Monday, January 31, 2022

For Your Consideration with Reuben Schwartz (Season 21)

Welcome back to the latest edition of For Your Consideration with Reuben Schwartz! In this post, I will recap the nominations for the latest Golden Reel Awards, the various storylines going into the ceremony and look back to locate its place within LRF's history. I hope you enjoy!

The Storylines:

When looking at this season's slate of releases and GRA nominees, one thing is clear: Season 21 was the Season of the Wolf. Wolf and Red Wolf were two early season genre releases that were well-represented in this week's nomination announcement. But then again, maybe it was also the Season of the Motorcycle. Between Knievel, Ghost Rider, and Twisted Metal, it was quite the season for daredevils on motorbikes.

But perhaps the most noteworthy daredevil movie of them all doesn't involve any vehicles at all. Rodeo is the clear headliner this season after a strong late season showing in Round 10. It is bit of a confluence of some entertainers at the height of their powers. Dwight Gallo has been on a real hot streak ever since 'Nez Perce', Taylor Sheridan has become one of the most-watched brands in Hollywood, and we all know Tom Cruise's story. I'd advise you to take a look at Cruise's filmography to see a real interesting turn his LRF career has taken in the last ten seasons after starting out in mostly big action flicks. That all being said, Kate Mara might be the component that grabbed the most headlines from this film.

Speaking of Gallo, a clear storyline to emerge from this batch of nominations is that this was Jimmy Ellis's season. He is perhaps most notable for his co-written projects and this season was no different with Red Wolf and Pontiac. But it was The Void that saw Jimmy reach a personal solo best and that could be paired with the respectable Mobster's Violin, which will be touched on later.

This batch of nominations also showcased some of LRF's strongest creative partnerships outside of Ehrenreich-Malone. Nicholas Winding Refn and Roy Horne teamed up for their third feature film and, remarkably, it is the third one to be nominated for Best Picture, Best Director, and Best Original Story/Adaptation. A match made in heaven, as they say. And speaking of heaven, A Lost Sense of Heaven star Florence Pugh has now been nominated for a fourth time for a part in a Chad Taylor film.

There has been some talks around town about this collection of acting nominees being one of the weaker in recent memory. While I have some qualms with that narrative (which will be covered later), one thing that is certainly true is that there are a lot of familiar faces in this year's ceremony - as evidenced by the length of my "Previous Winners" section. Are the Golden Reel Awards in need of some fresh faces or newer blood? Maybe a Best Popular Film award? I kid but it is hard to say what the way to improve this might be (along with the lack of major box office success as of late). No matter what, I'm looking forward to the ceremony as much as I ever am.

The Surprises & Snubs:

Surprise: Leonardo DiCaprio - Not a snub since it wasn’t one of his stronger performances but it is still a little sad to see the streak broken. For the first time in his LRF career, a Leo performance was not nominated for Best Actor.

Snub: The Mobster’s Violin - It was surprising to see this completely shut out but not a total surprise. It ultimately suffered from being just pretty good and hedging most of its nomination hopes on Joaquin Phoenix, whose role wasn’t quite loud enough to crack the Best Actor race.

Snub: Glen Powell - It’s hard to say that this is a major snub since Rodeo notched nine nominations and Powell has the chance to be recognized in the ensemble category. I still thought that Powell provided a great performance in an important third role but it is hard to be upset at seeing the great Stacy Keach getting recognized.

Snub: Haley Bennett and Diane Guerrero - I actually don’t think this was as weak of a Best Actress year as some are saying. Exemplifying that are two performances that would’ve been worthy of a nomination in my eyes. Like The Mobster’s Violin, the issue these films ran into is that they had no momentum anywhere else and it’s never easy to pull off a one-off nomination in one of the main acting categories.

Snub: Tatanka Means - This was always going to be a long-shot when you factor in the lack of name recognition of both actor and source material, in addition to comic book films generally struggling to reach this category. But I personally thought Means was one of the standout performances of the season.

Surprise: Twisted Metal - Did anyone expect 3-time GRA nominee Twisted Metal? Soundtrack and Villain had decent shots in those categories but Best Ensemble felt like a true surprise.

Previous Winners:

Florence Pugh - While not quite DiCaprio’s run, Pugh has now been nominated for either Best Actress or Best Supporting Actress in five of her eight roles at the studio. This is her third nomination in the Best Actress category, having won it back in Season 14 for A Lost Sense of Heaven.

Tom Cruise - This is Cruise’s third Best Actor nomination in five seasons. He won the award in Season 17 for his performance in The King of Hearts.

Nicholas Winding Refn - Wolf marks Refn’s sixth Best Director nomination in nine films, an incredible run. Including Wolf, his last five films have all been recognized in the category. He has won it a record three times for Crowley, Excalibur, and Cecil.

Taylor Sheridan - He is not nearly as prolific at LRF as some of his competition but he did previously win Best Director back in Season 15 for Of Rocks and Sand.

Josh Brolin - While his work has been few and far between since then, Brolin did set a high-water mark for the studio when he won the first ever Best Actor trophy for his portrayal of cult leader Jim Jones.

Colin Farrell - This is Farrell’s first nomination for Best Supporting Actor but he is no stranger to the GRAs. He has twice been nominated for Best Actor, winning for The Death of an Honest Man.

Jessica Chastain - On a similar note, Chastain is a four-time Best Actress nominee but this is her first time being recognized for a supporting role. She won the award back in Season 5 for Sinkhole.

Previous Nominees:

Jeff Nichols - Nichols keeps busy at LRF and has twice been nominated for Best Director (for Scion 3 and Coma). Can he finally get the win?

Anya Taylor-Joy - The much-hyped young star returns to the GRAs after being nominated in Season 12 for Ypsilanti.

Maggie Gyllenhaal - While The Void is only her third film for the studio, Maggie was a Best Supporting Actress nominee for her first role at the studio in Crowley.

Newcomers:

Paul Giamatti - This feels like a long time coming for the frequent supporting actor. He has never been nominated for Best Actor at the LRF or Oscars so this could be his real shining moment.

Kate Mara - While her sister is one of the most nominated actresses in LRF history, Kate is making her first appearance here at the GRAs in her fifth role for the studio.

Rachel McAdams - Not only is this her first GRA nomination but it’s also a nomination for her first live-action role at LRF.

Best Supporting Actor - Outside of Colin Farrell, the Best Supporting Actor nominees are all first-time nominees. Between Keach, Billy Bob Thornton, and Jason Mantzoukas, the group represents a fascinating cross-section of careers and acting style.

Madison Iseman - Iseman is a two-time Best Starring Couple nominee but this season has been her real coming out story. Not only did she land a Supporting Actress nomination for Whaling but also Best Villain for Maledicta.

Season 22 Preview:
As of this moment, we don't have a ton of information on next season's releases outside of the opening three releases. Meirad Tako's return to the director's chair with the assistance of producer Ron Howard certainly sounds interesting and could have awards potential. Previous collaborations between Jacob Jones and Tim Burton have been hit-or-miss but this one has some good pedigree behind it and sounds like it is in Burton's comfort zone. Elsewhere, we have quite a few big-budget sequels including some that are a little unconventional. For example, Tekken: Blood Feud is set to be the first theatrical release from a franchise that has been all streaming up until this point. Meanwhile, there will be two historical epics that are getting a part II in Odysseus and Caesar. And finally, we are getting multiple Batman movies next season, which surely bodes well for the box office prospects ahead.

Sunday, January 30, 2022

SEASON 21 GOLDEN REEL AWARD VOTING


The highly competitive nomination phase is over and you, the voters, have decided who will be nominated for the Season 21 Golden Reel Awards. You may now vote to see which nominees will come out victorious at this season's upcoming award ceremony....












































Friday, January 28, 2022

Season 21 Nominations Polling

 
The first step of any awards show is to determine the nominees. The choices will be announced in 48 hours, so vote soon. In each category, please select your top FIVE choices. All of the categories are below, so just keep scrolling and vote.





































































Thursday, January 27, 2022

LRF NOW Season 21 Power Rankings


5. Original Film: New World
New World just felt too generic, a been there done that affair.

4. Original Film: Tekken: New Generation
I didn't really enjoy either Tekken film this season as I found them both very convoluted and overly complicated, but this one was the worse of the two.

3. Original Film: Tekken: Mishima Origins
Pretty much everything I just said stands for this one, although it at least has better action than New Generation.

2. Original Film: Picture This
Picture This had some funny moments. It did feel too small and simple at times, like a one-act play, but Willis and Grillo had good chemistry and Feldstein was an interesting foil for them.

1. Writer Commentary: The Punisher
Over the seasons, I've made it known that I tend to enjoy the commentaries more than the original films, and this was no exception. Dwight provided some solid behind the scenes info to make for an interesting commentary.

Premiere Magazine #210


Wednesday, January 26, 2022

The Roundup with Jeff Stockton (Season 21 Round 10)

 
And that's a wrap on the film slate of Season 21. Here's The Roundup....

3. Supergirl
Supergirl was not what I was expecting it to be. I'm not sure exactly what that is exactly, but it's both and positive and negative for the film. Chloe Grace Moretz nailed the lead role absolutely. Making her father the villain was a brave choice, adding an emotional element that I was not expecting. All in all, I liked it, even if things feel too easy for the hero at times.

2. Taylor Kitsch
It is safe to say at this point between Knievel, The Stand, Hawkman, etc. that Taylor Kitsch has made himself into a completely viable leading man. Sure, he will probably never have the draw of a Tom Cruise or someone like that, but he's doing well.

1. Rodeo
I found Rodeo to be a very emotional and heartfelt film. I wasn't really expecting this from Dwight Gallo's latest, but every character felt real to me and his writing made me care about them. Plus, when viewing the film alongside the soundtrack, I'm not too proud to admit that I teared up a bit by the end.


3. Actress GRA Categories
Some of the categories for the Golden Reel Awards will have plenty of worthy candidates, but once again it is looking like the actress categories (Best Actress and Best Supporting Actress) are going to fairly weak. Who will be this season's Emma Roberts?

2. Box Office
This season is towards the bottom of the pack in every box office category. Certainly not what the studio was hoping for. Only five seasons have been less profitable than Season 21, and only one has had a lower total box office (Season 18).

1. Box Office
Yes, box office again.

On Location (Season 21 Round 10)

Rodeo
- Lubbock, Texas, USA


Knievel

- Albuquerque, New Mexico, USA


Supergirl

- Calgary, Alberta, Canada
- Dallas, Texas, USA

Tuesday, January 25, 2022

Box Office Breakdown (Season 21 Round 10)



Rodeo
Budget: $60,000,000
Total Box Office: $133,373,153
Total Profit: $22,076,099









Knievel
Budget: $42,000,000
Total Box Office: $136,881,633
Total Profit: $44,970,555









Supergirl
Budget: $155,000,000
Total Box Office: $737,974,099
Total Profit: $293,783,182







Box Office Facts
Rodeo
Despite being Tom Cruise's lowest grossing film for the studio, it did not end up being his least profitable. Rodeo ended up being more profitable than INFINITY and Heights (in fact, it is more profitable than those two films combined).

Knievel
Taylor Kitsch has always been a very in-demand actor for the studio, with Knievel being his 16th role for LRF. Of those 16 films, only two have failed to turn a profit (Floyd Monroe and Dark Places).

Supergirl
Supergirl has overtaken Wonder Woman (released earlier this season) as the highest grossing female-led superhero film in LRF history. The two films combined for over $1.4 billion in total box office - which accounts for over 1/4 of this season's total box office.


Genre Rankings
Rodeo
Drama: #46
Romance: #7
Western: #6

Knievel
Biography: #13
Drama: #43

Supergirl
Action: #31
Superhero: #16
Sci-Fi: #14



Season 21 Round 10
Total Box Office: $1,008,228,885
Total Profit: $360,829,836

Season 21 Totals
Total Box Office: $5,166,155,041
Total Profit: $1,260,400,063



Season 21 Summary
1. Supergirl - $737,974,099
2. Wonder Woman - $699,437,293
3. Atlantis - $508,029,610
4. Odysseus - Part One - $285,370,229
5. The Void - $281,184,118
6. Ghost Rider - $266,436,255
7. Golden Girl - $242,936,061
8. The Rise and Fall of Ziggy Stardust and the Spiders from Mars - $173,115,329
9. Resident Evil 4 - $163,043,017
10. Emergency - $157,811,529
11. Twisted Metal - $150,424,720
12. Knievel - $136,881,633
13. Rodeo - $133,373,153
14. Free Spirit - $131,912,319
15. Mexican Gothic - $122,171,015
16. Maledicta - $117,074,106
17. Gigantor - $109,068,556
18. Red Wolf - $100,289,516
19. Winter's Displeasure - $94,404,800
20. Whaling - $89,128,781
21. Run For Your Life - $80,101,642
22. Wolf - $74,586,857
23. Rookie's Road - $62,988,931
24. My Musical Adventure in Another World as an  Old Man! - $52,448,962
25. American Dirt - $48,667,643
26. Pontiac - $41,383,882
27. The Water Cure - $40,121,045
28. The Mobster's Violin - $35,174,912
29. Blue is the Warmest Color - $18,571,938
30. Tough Girl - $12,043,090

Release: Supergirl


Supergirl
Genre: Action/Superhero/Sci-Fi
Director: Darren Aronofsky
Writer: John Malone
Based on DC Comics characters
Cast: Chloe Grace Moretz, Sean Penn, Frances McDormand, Skyler Gisondo, Gary Sinise, Radha Mitchell, Ted Danson, John Bradley




Budget: $155,000,000
Domestic Box Office: $350,969,062
Foreign Box Office: $387,005,037
Total Profit: $293,783,182

Reaction: Wonder Woman didn't hold the record for LRF's highest grossing female-led superhero film for very long, with Supergirl now taking that title over.



"While not as strong as his Superman films, this John Malone-penned film is still an above average superhero adventure. Chloe Grace Moretz oozes charm in the role as the alien trying to find her way on Earth, and Skyler Gisondo was surprisingly likable as her love interest. I could have used a bit more action, but the action there is works nicely." - Brenton Smalls, Playboy




"The ending felt slightly rushed, like it could have gone on longer. Kara as a character was good without being great. I was expecting a little bit more from John Malone considering his success with the Superman films, but overall they are different characters. The family angle was an interesting one and I felt Sean Penn's performance was good as Zor-El albeit underutilized. Aronofsky was a great hand behind the camera, and all story beats seem to work together. A fun watch, for all you superhero and non-superhero fans alike." - Terry Setev, The Bateau Gazette



"Maybe John Malone and company spoiled us too much with his fantastic Superman films. This spin-off lacked the huge action sequences tight plotting of those films. Maybe John Malone did the best he could with the character and there just isn't as much to do with someone like Supergirl. I'm not sure. Based on the talent behind the scenes, it is obviously a competent film, but it just doesn't reach the greatness expected." - Cal Crowe, Washington Globe






Rated PG-13 for action violence and scenes of peril

Monday, January 24, 2022

Comic to Film: Supergirl

For the latest edition of Comic to Film, we will take a look at the spin-off of the Superman series, Supergirl! The DC Comics Universe entry hails from director Darren Aronofsky (Shogun, The Little Girl Who Was Too Fond of Matches) and writer John Malone (Risico, Superman: The Last Son of Krypton).











Now Showing: Supergirl

Supergirl
Genre: Action/Superhero/Sci-Fi
Director: Darren Aronofsky
Writer: John Malone
Based on DC Comics characters
Cast: Chloe Grace Moretz, Sean Penn, Frances McDormand, Skyler Gisondo, Gary Sinise, Radha Mitchell, Ted Danson, John Bradley

Plot: Kara (Chloe Grace Moretz) and her father Zor-El (Sean Penn) sit on the edge of a cornfield on the Kent farm on the outskirts of Smallville as the sun sets. Kara says that it is beautiful on Earth. Zor-El isn’t as impressed as his daughter, assuring her that the sunsets of Earth’s yellow sun are nothing compared to the red sunsets back on Krypton. He puts his arm around her and tells her that he will find a way for them to go back home again no matter what it takes. Kara doesn’t think much of her fathers’ promise and continues to watch the sunset. Marth Kent (Frances McDormand) comes outside and offers them some dinner. Kara runs toward the house with superspeed. Zor-El declines and heads into a barn on the Kent property. After dinner with Martha, Kara takes a plate of food out to the barn for her father. She finds him building something and she asks him what it is. Zor-El insists that if it works, it will give them a way back home. Kara doesn’t understand since Krypton was supposedly destroyed. Zor-El tells her that there's no way for her to understand until he's done.

Seeing the inherent good in Kara, Martha tries to come up with a way for her to experience real life on Earth. Martha invites a childhood friend of hers over for lunch, General Sam Lane (Gary Sinise), a high-ranking officer in the US military as well as the military liaison to the Department of Extranormal Operations. She asks him how his wife Ella is doing these days, and he regretfully informs her that Ella passed away recently after a battle with cancer. Martha apologizes for bringing up the subject. Lane says it’s okay and cuts to the chase, asking what made Martha invite him over after all these years. Martha then introduces Sam to Kara, telling him that she was hoping Sam could use his government connections to get her documents or something so she can live. Sam asks why she would need documents. Kara tells him that she is from the planet Krypton and recently came to Earth after hearing a message broadcast by Lex Luthor. Lane becomes suspicious, but Martha is able to ease his mind when she begins telling him about Kara's abilities and her desire to use them for good rather than just using them to help out around the farm. Sam tells Martha and Kara that he can't promise anything, but he'll see what he can come up with.

Sam arrives at the headquarters of the Department of Extranormal Operations. He meets with his aide, Eliza Danvers (Radha Mitchell), and asks her if Amanda Waller is around. She informs him that Waller is out of the country at the moment, overseeing a prisoner exchange in Kahndaq. Lane says that’s good and asks her to start entering information for Kara into all the necessary national databases. Eliza asks if it is for a cover identity for a new agent. He says it is something like that. Sam then calls Martha and asks her to bring Kara to National City so they can get fingerprints and a picture into the databases. Martha thanks Sam for everything he's doing and says they'll get on the next train. Kara tells Zor-El that she is going to National City so she can fit in better on Earth. Zor-El is angered by the idea that his daughter would want to be more like the humans - it is them that should want to be more like Kryptonians. Kara says she just wants to make the best of their new situation. Zor-El is vehement that he has no interest in making the best of their situation and will instead continue his work to bring them home.

In National City, Sam introduces Kara and Martha to Eliza, informing them that he has assigned Eliza to be Kara's handler while in National City and has had it arranged for Kara's new identity to be a niece of Eliza. Martha tells Kara that she needs to get back to the farm and reminds Kara to just ask if she needs anything. Kara gives Martha a hug goodbye.

Eliza takes Kara to see some wreckage that has been salvaged from Brainiac's ship. Eliza is wondering if Kara can help explain how some of the technology works. Kara is able to decipher some of the symbols and activate a device that she tells Eliza she is pretty sure is part of a Kryptonian terraforming device, but she expresses confusion as to why a being like Brainiac would have been in possession of it.

Sam takes Kara and Eliza to a large, empty penthouse apartment overlooking the city that he has arranged for them to use as part of their new cover story. Eliza looks around and asks Sam if he has anything furnished. Sam chuckles as he leaves the apartment. Kara goes out to the balcony and stands on the ledge, looking out over National City. Eliza sees this and rushes out to try to talk her down. Kara then steps off the ledge, but instead of falling she simply floats there. Kara tells Eliza that her cousin Kal-El - who Eliza may know of as the heroic Superman of Metropolis - told her that she would have extraordinary powers on Earth, but she’s still trying to figure out exactly what they all are. Eliza pulls up the DEO file on Superman and starts listing off his various known abilities to Kara

Kara is walking down the streets of National City enjoying an ice cream cone when billionaire trust fund kid Morgan Edge (Skyler Gisondo) is haphazardly riding a souped-up, top of the line motorcycle that he clearly does not have the skill to control down the streets of National City. Finally he falls off the of the bike, but his leg gets stuck under it just as a bus is coming toward him. Kara drops her ice cream and leaps into the street. With one hand she picks the motorcycle off of Morgan’s leg and with the other arm blocks the incoming bus, sending it safely to the side of the street. Morgan is immediately smitten with Kara. He smiles at her. Kara blushes, but panics and flies away when she sees a group of pedestrians staring at her and taking photos and videos of her with their phones.

Kara flies all the way back to the Kent farm to check on her father. She is greeted by Martha, who tells Kara that Zor-El has hardly left the barn in the few days Kara has been gone. Kara says that her father has always been a private man who retreats from the outside world into his work. Kara thanks Martha for all of her help, but mentions that she is going to ask her father if he wants to come back to National City with her. She knocks on the barn door, but there is no answer. Kara enters the barn, but Zor-El is nowhere to be found.

National City media mogul Vincent Edge (Ted Danson) sits in his office when his son Morgan enters and meekly sits down. Vincent chastises his son for nearly getting hit by a bus out of sheer stupidity. Morgan tries to explain what happened, but Vincent turns on a television where commentators are making fun of Morgan and suggesting he take a note or two from Gotham City’s Bruce Wayne on how to look the part of a billionaire playboy. Vincent shuts off the television in disgust and warns Morgan that he needs to get his act together if he’s going to take over the family empire. Morgan apologizes to his father and leaves the office.

Zor-El breaks into the DEO vaults using his own newfound Kryptonian powers. He easily takes out each and every guard in his way as he steals the supposed Kryptonian terraforming device. He then escapes the building in a superspeed blur just as more guards arrive.

Kara is still exhilarated from rescuing Morgan and asks Eliza if she could get an costume made to look like Superman’s. Eliza isn’t sure that her bosses would like her to encourage Kara’s sudden desire to become a superhero. Kara asks what the point of her powers this world has given her is if she doesn’t use them to help those on Earth. Eliza promises Kara that she’ll see what she can do.

Morgan watches the footage of Kara saving her repeatedly before finally pausing on the best image he can find of her face, which is still quite blurry. He decides to head down to one of his father’s many companies, Galaxy Communications, to try to get help getting a clearer look at his savior to try to find her. He is finally able to track down the name and address Eliza previously entered. Morgan saves the information into his phone and leaves the building.

Back in the Kent barn, Zor-El activates the device, which becomes sentient and attaches itself to Zor-El. Now calling himself the Eradicator, Zor-El flies the machine he’s been building up into the sky. The device beams a massive red laser back down to the ground, which begins killing the plant life around the impact point as it begins burning a hole through Earth’s crust.

Eliza presents Kara with her own Superman-inspired costume, jokingly calling her National City’s new Supergirl. Kara doesn’t laugh though, instead saying she likes it. She quickly puts on her new costume in a blur. She gives Eliza a hug, taking her off guard, before launching herself off the balcony and flying through the city.

Meanwhile, Michael Miller (John Bradley) sets fire to an apartment building before heading down the block to the National City Bank. With the police and fire departments heading to the apartment to assist in emergency efforts, Miller - with a flamethrower as his weapon of choice - enters the banks and demands the manager load up several bags of cash or he’ll burn the bank down and everyone in it alive. Frightened, the manager follows the order and lets Miller into the vault and has the bank tellers begin loading up bags. Supergirl notices the smoke off in the distance and flies in the direction. She notices that the firefighters are having a difficult time extinguishing the blaze. Supergirl takes a deep breath, then uses her super breath to blow a massive gust of wind through the building to put out the flames. As the police and firefighters thank her for the assistance, Supergirl hears a scream from the street. She bursts into the bank and sees the robbery in process. Miller fires his flamethrower at her, but she once again uses her super breath to put out the flames before they can reach her. Supergirl throws Miller into the bank vault and locks him in it. Miller angrily comments that he didn’t know Superman has a little sister. Supergirl looks at Miller and matter-of-factly tells him that she’s not Superman’s sister… she’s his cousin.

Martha is feeding some chickens when the Earth suddenly begins shaking. She goes out into an open space and notices Zor-El’s red laser blasting the ground off in the distance - the laser is now much bigger than it was before. Martha gets into her truck and begins driving down the road away from the laser, but the earthquake causes a tree to fall and hit the front of her truck. Martha slams on the steering wheel in frustration.

When Kara returns to the apartment, she finds Eliza and Morgan waiting for her. Kara is surprised to see him. He tells her that he just wanted to thank her for saving his life the other day by taking her out for a cup of coffee or something. Kara mentions that she’s never had coffee before and would like to try it. Morgan is surprised that she’s never had it before and suggests a place right around the corner. Eliza interjects and warns Kara that Morgan’s father is a shady businessman under investigation for multiple corporate crimes. Morgan asks that both Eliza and Kara don’t hold who his father is against him and insists that he’s nothing like his father, much to his father’s chagrin. Kara tells Eliza that she believes that Morgan means well. Eliza gives up trying to talk her out of it, commenting that Kara can obviously take care of herself.

While getting coffee, a television in the cafe mentions the earthquake in Smallville. Kara tells Morgan that she needs to go make sure her family is safe. Morgan asks her to take him with her. She gives him a look like she doesn’t know what he means. Morgan then comments that he’s seen her fly into a high rise penthouse, lift a motorcycle over her head and block a speeding bus with one hand - he’s pretty sure she can figure out a way to bring him with her. Kara smiles and grabs his hand. She warns him to hold on tight. She then flies away, pulling Morgan along with her.

Once reports go beyond the earthquakes and start describing the giant laser cutting a whole into the Earth’s crust outside of Smallville, Vincent Edge orders his news company to send every available camera operator and reporter to the scene immediately.

Arriving at the Kent farm, Kara sets Morgan down. She asks him to find Martha for her while she goes to find a way to stop the mysterious laser. Kara enters the barn, but there is no sign of her father and his machine is gone too. With a worried look, Kara starts flying toward the laser in the sky. When she reaches it, she finds Zor-El manning the machine that is firing the laser. She asks her father what is going on. He tells her that he promised her he would find a way to bring her home. She expressed confusion. Zor-El explains that he has merged with the Eradicator, a Kryptonian device he created many years prior that can recreate Krypton by eradicating the life on another planet and replacing it with the seeds of Kryptonian life. Kara tells her father that it is wrong to wipe out the life of an entire planet. Zor-El's eyes glow red. He angrily tells her that he is doing it for her sake. She pleads with him to stop, but he ignores her and turns up the power on the device, creating a massive earthquake.

Morgan is running down the road when he finds Martha's crashed truck. He checks to make sure she is okay. She asks who he is, and he says he is a friend of Kara's. Martha smiles, happy that Kara is already finding herself in the world.

With her pleas to her father falling on deaf ears, Kara fires a heat vision blast at her father, knocking him away from the controls. Zor-El tells Kara that he doesn't want to fight her. She tells him that he isn't giving her any choice right now. He calls her a child and fires back with a heat vision of his own. As the two focused beams of heat collide, Kara tells her father that he could have searched for another way to save their people without sacrificing an entire planet, but he simply chose not to. Kara stops firing her heat vision and instead starts punching her father's machine. Zor-El grabs her arm, telling her that Earth's destruction and resurrection as a new Krypton is the will of Rao. Kara slips out of her father's grasp and punches him with all her might, sending him flying right through his machine's engines. The blow disables the machine, killing the laser, and sending it falling to the ground - landing on top of Zor-El. Kara flies down to the surface and digs the debris off of her father. She finds him incapacitated, but still alive.

General Sam Lane and Eliza arrive with a convoy of DEO trucks. They have Zor-El's unconscious body placed in a containment unit lined with Kryptonite. They assure Kara that they have no plans to kill her father, and that there is only enough Kryptonite within to power him down to the strength of an average human. Kara looks around her and finds Morgan and Martha watching from the distance. Martha comments that Kara is a lot like Clark and she can't wait to tell him about how she saved the day when he eventually returns to Earth. Kara thanks Morgan for finding Martha. Once the news footage from Smallville starts coming in, Vincent is shocked to see his son in the video talking to Supergirl. He quickly pulls out his phone to call Morgan. When Morgan sees his father’s name pop up on his phone’s caller ID, Morgan decides to ignore the call. Kara asks Morgan if they can finish getting coffee some time. Morgan says he would like that more than anything. Kara then kisses Morgan as the DEO starts cleaning up any sign of Zor-El's attempt at eradicating Earth. General Lane pays Vincent Edge and offers to make some of his criminal charges go away in return for him handing over any footage of the "Eradicator incident" and helping cover up the events. Vincent thinks about it for a moment before agreeing.


Sunday, January 23, 2022

The Numbers: Highest Paid of Season 21

 

As another season of Last Resort Films gets ready to come to a close, we are going to look at the highest paid talents of Season 21 in this latest edition of The Numbers.

10. Joaquin Phoenix - $12 million



  • The Mobster's Violin - $12 million












9. Angelina Jolie - $12 million



  • Emergency - $12 million













8. Russell Crowe - $12 million




  • Golden Girl - $12 million













7. Billy Magnussen - $13 million




  • Free Spirit - $13 million















6. Tom Hiddleston - $14 million



  • Mexican Gothic - $6 million

  • The Rise and Fall of Ziggy Stardust and the Spiders from Mars - $8 million











5. Dwayne Johnson - $15 million




  • Rookie's Road - $15 million













4. Timothee Chalamet - $16 million



  • My Musical Adventure in Another World as an Old Man! - $6 million

  • Atlantis - $10 million










3. Tom Cruise - $20 million




  • Rodeo - $20 million













2. Bradley Cooper - $22 million


  • Wolf - $10 million

  • Emergency - $12 million













1. Leonardo DiCaprio - $30 million




  • Golden Girl - $30 million