Saturday, June 3, 2023

Fact to Film: The Deadliest Night in Show Business

 

For the latest Fact to Film, we take a look at the cast of the showbiz horror comedy, The Deadliest Night in Show Business. The film is set during a zombie virus outbreak at the 1939 Academy Awards ceremony. It is directed by Rian Johnson (Hotel California, Mass Effect 3 - Part 2) and written by Chad Taylor (Miracles, The Long Way Home) and Andrew Doster (Inner Demons, Tinseltown).

















Now Showing: The Deadliest Night in Show Business

 
The Deadliest Night in Show Business
Genre: Horror/Action/Comedy
Director: Rian Johnson
Writers: Andrew Doster & Chad Taylor
A Hill Valley Entertainment Production
Cast: Daniel Craig, Amanda Seyfried, Rebecca Ferguson, Josh Hartnett, Andrea Riseborough, Orlando Bloom, Rachel Brosnahan, Julia Butters, Richard E. Grant, Eli Roth, Neil Patrick Harris, Melissa Benoist, Alan Cumming, Jeremy Swift

Plot: 1939, The Biltmore Hotel, Los Angeles. In a grand ballroom, the band plays 'Hooray for Hollywood' as well-dressed guests begin to take their place for the eleventh annual Academy Awards. Top starlet Joan Crawford (Rebecca Ferguson) is making her way from table to table, socializing with various other stars. She begins a conversation with Gary Cooper (Josh Hartnett) and his wife, a mild-mannered leading man who Crawford once co-starred with. In the corner of her eye, she sees the entrance of her new rival Bette Davis (Amanda Seyfried), who is tipped by many to win her third Best Actress Oscar tonight. On her way in, Bette is approached by Errol Flynn (Orlando Bloom), a swashbuckling newcomer who is very flirtatious. Bette flirts a little bit back before she takes seat next to friend Carole Lombard (Rachel Brosnahan), an actress known for her parts in screwball comedies and recent beau of Clark Gable. Carole compliments Bette on her dress and Bette the same.

Meanwhile, Humphrey Bogart (Daniel Craig) is smoking outside with Boris Karloff (Richard E. Grant). They are mid-conversation as Karloff talks about an offer he has to star in a Broadway play, which could be act as a good reminder that he's a classically-trained actor and not just Frankenstein's monster. He then shrugs his shoulders and says that at least Frankenstein's monster pays well. As Boris leaves, Bogart is joined by Greta Garbo (Andrea Riseborough), a famed silent film star who successfully transitioned to sound. Greta asks why he hasn't went in yet and Bogart says that these big events aren't really his thing. She can empathize with that, mentioning how she feels like a social pariah at the moment given her string of box office failures. Humphrey chuckles and says that at least she's been a star - he's been playing tough guy supporting parts for the last ten years and is beginning to wonder if he'll have much of a future in Hollywood. Greta raises her cigarette and toasts to the both of them making it through the night. Humphrey reciprocates her toast before checking his watch and seeing that it is almost time to begin.

Everyone makes it into the ballroom as the big ceremony begins. The first award given out is for Best Director, which is given out by Lombard. She announces the nominees and then that the winner is Frank Capra. Carole makes a joke about him never casting her in one of his screwball comedies. There is rapturous applause as Capra (Eli Roth) takes the stage for his third Oscar in five years. While Frank is giving his speech, a man slowly staggers into the room making sounds similar to moans. People start muttering acknowledging him to be Charlie Chaplin (Alan Cumming), allegedly drunk. At one point, he falls to the ground, near the table occupied by the Temple family, accidentally hitting young child actress Shirley (Julia Butters). Her parents approach Chaplin, worried because the man seems to be unable to breathe and start to ask animatedly if there is a doctor in the room. Bette Davis looks on aghast while Cooper begins looking around for a doctor, eventually finding one and escorting him to the scene. The ceremony is momentarily suspended and some of the guests get up and approach to see the situation closer. A few moments later, Charlie jumps up and bites hard on the arm of Shirley's dad. He also bites the doctor who was presiding over him. The two men quickly begin to feel very bad.

Shirley's mother rushes to her husband's aide to see if she can do anything to help. He struggles to get his words out but indicates that he is feeling unwell while their daughter looks on scared. While Mrs. Temple holds her husband in her arms, he suddenly bites her on the cheek. Shirley screams in horror while the infected doctor also bites a nearby person. Cooper stands up on a chair and tells everyone to evacuate the ballroom immediately. This causes an immediate panic as people start to go in every which direction for the exits, causing a momentary crush. Humphrey, who sees a terrified Shirley, lifts her into his arms and into safety. Meanwhile, the chaos causes Cooper to fall and breaks his leg. Greta Garbo, who is moving through the crowd, spots Cooper on the ground and helps him up as the number of the infected begin to multiply.

Karloff is climbing the stairs to seek shelter after seeing that the main entrance was blocked due to the infected strangers from the street pouring in. His pace as he climbs the stairs is staid as the infected are following just behind him. At the end of the stairs, he decides to go right and finds himself stuck in a dead end hallway. The infected are closing in as he cries out "not like this!". Meanwhile, Lombard is on stage looking around in terror without knowing what to do. Many infected have surrounded the stage and are trying to go up. Two manage to climb up and try to attack the actress but Errol Flynn fends them off with his chair as he comes to her rescue. He sees a velvet large rope hanging from the ceiling, grabs it, and hands it to her. He tells her to use it to climb to the a balcony above the stage and that he will be climbing behind her. She begins to warn him against looking up her dress but he tells her they are running out of time and, instead, lifts her up to get started on her climb as he starts up himself. Capra is left on the stage pleading for help and so Carole tosses him the rope. He begins to climb but then realizes that he forgot his Oscar. He grabs it and then makes his way to join Carole and Errol.

Throughout the ballroom, the biting continues to rapidly spread as the few surviving guests try desperately to escape amongst the hordes of people. Joan finds herself all alone and increasingly hopeless. Suddenly, she hears someone shouting her name. She looks around and finds that Bette has found a small compartment that allows for an escape to another room. Joan hurries to escape and join her rival. Meanwhile, Bogart keeps Shirley protected behind him as he searches for an exit. He instead finds a small custodial closet that they can use for a quick break. He pulls out a cigarette but then decides against it upon seeing Shirley's face. He kneels down beside her and says that everything is going to be OK. She asks about her parents and he is unsure of how to respond to this. After a brief pause, he says that they will figure it all out later but that she is safe with him.

Garbo and Cooper arrive in the lobby trying not to make noise where they try to find medical supplies to treat Cooper's wound. While Greta is bandaging Cooper's broken leg, a group of infected begins to slowly make their way towards the actors. Cooper tells her to protect herself and leave him behind, but she says she won't. He takes off his high-heeled shoes and uses them to repel the infected. It only works momentarily and things start to look disastrous. Suddenly, a wooden stick swings and knocks out some infected while female shoes put them into battle. The owner of the cane is Fred Astaire (Neil Patrick Harris) while the woman is Ginger Rogers (Melissa Benoist). Greta thanks them for their help, but she points out that more are coming. Astaire turns, sees the new rounds of infected arrive, and nods to Ginger. Astaire starts singing "Puttin 'on the Ritz" as he and Rogers tap-dance through the infected crowd. He throws the stick at her and lifts her as he turns in a repetitive motion, clearing rows of infected. Astaire starts dancing with one of the infected as he sings the line "dressed up like a million dollar trooper / trying hard to look like Gary Cooper". He drops his partner low for a dive into Cooper's punch-punch while Astaire sings "super duper!". As Astaire and Rogers continue to fend off the infected, Greta sees an opportunity for them to get to the second floor, so she helps Cooper up and they escape.

On the small balcony, Carole thanks Errol for his assistance. He says there's a reason that he was chosen to play Robin Hood and gives a wink. She asks if he is flirting with her in the midst of some sort of zombie outbreak and he says that maybe it is his body's response to fear. Capra makes a quick comment to say that they could make a good starring couple in one of his films if they are able to make it out of here. Just as he says this, there is loud noises from outside the door to the balcony. Frank and Carole freeze in terror while Errol bravely volunteers to see what is out there. When he opens the door, he finds an infected staring him in the face and he now freezes in fear himself. Capra suddenly leaps forward and stabs the infected in the neck with his Oscar statuette. He turns to Carole and Errol and says that he can't believe that worked, just as bitten on the leg by the infected. He looks worryingly up to the two stars and pleads for them to not leave him behind. Errol apologizes as he pulls the Oscar out of the infected's neck and says that they need to get going as more infected get closer in the hallway. He grabs ahold of the rope and sticks out his arm for Carole, commenting "my lady?". She reminds him that "this" isn't a thing but then sidles up next to him as they swing from the balcony to the main lobby.

Joan Crawford and Bette Davis are walking together in the corridors exchanging nervous glances. On the ground there are some infected, presumably dead. Trying to break the tension, Bette jokes about how surreal all of this. Joan quips back that Bette probably would've preferred Chaplin entered after Best Actress was presented. Bette says that if this is the last Oscars, then a nomination feels as good as another win. Joan makes cold eyes at Bette while Bette exchanges them right back. Halfway down the long corridor, an infected one grabs Bette's ankle and tries to bite her. Bette falls to the ground trying to free herself asking Joan for help but she doesn't intervene. Bette manages to free herself, looks around and takes the fire extinguisher from the wall (or a hatchet or some other object) and smashes the infected head. She then rushes her like a fury to Joan's pushing her against her wall screaming at her that she could die and she hadn't done anything to help her. Joan tries to defend herself and tells the angry Bette to lower her voice.

Meanwhile, a large number of infected have been attracted by the noise and are approaching them. Joan warns Bette of the danger and turns around brandishing the weapon as Joan runs off to the stairs. Joan stops after a couple of steps and watches Bette fight the infected with strong willfulness. She then starts climbing the stairs again until she stops again listening to the noise of the fight between Bette and the infected. Joan turns around again and rolls her eyes, snorting. Bette has lost her weapon and is in trouble, the infected are too many for one person to fight and she is being overwhelmed. At that point Joan intervenes, picks up the weapon from the ground and kills the last remaining infected. She then she helps Bette to get up and they exchange a knowing look. At that point they walk together towards the stairs.

Shirley and Humphrey are in their hiding place. The little girl has her hands in front of her eyes and she is sobbing as she realizes that her parents have been infected despite Humphrey's words to change the subject. Humphrey tries to reassure Shirley even though she doesn't quite know how to do it until she hands a candy he found in his pocket. The girl accepts him and thanks him before bursting into tears at the man, who hugs her tightly. Humphrey and Shirley notice some movement outside the door and whispers that he will protect her. Humphrey takes a broomstick and looks at the handle opening. Humphrey gets into attack position as the door opens and a massive figure stands in front of him noticing that it is Alfred Hitchcock (Jeremy Swift). At that point, Shirley also peeks out from behind Humphrey's body to watch. Humphrey breathes a sigh of relief when he notices that Alfred is fine and does not appear to be infected.

At the bottom of the staircase, Bette spots Errol and Carole in the distance and yells to them to come follow up to the roof. Errol and Carole must fight through a crowd of infected but they make it to the staircase. As they make their ascent, Errol laments Capra's death and says that he agrees with the director that this could make for a good screwball comedy premise. Carole quips back that it would be funny to have a lead couple of stars with rhyming names. Errol looks back at her to smile but, when he does, Carole notices his eye becoming bloodshot. She freezes and he asks what is wrong. She asks if he was bitten and he tries to say no but finds that he can only mumble. He begins looking all over his body while Carole tells him to let her pass him and go to the roof. She finds that he can't tell what she is saying so she tries to dash past him but he grabs on to her, now fully infected. She tries to fight him but finds him stronger than her. She is able to momentarily break free but this causes her to tumble down the stairs. She regains her composure and once again tries to make it to the door to the top floor but he is able to grab her ankle just as she reaches the door. She falls to the ground as he gets closer. In a split second decision, she bites down on the hand that he is using to pin her down. She is able to get up and get to the door but then begins to feel a weird tingling feeling. She realizes that she must be infected now so, instead of following her friend, she decides to descend the stairs to her inevitable death but away from the survivors. Infected Errol begins to follow after her but then he hears something from the doorway to the roof.

On the roof of the hotel, the remaining survivors group together: Bette and Joan, Garbo and Cooper, Humphrey and Shirley. They begin to talk about how they are going to escape after looking down and seeing chaos on the streets. As they do, they hear a voice say that he has been in contact with authorities and help is on the way. They all turn around to find Boris Karloff, somehow still alive. He explains that he found himself cornered by infected but did the only thing he knew how to do: he acted. He acted like Frankenstein's monster and was able to convince the infected that he was one of them. Just as he finishes saying this, infected Errol lunges at him from behind and bites him in the beck. Karloff screams "oh the humanity!" as the others get into action mode.

As Karloff slowly turns, more and more infected are gathering on the roof. Bette is attacked by some of them and starts to retreat to find herself at the edge of the roof. At that moment Joan intervenes by pushing the infected over the edge but she loses her balance and risks falling down too. She manages to hold on for a moment but loses her balance. Bette manages to take Joan's hand but risks falling too. Joan sways in the void and tries to convince Bette to let her go because both of her are in danger of falling but Bette refuses categorically. At that point, Joan tells her former rival that she has more to live for so it will be OK. And ultimately, in these last few hours, Bette taught her a new kind of selflessness she wasn't aware that she was capable of. She then she gives a kiss to Bette's hand and falls into the void. Bette regains her balance and is helped up Greta.

The fire department arrives at a nearby building and attaches a ladder for the survivors to escape. As they begin to get on it, Humphrey says that he will fight off the infected to give them enough time to escape. Cooper goes first because of his injury. As they each get on and Humphrey defeats some infected, a shriek is heard and he turns around to find Shirley on the verge of tears after being bit. You can see Humphrey's heart drop upon this revelation. The rescuers call for them to join but Humphrey informs them and the survivors that he is going to stay behind. He can't leave her alone like this. He once again gets to his knees and lets her know that everything is going to be OK as the infected begin to make their way towards them.

Bette, Garbo, and Cooper look out on the Hollywood skyline as chaos fills the streets, each letting out a different sigh of relief.


Friday, June 2, 2023

Top 10 Marvel Universe Leading Men

 
Sherman J. Pearson here for another Top 10. With Mark Duplass getting his second turn as a Marvel leading man in The Hulk 2, I decided to take a look at the Top 10 Marvel Universe Leading Men for this round's list....

Top 10 Marvel Universe Leading Men
10. John Krasinski (Mr. Fantastic)
9. Omari Hardwick (Luke Cage)
8. Tatanka Means (Red Wolf)
7. Aaron Paul (Ghost Rider)
6. Glen Powell (Captain America)
5. Lucas Hedges (Spider-Man)
4. Garrett Hedlund (Gambit)
3. Keanu Reeves (Silver Surfer)
2. Alden Ehrenreich (Namor the Sub-Mariner)
1. Mel Gibson (The Punisher)



Release: The Terminal Spy

 

The Terminal Spy
Genre: Crime/Drama/Historical
Director: Paul Greengrass
Writer: Eden Townsend
Based on the book by Alan Cowell
Producer: Rachel Hallett Hardcastle
Cast: Barry Keoghan, Kaya Scodelario, Evan Peters, Danny DeVito, Peter Dinklage, Ralph Fiennes, Bruce Campbell, Danny Pudi, Russell Tovey, Max Irons, Colm Feore, Iwan Rheon



Budget: $50,000,000
Domestic Box Office: $51,494,030
Foreign Box Office: $60,380,183
Total Profit: $16,978,388

Reaction: Considering how poorly some of the films in this budget range have done this season, we at the studio are quite happy with the final box office outcome here.



"Barry Keoghan felt a bit young for the role of Litvinenko here, but he gives a committed performance that will make you forget all about that. There are some nice tense moments, even if most of the thrills and twists are telegraphed from a mile away. While I did have some issues with some of the casting and some of the film's structural decisions, it was an overall entertaining experience at the theater." - Tom Lane, Detroit News



"The film works because of its compelling lead character (who is played well by Barry Keoghan). This helps make up for some of its several flaws, including some truly atrocious casting of pretty much every single supporting role. The film does a solid job of translating the real story of what happened to Litvinenko. I just wish the filmmakers had put as much effort into the casting and finer details." - Stephen Ridley, Boston Globe



"The film was not structured very well at times, and the exclusion of 'spy' in the genre left me scratching my head, and some of the casting was downright baffling. The real-life story is so compelling that it may be impossible to make a truly horrible film based on these events, but The Terminal Spy is far from as good as it could have been." - Matt Carson, Arizona Republic







Rated R for language, thematic material and some violence

Thursday, June 1, 2023

Fact to Film: The Terminal Spy

 

For the latest edition of Fact to Film, we will take a look at the cast of The Terminal Spy, which is based on the true story of poisoned Russian intelligence officer Alexander Litvinenko. The film is directed by Paul Greengrass (The Tournament, News of the World) and written by Eden Townsend (Survive the Night, Winter's Displeasure) based on the book by Alan Cowell.











Now Showing: The Terminal Spy

 
The Terminal Spy
Genre: Crime/Drama/Historical
Director: Paul Greengrass
Writer: Eden Townsend
Based on the book by Alan Cowell
Producer: Rachel Hallett Hardcastle
Cast: Barry Keoghan, Kaya Scodelario, Evan Peters, Danny DeVito, Peter Dinklage, Ralph Fiennes, Bruce Campbell, Dani Pudi

Plot: In voiceover, Alexander "Sasha" Litvinenko (Barry Keoghan) explains that someone intentionally poisoned his tea with twice the radioactive dose endured by people standing at the Chernobyl meltdown center. A spectrograph view of what happens dramatizes this poisoning. A short time later, flash to London, as Sasha struggles in a cab on the way to the hospital. His wife, Marina (Kaya Scodelario), attempts to comfort him. In the emergency room, Marina declares Sasha has been poisoned. Per the laws, they send a police inspector, Brent Hyatt (Evan Peters), to file a report on Sasha's poisoning case. Doctors insist Sasha is suffering from food poisoning, but Sasha knows better. Hyatt asks who poisoned him, and Sasha tells him it was the KGB. Hyatt tells him, "all that" ended 20 years ago. Sasha disagrees and begins to narrate his story…

In 1984, in Siberia. Sasha climbs to a rooftop, attempting an assassination, but in the Arctic weather, the gun's metal sticks to his hand, and his struggles to get free give away his position. Fortunately, it turns out to be an exercise by the KGB. As Sasha explains in voiceover, every young Russian dreamed of joining the KGB. Sasha would watch old movies dramatizing the Russian Empire and the Soviet Union's glories, enraptured even as an adult. In voiceover, Sasha explains the late-period USSR's lifestyle: those who had power would take whatever they wanted; those who didn't know better than a complaint. Money didn't matter, so an integral part of their KGB training was learning the American way of doing things that were likely foreign. Esoteric concepts like bank cheques and credit references baffled them. A mystery organization of powerful men, the "Men of Force," are virtually the Illuminati of the USSR. They'd make their own private subway in Moscow, their own department stores selling American merchandise, and they had the power simply walk into a lovely apartment and tell its tenants to leave.

After his training, Sasha is disappointed not to be assigned to the First Directorate, the elite group sent to the U.S. to spy. Sasha's training colonel explains that he's actually too smart for his own good, and he'd end up getting undesired attention. As a result, he's assigned to the Third Directorate, which does counterintelligence within the Soviet Union. One night, while living it up at a KGB nightclub, Sasha sees his ex-training buddy Misha (Max Irons) has returned from America. He's drunk and talking up the American lifestyle, trying to convince his comrades of its superiority. Sasha and his new friends humor him until they pull over along the side of a highway and shoot him in the head. Sasha is sort of horrified at first, but he buys into the thinking that Misha had fallen prey to the enemy and deserved this.

A doctor tries to convince Sasha that all his tests show a case of mild food poisoning. Sasha pulls out their hair and asks if that's a symptom of mild food poisoning. The doctor condescendingly offers that it's a symptom of middle age. Unnerved, Marina calls a mystery man known only as Boris, looking for help. Frustrated, Sasha returns to his story. He bitterly explains in voiceover that one morning in 1993, they woke up to found they had no country. While the capitalist West perceived this as a victory, the Soviets found the loss of their empire tragic. Money became worthless, citizens starved, all prisoners—even those who should have been imprisoned—were released, and hundreds of organized crime syndicates sprouted up before long. Sasha remains with the KGB to clean up Russia. He and his friends wander Moscow to defend poor businesses who are forced to protect the various syndicates. One is a ballet studio, forced to pay protection to a corrupt police lieutenant. After talking with the lieutenant, Sasha realizes he must have the blessing of someone above him.

He accompanies his friends to a birthday party for one of the ballerinas—future wife Marina, who's annoyed and embarrassed by the presence of a KGB (now FSB) agent at her party. People start leaving in fear of the KGB. Sasha dances with Marina and quickly wins her over, despite his abrasive attitude. She complains about the day's problems, notably her inability to pass a driving test because the examiner expects a bribe that she refuses to give. Sasha accompanies Marina on her next driving test. He holds a gun to the examiner, who immediately agrees to give her a license. Perturbed, Sasha explains that he doesn't want him to give her one; he wants the examiner to do his job. Marina takes her test and gets her license legally.

In the present, Boris Berezovsky (Danny DeVito) arrives with bodyguards, a publicist, and a poison specialist. Sasha is grateful. Boris tells him he will never forget that Sasha saved his life. Back in 1995, Sasha saves Boris's life. After nearly dying in a car bomb, Boris decides he needs help. In voiceover, Sasha explains that Boris had quickly become an enemy of the old ways. A well-regarded mathematician, Boris embraced capitalism after the fall of the USSR and—after struggling his entire life during the reign of the communist empire—became one of the world's richest men in five short years. This displeased the Siloviki, who couldn't adjust to a world where money mattered more than political power. As a result, attempts in his life became relatively frequent. After the car bomb, Sasha arrives to help. Boris doesn't want to help, but Sasha offers that he'll need a cop eventually.

Not long after this, Boris is holed up in his nightclub's office while the Moscow police attempt to arrest him. Sasha intervenes, sending the cops away. Boris attempts to pay Sasha to return the favor, but Sasha refuses. Sasha introduces Boris to Marina (to whom he is now married) and their new baby. Boris explains why the capitalist model is failing in Russia and how Boris strives to make it work. He believes Russia needs great men like Boris himself and like Sasha—uncorrupted men to oversee the nation's security forces. Boris asks Sasha what they want. Sasha realizes Boris can make it happen: Boris owns enough media companies to force people to listen. After Boris leaves, Marina doesn't want Sasha to have anything to do with him, and Sasha tells him he can't quit, so the only thing to do is change things.

When the FSB finds out Sasha has befriended Boris, they order him to kill him. Paranoid, Sasha decides the only solution is for someone to speak out. He gathers a large group of ex-KGB agents he believes he can trust and explains what they need to do: go public with what they know about the corruption and atrocities committed against their countrymen. Sasha has already decided to do this, but he decides to join him up to his friends. Many of these people do join him at a national TV news agency owned by Boris. However, the bulk of them disguises themselves—all except Sasha, who bravely lays out the murdering, drug/weapons trafficking, extorting, torturing, and robbing state officials commit daily.

After the news report, Boris contacts Russian president Boris Yeltsin (Peter Dinklage) for a face-to-face meeting. Boris wants to encourage Yeltsin to allow Sasha to run the FSB. Yeltsin agrees they need an uncorrupted man to run things, but he's found his man—Vladimir Putin (Ralph Fiennes). Yeltsin does allow Sasha to meet with Putin. After an awkward initial meeting, Putin orders the tapping of Sasha's phone. Shortly after that, police burst into Sasha's apartment, arrest him, and force him to endure a kangaroo court in which a shopkeeper alleges Sasha extorted money from him. Sasha manages to get the witness to recant, which forces the judge to dismiss the case. That doesn't stop the authorities, though—immediately, still in the courtroom, they arrest Sasha again on a new charge of extorting a can of sweet peas. Sasha sarcastically confesses and demands that they execute him. He scoffs at them, fully aware that they need to keep him alive because he's too famous for vanishing. Sasha explains how brutal prison is for an FSB member—prisoners' family members were killed, raped, and tortured in voiceover.

After a few years, Sasha is released. He looks horrible—emaciated and sickly. Sasha explains that he used the prison to his advantage, first doing all he could to get killed in the general population and starve in solitary confinement. They had no choice but to release him because they couldn't let him die. Sasha gets his FSB friends to inform him and leads a straight-arrow life, knowing he's now untouchable. One night, Marina receives a phone call informing her that either Sasha or their child (Tolik) will be murdered. Marina seeks help with some of Sasha's ex-colleagues, but she's told that he's reckless and she'd be wise to take her child and keep her distance from him.

After witnessing an alleged terrorist attack in Moscow, Sasha explains to Marina what he's pieced together through various international newspapers—in short, the Russians executed these attacks to justify an invasion of Chechnya that would renew a spirit of patriotism in Russia. Marina doesn't care. She wants Sasha to play ball to save himself or Tolik, and Sasha refuses. Instead, he flees to Turkey and sends for her. Marina refuses to leave Russia. Boris comes to plead Sasha's case, winning Marina by pointing out that Sasha will come back for her if she doesn't go to Turkey, and he'll undoubtedly be killed.

When they're finally together, Sasha tries to get political asylum at the American embassy, and he's turned away. Finally, Sasha books a return flight to Moscow, insisting on a layover in London. While in London, Sasha seeks political asylum, and British law requires that he and his family get it. Meanwhile, Boris and several other capitalist oligarchs meet with Putin, who announces he's taking 50% of their resources. Because he claims everything they own belongs to the state, he feels 50% is a generous offer. Putin wants to know why Boris insists on weakening him with his media outlets reporting negative things about him. Putin quietly freezes all of Boris's assets to stop him.

Sasha writes a tell-all book in London laying out everything he witnessed and tying Russia to the alleged Chechen terrorist attacks. Marina pleads with him not to release the book—they're living a happy, anonymous life in England. If he publishes the book, the FSB will come after him relentlessly. Sasha tells her it's his job to put this book out. He has help from Boris and an underground syndicate, but they publish hundreds of copies to no avail. Still, Putin has them destroyed before anybody can read them. Left with no choice, Sasha is forced to find a real job. As a montage shows his efforts, Sasha explains in voiceover that the Soviet Union forced people to feel a sense of community by cramming them all together. Simultaneously, he can finally feel alone in the western world, and he doesn't like it.

In the present, Sasha is rushed into a quarantine area, where doctors wear radiation suits to protect them from his poison. Dr. Henry (Bruce Campbell), the man Boris brought, interviews Marina about Sasha's potential risk of exposing others. Marina doesn't believe anyone, but she comes into serious contact with him. Knowing Marina isn't long for the world, she visits Sasha in his private room. His hair has completely fallen out, and he's on a morphine drip. Sasha complains that nobody tells him anything, but he knows that it's not good news from her facial expression. Marina explains that he was poisoned with Polonium-210. Sasha knows the radioactive substance well—back in the Soviet era, they used to manufacture it in an off-books, unmapped town, where the KGB quickly discovered its mostly untraceable effects as a poison.

Hyatt arrives with other police, trying to figure out the jurisdiction. Ultimately, they decide to pursue it as a murder case—to Marina's consternation, considering her husband is not (yet) dead—and a secret service agent, Ackerley (Danny Pudi), comes up with a surprisingly plausible theory. The poisoning was far too evident and sloppy to be FSB. Since the amount of Polonium-210 ingested would have cost $10 million on the black market, they can think of only one person with the money, the connection to Sasha, and the personal grudge against Putin: Boris. Hyatt and the other cops troll the streets of London, looking for evidence. They find nothing, so Hyatt is sent back to learn the details of Sasha's last days.

Sasha leaves his apartment in the morning after a brief argument with Marina about where he's going—he has a new job, but she doesn't like it. Sasha stops at a sushi joint, where a friend informs him that he's on a KGB list of targets to kill. (As Sasha narrates the story, it's intercut with present-day police investigating crime scenes, talking with perps, making sure they aren't also poisoned, etc.) Sasha goes to Boris's London offices to wait for fax, which he's tasked to deliver at a hotel. Lugovoi (Bradley James) — ex-KGB and Boris's former security chief—sits among a group of wealthy Russians. Sasha hands off the dossier and shares a drink with Lugovoi—only Sasha doesn't drink alcohol, and he insists on green tea.

Back at home, Marina insists Lugovoi is still one of the Siloviki and is not trusted. Sasha is determined to get into Lugovoi's good graces—he has an opportunity to support his family, and he must take it. The following day is a duplicate of the opening scenes, minus the spectrograph: Lugovoi offers Sasha the poisoned tea, Sasha gladly takes it (although Lugovoi comments about its bitterness), and they say traditional Russian toasts. After Sasha leaves them, he starts to feel weak and knows instantly that they've poisoned him. He stumbles home and forces himself to vomit it up.

In the present, a Scotland Yard delegation goes to Russia to interrogate Lugovoi. His prosecutor, Barsukov (Colm Feore), noted that Barsukov is the man responsible for imprisoning Sasha earlier. Still, he didn't really merit a mention aside from the fact that he reappears here, explains to the police why Sasha's story makes no sense. Barsukov subtly implies that Sasha may have been a terrorist trying to kill Lugovoi and his men (as evidence, Barsukov points to a man named Dmitry Kovtun (Iwan Rheon), the only one they can find who has suffered at all from the Polonium-210). Still, Hyatt doesn't believe it—especially after positively testing Lugovoi's hotel and Kovtun's plane for the radioactive fingerprint of Polonium-210.

Sasha, delirious and suffering from dementia, has a moment of startling lucidity. He realizes exactly how the plan worked: Kovtun was sent to London with the poison in a lead vial. He was tasked with merely delivering the package somewhere. Still, curiosity got the better of him, he opened the vial and thus was exposed to a small amount of radiation. Sasha insists that both the plan's efficiency and the inability to factor in human nature are KGB tradecraft hallmarks. Hyatt brings his evidence to Barsukov, but they will not extradite Lugovoi, Kovtun, or anyone else. Hyatt gripes about this to Boris, who explains that Russians won't change. They're more afraid of their own people than the international community; they know someone will take them down, but they don't know who, so everyone must die.

Sasha dictates his last words to Marina and has a photo taken to show what they've done. Shortly after that, he dies. In Russia, Putin explains that there is no evidence of foul play in Sasha's death. Marina prepares to address a phalanx of reporters, and Hyatt cautiously tells her that she doesn't have to. Marina announces that the Soviet way of doing things was to rob everyone of joy, then imprison and/or kill those who were unhappy—but they can't take her unhappiness away. She will fight to keep it and won't rest until the world understands why she's unhappy. She goes out into the crowd.