Saturday, February 21, 2026

Now Showing: Blood and Glory

 
Blood and Glory
Genre: Action/Historical/War
Director: Tarsem Singh
Writer: Jack Brown
Cast: Dave Bautista, Cosmo Jarvis, Jamie Campbell Bower, Sam Spruell, Said Taghmaoui, Paz Vega, Aiysha Hart, Milo Gibson, Laurie Davidson, Anok Yai, Fares Fares, Richard Coyle, Alexander Siddig

Plot:
334 BCE.
The Persian Empire spans from the Nile to the Indus.
Alexander of Macedonia rises in the West, while Darius - King of Kings, rules Persia.
Two kings. One world. Only one will rule.

Atop a massive ziggurat in Persepolis, Darius (Dave Bautista) slits the throat of a bull before an assembly of generals and nobles. Blood pours into a stone basin. He stands silent as flames rise behind him. Bessus (Saïd Taghmaoui) and Mazaeus (Fares Fares) - his generals - flank him. Across the sea of bowed heads, Darius' beloved wife and queen Stateira (Paz Vega) watches behind a curtain of incense smoke. Inside the throne room, Darius listens to reports. Mazaeus urges preemptive strikes against the approaching Macedonians. Bessus proposes letting them come further inland, where they can be swallowed whole. Darius raises a hand. No more. They wait. He turns to his daughter Barsine (Aiysha Hart), dismissing her from the room. Her eyes linger on her father before she exits into the colonnade.

Atop a massive ziggurat in Persepolis, Darius (Dave Bautista), muscled and marked with sacred scars, drives a blade across a bull’s throat before a crowd of nobles and priests. Blood spills fast into a stone basin. Flames roar behind him. His generals - Bessus (Saïd Taghmaoui), lean and conniving, and Mazaeus (Fares Fares), intensely quiet - watch from behind the altar. Stateira (Paz Vega), his veiled queen, sits above. Inside the palace, incense snakes through the throne room. Nobles shout over one another. Mazaeus urges a swift strike against the Macedonians. Bessus suggests drawing them inland and burying them in the desert. Darius says nothing. Then he lifts a hand to excuse his  daughter, Barsine (Aiysha Hart) from the room.  She bows slightly and exits. Outside, Barsine passes guards training with spears. She pauses, watching. A Persian soldier slams his opponent to the dirt, then grins up at her. She turns without a word. 

Torrential rain. A funeral pyre burns as King Philip II lies dead - an arrow jammed through his eye. Macedonian generals whisper among themselves. Ptolemy (Laurie Davidson) watches as Philip's son (Cosmo Jarvis) kneels beside the body, soaked to the bone. Philip's most trusted general, Parmenion (Sam Spruell) urges swift vengeance - name the traitor, spill blood. Cleitus (Milo Gibson) throws a severed head to the cobbles. Hephaestion (Jamie Campbell Bower), pale and composed, stands near Alexander, always near. Alexander says little. Just watches the fire. Later, in the darkened palace, Alexander drinks with Hephaestion. They sit close. Too close for brothers-in-arms. Hephaestion places a hand on his shoulder. Alexander leans into him—but pulls away when footsteps echo outside. Parmenion enters, laying out maps of the Persian frontier. Antigonus (Richard Coyle) follows. They speak of swift retaliation. Alexander stands and declares they will march southeast. No delay.

In a temple in an oasis of the Siwa desert, Alexander kneels before the Oracle of Amun (Anok Yai) - a striking figure with ink-black skin and long limbs painted gold. She touches Alexander's forehead and offers him a black draught. He drinks. Visions seize him - blood, a snake, a burning eagle, a thunderclap. Alexander gasps awake. The Oracle's priests lift Alexander back to his feet.  The Oracle whispers: “You are the son of Zeus.”

At the Persian court, Darius presides over a war council. Mazaeus reports Alexander’s advance. Bessus calls him a boy with a dead father’s sword. The council grows loud until Darius slams a mace into the table. Barsine enters and addresses him publicly, warning against underestimating the Macedonians. The generals scoff. Darius listens. She bows and leaves. That night, Barsine lies nude in a stone bath, steam rising. A noblewoman enters, half-drunk, joining her. They speak softly. Their legs touch beneath the water. Fingers trace skin. Barsine pulls the woman closer.

On the Aegean, the sea thrashes as hundreds of Macedonian warships surge forward. Horses scream below deck. Alexander stands at the prow, cape whipping. Behind him, Hephaestion watches. Parmenion barks orders to the soldiers. As they land, horses crash into the shallows. Soldiers wade ashore, spears raised. Alexander orders the ships burned - they will not return. Cleitus laughs and jams his spear into the sand. Fire spreads across the hulls.

In Susa, Darius hosts a pre-war feast. Fat lambs roast on iron spits. Slaves pour wine and strip meat from the bone. Bessus mutters about Greek arrogance. Mazaeus advises caution. Barsine enters in white silk, all eyes turning. She lifts her cup, toasts her father, then cuts into him with veiled words about the price of pride. Darius listens without reply. Stateira eyes her coldly. When the feast ends, Darius walks alone into the palace gardens. There, he finds Artabazus (Alexander Siddig). They speak briefly. Artabazus warns that Alexander may not be the directionless boy they expected, but rather a power-hungry king - truly King Philip's blood.

At the Granicus River, the Persian cavalry waits across a violent current. They beat drums. Alexander, gleaming in bronze, steps forward. Parmenion warns him to hold back. Alexander doesn’t flinch. With a shouted command, he charges into the river, spear raised. Arrows fall like black rain. Water explodes. Horses crash into each other. Macedonians roar and follow. Cleitus tears through a line of archers, dragging one man under the water with a scream. The water turns red. Alexander takes a blade to the face but fights on, blind with blood. He emerges on the opposite shore, roaring as the Persians break. 

In Persepolis, Darius hears of the loss. He crushes a goblet in his hand, blood mingling with the wine. He shouts for silence. Bessus urges retreat. Darius draws a dagger and drives it into the map. That night, under the temple flame, Darius dons war armor. Stateira watches him nervously. 

As dawn rises over Gaugamela, Persian troops stretch to the horizon. They ride chariots spiked with blades, their faces masked in iron. Darius, clad in black-scaled armor, rides the lines in silence. Bessus and Mazaeus trail him. 

In the Macedonian tent, Alexander stands before his generals. Maps litter the table. Ptolemy traces Darius’ likely movements. Parmenion recommends a flanking maneuver. Alexander nods as though he is listening to Parmenion, then orders a direct charge - the exact opposite of his general's recommendation. Hephaestion approaches Alexander in private. He tells him there are other paths to power than a bloody battlefield. Alexander brushes his hand against Hephaestion's chest before turning away. As night falls in the Macedonian camp, drums pound, soldiers drink and sharpen blades. Cleitus drinks deep and dares three men to fight him barehanded. He beats two bloody before the third pins him. He laughs, spitting teeth. In his tent, Alexander strips off armor. Hephaestion enters. They undress each other in silence. Their bodies collide, nude. 

At sunrise, Darius raises a blade skyward to signal his army. Battle explodes. Macedonian phalanxes crash into Persian cavalry. Arrows darken the sky. Chariots scythe through infantry, cleaving legs and heads. Parmenion’s line falters, then rallies. Alexander rides hard at the center. Blood arcs in sprays as he splits horsemen down the spine. Darius charges from the opposite flank. Their eyes lock. Darius cuts a swath through Macedonian footmen, crushing skulls with his war hammer. 

In the Persian camp, Barsine watches the carnage from a distance. Stateira kneels in prayer. Barsine sneaks away on foot, into the haze of the battlefield’s edge.

Back in the chaos, Cleitus saves Alexander from a charging chariot, dragging him free by the cloak. Alexander thanks him with a grunt and dives back into the fray. He impales a Persian archer, pulling the man’s bow through his throat. Hephaestion is wounded by a cut across his shoulder while fighting beside Ptolemy, who buries an axe into a Persian captain’s face. The Persians begin to break. Darius watches his men scatter. He slams his war hammer into the ground in fury, then retreats in silence, blood streaming from a wound in his side. Barsine emerges from behind shattered wagons. She watches Alexander in the smoke. 

Later, in the Persian camp, Darius lashes out in fury. Bessus urges regrouping at Ecbatana. Mazaeus suggests entrenching in Babylon. Darius punches a pillar, shattering the stone. Stateira bandages his wound. 

Meanwhile, in the Macedonian tent, Alexander washes blood from his arms. He looks exhausted, not victorious. He watches Hephaestion sleep. Cleitus enters, drunk and laughing. He mocks the Oracle’s prophecy. Alexander lashes out - grabs him by the throat for a moment, then lets go. 

In the royal palace of Ecbatana, Darius sits silent. Bessus tries to argue that they must take control of the remaining forces and retreat east. Mazaeus warns that the men no longer trust Darius’ vision after their earlier defeat. Stateira steps forward to tell Darius he must crush Alexander with whatever strength he has left - or hand the empire to another man. Darius sighs, then declares that he will face Alexander himself.

Back in the Macedonian camp, Alexander walks through the tents alone. He finds Barsine waiting. She stands outside the supply pavilion. He asks who she is. She doesn't answer, instead stepping forward for a rough, sudden kiss. She bites his lip. Inside the tent, they tear into one another passionately. At dawn, Barsine puts back on her clothes and slips away. Alexander watches her disappear into the mist.

On the outskirts of Ecbatana, Darius inspects the terrain, trying to anticipate the path Alexander's forces will take. 

Alexander's forces approach the edge of Ecbatana. Skulls mark the paths. Persian soldiers hang from trees - executed by their own for retreating. Alexander orders the men to halt. He wants Darius alive. They continue to advance through a canyon. Arrows tear through the ranks in an ambush. Soldiers die screaming, impaled to horses. Bessus leads the attack. Alexander survives, but barely. Cleitus rips a dagger from his own thigh and plunges it into a Persian rider’s throat. Hephaestion hurls a spear into another’s chest. Alexander cuts down three attackers. After the battle, Parmenion confronts Alexander. He demands they regroup. Alexander refuses. They argue. Parmenion accuses him of madness. Alexander nearly strikes him - Hephaestion pulls him back. Parmenion rides off.

In the Persian war tent, Bessus argues with Darius, calling him weak and suggests Darius should take his own life before the Macedonians do. Darius holds his tongue and calmly pours himself some wine. After Bessus leaves, Darius looks out and sees a lion pacing the distance before disappearing into the hills. 

Persian banners ripple in the breeze at dawn over Ecbatana. Alexander’s army advances through scorched fields—formation tight, shields bloodied from the canyon ambush. Smoke trails rise behind them. Ptolemy narrates: “A god does not knock. He breaks the door.” Inside the city, Darius prepares for war. He dons a scaled bronze cuirass. Stateira helps tighten the straps. Darius tells Stateira and Barsine that if he falls in battle, make sure people remember him as more than a man. 

Alexander’s army surrounds the walls. Siege towers roll forward, spears poking from slits. Ballistas fire. Persian archers ignite tar and launch volleys. Flames streak the sky. A tower collapses, killing dozens. A Macedonian soldier burns alive, screaming until he drops from the parapet. Alexander leads the charge himself. He scales the walls under a hail of arrows, plunging his sword into a Persian spearman’s throat. Blood sprays the stone. Behind him, Cleitus covers the flanks - smashing heads with a mace, screaming curses. Hephaestion follows, slitting throats and slipping through gaps. Inside the city, Darius stands at the palace gate. Antigonus breaks through the western gate. Darius confronts him alone, driving a spear through Antigonus' belly. Antigonus gasps, blood pouring from his mouth. Darius finishes him with a brutal stomp to the head, crushing his skull to pulp.

The two armies clash at the heart of Ecbatana. In narrow alleys, men choke each other in puddles of blood. Swords snap. Shields splinter. One Persian rider is pulled from his horse and torn apart by Alexander’s infantry, limbs breaking like sticks.

In the temple square, Alexander and Darius finally meet, drawing their swords. Their duel is savage. Alexander hacks downward—Darius blocks and counters, driving a knee into his gut. Alexander spins, cuts Darius’ thigh. Darius slams his gauntlet into Alexander’s face. They bleed and fight like gods. Alexander knocks Darius’s sword away. Darius lunges barehanded. Alexander drives his blade through his heart. Darius gasps. Blood fills his throat. He grabs Alexander’s arm, gripping it, not as an enemy, but as an equal. Then he collapses.

Around them, the Macedonians have overrun the city. Bessus is gone. Mazaeus captured. Later, Alexander walks alone through the ruins. He finds Barsine among the ashes. Her hands are tied by a soldier. Alexander orders them cut. Barsine doesn’t thank him, instead asking what he will do to her after he killed her father. He says he intends to marry her. 

Buzzards pick at the corpses on Gaugamela's battlefield. Soldiers drag Darius’s body onto a burning pyre as Alexander has insisted on a funeral for the Persian king. Alexander orders his men to give Darius the same honor they recently gave his own father - to be burned like a warrior king. Bessus is brought in chains. Alexander nods to Cleitus, who then slams an axe into Bessus's face, splitting it in half. Blood and brain matter spray the dirt. The soldiers cheer, but Hephaestion and Ptolemy do not. Barsine stands before her father's pyre. Alexander joins her, taking her hand to lead her to his tent. That night, they have sex - fast and bitter. She lets him finish, then turns away. 

In the middle of the night, Alexander finds Hephaestion reading a scroll by firelight. Alexander sits beside him, kissing him briefly.

Meanwhile, Cleitus and Parmenion drink heavily near the campfires. They brag of victories, mock Persian customs, laugh. Antigonus is dead, but they drink in his name.

In Babylon, Macedonian banners wave in the wind. Alexander rides into the city with Barsine beside him. The Persian people kneel. Macedonians cheer. But within the cheering crowd, assassins lie in wait. A dagger is thrown - Cleitus blocks it with his arm and the attacker is slain by Hephaestion. Alexander doesn't flinch during the ordeal. He tells the crowd that if they wish him dead, they will need to try much harder than that. 



Friday, February 20, 2026

HISTORY LESSON (SEASON 11)

 

Welcome to History Lesson, where we take a closer look at the movies that dare to tackle real-life events with varying levels of accuracy, drama, and WTF casting choices. These films promise to educate and entertain, but more often than not, they rewrite history with the subtlety of a sledgehammer. We’ll be your guide through the land of miscast biopics, dramatic embellishments, and historical “inspired-by” liberties, breaking down whether these flicks are Golden Reel Award-worthy masterpieces or just a big-budget Wikipedia summary. Either way, it’s more fun than your high school history class—and there’s popcorn.

This time around we will take a look at Season 11's fact-based slate....




HISTORY LESSON: ISLA VISTA
Luca Guadagnino’s Isla Vista aims to be a profound exploration of Elliot Rodger’s 2014 killing spree but instead feels like a two-hour True Crime YouTube video with a better budget. Nick Robinson grimaces his way through the lead role as the “incel messiah,” delivering a performance so convincing it’ll make you want to delete your Tinder account. Meanwhile, the rest of the cast — Colin Firth, Ming-Na Wen, and Sarah Paulson — stand around looking vaguely concerned, presumably wondering how their agents sold them on this script. Chloe Grace Moretz fares better as Claire, a woman who exists primarily to be ogled by Elliot and subjected to his resentment. But don't worry, her arc ends when she vomits into a sink after watching his YouTube manifesto. Empowering!

For a film that pretends to dissect misogyny and social alienation, Isla Vista spends an awful lot of time fetishizing Elliot’s grievances and tantrums. The narration — delivered from Elliot’s perspective — is less an indictment of his worldview and more of a monologue for a Black Mirror audition tape. Guadagnino tries to elevate the material with stylish visuals, but it’s like putting designer curtains on a burning building. And while the film does touch on timely issues like toxic masculinity and online radicalization, its commentary is so surface-level it might as well come with a “This Film Is Not Deep” disclaimer. Ultimately, Isla Vista fails to interrogate its subject in any meaningful way, leaving us with a glossy but empty portrait of a monster nobody asked for.





HISTORY LESSON: NEWBURY STREET
Todd Field’s Newbury Street is what happens when you take the real-life Chuck Stuart murder case, pump it full of Boston attitude, and give it a decadent fur-coat aesthetic. Matt Damon stars as Chucky Stewart, a fur-store manager with a penchant for bad decisions, including robbing his own store, cheating on his pregnant wife (Cristin Milioti), and blaming her murder on an innocent black man. Bryce Dallas Howard smolders as his mistress, while Norbert Leo Butz steals scenes as his ex-con brother who unravels Chucky’s carefully constructed web of lies. With David Arquette’s clueless detective rounding out the cast, the film serves up a darkly comedic thriller that alternates between gripping and jaw-droppingly absurd.

But let’s talk history: the film is “inspired” by the 1989 case of Charles Stuart, who killed his wife and concocted a racist story about being carjacked in Boston’s Mission Hill neighborhood. Newbury Street takes that grim premise and runs wild, piling on layers of noirish melodrama and black comedy - like a Boston-set Fargo. The real Stuart case rocked Boston, exposing deep racial divides, but here it’s played more for thrills than sociopolitical commentary. It’s not exactly accurate — Damon’s Chucky feels more like a pulp antihero than a cold-blooded opportunist — but the film leans into the chaos, offering a darkly entertaining, if morally dubious, riff on a notorious chapter of Boston’s history.




HISTORY LESSON: THE DEVIL IN THE WHITE CITY
David Fincher’s The Devil in the White City serves up a heaping plate of historical drama with a side of serial killer creepiness, all set against the backdrop of the 1893 World’s Fair in Chicago. On one side, you have Russell Crowe’s Daniel Burnham, an architect desperately trying to prove that Chicago isn’t just a meatpacking dystopia by building a city of gleaming white buildings. On the other, Benjamin Walker’s H.H. Holmes, America’s first serial killer with a hotel so sinister it makes The Overlook look like a Holiday Inn. Between Burnham’s obsession with outclassing the Eiffel Tower (spoiler: it’s a giant Ferris Wheel) and Holmes turning murder into an industrial process, the film offers the ultimate contrast: dreams vs. nightmares.

And yes, most of it really happened, though Fincher leans into the grim absurdity. The fair really was a dazzling showcase of innovation and culture, but Holmes’s so-called “Murder Castle” feels like something out of a Scooby-Doo episode: secret passages, gas chambers, and trapdoors galore. Did Holmes really claim he was transforming into the Devil? Who knows, but in true Fincher fashion, you’ll believe it because it’s just that unsettling. The movie’s meticulous detail ensures you’ll marvel at the Ferris Wheel while squirming at the body count. It’s The Social Network meets Se7en — but with more top hats.





HISTORY LESSON: RADISSON
Radisson brings the fascinating and chaotic life of Pierre-Esprit Radisson to the big screen, with Christian Bale playing the titular fur trapper, adventurer, and world-class backstabber. The film chronicles Radisson’s wild escapades in 17th-century North America: getting kidnapped by Iroquois, dodging murderous French governors, and betraying just about everyone he meets. It’s The Revenant meets Pirates of the Caribbean, but with fewer bears.

The historical accuracy? Surprisingly strong — Radisson really did hop between allegiances like a squirrel on hot coals, betray the French for the English, and end his days as a broke "ruined gentleman." But director Joe Wright cranks up the drama with scenes like a teary-eyed betrayal by Rami Malek’s Médard and a slow-burn chase featuring Alexander Ludwig as a knightly bounty hunter. While it occasionally veers into melodrama, Radisson captures the messy realities of colonial survival with plenty of intrigue, moral ambiguity, and questionable haircuts. It's a rollicking ride through history, but don't be surprised if you end up rooting for the beavers.

In Development

 
Unreasonable Doubt: The crime rom-com Unreasonable Doubt, led by Cristin Milioti and Channing Tatum, has completed its ensemble cast with the additions of Kim Matula (Sturday Night, The Finnish Line), JB Smoove (The Actors, Spider-Man: No Way Home), Iris Apatow (The Bubble, "Unstable"), Reid Scott ("Law & Order", The Idea of You), and Meredith Hagner (You're Cordially Invited, "Bad Monkey"). Andrew Fleming directs from a script by Walter McKnight.

Vultures: Last Resort Films will employ some fresh faces with the cast of Rob Zombie's latest directorial effort Vultures in the form of Fairuza Balk (Battle Scars, Hell Is Where the Home Is), Daeg Faerch (Josie, Bury Me), Lew Temple (Corsicana, Kidnap), and Bill Moseley (Stream, 3 from Hell). Clive Steinbeck penned the strippers vs. bikers horror film.

The Friend Zone: Chris Pratt and Anna Kendrick will have company in Michel Gondry's The Friend Zone as Kiefer Sutherland (Spider-Man: Requiem, The Crow: Wings of Isaiah) and Dakota Fanning (Connected, Blue is the Warmest Color) have signed on to join the cast. Sutherland will play the mayor of the "friend zone" while Fanning will play a potential love interest for Pratt. Joshua Collins wrote the original story.

Ghost Recon: Following adaptations of the Splinter Cell video game series and novels Without Remorse and Rainbow Six, Last Resort Films returns to the world of Tom Clancy with an adaptation of the video game series Ghost Recon. Jon Hamm (Supergirl: Power, Repeal and Replace) will top the cast as Scott Mitchell, the leader of an elite squad within the US Army - The Ghosts. Casey Affleck (Nomad, Death of the Artist) and Natalie Morales (The Cape, My Dead Friend Zoe) will play members of the team, David Foster and Alicia Diaz, respectively. Ben Affleck (Born in Brooklyn, Lowell) has been hired to direct the film - directing a film without also appearing for the first time in his LRF career. Dawson Edwards (Spelljammer, Assata) has penned the adaptation.

Rubicon Lies: Leonardo DiCaprio (Moon Knight, Caesar Part III) is set to reunite with director Martin Scorsese (Monaco, Sinatra) on Rubicon Lies - a fictional account of the CIA operations that eventually led to the JFK assassination. DiCaprio will play a CIA operative working in Cuba at the start of the story. Jason Clarke (The Lone Gunman, Booster Gold: Back in Time) and Jeremy Strong (One By One, Red Wolf: Wanderer) are set for major supporting roles as an FBI agent and a CIA handler, respectively. Jimmy Ellis (Coriolanus,  The Essence) wrote the story.

Behind Closed Doors: English filmmaker Mike Leigh (Happy-Go-Lucky, Hard Truths) is set to make his LRF debut with the drama Behind Closed Doors from writer Holden Abbott (Dust Saint, Exodus). Marianne Jean-Baptiste (Fatman, Hard Truths) will lead the cast a recently widowed woman, Damson Idris (Blade, Offside) will play her son who is going through a divorce, and Letitia Wright (Ghost Town, Halo: The Fal of Reach) will play her niece joining in on the family turmoil.

Thursday, February 19, 2026

PREMIERE MAGAZINE #344

 

The Roundup with Jeff Stockton (Season 35 Round 4)

 
 I jinxed it. Here's The Roundup.... 


3. Scarlett Johansson
Her talents have not been on display since her voice role in The Banded Ants 3 and hasn't been seen on screen since Season 1's Creature from the Black Lagoon (not counting the more recent Director's Cut release), so it was great having her back in the fold.

2. Discovery
Based on its listed genres, I was expecting something very different than what I witnessed on the big screen. It really wasn't a thriller at all, but it was still entertaining.

1. Cooper Hoffman
The late Phillip Seymour Hoffman's son was easily the highlight of Discovery for me. He carried the moral weight of the story on his back and out-acted an ensemble of bigger named and higher priced talents.


3. The Letter Never Sent
While I was never 100% engrossed in the story, The Letter Never Sent fell apart completely for me with its ending.

2. Spelljammer
I think it was too much to try to create a blockbuster franchise out of such a niche IP. Mainstream D & D films have all failed before this one, so this wasn't too much of a surprise. Would it have fared better distancing itself from the source material? No way to find out now.

1. Profits
It's never when a round finishes in the red.

Wednesday, February 18, 2026

On Location (Season 35 Round 4)

 
Spelljammer
- Montreal, Quebec, Canada



The Letter Never Sent
- Yonkers, New York, USA



Discovery
- San Francisco, California, USA

Box Office Breakdown (Season 35 Round 4)

 



Spelljammer
Budget: $160,000,000
Total Box Office: $158,394,702
Total Profit: -$100,093,889











The Letter Never Sent
Budget: $26,000,000
Total Box Office: $29,417,143
Total Profit:-$17,099,333











Discovery
Budget: $64,000,000
Total Box Office: $167,267,665
Total Profit: $29,710,989








Box Office Facts
Spelljammer
Will Smith has now starred in three films for LRF: Blue Heat, The Beat Goes On, and Spelljammer. Blue Heat and Spelljammer were both colossal flops at the box office combining to lose $180 million. 

The Letter Never Sent
Scarlett Johansson has not worked with LRF since Season 8 and has not been on-screen since Season 1. Her three films - Creature from the Black Lagoon, The Banded Ants 3 - Showdown, The Letter Never Sent - have combined to gross over $1 billion at the box office.

Discovery
Director Damien Chazelle has a perfect record at the box office for LRF. He has now directed six films for the studio - all of which have been profitable.





Genre Rankings
Spelljammer
Action: #231
Sci-fi: #107
Comedy: #33

The Letter Never Sent
Drama: #314
Romance: #34

Discovery
Drama: #39
Sci-fi: #105
Thriller: #24




Season 35 Round 4
Total Box Office: $355,079,510
Total Profit: -$87,482,233

Season 35 Totals
Total Box Office: $1,578,533,936
Total Profit: $49,666,511





Season 34 Summary
1. ThunderCats : $372,054,861
2. The Punisher: Purgatory : $231,004,586
3. Zorro : $215,997,717
4. Discovery : $167,267,665
5. The Tick : $166,896,092
6. Spelljammer : $158,394,702
7. Tara's Wrath : $73,090,751
8. Man of God : $63,494,668
9. The Writer and the Film Star : $39,529,721
10. Thus Dreamed Zarathustra : $34,589,058
11. The Letter Never Sent : $29,417,143
12. Dust Saint : $26,796,972

Tuesday, February 17, 2026

LRF TRIVIA TIDBITS (Season 35 Round 4)

 

Welcome back for more LRF Trivia Tidbits! Season 35’s fourth round highlights the quieter forces that shape big films behind the scenes—personal loyalty, sudden tragedy, and the delicate chess game of casting that can redefine a project before release. From high-concept fantasy to intimate drama and ambitious genre blending, each title carries a story that never made it on screen.


Spelljammer
Gal Gadot nearly passed on Spelljammer due to the relatively small size of her role, but ultimately signed on out of loyalty to director Zack Snyder, who famously helped launch her career by casting her as Wonder Woman in his DC films. Writer Dawson Edwards also played a key role in securing her involvement, assuring Gadot that the character would take on a larger presence in any potential sequels.


The Letter Never Sent
In one of the more somber pieces of Season 35 trivia, actor James Ransone was originally cast in a supporting role opposite Scarlett Johansson but tragically died by suicide before his scenes could be filmed. The production moved quickly to recast the role, bringing in Ben Feldman at the last minute to step into the part Ransone was set to play.


Discovery
Discovery faced notable challenges assembling its ensemble cast, with both Michael Shannon and Lupita Nyong’o declining offered roles due to scheduling conflicts. Those parts were ultimately filled by Scoot McNairy and Renate Reinsve, while the film also marked Cooper Hoffman’s long-delayed LRF debut after he had previously turned down multiple offers from the studio.

Release: Discovery

 

Discovery
Genre: Drama/Sci-Fi/Thriller
Director: Damien Chazelle
Writer: Jimmy Ellis & Chad Taylor
Cast: Julia Roberts, Tom Holland, Cooper Hoffman, Josh O'Connor, Riz Ahmed, Scoot McNairy, Renate Reinsve, Colman Domingo





Budget: $64,000,000
Domestic Box Office: $79,038,110
Foreign Box Office: $88,229,555
Total Profit: $29,710,989

Reaction: For a film without flashy effects and action scenes, these are very respectable numbers - especially given the expensive ensemble cast.




"Discovery is intellectually ambitious and often gripping, even if its ideas occasionally outpace its emotional clarity. Chazelle’s direction is sharp and propulsive, but the film sometimes leans too heavily on talky confrontations and withheld revelations, blunting its sci-fi edge. Still, strong performances - especially from Hoffman, Ahmed, and Reinsve - carry it through as a thoughtful, if slightly overstuffed, meditation on ambition and betrayal." - Reggie Moreland, Baltimore Sun


"A sharp cerebral sci-fi thriller, balancing the giddy rush of discovery with the dread of how such power corrupts. Layering in messy human drama of betrayal, secrecy, morality and survival until you cant tell whose protecting science or themselves. While its a bit talky at times, it still leaves audiences unsettled in the best way, wondering as a classic character would say "just because we could, doesn't mean we should." - Dexter Quinn, Cinematic Observer Newsletter



"Damien Chazelle and his talented writing team deliver a taut, adult sci-fi thriller more interested in moral erosion than spectacle, and Discovery largely works because of its ensemble - especially Cooper Hoffman, who gives the film its emotional gravity. Julia Roberts is quietly devastating, while most of the cast brings a lived-in intelligence that keeps the ethical debates sharp. Tom Holland, however, feels miscast and comparatively thin, a weak link in an otherwise formidable lineup. Even so, the story's restraint and pacing elevates the material into something thoughtful and entertaining." - Dave Manning, Ridgefield Press








Rated PG-13 for language, violence, and thematic material.





Monday, February 16, 2026

Last Resort Films Jukebox: Discovery

 



Now Showing: Discovery

 
Discovery
Genre: Drama/Sci-Fi/Thriller
Director: Damien Chazelle
Writer: Jimmy Ellis & Chad Taylor
Cast: Julia Roberts, Tom Holland, Cooper Hoffman, Josh O'Connor, Riz Ahmed, Scoot McNairy, Renate Reinsve, Colman Domingo

Plot:
Friday
Ben (Cooper Hoffman) is a little winded as he rushes through the Boston Logan International Airport. He stops in his tracks once he realizes he left one of his bags in the car. The credits roll as he doubles back and then must go even faster through the airport to reach his gate. The stewardess is shutting things down but he pleads to let him on and she obliges. He is the last passenger to board and finally takes his seat next to Dr. Sarah Mauer (Julia Roberts), who gives him a knowing look of disappointment. She finally smirks and says this is why she shows up two hours early.

Ben is a member of Dr. Mauer’s research lab, which focuses on the overlap between neuroscience, communication, and disability. She is a leading figure in her field and well respected amongst her peers and students alike. The team of seven are heading to San Francisco to present their latest research at the Annual Conference for Neurocommunication Research.

Sadiq (Riz Ahmed) is seated a few rows ahead of them and clearly annoyed at Ben’s tardiness. Sadiq is the lead graduate student on the team and feels a sense of responsibility keeping them all in line. He turns to say something to Jack (Scoot McNairy), but he’s already dozed off before takeoff. Jack is older than the other students, having worked twenty years in the mines before going to school for the first time at 45, so he gets his sleep when he can. Sadiq looks across the aisle to Cedric (Josh O’Connor), who mocks Jack’s sleeping face. Nina (Renate Reinsve), is seated next to Cedric and lightly hits his arm, reminding him to be nice. Cedric and Nina are both in their third year in the program and share a playful bond. She gets a text from her partner, telling her to be safe. Cedric, reading over her shoulder, comments that there won’t be much she can do if there is something wrong with the plane. He asks why her partner hasn't moved to the States to join her yet and she insists that his job in Denmark is important. Long-distance works for now.

When they arrive, Liam (Tom Holland) is already there to meet them. Liam is the youngest member of the team at 23—straight out of finishing his undergrad—and extremely type A, hence the early arrival. He didn’t graduate top of his class for nothing. (Ben finished four spots behind him).The two have known each other since being freshman dorm-mates and have continued their bond through to grad school. They’re roommates once more for this trip and, per usual, Ben is behind his portion of the presentation and using this first night to catch up on his procrastination.

When the group arrive at their hotel they are immediately split into their rooms, Liam and Ben will be sharing with Ben hurrying to the room instantly to begin his part of the presentation. Liam runs after him telling him to slow down. Sarah tells Sadiq that he will be sharing with Cedric. A disappointment comes upon Sadiq’s face and she mouths “I’m sorry.” Cedric whispers to him that he won’t snore too loudly. Jack walks over to reception and mentions his name for his own room key. He had organised to stay in his own room. He walks straight over to the bar and gets himself a drink. Nina smiles as she is given her key, thanking Sarah for the opportunity once more. Sarah reminds her that she is here based on her own merit, not because she is being friendly.

Sarah wanders over to the bar with Jack, letting out a long exhale. He looks at her and slides over his drink. She chuckles and declines. Not until after the presentation. Jack sits back in his seat, smiling. He asks when her husband is supposed to arrive. She says tomorrow. He jokingly raises his glass to flying solo. She’s bemused.

Up in their room, Ben is working hard on his part of the presentation when he stops. His face has a look of intrigue upon it. He slides a device over his finger and looks at Liam. Liam’s lips don’t move but Ben can hear his voice. *Come on Ben, I’m hungry, get a move on.* Ben asks Liam to repeat what he just said but Liam says he didn’t say anything. *Weird.* Ben falls back in his seat, stunned. *What the fuck is going on?* He tells Liam to think of a number but don’t say it out loud. *69.* Ben chuckles and reevaluates, telling him instead to think of a number between 1000 and 2000. *One thousand…four hundred…and eleven?* Ben writes down “1411” on the hotel stationary. It is now Liam who falls back in his chair. He is nearly shaking. “Does it…,” he can hardly complete his sentence. Ben is still in disbelief and slides over the device. Liam nervously puts it on. *Fuck you,* Ben thinks with a smile. They grab each other’s shoulders and begin freaking out in jubilation. A knock on the door.

Cedric is at the door and asks about the commotion. He is bewildered by the look on their faces, like two kids told they’re going to Disney World but can’t tell anyone. *Did they...just have sex?,* he thinks - prompting Liam to quickly pull his arm away from Ben’s shoulder. Liam looks to Ben, as if to ask for approval. Sadiq has now joined in behind Cedric, also curious. *We should tell them.* Liam nods and in near unison they say “we can read minds.”

Cedric hurries down the hallway and knocks on Nina’s door. She says one minute, she’s getting dressed. He looks at the door longingly. *Hshodoalk…,* Cedric hears, causing confusion. As Nina gets closer to the door, her thoughts become clearer. It only works in close proximity. *How do I look?,* she asks herself while looking in the mirror. She opens the door and Cedric observes her dress. “You look nice.” They both smile.

The five of them are huddled in Liam and Ben’s room. Their hearts are clearly racing. How…does this work? What are the implications? Do they tell the others? Almost too much to consider in this moment. They have a group dinner coming up. Liam, being the Boy Scout that he is, believes they should at least tell Sarah. Sadiq says that’s a nonnegotiable; technically this was created in her research lab and so she will need to know. Cedric is more hesitant. He says they have the world at their hands right now. Like, life will be remembered before and after this device. And they are the ones shaping the future here. Nina agrees. She admits that she is already thinking of how this could be used to assist her nonverbal brother. But she also agrees that Sarah is ultimately their superior and they should consult with her, which means consulting with the whole group. Cedric looks a bit disappointed. Ben, always a bit quiet, keeps his thoughts to himself.

In her room, Sarah is unaware of any of this going on. She is unpacking her suitcase and, underneath the clothes, she takes out some folded papers. Financial statements, bills, and such. She feels uneasy looking at them.

The whole group gathers for dinner. Jack is running a little late, per usual. Sarah says tonight is not for business but wants to check in on how everyone’s part of the presentation is coming along. Cedric says he was a business minor in undergrad, he can do these presentations in his sleep. Nina jokingly asks if that’s what he provides to the team; presentation skills? He laughs and says someone has got to give science some sex appeal. The updates move around the table until they get to Ben, who has trouble articulating what he wants to say. Sarah worries that he is behind on his part. The rest of them give looks to one another. Sadiq finally steps in and reveals the truth. Sarah isn’t sure what to say at first, before finally asking if anyone is wearing the device right now. They shake their heads and then Nina slides the device over to her. Sarah slowly puts in on and is taken by the overlapping thoughts of everyone around her. Jack arrives and the table’s thoughts go silent, everyone looking to Sarah. He looks confused, asking if this is some sort of surprise party. Sarah tells him to take a seat. “We have something to tell you. Everything we talk about here stays between this group.”

Saturday
As the day gets going, everyone attends the conference but their minds are clearly elsewhere. They present 24 hours from now and have just made a life-changing discovery. Over breakfast, Ben, Liam, and Nina propose to Sadiq and Sarah how they could deliver the news to their fellow researchers. Nina explains how it could revolutionize disability communication and help her brother. And the millions out there like him. Sarah holds Nina’s hand throughout this. Sadiq offers a counter: the way this will be used by advertisers, intelligence agencies, dictatorships. Just as many people could be hurt by this as helped.

Cedric, meanwhile, talks with Jack about the financial possibilities. If they sold this to the highest bidder, they would all be set for life. No need to work in the research labs or classrooms. “Or coal mines,” Jack adds. Cedric gives him a knowing look. Jack notes that the others won’t think that way; they’re scientists at heart. This is what they are in it for, for the progress of knowledge. And what if it falls into the wrong hands. Cedric says Jack is starting to sound like Sadiq. He asks if he ever told Jack that he minored in business in college. The market will decide its best use, with or without them. Jack asks what he is proposing. Cedric says that it’s Liam and Ben’s technology; they should bring them in and then take it to Silicon Valley tomorrow morning. Jack says that’s too risky, Liam is too loyal and will spill everything. “Just Ben then,” Cedric says. Jack says this almost all too much and he is going to grab a drink, offering Cedric to join. Cedric declines, saying he is going to do his research on the best investors to pitch to.


The light in the hotel bar is low. Jack nurses his second bourbon, shoulders slumped but relaxed. Sarah joins him, silent at first. They talk the device—how it could rewrite everything they know—before drifting to quieter admissions. Regret. Resentment. Jack confesses he thought about quitting the program last year, that sometimes the silence of the mine feels more honest than academia. Sarah mentions the distance between her and her husband, the way their marriage has grown polite. They’re two people who have made peace with loneliness. Jack asks her, gently, if they ever thought of having children—knowing full well that that ship has likely sailed. She says that is something that remains between them and Jack understands. She then says she found some documents that have raised her suspicion, fudged financial statements and payments to something that reads like childcare. She begins to cry and he takes her hand, telling her he didn’t mean to open any wounds. And then, through the revolving doors, Randall (Colman Domingo) arrives early—smiling, luggage in hand. Sarah’s spine straightens as she stands to greet her husband She places a kiss on Randall. Randall nods toward Jack before the two walk away.

The hotel room is a blur of scribbled notes, open laptops, and nervous pacing. Liam talks quickly, excitedly, sketching out their pitch deck for how this could be framed at the presentation—how he might introduce the breakthrough. Ben notices the pattern. “My design…” “When I thought of this…” “Back in my notes...” It starts as a tick, but grows louder with each pass. Ben rifles through old files, pulling up shared folders from undergrad. There it is. His original signal amplifier model—credited to Liam in their sophomore year neurotech symposium. A sudden cold settles into Ben’s gut. He realizes this has been happening for years, subtle but consistent. Liam, the overachiever, had always been just close enough to take what was Ben’s and repackage it. A partner in name only. He says nothing for now. He looks down to his phone to see a message from Cedric: “You in or you out?”

Randall enters the hotel room with his usual calm. He looks rested, the kind of man who made people lean in without knowing why. Sarah stands near the desk, still in her heels, her blazer folded neatly over her arm. She looks up to Randall and manages a faint smile, but her eyes don’t quite hold it. “You made good time,” she says. “Wasn’t sure if you’d catch the evening talks.” Randall shakes his head. “I came to see you, not the panels.” He crosses the room and kisses her cheek, then her lips, letting his hand linger lightly at her back. She doesn’t pull away, but she doesn’t lean in either. She moves to the edge of the bed and sits, smoothing the crease in her skirt. “Everything’s been a bit… chaotic,” she says, choosing her words carefully. Randall nods, watching her with quiet patience. “I figured. Still—you always sound more like yourself when you’re not trying so hard to sound fine.” She smiles. “I’m glad you’re here.” When he gently asks what’s going on, she says it’s not something she can explain right now. Randall gives a small nod, accepting it for now. “You know I don’t need the details,” he notes. “I just need you to be alright.” She closes her eyes and inhales. A pause too long. “I should go check on something. I’ll meet you down there before dinner.” He watches her collect herself—grabbing her coat, fixing her expression. She opened the door without another word. “I’m here,” he said gently, as she stepped into the hallway. She nods once, not turning back. “I know.” Then she was gone. And Randall sits alone, hands clasped loosely between his knees.

In the hallway, Ben passes Sarah and seeing her always has a way of help calming his nerves. But even she seems…off. She asks if he is doing okay and he quietly nods to confirm. He asks when Randall is supposed to get here. Everybody in the group loves Randall. He’s a literature professor and so he always brings a different, warmer dynamic to their science-heavy get-togethers. Sarah says that he’s already arrived. But then tells him not to bring up the device; it needs to stay between the group. Ben has the device on and can hear her wrestle with her feelings on this; this device could give her clarity in her marriage and let her know the truth. But does she really want to know? Ben gives her a look of pity, without letting on that he has heard everything.

As the sun falls, Sadiq walks out on the terrace to make a phone call to his wife. He asks how the kids are doing and how she’s managing on her own. He says he can’t wait to get back as soon as possible. She asks if something is up. He remains vague and says there is something that is making him feel very uncomfortable. He can’t go to the details but he feels like it is betraying God’s plan. More specifically, people are trying to play God. She doesn’t inquire further but just encourages him to follow his conscience.

Unbeknownst to Sadiq, Cedric has been following him—worried that he is going to steal the device and destroy it. He asks if what Sadiq said is true; that they’re playing God. Sadiq challenges him to read his mind. Cedric gets in Sadiq’s face and warns him not to ruin this for the rest of them. Sadiq says to think about this logically; even if he destroys it, they’ll be able to recreate it. If not Ben, someone else. He admits that he prefers a scenario where it’s not in the hands of a sociopath. Cedric swings at Sadiq and says to call him that one more time. Sadiq spits blood and says he didn’t call him anything, Cedric is making assumptions. Cedric goes to punch again but Sadiq evades and punches him directly in the gut. Nina runs up to the scene and tries to break up whatever this is to stop from developing into something bigger. As she gets in the middle, Cedric pushes her aside—forcing her to the ground. She looks up to him in disbelief as Sadiq goes to check on her. He immediately realizes his mistake and leaves in shame.

It’s after midnight. The room is dim, lit only by the cold glow of a desk lamp and the city haze filtering through the window. Ben sits still in a chair opposite Liam, who’s half-asleep on the bed, phone balanced on his chest. There’s tension in the air, a silence that vibrates with intent. Ben has the device on. He leans forward slowly, elbows on his knees. “Liam. Wake up.” Liam stirs. His brow furrows. His lips don’t move, but the thought forms: *Jesus, what time is it?* “You ever feel guilty?” Ben says. Liam blinks, eyes adjusting. He’s groggy but alert now. “What?” “No talking. Just think it. I’ll hear it.” A beat. Liam narrows his eyes. He’s confused, maybe a little afraid. *Ben, come on man, this is weird.* “Tell me what else you’ve taken. Since school.” Liam questions this, “What are you talking about?” Ben presses harder. He focuses like a tuning fork. “The symposium in sophomore year. The prototype. The draft on mirror neuron synchronization. You left my name off the presentation. You’ve been doing it for years, haven’t you?” Liam doesn’t respond with words. Just flashes from his mind—images, bursts of memory. A folder renamed. A PDF forwarded to a professor. The smug satisfaction of praise. A string of guilt quickly buried. Ben sees them as if they’re his own. “You don’t understand—” Liam begins aloud. “No. I do. I see you.” Ben continues to push. Liam lunges forward, trying to pull the device from Ben’s hand, but Ben anticipates it. He stands, looming, suddenly terrifying in his stillness. “Say it. Say you used me. Say you needed me to be small so you could be big.” Liam’s face crumbles. He thinks something soft—*I was scared I’d never measure up.* Ben hears it. All of it. The fear. The entitlement. The hollow center of Liam’s ambition. Ben removes the device. Places it gently on the table. Walks to the door without looking back. “Where are you going?” Liam calls out, almost childlike now. “To talk to Cedric.”

Sunday
The hotel suite is quiet, the low murmur of the conference downstairs barely reaching the walls of the room. Seven chairs form a loose circle around a small table, where a plain black box rests — impromptu ballot, simple and unremarkable, yet charged with tension. The device sits next to the box, so no one can use it. The team gathers, no Randall in sight, eyes red-rimmed from a restless night, bodies all slouched in different ways. Ben stares at the floor. Liam hovers near the window, arms crossed. Cedric drums a pen against his knee. Nina stands as far from Cedric as possible. Sadiq sits upright, already braced for disappointment. Jack is the last to arrive, per usual. Sarah stands at the center of them all. “We vote,” she says. “One slip. Yes or no. Do we include the device in today’s presentation?” One by one, they move to the box. A scribble. A fold. A drop. A moment of theater for a decision none of them want to make alone. When Sarah counts the papers, her brows tighten. “Three yes. Three no. One blank.” Confusion spreads through the room like a slow leak. No one admits to the blank vote. Sarah gives Jack a look, who shrugs “Must’ve folded mine wrong.” A suggestion to redo it dies in the silence. Then Sadiq speaks, low but firm: “It’s Sarah’s call.” The others nod, some reluctantly. Cedric’s eyes narrow but he says nothing. All attention turns to Sarah, who now holds their indecision in both hands. She doesn’t speak. Just stares at the slips of paper as if waiting for them to arrange themselves into clarity. Eventually, she places them back in the box, closes it, and says, almost to herself, “Then it’s mine.”

Sarah retreats to her room, where Randall is getting dressed. She tells him she needs to talk, there’s been something she’s been meaning to ask. In her head, she can hear his heartbeat increasing. “Do you ever regret our choice not to have kids?,” she asks. “That was your decision.” “That doesn’t answer the question.” He admits that he ponders the “what if’s” from time to time. But he’s happy how things are now. She places the financial statements on the bed. She asks if he is having a secret affair. A secret daughter. His face doesn’t break, serving a stare of disbelief back at her. She holds back tears. He then admits that he has been hiding the financial statements and other stuff from her, but it’s not what she thinks. He is in massive gambling debt. He thought he got better but it’s a vice he hasn’t been able to overcome. And of course he is too scared to tell her because he’s afraid she would leave him. Let him lose everything on his own. “Can’t you tell I’m telling you the truth? Aren’t you reading my mind right now?,” his voice cracks as he asks.

She drops her glass of water, shattering on the floor beneath her. He now looks concerned, holding on to her to see if she’s okay. She asks how he knew about that. About the device. He says that Jack told him everything this morning. She is now shaking and swears she is not wearing the device right now. She asks what they should do. He says to take his word with a grain of salt, since he’s only known about this for less than an hour. But it sounds like she already made her decision and she just wanted someone to tell her it is okay. They need this money. She asks if it is bad to go for the logical choice over her moral judgement. “We’ll only live this life once. Why not choose comfort? And besides, you’re a scientist. The logical choice is your only choice.” She holds his hand and nods her head, knowing he’s right but she will always have to live with this decision.

The prep room has a sense of artificial calm, but the tension is still felt. Sarah stands in front of a mirror, adjusting the wire of her lapel mic, trying not to tremble. One by one, the others enter. Nina hovers near the corner, arms crossed. Liam scrolls nervously through slides on his phone. Jack leans against the wall. Sadiq’s gaze scans the room, alert. The silence between them is its own kind of noise. “Where are they?” Sadiq finally asks, his voice sharp. No one answers. No Ben. No Cedric. Liam pulls Sarah aside and admits that he may be the reason Ben is not here. He briefly explains how he has been taking credit for Ben’s work for years. She is internally fuming but thanks him for sharing this. She addresses the room: “Whatever happens out there—we stay in step.” But no one confirms. The air between them is cracked. Still, they collect their papers and move toward the stage lights. Sarah lingers, one last look at the empty doorway before she steps onto the stage.

A black car cuts through town. Ben sits in the passenger seat, stiff in his hoodie, a laptop open across his knees. Cedric is driving, talking to a representative at a major tech firm. Between them sits a compact aluminum briefcase. The device is inside. Ben doesn’t look at it. After the call, Cedric looks to Ben. “Still time to back out.” He doesn’t say it like a challenge. Just a fact. Ben doesn’t respond. His jaw clenches as he pulls his sleeves down over his wrists. They ride in silence. From the back window, the conference center disappears into the distance.

Sarah stands beneath the lights, shoulders drawn back, voice steady. The auditorium is full, a quiet murmur of rustling notebooks and shifting bodies. Her slides flicker behind her—academic, sanitized and safe. She begins with protocol: the research lab’s mission, the goals of their study, the challenges they’ve faced in design. There is no mention of the device. Not yet. Liam keeps glancing toward the aisle, hoping for a late arrival that won’t come. Sarah pauses mid-sentence and looks out across the audience. “I want to talk to you about a boundary,” she says. “One that science has tried, for decades, to reach across.” There’s a shift in the room—a subtle lean forward. “We haven’t crossed it yet. But I believe, in time-” Liam cuts her off. He takes the presentation into his own hands and says that Sarah is being humble. The lab has helped create a device that can read minds of people in close proximity. Sadiq tries to interrupt him, worried he will say too much. Nina gives Liam a nod of encouragement. Jack looks amused. Sarah pulls him aside. “I’m choosing to believe in you,” she says with a certain menace. Liam powers on, grasping for the mantle of rising star scientist that he has always aimed for.

We flash back to Friday night, the day of the discovery. Liam slips on the device and stays up the whole night next to Ben, noting his drifting thoughts. Stealing his work like he has all these years. Now he just has to piece it all together.

In the back of the car, Ben stares at his phone. A message from Sarah sits unread: “I hope you find what you think you’re looking for.” He doesn’t open it, but instead just closes his eyes for a moment, as if he’s trying to steady something inside himself. The city blurs past the window. Cedric remains silent beside him, hands folded, satisfied. The briefcase rests between them like a weapon. The car merges onto the highway, swallowed by the morning light.

Cut to black.


Sunday, February 15, 2026

Release: The Letter Never Sent

 

The Letter Never Sent
Genre: Drama/Romance
Director: John Crowley
Writer: Andrew Doster
Cast: Scarlett Johansson, Rupert Friend, Jonathan Bailey, Ben Feldman, Alyla Browne






Budget: $26,000,000
Domestic Box Office: $18,019,908
Foreign Box Office: $11,397,235
Total Profit: -$17,099,333

Reaction: Round 4 of Season 35 is not doing great at the box office. This is the third film in a row to lose money for the studio and already the fifth film this season (out of 12 films).




"While aesthetically similar to Crowley's past romance films, this one takes a step towards the fantastical with its dreamlike weaving between time periods. This is one of its biggest strengths, portraying nostalgia for the sensation that it is: longing for a past that never truly existed. But where it excels in mood, it lacks in character development as everyone feels like sketches of an idea rather than fully realized people." - Geoff Bray, Slant Magazine



"The Letter Never Sent is a beautifully controlled, emotionally literate romance that trusts mood over melodrama. Scarlett Johansson gives one of her most restrained and affecting performances in years. Even when the film flirts with narrative artifice, its compassion for longing and emotional self-examination keeps it moving and sincere." - Chris Mears, Slashfilm




"Despite elegant craft and committed performances, The Letter Never Sent ultimately sabotages itself with a twist that drains the story of consequence. By reframing its central romance as something fundamentally unreal, the film turns what should be lingering melancholy into emotional misdirection. The result feels less like poetic ambiguity and more like a rug pull that undercuts the investment it spent two hours carefully building." - Brian Edelstein, Time Out









Rated PG-13 for sensuality and thematic material