Thursday, January 4, 2024

Fact to Film: AKA Billy the Kid

 

For this edition of Fact to Film, we will take a look at the cast of the epic western Billy the Kid biopic, AKA Billy the Kid. The film is from director Baz Luhrmann (The Great Gatsby, Elvis) and writer Dwight Gallo (Berserker, The Punisher: Last Exit).

















Wednesday, January 3, 2024

Last Resort Films Jukebox: AKA Billy the Kid

 



Now Showing: AKA Billy the Kid

 

AKA Billy the Kid
Genre: Western / Biography / Drama
Director: Baz Luhrmann
Writer: Dwight Gallo
Cast: Austin Butler, Nicolas Cage, David Strathairn, Joseph Quinn, Luke Grimes, Diego Boneta, Jacob Elordi, Emilia Jones, Lorenza Izzo, Matthew Rhys, Virginia Gardner, Ray McKinnon, Scott Haze, Trace Adkins, Steven Ogg

Plot: 1877. Henry McCarty (Austin Butler) is drinking at a saloon in Bonita, a small village in Arizona Territory. The bartender warns Henry that he just sat down in Windy Cahill's seat. Henry says Windy can sit elsewhere and orders a shot of whiskey. Windy Cahill (Trace Adkins) returns to the bar after a trip to the outhouse and takes offense that Henry has taken his seat at the bar. Cahill taps him on the shoulder to get his attention. Henry orders another shot of whiskey, ignoring the surly regular. Cahill grabs Henry and throws him to the floor. Henry's revolver goes flying out of its holster. Henry crawls after the gun, but Cahill grabs him by the leg and begins punching him. Henry manages to grab a glass bottle and hits Cahill in the face with it. Cahill stumbles back. Henry grabs his revolver and shoots Cahill in the chest. Henry is stunned by the action, having never killed anyone before. Henry scrambles out of the saloon. He hops on a horse and begins riding east, toward New Mexico Territory.

Henry rides through the night to get a good headstart on any lawmen or posses who may come after him for Cahill's death. Just as Henry starts to relax and feel safe, he is knocked off the horse by a group of Apache warriors. Henry pleads with them to leave his scalp alone. The Apaches take his horse and his boots and leave him to be dealt with by the harsh elements of the New Mexico desert. Henry walks many miles over the next couple of days through the desert. His feet blister from the hot ground and his lips are cracked and dry from dehydration. Henry begins to notice a vulture flying overhead. He is about to give up and let the vulture feast on what’s left of him when he sees a stagecoach riding nearby. Henry uses every last bit of his energy to wave down the stagecoach.

When Henry wakes up, he finds himself in the home of cattle rancher John Chisum (Ray McKinnon). His blistered feet have been cleaned by John’s daughter Sallie (Virginia Gardner). John tells Henry to enjoy the nursing while he can, because once he’s healthy again he will be back outside. Henry thanks John and Sallie for their help and tells them that his name is Willam “Billy” Bonney. Once he’s able, “Billy” goes outside and sees the vastness of John’s impressive cattle ranch. Sallie gives Billy a tour around the property. Billy makes mental notes of the valuable horses and cattle on the ranch. Billy feigns being too injured to continue walking, so they go into a barn. Inside the barn, Billy sweet talks Sallie, calling her an angel sent straight from the heavens. Charmed, Sallie kisses Billy. The two then roll in the hay.

Pat Garrett (Nicolas Cage) is with a group of buffalo hunters chasing down a herd in the plains of northern Texas. The hunting group manages to surround one of the buffaloes, which Garrett kills with a shotgun blast to the neck. The hunting party begins stripping the beast of its fur. One man cuts the tongue out of the buffalo, happily proclaiming that he heard some tanneries will pay up to 25 cents for a tongue. Once the buffalo is fully skinned, the party gets ready to go out after more. Garrett proposes that they could still use the meat they are about to leave behind, possibly by selling it to Fort Griffin to feed the soldiers. The rest of the party scoffs at the idea since furs are where the big money is at. As the hunting party rides off, Garrett turns the other direction and rides back to his home and to his young Mexican wife Apolonia (Lorenza Izzo). He tells her that their time in Texas must come to an end. Apolonia seems disappointed as they often move, but stands by her husband's decision. He assures her that he has heard there is money to be made around Fort Sumner in New Mexico Territory.

John Chisum, after seeing the liking his daughter Sallie has taken to "Billy", offers him a job herding his cattle. Billy tries to explain that he doesn't know much about cattle, but Chisum insists that isn't an issue and introduces him to Tom O'Folliard (Joseph Quinn), another cattle herder under Chisum's employ. Tom explains the work to him, stating it is hard but simple work. Billy admits that he is just trying to lie low for a little bit, but that since Chisum has been kind to him, he might as well return the favor by doing some work. 

One day, a posse comes by the property led by Jesse Evans (Scott Haze), who announces he is there at the behest of Sheriff Brady to collect a debt that is owed by John Chisum. Chisum and Sallie both try to talk the wild Jesse down, but the intruder sets fire to Chisum's crops before riding off and giving Chisum one more day to settle his debts. Billy rushes over and helps put out the fire. He asks what happened. Sallie tries to explain that the sheriff wants to pay for protection and send a thug over to try to collect. Jesse Evans reports back to Lincoln County Sheriff William J. Brady (Matthew Rhys), informing him that Chisum refused to pay and appears to have hired yet another ranch hand. Brady becomes furious that Chisum would pay money for more labor, but not to pay off his accrued debts. He tells Jesse to make an example of Chisum.

While in bed together, Sallie confesses to Billy that she is worried that Jesse and Sheriff Brady are just going to keep sending more men and causing more damage unless they are stopped. He suggests that maybe he could put together his own posse to keep Jesse and Brady at bay. Sallie thinks the suggestion is sweet, but doesn't think more about it than that. Meanwhile, Pat Garrett and his wife Apolonia make it to Fort Sumner where Garrett is quickly able to find work as a bartender at a rough and tumble saloon in town. Apolonia isn’t impressed by her husband’s new line of work, but he assures her that it will provide a living for the two of them, and hopefully more once she starts popping out all the little Garretts he’s always dreamed of having.

Believing that Sheriff Brady's thugs are going to steal his most valued cattle and horses as payment, John Chisum tasks Billy and Tom with taking nine prime horses deep into his ranch for safekeeping. Chisum tells Billy that if he does a good job he will pretend to not know that Billy has been deflowering his daughter. Billy agrees and he and Tom take the horses deep into the property. When he sees Jesse Evans and his men enter the property, Chisum gets on a horse and goes off to cut them off before they get to the house. Jesse demands payment once again. Chisum refuses. In a split second, Jesse shoots Chisum in the chest with his shotgun, sending Chisum off his horse. Jesse then hops off his horse and follows after Chisum, who has begun crawling away in the dirt and grass. Jesse then shoots Chisum in the back of the head. Having heard the gunshots, Billy and Tom ride their horses back to the house where they find Sallie crying over her father's dead body. When Billy goes over to comfort her, she asks him if he was serious about starting his own posse to go after Jesse and Brady. Billy nods.

Billy and Tom head into town and go to the local saloon where Pat Garrett is tending bar. They order a couple of whiskeys. Billy slams his down and stands up on a table. He asks every man who knew John Chisum to raise their hand. A handful of men follow the instruction. Billy informs them that Chisum was murdered and he aims to form a posse to go after the men responsible. Dave Rudabaugh (Luke Grimes) steps up and says he will ride with them. Pat tries to break up the commotion and get the group to take their business outside of the establishment. Billy downs one more whiskey before obliging. Billy, Tom and Dave all head outside. After they leave a few more men join them, including Jose Chavez (Diego Boneta). Billy brings them all to the Chisum property to describe the events of Jesse Evans killing John Chisum. They decide to call themselves The Regulators.

Unable to locate Jesse Evans, Billy decides that they should go after Sheriff Brady since he was the one really calling the shots. They wait behind an adobe wall near the Sheriff’s station for Brady to come outside. Once he shows his face, Billy and the other Regulators all open fire on Brady, hitting him with a dozen bullets to the chest. Billy comes out from behind the wall and stands over Brady as he is bleeding out in the streets of Lincoln. The sheriff’s deputies come outside to investigate the commotion. When they see Billy, he stares them down, telling them that they could be next if they aren't careful about their next decision. The men take off their badges and leave the area. Billy and the Regulators go back to the Chisum property. Billy tells Sallie that they killed the man who ordered Jesse Evans to kill her father. Sallie kisses Billy, thanking him. He tells her that he can’t stay there since it will be the first place the law will look for him. 

New Mexico Governor Lew Wallace (David Strathairn) is informed of the murder of Lincoln County Sheriff William Brady. He suggests that one of the deputies is appointed as interim Sheriff until the next election year. Wallace is then informed that all of the deputies resigned for fear of their lives. Wallace is annoyed by this and plans for an election for county sheriff to happen at once. Wallace travels by stagecoach to Lincoln to oversee things personally. The election is announced without any official nominees. Pat Garrett hears about the opportunity and throws his hat in the ring. With no one running against Garrett, Governor Wallace names him as the new Sheriff of Lincoln County. Wallace tells Garrett that he expects his first act as Sheriff to be the arrest of those who killed his predecessor. Wallace says he will put a $500 bounty on Billy the Kid’s head to help encourage his capture.  Garrett informs Wallace that everyone in Lincoln knows that “Billy the Kid” and his Regulators killed Brady, but that most of the town either agrees with the act or are afraid to speak up. Wallace tells him to get the job done or it won’t be his for long. Garrett goes home and tells his now very pregnant wife Apolonia about the new job. She is excited for her husband until he tells her about his first task. She is worried that he’ll end up like Sheriff Brady. He assures her that that won’t happen to him because he isn’t corrupt like Brady was.

Billy and the other Regulators begin to bounce around from small town to small town throughout New Mexico Territory. They are surprised and pleased to find that their actions against Sheriff Brady are received favorably in most small towns with the townsfolk happy to see them stand up against corruption while the local police forces are too afraid to end up like Brady to confront them about anything.

Pat Garrett follows a pattern in sightings of Billy the Kid and the Regulators, predicting that they will be passing through Fort Sumner next. He rounds up a posse that he officially deputizes to serve under him. Garrett and his new deputies hit the trail toward Fort Sumner. Along the way, he orders his men to follow his lead and do exactly as he says if they cross paths with the Regulators. Billy, Chavez, Dave and Tom ride into Fort Sumner, but they find the streets are deserted. Garrett and his deputies open fire on the Regulators from rooftops in town. The Regulators jump off their horses and run for cover, but Tom is shot in the back by a shotgun blast in the process. Billy braves the gunfire to drag his friend to safety, but Tom is dead by the time Billy gets him to cover. Garrett tells his deputies to hold their fire. He comes out from cover and tells Billy that he has informed the nearby Army of their presence and they are on standby to assist in their capture if called upon. Billy, Chavez and Dave surrender to Garrett’s deputies. Garrett informs them that they were wanted dead or alive and will now be brought to the capital city, Santa Fe, to face justice and most likely be hanged to death. Billy, Chavez and Dave are shackled and loaded on a train bound for Santa Fe. 

While in his jail cell, Billy writes a letter to Governor Wallace to seek clemency on his charges after he is deemed guilty and sentenced to death by hanging. Wallace thinks it is important for the people of Lincoln County to see Billy executed there. He orders Garrett to move Billy back to Lincoln and begin to make arrangements for his hanging. On the stagecoach to Lincoln, Garrett tells Billy that he really isn't so different from himself in his younger years, but that the way he went about things was all wrong and people died because of it. Billy looks Garrett in the eyes and asks how he would have handled things instead. Garrett has no answer and they ride the rest of the way to Lincoln in silence. 

Billy is held under guard on the top floor of the town courthouse in Lincoln. Pat Garrett is called away from the courthouse, informed that his pregnant wife Apolonia has just gone into labor. Deputy Bob Olinger (Steven Ogg) is tasked with keeping guard over Billy in Garrett’s absence. Billy asks to be taken to the outhouse, but Olinger at first refuses. Billy gets louder and more annoying in his request until Olinger finally gives in. He takes Billy outside to the outhouse in chains. Billy sings while he is in the outhouse as he tries to break out of the cuffs that are keeping him chained up. Finally giving up, Billy exits the outhouse and is led back up the stairs to his cell. On the walk back up, Billy slips around a corner and slips out of his handcuffs. When Olinger follows him around the corner, Billy beats Olinger with the loose end of the cuffs repeatedly until Olinger is on the floor. Billy then sneaks into Garrett's office and finds a loaded shotgun. Olinger gets back up to his feet and follows Billy into the office, but Billy shoots him in the chest with the shotgun, killing him. Billy runs from the building. After tripping several times due to his leg irons, Billy finds an ax and uses it to free his legs. Billy steals a horse and sings as he rides away from Lincoln. 

Garrett sneaks out of the house as Apolonia and his new baby are both sleeping in the morning. After kissing them both on the forehead, Garrett returns to the courthouse in the morning to find Olinger dead and Billy the Kid escaped. Garrett frantically searches the area around the courthouse, but it would appear that Billy the Kid is long gone. Garrett informs Governor Wallace of the situation. Wallace angrily tells Garrett that if he wants a career as a lawman, then he better track down Billy the Kid and bring him to justice. Garrett questions whether hunting down one young man is really worth all the expense and effort expended so far. Wallace refuses to hear more from Garrett and simply orders him to do his job and kill Billy the Kid.

Billy rides back to Fort Sumner where he runs into an old acquaintance, Pete Maxwell (Jacob Elordi). Billy offers to pay Maxwell to hide him on his father's massive ranch outside of town. Maxwell is a bit apprehensive, but Billy persists and Maxwell agrees. Billy and Maxwell ride to the family property where they are greeted by Pete's sister Paulita Maxwell (Emilia Jones). Billy finds himself immediately attracted to Paulita's looks, while she is taken by his roguish charm. The three have dinner where Pete becomes uncomfortable with the attention Billy and Paulita are paying to each other. Pete tries to talk to Billy about where he plans to go. Billy looks around and says that the Maxwell ranch is as good a place as any to be. After dinner, Pete tells Paulita to set Billy up in a guest room. Pete then goes to bed himself. He is awoken in the middle of the night by the sounds of Billy and Paulita having sex in another room. 

Billy accompanies Paulita into the town the next morning for groceries. She asks him if he’s afraid to be seen in public given the bounty on his head. Billy laughs and loudly announces that Billy the Kid is in Fort Sumner. He gives Paulita a kiss, telling her that the people of New Mexico Territory like him more than they like the law. Pete is further angered when he sees Paulita and Billy return together from town. Pete pulls Billy aside, angrily telling him that he doesn’t want him around Paulita for the sake of her safety. Billy tries to calmly assure Pete that she is perfectly safe with him, but Billy’s words do not put Pete at ease. Pete then says that safety isn’t the only concern. He also doesn’t like the idea of his only sister gaining a reputation for romancing with a known outlaw.

After another night of listening to Billy and Paulita in the other room, Pete announces in the morning that he must attend to some business in Lincoln and that he should be back in the next day or two. Pete rides to the Lincoln County courthouse. He pulls down the “wanted” poster of Billy the Kid and brings it to Pat Garrett. Pete tells Garrett that he can give him the location of Billy the Kid. Garrett curiously eyes Pete and asks what he wants in return. Pete tells Garrett that he wants his sister to remain safe and unarmed during the capture. Garrett agrees. The next day, Pete Maxwell and Pat Garrett ride together to Fort Sumner. 

Pete Maxwell and Pat Garrett wait in Billy's room in darkness. Billy enters the room and can see the shadow of a person. At first he asks if Paulita is in there waiting for him. But when he doesn't hear her answer, Billy begins to worry. Garrett draws his revolver and fires at Billy twice. One bullet hits Billy in the chest just above the heart, while the other goes into the wall behind him. Billy is stunned by the chain of events and begins to drag himself away, leaving a bloody streak through the hallway of the house. Garrett follows after him, patiently waiting for Billy to bleed out and die. Paulita stumbles upon the scene and begins to hit her brother in anger. She berates him for having Billy killed. Pete holds Paulita, squeezing her so that she cannot swing her arms at him. He whispers in her ear that it was for the best.

Feeling unfulfilled by the conclusion of his hunt for Billy the Kid, Pat Garrett rides to Santa Fe and turns in his sheriff badge to Governor Wallace. He tells Wallace that he wasn’t upholding the law by killing Billy, he was acting as nothing but a common assassin. Garrett then asks to collect the bounty, but Wallace refuses to pay him. Garrett trashes Wallace’s office. Wallace threatens to have Garrett arrested. Garrett dares Wallace to try before walking out of the governor’s office. Garrett returns home to Apolonia and their new baby. He tells her that he doesn’t think that a lawman is a good line of work for a family man. Apolonia assures her husband that she doesn’t care what he does for a living as long as he comes home to her at the end of the day.


Tuesday, January 2, 2024

Release: Beasts

 

Beasts
Genre: Fantasy/Horror/Thriller
Director: Alfonso Cuaron
Writers: Jimmy Ellis & Chad Taylor
Produced by Hill Valley Entertainment
Cast: Florence Pugh, Anya Taylor-Joy, Adam Driver, Lee Pace, Christopher Abbott, Dev Patel, Tobey Maguire, Lauren Ridloff, Georgina Campbell, Patrick Stewart




Budget: $75,000,000
Domestic Box Office: $45,002,805
Foreign Box Office: $51,438,001
Total Profit: -$41,773,079

Reaction: The relatively big budget for its genre, mostly due to its A-List cast and complex production design, and the R-rating may have contributed to this one losing so much money at the box office. Ellis and Taylor being two of our most successful writers, but their co-written projects have been hit or miss at the box office.



"Such a dirty natured but original film that should be considered LRF's classic in it's Gothic horror selection. Pugh delivers a career best as the entire supporting can't deserve anymore praise since they only make Pugh's performance toward being the highest grade. Alfonso Cuaron creates his next best masterpiece since Children of Men." - Chet Buckley,  MovieWeb




"I found Beasts to be very visually and conceptually interesting. A lot of effort clearly went into the tone of the film and creating its tribal world. The characters though suffered as a result. Not enough time was spent to really develop them outside of their roles in the tribe. When Tobey Maguire's Stranger showed up I was expecting his presence to really shift things, but  his character had less of an impact on the story than I would have guessed. I just wish the filmmakers cared as much about their characters as the inventive world they built around them." - Woodrow Nelson, Baxter Bulletin


"Beasts offers a unique and intriguing premise set in a remote mountainous tribe with polyandrous customs and mysterious supernatural elements. However, the script falls short in terms of clarity, leaving viewers struggling to grasp the world's intricacies and the significance of certain rituals. The rapid pacing and underdeveloped characters hinder emotional engagement, while unexplained mythology and unresolved plot threads leave the audience wanting more context and closure. Despite its promising concept, Beasts requires further development in character depth, world-building, and narrative coherence to fulfill its potential." - Ted Milo, Montasefilm





Rated R for violence, sexuality/nudity, disturbing imagery and thematic material

A Second Look: Oh Deer

 

Welcome back for another edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes.

Jacob Jones has easily been the LRF writer to cater most to families and animation fans over his seasons with the studio. With his latest entry Madeline in theaters this round, I decided to take a look at one of his earliest animated efforts - Oh Deer. When it was first released, I did not care for Oh Deer one bit. It felt too childish and episodic, even for an animated film.

Taking a second look at Oh Deer now, and my opinion did not improve. In fact, it got worse. The story in Oh Deer is basically non-existent and completely lacking in any kind of stakes or urgency. The deer characters want to find the perfect berry bush. Why? Because the berries might taste really good. So they decide to wander toward the bushes, occasionally meeting some other animal. Are these berries going to improve their lives or do anything other than taste good? Nope. And then in the end we get a speech about how the friends they made along the way are important than any berries. It felt more like an episode of an animated cable show for very young children than anything that belongs in on the big screen.

While I did dislike Oh Deer more this time around than I did back in Season 14, I can thankfully say that Jacob Jones has gotten much better at writing these types of films since his first attempt.

Original Grade: D+

New Grade: D-


Monday, January 1, 2024

Now Showing: Beasts

 

Beasts
Genre: Fantasy/Horror/Thriller
Director: Alfonso Cuaron
Writers: Jimmy Ellis & Chad Taylor
Produced by Hill Valley Entertainment
Cast: Florence Pugh, Anya Taylor-Joy, Adam Driver, Lee Pace, Christopher Abbott, Dev Patel, Tobey Maguire, Lauren Ridloff, Georgina Campbell, Patrick Stewart

Plot: Sombre songs fill the air as a village of people surround a wooden pyre, with four women singing behind it. A body lay on the pyre, and one by one, only the women of the village, walk to the pyre and place a piece of clean cloth onto the body. Una (Florence Pugh), a heavily pregnant woman climbs the steps with the help of one of her husbands, Kip (Christopher Abbott). Instead of a cloth she places an ornament next to the body. As the women continue walking, we can see that the later people are less well off, as they have less to offer. Val (Anya Taylor-Joy) walks to the stand with Sul (Dev Patel), their hands holding each other’s. As Val walks up the stairs, the hands separate. Val does not have much to give other than the hand-crafted jewel around her neck. She places it on the pyre and walks away. As we reach the end the singing stops. One of the women walk towards the pyre and lays on it with the dead. Another grabs a torch and lights the wooden pyre on fire, burning the dead, the giving’s and the alive woman.

These peoples live in a remote mountainous region where they operate on a collective farming basis. Because habitable land is limited, each family is allotted a certain amount of land and, in order to prevent overpopulation and overuse of their resources, they practice polyandry (one wife, multiple husbands). In terms of gathering meat, their main reliance is on the dog population in the region, who act as their hunters. For plants, the better your harvest, the more power you have in the tribe. Because they've gone so long without contacting another tribe, they do not have a name for themselves.

Tor (Lee Pace) and Mik (Collin Farrell) sit in the distance, watching these proceedings and eating some type of hallucinogen. They are Una's other two husbands alongside Kip. There is not much talk between the two of them. Tor breaks the silence by asking who he thinks is going to be the next pick to lead the tribe. Mik shrugs and asks who knows what is going on in the mind of the Soothsayer. Tor mutters to himself that he hopes it's not Una. Mik tells his fellow husband not to worry, they wouldn't kill the baby or anything. He makes a look as if he's unsure of his own answer.

The tribe members stay gathered as they wait in anticipation of some news. The Communicator (Lauren Ridloff), the messenger for the Soothsayer, emerges from a caved hut. She immediately begins signing the words from the spirits as delivered by the Soothsayer. Una, now reunited with all three of her husbands, whispers the words to Mik as he does not understand sign language. The Communicator begins that with the passing of Mum, the Soothsayer is to be granted a new wife. One that shall give their farms the best chance of growth and prosperity. She will not have the luxury of bearing children, nor will she practice polyandry as the other women in the tribe. The Communicator then announces that the new mother of the people is....Val. Una stops her whispered translation as she is shocked at the announcement of Val, her cousin, a peasant of the village. At the back of the gathering, Val stands in the arms of Sul, a look on her face of disbelief. She holds Sul tight as he does her before she is ripped from his arms by other villagers who take her to the front, cheering and rejoicing. She stands before the others, unsure. The Communicator puts her on her knees before slicing the throat of a goat, the blood sprays over Vul. The Communicator signs to the audience, “Mum" as the audience begins chanting it. Mik rolls his eyes and leaves.

Tor wakes in bed with Una. He walks toward the door of their hut and past Kip who is making Una some breakfast. Kip mentions that he heard some grumblings from the dogs last night. Tor mentions that he will check on it. Tor heads out the door and toward a fence, inside the fenced off area are 3 dogs, his hunting dogs. He lets them out and walks off into the forest. Mik comes from using the toilet, in his hand is a drinking horn, obviously inebriated still from the night before he tells Kip that he doesn’t think Val is right for their leader. Kip tells him to go cool off in the watering hole and go sleep, he knows Una does not like him when he has been drinking. Mik scoffs but does indeed do what Kip tells him. Una awakes and walks to Kip kissing him. He hands over the food, she sits down as Kip massages her shoulders.

Val returns to her hut under the guidance of The Communicator. She gathers some of her belongings, before saying goodbye to her home. Sul arrives and tries to talk to her, he is stopped by The Communicator but he pleads his case. Val tells The Communicator to leave them. She has no choice but to obey the Soothsayer’s wife. Sul hugs her and tells her that she need not do this. Val disagrees, with a tear coming from her eye, saying that she must, she must obey the Soothsayer, she wishes there was another way but there isn’t. She gives Sul a hug one last time before leaving. She walks past the inebriated Mik as he spits on the ground looking at her.

Tor returns from his hunt with the dogs, only finding one deer. He carries the deer into the marketplace and sells it to the butcher, while sending the dogs back home.

As the dogs return home, Kip is there to greet them. He sense something off with the dogs however as two begin growling at one another, something they haven’t done since pups. Kip places chunks of meat in a bowl for them, and the growling subsides. Perhaps they were just hungry?

Una meets with her midwife Nia (Georgina Campbell) at the designated spot for birthing. The two of them have been close since childhood. Nia checks on the progress of the baby and says that the pregnancy is progressing well. Nia says she is happy for Una but Una doesn't want to talk about herself, instead asking about Nia about her husbands and daughter. Their conversation is interrupted when a strange figure walks outside of their hut. The two of them look worryingly to each other and Una goes to get a closer look.

A man (Tobey Maguire) wanders down the path without any clear direction of where he's going. Nia looks to Una, who is telling her friend to leave it alone. But Nia decides to inquire and she asks the man what he is doing here. He gently apologizes and says he doesn't know where he is. She tells him that this tribe is not going to be accepting of an outsider so he should turn back. He apologizes again and says that he doesn't know where he came from. Or even who he is. Nia grows sympathetic upon hearing this. She deliberates what she should do as Una watches on nervously in the background. She eventually decides to bring him into the hut. She says that he should stay here and hopefully his memory will come back to him and he can return to where he came from. She reiterates that this must be kept a secret between the three of them.

Una walks back to her home, a little uneasy about what just occurred. When she arrives back to her home, Mik is passed out face-down in the front lawn. from inside, Tor is cleaning but looks out to Mik disapprovingly. When she enters, he mutters that Mik is an embarrassment to their entire family. Una asks what she wants him to do about it and tells him he should sort it out. Kip, who appears to be napping in the background, cracks a smile upon hearing her say that to Tor. Tor asks how the check-up with Nia went and she says the pregnancy appears to be on track. He smiles and kisses her forehead, saying that he looks forward to the joy it will bring to this family. As they hug, Una's smile shifts to a frown as she feels guilty about harboring a secret.

Val sits in a chair in what looks like a court. She is approached by The Communicator. The Communicator tells her that her cousins’ birth is going well. Val smiles. She then adds that Sul is still attempting to see her. Val asks whether there is anything against seeing a friend. The Communicator shakes her head but warns her against developing more feelings for Sul. Val says she knows her duties and takes them as serious as Mum did.

Una wakes up in the middle of the night with an intense pain in her stomach. She stands to walk out of the bedroom, stepping over a sleeping Mik on the floor. She walks toward the entryway and once more the pain happens, at this time the dogs begin growling and barking like crazy. Kip is woken up by the barks and heads out to quiet them down. He sees another dog out the front of their fencing and shoos it away. Two of the dogs turn to him and begin growling. He grabs some meat and throws it in there for them to eat, the growling subsides. He heads back inside and sits with Una. The two of them sit in silence for a moment before Kip asks what she is doing up. She says that the baby was kicking like crazy, she just couldn’t sleep. She then says that there is something else on her mind too. She tells him about the stranger Nia welcomed into the birthing hut today. He wonders why she would do such a thing; she knows the rules on outsiders. He says that the man must be taken to Val in the morning. Una agrees. Kip changes the subject telling her about the dogs acting up lately, they have been angry at each other and with him. He wonders why they start now when they have been good for the past 3 years. Una does not have an answer.

Tor awakens and Mik is at his side. Tor, unsettled by this, scrambles to find his knife but Mik tells him to relax. He's hear to deliver the news that Una's baby is Mik's. He laughs and says he's kidding. He came because he overheard Una talking to the youngest husband.

Sul wakes up in the morning to loud barking. He wanders out to find his dog destroying some of his plants--one of the few things he has to his name. As he goes to shoo them away, his foot gets caught in a divot and the dogs turn their attention to him. Their growling gets closer as hurries to free himself before finally doing so, grabbing a nearby scythe to diver them. He begins heading out to other settlements and finds that every dog in the tribe is acting this way and people are waking, afraid of what is happening.

Meanwhile, Una stealthily traverses the path before arriving at the birthing hut, only to discover that the stranger is not there. Her hands start to shake as this worries her. On her way back home, she finds people gathering at the tribe's meeting place. People are both angry and worried about the situation with the dogs and plants. Val emerges from her cave and realizes this is the first crisis on her hands in this role. Una stumbles through the crowd and finds Nia, asking if she did anything with the stranger. She shakes her head. Una says that he's not there. Val quiets the gathering crowd, who begin to murmur "mum" under their breath. She says that she and the Communicator will consult with the Soothsayer about this. The Communicator nods but, before they can leave, there is shouting in the distance.

Mik and Tor slowly walk towards the crowd dragging the stranger on the ground with them. He pleads for mercy as he does not know who he is or where he is from. The tribe immediately turns hostile towards this outsider while Nia tries to vouch for him. Kip makes his way to Una to escort her back to their hut, afraid that things could turn bad here. The crowd begins aggressively chanting "mum" and Val, totally flustered, leaves to see her husband.

In a chilled chamber within a cave, a man sits in the shadows. His breathing is audible. The Communicator guides Val to meet her husband for the first time. For the last forty years, the only people who have seen him are his previous wife and the Communicator. He emerges from the shadow and a chill is sent down Val's spine. The Soothsayer (Patrick Stewart) is missing part of his front cranium, with withered scar tissue where his eyes once were. He begins speaking a language that no one in the tribe can speak, although the Communicator can translate it. Val watches on edge as this process unfolds. After saying what he needed to say, the Soothsayer begins violently wailing. Val backs up against the cave wall, wondering if she is in danger. The Communicator leads her out and back towards the crowd.

The crowd eagerly anticipates the Soothsayer's message. The Communicator gives Val a look and, as she begins to sign, Val translates it in real time. The words together form a nonsensical sentence but Sul, watching on from the crowd, immediately recognizes this is a direct communication with the spirits. The stranger begins convulsing and Mik and Tor both let go. He begins to transform into a creature of some sort but Tor, not taking any chances, sticks his spear straight through the stranger's half-man-half-beast skull. "They're back," Sul mutters to himself. He keeps saying it getting louder and louder. The crowd are frantic and begin running, Val watches on. Mik and Tor look at the dead body, head morphed in between human and beast. They look to Sul who stares at the body. Val yells out for peace, for everyone to remain calm but she can not contain the chaos.

Sul retreats to his hut, finding his dog going crazy in its cage. He searches for books in the hut and comes across one, passed down from generation to generation.

Mik and Tor walk around the whole village and, upon seeing the dogs bark, begin grabbing them one by one and taking them into a fenced area.

Val returns to The Communicator, asking if they should seek The Soothsayer. The Communicator tells Val that he has done what he can, she is on her own. Val leaves The Communicator and immediately makes her way to Sul’s hut.

She stands in the doorway as Sul reads his texts. Val questions him startling him, “You know what this is?” He tells her, his mother read stories to him, a time when beasts roamed the lands. He tells her that there was a time when some humans partook in rituals. These rituals were deemed dark by many, after these rituals took place there were rumors. Rumors that these people could shift their bodies into that of a beast. He continues saying that these people were banished to the outer rim of civilisation. He thought that they were long extinct due to them only being able to conceive in beast form, but if today is anything to go by they could be roaming their lands as they speak. Val says she must tell the Soothsayer that they need the help of the spirits. Sul says that she came to him for a reason, she knows he can help, he may be one of the only ones that can. There is eye contact for a moment, and Val kisses Sul, despite knowing that she is linked to the Soothsayer.

At home, Una feels a sudden kick and then realizes she is going into labor. She begins hobbling her way to the birthing hut and tells Kip to retrieve Nia.

Meanwhile, Mik and Tor are out searching for Val, as they do not know what they should do with the dogs, disagreeing at every corner. The two of them spot Val walking from Sul’s hut. They approach her with Mik questioning her faithfulness to the Soothsayer. She says that Sul has some insight into the beast before asking what it is they want. They tell her they have gathered all the dogs and asks what they should do with them, kill them (Mik’s ideal outcome) or set them free in the forest (Tor’s ideal outcome), let the beasts run wild. Val looks to them both and decides: kill them. Tor protests, seeing as the dogs are key to the tribe's hunting methods. Val steps closer to Tor and whispers "these are no dogs".

At the birthing hut, Kip holds Una's hand as Nia helps Una through the process. She is in tears through the pain as she continues to push.

Mik runs to the fenced area and throws a flame into the pit. Tor opens a gate to let his three dogs run free, without Mik seeing him. The trapped dogs don’t even wince in pain, they just bark, and growl until there is silence. Mik and Tor look around at the village as silence fills the air.

Nia becomes worried that something might be going wrong so she requests that Kip whisper a lullaby to his wife. Una closes her eyes.

Hold tight, my dear
The dreams are on their way
Sleep not in fear
The dreams are on their way
To the moon, to the sun
To the spirits that we pray
Hold tight, my dear
The dreams are on their way

When Una opens her eyes, she finds Nia looking shocked. Kip lets go of his wife's hand and goes to see the baby. Nia backs away, now totally in shock as Kip steps up to finish the job and help pull the baby out of Una, who can still not see what is going on. She repeatedly asks for an update. The camera turns to show the head of a rabid canine emerging from Una. When Kip pulls the "baby" from his wife, he debates showing her but she demands to see it. He turns to reveal a malnourished beast in his arms that begins to growl.

Smoke still smolders over the village as Mik and Tor sit on the mountainside contemplating their actions. The eery silence is disrupted by repeated horrific screams from Una.

BEASTS


Release: Madeline

 

Madeline
Genre: Animation/Family
Director: Steve Martino
Writer: Jacob Jones
Based on the book series by Ludwig Bemelmans
Voice Cast: Miriam Spumpkin, Meryl Streep, Hugh Bonneville, Ariel Winter, Shiloh Bearman, Quinn Copeland, Malachi Barton, Hayley Faith Negrin, Aria Kane, Thea Eddey, Hadley Belle Miller, Venus Schultheis, Mariel Sheets, Kensington Tallman, Emma Watson



Budget: $66,000,000
Domestic Box Office: $66,338,849
Foreign Box Office: $73,665,444
Total Profit: $33,583,004

Reaction: Madeline is a solid success for the studio and writer Jacob Jones, becoming his most profitable animated film since Khumba the Flying Zebra back in Season 24. 



"Madeline is a lovely film. I found  myself admiring of its charm. I love how faithful the film is to its source material, never changing too much about each character, reminding you why you grew to love Madeline and company in the first place." - Grozdana Marin, Vulture





"While the story of Madeline itself is fairly well-written, albeit a bit too episodic at times, I must say there are too many characters to keep track of, with Madeline herself the only one that stands out even a little bit. The voice-casting is a mixed bag at best though, with the age difference between the child characters frequently distracting where 20-somethings and actual young children are voicing peers."- Sara Karlsson, Willamette Week



"Madeline is difficult to truly assess as a film, but I will try to be as fair as possible. It feels more like a children's television program at times with the simple moral messaging of its storytelling. I had trouble keeping track of all the girls, with few doing much to distinguish themselves in the story or voice-acting. Not to say it is bad, but it is definitely more cute than good. All that said, I will settle for cute with this one as this is not a film made for me. I'd certainly rather my daughter watch this than some of the other children's dreck other studios have released lately. Madeline is easy, inoffensive family fare." - Eric Marsh, Denver Post






Rated PG for some crude elements and thematic material