Wednesday, November 24, 2021

A Second Look: Inhumans

 
Welcome back for another edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes.

There was once a time, long before LRF really started its own Marvel Universe, that writer Jack Ryder penned a few films set within the Disney Marvel Cinematic Universe. The first of those efforts was a film centering around the Inhumans, and featuring the cast of the network television series of the same name. Ryder's series quickly fell by the way side when the studio began its own Marvel Universe to compete with Disney's franchise.

Inhumans tells a highly convoluted story with too many characters and too many locations. I didn't care much for the film when it was released as it felt like an extension of a bad TV show (which it was) and didn't appear to add anything other than a bigger scale/budget and a few big names slumming it around a bunch of network television level actors. Eighteen seasons later, and I still don't think the film works. The biggest fault is in tying the film to a show that was already a failure on every possible level. Maybe if the filmmakers had gone with a new adaptation of the comic series it could have worked out, but Guillermo del Toro and Jack Ryder set the odds against themselves.

Original Grade: D-

New Grade: D-

Link: https://lrfdatabase.weebly.com/inhumans.html



Tuesday, November 23, 2021

Now Showing: Mexican Gothic

Mexican Gothic
Genre: Horror/Fantasy/Thriller
Director: Guillermo del Toro
Writer: Rene Menzie
Based on the novel by Silvia Moreno-Garcia
Cast: Ana de Armas, George MacKay, Tom Hiddleston, Eiza Gonzalez, Charles Dance, Toni Collette, Jonathan Pryce, Diego Luna, Ella Purnell, AnnaSophia Robb, Bria Vinaite, Jenny Gago

Plot: Noemí Taboada (Ana de Armas) returns from a costume party. Her date bids her goodnight. At home, Noemí’s father’s concerned about her cousin, Catalina (Eiza Gonzalez), who has behaved oddly. Catalina has written them a crazed message claiming her husband, Virgil Doyle (Tom Hiddleston), is poisoning her and sees ghosts. She pleads for Noemí’s help. Neither Noemí nor her father has any idea what’s happening.

Catalina’s parents died, and she moved in with the Taboadas. Naomi’s father chased away a previous fiancee of Catalina’s, so she secretly conducted her relationship with Virgil. Virgil and Catalina married very quickly. Noemí’s father wonders if Virgil can be trusted. Virgil would be penniless without Catalina, but Virgil has access to her bank account as long as they are married. Noemí’s father wants Noemí to go and check out the situation. In exchange, he will give Noemí permission to enroll in a master’s anthropology program (both her parents want her to just get married).

Noemí leaves Mexico City and heads for the High Place, located in El Triunfo, a village situated in a forested mountainside area. Virgil’s younger cousin (once removed), Francis (George MacKay), arrives to pick her up from the station. The High Place is owned by Virgil’s father, Howard Doyle (Charles Dance), and both Francis and his mother, Florence (Toni Collette), live there. Florence explains that they have limited power and rely instead on candlelight.

At the house, Noemí insists on seeing Catalina, who is being heavily medicated by the Doyles. Catalina weakly tells Noemí that she has a fever and tuberculosis. Before Catalina can say more, Florence whisks her off for her medication, which puts her to sleep.

Over dinner, Florence cuts Noemí off when she asks about the silver mines that the Doyles used to operate, informing her that they don’t talk over dinner. Howard implies that Noemí is inferior because of her indigenous blood. Afterward, Virgil explains that Dr. Arthur Cummin (Jonathan Pryce) has been treating Catalina, though Florence administers the medicine. Virgil expresses annoyance at Noemí’s father’s suggestion that they employ a psychiatrist to help.

The house is quiet and cold. As Noemí explores, she finds Howard’s many books and journals on eugenics research in the library. Francis is a bit friendlier than the rest of the household. He explains that the family’s mines were flooded in 1915, and the Revolution around that time contributed to the family’s diminished wealth. He says they keep the house quiet because noises bother Howard.

When they are alone, Catalina asks Noemí to fetch a medicine batch from a woman in town named Marta Duval (Jenny Gago). She tells Noemí to speak quietly and be careful because others in the house can hear them. Catalina says there are ghosts in the walls. Before she can explain, the doctor arrives.

Dr. Cummin says that the illness is nothing to worry about, but Noemí insists that something is wrong. Catalina is anxious and listless. Virgil claims that Catalina has always been depressive, but Noemí disagrees. Dr. Cummin expresses annoyance at what he considers Noemí being “agitated.” Still, Noemí insists on a second opinion or taking Catalina to a psychiatrist.

That night, Noemí finds herself fixated on the green and gold wallpaper. She dreams of flowers sprouting from it and a golden woman dressed in lace that cannot speak.

Noemí asks Francis to borrow his car and drives to a local doctor’s office to ask for a second opinion about Catalina. Dr. Julio Camarillo (Diego Luna) is afraid of angering the Doyles and Dr. Cummin by getting involved, but Noemí convinces him to come. He also tells Noemí about a strange epidemic that used to crop up at the Doyles’ mine from time to time. It involved high fevers, ranting, and raving. Many people died.

Next, Noemí visits Marta Duval, who says that no tea can help Catalina. Instead, Martha believes the family is cursed. Ruth Doyle, Howard’s daughter, was supposed to marry her cousin, Michael. But a week before her wedding day, she shot and killed him, her mother, aunt, and uncle.

Ruth shot Howard, too, but he survived. Then, Ruth hit herself. Later, Francis went and got suddenly married to a young man, Richard. But before long, Richard was ranting and raving about ghosts, and the family soon found him dead at the bottom of the ravine. Noemí thinks that these are coincidences. Marta tells her to come back in a week.

At dinner, Noemí is scolded for smoking in the house and taking the car without Florence’s permission. Afterward, Virgil privately apologies to Noemí for it later. That night, Howard tells Noemí about his wife Agnes (AnnaSophia Robb), who died many years ago, and Alice (Bria Vinaite), Agne’s sister. Alice was Virgil’s mother and was shot by her daughter Ruth (Ella Purnell).

As she sleeps, Noemí has nightmares of Howard Doyle hovering over her in her sleep and a woman’s voice telling her to wake up.

Dr. Camarillo arrives to look at Catalina, who is initially normal but soon starts complaining of exhaustion and people in the walls. Camarillo recommends a psychiatrist, but there isn’t more he can do. Later, Noemí and Virgil get into an argument over Catalina’s treatment and care.
Noemí also notices a circular symbol of a snake eating its tail around the property.

Noemí goes to smoke in the cemetery when she hears a buzzing noise she can’t seem to place. Then, Francis shows up, collecting mushrooms. He tells her about his interest in fungi. Noemí gets irritated when Francis reminds her of his mother’s house rules, but then Noemí apologizes for it when she realizes he’s not happy about it either.

Noemí and Francis meet up in the library so he can show her his collection of pressed plants. There are Ruth and her victims’ paintings on the library walls — Alice, Michael, and Dorothy, and Leland (Francis’s grandparents). Noemí asks Francis to drop her off in town the next day and pick her up later. Despite knowing his mother would disapprove, he agrees. Florence then asks Noemí not to talk to Francis about the city and its diversions. She notes that Francis has accepted his life here, and it’s better not to put ideas in his head.

There’s a sound of a beating heart, which Noemí follows and finds Ruth with a rifle. They walk together as the walls beat. She sees Ruth shoot herself and then a vision of the golden woman.
Virgil wakes her up, telling her that she’s sleepwalking, and he walks her back to her room.

Francis drops Noemí off in town, and she goes to find Marta. Noemí picks up the tea but also asks for more information about the family.
Marta starts her story when the Doyles, Howard, and his brother Leland, first came to town to reopen the city’s old mines. They started work constructing the High Place as well. However, soon, the sickness infected their workers, and many died, including Agnes, Howard’s wife. That’s when the cemetery was built.

Eventually, the disease passed, and Howard was remarried to Alice (Agnes’s sister) in 1895. A second wave of the sickness cropped up. Mexican workers without family in town were buried with no headstone or cross, so rumors started about mass graves the Doyles used to bury their dead.

There was a customary portion of silver (a “Partido”) that the workers were paid in the past. However, they ended that practice around then.

Aurelio, a worker who was disgruntled about it and got the other men worked up. There were a strike and some fighting. Soon, Aurelio was found dead, and it ended the strike. Ruth was born, and many years later, Virgil was born. Mr. Leland had children too, Michael and Florence.

Benito, Aurelio’s nephew, goes to work in the house. Ruth and Benito fall in love, despite Ruth being engaged to Michael. It’s rumored that when Howard found out, he almost killed Ruth. Then, Benito disappeared. No one knows if he ran away or died. Before the wedding, it’s rumored that Ruth put a sleeping draught in the food, and that’s when she shot everyone.

Marta says that the place is now cursed. It is “mal de aire,” which means the air is heavy, weighed down by evil. She gives Noemí a beaded bracelet, which she says will serve as a talisman to protect her.

Afterward, Noemí sees Dr. Camarillo about a rash on her wrist that she’d developed since being at the house. He gives her an ointment and bandages it up. She also buys a pack of cards. When 0Francis picks her up, he admits that he ended up staying and taking a nap so his mother wouldn’t know he failed to chaperone her around. On the way back, they discuss Ruth, and Francis says that Ruth should’ve burned the High Place.

Noemí surprises Catalina with the medicinal tea and the cards for them to play with. Catalina takes multiple doses until Noemí stops her. However, Catalina immediately has a seizure. Noemí screams for help, and Mr. Cummins is called. He tells her it was opium. Noemí refuses to tell them where she got it. Afterward, Virgil scolds Noemí.

Noemí revisits the cemetery and looks at the statue of Agnes. The marker has a one-word epitaph, “Mother,” which she finds strange considering both Howard’s children were Alice’s. Francis finds her and tells Noemí not to blame herself for what happened. Catalina had taken the tincture before and had a similar reaction. Francis also says Noemí he’s tired because Howard has kept the family up caring for him. Howard has ulcers that won’t heal but even won’t kill him.

That night, Noemí dreams again. She enters a clearing where a pregnant woman is in labor. A little girl sits on a chair nearby with a man behind her. The woman gives birth to a tumor. A man says, “Death, overcome.”

Francis takes Noemí back into town, but Marta is not home. Noemí goes to talk to Dr. Camarillo. Camarillo says he doesn’t think Catalina’s tincture was opium because Marta wouldn’t have access to it. She deals in herbs and plants, and poppies (required for opium) don’t grow around. Camarillo also checks on Noemí’s bandages and is surprised to see her rash wholly healed.

When Noemí returns, Florence scolds her again, this time for leaving without giving them notice. They also imply that she’s spending too much time with Francis. In anger, Noemí tells Virgil that if something is wrong with Catalina, it’s his fault since he brought her here. Virgil admits that Catalina had hoped to come in and reform the household to be cheerier when Catalina married him, but his father doesn’t allow it.

Virgil also admits he was previously married to Arthur’s daughter. They were unhappy and had a series of miscarriages, and she left.

As they chat, Virgil and Noemí reach a bit of a truce. Virgil offers to start looking into psychiatrists for Catalina with Noemí. Afterward, Noemí tries to make peace with Florence, too, but Florence doesn’t have it.

Florence now refuses to let Noemí be alone with Catalina. Mary (household help) must keep watch. But, Catalina sneaks Noemí a note instead. On the record, Catalina writes, “this is proof” and a page that appears to be from Ruth’s diary, saying that she plans to kill. Noemí doesn’t understand what the proof is supposed to be for.

Noemí finally flat-out asks Francis if he thinks he’s ever seen ghosts in the house. She discusses two theories about why people see or think they see ghosts — extrasensory perception or the idea that people will know these things into being. She also talks about how mercury vapors used in everyday items, like paint, make people think they were going mad. Francis doesn’t answer but says that he thinks Noemí should leave because “just because there are no ghosts, it doesn’t mean you can’t be haunted.” He compares her to his deceased father. Finally, he tells her not to trust Howard, Florence, or Virgil.

Noemí takes a bath and falls asleep. She dreams that Virgil walks in. She’s unable to move, and he kisses her. The ceiling then disappears, and Noemí sees a snake emerge from an egg, forming itself into an ouroboros. She awakes dressed in an open bathrobe, having sleepwalked into Virgil’s room, dripping and barefoot. He offers her some wine and walks her back.

The next morning Noemí tries to see Catalina, but Florence insists it isn’t possible. She gets angry, saying that Florence has demanded that she warn her before visiting Catalina but has set up a schedule where Noemí can’t see her.

She reads a moldy book in her room when she notices her wallpaper seems to move, and the colors change. She rushes into the bathroom and slashes her face. The room returns to normal, but she doesn’t know what caused the hallucinations. Florence and Virgil show up, insisting they heard her yell, though Noemí is sure she didn’t.

Finally, Noemí decides she needs to depart High Place for the time being. She intends to come back, but she knows getting away from there will be better for her for now. Virgil agrees to take her to town tomorrow.

Noemí packs a suitcase, plans to go to the larger town near Pachuca, writes to her father, and finds a psychiatrist to help Catalina. At dinner, Virgil mentions that they plan on re-opening the mines soon, using Catalina’s money to fund the re-opening.

Before she leaves, they take Noemí to see Howard, who is lying in bed. He is very pale, and one of his legs is severely bloated and covered in boils. Virgil urges her to get closer, she refuses, but he forces her. Then, Howard puts his tongue down her throat.

Suddenly, she has a vision of herself in a cave. A young Howard Doyle is drinking a burning liquid from a cup to find a remedy for his ailment. He’s surrounded by poor townsfolk and a priest. This liquid they use for healing, Doyle believes, can grant eternal life. After he drinks, he kills the priest and lights the cave on fire with all the people. Doyle and a pregnant woman leave the cave by boat.

When the vision stops, Noemí wants to throw up. Francis gives her some water. He explains that Howard discovered a mushroom that could extend life, cure diseases, and keep you healthy. What Noemí experienced was something they call “the gloom” — it’s a repository of memories. The fungus grows around and under the house, and it can create symbiotic relationships with its host (“Mycorrhiza”). Collectively, it makes a web of memories that they call the gloom.

The hallucination and vivid dreams she’s been having are because of the fungus connected to the house. Catalina, too, is not crazy. She’s been affected by the gloom. The fungus affects people in different ways. Some of them die. For others, it addles their brains, which is why their servants don’t really speak. Like Noemí, others have a symbiotic relationship with the fungus, so they don’t have those effects.

For the Doyles, their blood is special. It is incredibly potent with them and can make them immortal. Howard has lived many lives in different bodies. He is probably around three hundred years old. He can transfer his consciousness from the gloom into a different shape. For generations, the bloodline has been kept in the family, hence the incest and marrying of cousins. Agnes and Alice were his sisters.

Now, Howard wants Noemí to be part of their family. Francis says Howard won’t permit Noemí to leave. His father, Richard, wanted to go, and instead, the gloom drove him mad. It’s clear Noemí is very compatible with the fungus, and they want her to stay. The women in the family have had trouble bearing children, and they need money. Noemí could provide both.

Noemí angrily tries to leave but is suddenly sapped of strength. She sees the ritual that began it all. Doyle must’ve done his research and perfected this ritual to ensure it would work. After the pregnant woman gives birth, Howard cuts off pieces of the baby to feed to everyone. They then throw the woman who has given birth into a pit by the altar. By sacrificing her, she will erupt with the fungus to serve as the mind of the gloom.

Noemí is still having a vision but doesn’t realize it. She’s now back in the room. She tells Doyle she will not join them and attacks him. But he turns into a snake that wraps around her.

In her ear, the voice of the woman keeps telling her to “Open your eyes.”

The next morning, Virgil wants to see Noemí, but Noemí rushes out instead. Something in the air makes her run out of breath and collapse. Then Virgil goes out and picks her up to bring her back in. He forces her to bathe while he watches.

Dr. Cummins comes to inspect her. He admits that he’s a Doyle, but a distant relative. He also tells her that if she tries to leave, the house will attack again.

Privately, Francis tells Noemí he wants to help her. They must speak Spanish because the house doesn’t know Spanish. He also kept the tincture, which can lessen the house’s hold on you. Cigarettes also irritate the house. Francis says that Howard wants Noemí to join the family by marrying Francis. It’ll be better for her for the time being if she goes along with it. Howard won’t outright force Noemí to marry him since trying to control everyone’s actions is too exhausting. They have to be somewhat compliant.

Noemí takes the tincture, which puts her to sleep as Marta had warned it would. She dreams of Ruth, telling her she needs to kill Howard and that Ruth didn’t do it right. Noemí remembers to open her eyes, and then the vision disappears.

Noemí speaks to Virgil, who admits that they buried bodies in the cemetery to help keep the soil fertile. He also tells her about how the sterility from inbreeding & Money led to their need to branch out from their own family. They ask her to write a letter saying that she plans to stay until the end of the year. At that point, she’ll write another, saying she intends to be married.

She writes the letter, and Francis extricates her from the situation. When she asks for a weapon, he offers her the blade from his razor.

Now that the jig is up, they allow Noemí access to Catalina more freely. Noemí also has Francis secretly administer the tincture to Catalina as well. Florence has Noemí try on her wedding dress, which is stitch together from their other wedding dresses as part of a tradition.

Francis notes that Howard needs to transmute soon. He wasn’t strong enough to for a long time after he and many family members were shot by Ruth. Before that, he waited for a man in the family to come of age 24. Virgil had been too young.

Francis also tells her that when Noemí flees, he’s can’t come along. They’re interconnected, and it would make them easier to find. Catalina once tried to escape (when she was still taking the tincture), but she didn’t have the right supplies. Francis has been collecting supplies for Noemí. Noemí keeps insisting he come with her, but Francis keeps trying to tell her it’ll never work. He’s too deeply ingrained.

That night, Noemí dreams of Ruth. They converse. Noemí asks Ruth if she thought a Doyle could ever leave. Ruth says she thought she could run away, but there’s a compulsion to stay.

That evening, they have a wedding ceremony, a banquet, and then a ceremony. As part of the ceremony, two mushroom pieces are handed to Noemí and Francis, and they are told to eat them. Afterward, Noemí goes back to her room. Virgil shows up, telling her that knows she’s been taking the tincture.

He tells her that the mushroom was an aphrodisiac, and he moves to take off her dress. Noemí finds that a small part of her desires him, but she also remembers her razor. She shoves him away and grabs the tincture from him, and finds her blade. She takes a sip and goes to find Catalina.

Noemí finds Catalina unresponsive. Mary tries to stop her from taking Catalina, and Noemí has no choice but to slash Mary with the razor. Francis shows up, and together they get Catalina so they can leave.

However, Florence stops them. She has a gun. She marches them into Howard’s room, saying that they need to transmute Howard now. He is going to take over Francis’s body. Noemí regretted not killing Virgil when she had the chance.

They force the three of them to pray, and Noemí hears a buzzing sound. Then, she notices that Catalina has gotten ahold of the doctor’s scalpel. She stabs Howard in the face, causing Florence, Francis, and Dr. Cummins to spasm and fall. Florence moves to shoot Noemí, but Francis lunges at her. After a scuffle, Florence lies shot.

Howard is still alive and compels Francis to obey him, but Noemí grabs the gun from Francis. She shoots Howard twice, holds Francis, and flees with him and Catalina.

As they run through the house, they see visions of the banister turning to eels, but Francis says the house is causing these visions to get them to stay. They find Francis’s hidden stash of supplies in a small pantry. They don’t have the keys, so they head toward the burial chamber to escape the house.

Noemí recognizes the chamber from her visions, where the ritual’s held and the woman was thrown into the pit. On a dais, her body is still there, frozen and sprouting mushrooms that erupt from all sides — it’s the source of the buzzing Noemí had heard around the house. Noemí realizes that the woman was Agnes.

Noemí now understands that before Doyle, a ritual priest would do involving the mushrooms and sacrifice themselves (letting other people eat the priest’s flesh) to help pass on memories to their people. Doyle must’ve used this and built upon it, sacrificing Agnes to serve as a central hub and brain for this mechanism and allowing children to be eaten to fortify its bonds.

Suddenly, Virgil shows up. He says that Noemí has played into his plan. Virgil let her have the tincture on purpose, so she could injure Howard. Virgil wanted him dead so that he could control the gloom instead. The mixture doesn’t last long, though, and spores are still everywhere.

In her hand, the knife turns hot, forcing Noemí to drop it. However, Francis intervenes, and he and Virgil fight. As they do, Noemí realizes that Agnes is in an eternal nightmare and the buzzing in her voice. She needs to be released. With that, Noemí tosses her lantern at Agnes’s face. Virgil and Francis collapse. Catalina stabs Francis in the eye.

Catalina and Noemí carry Francis out. They reach the gates of High Place, and behind them, the house is ablaze.

A few days later, they are all resting at Dr. Camarillo’s place. Marta brought them more of the tincture, which they all took. Catalina and Noemí experienced headaches and nausea, but Francis fell into a long sleep. The police and her father are all headed here to find out what happened. Noemí assures Catalina that her father will smooth things over.

When Francis awakes, Noemí tells him that he can come to stay with them in Mexico City. He tells her that he dreamed that the house had repaired itself with him inside. He imagined that it was even grander than before. Francis tells her that some mushrooms sprout more quickly after a forest fire. Francis wonders if he should kill himself to end it all for good.


In Development

 
Mexican Gothic: Ella Purnell (Mask of the Phantom, The Reign of Lady Morgana), AnnaSophia Robb (The Fog, "Mercy Street"), Bria Vinaite (Habit, The Florida Project) and Jenny Gago (Princess of the Row, "StartUp")  will complete the ensemble cast of Mexican Gothic a new fantasy thriller from director Guillermo del Toro. The film was adapted by Rene Menzie, based on the novel by Silvia Moreno-Garcia

Odysseus Part One: Richard Madden (Dracula Lives, 2060), Gemma Chan (Aliens vs. Predator: The Long War, The Eternals), Olivia DeJonge (Caesar, Shouts from the Well) and Ed Skrein (Lancelot, Star Wars: Knights of the Old Republic) have joined the Michael Fassbender-led Odysseus Part One - the first film in a new two-part adaptation of Homer's Odyssey. Madden and Skrein will play two noblemen romantically pursuing Odysseus' wife Penelope (Jessica Chastain). Chan is playing the goddess Calypso, while DeJonge will play a young princess who helps Odysseus on his journey. Ridley Scott is directing the adaptation from a script by Andrew Doster.

Whaling: Recent GRA-winner Brian Cox (The Grenade, The Stranger) will be joining the upcoming film, Whaling, about the production of an epic film adaptation of Moby Dick. Also signing onto the project will be Claire Forlani (Black Beauty, "Departure") and Madison Iseman (A Following, Suzanne). Cox will play the film's producer, Forlani will play the director's wife, while Iseman will play the film's makeup artist. Noah Baumbach is directing the film based on an original screenplay by Wyatt Allen.

Twisted Metal:
Nicolas Cage (Of Rocks and Sand, Zoe Maye), Vanessa Kirby (Green Arrow: SuperMax, Pieces of a Woman), Michael Pena (Bunker 17, The Tower) and Richard Brake (The Tower, Bingo Hell) are set to star in a film adaptation of the video game series Twisted Metal. Cage will play the powerful founder of a post-apocalyptic destruction derby competition - to the death. Kirby will play a young woman who enters the tournament with mysterious motives, Pena will play an FBI agent who enters in order to shut the thing down, while Brake will play the tournament's main attraction: an ice cream truck driving serial killer. Alexandre Aja (Hollow Creek, Eclipse) has signed on to direct the film based on an adaptation from writers APJ (Plastic Man 2: Electric Boogaloo, Urban Cowboy) and Chad Taylor (Gambit: District X, Observance).

Pontiac: Glenn Howerton (Justice League Unlimited, Alien: Out of the Shadows) and Rachel McAdams (Game Night, Disobedience) have signed on to headline the new dark comedy, Pontiac. The duo will play siblings who reunite to plan their deceased alcoholic father's funeral. Martin McDonagh (In Bruges, Three Billboards Outside Ebbing Missouri) will direct the film, which is the latest collaboration between writers Jimmy Ellis (The Grenade, The World: Done to Death) and John Malone (Risico, Superman: The Last Son of Krypton).

American Dirt: Diane Guerrero (The Lone Gunman, He Kills) is set for her first LRF leading role in the drama/thriller American Dirt. She will play a Mexican woman who must flee to the United States illegally in order to protect herself and her young son. Oliver Alexander (The Curse of La Llorona, "The Garcias") and Diego Luna (The Lone Gunman, Tail) will also join the film. Alexander will play Guerrero's son, while Luna will play the leader of a dangerous cartel that is after her. Patricia Riggen (Miracles from Heaven, The 33) is set to direct the film. Rosie JoLove (Excellent Women, The Wonder) and Harmony Winters (The Lone Gunman, The Past Before) adapted the film from the novel of the same name by Jeanine Cummins.

Monday, November 22, 2021

LRF NOW Original Film: Tekken: New Generation

Tekken: New Generation
Genre: Action/Fantasy
Director: Anna Foerster
Writer: Billy Cruder
Based on the Tekken video game series
Cast: Peyton List, Emma Dumont, Luca Marinelli, Xander Berkeley, Minami Hamabe, Jessie Mei Li, Devyn Nekoda, Jason Scott Lee, Emily Beecham, Tzi Ma, Giulio Berruti, Veronika Vernadskaya, Hirona Yamazaki, Kim-Yong Ji

Plot: 1821, Japan. The camera moves through the dark alleys of a city until it stops by a couple of people who appear to be flirting, a black-haired woman (Emma Dumont) in a red gothic dress and a middle-aged man. At one point the man begins to complain and try to push the woman away with her hands until he falls to the ground, probably lifeless. The camera focuses on the woman, her mouth is stained with blood and shows her rather pronounced canine teeth and as she smiles she takes a deep breath. At this point she hears voices approaching, Eliza's face becomes more worried and she silently walks towards her home, the basement of a huge ruined castle just outside the city. It is understood that the girl is not originally from those areas but she had to escape from her hometown because someone was chasing her. The girl, named Eliza, enters the castle but she looks around worried realizing that something is wrong but before she realizes what it is she is attacked by a group of men. They were a clan of Italian exorcists who had been hunting her for a long time, called the Archers of Sirius, pleased to have finally found her. Their leader, Luca Serafino (Giulio Berruti tells her that although they know of Eliza's immortality they have a ritual ready that will defeat her and orders the other members to take her. Eliza shakes her head and gets into an attack position. At this point they begin to fight, showing great fighting prowess on Eliza's part. Eliza looks around her after quickly defeating the first wave of enemies that are on the ground around her. Luca applauds the vampire and compliments her by giving orders to all the other members of the clan to block her. This time there were too many opponents and she was overwhelmed. The woman, held back by some members of the clan, is on her knees in front of Luca Serafino and she looks at him with contempt and with a look full of anger. The man begins to recite magic spells as the girl yells at him that she is immortal and she will never die and he replies that it is true, but that her ritual will make her sleep for eternity. Shortly after the girl goes into a kind of trance and she doesn't move anymore. At this point she is picked up from the ground, placed in a box with chains and taken to the deepest place of the castle.

Now:
A young blonde girl (Peyton List) is tied up and gagged in a dark place. At a certain point the door opens, her three kidnappers enter the room talking to each other about the ransom to be asked of her rich father, the very wealthy oil tycoon, Mr. Rochefort. Their boss approaches the girl who is sobbing and trying to say something through the gag and pulls it down. The girl thanks him in a frightened voice but a moment later she laughs, completely changing her expression, looking defiantly at her kidnappers. She with her slightly French accent tells her that she had a lot of fun but that she is now tired and that she has to go home to drink hot tea at 4pm. A moment later, with a sudden forward movement of her, she headbutts the face of the man in front of her and then quickly frees herself from the ropes she had managed to untie earlier. She then KOs the three men in seconds. She then approaches one of the three of her, who had apostrophized her as being just a girl, and kicks him in the face saying that she is not just a girl, but that she is named Emilie "Lili" de Rochefort. She then she walks away arranging her hair with a satisfied face.

The girl wakes up looking around realizing that she is in her room and that it was a dream even if it concerned real events that took place a year ago. Someone is knocking on her door, it was butler Sebastian (Xander Berkeley) who was bringing her a cup of hot tea. The girl thanks and tells him that she would soon go out with her friend Mitsuki Noda (Devyn Nekoda). Sebastian is pleased to see that although the Rochefort family had recently moved to Japan, Lili had already found a friend and Lili says that Mitsuki is kind and polite and her name in Japanese means "beautiful moon". Lili is preparing to leave and hears shots coming from the floor below her. The house is very old, in the past it was an old castle, now restored, so the girl does not give much weight to it because we often hear strange noises coming from the house.

Lili and Mitsuki go to the mall and after doing some shopping they sit on a bench to eat on a bench and start talking about the school, which will start again in a few days after the summer holidays. Lili is excited and curious as Japanese school is new to her, having recently moved there. Lili is enrolled in the Mishima Polytechnical School, the international school founded by the tycoon Heihachi Mishima due to the important working relationship between Heihachi and Lili's father.

Shortly after seeing a girl running on the back of a panda she comically screaming at everyone to be late and to move. Mitsuki tells Lili that she knows her because she also goes to Mishima school. As she is about to reveal her name, Lili anticipates her by admiringly saying that she is Ling Xiaoyu (Jessie Mei Li), the youngest fighter to ever participate in the King of Iron Fist Tournament. At this point there is a flashback. Hong Kong. Xiaoyu is training in the temple run by her grandfather Wang Jinrei (Tzi Ma). Wang Jinrei believed that if her nephew had been more serious he could have achieved true greatness in the fight but he was also frustrated by the girl's often impulsive behavior. At the end of the training she decides to take a tour of the city where she notices a giant yacht docked in the dock. Her eyes light up with a smile. Xiaoyu infiltrated in the Yacht, called Empire Mishima, defeating and immobilizing all the guards. At that point she makes the acquaintance of Heihachi Mishima. She gets on her knees in front of him asking her to build a Tekken theme park in China. Heihachi laughs at her futile request but then says he would build it if she won the next tournament. Before letting her go he tells her about her given her fighting qualities he would have enrolled her at Mishima Polytecnical School and if she had made herself worthy of her he would have trained her himself. The flashback ends with Lili saying she says she hopes to fight her someday.

Meanwhile, Mitsuki notices another familiar face telling this to Lili, her classmate Asuka Kazama (Minami Hamabe). She says that she is related to the Mishima and Kazama families and that she does not have an easy temper. Asuka notices that they are talking about her and approaches her with a combative look. Asuka scolds Mitsuki saying never to mention her until she intervenes Lili jumping to her feet to defend her friend from her reproach. Asuka and Lili start arguing and pushing each other until they start fighting in the mall creating a lot of confusion by breaking things and despite the challenge seems to end in a draw, both are convinced that they have won. Many people have filmed everything with their cell phones. Lili comes home, by now late in the evening. Sebastian is sleeping and the girl with conspicuous bruises and scratches until she receives the call from her father while she is medicating. The girl replies and is severely reprimanded because he saw the video of her fighting with Asuka and the video has gone viral on the web. Meanwhile the scene briefly shifts to a gym where a girl named Shuwawei (Kim-Yong Ji) is training hard in Taekwondo. The girl stops for a moment to drink from a bottle and sees the notification of that video. After the phone call Lili snorts and hears again those shots coming from the basement followed this time by a female scream. Lili decides to go downstairs and finds an open chest with broken rust chains scattered across the floor.

Suddenly a breath on her neck made her jump. A moment later someone tries to bite her but the blonde girl manages to avoid the enemy's attack. Lili faces a black-haired girl dressed in a red gothic dress. Lili tries to ask the girl questions, which she doesn't answer. The two girls begin to fight hard. At one point Lili is blocked without her being able to free herself and she is bitten on her neck while her opponent whispers to her that she is Eliza. A few seconds later, however, Eliza throws Lili at the wall and makes a terrifying scream and she falls to her knees talking to herself repeating that she has lost her powers. In fact, Eliza realized that she had lost part of her vampire powers due to the spell suffered by Luca Serafino centuries before her. Lili gets up dazed, holding her side from her last blow and slowly approaches. Initially Eliza sends Lili away but then given Lili's insistence she tells her that she had woken up inside the box a few days before and that she had tried in vain to get out of the box until that night she was able to get out. At that point Eliza tells her story with melancholy and sadness about her and the events that had led her to be locked up. At the end of the story Lili stands up holding Eliza's hand saying that from now on they will be sisters and that she would help her regain her powers and she already has an idea of ​​how to do it. Eliza however withdraws her hand from Lili's grasp. At that moment the frightened Sebastien who arrives there to check because he has heard noises. Lili looks at him and tells him that she needs the private plane to go on a trip to Italy with her new friend.

During the trip Lili says she has already heard from the Archers of Sirius about some of her school studies. You say that in the past they were a secret society but over the years they have opened up to the world and find themselves in Sicily, near Palermo. Once disembarked in Sicily, the two girls take a bus and head towards the Cathedral of Sirio. Along the way, the two girls confront each other as to whether Eliza really wanted to become a vampire again. Eliza says that being almost a human has her advantages as hers but she says she is convinced to regain her powers because she says she feels different and she can no longer recognize herself.

The two girls arrive near the Duomo at sunset. A large helicopter is parked in the parking lot. The girls sneak up looking inside from a window opening it slightly to better understand the situation. Lili sees with great surprise the head of the Archers of Sirius, Claudio Serafino (Luca Marinelli) arguing animatedly with Heihachi Mishima, partner of her father and founder of the school that she will begin to attend shortly. The scene moves inside the Duomo. Heihachi is trying to convince Claudio to ally with him but the Italian continues to refuse despite pressure from the wealthy tycoon. Suddenly Heihachi tells Claudio if he has noticed that there is someone who is spying on them. The two girls bend down hoping not to have been discovered. Heihachi, however, was not referring to Lili and Eliza because, from an upper balcony, Anna Williams (Emily Beecham) reveals her presence by jumping down next to the two men after being discovered. Anna had been sent by Heihachi's son Kazuya to find out the reason for Heihachi's sudden trip to Italy. Anna and Heihachi begin to fight until Anna manages to escape thanks to a smoke bomb. Shortly after, Heihachi goes away telling Claudio to call him if he has changed his mind.

At that point Eliza runs inside to face Claudio even though Lili didn't agree. Lili enters through the back entrance and as she walks she finds herself in a kind of crypt. Claudio asks Eliza who she was in a rather arrogant way and the girl says her name is Eliza. Claudio begins to remember the writings of his ancestors who told of a dangerous vampire with that name and how she was imprisoned even though she now looks as dangerous as he imagined her.

Eliza and Claudio start to fight while Lili searches the archive for some old manual or book that can help her friend and seems to find one. Claudio uses her moves to try to overwhelm Eliza and he almost seems to be able to hit her repeatedly. Eliza is on the ground a few meters from Claudio and struggles to get up. Lili feels that her friend is in trouble and quickly takes the manual and runs to the room where Eliza and Claudio are fighting Claudio begins to prepare for her final magical attack which serves to completely purify the souls of the enemies by trapping them in an endless limbo. A bow appears from Claudio's hands and quickly shoots an arrow towards Eliza. At that moment Lili arrives opening the book and reciting some random magic formula in the book. Suddenly a red glow covers the body of Eliza destroying the arrow and causing a big explosion that hits Claudio that ends up on the columns. The explosion also hits Lili, who has managed to protect herself in some way. At that point the blonde girl looks up and sees Eliza surrounded by a red aura, a mark similar to a black tattoo has appeared on her neck and her eyes have turned yellow with a pupil similar to that of the cats. The thing that made Lili shiver the most are the horns that grew on the vampire's head. It seems that the magical formulas read by Lili have made Eliza return to a vampire and her own, as well as awaken the power and the dormant abilities that not even she knew she had. Eliza appears to be in a trance and hardly recognizes her friend's her and it seems that her goal is just to satiate with fresh blood. Eliza kneels Lili on the stomach and then takes her by the scarf she has on her neck bringing her to her open mouth. The camera shows the canine teeth being stretched. Lili tries to make the vampire think and manages to get rid of the scarf and free herself by running away in the dark corridors of the basement. Suddenly Lili stops to think about what to do while she hears Eliza's voice calling her, giggling and humming a creepy little song about her being very hungry.

Just before Lili is found she manages to hide in the archive room and lock herself in by also placing a locker in front of the door and desperately searches for something that can help her. Meanwhile, Eliza is trying to open the door and repeating that she would be in soon. In fact, thanks to her immense strength, Eliza is almost managing to enter. Claudio arrives in the room through a secret passage in the wall, his right arm is totally out of order. He convinces Lili to trust him by telling her that the power unleashed by Eliza is out of control and no ritual or magic formula can kill her. He then instructs her on what to do while Eliza manages to open the door and throw the locker at the wall. Serafino reassures Lili that Eliza will not get hurt in this ritual and tells her to give him her right hand as his arm is out of order and he begins to summon his magical power from his depths. At that point Lili and Serafino are covered with a golden light that dazzles Eliza who was about to attack them, which she is forced to protect herself from the powerful light. A new bow appears in the hands of Serafino who, helped by Lili, shoots the arrow that hits Eliza in the chest. The vampire falls to the ground, apparently dead. Lili runs up to her but realizes she's just passed out. She notices that she still has protruding canine teeth and the mysterious mark on her neck is still present. Eliza opens her eyes and smiles at Lili and they hug. Serafino approaches her saying that Eliza's powers were too powerful and that no magic could definitively defeat her. He then adds that Eliza is now almost totally a vampire but that she will be able to control her powers. At that point Lili helps Eliza to get up. Lili tells her friend that it is now time to go home because the next day she starts school. The vampire says that she will rest in the basement of the Rochefort residence.

It is school start day. Asuka is late for school and runs full speed on her bike. When she is about to arrive at school suddenly a white limousine pulls up in front of her and as Asuka loses control, crashes to the ground and falls, her lunch falls next to her. On the verge of asking the driver about it, Lili gets out of the car and sarcastically states that her first day of school is ruined. At that point the two put themselves in an attack position to fight while Mitsuki comes running to try to calm the situation. The camera moves to Xiaoyu who arrives on the back of her pet, a perfectly trained Panda who stays out in the garden under a tree until her mistress enters. Along with her there is also her best friend, Miharu Hirano (Hirona Yamazaki) In the hallway she meets a sweet pink-haired Russian girl named Alisa (Veronika Vernadskaya) and they make friends right away. Shuwawei is also walking in the same corridor as she passes by and marks the other three students worthy of a look. The last scene moves to the basement of the Rochefort family residence where Eliza is sitting on the corner and holding a goblet with red liquid inside.

MID-CREDITS:
Xiaoyu is continuing to live her life, study, and train under the tutelage of Heihachi's Mishima Zaibatsu, but always cheerful and full of life Xiaoyu soon considers this life boring and mundane, with no particular goals. The girl comes home bored and lies down on the sofa snorting while Panda gets down on the floor. The girl turns on the PC to watch her favorite TV series of hers until an anonymous e-mail that warns her of Heihachi's bad intentions along with some files that talk about illegal business by Heihachi. Xiaoyu replies to the e-mail in hopes of a reply, but the address appears as non-existent. Xiaoyu with a determined face decides to investigate. The camera shows that Alisa is checking Xiaoyu's room revealing that her cyborg nature of her and she is talking to her mysterious boss about her saying that she has completed the mission.

POST-CREDITS:
Heihachi Mishima is in his office coordinating a mysterious operation on a Pacific Ocean island where there are laboratories and a military facility. Many Mishima Zaibatsu men are on the island carrying a crate made of a special material on a plane. Inside the chest there appears to be a human being who is in great pain. Then Heihachi orders his men to activate the protection system for the entire facility. At that point we hear the noise of some mechanisms being activated. Finally, the camera moves to a part of the structure where there are an unspecified number of androids with the appearance of Alisa Bosconovitch. Suddenly their eyes light up.



"I was hoping that these films would start making more sense and clearing things up as the series gets closer to its theatrical debut next season. That was not the case here though. It feels like the more information the filmmakers and writer Billy Cruder give us, the less things make sense. I still admire the ambition, I just wish things were clearer by this point."




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Premiere Magazine #202

 

Sunday, November 21, 2021

The Roundup with Jeff Stockton (Season 21 Round 2)

 
This second round of Season 21 was certainly not the studio's finest at the box office. That and more in the latest edition of The Roundup....

3. The Water Cure
While I didn't love this one, it at least is a dramatic improvement over the writing duo's previous effort, Less. So bonus points for the strong improvement. This one was well-cast, but similar to MMAIAWAAOM it didn't quite land all of its punches. The story (not sure if it is from the novel or the adaptation) clearly tries to be edgy and dark and weird at times, but it feels forced. Others have commented on WTF moments, but I found them mailed in and not all that shocking.
 
2. My Musical Adventure in Another World as an Old Man!
It makes the Top 3, although it really wasn't my cup of tea, because it is a well-told story. I don't have to necessarily like a story to appreciate Plus it had a decent soundtrack (second best of the season so far after Wolf). At times this one dipped into strange for the sake of strange, but it helps that Jim Carrey's performance surprisingly grounded the film.

1. Soundtracks
So far we've had two solid soundtracks on the season already with MMAIAWAAOM joining Wolf in that boat (I did not like the soundtrack to Rookie's Road, to be honest). My sources tell me this season should have 11 soundtracks, so it's looking like there could be some good choices come GRA season.

3. Blockbusters
This season is starting to look very light on blockbuster films, not only in terms of box office - but also in terms of budget. After two rounds, the highest budgeted film has been Resident Evil 4 at just $64 million.

2. Box Office
This was one of the weakest box office rounds in recent memory. Not only did all three films lose money at the box office, but all three films only managed to gross just over $100 million at the worldwide box office.

1. Tough Girl
Tough Girl felt like a compilation of aspects of Alex Conn's filmography that I don't like: rampant product placement, multiple scenes of characters sitting around on social media, characters named Tom and Joe and Tara, etc. These are honestly things that are easy fixes that I've mentioned several times in the past. All the product placement took Tough Girl from just a bad movie to a movie that was bad and annoying.

On Location (Season 21 Round 2)

The Water Cure
- Martha's Vineyard, Massachusetts, USA


My Musical Adventure in Another World as an Old Man!
- New Orleans, Louisiana, USA


Tough Girl
- Vancouver, British Columbia, Canada