Wednesday, September 30, 2020

Now Showing: A Life

A Life
Genre: Drama
Director: Ang Lee
Writer: Alex Conn
Cast: Jesse Eisenberg, Jonah Hill, Olivia Wilde, Matt Bomer, Allison Janney, Jean Dujardin

Plot: William Danson (Jesse Eisenberg) and his wife Laura (Olivia Wilde) are attending an after-party following the premiere of a new play William wrote. William is accosted by many Broadway types who want to shake his hand and be considered for roles in his next play. William notices that Laura has left his side and is off talking to the star of the play, Billy Isaacson (Matt Bomer). William's loudmouth best friend Jonah (Jonah Hill) enters the party joint in hand. A guest looks at him as he blows marijuana smoke around the room, and Jonah announces that it's okay - he has a doctor's note for his night blindness. Jonah pulls out a laminated paper and flashes it at the crowd. William waves over to Jonah. William asks if Jonah has seen where Laura went off to. Jonah says that she's in the bathroom having sex with Broadway star Billy Isaacson. William laughs. Jonah tells William he isn't joking and leads him to the bathrooms where, sure enough, Laura and Billy are having sex. Laura and Billy notice William and Jonah standing there and stop. Laura then coldly tells William that their marriage is over.

Several years prior, William is in college working on an English paper under a tree on campus. He then notices Laura yelling at some other guy. As the guy walks away from her, Laura throws a book at him. William tells her she has a good arm. Laura walks over to him and asks if he has anything to smoke or drink or snort. William pulls out a half-smoked joint. He lights it, takes a puff and offers it to her. Laura sits down next to William and introduces herself.

A few years after college, William and Laura are living together in a small house. Laura tries to get William out of bed, but he's hungover and having trouble waking up. Laura pours a cold glass of water on William's head, which finally gets him out of bed. Now out of bed, William throws on some clothes and drives to his job as an English teacher at the Mountain Behavioral Academy, a high school for juvenile offenders and teenagers with other behavioral problems. When William enters the classroom where two students are in the middle of a fist fight. William breaks up the fight and tells everyone to sit down at their desk. William then notices that the chalkboard reads: MR. DANSON IS A DOOSH. William tells the students that he supposes they might as well start today's class with the correct spelling of the word. He then erases DOOSH and replaces it with DOUCHE. William then collects the class' homework. He tells everyone to read a book quietly while he grades them. As he looks over the papers he becomes frustrated and wants to know why none of them can do their homework correctly. One of the students says it's too hard. William tosses all the homework in the trash.

At the end of the day, Principal Whitman (Allison Janney) enters William's classroom. She tells him that his assignments are too difficult for his students. William explains that he is simply following the state's core guidelines for the grade level. Whitman informs William that most of the students of the school have spent extensive time in juvenile detention centers or have missed extended time due to their personal problems. His students are going to be multiple grade levels behind where they should be and are simply here to get their diplomas so they can get menial jobs, not to study English Lit. in some university setting like he obviously did. She suggests he dumb it down a bit until he gets a better idea of where they're at.

When William gets home he tells Laura about his day and his meeting with the principal. Laura says she never thought she would be happy to be a public school teacher, but she is after hearing all that. She jokes that should never have become a teacher anyway since he doesn't like kids. William comments that teaching English at a lousy alternative school is about all he can do with an English Literature degree, especially since nobody no theater producers have bitten on the new play he has written.

William heads over to Jonah's apartment, which is above the garage at Jonah's parents' garage. Jonah takes out a bong and begins smoking weed. He then passes the bong to William and asks him what's wrong now. William gives Jonah a perplexed look, and Jonah points out that William only ever comes over to his place when he's bothered by something. Jonah vents about work and how far behind all his students are.

William sits in a small off-Broadway theater as actors workshop his latest play. William is approached by the play's producer Antoine Martin (Jean Dujardin). The producer tells William he has some good news, he made with some of his financial backers and showed them the script to William's play. They agreed to put up the money to move the show to a bigger theater closer to the glitz and glamour of Broadway. William is ecstatic and immediately arranges for a celebratory dinner. He invites Laura, Jonah and Antoine. That night they all have drinks over dinner to celebrate the good news.

We are back to William and Jonah watching Billy and Laura having sex in the bathroom. Laura walks out after she tells William their marriage is over. Billy smiles awkwardly at William and Jonah, then leaves the bathroom himself, straightening his tie on the way out. That night, William and Jonah smoke weed on the roof of Jonah's parents house. Jonah once again points out that William only comes over when he is bothered by something, although he at least has a good excuse this time around.

William arrives at the theater the next day to watch them set up for the matinee performance. He sees Laura walk up to the theater with Billy. She gives him a kiss and continues down the street. William waits for her to get down the block before he enters the theater himself.



Top 10 Alex Conn Films


Sherman J. Pearson here for another edition of Top 10. With the 20th film from writer Alex Conn about to hit theaters, I figured it would be as good of a time as any to take a look at his filmography for a Top 10 list.

Top 10 Alex Conn Films
10. Drugstore Perfume
9. The Virgin Suicides
8. Oh Johnny Boy
7. The Vegan Movie
6. Theater Kids
5. The Host
4. The Letter J
3. Haunted
2. Kurt & Courtney: All Apologies (co-written with Lon Charles)
1. Heights (co-written with John Malone)

Tuesday, September 29, 2020

Release: Alien: Out of the Shadows

 


Alien: Out of the Shadows
Genre: Sci-Fi/Horror
Director: Rupert Wayatt
Writer: Carl Flimmer
Based on the Alien series
Cast: Claire Foy, Luke Evans, Karl Urban, Jai Courtney, Aubrey Plaza, Jon Bernthal, Glenn Howerton, Sylvia Hoeks, Connie Nielsen, Chris Messina, Adam Beach, Keke Palmer


Budget: $139,000,000
Domestic Box Office: $128,209,448
Foreign Box Office: $249,560,002
Total Profit: $72,147,339

Reaction: The star-studded cast of this new Alien entry led to an increase in the budget, so even though the film grossed more across the board than Alien: Isolation and Aliens vs. Predator: The First Hunt, there was only a slight increase in profits.



"The smart casting of the film helps make up for a lack of character development as they are able to breathe life into roles that aren't always interesting on paper. As Sigourney Weaver's replacement, Claire Foy does what she can, but she doesn't really have the presence of a heroine."  - Albert Perry, Orange County Register




"It's fun to see what happened between Ridley Scott's Alien and James Cameron's Aliens, but unfortunately Claire Foy cannot hold a candle to Sigourney Weaver in the role of Ellen Ripley, which makes the film a jarring and not at all seamless viewing experience." - Roger Taggart, Chicago Tribune



"The production clearly spared no expense on this film. They lined up a talented director and a top-notch cast, but something just doesn't feel right about the film. I probably would have been more game for a film that didn't feature Ripley, or with a different actress that was more Weaver-esque in that role. That said there are some good scares in the film, just not enough to make up for the film's flaws."  - Glenn Howard, Total Film



Rated R intense sci-fi horror, frightening images and language

In Development

 

Whammy: The voice cast of the curious new animated adventure, Whammy, based on the money-stealing red monster from the 1980s game show "Press Your Luck" has rounded out its primary voice cast with the additions of Maulik Pancholy ("Whitney", "30 Rock"), Craig Ferguson ("Hot in Cleveland", Then Came You) and John De Lancie (AGOS: A Game of Survival, Odette).

Hex: The Cult of Cain: Elijah Wood (Germinal, Odette), Paul Anderson ("Peaky Blinders", Hostiles) and Alexander Ludwig (Radisson, An Ember in the Ashes) will join Brad Pitt in the upcoming Hex sequel. Wood will play the young Gotham doctor, Amadeus Arkham. Anderson will play the chief of Gotham's police force, while Ludwig will play an undisclosed villainous character. Chan-wook Park is once again directing, this time from a script by Jimmy Ellis.

Pulp: Colin Farrell (The Stranger, Constantine: The Hellblazer), Jason Statham (Halo 6, The Meg), Florence Pugh (A Lost Sense of Heaven, Oklahoma!) and Hugh Grant (The Gentlemen, The Question: Dark Tomorrow) have signed on to headline a new dark crime comedy from director Guy Ritchie (The Gentlemen, Cleopatra). Farrell and Statham will play a down on their luck couple who stumble across the path of a young woman (Pugh) who has a briefcase of money that belongs to a local crime kingpin (Grant). The film was penned by the award-winning duo of John Malone and Jimmy Ellis (Control, Bunker 17).

Super Mario: It may not be a fourth Booster Gold film, but writer Chad Taylor (No Laughing Matter, Gambit and Rogue) and directors Phil Lord and Chris Miller (the Booster Gold series, 22 Jump Street) willl work together once again, this time on an animated film based on Nintendo's Mario video game series. The voice cast will include Paul Rudd (Ant-Man and the Wasp, Lucky Luke and Billy the Kid) as Mario, John Mulaney ("Mulaney", "Documentary Now!") as Luigi, and Rachel McAdams (Game Night, Eurovision Song Contest: The Story of Fire Saga) as Princess Peach.

He Kills: Evangeline Lilly (Ant-Man and the Wasp, Metal Gear Solid), Jeremy Renner (Atlas Shrugged, Nocturne) and Thomasin McKenzie ("Boreas", Gambit and Rogue) have all joined the upcoming horror film from director Chloe Zhao (Nomadland, The Rider), making her LRF debut, and writer Billy Cruder (Red Farm, Village of Madness). The film will tell the story of scientists investigating a mysterious epidemic causing violent and murderous acts directed at women.

Skyrim III: Dovahkiin: Following a serious on-set injury which has caused multiple production delays, star Chris Hemsworth has finally been medically cleared to complete work on the third film in the main Skyrim series. Miguel Sapochnik is directing based on a script by Mo Buck.

Monday, September 28, 2020

Now Showing: Alien: Out of the Shadows

Alien: Out of the Shadows
Genre: Sci-Fi/Horror
Director: Rupert Wayatt
Writer: Carl Flimmer
Based on the Alien series
Cast: Claire Foy, Luke Evans, Karl Urban, Jai Courtney, Aubrey Plaza, Jon Bernthal, Glenn Howerton, Sylvia Hoeks, Connie Nielsen, Chris Messina, Adam Beach, Keke Palmer

Plot: The film starts after the events of the first "Alien" and we see Ellen Ripley (Claire Foy) with the cat "Jones" in the "Narcissus" shuttle while she is recording a sweet message for her daughter Amanda. Later she records another quick message in the logbook saying that all members of the USS Nostromo are dead and that the cargo has been destroyed. Then she enters the cryogenic state of hypersleep after saying goodbye to the cat.

The story moves to another place. The set-up is a ship known as the Marion; a deep-ore vessel operated by the Kelland Mining Company, which is an offshoot of San Rei, which is an apparent subsidiary of Weyland-Yutani. The ship has a crew roster of 50 and is in orbit over LV-178 which is a sand-blasted, storm-ridden inhospitable barren rock. However, it is home to large deposits of a compound called trimonite which is apparently the strongest material known to man and worth a fortune. Thus Kelland have set up a mining complex down on the surface of the planet which runs nine levels underground. The first 4 levels have been completely mined out and are currently excavating level 9 at the very bottom.There are two mining crews each comprised of 20 people who take turns to have 50 consecutive days planetside working the mine. There is an additional crew to handle the day to day running of the Marion who remain onboard at all times. The story picks up during a shift change shortly after a dropship containing the mining crew has gone down to the surface to deliver the next team and relieve the others to make their way back on another dropship, but all contact has been lost with both them and the mining complex. The 10 people left on board are mildly concerned but they blame the severe magnetic storms that hit the planet.

The Marion is led by Captain Lucy Jordan (Connie Nielsen) who manages the turns of the lifeboats Samson and Dalilah that miners use to move between the mines of the planet and space. As long as he tries to recover contacts with Delilah and Samson lost the previous day, the pilot Lachance (Karl Urban) collects the fragments of a message rather disturbed by the space coming from a spaceship called Nostromo (that of Ellen Ripley). Next to him is Baxter (Jai Courtney), the communications officer, who claims that he had read somewhere that the Nostromo was a merchant ship that had disappeared many years earlier in a rather mysterious way. He concludes by saying that the author of the message will probably be dead after all those years. Chief engineer Hooper (Luke Evans) surnamed "Hoop" is with Lucy and is trying to solve some technical problems on the dock. The two argue about the bad condition of some equipment and that the place is falling apart. Lucy claims that she has tickled her bosses several times but without much success. Hoop and Lucy seem to get along very well. After solving the problems, they go back and find Powell (Glenn Howerton) and Wellford (Jon Bernthal) complaining about the delay of the shuttles, the bad condition of the "Marion" and other various issues. With the diplomacy that sets her apart, Lucy calms them down while Hoop enjoys watching the situation. As the two head for the relaxation room they meet the visibly drunk security officer Cooley (Chris Messina), as usual. Lucy begins to scold him until she receives a message from the control room. Lachance warns the captain that he has reestablished contact with "Samson", but that there is also a big problem and invites her to join him immediately in the control room. Lucy stops in the infirmary for a moment and asks the on-board doctor Cora Kasyanov (Sylvia Hoeks) and the normal doctor Sara Garcia (Aubrey Plaza) to follow her because there may be people injured in the arriving ship and prepare everything necessary. The two women leave halfway through the chess game they were conducting and follow their captain chuckling that Garcia was beating Kasyanov. When they arrive in the control room, Lachance invites the Samson pilot to repeat to the captain what he had previously told him. With disturbed communication, pilot "Samson" Vic Jones (Adam Beach) says he needs help and was attacked by creatures but managed to block them before the communication was suddenly interrupted again. Inside the control room there is also Sneddon (Emily VanCamp), the scientific officer who listened to Vic's story about these creatures very interested.

While trying to understand how to proceed inside the control room, Baxter, with a decidedly worried face, says there is a big problem, he says that the signal reveals that the two shuttles are heading towards them to a high speed. Lachance also manages to make contact with Delilah, who provides only short fragments of communications in which practically nothing is clear. The situation is starting to be chaotic and confusing. At some point Baxter and Lachance manage to regain contact with Vic. He says four creatures attacked some miners' faces and then a disaster happened, some died, he said you survived the ship. While Sneddon tries to ask for clarification, Lucy also asks about Delilah. Vic says Delilah left the planet with them simultaneously, but hell broke out on that ship. Given the hustle and bustle, Powell and Wellford also arrive in the control room together with security chief Cooley who already had beer in hand. But he hides it immediately following a glance from his captain. Lucy asks Cooley to follow her to go to the docking area and they order Kasyanov and Garcia to prepare the infirmary and Baxter to open docking doors 1 and 3. Hoop had tried to convince Lucy to go with them but she says which is more useful there and which would have taken its place in case things went wrong for some reason. Shortly thereafter, Baxter and Lachance notice on the monitor that Delilah is changing direction. Lachance says it's a strange thing, says that the pilot Gemma Kitts is young but she is very good. Lachance states that Gemma had been educated by him and was the best of the pilot course in which he had taught himself. Baxter manages to access communications and also manages to access the monitor in Delilah's control room. They manage to speak to Gemma Kitts (KEKE PALMER), the Delilah pilot, who looks terrified and explains what's going on. The girl screams and has tears in her eyes and continues to look around. He says there is an adult monster in the ship and he is killing everyone. Suddenly Gemma begins to cough stronger and stronger until she begins to lose blood from her mouth. Shortly thereafter the girl begins to scream in pain and something comes out of her sternum. All the members present in the control room of the "Marion" remain speechless and look amazed trying to understand what is going on. Lachance tries to warn the captain of the latest developments and escape from there because Delilah is totally out of control. Lucy answers the call just as she sees the two ships coming in the distance. Sanson is almost close to the docking area while Delilah is totally out of control and about to crash. Cooley and Lucy see Delilah approaching them at full speed and try to escape quickly. A few seconds later the accident occurs, the violent explosion of which hits Jordan and Cooley. The impact is enormous and has caused serious damage to the entire space station. At the same time, Sanson is successfully docking. After the accident, Marion members get up from the ground asking each other if they were okay and count the damage and are big enough. Lachance claims to have lost the lateral shocks, the thrusters are out of order and that the impact sent them into the descending orbit and are without thrusters. In addition, the long-range antenna was destroyed, leaving survivors unable to transmit anything other than a local distress call. Meanwhile, Hoop takes command given his rank and immediately decides to go to the docking area to find out what to do together with Baxter. The Sanson has successfully anchored thanks to autopilot. Additionally, Hoop still has the hope of finding Captain Jordan alive.

When they arrive they find only one major disaster and serious damage to the ramps and no sign of life for the captain and Cooley. Baxter finds a charred body but decides not to say anything to Hoop, given his friendship with the captain. Meanwhile, some members speculate on the type of monsters the miners had encountered. Sneddon suggests that it is probably a breed of an unknown parasite. Lachance warns everyone that he has managed to retrieve the images from "Sanson" again. Everyone approaches the monitor, even Hoop and Baxter who had returned to the control room. The images show four dark-colored creatures who crouch near various corpses and appear to be waiting there motionless. The only survivor is Vic, who is terrified and is still sitting in his driving seat. Hoop and the others decide to seal the docking door to avoid the escape of unwanted guests by deciding not to say anything to the poor pilot. At the same time, Lachanche sends a distress signal in the hope that someone will listen to him (but they don't know that the antenna has been damaged and the signal cannot go very far). Shortly thereafter, they pick up the faint signal of a spaceship heading towards them and all the survivors rejoice. They later find out that it's not about the rescue but Ellen Ripley's spaceship. When she arrives, she is awakened from deep sleep and is convinced that she has arrived on earth, but unfortunately this is not the case. Then she is brought by Hoop to the medical area by Kasyanov and Garcia. Instead, the cat Jones remains closed in the shuttle with food and water. Ripley is quite confused and very weak and is helped by the medical staff to recover energy. Ripley asks the two women where he is and Garcia says he is on Marion, a mining station that has suffered serious damage and is waiting for help. However, the woman does not tell the details. Meanwhile Lachance discovers another problem, according to his calculations, they have only a few days before Marion hits the planet's atmosphere and it is impossible for anyone to get to help them. Meanwhile, Ripley discovers that she has slept for 37 years and is quite upset by this and that she will probably never be able to see her daughter again. He also discovers, following a conversation between Garcia and Kasyanov, that he will have to face the aliens again and is later sedated because he reacts badly. Meanwhile, Sneddon suggests the only possible idea to the captain. His idea is to use the Narcissus, Ripley's shuttle, which is still in good condition. You say that you could calibrate the path to a place and spend the next few years of travel enclosed in a confined space dividing in turn the only cryogenic sleeping capsule available. After a short sleep, Ripley is persuaded by Hoop to go to the Narcissus to check the situation and find out that he only has 10% energy. Also, Ripley discovers a bewildering thing, the shuttle is under Ash's control, who, prior to his destruction on the boatswain, managed to load his AI consciousness onto the shuttle systems. When he opened the aliens to the Marion, Ash hijacked the shuttle to meet the mine ship, still trying to fulfill the special order of 937 and retrieve one of the creatures.

When the two return from the rest of the group and report the situation, Powell reports that there are adequate reserves of energy that may be fine for Narcissus in the mines of the planet. Obviously the only way to reach the planet is to use Sanson. The whole group is obviously terrified of the idea of ​​fighting those monsters and some try to oppose the idea. Meanwhile, in Sanson, monsters have killed Vic Jones. Meanwhile, Ripley nervously reports the information he knows about the aliens, such as acidic blood, to the whole group and later tells everyone that she would return to the Narcissus and leave. Sneddon stops her and tells her to stop and be kinder to other people. He also says that he does not totally trust her and that he cannot go around the ship as he wishes. Ripley, however, moves the woman and goes away saying that Marion cannot break more than that. Then Hoop tells Powell and Wellford to recover anything that can serve as a weapon and tells Baxter to resume video contact with Samson to understand what the situation is like. In the meantime, they agree on how to organize for the next morning. Baxter and the pilot Lachance will remain on the Marion bridge to take care of the cameras, the communication channel and various systems while the others will try to stop the monsters, each with a specific task. There are not many weapons on the Marion (plasma torches and other extraction tools more than the powerful steel nets). The goal is to capture and expel them into space. It would have been very risky to kill them since the acid could have seriously damaged Sanson. The next morning people are in pre-arranged places.

Garcia and Sneddon will have to stay behind and will have the task of closing the doors in case the creatures manage to escape. The two were however in two different sections of the ship. Powell and Wellford slowly begin to open the sealed panel as Kasyanov and Ripley think about where to hoist the wire mesh. Unlike Hoop, Ripley is quite pessimistic about the outcome of the plan. Baxter claims that it has failed to restore video images from Sanson. Powell and Wellford are on the front line and are completing their work while behind them is the network with Ripley, Hoop and Kasyanov. While Powell and Wellford continue their work slowly trying to make as little noise as possible. Ripley states that rather than being in that situation she would rather be adrift in space unaware of all that is going on. Suddenly the panel opens by itself and the aliens launch themselves on the two men. The three manage to trap the aliens in the network. Although the creatures were initially contained in the web, they manage to free themselves almost immediately. Welford is killed when the alien's severed net hits him like a whip and steel cables cut off his head. Then the alien tries to attack Hoop. The man instinctively shoots with the plasma torch that hits the alien which immediately catches fire. Powell was killed in the ensuing melee when the burning Xenomorph, set ablaze by Hoop's plasma torch, ran aground, killing him with a bite that pierced his belly. The situation is chaotic, during the fight an alien loses blood that begins to pierce the hull of the ship. This later caused explosive decompression. The aliens and bodies of Powell and Wellford are sucked up and ejected into space.

The last surviving xenomorph, albeit wounded, manages to escape past Ripley and Kasyanov who cling to avoid being sucked into the hole in the hull. At the same time Hoop tried to close the hatch, succeeding shortly after. However, the three realize that a xenomorph has managed to pass. The alien runs and takes the path that leads to the hatch that is protecting Garcia. The woman sees the alien heading towards her at great speed, growling. She sees that the alien is quickly heading towards her. Garcia tries to close the doors and keep the monster on the other side. However, the hatch seems to have a fault and is closing rather slowly. Unfortunately the monster comes at full speed and kills her by gutting her chest before the doors close. The woman falls to the ground dead and her body is trapped in the hatch leading to Marion. Meanwhile Sneddon hears the screams on the radio and rushes there but arrives too late and finds Garcia horribly mutilated and is quite traumatized by the sight. The group of survivors tries to contact the control room, but without success, so they decide to go there together, staying united. Hoop asks Ripley for advice on what to do now and she replies to move around close by, watch out for any noise and pray. Meanwhile, the surviving xenomorph hides deep within the ship in a hold, blending into the environment. Ash closes the doors to that hold. Meanwhile in the control room, Lachance and Baxter try to figure out what happened after the line went out. The last thing they realized was that the hatch had opened by itself, for no reason. The two hope the monsters aren't free in the Marion. Baxter manages to get video images of the docking deck and they notice blood and confusion. Then scrolling through the cameras they notice Garcia's corpse, while Hoop, Sneddon, Kasyanov and Ripley advance through the ship disturbed by the constant noises that make them flinch. Suddenly Hoop's radio turns on and Baxter's voice is heard trying to connect to them. Unfortunately, however, they don't hear each other. Sneddon and Kasyanov state that at least now they know that they are fine in the control room even though Ripley reminds everyone that xenomorphs are smart and can also move in the air ducts as happened in the Nostromo. The four also find a drool-like secretion dripping from the ceiling and Ripley explains what it is and invites everyone to keep on being very careful. Shortly after in the control room, Baxter begins to hear noises and invites Lachance to get some weapons. Fortunately, he realizes that the four survivors are on their way there. After recounting what happened, Ripley concludes that Ash has managed to infiltrate the ship's computer and must have opened the hatch for some reason. Shortly after After a brief moment of remembrance and prayer for deceased friends, the survivors prepare to go to the planet to recover their fuel reserves. Before leaving, they had recovered weapons from the warehouse including prototypes of two guns with acid that would be used by the miners to recover the trimonite from the mines more quickly. Ripley offers to enter Sanson first. There is a lot of blood and some remains of the miners. She also finds a beginning of a nest inside the bathroom, but without eggs. They head to the planet's surface in Lachance's Sanson after fixing the technical problems inside the Sanson caused by the previous hole in the hull. All survivors are tense and exchanging mostly frightened glances. Ripley notices the mood of the team and decides to stand up and give everyone a pep talk. After landing, they enter the mine and everything seems quiet and they plan to take the elevator up to level 4 of the mine, where the cells with the spare fuel are located. Along the way they notice confusion and blood. People had tried to make barricades with stocks and bins but without success. The group also begins to make assumptions that there is no body. The group heads to the elevator and enters.

However, Ash (who has now also infected Marion's computers and mine systems) sabotages the elevator which ends at level 9 and crashes violently to the ground, fortunately causing only minor injuries to all. But when Baxter tries to get up, he feels severe pain in his ankle and falls back to the ground in pain. Dr. Kasyanov approaches and manages to heal the wound as best he can, but Baxter would still need painkillers to control the pain. The elevator is now irremediably destroyed but from the maps it turns out that there is an identical one on the other side of the mine that will bring them back to the surface. Unfortunately, the shortest path is interrupted by a large nest, which appears to be abandoned. At this point, they have to take the long way. They just have to go through the tunnels they suspect the aliens are from. They soon begin to see signs that the aliens are close to them. In fact, they hear scary growls and noises. They also see the shadows of the aliens moving in the darkness but the creatures, for some reason, have not launched any attacks towards them. Ripley warns everyone to be careful because their behavior is weird and they definitely haven't attacked for some reason. Eventually they find a crack in the walls and emerge into a huge room. There is a giant, primitive looking alien ship. The alien ship probably submerged many years earlier due to the planet's bad atmospheric conditions and settled. The whole group begins to patrol despite Ripley trying to keep everyone close. Fascinated Sneddon begins taking notes. Suddenly Baxter, limping a lot, trips and falls to the ground accidentally turning on his plasma flashlight hitting a wall. The blow causes a cascade of molten rock that injures Hoop. Lachance sprang into action when a piece of rock hit Hoop in the leg, picking up the hot material with the knife and saving him more serious injuries. Suddenly the xenomorphs make their presence felt nearby by pushing the group further into the spaceship, encircling the people and leaving only the escape route inside the spaceship. The group continues inside the spaceship and finds evidence of ancient buildings and statues. These are not normal xenomorphs, but appear to be four-legged "alien dogs". Among other things, the material from which the ship is built is an unknown material. Kasyanov notices an alien following them. She shoots the plasma gun and hits him. This creates a strange effect with the material of the walls and the monster practically sticks to the walls except the head. Everyone can thus see a xenomorph up close. Hoop approaches as Ripley tells him to watch out for the second head coming out of his mouth. Sneddon suggests that the man try the gun with acid to see what happens. The man shoots in the head, which slowly begins to melt. The group is relieved to know that these monsters, albeit acid-made are weak to it. Further on they find human corpses attached to the walls by the secretion of the aliens. Kasyanov suggests that they have been there for about ten days from the state of decomposition. The bodies have a gash on the chest. Ripley quickly thinks about her friend E.Kane inside the Nostromo. Ripley points out that there are no eggs nearby. Then she explains in detail what happens when an egg opens and the parasite attaches itself to the host's face. They later reach another section of the ship, a section full of eggs. Meanwhile, from some cracks in the walls the xenomorphs were observing the scene and behaved almost excitedly when they noticed that someone was approaching the eggs. This suggests that the xenomorphs following the group of people through the tunnels were slowly sending them to the ancient ship because it was full of eggs. In the wall there are the remains of some cynomorphs, the old owners of the spaceship. The group notes that the eggs are very old and all hatched. Lachance kicks one of them into powder. The group continues to walk, a strange smell begins to be felt in the air. Ripley warns everyone to be careful. Other eggs in front of them and these are not fossils. Ripley warns everyone to be careful as Sneddon begins to document and describe what they are finding. The group approaches the walls staying as far away from the eggs as possible. Kasyanov notices something strange and warns Sneddon, slightly delayed. The egg near Sneddon is in fact foaming and opening. Sneddon is instantly attacked by the Facehugger. Hoop tries to intervene but fails to free her. Kasyanov in anger begins to burn all the eggs that in the meantime are all starting to hatch. A facehugger was leaping towards her but Ripley is about to hit him just in time. The splash of acid hits the doctor's arm causing her to scream in pain. The doctor, however, remains lucid and orders the other components what to do to treat it and in the end the burn, although quite serious, seems to be treatable. The group decides to take Sneddon with them despite Ripley's initial disagreement. Hoop and Lachance carry the girl on their shoulders. They find a stasis field containing slightly different eggs which contain the queen. Ripley and the crew kill a young queen in one of the tunnels by dumping a lot of the ammunition they had towards her. Eventually, they exit and return to level 4 where they retrieve a fuel cell. The group is attacked by other aliens but they manage to get into the elevator just in time but Baxter is captured when the elevator starts to go up. Ripley and the others try to hold him back until he hits a support beam and breaks in half, his legs and lower torso fall to the elevator car floor as his upper body falls with the Xenomorph holding him. Meanwhile in the Marion, Ash, who had trapped the alien in one of the holds, opened the door where he was trapped. Her goal is to take Sneddon and her embryo into Narcissus to return to Earth and she believes the alien will leave her unharmed.

The survivors run fast on the Sanson to turn back. On his way back to the base ship, Sneddon wakes up but knows his fate is already sealed and sits down in a corner.

Just before landing, Ripley points out to Lachance that Ash may have infected the ship's autopilot systems. So he was forced to dock without computer assistance. Lachance successfully completed the risky maneuver, despite Marion's dangerously decaying orbit, and the survivors boarded the ship. Almost immediately they are attacked by the latest alien. Hoop pushes Ripley away before she is attacked while Lachance attempted to kill the creature with a thud in charge but lost, hitting Kasyanov instead, injuring her albeit not severely. Then the man is killed when the Alien threw him against a nearby wall and threw his inner jaw at his neck, almost cutting his head off his body. In those moments Sneddon begins to feel a stabbing pain inside her but manages to get closer to the xenomorph staggering and with the blood starting to come out of his mouth. The girl pulls an explosive charge from her pocket and detonates herself as her Chestburster emerges from her chest. The last xenomorph dies like this, hit by the explosion. Ripley, Kasyanov and Hoop make their way to the ship's Medpod (it was a piece of medical equipment that performed bypass surgery developed by Weyland Corp) to heal their wounds. Ripley decides she wants to forget and asks someone to take the nightmares away. In addition to healing his wounds, Kasyanov programs the pod to selectively erase parts of his memories. Kasyanov also enters the medical capsule to heal his wounds, but shortly afterwards something strange seems to happen. The laser begins to heal his wounds until at some point the machine no longer seems to respond to commands, Ash has in fact taken control of his medpod. The woman bangs her fists on the glass of the medicine capsule yelling at Hoop to get her out of there soon as Hoop goes to great lengths to try and get her out of there. Meanwhile, the surgical laser is damaging Kasyanov almost everywhere as the woman screams and tries with all her might to open her pod. Hoop struggles to fit into the hand controls as he sees the laser approaching the woman's face. Hoop manages to deactivate the Medpod a moment after the laser cuts the poor woman's throat and bleeds her to death. Hoop begins to destroy the entire infirmary in anger. It appears that Ash wanted Ripley to live after Sneddon's death.

Ripley, now semi-conscious, is brought to Hoop and put into stasis with the cat Jones on Narcissus. He then uses a computer virus to eliminate Ash from his computer and prepares to leave with her. However, in his final act before his cancellation, Ash sabotages the auto-release clamp controls, which means that Hoop must leave the Narcissus and activate them on Marion, which means he cannot leave with Ripley. He does so and looks at her with a sad half smile as he sees her go, knowing she won't even remember him when he wakes up.

A few hours later, just before the Marion falls into LV178's atmosphere, Hoop decides to flee to Sanson. But with no stagnation pod and no long-distance travel options, it looks doomed. Hoop helps himself to drink a bottle of bourbon and records a distress call, declaring himself the last survivor of the spaceship Marion.
 

 

LRF NOW Director's Cut: Creature from the Black Lagoon

 


Creature from the Black Lagoon - Director's Cut
Genre: Adventure/Horror
Director: Matt Reeves
Writer: D.R. Cobb
Based on the 1954 film
Cast: Scarlett Johansson, Boyd Holbrook, Demian Bichir, Matt Smith, Brian Tee, Christopher Eccleston, Andy Serkis

Plot: Dr. Carlos Maia (Demian Bichir) arrives at a copper mine in Brazil after his superiors have ordered him to verify a fossil discovered by the miners. Maia is escorted through the narrow tunnels of the mine and to a recently dug up portion. The workers all point to a dark corner. Maia moves closer with his headlamp turned up to its highest setting. He is shocked by the fossil he sees which, based on its skeletal pattern, appears to be a humanoid amphibian. Maia asks the foreman who else knows about the fossil. He insists that Maia is the first one outside of his crew to see it. Maia hands the foreman an envelope of money and asks that the foreman refrain from mentioning this discovery to anyone else. The foreman nods as he counts the bills in the envelope.

Maia calls his former student, ichthyologist Dr. David Rollins (Boyd Holbrook), and insists that he needs to come down to Brazil to help him investigate this discovery. Rollins is unsure, but is intrigued when Maia tells him that he believes that the fossil in question could be a possible direct link between land and sea animals. Rollins reluctantly agrees to join the expedition when Maia reveals that Rollins' ex-girlfriend, marine biologist Kay Lawrence is part of the team.

When Rollins arrives in Brazil, a car takes him to a port along the Amazon river. Maia greets him and introduces him to the expedition's benefactor, Dr. Mark Wallace (Matt Smith) , a millionaire pop scientist who has agreed to contribute significant funds to the expedition in exchange for a portion of credit for any of their potential findings. At the docks, Wallace leads them onto his cutting-edge research ship. Wallace and Maia go to speak to the ship's captain Lowell (Christopher Eccleston), but Rollins sees Kay Lawrence (Scarlett Johansson) unloading some of her equipment on the deck of the ship and goes over to assist her.

Maia asks Lowell and Wallace why they haven't left the port yet, and Wallace tells him that they are waiting on one last member of the expedition. Maia says he wasn't aware of any other members of the expedition, and Lowell tells Maia that he is having his own paleontologist join them. Maia is annoyed that Wallace would go behind his back like that.

On the ship's deck, Kay and Rollins are catching up with each other. Rollins tries to subtly ask Kay if she's seeing anyone romantically, and Kay tells him that she is not. She explains that not many men are interested in her potentially leaving at a moment's notice to board a ship for six months to study the migration patterns of sea turtles. Rollins comments that he remembers what it was like to be with her quite well. Dr. Ken Tanaka (Brian Tee) finally arrives on the ship and Lowell begins captaining the research ship down the Amazon River toward the copper mines of the discovery.

When the expedition arrives at the mines, they set up a camp. By the time their camp is set up, Maia announces that since it's already getting late that everyone should get some sleep so they can start bright and early on their hunt for more ancient evidence of the existence of their prehistoric gill-man.

That night, an amphibious humanoid creature (Andy Serkis) emerges from the water an kills two of Wallace's lab assistants. The bodies are found in the morning by Kay, who screams at the sight of their mangled bodies. Lowell informs the others that based on his experience leading groups through the Amazon, that he'd put his money on their death coming at the teeth and claws of a jaguar. Kay can't stand the sight of the bodies anymore and turns toward Rollins to cover her gaze. Wallace announces that while the death of his assistants is surely a tragic incident, that he believes the best way to honor their memory would be to begin their important work here.

Maia, Wallace and Tanaka lead the dig near the mines, while Rollins and Kay go diving in the river near the mines to look for any evidence on the river floor. Rollins notes how few fish there appear to be in this stretch of river, commenting that all of the Amazon tributaries he's worked in have been abundant with sea life except for this one. Kay points out a pattern of erosion to Rollins that leads down river from the mines. Rollins jokingly asks Kay if she's a geologist now too. Maia and Wallace are both frustrated when the further excavation of the area around the fossil turns up nothing. Back at the camp, Wallace announces that the expedition may have been a waste of time and he isn't in wasting his fortunes staying here longer than necessary and coming up with nothing. Rollins gives Kay a nudge, and she suggests to the team that based on the erosion patterns she saw on the river floor it is highly likely that any other remaining fossil pieces could easily have been swept up in the water and washed down river. Maia asks where the stretch of river they're on leads, and Lowell tells the group that if the tributary they're on empties into a lagoon that the natives call the Black Lagoon. Lowell mentions that the natives have a legend about the lagoon, considering it a paradise from which no one has ever returned. Wallace asks if it is true that nobody has ever returned from the lagoon. Lowell says he has never been there so he wouldn't know.

The members of the expedition decide to have a vote to determine whether they will go explore the fabled Black Lagoon or not. Wallace is the only one who votes in the negative as he doesn't want to waste money on a wild goose chase. Maia convinces him to continue the journey by how talking up the prospect of discovering evidence of a brand new species and the right to name said species. Everybody packs up the camp and Lowell captains the ship further down the river, unaware the the amphibious Gill-man is watching them.

As the sun is setting, they finally reach a lush lagoon untouched by humans. As they make their way into the heart of the lagoon, Kay is taken aback by how beautiful the area is. Rollins and Tanaka put on scuba gear to take rock samples from the lagoon floor. Maia and Wallace try to pinpoint their GPS location. Kay strips down to her bathing suit and dives off of the research ship for a swim in the brights waters of the lagoon. As Kay swims, she is stalked beneath the surface by the Gill-man. Just as the creature's webbed hand reaches for Kay's leg, Lowell launches a net at the creature having seen it from the ship. Lowell starts pulling the creature in, yelling at the ship hands to help him. The creature manages to break free from the net, but when they pull the net up on to the deck they find a claw. Kay crawls back onto the boat from the water, startled by her close call with the creature. Rollins puts his arm around Kay and comforts her as Wallace excitedly announces that they have found evidence. Not only was there a creature here long ago that bridged the gap between water and land life, but that in the untouched paradise of the Amazon, the creature still survives.

That night the team finally relaxes a bit after their encounter with the Gill-man. Everyone decides to stay on the boat for the night. Lowell and his crew members take turns standing guard throughout the night. When Lowell wakes to take over his next shift, he finds his crew members on deck killed. He sees the Gill-man coming toward him and shoots him with a large tranquilizer dart, knocking the creature unconscious. Lowell then yells for everyone to get out and see.

Wallace demands that the creature be caged and kept sedate. Rollins and Kay object, saying that they signed on to be part of a scientific expedition, not a hunting party. Tanaka and Lowell put the unconscious creature into a cage designed for dolphins and put a lock on it at Wallace's behest. Maia feels conflicted about capturing the creature, but Wallace is able to convince him that they are going to be famous beyond their wildest dreams if they can get the creature back to civilization alive. He argues that people are always going to raise question marks regarding fossils, but nobody can question the creature's existence when they have a living specimen.

Maia wants to get their research ship out of the lagoon as soon as possible, but Lowell advises waiting until morning to make the trip easier. Wallace announces that they'll leave back toward civilization at the break of dawn. He says that everyone will take turns watching the creature and giving it more tranquilizers if it starts to wake up.

In the middle of the night, it is Tanaka's turn to guard the creature. However, Tanaka drifts off to sleep. With Tanaka asleep, the Gill-man awakens and manages to break free from his containment. Tanaka is awaken by the sound, but the Gill-man manages to kill Tanaka before he use the tranquilizer gun. The creature then makes its way down into the ship. Kay is in the ship's lab looking over some samples. Gill-man sees the light from the lab down the corridor and begins creeping toward it. When the Gill-man reaches the lab, he doesn't find anyone inside it. Kay emerges and hits the creature over the head with a telescope, driving off of the ship and back into the water of the Black Lagoon. Kay alerts the rest of the crew, and Lowell pulls out a chest and begins handing everyone guns, telling them that they will still wait until morning to leave the lagoon.

When morning comes, the expedition finds that the lagoon's entrance is blocked by fallen logs. Lowell orders his men to start moving the logs out of their way so that they can leave. Wallace grabs the tranquilizer rifle and announces that it is his destiny to capture the creature and bring him to civilization. Wallace takes a raft out on to the water with a sonar device to find the creature. Suddenly the raft is knocked over and Wallace is mauled underwater by the Gill-man. The blood begins turning the water of the lagoon red. Kay sees the thrashing water and shouts that Wallace needs help. She dives into the water and begins swimming toward Wallace and the creature. Rollins, seeing Kay in the water, dives in after her. After killing Wallace, Gill-man grabs Kay and takes her to its cavern lair. Rollins calls after Lowell and Maia, telling them that the creature has Kay.

Rollins, Maia and Lowell arm themselves and swim to the underwater cave that Rollins saw the creature take Kay through. They swim through and find themselves in a large cave where they see Kay all by herself. Rollins rushes over to Kay to make sure she's okay. The Gill-man suddenly emerges from the water. Maia, Wallace and Lowell open fire on the creature. Riddled with bullets, the creature sinks into the watery depths below.

Sunday, September 27, 2020

LRF Comic-Con (Season 17)

As usual, Season 17 will see a handful of films released by LRF based on comic books. In this new segment, we will get a little sneak preview at that slate of films along with exclusive news regarding each project. Here is the first ever LRF Comic-Con....


Round 4 - Hex: The Cult of Cain
Director Chan-wook Park (Blackbird, Hex) and star Brad Pitt (Hands on a Hard Body, Hex) return for a sequel to the DC Comics western Hex after voters awarded it with the Most Wanted Sequel award at the 13th Golden Reel Awards. The big news however is that original writer Dwight Gallo (McCain, X-Men) has not returned to pen the film, instead being replaced by Jimmy Ellis (Zatanna, Lady Red). For this film, we have an early look at the film's poster, which illustrates a change in setting for the film:






Round 5 - Justice League Dark
LRF's DC Comics Universe has had a couple big team-up films, but this one will feature a group of the Universe's more magical and supernatural characters. The script was written by APJ (The Birds, Hawkworld) and the aforementioned Jimmy Ellis. Despite the premise of the group, the film is set to co-star one non-magical character: Ryan Gosling as The Question!



Round 7 - The Hulk
The LRF Marvel Universe will continue to expand past Silver Surfer, the Fantastic Four and the X-Men with a film based on everyone's angry green Hulk. Writer Mark Newton (The Fantastic Four, Silver Surfer: The Power Cosmic) will add to his Marvel resume with the film. After an extensive search for a director who could handle the action and the science-fiction elements of the film, the writer and studio have landed Leigh Whannell (Upgrade, The Invisible Man) to direct the film. For the Comic-Con festivities, we have a look at the poster for the film:



Round 8 - The Sandman
Writer Chad Taylor (No Laughing Matter, Gambit and Rogue) will bring the Vertigo-turned-DC Comics series The Sandman to the big screen for the first time. The lead role, Dream, was reportedly difficult to cast, but finally the studio and filmmakers found their man. Johnny Depp (Rasputin, Crimson) has signed on to star in the film, following his acclaimed performance in Crimson.





Round 9 - Namor the Sub-Mariner
In what is set to be one of the biggest LRF releases to-date, writer John Malone (Crimson, Superman: The Man of Tomorrow) has written a film based on Marvel's underwater hero, Namor the Sub-Mariner. In a casting move that probably isn't all that surprising given the writer, LRF star Alden Ehrenreich (Elysian, The Raven) has signed on to star as the title character.























Round 10 - Green Lantern Corps
It only stands to reason that the final film of the first LRF Comic-Con will have some of the biggest news. One of the biggest characters missing from LRF's DC Comics Universe over the seasons has been Green Lantern, but now the two most popular incarnations of the character, Hal Jordan and John Stewart, are both set to appear in the film from writer APJ. To announce their involvement on the film the director and star of the film have joined us live from the top secret set of the film:
Christopher McQuarrie (Jack Reacher, Mission: Impossible - Fallout) will direct the film, Green Lantern Corps, marking his LRF debut, which will star his frequent collaborator, box office mega-star Tom Cruise (Heights, The Andromeda Strain) as Green Lantern Hal Jordan. And as a special treat for the fans, they have presented a shot of Cruise in character from the first day of shooting:

And that's it for the first ever LRF Comic-Con! Be sure to check out the films above, as well as the rest of the LRF release slate in Season 17.

Friday, September 25, 2020

LRTV on LRF NOW: Rolling Stone 3.10 - You Can't Always Get What You Want - Season 3 Finale

Before LRF kicks off Season 17 (!), we will use the hiatus to debut the season finale episodes of four LRTV series ("She-Hulk", "Miami Vice", "L.A. Noire" and "Rolling Stone") that had their seasons interrupted due to unforeseen circumstances.

If you feel you need a refresher before viewing the finale episodes, here are the links to all previous episodes of "Rolling Stone":

Season 1:
Pilot
Burning of the Midnight Lamp
Cumberland Blues
Open the Door to Your Heart
Under My Thumb
Safe As Milk
Backlash Blues
Baby I'm-a Want You
Can't Find My Way Home
Casey Jones

Season 2:
Make It with You
The Seeker
A Song For You
Move Over
Piece of My Heart
Up Around the Bend
Bridge Over Troubled Water
First I Look at the Purse
My Sweet Lord
Box of Rain

Season 3:
Let It Be
Till the Morning Comes
Viva Las Vegas
The Night Before
Help Me Make It Through the Night
The Changeling
Let's Live for Today
Nobody Loves The Hulk
Our House

and now for the Season 3 finale of "Rolling Stone"....

Rolling Stone - You Can't Always Get What You Want
Genre: Drama
Executive Producer: Oliver Stone
Writer: D.R. Cobb
Cast: Josh Hartnett, Aimee Teegarden, Lou Taylor Pucci, Alicia Witt, John C. McGinley, Mark Hamill, Melora Hardin, Anna Chlumsky, Peter Facinelli

Plot: September 1971. The new semester is just a couple weeks in at UC Berkeley for Brady Conroy (Josh Hartnett). He finally musters up the courage and knocks on the door of his boss, the head of the journalism department, Dean Alan Smalling (John C. McGinley). Smalling greets Brady warmly and invites him to have a seat. Brady sits down and tells him that he's decided to step down from his teaching role at the end of the semester to focus on his writing career. Smalling is livid and begins yelling at Brady. He tells Brady that he rejects his resignation, and yells that Brady is fired - effective immediately. Brady gets up to leave. Smalling tells him that Brady will never teach at a California university as long as he breathes. If he even so much as hears that Brady is applying at other schools, Smalling will inform them that he fired Brady for doing drugs on the job and sleeping with students. Brady is about to punch Smalling, but manages to restrain himself and leaves Smalling's office, slamming the door behind him.

Celeste (Aimee Teegarden) is at City Lights where Lawrence Ferlinghetti (Mark Hamill) and Nancy Peters (Anna Chlumsky) proudly show her the test printing of her book of poems. Celeste almost starts crying while holding a copy. They tell her that they are ready to start selling them by the end of the week, and would like her to do a reading to help drum up interest. They tell her they will spread the word and make fliers for a Saturday afternoon reading. Celeste profusely thanks them.

Jimmy (Lou Taylor Pucci) as at the gallery with the owner Jennifer Albright (Melora Hardin) setting up for his after hours showing. They post several pictures of the sexual acts between Lexi and Mary Jane, as well as other pictures from the commune. Jennifer shares with Jimmy that she has invited some publishing luminaries, and if they like his work there's always the chance that one of them could commission him to photograph for them. Jimmy says that would be cool and all, but he's not going to get his hopes up. He did some photographs for Rolling Stone magazine the year before, but it didn't really work out for him.

Brady walks into the Rolling Stone offices. He tells Kylee Hargrove (Alicia Witt) at the front desk that he resigned or was fired from the university, depending on who you ask. She asks what he plans on doing now, and he says that he's working on something a little more long form, hopefully for the magazine. She says that is exciting news. Brady says that he is a little more trepidation about the situation since he isn't used to being without a regular steady gig. Kylee says that she's sure he could always write smaller pieces for the magazine if need be.

Jimmy is nervously standing around the gallery as people start to show up for the after hours showing of his work. Jennifer is hard at work talking up the pieces and introducing the guests to Jimmy. Jimmy then notices a well-dressed man staring at the pictures of Lexi and Mary Jane. Jimmy asks if the guy is a creep, but Jennifer tells him to lower his volume with talk like that and tells him that is Bob Guccione (Peter Facinelli), founder of Hustler Magazine. Jimmy suddenly perks up and walks over to the man and introduces himself as a fan of the magazine. Guccione tells Jimmy that he is a fan of Jimmy's eye for the erotic, motioning toward the photographs of Lexi and Mary Jane on the wall.

The next day, Brady and Jimmy arrive at City Lights for the reading of Celeste's book of poetry. Ferlinghetti introduces Celeste to the collection of regular poetry enthusiasts and literary critics that have congregated at the book store to hear Celeste's words. Brady goes up to her before she goes up in front of everyone. He gives her a kiss and tells her he's proud of him. Celeste gets up in front of the crowd and opens up her book of poetry and begins reading from it.


Monday, September 21, 2020

LRTV on LRF NOW: L.A. Noire 3.10 - Werewolf or Dahlia - Season 2 Finale

Before LRF kicks off Season 17 (!), we will use the hiatus to debut the season finale episodes of four LRTV series ("She-Hulk", "Miami Vice", "L.A. Noire" and "Rolling Stone") that had their seasons interrupted due to unforeseen circumstances.

If you feel you need a refresher before viewing the finale episodes, here are the links to all previous episodes of "L.A. Noire":

Season 1:
Upon Reflection
Armed and Dangerous
Warrants Outstanding
Buyer Beware
The Driver's Seat
The Consul's Car
A Marriage Made in Heaven
A Slip of the Tongue
The Fallen Idol - Part I
The Fallen Idol - Part II

Season 2:
The Red Lipstick Murder
The Golden Butterfly
Canned Fish
The Silk Stocking Murder
The White Shoe Slaying
Pawn
The Studio Secretary
Another Pin Down
Quarter Moon

and now for the Season 2 finale of "L.A. Noire"...

L.A. Noire - Werewolf or Dahlia
Genre: Crime
Executive Producer: Gavin O'Connor
Writer: John Malone
Based on the video game
Cast: Joe Alwyn, Brent Sexton, Brian F. O'Byrne, Jordan Gelber, Jay Ryan

Plot: 1947 - Cole Phelps (Joe Alwyn) and Rusty Galloway (Brent Sexton) stand in the middle of the maze at the L.A. County Art Museum next to the armillary sphere located at the center. Galloway asks what the sphere is, and Phelps explains that it is made up of rings that represent various important atronomical features. They find a note from the killer attached to the sphere along with a piece of jewelry that belonged to Celine Henry. The next poem excerpt mentions thrones, altars, judgement seats and prisons. Galloway is confused by this, suggesting some sort of church, but Phelps says that can't be it. Galloway is hung up on the notion that the same killer has seemingly been behind all their cases since Celine Henry, and wonders aloud how many others the psycho could have killed. Phelps says that he thinks that the next location is the film set of Intolerance. Galloway asks why, and Phelps asks where else in Los Angeles are you going to find a giant altar and throne. Galloway says he has a good point and starts walking back toward their car out of the maze.

Phelps and Galloway arrive at the run down film set in the middle of night with rain pouring down on them. Phelps quickly notices a light up high atop the set. He begins carefully climbing up the scaffolding toward the set's throne. When Phelps reaches the throne, he is angry that all he finds is yet another note. The poem mentions the place he calls home, and Phelps comments that the next location better be the end of the line as he's had his fill of the killer's puzzles. Phelps stares at the latest excerpt intently, finally telling Galloway to drive them to the Christ Crown of Thorns church. While they drive, Galloway says that they are lucky that the killer decided to start writing them letters, because he could have probably successfully killed for God knows how long had he not.

Phelps and Galloway pull up in front of the supposedly abandoned church and see that there is a light inside the building. Phelps calls for back up before leaving the vehicle to check things out. Galloway volunteers to wait for the back up at the car. Phelps walks into the church where he is confronted by Garrett Mason (Jay Ryan) wielding a shotgun. Mason tells Phelps that he's impressed that the police were finally able to track him down after all this time. Mason says that Phelps knows what he's capable of yet is surprised that the detective would simply walk on into the building like a lamb to slaughter. Mason fires his shotgun. Phelps ducks and runs after Mason, who has fled down into an underground passage beneath the church.

Phelps heads down into the catacombs after Mason. Phelps follows the faint sounds of Mason's taunts through the dark subterranean tunnels. He catches up with Mason and manages to hit him in the leg with a bullet. Phelps then follows a blood trail out of the catacombs and into an old graveyard. Mason opens fire on Phelps as soon as he reaches the graveyard, but Phelps is a quick draw and manages to shoot Mason in the head.

Captain James Donnelly (Brian F. O'Byrne) arrives at the crime scene with a group of uniformed officers. He and Galloway search the church, finding a bloody bathtub and several devices of torture. Galloway is disgusted by the sight and smell of the torture chamber and throws up. Wiping the vomit away from his mouth, Galloway tells Donnelly that he thinks he and Phelps should get a medal for this one. Donnelly tells Galloway that there won't be any press briefings or commendations on this one. Donnelly tells them that the Werewolf, the Black Dahlia Killer, is the half brother of one of the most highly elected officials in this country. They may have killed him, but they won't be able to drag his name through the mud like they should. Phelps joins them after Malcolm Carruthers (Jordan Gelber) has taken Mason's body away. Phelps is updated on who Mason was and he becomes furious. He then asks Donnelly what is going to happen to the suspects they arrested in the cases Mason was responsible for. Donnelly says that a bit of missing evidence at the Grand Jury, a procedural error here, a mistake there. He'll see to it that they are all quietly let go.

The next morning, Phelps is called into Donnelly's office at the precinct. Donnelly tells him that there will be no more rooting around dead bodies for him. Phelps is silent, assuming he's being fired for arresting the wrong men for Mason's murders. Donnelly tells Phelps to relax, it's good news. He informs Phelps that the head of Vice has asked the Chief for him. Donnelly tells Phelps that he wishes he could keep a fine warrior like Phelps in homicide, but that it goes above his head. Donnelly then tells Phelps to take the rest of the day off and celebrate the promotion with his family. Rather than go straight home, Phelps parks his car across the street from the Blue Room, tempted to go inside.