Tuesday, February 4, 2020

Release: The Arrival

The Arrival
Genre: Horror
Director: David F. Sandberg
Writer: Jack Slipter
Based on the 1973 film Messiah of Evil
Cast: Melissa Benoist, Neil Patrick Harris, Rose Leslie, Michael Sheen, Juno Temple, Wilmer Valderrama, Mike Epps



Budget: $22,000,000
Domestic Box Office: $10,402,110
Foreign Box Office: $9,884,094
Total Profit: -$28,223,000

Reaction: We definitely weren’t expecting losses of that size from a film with such a low budget, and we’re not entirely sure what exactly went so wrong box office wise. The film has become the 6th lowest grossing film in LRF’s history.



“Not having seen the original film, I enjoyed The Arrival. It has some creepy scenes and some fun casting. Sure, some bits feel dated, but there are enough weird, gross-out moments to keep modern horror fans mostly entertained.” - Chris Knowles, TV Guide




“The Arrival has a ‘been there, done that’ feel throughout. While the original film was considered pretty original for the genre back in the 1970s, horror has changed a lot. What felt fresh and daring 35 years ago, now is rather common place, and The Arrival appears to hew incredibly close to the events of the original film.” - Stan Kyle, Omaha World-Herald




“If you’re going to remake a classic horror film, you should at least update it for today’s audience. Director Sandberg and writer Slipter don’t do this, and the film suffers for it.” - Stephen Ridley, Boston Globe

Rated R for graphic bloody violence

Monday, February 3, 2020

Top 10 True Crime Films

Sherman J. Pearson here for another edition of Top 10.With Harrelson, a film telling the true story of career criminal (and possible presidential assassin) Charles Harrelson, in theaters this round, I decided to look at other True Crime films from the studio.

Note: This list was made prior to the release of Harrelson, so it was not under consideration to be on the list because the author had not viewed the film yet.

Top 10 True Crime Films
10. Every Secret Thing
9. Newbury Street
8. The Life of the Party
7. The Tower
6. Bad Education
5. Green River
4. Libra
3. Cape Torment
2. Solution
1. Jonestown

Now Showing: The Arrival

The Arrival
Genre: Horror
Director: David F. Sandberg
Writer: Jack Slipter
Based on the 1973 film Messiah of Evil
Cast: Melissa Benoist, Neil Patrick Harris, Rose Leslie, Michael Sheen, Juno Temple, Wilmer Valderrama, Mike Epps

Plot: A man (Michael Sheen) frantically runs along a deserted residential street at night, from an invisible threat. A door opens in a fenced yard and a girl leaves the man without words enter. He collapses next to a pool, exhausted, and the girl comes to his side, apparently to help him. Instead, he suddenly produces a narrow razor and cuts his throat.

A vague female figure walks along a long corridor, as we hear her voice narrate. He is Arletty (Melissa Benoist), confined to a mental institution. Warn of a city called Point Dune, where the moon turned blood red and caused a kind of change that affected residents. "They will take you one by one and nobody will hear your cry!" she says. There is a flashback.

Arletty explains that she was originally traveling to Point Dune to get in touch with her father (a man at the beginning of the film), a painter who lived and worked there in a beach house. He had stopped communicating with Arletty after a series of letters that became increasingly bizarre, as he seemed threatened by an unexplained illness or madness. On the way to Point Dune, he stops to get gas at an isolated rural service station, where he finds the solitary assistant (Wilmer Valderrama) who shoots a gun in the darkness against an invisible target. Holster the gun and get to pump Arletty's gas, when even a pickup truck driven by a strange albino man gets up. During the refueling of the truck, the operator furtively looks under a tarp in the back and discovers two corpses, one with torn eyes and the other is the man from the beginning of the film with a torn throat. He says nothing, but tries to get rid of Arletty quickly, sending her away without even paying for his gas. Some time after his departure, the assistant is murdered inside the gas station when a strange figure suddenly jumps out of the car he is working on.

Arletty goes to her father's beach house and finds her abandoned. The walls are richly decorated with eerie murals depicting life-size human figures, and Arletty finds a diary kept by his father where he talks about a disease that seems to endure that borders on madness. He left a diary in which he specifically addresses her. In it she complains about the darkness that consumes the city and the horrible nightmares she is experiencing, and begs Arletty not to look for it ever ever. Her letter tells her to talk to the owner of the art gallery, who sells her paintings. In a desperate attempt to get in touch with someone who might know where he is, the next day he goes to the city to an art gallery that sold his works, only to find that they now claim to have never sold his works. He says that Point Dune is "an artistic colony" and vaguely recalls his father (his paintings are disturbing pop art portraits of groups of people in black, white and gray, standing; men are always dressed in black clothes, white shirts and black ties, like dead men at the funeral). It is never clear whether they are citizens, figures of his visions or both. The curator of the gallery refers her to three people who say they were in the gallery at the beginning of that day also looking for her father, and Arletty finds them in a local motel. They are Thom (Neil Patrick Harris), Toni (Rose Leslie) and Laura (Juno Temple), and when Arletty is entering their room she is approached by an eccentric local tramp (Mike Epps), who tells a story transmitted by her father about a time when the moon turned blood red and made the locals return to violent acts of violence. At that point Thom opens the door and urges him to elaborate, but the tramp gets scared and leaves in a hurry.

Thom explains to Arletty that he is a foreign aristocrat, a collector of regional legends and a fan of his father's work. He says he stopped near the gallery and that their work was displayed at the window, but they refused to sell it to him, which contradicts the waitress's claim that they never brought his father's work. After Arletty leaves, she is stopped again by the tramp, who warns her that if she meets her father, she must burn him to avoid becoming his victim. The next day, Arletty wakes up and finds Thom and the two women are at his father's house with her. Thom explains that the old man was found dead that day, apparently eaten by animals, and all local motels suddenly refused to rent them a room, so they had nowhere to go. Arletty allows them to stay, and Thom seems to be interested in her as a gentleman, which annoys Laura.He tells Toni he is leaving and, after leaving on foot, a vehicle stops to offer her a ride. It is the same truck pulled by the albino, with a small group of men sitting in the back looking at the sky without emotions. Laura decides to accept the pass, but changes her mind when the albino pulls a mouse from his pocket and eats it alive. She asks to be let out and walk the rest of the way on foot into the city. Find the deserted city and follow a solitary figure in a supermarket. Unable to attract the man's attention, he follows him to the market until he discovers a group of citizens gathered around a meat cooler, greedily devouring raw meat like animals. Suddenly they notice her and pursue her until they have cornered her, dragging her to the floor and eating her  alive.

The next day, Arletty is summoned by the police to identify his father's body, which was discovered on the beach. Arletty is upset, but behaves strangely. Toni gets bored and Thom sends her to the city with the car so he can go to the cinema. Upon returning home, Arletty discovers that he is bleeding from his ear and has a strange experience in which he burns his hand on the hot stove but feels no pain. He confides to Thom that the body on the beach was not his father, something he knows because he did not recognize his hands. Thom suddenly worries about Toni.

In the city, Toni participates in the screening of a film entitled "Kiss Tomorrow Goodbye". Buy a ticket from a clerk who barely recognizes it and finds the rest of the abandoned lobby. The moment he enters, the assistant puts a "closed" sign and the lights on the tent go out. Toni finds the big theater empty except for one or two other clients. Sitting in the middle near the front, he watches the film as the camera reveals an increasing number of clumsy citizens who gather in the seats behind her, until the theater is almost full. Eventually two of the ghouls sit on either side of Toni, and notice that they are bleeding from their eyes. Suddenly he turns around and realizes how many strange people are there with her and begins to panic, running towards the exits, which are now blocked on the other side. Trapped inside with demons, the film ends and the cinema screen turns white, and suddenly they rush towards her and eat it while screaming. Thom, who has arrived in town too late to help Toni, sees some of the strange townspeople. After the crowd advances on them. They are firing into them, but the people are unaffected by the bullets. Suddenly, one of the infected officers by the same thing the townsfolk have. The normal officer fires him and runs off, but the other shoots him in the back. The mob descends on him and they eat his body. Thom runs off and is chased by a few of the mob. One of them attacks him and his neck, but he is able to break away. He encounters a normal woman, but she transforms as they speak, bleeding from her eyes.

Meanwhile, Arletty discovers that the signs of her infection have worsened. She is a painter, she is not able to feel it, and she has vomited into the sink. Finding someone else in the house, she realizes she is her father, who is talking about the town. A survivor of the Donner party, this stranger brought with him a strange curse of cannibalism, after which he walked into the sea, promised to return in 100 years when the moon turned blood red. He warns Arletty to leave, but she refuses to go without him, at which point he becomes violent and tries to attack her. Remembering the words of the vagrant, Arletty sets him on fire and frees him from the undead curse.

Thom returns to the house and discovers the charred body, at which point to terrified Arletty attacks him and stabs his arm with scissors. Thom managed to calm and bandage his wound, but ghouls start breaking into the house and trying to surround them. They are waiting for the arrival of the "dark stranger". Trapped by the mass of ghouls, they swim in the water, where Thom drowns two to his wounded arm.

The movie ends with his voice-over narration informs the ghouls of the story, who returned as predicted. She said she was institutionalized. Unable to convince anyone that she's healthy, she is forced to wait in the asylum until the beginning of the infection that began in Point Dune reached the rest of the world, plunging it into chaos and bloodshed.


Sunday, February 2, 2020

Release: Harrelson

Harrelson
Genre: Biography/Crime
Director: David Mackenzie
Writers: Mo Buck & D.R. Cobb
Cast: Stephen Dorff, David Strathairn, Giovanni Ribisi, John Magaro, Jacob Pitts, Stephen Root, Daniel Stern, Nick Wechsler, Rhys Coiro, Marin Ireland, Sarah Snook



Budget: $20,000,000
Domestic Box Office: $25,680,994
Foreign Box Office: $12,056,323
Total Profit: -$100,090

Reaction: This film came about as close it comes to breaking even while still barely managing to wind up in the red. The film was populated with character actors, without a single bankable star in the entire ensemble, so the fact that it grossed as much as it did isn’t so bad.


“Stephen Dorff has always been an excellent actor when given (or when he selects) the right material. Unfortunately that has rarely been the case. In Harrelson, Dorff is utterly believable as a small-time crook, who may or may not have been responsible for one of history’s most infamous crimes.” - James Tubbs Jr., Vice Magazine

“Harrelson is more of a character study than a traditional crime film. The film is populated by one shady character after another, and is full of great interactions between these figures.” - Grace Palance, indieWire

“While not an ambitious film, Harrelson moves briskly, covering a series of crimes that involved our title character, played ably by Stephen Dorff. The supporting cast delivers several fun, scenery chewing performances from the likes of David Strathairn, Giovanni Ribisi, Daniel Stern and Stephen Root.” - Ken Hammerschmidt, Washington Post

Rated R for language, violence, drug use and some sexual content.

Last Resort Films Jukebox: Harrelson



1. "Next in Line" - Conway Twitty

2. "Distant Drums" - Jim Reeves

3. "The Good, the Bad and the Ugly" - Hugo Montenegro

4. "Ring of Fire" - Johnny Cash

5. "Never Been to Spain" - Three Dog Night

6. "Kiss You All Over" - Exile

7. "Fooled Around and Fell in Love" - Elvin Bishop

8. "Still the Same" - Bob Seger

Saturday, February 1, 2020

Now Showing: Harrelson

Harrelson
Genre: Crime/Biography
Director: David Mackenzie
Writers: Mo Buck & D.R. Cobb
Cast: Stephen Dorff, Giovanni Ribisi, David Strathairn, John Magaro, Jacob Pitts, Stephen Root, Daniel Stern, Nick Wechsler, Rhys Coiro, Marin Ireland, Sarah Snook

Plot: 1980.
During a relatively calm night in Texas, bright stars in the sky, the police rushed to a nearby bar, where they received an alarming phone call from a waitress. Three policemen are hiding behind their car with their shotguns cocked. A fourth policeman is out in the open with a megaphone. He asks the felon if he plans on getting out because they have him circled. Inside, Charles Harrelson (Stephen Dorff), high on cocaine, panics. He hides behind the counter with tears coming down his eyes. He holds the waitress hostage and he tells the policeman he doesn’t plan on getting out. The policeman says it’s a bad idea to force them to get him out and Charles pushes the waitress to the ground. He admits that he killed President Kennedy and Judge Wood. He confesses. He kicks the door open and throws his gun on the ground, his hands in the air. As the camera fades away, the policemen throw him to the ground and arrest him.

1968
In Houston, Texas, down-on-his-luck carpet salesman Alan Harry Berg (Jacob Pitts) is sitting in his dark office at the back of his carpet shop and he opens his mail. He throws out a couple of letters urging him, or the business to pay some long-delayed bills. He receives another letter threatening him to pay his gambling debt, or else he’s going to regret it. He shreds all the letters so his father and business associate will not see them and turns the light off. As he’s heading out, he receives a phone call. He puts his briefcase down and answers. On the other end, a woman invites him to a bar, promising sexual favors. He looks at a framed picture of his wife and kids and is hesitant. She convinces him to join her and he puts the picture down before accepting. Minutes later, Alan pulls up to the bar. He exits his vehicle and he’s dragged into another vehicle. A gun shot is heard and the camera zooms on the blood spatter on the window. A man is seen leaving the car short after.

Charles Harrelson is brought out of his cell for a conjugal visit. He kisses his wife, Diane Lou (Sarah Snook) and they sit down to talk about what’s going on with his trial. Harrelson says they have a serious plan that will get him acquitted, it will almost be too easy. She says he’s taking this too lightly, these are some serious accusations against him, they think he killed a man. She’s curious to hear what his defense is for to be so confident and he says she wouldn’t understand because it’s so technical, but if she really loves him, he needs her to do something simple and he promises it won’t get her in any trouble. She assess she loves him with all his heart and the boys too and he asks her to come with the boys at the courthouse to paint him in a sympathetic life. She knows him, he’s not a killer. She says sometimes she has the feeling she doesn’t really know him, but of course she can do that. She says he needs a damn good lawyer to get off of murder charges and Charles says he has the best in the business.

Percy Foreman (David Strathairn) calls Diane Lou to the stand and she testifies Charles is a good husband and he never did anything violent towards her, or the boys for that matter. She says her husband is a good man and doesn’t deserve everything that is happening to him. Foreman thanks her for her testimony and on her way out, she blows her husband a kiss and he simply smiles. Foreman invites an unusually high number of witnesses to give Harrelson an alibi at the time of the murder. He also has several witnesses who assess Alan Berg had many enemies, including former employees dissatisfied with their treatment when they were employed by Berg’s business and they also shared their suspicions that Berg had gambling debts. They were able to recover some documents proving Berg’s death. Foreman concludes his argument by saying many people had a reason to kill Foreman, but Harrelson wasn’t one of them. After a quick deliberation, the jury finds Harrelson not guilty of the murder of Alan Harry Berg.

Charles thanks Foreman for his good work and he hopes he never has to call him again. Foreman asks for his payment now and Charles says money isn’t a problem, winking. He meets with Diane Lou outside the courthouse and they share a kiss and he hugs his boys. They get in the car and ride back home. Charles writes Foreman a cheque for an important amount of money and mails it. Diane Lou cooked him his favorite meal, a rib-eye steak and he eats in silence. The night has come and Diane Lou sees him packing a suitcase. She asks him why he’s packing and he has business to attend to out of town. He says she’s a good mother and she needs to take care of the boys while she’s gone. He kisses her goodbye and he visits his boys’ room. He kisses them on the forehead and he looks at them one last time before driving off in the night. He lights up a cigarette and turns on the radio as he leaves town.

Sam Degelia (John Magaro), a grain dealer from Hearne, Texas, is washing his tractor at the end of a grueling day. He changes when he gets back inside and he talks with his four boys and wife. One of his son wants to follow into his study, but Sam forbids him to. His mother orders him to stay away. Sam makes a phone call and has he starts to lose his temper and shout at the man at the other end of the line, the camera moves around the house and into the bedroom. It is revealed Sam has a lot of money hidden under his mattress. Sam hangs up the phone and leaves his study and enters the bedroom. His wife asks if everything is alright and he says everything is fine.

Pete Scamardo (Giovanni Ribisi) hangs up the phone. He’s sitting in his office, in McAllen, Texas, counting his money, when a man enters and he says that the man he’s looking for is here. He gets up and leaves. As the camera follows Scamardo into the adjacent room, we hear men arguing and bragging about a poker game. A man orders a glass of whiskey and Scamardo says he will not get it, until he’s paid. That man is revealed to be Charles Harrelson who let his beard grow a bit. He says it’s been a year since he’s been in McAllen and he owns him more than ten thousand dollars in gambling debt and he’s not allowed in here until he pays off his debt. Charles asks him for more time, he can feel his luck will turn around shortly and he will be able to pay him back. Scamardo forbids him from playing until he’s fully reimbursed. Charles says he’s out of here and he tries to leave, but Pete says he’s not going anywhere. They bring him into Scamardo’s office and sit him down. Pete claims he knows the real Charles Harrelson and what he did in Houston. Charles says he has no idea what he’s talking about. Pete wants to offer him a way to get rid of his debt. He has a business partner by the name of Sam Degelia and it would be better for him if he was gone. Charles says it doesn’t make a lot of sense and Pete says it would help him. Charles asks what’s in it for him and Pete offers him to clear his debt, but Charles wants a bit more. They agree on $2000. They shake hands and Pete whispers in Charles ear not to deceive him as Charles leaves.

The following, policemen were called to Sam Degelia’s house and they find Sam’s body in his car, a bullet hole between his eyes. A detective is seen interrogating the grieving widow and she mentions Pete Scamardo.

Scamardo and Harrelson are quickly arrested in the same day. They find themselves together in the holding cell and pretend like they don’t know each other. When they realise they have evidence against them, Scamardo asks Harrelson what the plan is and Charles says he knows the right guy and he will take care of everything.

Percy Foreman is seen with a woman. He asks her to repeat what she needs to say one more time. She says she spent the night of the murder with Charles at a local bar, so there’s no way he could have killed Sam Degelia. Foreman gives her a paper with the court’s address and the time she needs to show and leaves her an envelope full of money. They shake hands and he leaves. He repeats the process with dozens of other people who will drag Sam Degelia through the mud. He ends his day with an empty briefcase and a whole lot less money, but he’s still satisfied.

Foreman is in the courthouse when they bring in both Scarmado and Harrelson. Harrelson whispers to Pete that he’s the best in the business, but he comes at a price. Since Scarmado seems to have a lot of money, he will take care of the bill. Scarmado asks him what does this old man do that is so expensive and Harrelson tells him to wait and see. Percy calls his first witness to the stand and repeats the same process he used in the Alan Berg trial. In the end, he’s able to paint Degelia has an irresponsible man who had a lot of problems and had money problems. He had no money to his name and had countless debt and that’s why he kept money under his mattress and weapons nearby. He’s now ready to call his next witness that will give an alibi to both Scamardo and Harrelson. They call the witness once, twice, but to no avail, the women didn’t show up. Percy is shocked and so are Charles and Pete.

Some time later, they meet with Percy in jail. He says he hasn’t been able to track the woman down and it is the first time it happened to him. Pete says he was promised to get out of this unscathed and right now it doesn’t look good. He better win, or else, he won’t pay for Foreman’s extras. Foreman thinks he has a good case, but it will depend on the jury. He hasn’t been able to track down anything to pressure the jurors. Their fate is in God’s hands now.

A couple of days later, Pete and Charles are brought out to court with Percy by their side. The judge is here to give the final sentence. Pete is found guilty of being an accomplice to the murder and Charles is found guilty of murder. They receive a seven and fifteen-year sentence. Percy gathers his things and leave. He tells Pete he expects to be paid anyway. Charles and Pete sit their in silence, until they are escorted out, on their way to the penitentiary.

1978
While in prison, Charles begins exchanging letters with a woman named Jo Ann. He writes to her that he is expecting to be released soon on good behavior and would like to meet her. On the day of his release, he finally meets Jo Ann (Marin Ireland) in person. He expresses relief that she isn't "some dog". The two spend the night having sex in a grimy motel room. Afterward, they lie in bed smoking cigarettes. Jo Ann asks Charles what he plans to do with his life now that he's a free man. Charles says he hasn't really put a whole lot of thought into it, but he has a few skills that could help him make some easy money if need be.

1979
Jimmy Chagra (Rhys Coiro) is in jail waiting to go to trial on drug trafficking charges. He is called to a visiting room where his lawyer Oscar Goodman (Daniel Stern) is waiting for him. Goodman tells Jimmy that he has good news and bad news. Jimmy asks for the good news first. Goodman tells him that they have set a date for Jimmy's trial to begin. Jimmy asks what the bad news is, and Goodman tells him that Judge John Wood has been assigned to preside over the trial. Jimmy asks how that is bad news. Goodman informs him that Wood has a reputation for always giving the maximum sentences on drug related cases, which would be life without the possibility of parole in this case. Nervous, Jimmy asks for Goodman to bring Jimmy's brother Joe to the next meeting.

A few days later, Jimmy meets with Goodman and Joe Chagra (Nick Wechsler), Jimmy's brother who also happens to be a lawyer. Jimmy tells Joe that he needs him to find someone to kill Judge Wood before the trial begins. Goodman starts humming to himself, pretending he doesn't hear this request. Joe assures Jimmy that he'll find someone for the job.

Joe Chagra finds himself in a seedy roadhouse in San Marcos, and begins asking around for a man named "Harrelson". Charles Harrelson is in a corner booth smoking and drinking when he notices Joe. The bartender points Charles out, and Joe sits down in his booth. Joe asks Charles if he's ever killed anyone. Charles laughs at the question, and asks if Joe is a cop. Joe assures Charles he is not a job, and tells Charles that he came to find him because he has a lucrative job offer. Charles takes a sip of his drink and asks what the job is. In a hushed tone, Joe offers Charles $250,000 to kill Judge John Wood. Charles says that's quite the sum. Joe says that if Judge Wood doesn't die, his brother will. Charles accepts the job offer.

Charles returns home to a trailer park on the outskirts of San Marcos. He enters his trailer to find Jo Ann opening their neighbors' mail looking for checks or cash. Charles excitedly tells Jo Ann that he may just have come into a big enough payday to set them up for life. Jo Ann drops their neighbors' stolen mail and eagerly asks what the job is.

Charles and Jo Ann sit in a car across the street from Judge Wood's house. They watch as Judge Wood (Stephen Root) exits his house and gets into his car. Wood begins backing up his car when he notices a cat laying behind his car in the driveway. Judge Wood gets out of the car and tries to shoo the cat away, but the cat attacks Wood's leg. Judge Wood kicks the cat away and gets back into his car. They follow him as he runs errands around town. Jo Ann asks why they are following the man, and Charles reveals that he's been hired to kill the Judge.

That night, Charles is watching the news at the roadhouse when he sees a report that Judge John Wood was assassinated earlier that day. In the morning, Harrelson heads to Joe Chagra's office in San Antonio and demands his money. Joe tells Charles that he doesn't believe he was the one who killed Judge Wood, so he is not going to pay him anything. Charles begins trashing the office, insisting that he killed the Judge and is owed money for the job as agreed upon. Joe tosses an envelope at Charles and says that's all he gets. Charles thumbs through the cash, and it is way less than $250,000, but Charles takes and starts toward the exit. Charles tells Joe that he won't forget about this, and then leaves. Joe presses stop on a tape recorder he has under his desk and calls Charles a moron under his breath.

1980
Charles is doing cocaine in the bathroom of a bar, snorting away what's left of the money from Joe Chagra. When he exits the restroom, he sees an investigative report on the television about the assassination of Judge Wood. Charles starts laughing uncontrollably. The bartender asks Charles what's so funny, and Charles tells everyone in the bar that he killed the judge. The bartender says that's not funny, but Charles insists it's true. He killed Judge Wood. Hell, he killed JFK too, he proclaims to the entire establishment. One of the waitresses uses a payphone to call the police, suggesting they come as soon as possible since some man is acting erratically and announcing that he's killed people.

Charles Harrelson finds himself in the back of a police car, on his way to yet another jail. The officers in the front seat asks Charles if he really killed JFK. Charles simply smiles to himself and looks out the window at the passing landscapes.


Release: The Great Beyond

The Great Beyond
Genre: Drama/Sci-Fi
Director: Ang Lee
Writers: Jimmy Ellis & Chad Taylor
Cast: Amy Adams, Idris Elba, John Cho, Naomie Harris, Ahn Sung-ki, Elsa Pataky, Ella Balinska, Jeon Jong-seo, Rainn Wilson (voice)




Budget: $50,000,000
Domestic Box Office: $28,223,905
Foreign Box Office: $24,976,330
Total Profit: -$50,200,436

Reaction: We at the studio were definitely not expecting numbers quite this low given the high-profile stars and director of the film. The box office of this film continues Ang Lee’s trend outside of LRF, with his last two films (Gemini Man and Billy Lynn’s Long Halftime Walk) losing truckloads of money for their respective studios.


“The prestige science fiction drama is always an interesting genre, especially since sci-fi is one of the few “fun” genres that people actually take seriously (as opposed to action, comedy, fantasy and horror). Writers Jimmy Ellis and Chad Taylor have crafted a very thoughtful and introspective story and filled in all the pieces with talented people to pull it all off.” - Matthew Ellis, USA Today


“The production values are obviously impressive, but I couldn’t help but feel like normally lively performers like Idris Elba and Amy Adams came across more cold and stilted than usual. I get that the plot is serious, but that doesn’t mean there can’t be life to the characters.” - Geoff Bray, Slant Magazine

“Ang Lee has always been a master of emotional human drama on film. That skill-set is well suited to the material on hand here. He is able to get his actors to convey the multitude of emotions and mindsets required in The Great Beyond. And let’s face it, it doesn’t hurt that he has actors like Amy Adams and Idris Elba at his disposal here.” - Perry Manson, CinemaBlend.com

Rated PG-13 for thematic elements and some language.