Thursday, December 4, 2025

Release: Coriolanus

 
Coriolanus
Genre: Historical/Epic
Director: David Lowery
Writer: Jimmy Ellis
Based on the play by William Shakespeare
Cast: Alexander Skarsgard, Ben Foster, Jason Isaacs, Barry Keoghan, Rose Leslie, David Morrissey, Stephen McHattie, Damian Lewis, Rene Russo




Budget: $75,000,000
Domestic Box Office: $39,289,444
Foreign Box Office: $72,333,204
Total Profit: -$27,999,129

Reaction: It was probably too much to hope for to have two financially successful Shakespeare adaptations in one season. This one cost a little more and grossed a little less than Macbeth did, which resulted in the losses here.



"David Lowery’s 'Coriolanus' transforms Shakespeare’s brutal Roman tragedy into an earthy, introspective epic. Alexander Skarsgard delivers a fierce, wounded performance as the proud general undone by politics and pride, while Ben Foster’s Tullus Aufidius seethes with restrained menace. Lowery’s direction blends mythic with realism, framing ancient power struggles in poetic, painterly imagery. The film occasionally succumbs to its own austerity, its deliberate pacing and stoic tone can feel remote, yet its emotional nuance, especially through Rene Russo’s formidable Volumnia, gives it soul. 'Coriolanus' is intelligent, and unflinchingly tragic." - Shawn Moseby, Fresno Bee 


"David Lowery’s Coriolanus is a haunting, austere adaptation of Shakespeare’s underappreciated tragedy, delivered with painterly dread and political intensity. Alexander Skarsgård is magnetic as the brooding war hero turned exile, embodying both stoic nobility and dangerous pride, while Ben Foster’s Aufidius simmers with controlled menace. Lowery’s signature visual lyricism finds a stark, brutal beauty in the film’s ancient battlefields and candlelit Senate chambers. The film's slow pacing may test viewers expecting conventional thrills, but what they do get is visually intriguing and rich." - Sandy Glavine, Atlanta Constitution-Journal 


"As gorgeously composed as it is dramatically uneven, Coriolanus feels more like an exquisitely curated museum piece than a fully alive film. Skarsgård looks the part but his internal struggle rarely pierces the marble-like stoicism he’s buried under. David Lowery directs with solemn ambition, but the film’s refusal to modernize the political urgency or provide emotional stakes beyond stiff speeches renders it more inert than moving. It’s a noble failure — a well-crafted dirge that forgets to bleed." - Perry Manson, CinemaBlend.com









Rated R for violence, sexual content/nudity, and thematic material.






Wednesday, December 3, 2025

From the Desk of Alfie Ellison, VP of International Development: Fade to Gray

 

Last Resort Films is proud to announce Fade to Gray, a powerful character study set against the dying embers of the Golden Age of Hollywood. Four time solo acting nominee, Wyatt Russell (Doctor Love, Wish You Were Here, Everything Will Be Alright, The Hippie Preacher) will headline the film as Roy Kellerman, a once-iconic cowboy star now navigating the unfamiliar terrain of New Hollywood.

Set in 1967, Fade to Gray follows Roy as he’s offered a bit part in an indie film helmed by a young, untested director. With the Western genre in decline and the studio system collapsing around him, Roy is forced to confront what’s left of his identity—and decide whether to fade quietly into obscurity or step into the new world of cinema.

At the helm is James Mangold (A Complete Unknown, Cop Land, The Lone Ranger), one of cinema’s most emotionally grounded filmmakers. Known for his work with fading legends and rugged introspection, Mangold brings a muscular, melancholic touch that promises to honor the film’s themes of reinvention, regret, and the brutal honesty of aging in an industry obsessed with youth.

Russell, closely involved in shaping the project, describes it as “a story about pride, reinvention, and what happens when the world moves on without you.”

At Last Resort Films, we’re drawn to stories about transformation—and Fade to Gray promises to be just that: soulful, stylish, and unexpectedly human.

For inquiries, please contact LRF Vice President of International Development Alfie Ellison.

Fade to Gray
Project Details
Set in the 1960s. In the twilight of his fame, a former cowboy star struggles to stay relevant as New Hollywood redefines cinema. Offered a small role in a daring indie film, he faces a choice between clinging to the past or evolving with the changing world.
Attached Talent
Star Wyatt Russell
Director James Mangold

Now Showing: Coriolanus

 
Coriolanus
Genre: Historical/Epic
Director: David Lowery
Writer: Jimmy Ellis
Based on the play by William Shakespeare
Cast: Alexander Skarsgard, Ben Foster, Jason Isaacs, Barry Keoghan, Rose Leslie, David Morrissey, Stephen McHattie, Damian Lewis, Rene Russo

Plot: 496 BC
The Battle of Lake Regillus between the Roman Empire and the Latins rages on. The speed of which the Romans attacked in the battle allowed for them to face the Latins and did not give the Volscian forces time to join against Rome. Merely a man, albeit a patrician man, on the battlefield, Caius Martius (Alexander Skarsgard), takes on three Latin men on his lonesome. His sword is knocked from his hand. Martius rises as a Latin soldier swings a blade, he ducks it, grabbing the mans arm to use the blade to block another. He breaks the man’s arm before grabbing the blade for himself. He slices the man’s throat before moving to the next two. He easily dispatches the other two before continuing on in the war. We follow him until we eventually hear a horn, sounding the retreat of the Latin people and the war being won by the Romans. Martius celebrates with the rest of the Roman Empire.

Late - 493 BC
We begin in Rome, with the plebeians revolting against their rulers, the patrician elite, accusing them of stockpiling grain while the plebeians go hungry. Instead of accepting a tax imposed by the Senate, the plebeians demand the right to regulate the price of grain, and they name Caius Martius, a patrician general and war hero as the principal enemy of the people. Menenius (Jason Isaacs), a patrician and a friend of Martius, intercepts them on their approach to the Capitol, telling the mob that the patricians have their best interests at heart. He compares the role of the Senate in Rome to the role of the stomach in the human body: The stomach serves as a storehouse and collecting-place for all the nutrients and then dispenses them throughout the rest of the body; similarly, the patricians collect and dispense grain to the entire city.

As Menenius and the rioters argue, Caius Martius himself arrives, cursing the mob and referring to them as dogs and cowards. The Senate has agreed to enable the plebeians to elect five "tribunes," or representatives, to represent their interests in the Roman state, he tells Menenius. A messenger hurries in at that time, bringing word that the Volsces, one of Rome's most vehement opponents among the Italian tribes, are preparing for war. Martius claims that the conflict will benefit their city, pointing out that the Volsces are led by a brilliant general, Tullus Aufidius (Ben Foster), whom he admires as a worthy foe.

Caius meets with senators to discuss the military strategy. They appoint Cominius (David Morissey), Rome's leading magistrate for the year, and Titus Lartius (Stephen McHattie), another aristocrat, to lead the upcoming battle. Martius will serve as Cominius' lieutenant.

In the meantime, the plebeians have chosen their tribunes. Sicinius (Damian Lewis) and Brutus (Barry Keoghan) are two of those who have been monitoring Martius' behavior and have both commented on how pompous and controlling he is. Sicinius is concerned about how he will cope with being under Cominius' direction. Still, Brutus points out that by serving as second-in-command, Martius would be spared guilt if things go wrong while receiving full credit if things go well.

We now travel to Corioli, a Volscian city, where Tullus Aufidius, about to embark on his attack on Rome, informs the Senators of Coriolis that the Romans are already prepared for his invasion. On the other hand, the senators doubt the Romans' readiness and advise Aufidius to lead his army into battle as planned, returning only if the Romans arrive and besiege Corioli.

Meanwhile, in Rome, Caius Martius' mother and wife, Volumnia (Rene Russo) and Virgilia (Rose Leslie), are sewing together. Volumnia explains to her daughter-in-law how she nurtured Martius to be a brilliant soldier and enjoys his wins more than a husband's hug. She expresses her desire that in the impending conflict, he will destroy the Volscians and Tullus Aufidius, and stresses on the beauty of bloody wounds. Valeria, a Roman noblewoman, pays the two women a visit, and the three discuss Virgilia and Martius's son, who shares his father's enthusiasm for physical activity and fighting. Then, Valeria tells them the news from the battlefield--while Cominius has taken part of the Roman army to meet Aufidius's forces in the field, Titus Lartius and Martius are leading the rest of the army in a siege against Corioli.

Martius and Lartius lead their men on a day’s journey from Rome to Corioli, stopping on the way. The two of them converse with Lartius asking Martius what he wants from all of this. Martius says that he wants to put an end to Aufidius and bring joy to Rome.

The Volscian Senators gather at Corioli's walls to debate with Martius and Lartius. They send out what men have stayed behind in a sortie against the besiegers, warning the Romans that Aufidius' army will return shortly to rescue their city. The Volscians push the Romans back to their trenches, but Martius curses his soldiers for their cowardice and leads them all the way back to the city gates. However, he is cut off from his men and confined within the walls of Corioli during the conflict, and Lartius fears he is dead. Martius, on the other hand, holds off the Volscians on his own, forcing the gate open allowing the Roman army to rush in and conquer the city.

The destruction of Corioli begins, and Martius, wounded and bleeding, joins the army to fight alongside Cominius' forces against Aufidius' men. Cominius, whose army is retiring, has not yet heard of Corioli's defeat, so the sight of the bloody Martius surprises him, and he wonders if the Romans have been defeated. Martius promises him that Corioli is in Roman hands, then leads Cominius' army against Aufidius' men, seeking out Aufidius for a one-on-one battle. During the battle, the two generals briefly meet, and Martius drives Aufidius and a few other Volscians back as the Roman forces pursue their victory. He has now led the victory over both the city and the battlefield, but he selflessly refuses any portion of the spoils, leaving them all to his men, who cheer him on. He begs them to stop, but Cominius insists that his valour in the capture of Corioli merits him a new name, Coriolanus, and he is proclaimed Caius Martius Coriolanus.

In the meantime, the vanquished Aufidius insults his Roman foe, who has now defeated him five times, and sends messengers to advocate for peace with Rome.

While waiting for word from the battlefield, Brutus and Sicinius chat with Menenius in Rome. The two tribunes criticise Caius Martius, calling him overly proud and an enemy to the common people of Rome; in reply, Menenius tells them that they should look to their own faults before they criticise others, since they are "unmeriting, proud, violent, testy, magistrates, alias fools, as any in Rome." While he is attacking them, Brutus and Sicinius point out that he is not a flawless public servant himself; in fact, he is more recognised as a wit and gossip than as a great politician.

As Volumnia, Virgilia, and Valeria arrive with word of Martius' victory, the two tribunes step aside. While Volumnia describes her son's wounds in this campaign, Menenius expresses gratitude for both his friend's survival and Rome's victory over the Volscians.

Martius, now Coriolanus, enters Rome surrounded by his soldiers and greets his wife and mother. He then makes his way to the Capitol, escorted by Cominius, Titus Lartius, and Menenius, to greet the Senate. When left alone, Brutus and Sicinius are concerned that Coriolanus would be appointed consul as a reward for his successes, and that once in power, he will abolish their office. They can rest easy, however, knowing that the arrogant commander is unlikely to go out into the marketplace and win the votes of the common people, which he needs to become consul. Indeed, his hatred for the lower classes is likely to derail his popularity gained via his wartime accomplishments.

With these thoughts in mind, the two tribunes make their way to the Capitol, where two officers are setting down cushions for the Senators and discussing the likelihood of Coriolanus becoming consul.

The Senators enter and take their seats, and Cominius rises to tell Coriolanus's triumphs against the Volscians; the object of his worship, embarrassed by the acclaim, departs the chamber as Cominius describes the war and Coriolanus's tremendous feats. The Senators are awestruck by the battle hero's story of courage and decide that they want to make him consul. They encourage him to put on the toga of a candidate and rush to the marketplace, where he must tell the people about his exploits and show them his wounds in order to get their votes. Coriolanus begs to be excused from this custom since he finds it humiliating, but they insist that he must comply. Coriolanus manages to get the senate to agree for himself to recover first before taking to the streets, after all, he will still have scars to show off. Brutus and Sicinius conspire to incite animosity against him because of his hesitancy and contempt for the common people.

Coriolanus returns to his home where is young son greets him with glee. Virgilia also greets him with a kiss. He hands her all of his belongings, and she places them away. Coriolanus lifts his son and plays with him, Virgilia smiles as she watches on. She questions Coriolanus, still calling him Caius, on what he will do about the consulship. He says that he will recover. She questions this decision, asking him why he would waste time lying about with them when he could be leading Rome to new heights. He turns and tells his son to go play, placing him down. He grabs his clothes on his back, pulling them off, asking Virgilia if she thinks he wants all of this. If he wants to lead, if he wants the burden of taking Rome forward. He is a fighter, it is what he does. And he is very good at it too. He throws his clothes on the ground saying that it is all he is good at. He sits on the floor with his head down, “I just want to rest.” Virgilia walks toward him and moves his hair behind his ear, she gets on the ground with him and kisses his head. Caius raises his head before lunging at Virgilia with a kiss. The two of them have sex, then and there.

Coriolanus with his wife in toe stands before the senate. They ask him if the year off has done him well. Coriolanus looks to Virgilia, she nods. He tells them that it has. “Very well, let’s make it so.”

Late - 492 BC
A group of citizens debate Coriolanus' candidacy in the marketplace, claiming that if he appeals to them using battle scars, they will most likely make him consul. Then Coriolanus himself enters, followed by Menenius, who encourages his friend before leaving him alone with the masses, who arrive in small groups. Coriolanus struggles and cannot hide his arrogance, but by emphasising his military experience, he is able to persuade a huge number of individuals to vote for him. Menenius escorts him back to the Capitol to be invested with the robes of office, and Brutus and Sicinius reluctantly admit that he has passed the test.

The plebeians remark on Coriolanus' arrogance when he leaves, and the two tribunes demand to know why they voted for such an arrogant patrician. The plebeians reverse their decision and refuse Coriolanus the consulship; ecstatically, Brutus and Sicinius order the people to join their comrades and march to the Capitol. To protect themselves, the two tribunes encourage the crowds to claim that they only voted for Coriolanus because the tribunes told them to, and that they have since come to their senses and want the vote annulled.

Meanwhile, Titus Lartius informs Coriolanus that Tullus Aufidius has assembled a new army. Despite the newly signed peace pact, Coriolanus fears that the Volsces would assault Rome, but Lartius tells him that they have been shattered and will not fight again. The two tribunes arrive at that precise moment to inform the gathering Senators that the people of Rome will not accept Coriolanus as consul. Furious, Coriolanus accuses Brutus and Sicinius of organising the plebeians against him, then denigrates the common people, warning his fellow patricians that allowing the rabble to hold power, to have tribunes, will lead to the Senate's demise. Coriolanus refuses to return to the market and ask the people's forgiveness, and proceeds to criticise the plebeians—and the patricians—for ever agreeing to give them a place in Rome's governance. Brutus and Sicinius accuse him of treason and summon a plebeian mob to arrest him. He rants at them, prompting the two tribunes to declare that he must be put to death; in response, Coriolanus takes his sword, and the Senators rally to his rescue. Coriolanus and the Senators chase the plebeians and two tribunes away, and Coriolanus flees to a Senator's house. The mob resurfaces, but Menenius persuades the crowd to let him reason with Coriolanus and bring the great soldier to the market square for a public airing of all grievances.

Coriolanus declares to a group of Roman nobles that he will not change his character to fit the mob's wants. Menenius arrives with the Senators and tells him to go to the marketplace and make peace with the people: he must retract what he has said about the plebeians and their tribunes, and then perhaps they will accept him to be consul. Coriolanus resists, wanting to preserve his honour, but his mother tells him to act humbly, even if his humility is false, and to ask for forgiveness, even if he doesn't mean it. For a long time, he is obstinate, but eventually yields and decides to make peace with the plebeians.

491 BC
Brutus and Sicinius prepare for Coriolanus' entrance in the marketplace, hoping to provoke him into losing his cool. With Menenius and Cominius at his side, the war hero enters and proclaims that he would bow to the people's will. When Sicinius accuses him of plotting to tyrannise the Roman state, he becomes enraged and launches yet another rant against the tribunes and plebeians. As his supporters stand impotent by, Sicinius and Brutus, with the support of the entire populace and despite Cominius' protests, declare that he must be exiled from Rome for all timeCoriolanus responds that he will gladly depart the city, halting only to say goodbye to his wife, Virgilia, as well as his mother and friends. Volumnia weeps and condemns the city for exiling him, while Cominius offers to follow him for a time, but Coriolanus declines and exits.

After dismissing the crowds, Brutus and Sicinius try to avoid running into Volumnia, Virgilia, and Menenius, who are returning from saying their goodbyes to Coriolanus. Volumnia, on the other hand, notices the two tribunes and accuses them of exiling Rome's best man. Brutus and Sicinius accuse her of being insane, and they go, leaving Coriolanus' companions to their sadness.

In the meantime, a Volscian spy reunites with another Volscian spy and says that Coriolanus has been banished. The two men agree that this will provide Tullus Aufidius with a fantastic opportunity to exact vengeance on Rome for the defeats he has experienced. During this time, Coriolanus himself arrives in Antium, where Aufidius is staying. He tells the crowd that he intends to join forces with Aufidius against his hometown and become Rome's greatest enemy.

Coriolanus requests entrance to Tullus Aufidius' residence at Antium. Aufidius' attendants refuse to let him in since he is dressed in rags, but one of them goes to fetch his master. The Volscian general does not recognise Coriolanus, so the Roman reveals himself and says he has come to offer Aufidius his friendship and assistance for the Volscian cause, or to be killed—it makes no difference to him. Aufidius greets him as a friend and invites him into his home, offering him the chance to seek revenge on the Romans for his exile. The two generals share a meal, and one of the servants informs his comrades that war with Rome is imminent.

Back in Rome, everything is calm, and Brutus and Sicinius congratulate each other on how easily they dispatched the troublesome Coriolanus. They tell Menenius that the city is better off without the exiled. Just afterwards, a courier arrives with news that Aufidius and the Volscians are planning another attack on Rome. Brutus refuses to believe the news, but a second messenger delivers even worse news: not only is the army moving on Rome, but Coriolanus himself is leading it. Menenius is joined by Cominius, and the two friends inform the tribunes that they are to blame for the disaster, and that their folly would bring Rome's ruin. Brutus and Sicinius protest, but the plebeians rush in, terrified by the news, and start saying that they were wrong to exile Coriolanus. Fearing for their own safety, the two tribunes travel to the Capitol.

In the meantime, Aufidius is having second thoughts about his partnership with his former foe, since his soldiers have begun to show more loyalty to Coriolanus than to him. He expects Rome to succumb to the exiled general, and he plots a plan to get rid of Coriolanus once the city has been conquered.

Coriolanus arrives on the borders of the city with his army, and Cominius goes out to plead with his old friend for mercy. Coriolanus turns him away, however, to the great despair of the inhabitants of Rome. Brutus and Sicinius plead with Menenius to make his own attempt, and the old patrician reluctantly agrees. However, as he departs, Cominius tells the tribunes that there is no hope-- Coriolanus is immovable.

Menenius is stopped by the sentries at the Volscian camp, who refuse to let him see their generals. After enduring the mocking of the guards, Coriolanus and Tullus Aufidius emerge, but Menenius' pleadings fall on deaf ears, and he is sent away. When Aufidius returns, he expresses his admiration for Coriolanus' tenacity in defying his dearest friends' appeals; the exiled soldier answers that he will no longer accept embassies from Rome.

A shout is raised at that moment, and Virgilia, Volumnia, Valeria, and Coriolanus' son, Young Martius, arrive from Rome. Coriolanus vows to steel his heart against them, but he allows them to approach, and his mother kneels in front of him, begging him to make peace. She informs him that she will obstruct his journey to Rome. In the meantime, his son swears that when he gets older, he would battle against his father. Coriolanus, moved, begins to walk away, but his mother stops him and urges him to forge an honourable peace that benefits both Romans and Volscians, rather than destroying his beloved city. She prepares to return to Rome and "die among our neighbours" if he does not respond. But Coriolanus has been persuaded, and he promises to make peace right away. Aufidius, seeing this, tells the audience that he now has a chance to kill the Roman general.

Unaware of what has recently occurred, a resigned Menenius informs Sicinius that all is gone and that the tribunes have doomed his city with their stupidity. Then a messenger arrives with the good news that the women have completed their job and Rome has been rescued. The Romans erupt in applause as Volumnia returns home as the city's rescuer.

In the Volscian city of Antium, meanwhile, Aufidius and a band of conspirators prepare to dispose of the returning Coriolanus, who is being given a hero's welcome by the people of the city. When the general arrives and is greeted by Antium's Senators, Aufidius denounces him, accusing him of betraying the Volscian army by giving in to the Roman women and failing to take Rome. Coriolanus, predictably, loses his temper and curses Aufidius, whose conspirators are now stirring up the people against the Roman, reminding them of how he once led Roman armies against them. As Aufidius shouts at him and the Senators try to intervene, the conspirators stab Coriolanus, and he falls dead. Declaring that he was a great and noble man, the Senate orders a hero's burial. Now remorseful, Aufidius joins his men in carrying the body through the city, and eventually riding the whole day to take him back to Rome to his mother and wife.


Tuesday, December 2, 2025

Top 10 Ben Foster Films

 


Sherman J. Pearson here for another Top 10. Ben Foster is back on LRF screens in Round 9 of Season 34 for the 15th time. So why not tackle Foster's filmography this time around?


Top 10 Ben Foster Films
10. Hillside
9. Task Force X
8. Halo 6
7. Halo 2
6. Halo 5
5. All the Fives
4. Halo 3
3. Fractured
2. Kurt & Courtney: All Apologies
1. Hated: The Ballad of GG Allin

Release: Police Story: Retribution

 
Police Story: Retribution
Genre: Action
Director: Mathieu Kassovitz
Writer: Meirad Tako
Producer: Patrick Hughes
Based on the Police Story film series
Cast: Jackie Chan, Jamie Dornan, Michelle Monaghan, Sigourney Weaver, Hiroyuki Sanada, Karl Urban, Jessica Henwick, Donnie Yen




Budget: $74,000,000
Domestic Box Office: $67,959,205
Foreign Box Office: $125,305,284
Total Profit: $15,024,365

Reaction: The Police Story franchise continues to be a series that has great box office numbers in foreign markets - specifically China, Southeast Asia, and even Russia - but does just okay everywhere else. Thankfully those markets have done well enough for the series to continue earning profits for the studio.



"After the disappointment of Police Story: Brother, Police Story: Retribution roars back with a vengeance, restoring the action-packed spirit that made the series a guilty pleasure for fans. Jamie Dornan has truly come into his own here, anchoring the film with grit and vulnerability, while Jackie Chan’s emotional final performance as Ka-Kui gives the series a bittersweet pulse. Sure, the plot can feel bloated and the villain twists a bit familiar, but Retribution is the sprawling, high-octane spectacle fans have been craving. After a rocky prequel detour, this entry solidly repositions the Police Story saga back on track." - Mark Rawls, Seattle Times


"If Police Story: Brother felt like getting stuck at a bad family reunion, Police Story: Retribution is like crashing a secret agent party and setting the place on fire. This is the adrenaline shot the series desperately needed, with brutal fights, slick betrayals, neon-lit battles, and Karl Urban chewing scenery like it’s his last meal. Is the plot trying way too hard to be the Mission: Impossible of the Police Story universe? Absolutely. But when it’s this fun, who cares?" - Sean Williamson, Toronto Star 



"Police Story: Retribution aims for big-budget thrills and global stakes, but too often feels like it's cobbled together from better spy films. The action is fast and frequent, but the relentless pacing leaves little room for character development or clarity. Dornan and Monaghan are serviceable as the leads, but never particularly compelling. While the film flirts with complexity but leans on exposition and clichés to move things forward." - Clark Davis, JoBlo.com








Rated PG-13 for strong sequences of action violence, language, and thematic elements





Monday, December 1, 2025

Interview: Meirad Tako

 

For this edition of Interview, Last Resort Films president Phil Dolan sits down with one of the studio's longest tenured and most unique writing voices - Meirad Tako (Either/Or, The Ghost Connection) - to discuss his 1984 films and the future of the Police Story film series.



PD: Nineteen Eighty-Four - Part Two proved just as successful, if not slightly more so, than the first film. Are there plans to continue with a third part?

MT: My intention has been to dedicate a separate film to each of the three parts of the novel 1984, allowing each movie to serve its specific role within the larger narrative. Despite criticism of the first film, I maintained this vision for the second. The challenge now is adapting the third and final section of the book, which is considerably shorter. The question remains whether this final film can withstand the immense pressure and deliver a victorious finale, or if it will be an unsatisfactory conclusion.


PD: Police Story has been a surprisingly successful franchise for LRF - despite the financial failure of the prequel film. What do you think it is that keeps audiences coming back?

MT: There's a universal craving for excitement and spectacle that I feel is part of human nature. It often stems from a common fantasy: the desire to be strong, to be a guardian for those we care about. When a film can tap into that fantasy and portray it with masterful execution, it creates a powerful and repeatable experience for the audience. For this reason, my goal is to continuously elevate the story's ambition while also quenching the profound thirst for exceptional action.


PD: Each Police Story film has featured a different director - is that a purposeful choice from you?

MT: Yes, exactly. My initial decision to have Wilson Yip take over as director, with Patrick Hughes moving to a producer role, was driven by a need for a more authentically Chinese perspective. However, I discovered that this change brought more than just authenticity—it introduced a different, yet complementary, tone and vibe to the series. Encouraged by this, we repeated the strategy by bringing in Olivier Megaton for the third film, which resulted in a successful conclusion. I am now applying that same vision to this new story arc.


PD: If things go well at the box office for Police Story: Retribution, do you plan on continuing the franchise?

MT: While I haven't mapped out the entire future of this new series, I know that its success is a direct message from the fans, telling me to make another one—and to do it well. I have a profound respect for the audience. They invest their money and trust in what is essentially a group of people playing make-believe. That level of trust, which leads to sold-out tickets, must be honored with the highest possible quality in our work.


PD: What's next for you - And when can we expect the next "bonkers" film from you?

MT: A critic once called me the 'master of the weird,' a label I've fully embraced. However, I may disappoint some people by saying that as I've gotten older, I've become more self-conscious about my work. I used to create films just for the sake of it, almost like vanity projects, as one critic also said about one of my movie. That phase culminated in the success of Klitih, which was certainly unconventional but also felt substantial. Now, I feel a profound need for my films to BE something more; they must have real philosophical value. While my past work always had these undercurrents, they never fully aimed to answer a question or address an issue. So today, while I still have plenty of weird ideas, I need to take much more time to write and direct them to a point where they are truly meaningful

Now Showing: Police Story: Retribution

 
Police Story: Retribution
Genre: Action
Director: Mathieu Kassovitz
Writer: Meirad Tako
Producer: Patrick Hughes
Based on the Police Story film series
Sequel to Police Story: Case Closed
Cast: Jackie Chan, Jamie Dornan, Michelle Monaghan, Sigourney Weaver, Hiroyuki Sanada, Karl Urban, Jessica Henwick, Donnie Yen

Plot: 
The retirement party for Commissioner Chan Ka-kui (Jackie Chan) is lively, filled with laughter and tributes from friends and colleagues. Special Agent Christopher Wayne (Jamie Dornan) and Scarlet Fisher (Michelle Monaghan) are among the guests, enjoying the festivities. Ka-kui gives a heartfelt speech about the importance of justice and mentorship, but as he raises his glass to toast, a sniper’s bullet shatters the glass and strikes him in the chest.

Chaos erupts. Scarlet pulls Christopher down as more gunfire rains on the crowd. Security personnel try to locate the shooter, but they’re picked off one by one. Christopher spots a glint of a scope in the distance and gives chase through the building's upper floors. The chase ends on the roof, where Christopher corners the assassin, a masked figure in tactical gear. Before Christopher can apprehend them, the assassin detonates a flash grenade and escapes via a helicopter hovering nearby.

The next day, Christopher and Scarlet visit the crime scene with Inspector Wei Zhang (Donnie Yen), Ka-kui’s former protégé. They examine the sniper’s perch and recover a bullet casing engraved with the symbol of a black snake, the insignia of "The Black Syndicate." Scarlet finds a hidden compartment in Ka-kui’s desk, containing a thumb drive labeled “For Justice.”

Back at the FBI headquarters, they decrypt the drive and discover a list of names linked to The Black Syndicate, including Victor Kane (Karl Urban), a rogue former CIA operative. Scarlet and Wei Zhang argue over whether to focus on Kane or investigate the Syndicate’s broader activities. Barbara Smith (Sigourney Weaver), their hard-nosed boss, decides they must pursue Kane as the key to dismantling the organization.

The team heads to Hong Kong, where Ka-kui had been investigating a tech mogul named Han Shing, suspected of laundering money for the Syndicate. They infiltrate Han’s skyscraper headquarters during a gala event. Scarlet poses as a journalist to distract Han while Christopher and Wei Zhang search his office.

As they uncover documents tying Han to the Syndicate, the building’s alarms go off. Armed guards flood the area, leading to an intense hand-to-hand fight. Wei Zhang’s martial arts prowess shines as he takes down multiple guards with acrobatic moves, while Christopher uses improvised weapons to defend himself. They escape through the building’s maintenance tunnels but are ambushed on the rooftop by Syndicate assassins.

A helicopter arrives, piloted by none other than Victor Kane. He watches the fight from above, taunting Christopher with cryptic remarks about Ka-kui’s death being "the beginning of justice." Wei Zhang shoots at the helicopter, forcing it to retreat, but Victor drops a smoke bomb, covering the assassins’ escape.

The team follows a lead to Tokyo, where a Yakuza informant reveals that Victor Kane has been assembling a team of elite mercenaries for an operation called "Project Rebirth." Wei Zhang, who has connections in the city, enlists the help of his old ally, Kenji Tanaka (Hiroyuki Sanada), a reformed Yakuza leader.

The informant sets up a meeting at a traditional bathhouse, but it’s a trap. Syndicate operatives ambush the group in a visually stunning fight scene set amidst rising steam and neon-lit hallways. Wei Zhang and Kenji engage in synchronized combat, blending martial arts with katana strikes, while Scarlet uses her FBI training to outwit her attackers.

Amid the chaos, Christopher corners a wounded Syndicate operative and learns that Project Rebirth is a coordinated series of terrorist attacks designed to destabilize global economies. The operative dies before revealing the targets.

The final clue leads the team to Paris, where they track down Sofia Kane (Jessica Henwick), Victor’s estranged sister. Sofia is a high-profile international lawyer with connections to powerful figures. Initially resistant to help, she reveals that Victor blames the world’s governments for abandoning veterans like him, fueling his descent into crime.

Sofia provides a dossier on Victor’s operations, but the Syndicate attacks her estate, forcing the team to defend her in a chaotic nighttime shootout. Sofia reluctantly joins the team, but her motives remain unclear.

The team gathers intelligence on the Syndicate’s island headquarters, located on a sprawling private estate surrounded by high-tech security systems and heavily armed guards. Sofia Kane provides insider knowledge on Victor's strategies, but her loyalty remains uncertain. Scarlet and Wei Zhang question her, while Christopher tries to focus on the mission, unwilling to let personal biases derail their plans.

Using a smuggler’s boat provided by Kenji, they approach the island under the cover of darkness. Christopher and Wei Zhang rappel onto a rocky cliffside while Scarlet and Sofia disable underwater mines using a remote-controlled submersible. The synchronized operation is tense, with Syndicate drones patrolling the waters and guards scanning the cliffs.

Once on the island, the team splits up: Christopher and Wei Zhang infiltrate the estate’s communications hub to disable alarms and intercept Syndicate messages, while Scarlet and Sofia head to the main compound to locate Victor’s control center.

Inside the communications hub, Christopher and Wei Zhang encounter minimal resistance, but something feels off. As they hack into the system, Christopher discovers a chilling message: “Welcome to Rebirth.” A timer counting down from 12 hours appears on the screen, signaling the Syndicate’s coordinated attacks are imminent.

Suddenly, the room is flooded with gas. Guards storm in, and a brutal fight ensues. Wei Zhang uses his agility to disarm attackers, while Christopher improvises with a crowbar and taser. Despite their skill, they’re overwhelmed and captured, transported to Victor’s personal chamber.

Meanwhile, Scarlet and Sofia infiltrate the compound using Sofia’s knowledge of its layout. They locate Victor’s command room, where a holographic map displays global targets marked for destruction. Scarlet takes photos of the data, but their presence triggers an alarm. They are forced into a firefight with Syndicate guards. Sofia displays surprising combat skills, taking down enemies with precision, but her actions leave Scarlet questioning her true allegiance.


Christopher and Wei Zhang are brought before Victor Kane in a grand, ominous room lined with Syndicate operatives. Victor, charismatic yet menacing, explains his vision for Project Rebirth. He believes the current global system is corrupt, run by elites who exploit the powerless. “I’m not a terrorist,” Victor says coldly. “I’m a reformer. Chaos is the only way to bring real change.”

Victor taunts Christopher, blaming him for the failures of law enforcement. “You fight for a system that abandons its own,” Victor says, referencing Christopher’s late mentor, Ka-kui. He offers Christopher a chance to join him, promising to spare innocent lives in exchange for cooperation.

Christopher refuses, prompting Victor to escalate his threats. He reveals that Project Rebirth’s targets include financial institutions, government facilities, and densely populated areas. As Victor gloats, Wei Zhang covertly picks his restraints and signals Christopher to prepare for an escape.

Scarlet and Sofia regroup with Kenji, who has infiltrated the island with a team of mercenaries. They plan an assault on Victor’s command room, coordinating with Barbara and an incoming FBI task force. However, Sofia’s behavior grows increasingly suspicious. Scarlet confronts her, accusing her of being a double agent, but Sofia deflects, insisting her actions are solely to stop her brother.

As the team launches their assault, Christopher and Wei Zhang break free, using a distraction to incapacitate their guards. They retrieve critical data from Victor’s chamber and fight their way through the estate. Wei Zhang showcases his martial arts expertise, disarming multiple opponents, while Christopher uses brute force and quick thinking to disable high-tech traps.

The team converges near Victor’s command room, but Sofia suddenly turns on them, locking the door and securing the data for herself. “I told you I’d help you stop him,” she says through the intercom, “but justice isn’t served by letting him rot in a cell. The world needs to see his failure, and I’ll make sure of it.”

Scarlet is furious but has no time to argue. Victor and his elite guards appear, leading to a high-stakes showdown.


As the clock ticks down, Victor initiates the final phase of Project Rebirth. He reveals that Sofia’s betrayal was part of his plan all along, her actions meant to sow discord among the team. Enraged, Scarlet fights her way to the control console to deactivate the countdown, while Christopher faces Victor in a brutal one-on-one fight.

Their fight is intense and emotional, with Victor’s calculated moves matching Christopher’s raw determination. Victor taunts Christopher about Ka-kui’s death, claiming it was necessary to set the stage for this revolution.

Meanwhile, Wei Zhang and Scarlet fend off waves of guards, their teamwork on full display. Scarlet manages to hack into the console, stalling the countdown just as FBI helicopters arrive, launching an aerial assault on the compound.

In a dramatic final sequence, Christopher defeats Victor, but the villain activates a self-destruct sequence, forcing the team to flee. The island erupts into chaos as explosions ripple through the compound. The team narrowly escapes on a stolen boat, leaving Victor behind as the compound collapses into the sea.
The team regroups on a remote dock after escaping the exploding island. The once towering estate is now nothing more than a flaming ruin. The FBI task force arrives in full force, but the team’s relief is short-lived. Despite their victory, there are no celebrations—only the haunting sense that something bigger is at play.

Christopher, Wei Zhang, and Scarlet stand in silence, watching as the authorities swarm the wreckage. For a brief moment, the team thinks they've won, but the unanswered questions linger. What is Project Rebirth? Who are the shadowy figures funding Victor’s Syndicate? And most importantly—where is Sofia?

Scarlet makes the first move, directing the team to the FBI’s mobile command center for debriefing. As the team walks away from the dock, the air is heavy with uncertainty. The battle for the world’s future may have been won, but the war is far from over.

Meanwhile, Sofia is already on the move. She’s far ahead of the team, leaving no trace of her departure from the wrecked compound. Through a series of encrypted messages, she contacts a mysterious figure—someone who’s been pulling the strings from the shadows. Sofia’s betrayal was not as personal as it seemed; she was merely a pawn in a larger game.

The mysterious figure on the other end of the line speaks in hushed tones, a voice that exudes power and control. “You’ve done well, Sofia. But it’s only just beginning. The global order will fall, and you will be the catalyst.” Sofia’s eyes narrow as she listens to the orders given. Her eyes flash with cold determination—her mission is far from over.


Back at the FBI base, the team faces intense scrutiny. Despite their success, the implications of what they uncovered about the Syndicate—its global reach, its network of influence, and its willingness to sacrifice anything for its agenda—are too dangerous to ignore.

Christopher, feeling the weight of his past mistakes, struggles with the decision of whether to continue the fight or step away. He’s haunted by the failure to protect his mentor, Ka-kui, and now finds himself caught between a duty to stop the remaining Syndicate members and his desire to have a normal life.

Wei Zhang, always the pragmatist, questions the wisdom of their next steps. "This fight isn’t over, Christopher," he warns. "Victor was only one piece of the puzzle. There’s a larger organization pulling the strings, and they’re not going to let this setback stop them."

Scarlet, ever the optimist but burdened with guilt over Sofia’s betrayal, insists on continuing the mission. "We can’t let her walk away from this. She’s too dangerous, and we have to stop what’s coming."

Their conflicting motivations create a crack in their unity, but before they can argue further, a call comes in from Barbara Smith, the head of the FBI. She has reviewed the data recovered from the island and makes a chilling revelation: the Syndicate’s global network is just the tip of the iceberg. There’s a hidden power structure—a secret council of the world’s elite, the true orchestrators of the chaos.

The team receives orders from Barbara to follow up on leads regarding the Syndicate's remaining operatives and financiers. But as they dig deeper, they find that the conspiracy stretches far beyond Victor’s vision. Powerful figures from across the globe are involved, and they have resources that can’t be touched by the law. These individuals represent the last remaining power centers of a world already on the brink.

As they investigate, they uncover evidence of a "silent war" being waged in the shadows—an invisible struggle for control of international financial markets, governments, and military powers. The team’s mission becomes less about hunting down individuals and more about uncovering the true scope of this hidden war.

Scarlet and Wei Zhang focus on tracking down Sofia, suspecting she’s playing both sides, while Christopher, wracked with guilt, tries to piece together the personal toll this war has taken on him. He reflects on his relationship with Ka-kui and the deep sense of loss that fuels his drive to keep going.

In a late-night meeting, the team agrees that the only way to stop the Syndicate’s puppet masters is to expose them. However, this will require infiltrating not just the remaining members of the Syndicate, but also the elite political and financial leaders they’ve been working with.

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Sofia’s trail leads the team to a high-profile gala in Monaco, where some of the world’s most influential figures will be gathered. The team suspects that the Syndicate’s leaders are planning a final strike to solidify their hold over the global power structure. This gala will be the perfect opportunity to strike—but it’s also a trap.

Sofia has anticipated their every move and lures them into the lion’s den. As the team infiltrates the event, they are confronted by high-tech security systems, masked mercenaries, and elite guards. In the ensuing chaos, Scarlet and Wei Zhang split off to deal with a series of cryptic messages left by Sofia, while Christopher goes head-to-head with her in a final confrontation.

As the fight escalates, Sofia reveals her true motivations: she was never a pawn, but a key player in the Syndicate’s grand scheme. She has orchestrated the entire game, manipulating the team into doing her bidding. "You think you can win this, Christopher?" she sneers. "This war is bigger than you, bigger than me—it's bigger than the world itself. You’ve all been a distraction, while the real game is unfolding.”

In a final brutal confrontation, Christopher and Sofia clash in a battle of ideals—one seeking justice, the other seeking control. Sofia, with her deep knowledge of global networks and hidden power, fights with cold precision, while Christopher’s raw, relentless determination keeps him in the fight.

As they battle, the countdown clock of the Syndicate’s next global attack ticks down to its final seconds. In the end, it’s not just about defeating Sofia—it’s about stopping a world-changing event that could set civilization back decades. Christopher, after a harrowing struggle, incapacitates Sofia and disables the device triggering the attack.

With Sofia captured and the global attack thwarted, the team is left to process the devastation they’ve uncovered. While they have won a major battle, the war is far from over. Christopher and the team realize that the Syndicate’s influence is deeply ingrained, and their plans are far-reaching.

Post-Credit Scene
A shadowy figure—an unknown member of the Syndicate’s inner circle—watches a live broadcast of the team’s victory. He takes a call, his face obscured in darkness, and speaks only a few words: "It’s time to initiate Phase Two." The camera cuts to a massive, secure vault, its walls reinforced with state-of-the-art technology. Inside, an ominous map of the world flickers to life, with several key locations marked for global destabilization.

The camera zooms in on one name on the list: “The Phoenix Protocol.”