say the rest of the Rangers definitely didn’t get the pink carpet rolled out for them.”




JIM JARMUSCH
Bringing Watchmen to life is no small task—just ask Jim Jarmusch. The indie auteur, best known for his slow-burn character studies and poetic silences, was handed the keys to the DC Comics crown jewel earlier this season, and the results were… less than super. Sources say Jarmusch struggled mightily with the demands of the $100 million, effects-heavy production—ten times the budget of anything he’d helmed before. Cast members like Joseph Gordon-Levitt, Justin Timberlake, and Matthew Fox reportedly grew frustrated with Jarmusch’s improvisational style and meandering pacing, which clashed with the precision blockbuster filmmaking typically requires. “It felt like he was trying to shoot a Sundance drama on a Marvel schedule,” one crew member quipped. The film’s box office crash and lukewarm reviews suggest the experiment in auteur-driven superhero cinema may have been more watch out than Watchmen.




CHRISTOPHER WALKEN
Christopher Walken is reportedly not dancing with excitement over the upcoming release of Splendour, the controversial dramatization of Natalie Wood’s tragic final night—which features Michael Pitt portraying a younger Walken himself. Sources close to the legendary actor say he has no plans to see the film or Pitt’s performance, but has already instructed his legal team to monitor the project closely for any scenes that might cross the line into defamation. Walken, long reluctant to publicly revisit the incident, is said to be deeply uneasy about the film’s potential to stir up long-buried speculation. “He’s not interested in reliving that night or seeing it twisted for entertainment,” one insider revealed. With Splendour poised to reignite public curiosity, Walken’s silence may speak louder than words—but his lawyers are reportedly on standby, just in case.

Monday, June 30, 2025

PREMIERE MAGAZINE #325

 

The Roundup with Jeff Stockton (Season 33 Round 5)

 
Round 5 featured three strong films - but not strong at the box office. Here's The Roundup....

3. Boys from the Forest
Writer Wyatt Allen obviously threw a lot of relatable material into this one. It may have been a bit too niche and a bit too Germany-specific. This didn't affect the story too much, but I'm sure it affected the box office and reviews a tad.

2. Lucifer
The film was a lot of fun in all the least predictable ways. I never thought that the DC Comics Universe would end up in a place (good or bad) that would result in a fantastical R-rated comedy musical about Lucifer.

1. Sniper
Sniper turned out to be a good old fashioned thriller. It was refreshing how it painted the "villains" in a completely unique way. 


3. Box Office
This season is going to depend a lot on the second half of the season. 

2. DC Comics Universe
Is the dominance of the DC Comics Universe at and end? If so, the studio is going to need something to pick up the baton. Marvel Universe? Video game films? Original blockbusters?

1. Profits
Round 5 was the third round in a row to end up in the red for the studio this season. 

Sunday, June 29, 2025

On Location (Season 33 Round 5)

 
Boys from the Forest
- Hoyerswerda, Germany



Sniper
- Bogota, Colombia


Lucifer
- Miami, Florida, USA


Box Office Breakdown (Season 33 Round 5)

 


Boys from the Forest
Budget: $11,000,000
Total Box Office: $14,981,718
Total Profit: -$5,873,546











Sniper
Budget: $40,000,000
Total Box Office: $86,596,113
Total Profit: $13,500,236











Lucifer
Budget: $53,000,000
Total Box Office: $99,484,930
Total Profit: -$15,502,023








Box Office Facts
Boys from the Forest
"13" is not the lucky number for writer Wyatt Allen as his 13th release for the studio has ended up as his lowest grossing to date.

Sniper
Writer Nic Suzuki is off to a red-hot start to his LRF career with box office successes in each of his first three releases - Gamera in Season 31, Monopoloy in Season 32, and now Sniper in Season 33. 

Lucifer
For the first time in DC Comics Universe history, a film has failed to eclipse $100 million at the world wide box office - missing out on triple figure by just half a million dollars. It is just the third film in the cinematic universe to fail to earn profits, but the losses were slighter than the other two films (Firestorm and Watchmen).





Genre Rankings
Boys from the Forest
Drama: #356

Sniper
Action: #251
Thriller: #73

Lucifer
Dark Comedy: #3
Fantasy: #77
Musical: #14



Season 33 Round 5
Total Box Office: $201,062,761
Total Profit: -$7,875,333

Season 33 Totals
Total Box Office: $1,732,609,480
Total Profit: $102,365,592





Season 33 Summary
1. Metroid : $350,583,992
2. Power Rangers : $298,484,626
3. Starship Troopers : $226,993,893
4. Watchmen : $117,985,916
5. The Ghost Connection : $115,124,004
6. Lucifer : $99,484,930
7. The Essence : $99,316,188
8. Broadway Joe : $93,061,158
9. Sniper : $86,596,113
10. Before Love Came to Kill Us : $68,507,173
11. Night Stalker : $62,510,302
12. Love Is... : $44,107,837
13. Cedar Ridge : $31,944,330
14. Falling on the Cross : $22,927,300
15. Boys from the Forest : $14,981,718

Saturday, June 28, 2025

Release: Lucifer

 
Lucifer
Genre: Dark Comedy/Fantasy/Musical
Director: Danny Boyle
Writer: John Malone
Based on DC Comics characters
Cast: Jonny Lee Miller, Justine Theroux, Julia Butters, Adeline Rudolph, Vinnie Jones, Daniel Henney, Tom Felton, Billy Idol (cameo), Sting (cameo)



Budget: $53,000,000
Domestic Box Office: $37,295,277
Foreign Box Office: $62,189,653
Total Profit: -$15,502,023

Reaction: This is not the season so far for the DC Comics Universe with both releases so far losing money for the studio - granted, they were both R-rated releases. We will have to wait until Round 10's Supergirl: Power to see if things will turn around for the label.




"Lucifer is divine chaos with a killer soundtrack. Danny Boyle directs like a man possessed, blending Bowie ballads, celestial fistfights, and drunken existential crises into something that feels like Moulin Rouge met The Sandman and did cocaine in a Miami =\nightclub bathroom. Jonny Lee Miller's Lucifer is messy, magnetic, and beautifully broken — think David Bowie by way of Hunter S. Thompson. The musical moments rip (Billy Idol’s cameo is worth the price of admission), and Julia Butters quietly steals scenes as the next-gen angel trying to figure out if free will is worth all the heartache. But yeah, it's also a lot — part musical, part comic-book fantasy, part therapy session for immortal beings with family baggage the size of Florida itself. Not everything sticks, but when it does, it burns like a good bottle of tequila." - Jaz Flores, ScreenJunkiezBuzz!


"Lucifer kicks off as a slow-burn, soaking in heavy vibes, but once Elaine hits the streets and Heaven’s war machine roars to life, it absolutely sings. It's a wicked cocktail of dark humor, religious philosophy, and action that'll have you slamming the bar for another round, all while tapping your foot to the sweet sounds of Sting and Billy Idol - who both show they can act even when playing themselves." - Dexter Quinn, Cinematic Observer Newsletter




“Lucifer is a dazzlingly uneven cocktail of celestial melodrama and glam rock excess that teeters between brilliance and indulgence. Danny Boyle’s flair for visual chaos and irreverent tone mostly holds the swirling narrative together, but the film often threatens to collapse under its own mythological weight. Jonny Lee Miller gives a charmingly rakish performance as the devil in exile, but the story’s shifts from karaoke to cosmic warfare feel more whiplash than clever. Julia Butters shines as the next-gen angel with a conscience, and the soundtrack slaps, even when the plot doesn’t. At its best, it’s a cheeky fever dream. At its worst, it’s a divine hangover.” - Rex Rockwall, The Observer Express Chronicle









Rated R for language, violence, and drug use.






Comic to Film: Lucifer

 

For the latest edition of Comic to Film, we are going to take a look at the latest R-rated offering from the DC Comics Universe - Lucifer. Danny Boyle (Open Hearts, Citizen) directs the film from a script by John Malone (Starship Troopers, Shatterhand).