Tuesday, November 30, 2021

The Roundup with Jeff Stockton (Season 21 Round 3)

 
This round certainly went a lot better than Round 2 did, so that's a plus. Here's The Roundup....

3. Ridley Scott
I honestly didn't care much for Odysseus Part One. This should be no surprise for regular readers as I have a long-standing distaste for this incomplete, multi-part stories. It was fine and adequate, but it didn't add much to the material and wasn't told in a particularly exciting fashion. All that said, Ridley Scott really was the perfect choice to direct something on this grand of a scale. Plus, his historical epic films, while not always great, always look great.

2. Ana de Armas
I think it's safe to say that Ana is well on her way to the LRF A-List with the box office success of Mexican Gothic, not to mention the sequel to The Black Cat due out next season. It will be interesting to see what she does in the future for the studio.

1. Red Wolf
I really liked Red Wolf. It was a risky bet for the filmmakers to take a little-known Marvel Comics character and turn it into a Native American spiritual action revenge film. It sounds like a weird mix, but man did it work. I, for one, would definitely like to see Red Wolf continue to right wrongs and defend his people from evil and corruption.
3. Mexican Gothic
I think that Mexican Gothic had a solid second half, but the first half was a slog to get through. It takes way too long to get moving and actually reveal the real story.

2. Odysseus
This one makes the Bottom 3 do to that distaste for multi-part films mentioned above. I am a firm believer that a film should tell one complete story. It's one thing if you tell a story and try to set up future films as well, but I hate these "to be continued" pictures.

1. Award Races
This time last season saw the release of Risico, one of the major awards contenders of last season. This season has seen a few very good films, but none that I'd call great or serious award contenders (at least not in the major categories).

On Location (Season 21 Round 3)

Mexican Gothic
- Guadalajara, Mexico


Red Wolf
- Billings, Montana, USA


Odysseus - Part One
- Ithaca, Greece
- Valletta, Malta

Monday, November 29, 2021

Box Office Breakdown (Season 21 Round 3)

Mexican Gothic
Budget: $50,000,000
Total Box Office: $122,171,015
Total Profit: $23,429,373


Red Wolf
Budget: $33,000,000
Total Box Office: $100,289,516
Total Profit: $32,870,460


Odysseus - Part One
Budget: $115,000,000
Total Box Office: $285,370,229
Total Profit: $31,119,054



Box Office Facts
Mexican Gothic

Ana de Armas may soon find herself in the LRF A-List if her films continue succeeding at the box office like they have. Including Mexican Gothic, her last six films have all garnered profits for the studio.

Red Wolf
Red Wolf may be the lowest grossing Marvel Universe entry to date, but it also cost less than half of the next least expensive film in the franchise. Red Wolf's budget was $33 million, while the previous least expensive MU entry (The Black Cat) cost $68 million.

Odysseus - Part One
Odysseus - Part One is far and away the highest grossing film of writer Andrew Doster's career, grossing just over double of his previous high grosser, Reality ($137,423,761).



Genre Rankings
Mexican Gothic

Fantasy: #44
Horror: #24
Thriller: #30

Red Wolf
Action: #153

Odysseus

Adventure: #26
Epic: #2



Season 21 Round 3
Total Box Office: $507,830,760
Total Profit: $87,418,887

Season 21 Totals
Total Box Office: $913,062,662
Total Profit: $57,978,513


Season 21 Summary
1. Odysseus - Part One - $285,370,229
2. Resident Evil 4 - $163,043,017
3. Mexican Gothic - $122,171,015
4. Red Wolf - $100,289,516
5. Wolf - $74,586,857
6. Rookie's Road - $62,988,931
7. My Musical Adventure in Another World as an  Old Man! - $52,448,962
8. The Water Cure - $40,121,045
9. Tough Girl - $12,043,090

Release: Odysseus - Part One


Odysseus - Part One
Genre: Adventure/Epic
Director: Ridley Scott
Writer: Andrew Doster
Cast: Michael Fassbender, Jessica Chastain, Tom Holland, Rachel Weisz, Ed Skrein, Richard Madden, Olivia DeJonge, Gemma Chan, Thomas Jane, Carice van Houten, Ron Perlman, Robbie Coltrane, Alice Pagani, Meg Foster





Budget: $115,000,000
Domestic Box Office: $124,776,930
Foreign Box Office: $160,593,299
Total Profit: $31,119,054

Reaction: We at the studio felt this film was a pretty risky bet, to be honest, so we're very glad that this film proved to be a hit. It also means that the studio will be able to definitely move forward quickly with Part Two, which will quickly go into production for release next season.



"Originality is not this project's strong point, but it does have solid performances from its leads (Fassbender and Chastain). Director Ridley Scott has never been one to shy away from a grand scale epic film, and that confidence shows here with his steady hand." - Richard Park, Globe and Mail



"While certainly ambitious in terms of scale, this Odyssey adaptation doesn't offer much we haven't seen before in the multitude of other adaptations of this piece. I was hoping Ridley Scott's take would bring something unique to the proceedings, but it ended up just being a glossier, big-budget version of the same old story." - Sam Morris, Oregonian



“Most definitely a Part 1, but it is filled with a lot of story. An epic in all proportions, I commend Andrew Doster & Ridley Scott for what they did here. The visuals are amazing. Fassbender is fantastic as Odysseus. The film is exposition-heavy, I hope that the second part if we get it, has less exposition and more story-driven scenes.” - J. Darrell Ellington, Behind the Camera






Rated PG-13 for violence, sexual content and thematic elements

Sunday, November 28, 2021

Interview: Andrew Doster

 

In this edition of Interview, Last Resort Films president Phil Dolan sits down for an interview with long-time LRF writer Andrew Doster (The Brilliant Friend, The Curse of Janara) to discuss horror films and his ambitious adaptation of Homer's Odyssey.

PD: Andrew, most of you filmography is in the horror genre. What is it about the Greek legend of Odysseus that made you want to tackle it?

AD: Yes, most of my filmography is horror but I also wanted to experience something different. I had also tried to create something new with "The Brilliant Friend" but unfortunately in that case the box office had not responded adequately. As for "The Odyssey" it is my favorite Greek legend and I wanted to bring it to the cinema after only a few short TV series have been made over the years. This work has so many iconic characters and moments and I thought it would be very interesting to see them on the big screen. Also this work has quite violent moments so I was able to insert some horror moments and also in this film and I hope they will be appreciated.

PD: Are you worried at all that adapting the film as a two-parter could be risky?

AD: I am aware that adapting the film in two parts can be very risky but I hope the story and the cast help the film to be a good box office success. In fact, I had initially written only one film but I had cut too many characters and important situations so I rewrote it by dividing the film in two. I hope I have also chosen the most suitable moment to finish the first film in such a way as to leave some curiosity to the public for the second chapter despite the fact that the work is obviously very well known. I am aware that I am a mediocre screenwriter (The best films were Love and The Curse of Janara which were rated 52) but I hope I have written the best film of my career because it would be nice to have some nominations in the end of season awards. At this point I thank producer Chad Taylor who gave me some advice and improved the grammar used in writing.

PD: Do you have any plans on making more non-horror films or will you go back to the genre you're most associated with?

AD: I have in mind to make some non-horror films, for example I would like to make a remake of an Italian film with fantastic and superhero traits and another that instead would be on the comedy-drama but it is still all on the high seas. For season 24 there should be 2 of my films that I have already written, one is a film that follows a somewhat particular plot involving a mother with two children in a difficult situation while the other will be an innovative project that I wrote with Ben Collins and Jack Slipter which was never done within LRF. I don't know if this type of operation will be able to have a positive response but I hope so because a follow-up would be ready in my mind. The juiciest news instead is a bizarre collaboration with Chad Taylor in which we will go back in time but it is still early to talk about it.

PD: Since you've made so many horror films for the studio, are there any horror films from some of the other writers that you're particularly fond of?

AD: First of all I hope that in the next few seasons the horror genre will have good films capable of having a big impact at the box office. It is curious to see that all the horror films with the highest box office have come from films released in the first seasons, leaving aside the films of Carl Flimmer's Alien Universe. As for my favorites so far are The Birds by APJ and The Stand by Matt Parker.

Now Showing: Odysseus - Part One

Odysseus - Part One
Genre: Adventure/Epic
Director: Ridley Scott
Writer: Andrew Doster
Based on The Odyssey by Homer
Cast: Michael Fassbender, Jessica Chastain, Tom Holland, Rachel Weisz, Ed Skrein, Richard Madden, Olivia DeJonge, Gemma Chan, Thomas Jane, Carice van Houten, Ron Perlman, Robbie Coltrane, Alice Pagani, Meg Foster

Plot: The film opens on the island of Ogygia, an island with a wonderful appearance. The camera follows a cave by the sea that had various ramifications leading to room-like locations. Eventually the cave opened onto natural gardens, a sacred wood with large lush trees and springs flowing through the grass. There is a woman, a nymph named Calypso (Gemma Chan) who was happily spending time spinning and weaving together with other girls, also nymphs her slaves, who sang while they worked. In that place, however, there was a scruffy-looking man with his hands over his face as he was crying.

Athena (Rachel Weisz) descends from Olympus to go to Ithaca after convincing her father Zeus and Poseidon to grant Odysseus a pardon to make him return home to his family. Athena, happy that Odysseus is about to return home, comes to Ithaca to make sure that Odysseus' return is pleasant. Athena uses her powers to deceive the psyche of human beings by posing as a traveler from the West. She is initially greeted with respect by the 20-year-old Prince Telemachus (Tom Holland) but soon discovers that the palace is besieged by numerous arrogant nobles of the region, the suitors, who are anxiously waiting for Queen Penelope (Jessica Chastain) to decide to take a new husband among them. They are ransacking the cellar and the pantry of the building without restraint. Meanwhile, Penelope tries to buy time by declaring to the suitors that she has to weave a cloth for her father-in-law but with this pretext she undoes it every night to start it again the next morning. A young servant, Melanto (Alice Pagani) sees this fact and in the morning goes to report it to the chiefs of the suitors Antinous (Ed Skrein) and Eurimachus (Richard Madden) with the hope of conquering the latter, because she is in love with him without being reciprocated.

Telemachus, at the suggestion of Athena, calls a city assembly to be able to know who is on his side in order to drive out the suitors and who is willing to follow him on the mainland to ask for information about Odysseus from King Nestor, the oldest commander who participated in the Trojan War. Some suitors also arrive at the assembly who claim to be in the right given the long absence of the king and the fact that Penelope is taking too long to weave the web. The Itacese people are silent and dare not oppose these responses. Shortly thereafter, Athena causes Telemachus to find a boat and sailors with which to get to Pylos from Nestor. Before leaving, Telemachus asks the nurse Euricleya (Meg Foster) not to say anything to Penelope. During the night, Melanto makes the suitors sneak inside the palace to catch Penelope in the act. Discovered, Penelope is forced to finish the shroud with no more excuses. During the event, Argo, the very old family dog who was also struggling to walk, jumped and pounced on Antinous to defend Penelope and bites his arm but then is hit with a kick and the animal remains on the ground. When the suitors leave, Penelope sits next to the animal stroking it gently. The next day, the suitors notice Telemachus' absence and discover, threatening a boat salesman, that he has really left to look for news about his father. Concerned that the search for him will be successful, Antinous, chief of the suitors suggests that they ambush Telemachus when he returns. The wine bearer, hearing the suitors, runs to warn Penelope who, after a moment of anger towards Euryclea for not having said anything about her, then she forgives her, and they pray together for the salvation of her son. Arriving in Pylos in the midst of a sacrificial ceremony to Poseidon, Telemachus joins the king after the ceremony. Here he learns that there were those like Odysseus who wanted to punish the allies of the Trojans and those like Menelaus who wanted to return home; after several discussions, the fleet separated and is advised to go to Sparta, from Menelaus. Meanwhile, that same night, Penelope receives a visit from Athena in a dream, under the guise of her sister, who assures her that her gods are watching over her son and also over her Odysseus. Finally the figure of Odysseus (Michael Fassbender) is presented in the night: a lonely man at the head of a miserable raft at the mercy of the waves.

Odysseus is shipwrecked by luck on the island and after finding a refuge he passes out. The island where Odysseus landed is Scheria, ruled by the Phaeacians. The young princess Nausicaa (Olivia DeJonge) is sleeping blissfully in her bed until she receives a visit from Athena in the guise of a distant friend and enters the girl's dreams, telling her that she should prepare for her now next marriage and to go with the maids to the river mouth to do laundry the next morning and always help others. The next day Nausicaa wakes up early and goes to the mouth and after doing the laundry she starts playing and joking with the maids until she sees in the bushes a dirty man, torn and full of salt and leaves with which he had built a shelter and a bed. All the girls run away except Nausicaa who is staring at the desperate man in amazement. Odysseus also remains somewhat captivated by the girl's beauty and compares her to her goddess, then begging her to take him with her to the palace to clean himself of the debris of the waters. Nausicaa has him washed and dressed by the maids who initially ran away but she kindly asks him that he, out of discretion, does not follow her to the palace, or the young people will believe that she has chosen him as her husband.

Accepting the girl's wishes, Odysseus goes alone to the city, while an internal voice (Athena) suggests him how to behave in front of the rulers: Alcinous (Thomas Jane) and Arete (Carice van Houten). The nobles and monarchs of the palace, suspicious of all foreigners who come to their land, fill him with questions but Odysseus remains vague in his answers and is good at misleading his answers. Finally, the two sovereigns apologize for their brusque and gruff interrogation, after they recognize him as a good man with nothing to hide. In reality, Odysseus pretended to be a poor merchant in search of protection in order not to cause a stir. Alcinoo recounts that long before his people, ruled by his grandfather, resided in the Land of the Cyclops, monstrous and violent beings who continually disturbed their lives; so they decided to move with the help of the gods to a new island, paying them the price of being unknown to any traveler, except Odysseus. Housed in the palace, Odysseus has the opportunity to know that the Phaeacians are peaceful and that they know how to build very resistant boats but that they have stopped building them worried about a prophecy of Poseidon. Meanwhile, Odysseus spends a lot of time with Nausicaa, telling her that until a few weeks ago he had remained a prisoner of Ogygia for seven years, an islet where the beautiful nymph Calypso is exiled, to which Odysseus mentally resisted, until on the orders of the gods , she did not allow him to go away on the raft. While Odysseus talks to Nausicaa there are flashbacks of Odysseus and Calypso and some moments of daily life until Calypso was forced by the Gods to let Odysseus go. Nausicaa surprised by this revelation she also nods if she doesn't seem much to believe in Odysseus' words. A few days later, Odysseus is invited to see the games that will decree a spouse for Nausicaa. At the end of the games the champion, therefore, asks the guest to participate in the sword competitions, but Odysseus, in order not to be recognized, refuses, at least until some athletes question his strength by mocking him by making Odysseus angry who accepts the invitation to fight with them. The man manages to beat all the participants but in the end he also risks killing one. Everyone is amazed by the skill shown with the sword. Displeased, Odysseus asks Alcinous for forgiveness by kneeling before him and Arete while Nausicaa asks his father for clemency for him. The king silences his daughter and pretends to know the truth about him instead of hearing his apologies.

Odysseus does not answer and thanks to Nausicaa the king still gives him time to tell the truth otherwise he would have been severely punished. The blind cantor of the palace begins to tell everyone the story of the last thing he saw before losing his sight: the fall of Troy and its gruesome deeds. At the memory of these atrocities, Odysseus begins to sob softly and cry shaken by violent shivers realizing this, the cantor, although blind, recognizes him to the amazement of all the diners. Meanwhile, Telemachus arrives in Sparta where he has other clues about the journey his father undertook many years before.

Now discovered, Odysseus reveals himself to the Phaeacians and begins to tell the misadventures that cost him his return to his homeland, the fleet and his companions and friends despite Arete interrupting him during the story to get information. He tells of having departed from Troy with 12 ships and having lost 11 in the land of the Lestrigoni, giants who sink the ships that entered the port from above; only the ship of Odysseus is saved, which for prudence had kept it out of the port. With the only surviving ship, Odysseus lands on the Mediterranean coast of Africa, inhabited by the strange people of the Lotophages, or eaters of an aphrodisiac flower called Lotus. Three companions are sent on an advance, but after several hours they never return. Worried, Odysseus goes to look for them and arrives in an immense garden with poor houses. All the inhabitants smile and rave about laughing, and among these there are also the three friends of Odysseus. They have completely lost their memory because they ate the dust obtained from the shredding of the flowers of that field, the Lotus, and now they do not want to leave the island. Even when Odysseus tries to remind them of their wives, children and their beloved lands, their inebriated companions do not express the slightest consideration and continue to devour the lotus with a laugh. At that point Odysseus was reluctantly forced to abandon them there. Odysseus resumed his journey and decided to land on another island to look for food that was now starting to run out. Odysseus and twelve of his companions go to get supplies and so they go hunting until, following huge human footsteps, they discover a huge and rough cave. Intrigued, the sailors enter and discover a huge deposit of cheese, milk and ricotta, and utensils belonging to a giant: the bowls that contain the food are enormous. Leaning against the wall is a gigantic ax and at the back of the room is a large bed. Odysseus believes he can establish a dialogue with the inhabitant whose skills he appreciates in tying knots and producing good ricotta and convinces his companions. In any case, there is no more time to escape because the animals of the flock arrive in the cave.

The cave is inhabited by a monstrous giant with animalistic habits named Polyphemus (Ron Perlman). He is a hideous cyclops, full of hair and like a beast with a single eye in the middle of his forehead. The companions of Odysseus are terrified as soon as they see him in front of him that blocks the entrance to the cave with a huge boulder and asks them in a mournful and booming voice to introduce himself. Odysseus, trying to protect his friends, asks Polyphemus to be able to host them, since they need food, and to respect the laws of the powerful and vengeful god Zeus. Polyphemus bursts into a thunderous and terrifying laugh, declaring that he is the son of Poseidon and therefore proclaims himself omnipotent and that he does not have to obey anyone, not even the other gods. The companions run away terrified, but Polyphemus takes one and crushes it in his hand; then he grabs another who had almost fainted from the shock and smashes him violently against a stone. At that point he eats them both while laughing. Odysseus is filled with anger and plans to kill him immediately after he goes to bed, but is held back by his friends. In fact, if Odysseus had pierced the Cyclops in the heart, then no one would have had the strength to remove the gigantic boulder from the entrance, and so the hero is forced to wait for the end of the night.

The next day, closed in the cave while the Cyclops goes to graze the flock, Odysseus gets an idea and orders his companions to take a large olive branch and sharpen it. Subsequently Odysseus draws the companions who should have distracted the Cyclops, while he hid the trunk. Unfortunately the taken are not fast enough and Polyphemus devours them too. All the prisoners are about to lose hope, were it not for the astute Odysseus, who decides to make the Cyclops drink the wine he had brought with him from the boats as a gift for the inhabitants of that land, a very special and very concentrated wine which to be drunk normally should be stretched with as many as 20 measures of water. Having filled a large bowl, Odysseus barely grabs it with both arms and hands it to Polyphemus, who, although suspicious of the new drink, tastes it, immediately going mad. Odysseus, wanting to get him drunk, brings him another full bowl which Polyphemus empties. Odysseus, at the request of Polyphemus to reveal his name, replies that he is called "Nobody"; to which the Cyclops laughs and says that as a reward he will eat it last. Odysseus, without wasting time, after the Cyclops has fallen asleep dead drunk, calls his friends to him who red-hot the tip of the trunk. They intend to blind Polyphemus so that he can make them escape by opening the entrance. The companions, including Odysseus, take the smoking trunk and approach the bed of Polyphemus, climbing on it and positioning themselves directly behind the monster's head to better implant the trunk. With a cry of encouragement Odysseus and his companions drive the pole, but the cry of pain of Polyphemus is so chilling and resounding that it makes them all fall to the ground, while the Cyclops, waving his hands, creates a great disorder and noise in the cave . He also calls screaming at his Cyclops brothers who, running up, ask what or who is doing him harm. To the answer "Nobody wants to kill me!" the cyclops tell Polyphemus that they cannot do anything and that he must pray to Poseidon and they abandon him.

After a night of constant and agonizing cries, Polyphemus the next morning opens the cave door to let the sheep and goats out. The companions are tied to the bellies of the goats united in groups with ropes, except Odysseus who clings to the fleece of the sheep of the flock, so as not to be recognized by the Cyclops, who touches the sheep one by one. The ram comes out last and Polyphemus, after having said words of affection towards the head of the flock, pronounces a curse against Odysseus calling his father Poseidon to him. Having set sail away from the island, Odysseus, prey to hubris, prefers to mock Polyphemus by telling him that it was Odysseus, the king of Ithaca, who blinded him. Polyphemus, mad with rage, climbs a ledge, cursing him and throwing various boulders against the ship, begging his father Poseidon never never reach his home.

At that point King Alcinous interrupts the tale of Odysseus to praise his courage and cunning even if Odysseus says that the mistake of finally revealing his real name to Polyphemus was unforgivable because he brought on the wrath of some Gods like Poseidon and Aeolus who went out of their way to keep it at sea. "Aeolus?" Arete asks, emptying another cup of wine. Odysseus continues the story. Odysseus arrives on the island of Aeolus (Robbie Coltrane), god of the winds, and decides to venture alone. Entering a palace, Odysseus enters a huge and opulent banquet room filled with blue steam and kids playing various instruments and distributing wine. At the end of the room there was a large table full of every good thing, with Aeolus and his family members sitting in the center: his wife, sons and daughters, whom he had married to each other to keep the family together. Aeolus is quite old and burly and has silver hair. He asks the hero to eat with them while recounting his exploits of the Trojan War. Odysseus sits down and will eat for a long time telling and repeating the same stories several times, until he begs the god to let him go. Aeolus agrees and moreover decides to give him all the winds that dominate the world. First, however, he asks Odysseus if any gods persecute him, in which case he could not have given him his gift di lui; Odysseus lies, keeping silent about the fact that Poseidon, after the episode of Polyphemus, is hostile to him. Aeolus, then, gathers all the winds and encloses them in a large sack made with the tanned skin of a ram, and gives them to Odysseus as long as he never opens the jar so as not to trigger a natural cataclysm. Odysseus promises and goes to the ship with a satisfied air to resume the journey, in fact thanks to the winds he would have reached Ithaca much earlier than expected. The other sailors ask Odysseus what is in the sack and Odysseus replies that there is something that will help them get home and that it must never be opened. The ship approached Ithaca quickly helped by the winds until one day, intrigued by the sack and believing that it contained riches, just as the coasts of Ithaca begin to be seen, they open the bag while Odysseus was sleeping exhausted. At that point the winds began to blow wildly and the sky turned black with lightning and thunder.

At that moment Odysseus stops to reflect on his misfortunes, while the sovereigns comment that after all he deserves all his troubles for not having been vigilant and for having set himself against the gods, visiting unknown lands and disobeying the orders of friends with deception. Nausicaa, however, tries to defend Odysseus' choices by saying that they were all made in good faith.

Alcinous invites Odysseus to continue the story, who says that the worst parts of his story have not yet been told. Arete and Nausicaa, on the other hand, are sadder for his wife Penelope, forced to be alone all those years without receiving news from her husband. In the background the camera shows the woman crying in her room. Odysseus says that after being tossed back and forth across the Mediterranean for several months his ship was nearly destroyed by various storms until they spot an unknown island that looked beautiful and lush. Nausicaa asks him how long he's been there. He turns to the beautiful girl and with a disconsolate voice replies "A very long time ..". At that point the camera shows the rundown ship docking on the island's beach with the sailors finally coming ashore after many months. Eventually a woman dressed in a turquoise robe is shown in the distance watching the scene with interest.


Saturday, November 27, 2021

In Development

 
Odysseus Part One: The expansive ensemble cast of the first part of Ridley Scott's two-part Odyssey epic, Odysseus Part One, is now complete with the casting of Carice Van Houten ("Game of Thrones", Lost Girls & Love Hotels), Thomas Jane (The Hazel Wood, Heavy Rain), Ron Perlman (The Punisher, Mass Effect 3 - Part 2), Robbie Coltrane (The Tournament, The Fog), Meg Foster (31, Jeeper's Creepers 3) and Alice Pagani (Loro, "Baby") in supporting roles. The film was written by Andrew Doster based on Homer's epic.

Whaling: Whaling, the new drama from director Noah Baumbach has completed its cast with the additions of Paul Iacono (Animal, G.B.F.) and Monica Cruz ("Velvet Colección", Iron Cross). Iacono will play the assistant of Paul Giamatti's filmmaker character, while Cruz will play a famous Spanish singer in a relationship with the movie star played by Colin Farrell. The film is based on a script by Wyatt Allen.

Twisted Metal: Amber Midthunder (The Ice Road, "Legion"), Iggy Pop (Blood Orange, Suck), M.C. Gainey (Django Unchained, Deadman Standing) and Joe Pantoliano (Bad Boys for Life, The Brawler) have joined the violent video game happenings in the upcoming Twisted Metal adaptation. Midthunder will play a young daredevil who enters the destruction derby tournament for the thrill and Gainey will play a monster truck driving contestant. Pop will play the violent and silent henchman of Nicolas Cage, while Pantoliano will play the official bookie of the tournament. Written by APJ and Chad Taylor, the film is being directed by Alexandre Aja.

Pontiac: Leslie Odom Jr. (The Many Saints of Newark, Murder on the Orient Express), Olivia Munn (Care of Death, Tail) and Jason Mantzoukas (Painkiller Jane, Infinite) will join Glenn Howerton and Rachel McAdams in the Michigan-set dark comedy, Pontiac. Odom Jr. will play their father's doctor who has an affair with McAdams, Munn will play Odom Jr's wife, and Mantzoukas will play an old friend of Howerton who is trying to earn a living as a friendly neighborhood bookie. Martin McDonagh is directing the film based on an original story by John Malone and Jimmy Ellis.

American Dirt: As soon as he completes his work on Twisted Metal, Michael Pena (Bunker 17, The Tower) will join the production of American Dirt in a supporting role. Also signing onto the project to complete its ensemble will be Lin-Manuel Miranda (Mask of the Phantom, "His Dark Materials"), Kevin Alejandro (The Lost Husband, "Lucifer"). Patricia Riggen is directing the film from a script by Rosie JoLove and Harmony Winters. The film is based on the novel of the same name by Jeanine Cummins.

The Void: Josh Brolin (Jonestown, Pirate Latitudes) has been tapped to headline a new sci-fi drama film, The Void. Helmed by GRA-nominated director Jeff Nichols (Coma, Superman: The Last Son of Krypton), the film tells the story of an astronaut (Brolin) who was lost in space for several years but has finally been found. Dakota Johnson (Superman: The Last Son of Krypton, Lock Every Door) will reunite with her Superman director on the film, playing a NASA ground control worker who communicates with Brolin. Ed Harris (Kingmaker Chronicles, Letter to Myself) and Maggie Gyllenhaal (Decrescendo, Crowley) will also join the film with Harris playing an general and Gyllenhaal playing Brolin's wife. The film was written by Jimmy Ellis (The Grenade, The World: Done to Death).

Release: Red Wolf


Red Wolf
Genre: Action/Superhero
Director: Sterlin Harjo
Writers: Jimmy Ellis & Dwight Gallo
Based on Marvel Comics characters
Cast: Tatanka Means, Billy Bob Thornton, Grace Dove, Michael Horse, Kim Coates, Michael Madsen, Irene Bedard, Mo Brings Plenty, Jerod Carmichael, Andrei Arlovski



Budget: $33,000,000
Domestic Box Office: $50,902,034
Foreign Box Office: $49,387,482
Total Profit: $32,870,460

Reaction: As a more modestly budgeted action film, or comic book adaptation for that matter, than most, Red Wolf did not have to make nearly the amount of money that most Marvel adaptations would to make a healthy profit.




"As an old school, stripped down action flick, Red Wolf totally works. Marvel (and younger) fans expecting big-budget, effects-driven heroics will surely be disappointed, but fans of action movies from 1970s and 80s should have a lot of fun." - Dave Manning, Ridgefield Press




"Red Wolf feels like a cousin to LRF's Punisher and it kicks total ass. It gave off the vibes of Walking Tall meets First Blood, carried by a star-making performance from Tatanka Means (LRF’s next top action star?). And, of course, the performance of Billy Bob Thornton is worth mentioning as he has the time of his life just oozing evilness." - Phil Silva, The Atlantic



"Red Wolf is heavy on character and light on action. Fans of modern day action films will probably find this one too slow, even with strong performances - definitely stronger than the usual performances found in films of this ilk - from Tatanka Means (son of the late, great Russell Means) and Billy Bob Thornton. Some more action or a quicker pace could have helped the entertainment value for mass audiences, but something tells me that's not what the filmmakers were shooting for with this introspective, spiritual revenge story." - Glenn Howard, Total Film





Rated PG-13 for intense action, language and thematic elements

Friday, November 26, 2021

Comics to Film: Red Wolf

For the latest Comic to Film, we will take a look at (some of) the cast of the latest Marvel Universe venture, Red Wolf. I say some of because most of the characters in the film are not directly taken from the comics, but there are still a few with their roots firmly in the Marvel Universe. The action film is directed by Sterlin Harjo ("Reservation Dogs", Mekko) and written by Jimmy Ellis (The Grenade, The World: Done to Death) and Dwight Gallo (The Punisher, At the Mountains of Madness).







Last Resort Films Jukebox: Red Wolf



1. "Ain't No Grave" - Johnny Cash


2. "Trail of Tears" - Brandon Fiechter


3. "Hold on You" - Ponderosa


4. "Why Me" - Nils Lofgren


5. "Rituals" - Archie Bronson Outfit


6. "Holy Mountain / Sunbeams and the Cosmic Ascent to Nowheresville" - Wooden Indian Burial Ground


7. "Natives" - Secession Studios

Thursday, November 25, 2021

Now Showing: Red Wolf

Red Wolf
Genre: Action/Superhero
Director: Sterlin Harjo
Writers: Jimmy Ellis & Dwight Gallo
Based on Marvel Comics characters
Cast: Tatanka Means, Billy Bob Thornton, Grace Dove, Michael Horse, Kim Coates, Michael Madsen, Irene Bedard, Mo Brings Plenty, Jerod Carmichael, Andrei Arlovski

Plot: William Talltrees (Tatanka Means) walks carefully through the vast open air of the badlands of eastern Montana. A bow rests on his shoulder as he takes in the beauty of his unspoiled environment. Suddenly he hears a series of gunshots pierce through the air. He uses his tracking ability to pinpoint the direction of the shots and begins marching in that direction. He finally comes upon the sight of two hunters firing their shotgun wildly at a mother red wolf and her cubs. He fires his bow at their feet and asks what business they have on Cheyenne lands. They throw their beer bottles on the ground and tell Talltrees that they are just hunting. Talltrees informs them that only those with Cheyenne blood are allowed to hunt on Cheyenne lands. They attempt to laugh him away, but Talltrees then fires another arrow, this time piercing a hole in the side of their hunters' pickup truck. He quickly readies another arrow and urges the hunters to leave the land at once or the next arrows will be aimed at their hearts. Realizing he isn't kidding around, the hunters speed off in their truck. Talltrees makes his way over to the wolves, finding the mother wolf and all but one of the cubs have been killed. Talltrees takes off his shirt and wraps up the young wolf cub in it. He carries the cub away from the scene. He looks down at the cub, and calling it "Lobo'', tells it things will be okay. Talltrees walks back toward civilization and the town of Wolf Point, Montana, with the wolf cub in his arms.

Cornelius Van Lunt (Billy Bob Thornton) steps off of a private jet and onto the tarmac of a desolate airstrip on the outskirts of Wolf Point. He is immediately followed by his head of security, Jason Birch (Kim Coates). Van Lunt expresses his disdain for the area, but that the organization back in New York likes the spot for two reasons: the police don't have jurisdiction on tribal lands and the proximity to the Canadian border will make it easier to launder money through the casino.

Talltrees heads down to the tribal center where his father, Chief Thomas Talltrees (Michael Horse), oversees the day-to-day operations of the Wolf Point Cheyenne Reservation. Talltrees' mother, Rebecca Talltrees (Irene Bedard), is also at the center. Chief Talltrees is getting ready to leave for a meeting. Rebecca doesn't like the sound of the meeting - something to do with white men from out east wanting to open a casino on the reservation - and asks her son if she will accompany Chief on the meeting to make sure everything goes okay.

Talltrees and his father drive out to the northernmost section of the Reservation where Van Lunt and Birch are waiting. Van Lunt cordially greets the two men and asks them to imagine the possibilities of building a casino out in this open space. Talltrees expresses his distaste for the idea, which noticeably bothers Van Lunt, but the Chief asks his son to give Van Lunt the courtesy of listening to his idea. Van Lunt lays out his pitch about the casino opening up jobs for tribe members, comparing the opportunity to the success that other tribes in the region have found in the gaming industry. At the end of the pitch, Chief Talltrees decides to politely turn down the offer Van Lunt has made. Van Lunt then gives Birch a nod, and he shoots both Talltrees men in the back. Van Lunt and Birch get back into their vehicle, with Van Lunt commenting that there has to be other tribal representatives they can discuss the proposal with since New York really wants this location. Birch asks Van Lunt if he should put another bullet in them to be sure, but Van Lunt says to leave them to the wolves.

Late at night, William Talltrees wakes up from Lobo, who has somehow tracked him, licking him until he gets up. Talltrees takes a moment to orient himself when he notices the dead body of his father. Talltrees screams in anger and pain. Talltrees struggles to his feet, badly injured from the bullet in his back. Using all his strength and will, Talltrees manages to make it back to the road before passing out from blood-loss on the roadside.

Dawn Southwind (Grace Dove) is driving along the road after a long shift at the local medical clinic when she sees Lobo in the middle of the road. She swerves out of the way, but almost runs over Talltrees in the process. When she sees his unconscious body, she drags him into her car. Lobo jumps into the car alongside his master. There she recognizes him from childhood. She begins driving him toward the hospital, but he comes to and says "no hospital" before passing out again. Dawn takes Talltrees to her small cabin at the edge of the reservation.

Dawn drags Talltrees inside and finds that his bullet wound has become heavily infected. Knowing that the wound will only become more infected until the bullet is removed, Dawn digs through a drawer and pulls out a pair of tweezers, which she uses to dig the bullet out of Talltrees back. She makes a trip to the clinic and steals some antibiotics to fight Talltrees' infection. Weeks go by as Talltrees slips in and out of consciousness with Dawn and Lobo at his side. When Talltrees wakes up at Dawn's cabin he finds that Dawn has removed the bullet from his body and stitched him up. He tries to get up to thank her, but Dawn rushes over and tells him that he shouldn't move so soon as he may rip the stitches. Flashes of his father's death rush through his memory. Talltrees asks what day it is, learning that it has been several weeks since the meeting with Van Lunt.

Talltrees returns to the northern edge of the reservation to bury his father's body. As he digs, the stitches from his wound tear, but Talltrees is not stopped by pain or blood as he believes he has the duty to give his father a proper burial. Once he has buried his father, he starts back toward Dawn's cabin when he sees a billboard announcing that the Taurus Casino at Wolf Point is opening soon. Talltrees asks Dawn what she knows about the casino. She tells him that Talltrees' uncle is running the tribe now and he made a deal to build a casino to bring money and jobs to the tribe.

Talltrees arrives at the Wolf Point tribal center. He is tearfully embraced by his mother who asks where his father is. Talltrees shakes his head in despair, telling his mother that his father has begun his long journey to Seana. Rebecca falls to her knees in sorrow. Talltrees' uncle John (Mo Brings Plenty) comes out of his office to see what the commotion is, stunned to see Talltrees alive in front of him. Talltrees tells his uncle that they need to talk about the casino. John explains that the paperwork has been filed and construction has already begun, so there is no backing out of the deal now. Talltrees demands to know all of the details, but John simply explains that it is good for the tribal finances. Talltrees asks John if he knew about his father's murder. John says that he could sense his brother no longer among the walking. Talltrees tells his uncle to think long and hard about that while he counts the money from the casino.

Dawn and Talltrees sit beside a roaring fire pit behind her cabin. He tells her that he knows he has to stop Cornelius Van Lunt from bringing his brand of evil to Cheyenne country, but he isn’t sure how to go about it. He wants Van Lunt to feel the pain and suffering that he feels, but he knows that someone like Van Lunt is not driven by love. Dawn comments that the only love a man like Cornelius Van Lunt can express is the love of money. This gives Talltrees an idea to try to hit Van Lunt where it hurts.

Talltrees waits in a patch of trees until he hears the roar of a truck engine. He leaps into action, firing an arrow at the tire of the truck. The driver slams on the brakes, and another arrow sticks his hand. The driver then jerks the wheel, sending the truck head first into a nearby tree. Four stunned men emerge from the back of the vehicle armed with guns. They scan the area for their attacker. One of the men investigates a low growling sound, only to be mauled by Lobo. Standing on top of the truck, Talltrees disarms the remaining three men with a couple well-placed arrows and a crafty throw of his trusty tomahawk. He then jumps down to the ground. He knocks two of the men out with his coup stick. The last man standing, Carlson (Jerrod Carmichael), puts his hands in the air in surrender. Talltrees checks the truck showing casino payroll’s inside. He stands some distance away and readies an arrow, he sets the arrow alight. Before he lets the arrow go he asks Nonoma, The Cheyenne spirit of the wind, to guide this arrow and himself to rid all evil from Cheyenne Land. He lets the arrow go and walks back into the forest as it rises in flames.

Jason Birch walks into the offices of Van Lunt. He shows him some footage from the truck ambush. In the footage all we see is an arrow strike the drivers hand then the crash. Birch tells Van Lunt that he has a man here that the attacker let go. Carlson walks in and is immediately yelled at by Van Lunt. Van Lunt questions him on who the attacker was. Carlson, looking shaken, explains that the man gave him a message, he is coming for the Cheyenne land. Van Lunt then snaps back to Carlson asking what he looked like, Carlson explains it and Birch curses telling Van Lunt that it sounds like the chiefs son. Van Lunt tells Carlson to leave, before he can walk out the door he is shot in the back by Van Lunt, he remarks “incompetent”. Van Lunt then has a meeting organised with Sheriff Thurman to try and sort some things out.

Cornelius Van Lunt presides over a press conference to announce the upcoming grand opening of the Taurus Casino at Wolf Point, and to commemorate the historic event he announces that the site will be host to a fight featuring the current MMA Heavyweight Champion of the World. He then brings out the champ, the Belarus Bulldog (Andrei Arlovski), to the cheers of those in attendance. Talltrees walks into the heart of the crowd to make his presence known. Van Lunt is clearly surprised that Talltrees is still alive. Knowing he can’t have Talltrees killed during a public event, Van Lunt instructs the Belarus Bulldog to challenge Talltrees to a fight to put a good hurting on him. Talltrees accepts the fight and goes toe-to-toe with the bulldog. The two evenly exchange blows, which annoys the Bulldog as he usually dominates in the ring. The Belarus Bulldog throws a punch toward Talltrees, who ducks slightly. The punch hits Talltrees in the forehead, breaking the Bulldog’s hand in the process. Talltrees then easily defeats the Bulldog in the fight, getting him to tap out. Van Lunt is embarrassed and furious that Talltrees has ruined the main event of the casino’s grand opening by injuring the marquee fighter.

Talltrees returns to Dawn’s cabin and she nurses the bruises he sustained in his bout against the Belarus Bulldog. She asks him if he’s done yet with his crusade. Talltrees tells her that he will be able to stop once his soul is at peace. Until then he must continue to fight evil and injustice. Dawn asks what he expects to happen to the Wolf Point Cheyenne tribe if he ends up dead as Uncle John is surely no permanent leader for the people. She believes it is Talltrees’ destiny to take over for his father as Chief, but he isn’t sold on the idea.

Cornelius Van Lunt sits down with Wolf Point Sheriff Thurman (Michael Madsen). Van Lunt tells Thurman that he has a problem with someone messing with his business and they need to be taken care of. Van Lunt offers the sheriff a handsome amount of money to arrest this man or kill him if he has to. Thurman asks how much they are talking and Van Lunt shows him a figure, Thurman telling him the job is done. Immediately Thurman calls a few people telling them they need to find a Native messing with the Taurus Casino’s operations. Thurman even sends a few deputies to canvass houses nearby the truck incident.

Two deputies arrive at Dawn’s house. She tells Talltrees to hide in the crawl space under the cabin while she gets them to leave. Dawn answers the door and the two deputies ask her a few questions. They spot some blood in the house and question her. She tells them that she is a nurse and that a baby wolf came by injured the other day and she had to try and save it. They thank her for her time and leave, upon leaving one of them spots the coup stick hanging out from under the blanket. Once back in their squad car, they radio Thurman saying they found the house. Thurman notifies Van Lunt, telling him what his men found. Van Lunt orders Birch to go to the house and destroy Talltrees by any means.

Arriving at Dawn’s house Birch commands his men to shoot the place up. As the bullets begin shooting through the walls of the cabin, Talltrees and Dawn drop to the ground. Talltrees whistles to Lobo, who comes toward them. Talltrees crawls to his weapons but can only manage to grab his hunting knife. He tells Dawn to get to the crawlspace. The two of them, along with Lobo, crawl until they can escape. Talltrees, Dawn and Lobo wait in the trees until dark. Talltrees tells Lobo to stay with Dawn and keep her safe. Talltrees waits behind the bullet-riddled house, listening to Birch on the phone, who is reporting to Van Lunt that Talltrees was dead. Talltrees emerges from the darkness, charging toward Birch. One of the henchmen sees him and opens fire alerting all nearby. Birch makes a run for it but drops his phone. Talltrees then has to deal with the henchmen and their guns with nothing but his hunting knife. Talltrees retreats back to the darkness, where his tracking and hunting skills will give him an advantage over the guns of his enemies. Talltrees proceeds to stealthily and methodically take them down one by one. Birch decides to leave the area, only to encounter a growling Lobo. Birch aims his gun at the dog before Dawn purposely makes a sound to distract Birch. Lobo uses that split second to lunge at Birch, taking him to the ground. Although wounded, Talltrees stands tall over Van Lunt’s defeated henchmen. He picks up his hunting knife and heads back down to reunite with Dawn and Lobo. However, as he is walking down he hears a car driving up to Dawn’s destroyed home. He notices Van Lunt is the man in the car and walks back up the hill.

As Cornelius Van Lunt surveys the destruction, he sees Talltrees walking in his direction. Van Lunt immediately speeds away as Talltrees runs to another car. Talltrees immediately gives chase. Talltrees’ knowledge of the country roads allows him to catch up with Van Lunt. The high speed chase ends when Talltrees crashes his car into Van Lunt’s causing them to crash into the local dam’s nearby wall. This in turn causes a serious crack in the older dam’s wall. Van Lunt exits the crash with a graze on his head but nothing more, whereas Talltrees has a broken arm from the crash. In the crash Talltrees knife fell out of the car and was picked up by Van Lunt. Van Lunt first lunges at Talltrees with the knife but Talltrees is able to dodge easily, Van Lunt continues going toward with the knife, although dodging many Van Lunt is able to finally connect and slice Talltrees slightly. Talltrees never gives up however and continues moving forward, he manages to knock the knife out of Van Lunt’s hand. Van Lunt attempts to gauge Talltrees’ eyes temporarily affecting his sight. Van Lunt lands a series of strikes while Talltrees regains his vision. Van Lunt pulls out a gun, and saying that Talltrees now has to die because he didn’t want to give up a little land. Talltrees assures him that that land is his home and the gods would not like the misuse of it. Suddenly some cracks are heard, Talltrees looks back to the dam wall as it cracks even more. Talltrees sweeps the leg of Van Lunt before running toward a metal railing and holds onto it. The wall bursts open and water begins furiously flowing toward Van Lunt. With all his indomitable will Talltrees manages to hold onto the railing while Van Lunt falls to his death in a burst of stone and water. After the water eases, Talltrees begins walking back toward town, and once more Lobo has tracked him down and walks alongside him.


Top 10 Marvel Universe Films

 
Sherman J. Pearson here for another edition of Top 10. Now that the studio's Marvel Universe series of films are up and running, I think we're going to see some writers wanting to take chances with lesser known characters. The first example of that will be this round with Red Wolf, a film based on a Marvel character I've never even heard of. With that in mind, I took a look at the rest of the Marvel Universe films...

Top 10 Marvel Universe Films
10. X-Men: The Cure
9. The Hulk
8. The Black Cat
7. Silver Surfer
6. The Fantastic Four
5. X-Men
4. Gambit and Rogue
3. Spider-Man
2. Namor the Sub-Mariner
1. The Punisher

Wednesday, November 24, 2021

Release: Mexican Gothic


Mexican Gothic
Genre: Horror/Fantasy/Thriller
Director: Guillermo del Toro
Writer: Rene Menzie
Based on the novel by Silvia Moreno-Garcia
Cast: Ana de Armas, George MacKay, Tom Hiddleston, Eiza Gonzalez, Charles Dance, Toni Collette, Jonathan Pryce, Diego Luna, Ella Purnell, AnnaSophia Robb, Bria Vinaite, Jenny Gago



Budget: $50,000,000
Domestic Box Office: $55,732,434
Foreign Box Office: $66,438,581
Total Profit: $23,429,373

Reaction: Writer Rene Menzie followed up their first film for the studio, Lock Every Door, with another successful female-led, literary-based thriller. The studio has no complaints on this one as it surpassed our financial expectations.


"Mexican Gothic takes its sweet time getting going on its story. I was about to give up around the midway point when there were still not very many plot developments, but once it finally got going it became a thrilling story." - Gillian Donaldson, Variety





"Guillermo del Toro's latest uses his talents of otherworldly fantasy and mixing horror and romance. It's not a perfect film, and on paper the story is actually pretty silly, but ends up working at the end of the day thanks to del Toro's direction and some wise casting." - Stan Kyle, Omaha World-Herald





"Mexican Gothic is too silly in the end to be taken very seriously, with ludicrous plot developments rivaling M. Night Shyamalan. Despite the ridiculous story, long running time and unnecessary information and diversions, it all still almost worked thanks to the style of director Guillermo del Toro." - Dave Manning, Ridgefield Press






Rated R for violence, frightening imagery, language and some sexual content