Monday, August 31, 2020

Release: The Kiss Quotient

The Kiss Quotient
Genre: Drama/Romance
Director: Lulu Wang
Writer: Rosie JoLove
Based on the novel by Helen Hoang
Cast: Cristin Milioti, Steven Yeun, Aaron Taylor-Johnson, David Lim, Anh Duong, Awkwafina, Elisabeth Shue



Budget: $23,000,000
Domestic Box Office: $10,971,409
Foreign Box Office: $9,718,003
Total Profit: -$22,559,097

Reaction: Very poor showing for this romantic drama. The lack of star power certainly didn't help matters here, but we didn't expect such big losses given fairly modest budget given to the film.


"Cristin Milioti is charming in the lead role, but her co-star Steven Yeun feels woefully miscast as a charming gigalo. With that added on top of a fairly contrived set-up for a drama, and you have a frustrating movie-going experience." - Vincent Kerr, Washington Post



"How was Henry Golding not cast as the male lead? If someone like him had been in the male lead, some of the shortcomings in the plot department could have potentially been more easily overlooked." - Jeff Stockton, The Roundup


"Despite its silly set-up and some poor casting choices, I still found myself engaged with the story going on despite some of the issues with the story." - Tim Durand, San Francisco Chronicle

Rated R for thematic material, language and sexuality

In Development

Zatanna: Steven Bauer ("Ray Donovan", The Lookalike), Brooklynn Prince (Bioshock, Calamity) and Helena Howard (Madeline's Madeline) have joined the latest DC Comics Universe film, the Aubrey Plaza-led Zatanna. Bauer will play Dr. Occult, a Golden Age supernatural detective. Prince will play a younger version of the title character, while Howard will play novice magic user working with the villain. Niki Caro directs from a script by Jimmy Ellis.

Alien: Out of the Shadows: More big names have joined the latest Alien anthology film in the form of Glenn Howerton (Plastic Man, No Laughing Matter), Connie Nielsen (circumstances of Time, Red Planet), Chris Messina (Girl/Girl, "The Sinner") and Adam Beach ("Nez Perce", Days Without End. Howerton will play an engineer on the mining vessel the story is set on, Nielsen will play the ship's captain, Messina a security officer, and Beach will play a pilot. Rupert Wyatt is directing the film from a script by Carl Flimmer.

The King of Hearts: Billy Crudup (Born in Brooklyn, Should've Been Here), Linda Cardellini ("Lady of the House", The Curse of La Llorona), Sean Harris (Solution, Hellraiser) and Bridget Regan (Devil's Gate, Crimson Fox) have all joined the highly anticipated medical drama, The King of Hearts, starring Tom Cruise and Tom Hanks. Crudup will play a patient in nedd of a heart transplant, with Cardellini set as his wife. Harris will play a South African heart surgeon, and Regan will play a young doctor. Bennett Miller is directing the film, which is written by Chad Taylor.

Whammy: Of all the subjects for an animated film, writer Jacob Jones (Greenwater Amusements, Oh Deer) has chosen to base a film around Whammy, the little red cartoon creature from the game show Press Your Luck which ran from 1983-1986. Lewis Black (The Last Laugh, Inside Out) will voice the titular creature. Amy Poehler (Odette, "Parks and Recreation") and John Cena (Zoe Maye, But What Am I?) will also lend their voices to the animated adventure. Thurop Van Orman (The Angry Bird Movie 2) is set to direct the animated feature.

1965: Coming off the relative success of the big-budget sci-fi film Mr. Earthling, the next film from writer Meirad Tako (Hotel California, Mr. Earthling) will be a low-budget drama set in his native Indonesia titled 1965. It will star a cast of relatively unknown actors, at least outside of the country: Dion Wiyoko, Laura Basuki, Vino G. Bastian, Morgan Oey. Indonesian filmmaker Joko Anwar (Gundala, A Copy of My Mind) will direct the film.

Hex: The Cult of Cain: Brad Pitt (Hex, Hands on a Hard Body) is set to return to the role of Jonah Hex, the DC Comics Old West bounty hunter. This time around he will find himself in the city of Gotham, a far cry from the plains setting of the first film. This time around writer Jimmy Ellis (Should've Been Here, Lady Red) has written the film. Chan-wook Park (Hex, Blackbird) is returning as director.

Sunday, August 30, 2020

Now Showing: The Kiss Quotient

The Kiss Quotient
Genre: Drama/Romance
Director: Lulu Wang
Writer: Rosie JoLove
Based on the novel by Helen Hoang
Cast: Cristin Milioti, Steven Yeun, Aaron Taylor-Johnson, David Lim, Anh Duong, Awkwafina, Elisabeth Shue

Plot: 30-year-old Stella Lane (Cristin Milioti) is out having lunch with her parents. Her mother told her she wants grandchildren. Stella gets anxious at dating and sex. To distract her parents, she said to them she got a promotion but didn't take it since it involved more client interaction. As someone with Asperger’s syndrome, Stella preferred working solely with data in her position as an econometrician. Her mother told her it's necessary to challenge herself. After lunch, Stella goes to her office and encounters a colleague, Philip James (Aaron Taylor-Johnson), that her mother had suggested she go out with her. He's picking up a box of condoms from his desk telling Stella that it's essential to be good at sex for men to like her. After he left, she looked for escorts online, believing she needed someone to teach her how to be good at sex.

Michael (Steven Yeun) works as an escort on Friday nights to pay his bills. He was surprised when he saw Stella, thinking she was too young and pretty hiring him. Over dinner, Stella proposed that she be his only client for a few months to teach her how to be good at sex. Michael skirted around the issue, not usually taking repeat clients due to previous clients stalking him.

Michael and Stella are in her hotel room. Stella was nervous and thought she should not have chosen a handsome escort as it made it harder for her to relax. Stella noted Michael’s tattoo peeking out from his shirt and wanted to touch it and see more of it. Stella was drawn to Michael’s scent and told him so. He tells her she was very good at the talking part of sex. They started kissing, and Stella was enjoying it until Michael began French kissing her. She tensed up and told him she did not like it, and Michael told her to give it another chance. He tried again, and Stella enjoyed it.

They moved to the bed and continued kissing, but Stella became tense when Michael undid her shirt's top button. He told her he could not have sex with her while she was like this, and she started crying. She said to him that during her previous sexual experiences, men had had sex with her when she was in this state, and Michael became angry that anyone would have sex with somebody that was so afraid. Michael suggested they cuddle instead and watch a movie while in their underwear. Stella was embarrassed by her beige, practical underwear, but it was all she wore. Perspiring next to Michael, she believed he must find her disgusting. She asked him about the callouses on his hands, and he told her that he did a type of sword fighting.

Stella woke up the next day, horrified that she had skipped her nighttime routine. Worried about her nudity, she put Michael’s shirt on and hurried to brush her teeth. Michael told her he could not accept her proposal and told her not to hire someone else as it was dangerous. She showed him she had a taser and could take care of herself. He left her room but returned a moment later, telling her he would give her three “lessons.” She agreed to his terms, and her mother called as they were saying goodbye. Her mother asked her who she was talking to and Stella told her it was Michael and that they had just spent the night kissing.

Michael talks to his cousin, Quan (David Lim), after his sword-fighting class. Quan invites him out to the club on Friday. Michael says he couldn't go. Quan asked why he's always busy Fridays and asked if he had a secret girlfriend or gay. Michael said he didn't, and Quan told him he didn't care if he's gay. Michael said neither was correct, that he's casually dating on Fridays. Quan advises him to tell his family as they'd been asking. Michael felt guilty. They used to know everything about each other. He apologized to Quan for being a lousy bud. Quan told him he understood due to what Michael had been through with his dad and his mother’s health problems.

Stella and Michael met for their second appointment. She told Michael her mother thought he was her boyfriend after they had called during their last time together and thought this was a good thing and that she would stop setting her up on dates. Michael said his mother also did this, setting him up with doctors. Stella showed Michael a lesson plan for their appointments, and Michael was insulted but hid it. Stella said they should not kiss anymore as she had learned how to do it in their last session. Michael told her about the importance of foreplay, but Stella questioned him, believing her needs weren't significant.

While in the hotel room, Michael commented about the lesson plans and realized Stella did not understand sarcasm. He thought she must be a book smart person with limited social skills. Michael and Stella got undressed, and Michael thought Stella was magnificent. Michael moved slowly, knowing this was about getting Stella to relax. During their foreplay, they broke the kissing rule, and Stella told him she had been thinking about kissing him all week. Michael was relieved as he had also been thinking about it. Michael worried he was losing control over his feelings for Stella. Stella stopped him from making her orgasm with his fingers, telling him she was not ready. Michael invited her out to a club for their next date, and Stella agreed.

Michael and Stella went out for ice cream before the club. Michael had decided he needed to seduce Stella for her to relax. He wanted her to enjoy their time together. Michael felt that he was not good enough for Stella, believing he had inherited his father’s bad genes.

Stella and Michael went to the club and run into Quan. Michael left Stella with Quan to talk to a lady, Aliza (Elisabeth Shue), that he knew. Stella saw them kiss and went outside, overwhelmed by the music and the crowd. Quan followed her and recognized the signs of autism as his brother suffered from it. He asked her if she was autistic, and she nodded, being unable to lie. Michael came outside, and Quan told him Stella was trying to leave without saying goodbye. Michael asked her if she wanted to go back in, and she told him to take her home.

Michael drove Stella home, and he noticed a repetitive tapping of her fingers. He asked her if she plays piano, and she told him she could play before learning how to talk, clarifying that she's a late talker. Stella wonders if he enjoyed kissing the woman at the bar, and he told her he hadn't kissed her, that she had forced herself on him, and she was a “crazy ex-client.” At Stella’s house, Michael noticed how empty it was, and Stella told him she had the necessities spending most of her time at the office. Stella told Michael she didn't want sex lessons anymore, but relationship lessons instead. She'd pay him fifty thousand dollars for the first month. He needs to think about it.

Quan came over to Michael’s apartment while he was punching his punching bag. Michael told Quan he had had a bad day. He had panicked when he had come across his mother sleeping, thinking she was dead. After this, he had dealt with someone looking for his dad, trying to serve him, and then listened to his mother repeat bad stories about his father. Quan asked Michael about Stella, pointing out her similarity to his brother, Khai. Michael agreed there were some similarities. Stella was woken up from a sex dream about Michael by a phone call. Stella decided on waking that she's obsessed with Michael. Stella takes her clothes to get dry cleaned, choosing one with high reviews. Inside, she saw that Michael was tailoring a woman’s pants. He noticed her and told him that it's an accident and wasn't stalking him. She asked if he would make clothes for her, realizing he had made the beautiful suit he had worn to the club. Michael told her that he would be her pretend boyfriend and kissed her as his mother walked in. Michael’s mother, Me (Anh Duong), invited Stella to dinner. She agreed when Michael also extended the invitation.

Stella went to Michael’s house with chocolate and flowers, having read that it was custom to bring a gift in Vietnamese culture. I offered her food in plastic containers, and Stella refused to eat it, telling her it was poisonous and contained BPA. She became overwhelmed by the noise, with Michael’s sisters fighting and his grandmother turning the television up louder. When Michael’s dad gets mentioned, Stella repeatedly asked where he was, and I told her he had run off to be with another woman. She retreated to her room, crying. Stella apologized and left. Michael went to comfort his mother and thought that the words used to describe his father could describe him. He felt he was using Stella and decided he had to break it off.

Stella was upset about her behavior and wondered whether she should tell Michael about her diagnosis. She worried she would be less in his eyes if he knew. She went to the dry cleaners with chocolates and flowers and apologized to Me. He told her they had a lot of food leftover and that she should come over again. At his sword-fighting gym, Michael looked at Khai and started drawing more similarities between him and Stella. He asked Quan about the night at the club and if Stella was autistic. He realized her diagnosis didn't matter to him and went to her office. He took her back to his mother’s place, making sure that it was quieter. He told her that he realized loud sounds were too much for her but did not tell her he knew about her autism. He introduced her to his sisters, and the night went smoothly, with his family liking her. Michael was touched by Stella, caring about his family. In the car to Stella’s place, they decided to move together to make the relationship illusion complete.

Stella is waking next to Michael; Stella's anxious about missing her bedtime routine again. Michael stopped her from cleaning her teeth and asked if he'd perform oral sex. Stella worries about not being good at receiving it. She became tense, saying she'd prefer if they showered and got dressed. After the shower, Michael pulled Stella’s robe off and performed oral sex, making her orgasm. They have sex, and Stella's able to enjoy it. She thought that this might mean nothing to Michael, who slept with many women and worried she was living in a fantasy.

After they had sex, Michael worried about his feelings for her. Trying to put some distance, he got dressed and told her they're going shopping. To Stella’s surprise, she found she liked yoga pants and the feeling against her skin. After buying bags full of clothes for herself, she offered to buy Michael something. She said she would like to buy him a car to replace the one he had, asking him if it had been from the client she had seen at the club. Stella wished Michael could be her boyfriend for real and wondered if maybe he could.

Stella left work early to meet Michael for dinner. Walking out, she noticed everyone in the office look at her. In the elevator, Philip asked her about her plans, noting her hair was down. Stella realized that this was why people had looked at her as she always wore it up. Stella told Philip she had a date, and Philip appeared interested in her. At the restaurant, Michael said to Stella that his mother had stage IV lung cancer. Stella asked Michael if he would go to her mother’s fundraiser with her in a month and if he would also make her dress. He agreed to both but appeared a bit tense. Stella and Michael go back to his apartment to pick up some of his clothes.

Stella sat on Michael’s bed while he packed. Exiting his closet, he saw her lying in his bed, smelling his sheets. He usually had a rule about clients not being allowed in his apartment but knew these rules did not apply to Stella. He became aroused and joined her in the bed. During their foreplay, he started talking dirty to her, and she told him to stop, saying it was embarrassing. However, he noticed she was more aroused when he did. She begged him to be inside her, but he realized he left his condoms and went to get them.

Stella looked around Michael’s apartment while he was gone. She saw some bills and realized Michael had given her a fake last name. She saw the hospital bill for his mother, realizing that this was why he was an escort. She started crying, and Michael returned, asking her what was wrong. She told him she was becoming obsessed with him and that she would not be able to let him go. Michael stopped her from speaking by forcefully kissing her, and they have sex. Michael asked her if she wanted to spend the night, and she told him she did.

Michael realized he's in love with Stella, but told himself it wasn't real and temporary. He wondered what Stella'd do if she found out about his past and “shaky” ethics. The following week, Stella felt sad, coming home to an empty house. She distracts herself by playing the piano. Michael returned and asked if she knew anything happier to play. They play “Heart and Soul” together, and Stella's tempted to ask Michael if he enjoyed the time they spent together. She knew she did not just enjoy the sex part of their relationship, loving all the time they spent together. She thought she needed to seduce him to keep him but did not know-how.

Stella went to Michael’s mother’s house for dinner. She wanted to ask his family about him to figure out a seduction technique; however, he was too nervous about going through with it. After dinner, Me showed Stella pictures of Michael in their family album. She saw Michael’s father at his college graduation. She saw a photo with him with his real last name written over his jersey and noted that he quickly skipped over that page, making her feel less secure. Michael’s sister Janie (Awkwafina) asked Stella for help with getting an internship. She studied economics but had a low GPA due to doing poorly in her first year when her mother got diagnosed, and her dad had just left.

Stella left work to meet Michael for lunch. She ran into Philip, who asked her if the guy she was attending was her boyfriend and told her he had had a crush on her for years. He forcibly kissed her, and when she arrived at Michael’s work, she washed her mouth. Michael catches her, and she told him about the kiss. He was angry and threatened to hurt whoever had done this. They have sex in the bathroom with Michael wanting to claim her. Stella tried on the dress he had made her, loving it. After lunch, Stella thought about something Michael had said about women buying men underwear, that they like taking care of the people they love. This helped her with data she had been working on buying trends. She bought Michael underwear deciding that if he stopped buying his own, he loved her too.

Stella and Michael got ready for the charity event. Stella revealed she knew Michael’s real last name, and Michael worried she would soon find out about his past and the bad things he had done. At the event, Michael met Stella’s parents and felt her father judging him when he told them he was a fashion designer but was not working. He realized that Philip was the guy that had kissed Stella and became jealous over their interaction at the table, realizing they had a lot in common and that he was Stella’s intellectual equal. Another woman came to sit at their table, and Michael saw that it was the same obsessed client that had kissed him at the bar, Aliza.

Aliza told the table that she and Michael used to see each other. Stella noticed her stroking near Michael’s crotch under the table. Michael told the table he needed air and Stella followed him. Outside, Michael told her his father’s name, saying he had conned multiple women out of their money and stolen everything from his mother. He told Stella that he was not good enough that he was like his father. He broke up with her telling her she needed to be with someone for more than sex. He told her he knew she was autistic but that that should not matter. Stella went back to the table and told everyone that they had broken up. Michael collected his things from Stella’s house, noting the underwear she had brought him. He left a piece of paper on her nightstand.

Stella sees her cheque that Michael had left. She became angry, thinking he'd been with her because he pitied her. She altered her morning routine, feeling reckless. She plays her piano, ending up hitting the keys so hard breaking a string.

Meanwhile, Michael went to a dry cleaning shop and drew a picture of Stella. He tears it up and destroys all the design projects he'd been working on.

Michael took Me to the hospital for a checkup. Her mother asked him what'd happened between him and Stella, telling him to work it out. At the hospital, the receptionist explains he no longer had to pay for treatment, being the benefactor of a scheme to help low-income families. Me’s doctor told Michael that his mother was doing well. Michael couldn't tell his mother about her bills getting paid for having previously lied to her about having insurance that covered her treatment. At work, Stella thought about resigning to address her tendency to obsession. Constructing her resignation letter, she was interrupted by Janie, who had come for her internship interview. Janie asked what had happened with Michael and that they needed to talk as they were both miserable. After Janie’s meeting, Stella realized she was being ridiculous and was fine the way she was.

Janie told Michael and Me that she had gotten an internship at Stella’s work. Michael asked Quan if he wanted to go into business with him to start his fashion line. Stella asked Philip out to dinner, during which he talked mostly about himself. After dinner, Philip went to kiss her and Stella turned away. Michael and Quan witnessed this from across the street, and Michael punched Philip's eye, seeing that he was about to try and kiss Stella again. Stella walked off, and he ran after her. She told Michael she did not need his pity and that she was trying to get over him. Michael realized that she must love him and decided he would devise a plan to get her back.

Stella received flowers from Michael, not understanding what it meant. Although Phil looked jealous, it was apparent he had already started something with the secretary. Michael rang and asked if she had received the flowers. He asked her out for dinner, and she refused. He called every day of the week and sent more flowers. One night, Stella left, he was waiting outside the building for her. He told her he missed her and kissed her. He said he had not been with her out of pity and that he loved her. Stella asked if he was wearing the boxers she had bought him. Seeing that he was, she believed his love for her. Stella told him she had created the assistance program helping pay his mother’s bills with her 15 million dollar trust fund. He told her he would ask her to marry him in three months, warning her as he knew she did not like surprises.

Four months later, Stella went to visit Michael at his fashion studio. She appreciated the ring he had bought her and told him he should not have gone into debt. He told her he was now debt-free as Quan had gotten venture backing to open three new stores. Stella told him she had accepted a new promotion and that she was buying him a new car. He told her if she wanted to buy him a new car or boxers, he tried to use them as he loved her.


Release: No Laughing Matter

No Laughing Matter
Genre: Dark Comedy/Crime
Directors: Joel & Ethan Coen
Writer: Chad Taylor
Cast: Jason Bateman, Glenn Howerton, Steve Buscemi, Julia Louis-Dreyfus, Marisa Tomei, Billie Lourd, Timothy Simons, Harvey Keitel, Bruce Campbell





Budget: $42,000,000
Domestic Box Office: $67,048,900
Foreign Box Office: $30,513,462
Total Profit: $13,033,947

Reaction: Very strong box office numbers for an R-rated dark comedy, becoming the second highest grossing film in the genre for the studio (and one of the few profitable films in the genre).


"Despite its futuristic setting, No Laughing Matter fits right in with other Coen Brothers dark comedy films like A Serious Man and Burn After Reading - good, interesting dark comedies that are a little askew." - Manny Duncan, San Antonio Express-News

"This star-studded dark comedy is full of laugh out loud moments, and despite the more morose humor, is funny enough to appeal to a wider, more mainstream audience." - Ken Hammerschmidt, Washington Post

"Jason Bateman once again excels as the everyman brother who becomes increasingly exasperated by the actions of those around him. Glenn Howerton is a lot of fun in his biggest LRF role other than Plastic Man. Buscemi isn't given as much to work with as the actors playing his brothers, but he's his usual reliable self. That was all a long way of saying that the roles all seem tailor made for the actors, making for many seamless performances." - Sandy Glavine, Atlanta Constitution-Journal


Rated R for violence, language, sexual content/nudity and thematic elements

Saturday, August 29, 2020

Last Resort Films Jukebox: No Laughing Matter



1. "Carmen Overture" - Georges Bizet

2. "Yumeji's Theme" - Shigeru Umebayashi

3. "Le nozze di Figaro Overture" - Wolfgang Amadeuz Mozart

4. "New World Symphony" - Antonín Dvořák

5. "La donna è una cosa meravigliosa" - Piero Piccioni

Now Showing: No Laughing Matter

No Laughing Matter
Genre: Dark Comedy/Crime
Directors: Joel & Ethan Coen
Writer: Chad Taylor
Cast: Jason Bateman, Glenn Howerton, Steve Buscemi, Julia Louis-Dreyfus, Marisa Tomei, Billie Lourd, Timothy Simons, Harvey Keitel, Bruce Campbell

Plot: In 2053, the world’s population keeps growing exponentially but for a very specific reason: nobody dies! Technological advances have led to all the world’s illnesses being solved, every aspect of life has been safety-proofed, and age expectancy has extended by fifty years. While the population control and climate change are still growing problems, the elimination of unexpected deaths has led to happiness levels at an all time high and suicide rates nearly zeroed.

Sweeney & Sons Funeral Home was founded in 1972 and has been family-run ever since. While the ownership has passed through multiple generations, it is currently in the hands of three brothers. Bill (Steve Buscemi) is the oldest and recently got a divorce from his wife of 41 years - because of and exacerbating his alcohol problem. Andy (Jason Bateman) is the most straight-laced of the three and the most business-oriented. He and his wife Sara (Julia Louis-Dreyfus) are getting ready to celebrate the college graduation of their daughter Jenna (Billie Lourd). And, finally, Josiah (Glenn Howerton) has recently turned forty but is already in mid-life crisis mode. He’s always been the wild child of the group (he’s 25 years younger than Bill) but - as morbid as it sounds - the funeral home has always brought them together.

Funeral homes around the world have been closing down as funerals have become few and fare between and mainly digitized, anyways, since most social connections are found online. Andy goes through the business’s paperwork and is very stressed, causing Sara to comfort him. She tells him to take his mind off of this for a while and enjoy their daughter’s graduation.

They all travel out of town to see Jenna’s graduation. At the dinner afterwards, she introduces them to her older boyfriend, Craigory (Timothy Simons). Andy asks what Craigory does and he says that he is an aspiring electronic-country musician. Josiah whispers to Bill “he’s 40, shouldn’t he be past aspiring at this point?”. Afterwards, Sara and Andy talk about how they do not like that guy at all and that they are going to advise their daughter, as harsh as it sounds, to dump him. When Jenna comes to talk to them, they reveal her graduation present: they are taking her on a month-long space cruise. She begins crying and thanks them, she has dreamed of this since she was a kid.

Josiah sits in his hotel room, scrolling through the channels. He finally settles on an old rerun of Hitman, a show from over thirty years ago. He stares longingly into the TV before an idea sparks into his mind. He gets up from his room and rushes to Bill’s room. He knocks on the door before letting himself in. There, he is shocked to find Bill naked in his closet with a rope around his neck. Josiah rushes to his aid but Bill, only slightly embarrassed, chews him out. Josiah is confused, saying he just saved his brother from killing himself. Bill corrects him and says he was trying out autoerotic asphy- ah forget about it.

Josiah, not too interested in knowing what that is, tells Bill he knows that the business (along with the divorce) has had him depressed. Bill confirms, saying he feels like they’re letting their father down. Josiah tells him, fear not, he has an idea. They’re in the dead body business, right? But there’s been a shortage of dead bodies. Bill slaps his brother for stating the obvious, the reason they are in such a funk to begin with. Josiah tells him he knows the solution to the problem: they enter the hitman business! Bill isn’t sure if he is joking. They hire a hitman who can take out wealthy individuals, make it look like an accident and then, since they’re the only funeral home left in town, they reap the rewards. Bill stares at him blankly, prompting Josiah to comment that they are all at their wit’s end and this is a ray of hope. A dim ray of hope, but still. And it’s much better than whatever choking-jerk-off thing Bill was just doing. Bill shrugs his shoulders, as if to say “you’ve got a point”.

The next day, Josiah and Bill approach Andy about their plan. He is stunned by it and says absolutely not. They say not to think of it as killing but moreso...revitalizing the family business? He remains unconvinced and asks if they are crazy. They look at each other and determine they are not. They tell him majority rules so he’s either in or he isn’t. He puts his foot down and says that he isn’t. Andy says his goodbyes as his family leaves on their vacation the next day.

Josiah and Bill look into how to hire a hitman but it is near impossible with the current state of their society. Bill proposes that they get a lowlife who will be willing to do anything for some pay and, preferably, has experience killing. Josiah says he knows just the place.

They arrive at one of the last surviving VFWs in the States. With no wars in years, the size of the military has decreased and veterans are aging out. Bill and Josiah sit outside the joint scouting potential hitmen. They cycle through potential options before they spot the perfect choice: Black Tony (Harvey Keitel). Despite his age, he is covered in tattoos and looks like he’s seen some shit. They offer to buy his lunch and he is confused but accepts.

They lie to him and say their dad was a veteran and use this as a foot in the door for the conversation. He reveals that he was fought in Desert Storm at 18. They asked if he killed anyone and he responds “many”. Bill asks him why he’s called Black Tony and Black Tony tells him they don’t wanna know. They ask if him if ever gets the itch for killing again and he says yes, he actually has and starts ranting about how sanitized society has become. Bill and Josiah smile at each other. They tell him they have a proposal.

As Andy and Sara are loading up on their space cruise, they see Jenna arrive but she has someone with her: Craigory. Sara’s head drops into her hands as she says “no, no, no”. Andy puts on a fake smile and says they should just focus on making Jenna happy. However, once they load up and lift off and Craigory starts rambling, Andy and Sara figure out it is going to be a long trip.

Sweeney & Sons get their first hit contract: Dan (Bruce Campbell), a motorized scooter magnate, who is wanted dead by a rival from whom he stole a patent. They pass along the job to Black Tony, who reminds them that he is almost legally blind but can still function better than the nimwits in this current generation. They say he never told them he was blind. He shrugs his shoulders and promises he can get the job done. And so he does. Black Tony kills Dan in a way to make it look like an accident. Because “young” deaths are so rare, all of the local news media covers this story. Meanwhile, Bill reaches out to Dan’s family and they arrange for a funeral. When Bill and Josiah meet with the family, Josiah is stunned by the attractiveness of Dan’s widow, Trish (Marisa Tomei). She is in tears and he comforts her, while still checking her out.

The crazy business plan starts to actually work as they learn that there is actually a market for people wanting other people dead. Black Tony proves to be surprisingly efficient with his job while the two brothers can pick up the slack from there. Meanwhile, Josiah has a chance encounter with Trish and he starts trying to court her, which is successful. He obviously doesn’t reveal the true nature of her husband’s death.

From their cruise, Andy calls to check in with his brothers and learns that their plan is going along nicely. He tells them they are probably going to be investigated by the government soon but they shoot that down. When he learns that Josiah is seeing the widow of someone they killed, Andy is even more disgusted. He sticks with his promise of not going along with their plans.

Sweeney & Sons has revitalized itself and become profitable once again. Josiah and Bill have a celebratory dinner, where Josiah reminds Bill how low they were just weeks ago. Well, how low Bill was with the whole strangulation jerking thing. Bill says he didn’t know how much joy he could derive from committing heinous acts. They do a cheers to that.

Meanwhile, on the cruise, Andy and Sara are in a much different mood. They get a temporary moment of reprieve when Jenna asks if she can move in with them when they get back. Not ready for an empty next, they say of course. They go to dinner that night in a different mood. With the backdrop of space and stars, Craigory surprises everyone by getting down on one knee and proposing to Jenna. She doesn’t know what to say, which leaves her parents holding their breath with the possibility of her saying no. However, she says yes and everyone in the ballroom starts clapping and congratulating them (except for her parents, of course). Craigory apologizes to Andy for not asking for his daughter’s hand in marriage, this all came together so quickly. Jenna tells Sara that this probably means Craigory will be moving in with them as well. Sara puts on a fake smile and says “great!”.

In their cabin, Andy and Sara lament the day’s events. He wonders to himself if he is going crazy and Sara says she’s in a same boat. Andy considers telling her about what Josiah and Bill are doing on Earth but decides against it and just says that least the funeral home is doing well again.

Josiah starts debating with himself whether or not he should reveal the truth to Trish. He doesn’t feel about the new family business, but does feel guilty about Trish after his conversation with Andy. Things are progressing nicely so he doesn’t know if what he should do. He asks Bill for help and Bill is surprised by this dilemma since Josiah has always been the sleaziest of the family. He advises his brother against it, as it could easily expose their secret.

After their dinner goes nicely, Trish invites Josiah over to her place. After they have sex, Josiah and Trish share small talk but things get tense for Josiah when she starts talking about her dead husband. The guilt flushes over his face. She asks if he wants to know a secret. He says sure. She knows he was murdered. In fact, she knows he was murdered by Sweeney & Sons. Josiah doesn’t know what to say.

She tells him to relax. She reveals that Dan was an abusive asshole whose whole career was based on him stealing other people’s ideas. Josiah doesn’t know what to say. She says that she got in cahoots with one of his rivals to hire the hit on Dan and she would give him a cut of the inheritance she got from her husband’s death. And, of course, some of that would go towards a nice funeral so Dan’s family wouldn’t think anything. Josiah lets out a huge sigh of relief and gives her a big hug. He reiterates that she doesn’t care that his business kills people and she says of course not, if it weren’t for that then they never would have met. Josiah is so elated that they have sex again.

Meanwhile, Andy and his family return from their cruise. At their home, Craigory starts moving his things in. Andy, upstairs in his office, plays music to try to drown out his son-in-law’s voice. Craigory pays him a visit and asks him to turn the music down or else he can’t hear his own music. Andy does not oblige, causing Craigory to turn up his volume even louder as he makes his songs. Andy leaves his room and tells Sara he will be back later. After some driving, he pulls up in front of Sweeney & Sons.

Dramatic orchestral music plays as we follow Black Tony on a near-empty boardwalk. The more we follow him, we can see up ahead that there is a lanky street musician playing electronic country music.

The dramatic music continues as Bill, Josiah, Trish, Andy, Sara, and Jenna meet for their first dinner since the cruise. Jenna grows anxious that Craigory hasn’t shown up. Sara points out that he’s always late so he should be here any moment. Bill winks at Andy, who looks at peace with himself, as the camera starts zoom away from the table.

However, this zoom and the music is interrupted when the door to restaurant swings open and an exasperated Craigory comes burling through. He tells them they are not going to believe this: while he was making music, some homeless veteran guy tried to rob him. Craigory quickly picked up that the man was blind so he led him to the edge of the boardwalk before the man went falling down and landed on his neck. Crazy. He apologizes for being late and asks what he missed. The orchestral music picks up again as everyone in the table sits in silence.


Friday, August 28, 2020

Interview: Chad Taylor


In this edition of Interview, Last Resort Films president Phil Dolan sits down for an interview with writer Chad Taylor (Gambit and Rogue, Oklahoma!) to discuss his recent films including his upcoming film with the Coen Brothers, No Laughing Matter.

PD: Having worked with the Coen Brothers prior with An Honest Mistake, did you write this one specifically for the Coens to direct?
CT: Well don't tell them this but no actually! The idea for this movie came relatively out of the blue but it was while I was watching some episodes of Veep (which obviously had an influence on the casting of Timothy Simons in a role that I can't picture anyone else doing). So as it started to form in my head, I started to imagine it in the form of an Armando Ianucci comedy. There were also elements of Christopher Guest sprinkled in as well, although that was more as an influence than an actual candidate to direct. But when writing a dark comedy, it was hard to ignore the influence that the Coen Brothers have on the genre and thus on myself writing this piece. And then everything started to click as I could it seeing similarities with some of their other dark comedies - even moreso than An Honest Mistake (which I think both they and I agree wasn't the perfect fit for them). So yeah, once I figured out that they were my top option, I started to tailor the characters to their skill set as they have a knack for making morally complicated characters entertaining.

PD: Was it tricky to find the three lead actors in No Laughing Matter who could be convincing as brothers?

CT: Very much so. I mean, it is always a bit tricky casting a family, right? But here, we had to make sure to balance that with also getting actors who fit their unique character type (as each brother utilizes a different kind of comedy). Looking back at our initial cast lists, we were considering over 30 actors for the three parts in total. So it became a bit of a game of finding the right pieces that fit together (which is one of my favorite parts of my job) while also being aware that the age of one actor could then affect the other two roles (I didn't have set ages for any of the characters, just that they all range 40-60). But it's one of those things that once the first piece was in place, the other two started to become clearer. In this case, I knew I wanted the youngest brother to have a sort of smarmy deviousness to him and it came down to Glenn (who I knew from the JLI set) and Sam Rockwell (who's also had a successful career here at LRF). Once Glenn signed on, I could then start to look for people that would be believable brothers to him (which narrowed down the pool). The oldest brother was this close to going to Alfred Molina, who I was very happy to work with in his award-winning performance in "Lady of the House". Our directors knew Steve, though, and put in a good word for him so he was the next piece. There are about 20 years in between Glenn and Steve so that helped narrow down the last part even more to someone around 50. But despite that, that role became the hardest to fill as the likes of Michael Stuhlbarg (who's worked with Joel and Ethan before), Ben Stiller, Matt Damon, and Steve Carrell all came into play before settling on Jason - partly because he seems like a neutral balance between Glenn and Steve (both in age and demeanor). So that is how the three were ultimately set.

PD: Gambit and Rogue was a pretty huge success for the studio and its new Marvel Universe. Do you plan on making further films set in the Universe?
CT: I'd love to! Despite getting my start here at LRF in the DC Universe, I was always actually a Marvel kid growing up. The likes of Spider-Man and the X-Men were on my TV and in my toy chest constantly so I've always dreamed of writing some Marvel films. Of course, Marvel has famously been doing their own thing in the cinematic realm to great success so it never felt like there was much room to maneuver there (unless I went to a real marginal character like Booster Gold is in DC). So once it was announced that LRF was going to be moving forward with its own Marvel films, I wanted to participate but only if I could find a unique angle to tell a new type of story. A legal comedy about a superhero trying to balance her celebrity and professional and personal lives was the first step of that with 'She-Hulk'. And then I was very pleased at the reviews for Gambit and Rogue because they emphasized the different angle it took. Even if the film wasn't perfect, I just wanted to make sure it did not follow the same formula. So with that in mind, I would love to see if there are any other Marvel properties that I can forge that new path on. There is a character that was mentioned in 'She-Hulk' that I wouldn't mind exploring on film. And there's already been early talks to make another Gambit movie (especially given the open ending of the first). Outside of that, who knows what the future holds?

PD: You had multiple films lauded by the critics this season. Is there more anticipation than usual for the Golden Reel Awards for you this season?

CT: Yes and no. I always look forward to the GRAs and this season is no different. I've repeatedly said on my blog that my Season 16 releases are all very different from each other and now you all can see that: a musical, a superhero movie, a sports drama and a dark comedy. Honestly, that alone adds some uncertainty as none of those genres have a proven track record on the awards circuit (both in and our of LRF). But then on top of that, the competition this season is very stiff. People have been building up anticipation for these GRAs as the studio has consistently churned out high quality content. So I think it's very possible that a lauded film - mine or someone else's - can get lost in the shuffle just because of sheer numbers. Only four people can get in to each category and so some good things are going to miss out. Which means that it'd be hard to upset at something getting snubbed because it just means that the studio is on another level right now - which i think we all can be happy about as viewers and as a community.

LRF NOW Director's Cut: Green River


Green River - Director's Cut
Genre: Crime/Thriller
Director: Vadim Perelman
Writer: Lon Charles
Cast: Russell Crowe, Miles Teller, Robert Downey Jr., Alessandro Nivola, Carla Gugino, Amanda Michalka, Paul Sparks

Plot: Kent, Washington. Outside of a slaughterhouse, a worker takes a cigarette break along the banks of the Green River. He spots something floating in the water. As the object gets closer, he realizes it is a woman's dead body. He scurries back inside to notify the police. Major Richard Kraske (Paul Sparks) arrives at the scene with rookie homicide detective Dave Reichert (Miles Teller) as officers in a police boat struggle to wrestle the waterlogged corpse onto their boat. Kraske tells Reichart that floaters are never easy clearances. He gives Reichart a pat on the back and tells him to start detecting.

Back at the station in Seattle, Reichert quickly links the body they found to another body found in the Green River a month prior. Kraske warns Reichert that two bodies may be an anomoly rather than some sort of spree killer. Later in the week while Reichart is awaiting lab results on the floater, he gets a call from Kraske informing him that three more bodies have turned up in the Green River. Kraske tells Reichert that with now four bodies all found in the span of a month in the river, the department is putting together a Green River Task Force and he wants Reichert to help lead the investigation. Reichart is flattered, but comments that he doesn't know anything about leading such a large investigation. Kraske suggests Reichert head over to the State Attorney General's office and talk to Robert Keppel for help. Reichart asks who Keppel is, and Kraske explains that Keppel used to be a detective with the department investigating the "Ted Murders" and had zeroed in on Ted Bundy before he left the state.

Reichert drives south to the capital in Olympia, Washington, and arrives at the office of Robert Keppel (Russell Crowe). Keppel tells Reichert that they've probably got a serial killer on their hands with the Green River bodies. Reichert asks if Keppel would be willing to volunteer his expertise as part of the task force given his background on the Ted Bundy case. Keppel comments that he may have suspected Bundy in the murders but wasn't able to prove it in time to save several more women from losing their lives. Reichert leaves Keppel with his business card and asks him to give him a call or stop by if he's willing to lend a hand.

Robert Keppel arrives home and his wife Sande (Carla Gugino) asks him how his day was. He tells her the police asked for his help in the new Green River case. She asks him if he's going to help, and he admits that he hasn't made up his mind on the matter. Part of him never wants to deal with a serial killer case again, but another part of him wants to stop the killer to help make up for missing out on Bundy years prior. Sande tells her husband that it sounds like he has already made up his mind.

At the sheriff's office, Reichert is putting up pictures of other potential Green River victims on a cork board in the conference room acting as the task force headquarters. Keppel walks into the room and asks if they've identified any of the victims yet. Reichert is happy that Keppel has come by and says that they've only been able to identify a could of them as local street walkers. Keppel suggests they start pulling the files of anyone arrested in the past few years of violence against prostitutes. At Reichert and Keppel's urging, Kraske orders officers to stake out the SeaTac strip where some of the victims were reported to be working.

Keppel enters his office in Olympia and finds an envelope post marked from the Florida State Prison in Raiford, Florida. Intrigued, Keppel opens it and find a letter. He skips to the end and sees that the letter is signed "Sincerely, Ted Bundy". Keppel brings the letter with him to the task force headquarters and shows it to Reichert, explaining that Bundy is apparently offering his assistance in capturing the killer in the Green River case, who he calls "The Riverman" in the letter. Reichert asks why Bundy would make such an offer, and Keppel says that Bundy is probably just trying to avoid death row. Reichert points out that they've got over 20 bodies found in and around the river by now so it wouldn't hurt to see what someone like Bundy has to offer.

Keppel and Reichert fly into Jacksonville and drive their rental car to the Florida State Prison in Raiford. They flash their law enforcement credentials to the guards, who lead them to the prison's death row visitation room where they find Ted Bundy (Robert Downey Jr.) waiting for them in the middle of the room. He gets up and offers them each a handshake, but the detectives turn it down and take their seats. Bundy says it's nice to meet them, but Keppel is quick to point out that they've met before. He brought Bundy in for questioning for some of his Seattle murders. Bundy apologizes for not recognizing him, but he's been around a lot of cops over the years. Keppel declines his request. Bundy laments that he isn't going to have much to go off of just from what he's read in the newspapers in the prison library. Keppel tells him to go ahead and try. Bundy suggests that the killer is probably going back to the bodies that haven't ended up in the river to have sex with them. As Bundy speaks, Reichert swiftly takes notes. He tells the detectives if they find a fresh body to stake out the area, the killer will very likely return.

Back in Seattle, the police bring Gary Ridgway (Alessandro Nivola) in for questioning when they find him hanging around the SeaTac strip. They pull his record and discover that he was arrested for soliciting prostitution. Reichert wants him hooked up to a polygraph machine. Keppel reminds him that it isn't admissible in court. Reichert says he knows that but he wants to know if he's their guy. Ridgway passes the polygraph with flying colors. Ridgway smiles at the detectives as he is released and wishes them best of luck in trying to capture the killer of all those whores. Reichert punches a wall in anger. Keppel tells him to calm down. Reichert tells him that he thought they finally had their guy after a few years on the case.

Reichert goes to see Bundy back in Florida without Keppel. Bundy is pleasantly surprised to see him. Reichert shows Bundy the case files he wanted to see before. Bundy asks Reichert if they ever staked out the body dump sites. Reichert says they didn't turn up nything that way although there was a guy he liked for the murders but he passed a polygraph. Bundy laughs, saying any sociopath can pass a lie detector, it's not rocket science. Reichert asks why he suspected the Riverman of necrophilia. Bundy admits that's what he would have done with the bodies.

Keppel finds out that Reichert went to see Bundy without him and admonishes him at the station. Reichert admits it was mostly a waste of time and agrees with Keppel's initial theory that Bundy is just trying to avoid the electric chair a little longer. Keppel apologizes for getting angry. He says that he doesn't blame Reichert. It's been over four years since they took on the case and they are no closer to stopping the bastard with over 30 bodies on the victim board. Reichert tells Keppel that Bundy did say one interesting thing: that any sociopath could pass a polygraph. He then tells Keppel that he wants to take another run at Gary Ridgway since there was just something creepy about him. Keppel suggests Reichert round up any and all circumstantial evidence they had on him and take it to a judge. Maybe it will be enough to get a search warrant for the suspect's house.

Sande Keppel shows her husband the morning paper and points out an article about Ted Bundy that the governor of Florida has refused any more execution postponements. Keppel comments that the man deserves to die, even if he never confessed to all of the murders they suspect him of, including some that he investigated himself.

Reichert arrives at the residence of Gary Ridgway with a search warrant as well as a warrant to collect DNA samples from him via hair and saliva. Ridgway seems stunned, but has no choice but to go along with everything. Reichert quickly notices that the floors of the house are bare as if carpet had been recently removed. Ridgway claims that he ordered some new carpet but it hasn't come in yet.

Keppel arrives in Florida to talk to Bundy one last time before he's executed. Bundy asks if Keppel is there to watch him fry. Keppel says he's there to get closure for the family of Georgeann Hawkins. Bundy asks who that is, but Keppel isn't buying it and says that he doesn't think someone who takes as much pride in his work as Bundy would forget anyone he killed. Bundy asks for a refresher. Keppel tells Bundy that Georgeann Hawkins (Amanda Michalka) was a pretty young woman who was a student at the University of Washington. Bundy jokes that could describe many women he already confessed to killing. Keppel says that surprisingly he never confessed to this one and the body has never been found. Bundy says he must not have done that one then. Keppel tells Bundy that he doesn't buy that one bit. Keppel eggs him on a bit, and Bundy finally slips that he did indeed kill Hawkins. Bundy describes using crutches and purposely dropping his briefcase. She came over to help him take his briefcase to his car. Once they got to his car, Bundy grabbed a hidden crowbar and beat Hawkins over the head with it. He then put her in his car and drove away. While he drove she woke up, but only incoherently talked about her upcoming Spanish test, so he beat her again with the crowbar. He drove her to a secluded location near Lake Sammamish where he cut her head off and buried it. Keppel pulls out a map of Washington and asks Bundy to mark the spot he buried the head. After Bundy draws a little 'X' on the map, he pleads with Keppel to talk to the judge because he doesn't want to be executed. Keppel tells Bundy that he should have thought of that before he killed dozens of young women. Keppel then gets up and leaves the prison.

Back in Washington, Keppel tells Reichert that he's retiring now that he has closure for the Hawkins family. He wishes Reichert all the best in capturing the so-called Riverman. Reichert shakes his hand and wishes him a good retirement.

Reichert is looking through all of the evidence in the Green River case. He notices trace amounts of a commercial-grade truck spray paint were found underneath three of the victim's fingernails. Reichert has an apiphany and looks through Ridgway's file. Sure enough, Ridgway works as a painter at the Kenworth truck factory. Reichert has every piece of evidence and every DNA sample run through the lab again. Through all the evidence, Reichert is able to connect Ridgway to 49 different victims. Reichert arrives at Ridgway's door backed by a group of deputies. Ridgway is less happy to see Reichert this time as he is arrested.



- Between 1982-1998, Gary Ridgway killed at least 49 women, although he has confessed to killing as many as 71. In order to avoid the death penalty, he agreed to disclose the location of still-missing women that he murdered. He is currently incarcerated at Washington State Penitentiary in Walla Walla, Washington.

- Ted Bundy was executed via the electric chair in 1989. He had confessed to 30 murders, although Robert Keppel always suspected that the total was much higher.

- Dave Reichert was appointed sheriff of King County in 1997. He ran for Congress in 2004 and served the US House of Representatives for 12 years before retiring.

- Robert Keppel retired from law enforcement and became a professor of criminal justice in 2004.


Thursday, August 27, 2020

Premiere Magazine #159


The Roundup with Jeff Stockton (Season 16 Round 9)

Nine rounds down, one to go... Here's The Roundup....


3. Faster, Higher, Stronger
For a film about a marathon, this one was a light and fun film. It didn't overstay its welcome or try to do too much. It remained entertaining throughout.

2. Haunted

The first half of the film with all the flashbacks and cutaways was a little weak, but once we got to Bill Hader trying to navigate his life with all the pent-up issues the film drastically improved.

1. War Films
More writers might want to think about making war movies for the studio based on the current box office trend. It also appears to be one of the few genres where an R-rating doesn't hurt you too much.



3. Season 17 Box Office
Looking at the total box office figures for this season, and the total worldwide gross could potentially be the lowest in the studio's history. The lack of major blockbusters is not helping matters there. On the plus side, thanks to the string of successful mid-budget films the profit margin for the studio is looking okay this season.

2. Dylan Sprayberry
Death in the Shadows makes three films this season for the actor, and I'm left wondering why he's suddenly popular with the LRF writing crowd.

1. Round 9 Box Office

Talk about a rough round at the box office with the studio over $40 million in the hole despite the profits of Death in the Shadows.

Wednesday, August 26, 2020

On Location (Season 16 Round 9)

Haunted
- Yonkers, New York, USA
- Los Angeles, California, USA



Death in the Shadows
- Zakopane, Poland



Faster, Higher, Stronger
- Atlanta, Georgia, USA

Box Office Breadown (Season 16 Round 9)

Haunted
Budget: $28,000,000
Total Box Office: $43,645,116
Total Profit: -$12,076,555



Death in the Shadows
Budget: $40,000,000
Total Box Office: $105,867,376
Total Profit: $14,782,100



Faster, Higher, Stronger
Budget: $52,000,000
Total Box Office: $61,294,540
Total Profit: -$43,570,227




Box Office Facts
Haunted

Haunted did not perform as well as the previous Kogonada/Alex Conn collaboration, The Letter J, at the box office. Haunted's gross of just under $44 million was less than half of the $96 million grossed by The Letter J.

Death in the Shadows

The war genre has proven to be consistently profitable for the studio. Of the 12 films in the war genre for LRF, only two have failed to earn a profit for the studio: Delaware (-$1,214,646) and Days Without End (-$23,069,539).

Faster, Higher, Stronger

For a moment there the sports genre was 50/50 at the box office, but now with the losses generated by Faster, Higher, Stronger 4 of the 7 films in the genre have failed to earn a profit at the box office.




Genre Rankings
Haunted

Drama: #136

Death in the Shadows
Action: #119
Horror: #26
War: #11

Faster, Higher, Stronger
Comedy: #29
Sports: #4




Season 16 Round 9

Total Box Office: $210,807,032
Total Profit: -$40,864,682

Season 16 Totals
Total Box Office: $5,569,655,322
Total Profit: $1,130,005,746




Season 16 Total Box Office Summary
1. The Fantastic Four - $699,468,904
2. The Champions of Angor - $499,165,156
3. Mr. Earthling - $459,961,224
4. Gambit and Rogue - $398,240,490
5. The Flash - $377,472,928
6. Oklahoma! - $365,690,068
7. The Birds - $309,832,850
8. Excalibur - $249,686,216
9. Maximum Ride: School's Out Forever - $243,765,560
10 . McCain - $236,733,396
11. The Wonder - $215,098,914
12. Coma - $204,083,020
13. Resident Evil 3 - $164,090,816
14. Heights - $160,675,320
15. The Crow: Resurrected - $148,187,042
16. Greenwater Amusements - $138,186,888
17. Tail - $111,141,616
18. Death in the Shadows - $105,867,376
19. Bunker 17 - $93,844,398
20. Stronger, Higher, Faster - $61,294,540
21. Crush - $59,188,132
22. Revelations - $49,754,282
23. Morrissey and Marr - $47,504,644‬
24. Fractured - $44,566,202
25. The Little Girl Who Was Too Fond of Matches - $44,161,330
26. Haunted - $43,645,116
27. Should've Been Here - $38,348,894

Tuesday, August 25, 2020

Release: Faster, Higher, Stronger

Faster, Higher, Stronger
Genre: Comedy/Sports
Director: Steven Soderbergh
Writer: Mo Buck
Cast: Matt Damon, Patton Oswalt, Oscar Isaac, Evan Peters, Tony Hale, Miles Teller, Diogo Morgado, Stephan James, Jovan Adepo, Gaspard Ulliel, Sean Astin, Madisen Beaty






Budget: $52,000,000
Domestic Box Office: $38,590,112
Foreign Box Office: $22,704,428
Total Profit: -$43,570,227

Reaction: We definitely weren't expecting the biggest box office bomb of the season with this one. It joins Fractured as sports films that have bombed heavily at the box office this season.


"While Matt Damon is a lot of fun as the fool ill-equipped for the monumental job he has found himself in, the rest of the cast feel like forgettable one-joke characters who never really get a whole lot of breathing room." - Chris Price, Boston Herald


"Soderbergh and Damon are always fun together and this surprisingly true story film is no different even if some of the film's jokes fell flat. It works more than it doesn't." - Richard Park, Globe and Mail

"Faster, Higher, Stronger is an entertaining look at one of the most infamously disastrous sporting events in history. Director Steven Soderbergh and writer Mo Buck tackle the film with a surprisingly light touch that keeps things moving quickly." - Jeremy Raren, RottenTomatoes.com

Rated PG-13 for some language and thematic material