Saturday, June 25, 2022
Last Resort Films Jukebox: The Culture
1. "Reckless Youth" - Mars Water
2. "Positions" - Ariana Grande
3. "Best Day of My Life" - American Authors
4. "Last Nite" - The Strokes (sung by Jack Black in the film)
5. "Chicago" - Sufjan Stevens
6. "Call Me Maybe" - Speaking the Kings
7. "Say Something" - A Great Big World & Christina Aguilera
8. "New Dark Ages" - Bad Religion
9. "Take Your Time" - Vance Joy
10. "Glue" - Nat & Alex Wolff
Now Showing: The Culture
The Culture
Genre: Comedy/Drama
Director: Jim Jarmusch
Writer: Jacob Jones
Cast: Alex Wolff, Nat Wolff, Jack Black, Maude Apatow, Meg Donnelly, Jonathan Rhys Meyers, Wesley Snipes
Plot: Inside a small cafe in Seattle, Washington, a girl with blonde hair sits beside her friend. Clarissa (Maude Apatow) looks at her phone while Kate (Meg Donnelly) sips some of her frappucino before asking Clarissa where Matt (Alex Wolff) is. Clarissa says that she just texted him, saying that he’ll be there in a few moments. Kate hopes so as her frappe is almost gone.
All of a sudden the door bursts open and in walks Matt. He spots the girls not far by him, walking towards them. Kate begins to head up to the counter to order something, asking what the others want. Matt requests a ‘Flat White’, a ristretto espresso with micro-foam milk, or as he calls it ‘the edible version of milk’. Kate rolls her eyes, focusing her attention to Clarissa only to find her listening to something on her phone.
Clarissa tells Kate that she’s listening to the new Ariana Grande song. Matt shudders upon hearing her name, holding himself back from going on a rant about ‘mainstream music’. Kate hears him muttering under his breath and asks him what’s so bad about Ariana Grande. Matt crosses his arms, saying that he just doesn’t like her. “Or any other major pop star out there.” Kate quips. She proves this theory by listing off several pop stars, watching as he reacts in disgust.
Trying to restrain herself from laughing, Clarissa tells Kate that she wants a latte with marshmallows floating on it. Kate heads off to get the drinks, leaving Clarissa and Matt to themselves. Looking around the cafeteria, he glances at Matt sitting silently and asks if he wants to go to the Carly Jae Repsen concert next week. Matt stares at her incredulously, telling her that she wouldn’t go anywhere near these ‘corporate, soulless’ musicians even if they were the last people on Earth.
Clarissa frowns, trying to urge Matt that Carly and Ariana are good musicians. Matt refuses to budge, saying that all pop singers are unoriginal, have generic lyrics, and have computers who make their voices ‘fake’ and ‘perfect’. Kate returns with their drinks, seeing the argument ongoing. Wanting to cause some mischief, Kate teases Matt by calling him a ‘hipster’. Matt vehemently denies it and the two go around in circles for a few seconds before Matt storms off in anger.
Upon returning home, Matt enters his room, flopping onto his bed in defeat. The door opens, revealing his older brother Marty (Nat Wolff). He comes up to Matt, sitting on the bed and asking what happened. Matt then vents to his brother about how Clarissa is a ‘trend-chaser’ who only loves style over substance. After a few moments of vague ranting, Marty asks if he got into another argument with Kate and Clarissa about music. Matt sighs in defeat, confirming his suspicions.
Disappointed, Marty tells Matt that he’s got to stop being so confrontational with other people about popular media. Matt shakes his head, saying that he’s sick and tired of people trying to ‘force’ him to like the things he doesn’t and wants a change. The only problem is that he has no idea what he can do. Marty pats him on the back, telling him that he’ll think of something before leaving him on his own.
That evening, Matt watches some videos on YouTube, trying to find some inspiration when he comes across an interview on musician Dave Aiken (Johnathan Rhys Meyer), a man who made his ambivalence on modern music felt and decided to do something about it, creating his own band called ‘Ion’. As Matt listens to how Dave catered to a ‘disgruntled generation’, he slowly begins to grow an idea in his head. The next day during breakfast, Matt pitches the idea of Marty and him starting a band.
Marty spits out his juice before exasperatedly telling Matt that he has no idea how to play an instrument. Matt tells him that he doesn’t have to, saying he could be a singer, goading him to sing him something. Despite his nerves, he sings a solid rendition of the Itsy Bitsy Spider. Convinced of this idea, Matt excitedly tells Marty that he’s already ordered a guitar and drums for them and has picked out the name, calling this new band ‘The Culture’.
Four to six days pass and by then, Marty and Matt have already created their band logo. Suddenly, Matt hears the door knocking and walks up to it, opening it and finding their packages. To the surprise of both, there are two guitars instead of one. Matt realizes that he accidentally bought two guitars instead of one, both from the same brand. Seeing how frustrated Matt is, Marty suggests that they audition someone to join them.
Matt is against the idea, saying that it might ‘destroy the sanctity’ of the band so as a compromise, Marty suggests that they try and get their dad Alan (Jack Black) involved, explaining that he was once a guitarist in a band. Later the day, in the cities of San Francisco, California, Alan sits on his rocking chair when the phone rings. He picks up, finding that his son is calling. Matt tries his best to tell his dad but struggles to find the words, forcing Marty to tell him for Matt. Alan enthusiastically accepts the proposal.
The next day, Alan greets Matt by giving him a freakishly strong bearhug when Marty hands him the second guitar. Afterwards, the three have their first jam session together, finding that they mesh well together despite the obvious inexperience. For the next few weeks, the three learn several songs from obscure bands, slowly growing their skills as musicians and finding their chemistry together (Alan especially fitting in well as back-up vocals and bass guitar). Finally, the three decide that they are ready to hold their first concert, finding a venue in a small bar in downtown Seattle.
The day of the first concert arrives and Marty looks out into the crowd, shocked to find a packed house. Matt tells him to get ready as the concert is about to begin. A few minutes later, The Culture are introduced to the world as an excited crowd watches on. The band begins to play the first song, only for Marty to completely blank out, petrified at the number of people in the group. Seeing the crowd start to turn on them, Alan jumps in on vocals, nailing the song and saving the show.
After the concert, an exhilarated Matt tells the others that they killed it out there, especially Alan who immediately is promoted to lead singer (fulfilling a lifelong dream he had). As the band begin to head out, Dave comes up to the band, having stopped by town for a visit and tells them that they did a great job out there. Matt and Dave talk for a bit and he learns that this is the bar that he got his start in. Dave then makes Matt the offer to come to Chicago to be the opening act of his concert. Floored at first, he accepts the offer and vigorously shakes Dave’s hand
The next day, Clarissa goes off in excitement over The Culture’s success while Kate admits that Matt knows what he’s doing. During this time, the band hires an agent named Burton (Wesley Snipes). After taking their plane ride to Chicago, The Culture meet Dave by the hotel. Before they can even get themselves situated, the group is swarmed by paparazzi. Led by Dave, The Culture flee the press and enter their room wondering what just happened.
During the next few days, it becomes clear that The Culture is not used to the lifestyle of musicians with many candid and awkward moments becoming talking points, including Burton’s obscenity-laced tirade to the press when they try to take snapshots of Matt while he’s going to the bathroom. The final straw is an awful rehearsal for The Culture where all parties are off-sync and getting on their last nerves. That night, Dave goes up to security and venue personnel and tells them to cut them from the show.
The next evening, Matt comes up to Alan and Marty backstage, apologizing for being on edge for much of the time there, and promises to be at his best tonight. Alan and Marty apologize back, both admitting to being nervous as well. The three prepare to go on only for the announcer to completely bypass them and introduce Dave.
Outraged, Matt storms onto the stage just before Dave can start his set and angrily asks him what is going on. Dave tries to damage control but after much persistence from Matt, he snaps at him, revealing that he pulled them. He then goes on a monologue saying that Matt had only heard the first half of his story. After time had passed, he had signed a deal to a major recording studio and slowly, he softened his stance on other musicians. Once he did that, he found more success than ever. Sadly, Dave doesn’t believe The Culture is ready for the spotlight.
Furious, Matt lunges after him only to be held back by security. Seeing his boss in trouble, Burton rushes into the scene and begins to fight the officers. After chasing them away, Burton accidentally knocks Dave out cold, sending The Culture to jail. Despondent, Matt believes that this is the end of The Culture. Marty tries to be positive, but Matt asks who would want to book a band that had been arrested for ruining another musician’s concert.
The group sits in silence when a police officer walks by their cell, telling them that they’re being let go. She takes off the disguise, revealing herself to be Kate, having been tasked to bust them out. Remaining quiet, Kate leads The Culture out of jail and to the nearest airport. Upon seeing Matt, Clarissa gets out her phone, revealing that Matt and Dave’s confrontation made it onto national news. To everyone’s shock, not only have people taken their side, they have become insanely popular on the internet.
The Culture becomes the talk of town upon returning home and Matt gets calls from local venues all over to discuss concert arrangements. Each time they do, the crowds grow larger and larger. As time passes, The Culture come out with their first album detailing some of their best hits, only making them even more popular. At the end of one concert, Marty and Alan head out of the venue, waving to their adoring fans. Matt tags behind them, faking a smile in the process.
When he gets home, Matt lies on his bed and stares at the ceiling, wondering if this was what was supposed to happen. Outside, Marty makes a call to someone, keeping a close eye to make sure Matt and Alan aren’t around.
The next day, Matt wakes up to find that Kate is now their new agent (with Burton now taking the role of head of security) and that Clarissa has joined the band as their keyboardist. Coiling in horror, he excuses himself into his bedroom and screams into a pillow. Despite this, Marty and Alan accept Clarissa and Kate as part of the band (especially as Kate says she’s taking a course in finances). From there, per request of Clarissa, The Culture begins to do covers of more mainstream songs, garnering them even more popularity but alienating those who fear they have sold out. As this happens, Matt and Clarissa begin to swap personalities with both acting more like the opposite person.
The breaking point arrives one night before a concert inside a local bar when Matt arrives twenty minutes late for the final rehearsal, claiming that he had to do some ‘thinking’. From there, it becomes clear that Matt is completely off-sync with the rest of the band as they prepare their opening number. After several failed takes, Matt snaps, throwing down his guitar and smashing it to pieces. He storms outside while Marty, Burton and Alan follow suit.
After seeing them, Matt declares that he can’t take it anymore. This was supposed to be his statement against popular music and mainstream culture and now, they’ve completely assimilated with them. He then hears Kate’s voice, spotting her with Clarissa. With Burton separating the two, Matt eviscerates Clarissa, saying that everything was fine until she got onto the band. Clarissa denies this, claiming that she just had ‘better ideas’ than Matt. The argument continues until Matt screams that he hates her. Crushed by the remarks, Clarissa runs away, Kate following suit. The concert is then cancelled.
As the blowup garners media attention, Matt holds an emergency meeting with Marty, Burton and Alan. He wholeheartedly apologizes for his part and admits that he can’t deal with the pressure anymore. The four agree to break up the band with Burton decreeing that if you love something, you let it die before it jumps the shark. Before Alan leaves, he looks at Matt with a grateful expression and thanks Matt for letting him live his dream before walking out of the house. Later that day, Matt confirms the breakup to the press.
As news media reports on The Culture’s demise, The disappearance of Clarissa is reported alongside it. Matt sits on his bed, sadly looking at his damaged guitar when the door opens. Worried for his mental stability, Marty pleads for Matt to talk to him. After a few moments, Matt finally speaks, telling Marty that he only started the band just so he could stick it to Clarissa and people who like ‘popular’ music. He didn’t expect things to play out the way that they did. And now, because of him, Clarissa is missing.
Marty looks at his brother with a guilty expression before admitting that he was the one that contacted her to join the band. When asked why, Marty explains that he was worried about how reclusive he was becoming, especially with all the notoriety the band was getting. The two agree to never speak of this again...
That is until Matt hears a ping from his phone. He picks it up, finding an angry text from Kate. Matt opens it and learns that Kate has found Clarissa. Not only that, she is performing somewhere later tonight. The final message Matt reads is Kate threatening to kill him. Sensing an opportunity, Marty decides to call Kate, telling her to come to their house so they can try and track down Clarissa.. When Kate arrives at their house, she explains that Clarissa is at a cafe far away. Sadly, Clarissa didn’t give her directions and to make matters worse, they have only fifteen minutes to make it to the concert.
What follows is a wild car chase as Kate hastily drives past several other cars and people. It looks like they’re keeping pace when all of a sudden, Kate slams the breaks on her car, entering a traffic jam and ramming her car into another’s bumper. Seeing the angry driver storming towards them, Kate gets out and decks him with a punch, giving Matt and Marty an opening to run past all the other cars and maneuver their way out of the traffic jam.
Eventually, Matt spots a cafe with a sign saying ‘Clarissa Live!’ on the window. There, they find Alan and Burton standing by. He tells them that the concert had sold out. Not only that, he had bought the last ticket, just to support Clarissa. He then says that things are not looking good for her and that she needs them more than ever. When Marty asks how they’re going to get him, however, Burton gives him a cheeky smirk, declaring that sometimes, it pays to be an agent and lets them enter with him playing watchguard.
As the group silently enters, Kate is the first to spot Clarissa wearing hipster-influenced clothing, failing to get through Vance Joy’s Take Your Time. Seeing the tears in her eyes, Matt steps up to the stage, singing part of the song with her. Despite Clarissa’s confusion, Matt assures her that he’ll explain later and invites the rest of the band up onstage. From there, Matt and Clarissa lead a duet, ending with them getting a standing ovation.
Backstage, Matt pulls Clarissa aside, asking her what she’s doing wearing these clothes. Clarissa admits that being around him changed her. She started to see music in a different light and began to shun the things she once held dear, all to please him. Stunned at the revelation, Matt composes himself before giving a heartfelt apology. He knows the two don’t agree on a lot, but she didn’t have to change herself to impress him. If anything, he was the one that needed to change. Touched by his apology, Clarissa hugs Matt and does away with the hipster clothes.
For the next few days, Matt and Clarissa begin listening to other genres of music, expanding their horizons and finding surprising gems. The thing that really surprises them however is how Clarissa hates one song from Nat and Alex Wolff while Matt likes it. The two laugh at this revelation, enjoying their newfound friendship.
One month later:
Inside the same bar that started everything, Matt sits at a chair backstage when Burton comes up to him, asking if he’s ready for this. Matt confidently tells him that he was born ready and joins the rest of the band. The Culture walk onto the stage receiving a warm ovation as Matt gives a brief speech about how it’s okay to evolve and grow your interests, even if you may not always like what you see or hear. The Culture was once supposed to condemn the ‘status quo', but now he sees that there isn’t one true form of music. Every genre has its own defined personality, style, and culture. And that’s what they want to showcase. The concert then begins in earnest as all enjoy an incredible night of music, fun, and friendship.
Genre: Comedy/Drama
Director: Jim Jarmusch
Writer: Jacob Jones
Cast: Alex Wolff, Nat Wolff, Jack Black, Maude Apatow, Meg Donnelly, Jonathan Rhys Meyers, Wesley Snipes
Plot: Inside a small cafe in Seattle, Washington, a girl with blonde hair sits beside her friend. Clarissa (Maude Apatow) looks at her phone while Kate (Meg Donnelly) sips some of her frappucino before asking Clarissa where Matt (Alex Wolff) is. Clarissa says that she just texted him, saying that he’ll be there in a few moments. Kate hopes so as her frappe is almost gone.
All of a sudden the door bursts open and in walks Matt. He spots the girls not far by him, walking towards them. Kate begins to head up to the counter to order something, asking what the others want. Matt requests a ‘Flat White’, a ristretto espresso with micro-foam milk, or as he calls it ‘the edible version of milk’. Kate rolls her eyes, focusing her attention to Clarissa only to find her listening to something on her phone.
Clarissa tells Kate that she’s listening to the new Ariana Grande song. Matt shudders upon hearing her name, holding himself back from going on a rant about ‘mainstream music’. Kate hears him muttering under his breath and asks him what’s so bad about Ariana Grande. Matt crosses his arms, saying that he just doesn’t like her. “Or any other major pop star out there.” Kate quips. She proves this theory by listing off several pop stars, watching as he reacts in disgust.
Trying to restrain herself from laughing, Clarissa tells Kate that she wants a latte with marshmallows floating on it. Kate heads off to get the drinks, leaving Clarissa and Matt to themselves. Looking around the cafeteria, he glances at Matt sitting silently and asks if he wants to go to the Carly Jae Repsen concert next week. Matt stares at her incredulously, telling her that she wouldn’t go anywhere near these ‘corporate, soulless’ musicians even if they were the last people on Earth.
Clarissa frowns, trying to urge Matt that Carly and Ariana are good musicians. Matt refuses to budge, saying that all pop singers are unoriginal, have generic lyrics, and have computers who make their voices ‘fake’ and ‘perfect’. Kate returns with their drinks, seeing the argument ongoing. Wanting to cause some mischief, Kate teases Matt by calling him a ‘hipster’. Matt vehemently denies it and the two go around in circles for a few seconds before Matt storms off in anger.
Upon returning home, Matt enters his room, flopping onto his bed in defeat. The door opens, revealing his older brother Marty (Nat Wolff). He comes up to Matt, sitting on the bed and asking what happened. Matt then vents to his brother about how Clarissa is a ‘trend-chaser’ who only loves style over substance. After a few moments of vague ranting, Marty asks if he got into another argument with Kate and Clarissa about music. Matt sighs in defeat, confirming his suspicions.
Disappointed, Marty tells Matt that he’s got to stop being so confrontational with other people about popular media. Matt shakes his head, saying that he’s sick and tired of people trying to ‘force’ him to like the things he doesn’t and wants a change. The only problem is that he has no idea what he can do. Marty pats him on the back, telling him that he’ll think of something before leaving him on his own.
That evening, Matt watches some videos on YouTube, trying to find some inspiration when he comes across an interview on musician Dave Aiken (Johnathan Rhys Meyer), a man who made his ambivalence on modern music felt and decided to do something about it, creating his own band called ‘Ion’. As Matt listens to how Dave catered to a ‘disgruntled generation’, he slowly begins to grow an idea in his head. The next day during breakfast, Matt pitches the idea of Marty and him starting a band.
Marty spits out his juice before exasperatedly telling Matt that he has no idea how to play an instrument. Matt tells him that he doesn’t have to, saying he could be a singer, goading him to sing him something. Despite his nerves, he sings a solid rendition of the Itsy Bitsy Spider. Convinced of this idea, Matt excitedly tells Marty that he’s already ordered a guitar and drums for them and has picked out the name, calling this new band ‘The Culture’.
Four to six days pass and by then, Marty and Matt have already created their band logo. Suddenly, Matt hears the door knocking and walks up to it, opening it and finding their packages. To the surprise of both, there are two guitars instead of one. Matt realizes that he accidentally bought two guitars instead of one, both from the same brand. Seeing how frustrated Matt is, Marty suggests that they audition someone to join them.
Matt is against the idea, saying that it might ‘destroy the sanctity’ of the band so as a compromise, Marty suggests that they try and get their dad Alan (Jack Black) involved, explaining that he was once a guitarist in a band. Later the day, in the cities of San Francisco, California, Alan sits on his rocking chair when the phone rings. He picks up, finding that his son is calling. Matt tries his best to tell his dad but struggles to find the words, forcing Marty to tell him for Matt. Alan enthusiastically accepts the proposal.
The next day, Alan greets Matt by giving him a freakishly strong bearhug when Marty hands him the second guitar. Afterwards, the three have their first jam session together, finding that they mesh well together despite the obvious inexperience. For the next few weeks, the three learn several songs from obscure bands, slowly growing their skills as musicians and finding their chemistry together (Alan especially fitting in well as back-up vocals and bass guitar). Finally, the three decide that they are ready to hold their first concert, finding a venue in a small bar in downtown Seattle.
The day of the first concert arrives and Marty looks out into the crowd, shocked to find a packed house. Matt tells him to get ready as the concert is about to begin. A few minutes later, The Culture are introduced to the world as an excited crowd watches on. The band begins to play the first song, only for Marty to completely blank out, petrified at the number of people in the group. Seeing the crowd start to turn on them, Alan jumps in on vocals, nailing the song and saving the show.
After the concert, an exhilarated Matt tells the others that they killed it out there, especially Alan who immediately is promoted to lead singer (fulfilling a lifelong dream he had). As the band begin to head out, Dave comes up to the band, having stopped by town for a visit and tells them that they did a great job out there. Matt and Dave talk for a bit and he learns that this is the bar that he got his start in. Dave then makes Matt the offer to come to Chicago to be the opening act of his concert. Floored at first, he accepts the offer and vigorously shakes Dave’s hand
The next day, Clarissa goes off in excitement over The Culture’s success while Kate admits that Matt knows what he’s doing. During this time, the band hires an agent named Burton (Wesley Snipes). After taking their plane ride to Chicago, The Culture meet Dave by the hotel. Before they can even get themselves situated, the group is swarmed by paparazzi. Led by Dave, The Culture flee the press and enter their room wondering what just happened.
During the next few days, it becomes clear that The Culture is not used to the lifestyle of musicians with many candid and awkward moments becoming talking points, including Burton’s obscenity-laced tirade to the press when they try to take snapshots of Matt while he’s going to the bathroom. The final straw is an awful rehearsal for The Culture where all parties are off-sync and getting on their last nerves. That night, Dave goes up to security and venue personnel and tells them to cut them from the show.
The next evening, Matt comes up to Alan and Marty backstage, apologizing for being on edge for much of the time there, and promises to be at his best tonight. Alan and Marty apologize back, both admitting to being nervous as well. The three prepare to go on only for the announcer to completely bypass them and introduce Dave.
Outraged, Matt storms onto the stage just before Dave can start his set and angrily asks him what is going on. Dave tries to damage control but after much persistence from Matt, he snaps at him, revealing that he pulled them. He then goes on a monologue saying that Matt had only heard the first half of his story. After time had passed, he had signed a deal to a major recording studio and slowly, he softened his stance on other musicians. Once he did that, he found more success than ever. Sadly, Dave doesn’t believe The Culture is ready for the spotlight.
Furious, Matt lunges after him only to be held back by security. Seeing his boss in trouble, Burton rushes into the scene and begins to fight the officers. After chasing them away, Burton accidentally knocks Dave out cold, sending The Culture to jail. Despondent, Matt believes that this is the end of The Culture. Marty tries to be positive, but Matt asks who would want to book a band that had been arrested for ruining another musician’s concert.
The group sits in silence when a police officer walks by their cell, telling them that they’re being let go. She takes off the disguise, revealing herself to be Kate, having been tasked to bust them out. Remaining quiet, Kate leads The Culture out of jail and to the nearest airport. Upon seeing Matt, Clarissa gets out her phone, revealing that Matt and Dave’s confrontation made it onto national news. To everyone’s shock, not only have people taken their side, they have become insanely popular on the internet.
The Culture becomes the talk of town upon returning home and Matt gets calls from local venues all over to discuss concert arrangements. Each time they do, the crowds grow larger and larger. As time passes, The Culture come out with their first album detailing some of their best hits, only making them even more popular. At the end of one concert, Marty and Alan head out of the venue, waving to their adoring fans. Matt tags behind them, faking a smile in the process.
When he gets home, Matt lies on his bed and stares at the ceiling, wondering if this was what was supposed to happen. Outside, Marty makes a call to someone, keeping a close eye to make sure Matt and Alan aren’t around.
The next day, Matt wakes up to find that Kate is now their new agent (with Burton now taking the role of head of security) and that Clarissa has joined the band as their keyboardist. Coiling in horror, he excuses himself into his bedroom and screams into a pillow. Despite this, Marty and Alan accept Clarissa and Kate as part of the band (especially as Kate says she’s taking a course in finances). From there, per request of Clarissa, The Culture begins to do covers of more mainstream songs, garnering them even more popularity but alienating those who fear they have sold out. As this happens, Matt and Clarissa begin to swap personalities with both acting more like the opposite person.
The breaking point arrives one night before a concert inside a local bar when Matt arrives twenty minutes late for the final rehearsal, claiming that he had to do some ‘thinking’. From there, it becomes clear that Matt is completely off-sync with the rest of the band as they prepare their opening number. After several failed takes, Matt snaps, throwing down his guitar and smashing it to pieces. He storms outside while Marty, Burton and Alan follow suit.
After seeing them, Matt declares that he can’t take it anymore. This was supposed to be his statement against popular music and mainstream culture and now, they’ve completely assimilated with them. He then hears Kate’s voice, spotting her with Clarissa. With Burton separating the two, Matt eviscerates Clarissa, saying that everything was fine until she got onto the band. Clarissa denies this, claiming that she just had ‘better ideas’ than Matt. The argument continues until Matt screams that he hates her. Crushed by the remarks, Clarissa runs away, Kate following suit. The concert is then cancelled.
As the blowup garners media attention, Matt holds an emergency meeting with Marty, Burton and Alan. He wholeheartedly apologizes for his part and admits that he can’t deal with the pressure anymore. The four agree to break up the band with Burton decreeing that if you love something, you let it die before it jumps the shark. Before Alan leaves, he looks at Matt with a grateful expression and thanks Matt for letting him live his dream before walking out of the house. Later that day, Matt confirms the breakup to the press.
As news media reports on The Culture’s demise, The disappearance of Clarissa is reported alongside it. Matt sits on his bed, sadly looking at his damaged guitar when the door opens. Worried for his mental stability, Marty pleads for Matt to talk to him. After a few moments, Matt finally speaks, telling Marty that he only started the band just so he could stick it to Clarissa and people who like ‘popular’ music. He didn’t expect things to play out the way that they did. And now, because of him, Clarissa is missing.
Marty looks at his brother with a guilty expression before admitting that he was the one that contacted her to join the band. When asked why, Marty explains that he was worried about how reclusive he was becoming, especially with all the notoriety the band was getting. The two agree to never speak of this again...
That is until Matt hears a ping from his phone. He picks it up, finding an angry text from Kate. Matt opens it and learns that Kate has found Clarissa. Not only that, she is performing somewhere later tonight. The final message Matt reads is Kate threatening to kill him. Sensing an opportunity, Marty decides to call Kate, telling her to come to their house so they can try and track down Clarissa.. When Kate arrives at their house, she explains that Clarissa is at a cafe far away. Sadly, Clarissa didn’t give her directions and to make matters worse, they have only fifteen minutes to make it to the concert.
What follows is a wild car chase as Kate hastily drives past several other cars and people. It looks like they’re keeping pace when all of a sudden, Kate slams the breaks on her car, entering a traffic jam and ramming her car into another’s bumper. Seeing the angry driver storming towards them, Kate gets out and decks him with a punch, giving Matt and Marty an opening to run past all the other cars and maneuver their way out of the traffic jam.
Eventually, Matt spots a cafe with a sign saying ‘Clarissa Live!’ on the window. There, they find Alan and Burton standing by. He tells them that the concert had sold out. Not only that, he had bought the last ticket, just to support Clarissa. He then says that things are not looking good for her and that she needs them more than ever. When Marty asks how they’re going to get him, however, Burton gives him a cheeky smirk, declaring that sometimes, it pays to be an agent and lets them enter with him playing watchguard.
As the group silently enters, Kate is the first to spot Clarissa wearing hipster-influenced clothing, failing to get through Vance Joy’s Take Your Time. Seeing the tears in her eyes, Matt steps up to the stage, singing part of the song with her. Despite Clarissa’s confusion, Matt assures her that he’ll explain later and invites the rest of the band up onstage. From there, Matt and Clarissa lead a duet, ending with them getting a standing ovation.
Backstage, Matt pulls Clarissa aside, asking her what she’s doing wearing these clothes. Clarissa admits that being around him changed her. She started to see music in a different light and began to shun the things she once held dear, all to please him. Stunned at the revelation, Matt composes himself before giving a heartfelt apology. He knows the two don’t agree on a lot, but she didn’t have to change herself to impress him. If anything, he was the one that needed to change. Touched by his apology, Clarissa hugs Matt and does away with the hipster clothes.
For the next few days, Matt and Clarissa begin listening to other genres of music, expanding their horizons and finding surprising gems. The thing that really surprises them however is how Clarissa hates one song from Nat and Alex Wolff while Matt likes it. The two laugh at this revelation, enjoying their newfound friendship.
One month later:
Inside the same bar that started everything, Matt sits at a chair backstage when Burton comes up to him, asking if he’s ready for this. Matt confidently tells him that he was born ready and joins the rest of the band. The Culture walk onto the stage receiving a warm ovation as Matt gives a brief speech about how it’s okay to evolve and grow your interests, even if you may not always like what you see or hear. The Culture was once supposed to condemn the ‘status quo', but now he sees that there isn’t one true form of music. Every genre has its own defined personality, style, and culture. And that’s what they want to showcase. The concert then begins in earnest as all enjoy an incredible night of music, fun, and friendship.
Friday, June 24, 2022
Release: We Were Never Here
We Were Never Here
Genre: Thriller/Mystery
Director: Debra Granik
Writer: H.G. Hansen
Producer: David Fincher
Based on the novel by Andrea Bartz
Cast: Jennifer Lawrence, Nathalie Emmanuel, Lakeith Stanfield, Regina King, Hannah John-Kamen, Parker Posey, Helen Hunt, Jane Seymour, Gabriel Byrne, Mena Massoud
Budget: $50,000,000
Domestic Box Office: $40,021,694
Foreign Box Office: $38,523,191
Total Profit: -$22,146,007
Reaction: That makes for two sizable flops in a row at the box office for the studio - and the fourth box office bomb in a row for star Jennifer Lawrence (the last three of which have all been in the Thriller genre).
"Yes, the mystery elements were too obvious and everybody in the audience will figure out how it all ends by the end of the first act, but the tone of the story works and Lawrence and Emmanuel both nail their lead roles (Lawrence definitely overacts at times - it works for the character though). HG Hansen's adaptation could have used some more work on utilizing its genre elements better, but that wasn't a deal breaker for me." - Ron Gardocki, Los Angeles Express
"On paper, We Were Never Here looks like it has the makings of a good film, but something didn't work. It felt too technical, too robotic. As a Thriller/Mystery film, it was not particularly thrilling or mysterious - it all felt too obvious and telegraphed." - Dave Manning, Ridgefield Press
"I really couldn’t get into this one. The script for me was choppy and all over the place. It was no where near as gripping or thrilling as reviews of the book have made it out to be. By all means the visuals were good, as was the acting but I’m not sure if it even got close to saving the film for me. It was a shame, I was hoping H.G had struck gold here, but it was not to be." - J. Darrell Ellington, Behind the Camera
Rated R for violence, language and sexual content
Genre: Thriller/Mystery
Director: Debra Granik
Writer: H.G. Hansen
Producer: David Fincher
Based on the novel by Andrea Bartz
Cast: Jennifer Lawrence, Nathalie Emmanuel, Lakeith Stanfield, Regina King, Hannah John-Kamen, Parker Posey, Helen Hunt, Jane Seymour, Gabriel Byrne, Mena Massoud
Budget: $50,000,000
Domestic Box Office: $40,021,694
Foreign Box Office: $38,523,191
Total Profit: -$22,146,007
Reaction: That makes for two sizable flops in a row at the box office for the studio - and the fourth box office bomb in a row for star Jennifer Lawrence (the last three of which have all been in the Thriller genre).
"Yes, the mystery elements were too obvious and everybody in the audience will figure out how it all ends by the end of the first act, but the tone of the story works and Lawrence and Emmanuel both nail their lead roles (Lawrence definitely overacts at times - it works for the character though). HG Hansen's adaptation could have used some more work on utilizing its genre elements better, but that wasn't a deal breaker for me." - Ron Gardocki, Los Angeles Express
"On paper, We Were Never Here looks like it has the makings of a good film, but something didn't work. It felt too technical, too robotic. As a Thriller/Mystery film, it was not particularly thrilling or mysterious - it all felt too obvious and telegraphed." - Dave Manning, Ridgefield Press
"I really couldn’t get into this one. The script for me was choppy and all over the place. It was no where near as gripping or thrilling as reviews of the book have made it out to be. By all means the visuals were good, as was the acting but I’m not sure if it even got close to saving the film for me. It was a shame, I was hoping H.G had struck gold here, but it was not to be." - J. Darrell Ellington, Behind the Camera
Rated R for violence, language and sexual content
In Development
Spider-Man vs. The Sinister Six: Vince Vaughn (One for the Ages, The Black Cat Strikes Again!) is set to reprise his role as Wilson Fisk / Kingpin in the latest Spider-Man film. He will also be joined by his The Black Cat Strikes Again! cast mate Holt McCallany (Cascade, The Black Cat Strikes Again!) who will reprise his role as Hammerhead. New faces in the film will include Youssef Kerkour (House of Gucci, Close), Scott MacArthur ("The Righteous Gemstones", Halloween Kills) and Joey Ansah (The Old Guard, "Street Fighter: Assassin's Fist"). They will play members of Fisk's "Sinister Six": Rhino, Sandman and Shocker, respectively. Damien Chazelle is directing from a script by D.R. Cobb and Chad Taylor.
So This Is What It Feels Like: Writer Sammy-Jo Ellis' LRF debut has added Virginia Madsen (Ghost Rider, Masters of the Universe), Himesh Patel (Tenet, Yesterday) and Rob Delaney (The Bubble, Home Sweet Home Alone) to its ensemble cast. Madsen will play the mother of the main character (played by Cooper Raiff), while Patel and Delaney will play colleagues of Raiff's character at a movie studio. Cooper Raiff, in addition to starring, is also directing the film.
The Nest: Mads Mikkelsen (Resident Evil 3, Burial Rites), Kathryn Newton (House Without End, Maledicta), Cara Buono (Camp Manhood, Long Time) and James Ransone (The Raid, Police Story: Case Closed) have been cast in director Scott Cooper's latest film, the thriller/mystery/drama The Nest, based on the Italian film of the same name. Mikkelsen will play a doctor, Newton and Buono will play maids, while Ransone will play the husband of Vera Farmiga's character. The film was written by Jack Slipter.
A Boy and His Robot: Michael Shannon (The Mask, Obsession) and Keri Russell (For Those Who Don't Read Me, Fear of the Dark) have joined JJ Abram's latest sci-fi film, A Boy and His Robot, playing the parents of the titular boy of the film (played by Archie Yates). Chad Taylor and Meirad Tako penned the film.
Calvin and Hobbes: Nancy Cartwright (In Search of Fellini, "The Simpsons"), Will Artnett (Skin Tight, Delaware) and Brooklynn Prince (Free Spirit, Zatanna) will lead the voice cast of the comic strip adaptation, Calvin and Hobbes. Cartwright will voice the boy, while Arnett will voice the tiger. Prince, meanwhile, will voice Calvin's nemesis, Susie. Pete Docter (Free Spirit, Inside Out) will direct the film from, while Joshua Collins (RoboCop Versus The Terminator, EarthBound) wrote the script based on the comic by Bill Watterson.
Poison Ivy: Mind Games: Sydney Sweeney (Black Hole, Gracie) has officially signed a lucrative, eight-figure contract to reprise her multi-GRA-winning role of Ivy in a sequel to the acclaimed Season 19 erotic thriller, Poison Ivy. This sequel will reportedly pick up shortly after the events of the first film which ended with Ivy's presumed demise. Sam Levinson (Poison Ivy, "Euphoria") is back behind the camera as director for this film, which was once again written by Roy Horne (Open Hearts, Gracie).
So This Is What It Feels Like: Writer Sammy-Jo Ellis' LRF debut has added Virginia Madsen (Ghost Rider, Masters of the Universe), Himesh Patel (Tenet, Yesterday) and Rob Delaney (The Bubble, Home Sweet Home Alone) to its ensemble cast. Madsen will play the mother of the main character (played by Cooper Raiff), while Patel and Delaney will play colleagues of Raiff's character at a movie studio. Cooper Raiff, in addition to starring, is also directing the film.
The Nest: Mads Mikkelsen (Resident Evil 3, Burial Rites), Kathryn Newton (House Without End, Maledicta), Cara Buono (Camp Manhood, Long Time) and James Ransone (The Raid, Police Story: Case Closed) have been cast in director Scott Cooper's latest film, the thriller/mystery/drama The Nest, based on the Italian film of the same name. Mikkelsen will play a doctor, Newton and Buono will play maids, while Ransone will play the husband of Vera Farmiga's character. The film was written by Jack Slipter.
A Boy and His Robot: Michael Shannon (The Mask, Obsession) and Keri Russell (For Those Who Don't Read Me, Fear of the Dark) have joined JJ Abram's latest sci-fi film, A Boy and His Robot, playing the parents of the titular boy of the film (played by Archie Yates). Chad Taylor and Meirad Tako penned the film.
Calvin and Hobbes: Nancy Cartwright (In Search of Fellini, "The Simpsons"), Will Artnett (Skin Tight, Delaware) and Brooklynn Prince (Free Spirit, Zatanna) will lead the voice cast of the comic strip adaptation, Calvin and Hobbes. Cartwright will voice the boy, while Arnett will voice the tiger. Prince, meanwhile, will voice Calvin's nemesis, Susie. Pete Docter (Free Spirit, Inside Out) will direct the film from, while Joshua Collins (RoboCop Versus The Terminator, EarthBound) wrote the script based on the comic by Bill Watterson.
Poison Ivy: Mind Games: Sydney Sweeney (Black Hole, Gracie) has officially signed a lucrative, eight-figure contract to reprise her multi-GRA-winning role of Ivy in a sequel to the acclaimed Season 19 erotic thriller, Poison Ivy. This sequel will reportedly pick up shortly after the events of the first film which ended with Ivy's presumed demise. Sam Levinson (Poison Ivy, "Euphoria") is back behind the camera as director for this film, which was once again written by Roy Horne (Open Hearts, Gracie).
Thursday, June 23, 2022
Now Showing: We Were Never Here
We Were Never Here
Genre: Thriller/Mystery
Director: Debra Granik
Writer: H.G. Hansen
Producer: David Fincher
Based on the novel by Andrea Bartz
Cast: Jennifer Lawrence, Nathalie Emmanuel, Lakeith Stanfield, Regina King, Hannah John-Kamen, Parker Posey, Helen Hunt, Jane Seymour, Gabriel Byrne, Mena Massoud
Plot: Emily Donovan (Nathalie Emmanuel) and her best friend Kristen Czarnecki (Jennifer Lawrence), both women nearing thirty and who met in college at Northwestern, are on their annual reunion trip. Emily works as a project manager at an organic cat food start-up called Kibble, while Kristen works at a market research firm. Kristen is beautiful and comes from a wealthy background.
Emily’s college boyfriend was Ben. For a long time, she’d convinced herself that he was caring, although he was actually mainly controlling. In a fight their senior year, he’d gotten physical with her, and they’d finally broken up. Emily has recently started dating a new guy, Aaron Meuleman (Lakeith Stanfield).
Emily and Kristen have been in South America for five days, with two more to go. They’re currently in Chile. Emily is still traumatized by the events of their previous trip last year to Cambodia, where things had taken a horrifying turn. A fratty backpacker named Sebastian (Mena Massoud) had attacked Emily, and they’d killed him in self-defense.
They’d met Sebastian at a bar, and Emily had invited him back to her place. However, she’d gotten uncomfortable when he’d been too rough with her. When she told him to leave, he’d attempted to sexually assault her, except that Kristen had walked in and stopped it. Kristen had then hit him on the head with a lamp, and he’d hit his head again as he collapsed and died. Afraid of dealing with the police, they instead throw the body off a cliff nearby and into the water, departing the area soon after.
In retrospect, Emily regrets that he died, but she still thinks it’s best they got rid of the body instead of telling the local police. Afterward, Emily wanted to talk to a therapist about what had happened, but Kristen had been against the idea. Instead, she’d offered to talk her through it and had been there for her.
In the present day, Kristen suggests that they plan a six-month trip to travel the world. Emily is unsure about the idea because she has just started seeing Aaron, and she genuinely likes her job. She promises to consider it, but later she tells Kristen she doesn’t think it’s a good idea because of the other stuff she has going on.
The next day is the final day of their trip. As they’re out for dinner, Emily returns to the table to see a guy Kristen met, a backpacker from Spain named Paolo, joining them. Eventually, Kristen invites him back to their place, and they head out. Emily says she’s going to stay and finish her drink and head back later. When Emily goes to pay for her drink, she realizes that her wallet went missing at some point.
Later, she finally heads back to the room. She is horrified to find a distraught Kristen, who says he attacked her, and Paolo’s dead body is lying on the floor.
They contemplate telling the police, but they reach the same conclusion that they won’t believe them and she’ll be thrown in jail. They decide to drive the body out to the middle of nowhere and find a place to bury it.
As for getting rid of the body, they wrap the body in a shower curtain, and after checking that there’s no one, they get the body into the truck. Emily & Kristen then break into a shed at their hotel and manage to find a shovel. They then drive about thirty minutes out to what appears to be an empty hillside and start to dig. By the time the body is buried, they are exhausted and head back.
It’s morning when they get back. Emily & Kristen finish cleaning the room and burn Paolo’s personal effects into a charred mass. Kristen takes the lump, saying she’ll dispose of it when she gets home. They head out to the airport at the time they originally intended and depart Chile. Kristen flies back to Sydney. When Emily arrives back in Milwaukee, Aaron arrives to pick her up.
Back at work, Emily is greeted warmly by her co-worker Priya (Hannah John-Kamen), and she struggles not to think about what happened on the trip. When she talks to Kristen again, she’s unsettled by how unbothered Kristen seems and how eager she is to take another trip.
When she’s out with Aaron later, Emily ends up crying for no reason but resists the urge to tell him what she’s really upset about. Instead, she heads home.
Emily soon meets with Adrienne Oderdonk (Regina King), a therapist in her fifties who was recommended by Priya. She tries to tell Adrienne about her problems without getting into the ugly details.
Emily tells her that she was assaulted during a hookup last year and that it’s something she’s still not entirely over. She adds that her best friend had something similar happen to her just last week. She also says that she doesn’t have many close friends other than Kristen and that she broke up with her previous boyfriend Colin after Kristen pointed out his flaws.
When Emily hangs out with Priya, she’s surprised when Priya shows her how Kristen commented on one of Priya’s Instagram photos since Kristen and Priya don’t know each other. The next few days, Emily finds herself keeping her distance from Kristen by not calling or texting her. She’s surprised, then, when Kristen suddenly shows up at her door.
That night, they meet up with Aaron for dinner. Kristen explains that she was let go from her job, so she thought she might as well come to hang out with Emily. Kristen explains that she’s just here to surprise her and that she’s staying at her grandparents’ house. Emily feels like she should be happier about Kristen being there than she actually feels.
Afterward, Emily drives Kristen back to her grandparents Nana (Jane Seymour) and Bill’s (Gabriel Byrne) house and goes in to greet them. It was built near the same place where Kristen’s parents died in a house fire when she was 12. While Nana and Bill have always been genial towards Emily, Kristen describes them as being cruel and dismissive in private. Emily notices that they don’t seem all that happy to see Kristen. Before Emily leaves, Nana asks to exchange phone numbers with Emily just in case.
There has still been no news about Paolo’s murder by that weekend, and Emily starts to hope that they might get away with it. Things are also going well with Aaron, and Emily is intimate with him when she gets multiple missed calls and a text from Kristen saying, “I need you.” She rushes to leave, only to call Kristen and find out that it’s nothing.
At her next therapy session, Emily talks to Adrienne about her parents, who divorced when she was 15. Emily describes them as being emotionally neglectful. She also talks about how she feels like she’s abandoning Kristen a little by wanting some space from her. However, Adrienne encourages Emily to focus on relationships other than just her friendship with Kristen. She also suggests that perhaps Kristen likes keeping Emily in a needy role in her life.
Thursday is Emily’s birthday, and she has low-key plans with Aaron. Despite telling her not to, Kristen has planned a surprise for Emily, involving a scavenger hunt with a trail of clues. The first one leads her to Priya, and the second one leads her to the doorman, who gives her a stuffed cat with the next clue on its collar that indicates she should buy a latte.
There, she finds Aaron, who has a gift for her. At first, her excitement falters when she sees that it’s the green wallet she’d thought she’d lost that terrible night in Chile. However, it turns out to be a different but similar wallet that Kristen had helped Aaron pick out for Emily. The wallet has a clue that leads to her boss, Russell, who tells her that Kristen convinced him to give her the rest of the week off.
At her apartment, Kristen greets her and says they’re heading out to her grandparents’ lake house at Lake Novak. Kristen adds that Aaron agreed to cancel their dinner plans for that night. As they drive, Emily reflects on her relationship with Colin and wonders if she was too hasty to end that relationship because of what Kristen had said at the time.
Emily also sees a text arrive on Kristen’s phone approving Kristen’s rental application at a house a block and a half away from her apartment.
They finally talk about that night in Chile at the lake house, and Emily admits to being weirded out by how okay Kristen seems to be with all of it. Kristen says she’s upset too, but that she’s also upset that Emily now looks at her like she’s some type of monster. They end up both crying and comforting each other, and Emily feels herself feeling comfortable with Kristen again.
However, that night, Emily sees an article reporting that Paolo Garcia has been found in a remote Chilean village. It turns out that Paolo was an American from a wealthy family, and his family is hoping to bring his body back to the States. Emily is unnerved by all of this, but Kristen remains calm.
The following day, on a tree outside, Emily sees a carving on a tree that reads “KC + JR” with JR’s letters crossed out. She makes a mental note to ask Kristen about it.
Later that day, they go antiquing at a shop where Kristen used to go as a kid. She knows the owner, Greta, who comments that Emily resembles a girl Kristen hung out with when she was little, Jamie Rusch. Greta also mentions that Jamie passed away. Afterward, Emily asks Kristen about Jamie, but she answers vaguely, saying something about Jamie having died in an accident, and then she changes the topic.
Later, Emily asks why Kristen never talks about Jamie, but Kristen insists she’s mentioned her before. She also keeps changing the topic to prevent them from discussing Paolo further.
Instead, they talk about how her grandparents raised Kristen to be a “Jesus Freak,” but after her parents died, she gave it all up. Later, Emily thinks about the number of deaths Kristen had seen in her life; Sebastian, Paolo, both her parents and Jamie, too.
Late that night, Emily sneaks into the storage boxes at the cabin where Kristen’s grandparents had stored her childhood belongings. Emily finds an old yearbook and looks for a photo of Jamie, but she sees that her face has been scribbled out everywhere in the yearbook.
The next night, Kristen recounts some happy memories of her parents as Emily thinks about her own parents. Emily recalls how when she was young, she’d jumped into a pool and struggled to swim until another parent had saved her and comforted her. Her dad had simply chided her into jumping into a pool without knowing how to swim.
That night, Emily slips and hurts her foot when she sees a dead rabbit lying on the ground, and she calls out for Kristen, who comes to her aid. Late that night, Emily finally has a chance to use the hotspot that Kristen had brought to the cabin and access the internet. She searches for “Jamie Rusch” and learns that Jamie killed herself on November 24th, 2001 — two weeks after Kristen’s parents died in a fire.
Back in town after the weekend is over, Emily meets with Adrienne and admits that she is uneasy with Kristen being back in town. She says it’s weird how Kristen is handling her assault without mentioning what happened afterward. She also admits that it feels like Kristen wants her all to herself.
Afterward, Emily looks up the name of Kristen’s therapist, Dr. Lydia Brightside, who turns out to be a pediatric psychiatrist specializing in conduct disorders at Westmoor Behavioral Services.
According to reviews, Westmoor is where rich kids are sent by court order instead of juvenile detention. Emily ends up sending them a message, and the response confirms that they only take in patients by referral from the court system of Wisconsin. They also confirm that Dr. Brightside does not take outside patients in private practice and has practiced there exclusively since the center opened.
Emily thinks back to Kristen, describing how she was good at building fires and a separate comment about how her mother wasn’t supposed to be home the night her parents died in the fire. She wonders if Kristen killed any people in cold blood (as opposed to in self-defense).
Emily soon learns that Paolo’s family is offering a $1 million reward for information about his death. The article also mentions how Paolo survived cancer as a child. When she goes home, she has an e-mail from the hotel saying the police are trying to reach out to anyone around that time to see if anyone knows anything.
Emily soon tells her therapist that she had realized that perhaps her friendship with Kristen wasn’t entirely healthy and that perhaps she was wrong to break up with Colin. She doesn’t want the same thing to happen with Aaron, and she wants to break the pattern of their friendship.
As they’re talking, Adrienne mentions that she left her notebook in her office instead of having it on her. Emily starts to wonder if Kristen had quit her job (instead of being fired) and if Kristen had killed Paolo to create a new trauma to bind them together with how the Cambodia incident did. When she gathers her things to leave, she’d be surprised to find Kristen in Adrienne’s waiting room.
Kristen claims that Priya referred her to Adrienne and finally decided to try therapy like Emily had recommended. However, Emily feels like Kristen is stalking her. Later that day, Kristen tells her Adrienne has declined her as a patient due to a conflict of interest.
Back at home, Emily looks over the clues that Kristen had left for her birthday, and she realizes that there was one last one hidden in the last clue that she didn’t pick up on before. It leads to Kristen’s Dropbox account, where she had added a folder named “Chile.” Reading the birthday card that Kristen had given her, Emily can figure out the password for the folder. To her horror, inside, there is a photo of Emily and Sebastian together.
Seeing the photo, Emily sees it as a veiled threat and a reminder that Kristen has dirt on her. Emily starts to wonder if it will be possible for her to sever her ties with Kristen. Soon, Kristen casually drops by, but Emily feels weak and says she needs to lie down. In the process, Kristen sees what she has open on her computer (such as the articles about Kristen’s parents and Emily’s inquiry into Westmoor).
Kristen immediately gets angry. However, Emily responds angrily too about the photo. Kristen denies that it’s blackmail, and instead, she says she just wanted to remind Emily of it if she was tempted to tell anyone about what had happened in Chile.
Emily then points out that Kristen was the one who killed Sebastian, but Kristen denies it, saying that Emily was the one who couldn’t stop kicking him (though that’s not what Emily remembers). Kristen leaves feeling hurt and angry, though Emily reassures her that she won’t be telling anyone about what happened in Cambodia or Chile.
Afterward, Emily replays what happened in her mind, wondering if she is somehow misremembering what had happened with Sebastian or if she was just being manipulated by Kristen. Feeling overwhelmed, Emily calls Aaron and asks if he wants to get away for the weekend, and he later confirms that he’s able to get off work.
The next day, Kristen calls and texts continuously, and Emily tries her best to ignore her. When she gets home, she sees she has a text with a screenshot of the South African Police Service tip line and a note that says, “Don’t think I won’t turn over that photo.”
When Emily finally calls her back, Kristen demands that Emily meet with her in person or else she says she’ll turn over the photo to the authorities. She goes to Nana and Bill’s house to find Kristen. There, Kristen starts talking about how she’s traumatized, and Emily says she just needs to get away for a few days to reset. Then, Kristen shows her that she still has the charred lump of what remains of Paolo’s stuff.
Before she leaves, Nana stops Emily, asking if everything is okay with Kristen. She says that Kristen has been acting upset. Before she can say more, Kristen pops up behind her, cutting off the conversation. On the way home, Emily texts Priya to warn her to steer clear of Kristen.
Emily and Aaron are soon on a plane headed for Phoenix, Arizona. On the way, there’s news that a witness has come forward regarding Paolo’s disappearance. A friend of his, Tiffany Yagasaki, was supposed to meet with him, but he hadn’t shown up. Emily texted Kristen a coded message about the news item.
When they land, Aaron says that Kristen contacted him just before the trip and warned him that Emily was unstable. She’d also hinted that something terrible had happened in Chile where Emily had hurt someone. Emily reassures him that it’s a lie, and she decides to tell him part of the truth. Emily tells him about the assault in Cambodia and how Kristen is possessive of her. As she talks, Emily realizes that telling Kristen about Aaron probably prompted her to kill Paolo to bring themselves closer.
The next day, Emily and Aaron are headed out to the beach when Kristen suddenly shows up. Meanwhile, the police have released a sketch of an American woman they believe is connected to Paolo’s murder.
When they’re alone, Kristen claims that she came because of the news about the investigation. Kristen then demands that Emily spend time with her, threatening to send Sebastian’s photo out otherwise. They end up arguing on a trail near a cliff. As they talk, Emily realizes how cornered she is.
Then, she thinks about how Emily really was the one to kill Paolo, like Kristen had said. Finally, she reaches out and shoves Kristen.
Kristen ends up hanging precariously off the edge. In that instant, Emily realizes she can’t do this and knows she needs to save her. She pulls her up, and they stand there until Aaron comes driving up in their rental car. Kristen then shoves Emily into the car’s path. Aaron then swerves toward Kristen, but it causes both him and Kristen to go careening off the cliff.
News soon reports the results of Paolo’s autopsy, which shows that Paolo was first drugged, then killed.
Meanwhile, cops arrive at the scene in Arizona and question Emily. Afterward, she heads to the hospital to see how they are doing. At the receptionist’s counter are people identifying themselves as Jennifer (Helen Hunt) and Thomas Rusch, Jamie’s parents, who say they are Kristen’s godparents.
They soon learn that Kristen is in emergency surgery and that Aaron is expected to fully recover. When Jamie’s parents ask, Emily tells them the truth about Kristen — that the accident resulted from Kristen trying to push her off the cliff.
Jennifer offers to drive Emily to her hotel to pick up some things. On the way, Emily asks Jennifer about Jamie. She says that she knows Kristen is terrible news, and Kristen had Jamie “wrapped around her pinkie” until Jamie’s eventual suicide. She also says that Kristen had constantly been pushing Jamie to misbehave. Or Kristen would do bad things and then try to convince Jamie that Jamie was the one who had done those things.
Jennifer continues, saying that Jamie had been being abused by her basketball coach, Kristen’s father. Jamie decided to light the house on fire, thinking that Kristen’s mother wouldn’t be home, but instead, they were all home. Kristen ended up fleeing the house safely, but her parents both died. They later learned that Jamie had concluded that the only way to stop it was to kill him.
Later, Jennifer had tried to tell Bill the truth about his son and what Jamie had done, but he didn’t want to hear it. Jennifer also says that her husband doesn’t know about the abuse or that Jamie was the one who started the fire.
When they return, they learn that Kristen has died, Aaron could be charged with her murder.
Emily asks him why he showed up where she and Kristen were when she could talk to Aaron. He says that he knew she didn’t want Kristen there and that he’d seen the police sketch on the news of someone who looked like Kristen, and he’d been worried that she was in trouble. Their conversation is interrupted when a nurse walks in and Aaron’s parents arrive.
The police also ask to talk to Emily again. The police identified that Kristen looked like someone they were searching for in Chile, and she’d been down there during that timeframe. They’re also continuing to investigate what exactly happened on that clifftop in Phoenix, and others have reported that they saw Emily and Kristen arguing in the hotel lobby.
Back at the hospital, Emily finally tells Aaron the entire sordid story about Kristen, including the two murderers. She also says that now the police suspect that she and he killed Kristen to shut her up. Emily then says that she’s not going to let him go down for this; instead, she will tell the police everything even though it implicates her. However, Aaron begs her to first talk to his uncle, who is a lawyer.
Emily lets go of Kibble, and Emily is warned to stay in the country while the police build their case against her. Meanwhile, Paolo’s family keeps the media attention on her, and Tiffany Yagasaki confirms that she met Kristen and Emily that night in Chile.
Aaron’s uncle refers her to her lawyer Deirdre. Deirdre manages to establish to the Chilean authorities that the stuff in Chile resulted from Kristen blackmailing Emily. However, there was still the Arizona incident to be dealt with.
As the weeks pass, Aaron gets stronger. Eventually, Emily moves home, and the news loses interest in the case. Deirdre seems to think Arizona is struggling to make a case against either her or Aaron. It helps too that eye-witnesses saw Kristen practically drag Emily outside and that it turns out Kristen had been fired from her job for assaulting her boss. Emily also learns that a bottle of Rohypnol was found in Kristen’s toiletry kit. Emily takes this as confirmation that Kristen drugged Paolo and that he likely never attacked Kristen.
Eventually, Aaron and Emily move in together. To pay off his medical bills, Emily finally agrees to do a 30-minute segment on cable for a price that amounts to 5x her annual salary.
In January, Deirdre confirmed that the Arizona PD had dropped the case against either of them.
Genre: Thriller/Mystery
Director: Debra Granik
Writer: H.G. Hansen
Producer: David Fincher
Based on the novel by Andrea Bartz
Cast: Jennifer Lawrence, Nathalie Emmanuel, Lakeith Stanfield, Regina King, Hannah John-Kamen, Parker Posey, Helen Hunt, Jane Seymour, Gabriel Byrne, Mena Massoud
Plot: Emily Donovan (Nathalie Emmanuel) and her best friend Kristen Czarnecki (Jennifer Lawrence), both women nearing thirty and who met in college at Northwestern, are on their annual reunion trip. Emily works as a project manager at an organic cat food start-up called Kibble, while Kristen works at a market research firm. Kristen is beautiful and comes from a wealthy background.
Emily’s college boyfriend was Ben. For a long time, she’d convinced herself that he was caring, although he was actually mainly controlling. In a fight their senior year, he’d gotten physical with her, and they’d finally broken up. Emily has recently started dating a new guy, Aaron Meuleman (Lakeith Stanfield).
Emily and Kristen have been in South America for five days, with two more to go. They’re currently in Chile. Emily is still traumatized by the events of their previous trip last year to Cambodia, where things had taken a horrifying turn. A fratty backpacker named Sebastian (Mena Massoud) had attacked Emily, and they’d killed him in self-defense.
They’d met Sebastian at a bar, and Emily had invited him back to her place. However, she’d gotten uncomfortable when he’d been too rough with her. When she told him to leave, he’d attempted to sexually assault her, except that Kristen had walked in and stopped it. Kristen had then hit him on the head with a lamp, and he’d hit his head again as he collapsed and died. Afraid of dealing with the police, they instead throw the body off a cliff nearby and into the water, departing the area soon after.
In retrospect, Emily regrets that he died, but she still thinks it’s best they got rid of the body instead of telling the local police. Afterward, Emily wanted to talk to a therapist about what had happened, but Kristen had been against the idea. Instead, she’d offered to talk her through it and had been there for her.
In the present day, Kristen suggests that they plan a six-month trip to travel the world. Emily is unsure about the idea because she has just started seeing Aaron, and she genuinely likes her job. She promises to consider it, but later she tells Kristen she doesn’t think it’s a good idea because of the other stuff she has going on.
The next day is the final day of their trip. As they’re out for dinner, Emily returns to the table to see a guy Kristen met, a backpacker from Spain named Paolo, joining them. Eventually, Kristen invites him back to their place, and they head out. Emily says she’s going to stay and finish her drink and head back later. When Emily goes to pay for her drink, she realizes that her wallet went missing at some point.
Later, she finally heads back to the room. She is horrified to find a distraught Kristen, who says he attacked her, and Paolo’s dead body is lying on the floor.
They contemplate telling the police, but they reach the same conclusion that they won’t believe them and she’ll be thrown in jail. They decide to drive the body out to the middle of nowhere and find a place to bury it.
As for getting rid of the body, they wrap the body in a shower curtain, and after checking that there’s no one, they get the body into the truck. Emily & Kristen then break into a shed at their hotel and manage to find a shovel. They then drive about thirty minutes out to what appears to be an empty hillside and start to dig. By the time the body is buried, they are exhausted and head back.
It’s morning when they get back. Emily & Kristen finish cleaning the room and burn Paolo’s personal effects into a charred mass. Kristen takes the lump, saying she’ll dispose of it when she gets home. They head out to the airport at the time they originally intended and depart Chile. Kristen flies back to Sydney. When Emily arrives back in Milwaukee, Aaron arrives to pick her up.
Back at work, Emily is greeted warmly by her co-worker Priya (Hannah John-Kamen), and she struggles not to think about what happened on the trip. When she talks to Kristen again, she’s unsettled by how unbothered Kristen seems and how eager she is to take another trip.
When she’s out with Aaron later, Emily ends up crying for no reason but resists the urge to tell him what she’s really upset about. Instead, she heads home.
Emily soon meets with Adrienne Oderdonk (Regina King), a therapist in her fifties who was recommended by Priya. She tries to tell Adrienne about her problems without getting into the ugly details.
Emily tells her that she was assaulted during a hookup last year and that it’s something she’s still not entirely over. She adds that her best friend had something similar happen to her just last week. She also says that she doesn’t have many close friends other than Kristen and that she broke up with her previous boyfriend Colin after Kristen pointed out his flaws.
When Emily hangs out with Priya, she’s surprised when Priya shows her how Kristen commented on one of Priya’s Instagram photos since Kristen and Priya don’t know each other. The next few days, Emily finds herself keeping her distance from Kristen by not calling or texting her. She’s surprised, then, when Kristen suddenly shows up at her door.
That night, they meet up with Aaron for dinner. Kristen explains that she was let go from her job, so she thought she might as well come to hang out with Emily. Kristen explains that she’s just here to surprise her and that she’s staying at her grandparents’ house. Emily feels like she should be happier about Kristen being there than she actually feels.
Afterward, Emily drives Kristen back to her grandparents Nana (Jane Seymour) and Bill’s (Gabriel Byrne) house and goes in to greet them. It was built near the same place where Kristen’s parents died in a house fire when she was 12. While Nana and Bill have always been genial towards Emily, Kristen describes them as being cruel and dismissive in private. Emily notices that they don’t seem all that happy to see Kristen. Before Emily leaves, Nana asks to exchange phone numbers with Emily just in case.
There has still been no news about Paolo’s murder by that weekend, and Emily starts to hope that they might get away with it. Things are also going well with Aaron, and Emily is intimate with him when she gets multiple missed calls and a text from Kristen saying, “I need you.” She rushes to leave, only to call Kristen and find out that it’s nothing.
At her next therapy session, Emily talks to Adrienne about her parents, who divorced when she was 15. Emily describes them as being emotionally neglectful. She also talks about how she feels like she’s abandoning Kristen a little by wanting some space from her. However, Adrienne encourages Emily to focus on relationships other than just her friendship with Kristen. She also suggests that perhaps Kristen likes keeping Emily in a needy role in her life.
Thursday is Emily’s birthday, and she has low-key plans with Aaron. Despite telling her not to, Kristen has planned a surprise for Emily, involving a scavenger hunt with a trail of clues. The first one leads her to Priya, and the second one leads her to the doorman, who gives her a stuffed cat with the next clue on its collar that indicates she should buy a latte.
There, she finds Aaron, who has a gift for her. At first, her excitement falters when she sees that it’s the green wallet she’d thought she’d lost that terrible night in Chile. However, it turns out to be a different but similar wallet that Kristen had helped Aaron pick out for Emily. The wallet has a clue that leads to her boss, Russell, who tells her that Kristen convinced him to give her the rest of the week off.
At her apartment, Kristen greets her and says they’re heading out to her grandparents’ lake house at Lake Novak. Kristen adds that Aaron agreed to cancel their dinner plans for that night. As they drive, Emily reflects on her relationship with Colin and wonders if she was too hasty to end that relationship because of what Kristen had said at the time.
Emily also sees a text arrive on Kristen’s phone approving Kristen’s rental application at a house a block and a half away from her apartment.
They finally talk about that night in Chile at the lake house, and Emily admits to being weirded out by how okay Kristen seems to be with all of it. Kristen says she’s upset too, but that she’s also upset that Emily now looks at her like she’s some type of monster. They end up both crying and comforting each other, and Emily feels herself feeling comfortable with Kristen again.
However, that night, Emily sees an article reporting that Paolo Garcia has been found in a remote Chilean village. It turns out that Paolo was an American from a wealthy family, and his family is hoping to bring his body back to the States. Emily is unnerved by all of this, but Kristen remains calm.
The following day, on a tree outside, Emily sees a carving on a tree that reads “KC + JR” with JR’s letters crossed out. She makes a mental note to ask Kristen about it.
Later that day, they go antiquing at a shop where Kristen used to go as a kid. She knows the owner, Greta, who comments that Emily resembles a girl Kristen hung out with when she was little, Jamie Rusch. Greta also mentions that Jamie passed away. Afterward, Emily asks Kristen about Jamie, but she answers vaguely, saying something about Jamie having died in an accident, and then she changes the topic.
Later, Emily asks why Kristen never talks about Jamie, but Kristen insists she’s mentioned her before. She also keeps changing the topic to prevent them from discussing Paolo further.
Instead, they talk about how her grandparents raised Kristen to be a “Jesus Freak,” but after her parents died, she gave it all up. Later, Emily thinks about the number of deaths Kristen had seen in her life; Sebastian, Paolo, both her parents and Jamie, too.
Late that night, Emily sneaks into the storage boxes at the cabin where Kristen’s grandparents had stored her childhood belongings. Emily finds an old yearbook and looks for a photo of Jamie, but she sees that her face has been scribbled out everywhere in the yearbook.
The next night, Kristen recounts some happy memories of her parents as Emily thinks about her own parents. Emily recalls how when she was young, she’d jumped into a pool and struggled to swim until another parent had saved her and comforted her. Her dad had simply chided her into jumping into a pool without knowing how to swim.
That night, Emily slips and hurts her foot when she sees a dead rabbit lying on the ground, and she calls out for Kristen, who comes to her aid. Late that night, Emily finally has a chance to use the hotspot that Kristen had brought to the cabin and access the internet. She searches for “Jamie Rusch” and learns that Jamie killed herself on November 24th, 2001 — two weeks after Kristen’s parents died in a fire.
Back in town after the weekend is over, Emily meets with Adrienne and admits that she is uneasy with Kristen being back in town. She says it’s weird how Kristen is handling her assault without mentioning what happened afterward. She also admits that it feels like Kristen wants her all to herself.
Afterward, Emily looks up the name of Kristen’s therapist, Dr. Lydia Brightside, who turns out to be a pediatric psychiatrist specializing in conduct disorders at Westmoor Behavioral Services.
According to reviews, Westmoor is where rich kids are sent by court order instead of juvenile detention. Emily ends up sending them a message, and the response confirms that they only take in patients by referral from the court system of Wisconsin. They also confirm that Dr. Brightside does not take outside patients in private practice and has practiced there exclusively since the center opened.
Emily thinks back to Kristen, describing how she was good at building fires and a separate comment about how her mother wasn’t supposed to be home the night her parents died in the fire. She wonders if Kristen killed any people in cold blood (as opposed to in self-defense).
Emily soon learns that Paolo’s family is offering a $1 million reward for information about his death. The article also mentions how Paolo survived cancer as a child. When she goes home, she has an e-mail from the hotel saying the police are trying to reach out to anyone around that time to see if anyone knows anything.
Emily soon tells her therapist that she had realized that perhaps her friendship with Kristen wasn’t entirely healthy and that perhaps she was wrong to break up with Colin. She doesn’t want the same thing to happen with Aaron, and she wants to break the pattern of their friendship.
As they’re talking, Adrienne mentions that she left her notebook in her office instead of having it on her. Emily starts to wonder if Kristen had quit her job (instead of being fired) and if Kristen had killed Paolo to create a new trauma to bind them together with how the Cambodia incident did. When she gathers her things to leave, she’d be surprised to find Kristen in Adrienne’s waiting room.
Kristen claims that Priya referred her to Adrienne and finally decided to try therapy like Emily had recommended. However, Emily feels like Kristen is stalking her. Later that day, Kristen tells her Adrienne has declined her as a patient due to a conflict of interest.
Back at home, Emily looks over the clues that Kristen had left for her birthday, and she realizes that there was one last one hidden in the last clue that she didn’t pick up on before. It leads to Kristen’s Dropbox account, where she had added a folder named “Chile.” Reading the birthday card that Kristen had given her, Emily can figure out the password for the folder. To her horror, inside, there is a photo of Emily and Sebastian together.
Seeing the photo, Emily sees it as a veiled threat and a reminder that Kristen has dirt on her. Emily starts to wonder if it will be possible for her to sever her ties with Kristen. Soon, Kristen casually drops by, but Emily feels weak and says she needs to lie down. In the process, Kristen sees what she has open on her computer (such as the articles about Kristen’s parents and Emily’s inquiry into Westmoor).
Kristen immediately gets angry. However, Emily responds angrily too about the photo. Kristen denies that it’s blackmail, and instead, she says she just wanted to remind Emily of it if she was tempted to tell anyone about what had happened in Chile.
Emily then points out that Kristen was the one who killed Sebastian, but Kristen denies it, saying that Emily was the one who couldn’t stop kicking him (though that’s not what Emily remembers). Kristen leaves feeling hurt and angry, though Emily reassures her that she won’t be telling anyone about what happened in Cambodia or Chile.
Afterward, Emily replays what happened in her mind, wondering if she is somehow misremembering what had happened with Sebastian or if she was just being manipulated by Kristen. Feeling overwhelmed, Emily calls Aaron and asks if he wants to get away for the weekend, and he later confirms that he’s able to get off work.
The next day, Kristen calls and texts continuously, and Emily tries her best to ignore her. When she gets home, she sees she has a text with a screenshot of the South African Police Service tip line and a note that says, “Don’t think I won’t turn over that photo.”
When Emily finally calls her back, Kristen demands that Emily meet with her in person or else she says she’ll turn over the photo to the authorities. She goes to Nana and Bill’s house to find Kristen. There, Kristen starts talking about how she’s traumatized, and Emily says she just needs to get away for a few days to reset. Then, Kristen shows her that she still has the charred lump of what remains of Paolo’s stuff.
Before she leaves, Nana stops Emily, asking if everything is okay with Kristen. She says that Kristen has been acting upset. Before she can say more, Kristen pops up behind her, cutting off the conversation. On the way home, Emily texts Priya to warn her to steer clear of Kristen.
Emily and Aaron are soon on a plane headed for Phoenix, Arizona. On the way, there’s news that a witness has come forward regarding Paolo’s disappearance. A friend of his, Tiffany Yagasaki, was supposed to meet with him, but he hadn’t shown up. Emily texted Kristen a coded message about the news item.
When they land, Aaron says that Kristen contacted him just before the trip and warned him that Emily was unstable. She’d also hinted that something terrible had happened in Chile where Emily had hurt someone. Emily reassures him that it’s a lie, and she decides to tell him part of the truth. Emily tells him about the assault in Cambodia and how Kristen is possessive of her. As she talks, Emily realizes that telling Kristen about Aaron probably prompted her to kill Paolo to bring themselves closer.
The next day, Emily and Aaron are headed out to the beach when Kristen suddenly shows up. Meanwhile, the police have released a sketch of an American woman they believe is connected to Paolo’s murder.
When they’re alone, Kristen claims that she came because of the news about the investigation. Kristen then demands that Emily spend time with her, threatening to send Sebastian’s photo out otherwise. They end up arguing on a trail near a cliff. As they talk, Emily realizes how cornered she is.
Then, she thinks about how Emily really was the one to kill Paolo, like Kristen had said. Finally, she reaches out and shoves Kristen.
Kristen ends up hanging precariously off the edge. In that instant, Emily realizes she can’t do this and knows she needs to save her. She pulls her up, and they stand there until Aaron comes driving up in their rental car. Kristen then shoves Emily into the car’s path. Aaron then swerves toward Kristen, but it causes both him and Kristen to go careening off the cliff.
News soon reports the results of Paolo’s autopsy, which shows that Paolo was first drugged, then killed.
Meanwhile, cops arrive at the scene in Arizona and question Emily. Afterward, she heads to the hospital to see how they are doing. At the receptionist’s counter are people identifying themselves as Jennifer (Helen Hunt) and Thomas Rusch, Jamie’s parents, who say they are Kristen’s godparents.
They soon learn that Kristen is in emergency surgery and that Aaron is expected to fully recover. When Jamie’s parents ask, Emily tells them the truth about Kristen — that the accident resulted from Kristen trying to push her off the cliff.
Jennifer offers to drive Emily to her hotel to pick up some things. On the way, Emily asks Jennifer about Jamie. She says that she knows Kristen is terrible news, and Kristen had Jamie “wrapped around her pinkie” until Jamie’s eventual suicide. She also says that Kristen had constantly been pushing Jamie to misbehave. Or Kristen would do bad things and then try to convince Jamie that Jamie was the one who had done those things.
Jennifer continues, saying that Jamie had been being abused by her basketball coach, Kristen’s father. Jamie decided to light the house on fire, thinking that Kristen’s mother wouldn’t be home, but instead, they were all home. Kristen ended up fleeing the house safely, but her parents both died. They later learned that Jamie had concluded that the only way to stop it was to kill him.
Later, Jennifer had tried to tell Bill the truth about his son and what Jamie had done, but he didn’t want to hear it. Jennifer also says that her husband doesn’t know about the abuse or that Jamie was the one who started the fire.
When they return, they learn that Kristen has died, Aaron could be charged with her murder.
Emily asks him why he showed up where she and Kristen were when she could talk to Aaron. He says that he knew she didn’t want Kristen there and that he’d seen the police sketch on the news of someone who looked like Kristen, and he’d been worried that she was in trouble. Their conversation is interrupted when a nurse walks in and Aaron’s parents arrive.
The police also ask to talk to Emily again. The police identified that Kristen looked like someone they were searching for in Chile, and she’d been down there during that timeframe. They’re also continuing to investigate what exactly happened on that clifftop in Phoenix, and others have reported that they saw Emily and Kristen arguing in the hotel lobby.
Back at the hospital, Emily finally tells Aaron the entire sordid story about Kristen, including the two murderers. She also says that now the police suspect that she and he killed Kristen to shut her up. Emily then says that she’s not going to let him go down for this; instead, she will tell the police everything even though it implicates her. However, Aaron begs her to first talk to his uncle, who is a lawyer.
Emily lets go of Kibble, and Emily is warned to stay in the country while the police build their case against her. Meanwhile, Paolo’s family keeps the media attention on her, and Tiffany Yagasaki confirms that she met Kristen and Emily that night in Chile.
Aaron’s uncle refers her to her lawyer Deirdre. Deirdre manages to establish to the Chilean authorities that the stuff in Chile resulted from Kristen blackmailing Emily. However, there was still the Arizona incident to be dealt with.
As the weeks pass, Aaron gets stronger. Eventually, Emily moves home, and the news loses interest in the case. Deirdre seems to think Arizona is struggling to make a case against either her or Aaron. It helps too that eye-witnesses saw Kristen practically drag Emily outside and that it turns out Kristen had been fired from her job for assaulting her boss. Emily also learns that a bottle of Rohypnol was found in Kristen’s toiletry kit. Emily takes this as confirmation that Kristen drugged Paolo and that he likely never attacked Kristen.
Eventually, Aaron and Emily move in together. To pay off his medical bills, Emily finally agrees to do a 30-minute segment on cable for a price that amounts to 5x her annual salary.
In January, Deirdre confirmed that the Arizona PD had dropped the case against either of them.
Wednesday, June 22, 2022
The Roundup with Jeff Stockton (Season 23 Round 4)
3. Alex Conn
I didn't love The Giver (see below) but I feel like it is a big improvement over Conn's last few films. The story was (mostly) coherent and none of the characters made me want to murder them.
2. Task Force X: Chaos and Madness
While the film struggled a bit with its character development (and simply with figuring out it wanted the audience to root for) I still found it was in improvement upon the first film, at least in terms of story.
1. Haley Lu Richardson
HLR definitely has star potential. Between this performance in Camp Manhood and her role as Starfire in the DC Comics Universe I expect to see a lot more of her in the future.
3. Camp Manhood
Camp Manhood relied heavily on HLR's performance to keep it mostly out of mediocrity for me. I found Jacob Tremblay terribly unlikable in the lead role. He's a talented kid, but he felt overly mopey in this one.
2. Timothee Chalamet
Is Timothee Chalamet officially the newest box office poison in Michael B. Jordan's league? 5 of his last 6 LRF releases have failed to make a profit for the studio. I'm sure his agent can't wait for an Atlantis sequel.
1. Box Office
One out of three films making a profit at the box office is not great (even if TFX 2 was a big hit).
I didn't love The Giver (see below) but I feel like it is a big improvement over Conn's last few films. The story was (mostly) coherent and none of the characters made me want to murder them.
2. Task Force X: Chaos and Madness
While the film struggled a bit with its character development (and simply with figuring out it wanted the audience to root for) I still found it was in improvement upon the first film, at least in terms of story.
1. Haley Lu Richardson
HLR definitely has star potential. Between this performance in Camp Manhood and her role as Starfire in the DC Comics Universe I expect to see a lot more of her in the future.
3. Camp Manhood
Camp Manhood relied heavily on HLR's performance to keep it mostly out of mediocrity for me. I found Jacob Tremblay terribly unlikable in the lead role. He's a talented kid, but he felt overly mopey in this one.
2. Timothee Chalamet
Is Timothee Chalamet officially the newest box office poison in Michael B. Jordan's league? 5 of his last 6 LRF releases have failed to make a profit for the studio. I'm sure his agent can't wait for an Atlantis sequel.
1. Box Office
One out of three films making a profit at the box office is not great (even if TFX 2 was a big hit).
Subscribe to:
Posts (Atom)



















