Tuesday, January 31, 2023

Now Showing: Nightwing

Nightwing
Genre: Action/Superhero
Director: Sam Hargrave
Writer: Jimmy Ellis
Based on DC Comics characters
Cast: Taron Egerton, Madelaine Petsch, Alfred Molina, Rachel Brosnahan, Jimmi Simpson, Kyle MacLachlan, Haley Lu Richardson (cameo)

Plot: Dick Grayson walks the streets of Bludhaven at night, off duty from the police. He hears a commotion happening down an alleyway. A gunshot then goes off. With no gun on him Dick gives chase to the suspect. He pulls his old Robin mask out of his pocket and puts it over his eyes so as to not be recognised. As he reaches the man he begins punching him, repeatedly until he is incapacitated. He finds some nearby rope and ties the suspect up. He then calls it in, disguising his own voice. He searches the body, using gloves, for anything of interest. He finds a casing for a drug featuring a symbol of a luchador mask,staring back at Dick. It clicks with him: he has seen that symbol before. He takes photos of it on his phone before walking away.

Dick takes a deep breath, trying to still his nerves. He steps through a set of double doors, before straightening his tie and sitting in a chair behind a large wooden desk. Dick’s partner, Amy Rohrbach (Rachel Brosnahan), steps up to his desk and tells him they have a case to go investigate. He rubs his eyes before standing up and walking to the doors with her. The two walk by the desk of Macklin Arnot (Jimmi Simpson), a cop that Dick ran into as Robin. Macklin calls out to Dick making snide remarks at Dick out of envy. Dick and Amy jump into the police cruiser and drive off to the crime scene. They arrive at the crime scene and Dick realises that it is his scene from the night before. Rohrbach tells him that officers got a call last night but still haven’t cracked anything, so Redhorn wanted them to take a look. The two of them find traces of the drug but cannot determine what it is. Dick suggests sending it to the lab to see the results.

Later that night Dick sits in his apartment alone, exhausted. His doorbell rings and he goes to let them in. It is Starfire (Haley Lu Richardson) Starfire hugs Dick and the two of them catch up a bit. She tells Dick that if he ever needs anyone to talk to, she can be here to listen. Dick hears police sirens going by and almost leaps out the window, but he stops himself. He had decided to leave the vigilante life behind in pursuit of a normal life, something that could’ve cost him his job a couple nights before. Starfire tells him that sometimes he should show restraint like he just did, he cannot always be the hero. They go out onto the balcony, talking about their lives ahead of them. Starfire asks if he’s still calling himself Robin, and Dick just laughs. He explains that he feels like he doesn’t deserve that title but he feels like he’ll never be his own hero, but always be in the shadow of Batman. She begins to tell Dick a story from Tamaran, detailing the heroic deeds of a humble man who had dealt with his own struggles of identity. She tells him that this man went by the name of Nightwing and it gave him his own freedom. After a night of talking Starfire flies away off the balcony leaving Dick to sit and think.

Dick Grayson studies the images he took at the crime scene on his desktop at work, trying to remember where he had seen that symbol before. Rohrbach walks up to his desk handing him a dossier full of previous cases involving that symbol. She lingers at his desk, before asking if he would want to grab dinner that night. Dick looks at her and nods, warmly smiling. He flips through the dossier, looking for any information possible. He sees that most cases occur in Gotham. After a while he gets a look on his face like he knows who this is.

A limousine pulls up to an estate and a man sporting a cane, Eduardo Dorrance (Alfred Molina), steps in. The limousine makes its way into Bludhaven before it stops in front of a museum. The man steps out and begins walking. He stops in front of a suited man, the man turns himself around to reveal Macklin Arnot. Macklin tells Eduardo that he can only keep the police off his back for so long. Eduardo puts a hand on Macklin’s shoulder and squeezes with much more strength than would meet the eye. He tells Macklin not to cross him, promising his life will meet a nasty end if he does.

Dick nervously adjusts his collar, approaching the door to an apartment. He knocks lightly, before Rohrbach steps out in a beautiful dress. The two walk to Dick’s car, and he drives them downtown to a fancy restaurant for their date. The date is going by awkwardly at first, but things start to smooth out when they begin to discuss work. He fills her in on the masked symbols' history, with it being used by a cartel leader back in Gotham.

Meanwhile, Eduardo Dorrance sits in a limousine, staring out at the street. Men and women flock out to it, all wearing black and white masks and holding weapons. Another army steps out, all wearing grey and white, Dorrance fires a gun in the air. The armies, all in shock, rush each other, attacking one another as they both thought the other had just started the war.

Police sirens rush by the restaurant, causing Dick and Rohrbach to leave their date early. They meet up with the rest of the squadron at an intersection, suiting up in bulletproof vests and riot gear. They move in to contain the war, but it’s too late. The black and white masked group vastly overpower the others, before turning to the police, Rohrbach steps forward to shoot but is caught by two bullets in the stomach, causing the police to start firing as well. The army rushes off, and in a split-second Dick Grayson chases after them, Police Chief Redhorn (Kyle MacLachlan) yells at Dick to fall back, but he keeps running. He sheds his bulletproof vest and chases them like a madman with a death wish. Or, like a hero reborn.

Feet hit the pavement and men rush by, shouting and firing their guns, creating a cacophony of noise. One of them, the pseudo leader, begins barking orders out in Spanish. The air becomes dead, suddenly a thud from behind the men. Dick stands there in his dinner suit and his mask. The leader pulls his gun, but Dick grabs it out of his hand and proceeds to take down the man. The other men try to attack him but in swift fluid motions, Dick takes them down one after the other. One of the men runs away and hides behind a car, taking out a small bag and injecting himself with some kind of drug. He begins twitching, his muscles tighten and expand to the human limits. The man tackles Dick, knocking the wind out of him. Dick tries to get out of his grasp, but the man is way too strong for any normal man. For a split second the man loosens his grip and Dick is able to get loose. As Dick is about to throw a punch at the man, a gun is pressed to the back of his head. He looks back to see the pseudo leader with a bloody nose. A figure appears behind the both of them and in a moment of fear Dick thinks his past has caught up with him. The pseudo leader is taken down, and Dick sees one of the last people he saw before leaving for Bludhaven: Barbara Gordon (Madelaine Petsch), in her full Batgirl attire. Batgirl throws an explosive pin at the man, which explodes just enough to leave him concussed. Batgirl sends a roundhouse kick to his face, knocking him out cold. She reaches a hand out to Dick, helping him up. The two of them fight side by side against the army, sending most of them fleeing.

Dick paces his apartment, trying to find the words to say to Barbara. Barbara exits his bedroom, now in normal clothing with her superhero attire on the bed. Dick immediately apologises to her about her father’s passing. She tells him that she just wanted to come to Bludhaven to get away from Gotham, all she has there is pain. She says that she wanted to see Dick, she hoped that he could make everything feel better. But, it seems he is still working. She says that the two of them do have a job to do and to take down this drug running. Before they talk about what’s happening, Barbara quickly begins berating him for being so arrogant as to go after the men without any disguise. The two begin arguing and Barbara eventually yells at him for leaving her, Alfred, Bruce and her dad back in Gotham, tears well up and obviously she was putting on a brave face moments ago. The two sit in silence for a moment before Dick makes his way over to her and gives her a shoulder to lean on. She wipes her tears and tells Dick that they’d better get down to work. Dick tells her everything he knows about the cartel, and the two begin to lay out a plan for taking down Dorrance. Barbara questions him about a suit. Dick walks over to the closet and pulls out the briefcase. He knew this day would come; it was only a matter of time. He pulls out the suit revealing an iconic blue symbol spray painted onto it - the Nightwing symbol - he had obviously altered the suit knowing this day would come.

Eduardo Dorrance stands in front of a room of people. He discusses the future of his business. He tells them his plan is to move all his operations to Metropolis, wanting to offer his services to the more socially elite than those in Bludhaven or Gotham.

Dick Grayson arrives at the Bludhaven Police Department with Barbara Gordon beside him, with a fake badge and credentials. Once inside, the entire department turns to him, confused. Rohrbach storms up to him and demands to know where he has been. He explains that he tried chasing down the assailants but lost them. Lying he states that he eventually called in an old friend from the Gotham City Police Department to help with this case, as the cartel’s operations used to be based there. Barbara plays along, claiming to be a forensic detective with the GCPD. Redhorn approaches, telling Dick that stunts like that either get you killed or discharged, and tells him to get to work. Amy, Dick, and Barbara begin to scour over the evidence, before Barbara finds multiple arrest records that had been wiped from the system on a man named Eduardo Dorrance, putting together that he must have a man on the inside. Amy researches the name, finding multiple articles written on Dorrance. As they continue to trace the name through the police systems, photos pop up, a muscular man wearing a black and white luchador mask, Dick falls silent. He prints off the images of the man, much to Amy’s confusion, before he gets up to leave. Barbara follows but Rohrbach demands they stop. She begins berating him for leaving, telling him they’re partners, and this is their case together. He tells her that there is more at stake here than what she realizes and leaves the building.

Later that night, Batgirl and Nightwing costume stake out Eduardo Dorrance’s home. They see a hooded man enter and then half an hour later leave again. Dick gets out and tails the man. The man disappears. Seconds later a gun is drawn to Dick. The hood falls away revealing Macklin Arnot, who takes shots at Dick. Batgirl knocks Arnot’s gun away with a batarang, allowing Dick to tackle him to the ground. They tie Arnot up and take him to the police department, dropping him off with a note that says, “For questioning.”

Dick, Barbara and Rohrbach stand around a window staring at Arnot, handcuffed to the table. Redhorn is seen yelling at him but the words can’t be heard. Redhorn exits, signaling at the trio to enter. An interrogation begins, but to no avail. No matter what tactic they try, Arnot refuses to budge. After hours of trying, the group exits the room, frustrated. Amy pulls Dick off to the side, wanting to talk about what happened the other night as well as the previous day before Arnot showed up on the doorstep, tied up. Dick dodges her questions, but her suspicion remains. That night, Dick and Barbara talk about the disappointment of not getting info out of Arnot, before an idea dawns upon Dick. The two suit up.

Batgirl and Nightwing break into the holding cells, finding Arnot. As they enter, Dick tells Barbara to hang back. He enters alone, scaring Arnot. Arnot lunges at him, and Dick begins to brutalize him. As he pummels Arnot to get information out of him, his shadow begins to morph to look like Batman’s, and as he notices this he backs away in horror. Seizing the opportunity, Arnot tries to go for him but is stopped by Batgirl, who had been standing behind Dick. They throw him against the wall, and he caves. He tells them all about Dorrance’s plan in Metropolis and gives up Dorrance’s location. Dick and Barbara look to each other before leaving the man bloodied on the ground. Back at Dick’s apartment, Barbara asks what their next move is. Dick tells her that they stop him from getting to Metropolis.

Eduardo Dorrance sits in his limousine on the phone. He tells them that Arnot is of no more importance before hanging up. The limo parks and he steps out, entering a warehouse. Clapping his hands, the lights turn on and armies of men step out all wearing luchador masks. He tells them to prepare for the night ahead of them. Dorrance finishes his speech and steps into a back room, alone at last. A thud sounds from behind him, and as he turns he sees Dick Grayson standing before him. He asks him who he thinks he is, Dick smiles, “Nightwing”.

Dorrance whistles and men begin to pour into the room, surrounding Dick. He tells them to squash the pest, before Dick begins to fight harder than he ever has before. The army begins to get the upper hand before Batgirl drops down, taking them out in stealth. The two use different sets of combos to take down the lackey’s They are an unstoppable duo.

The Bludhaven PD gets alarmed about gunshots and Amy Rohrbach rushes to the scene.

Dick and Batgirl finish off the last guys before looking to see Dorrance sitting in a chair, looking down on them as a king would from a throne. He stands, before cracking open a briefcase and flicking the tip of a needle. He says a small prayer before injecting himself, growing and morphing into a hulking monster of pure rage. Dick and Batgirl try to fight him off but he easily swats them away. The police sirens arrive at the scene. Dick turns to see where it is coming from and in that instant, Dorrance grabs Batgirl and lifts her from the ground, he slams her onto his knee and shatters her spine. Dick screams out in anger and begins to barrage the man with punches, none of this works. He keeps going and going. Dorrance continually swats him away but Dick will never give up. He electrifies his baton and begins attacking him with it. This proves to be a little more effective, with every strike shocking Dorrance. Dick spots a mark on Dorrance’s neck that he targets and hits Dorrance with the electrified baton on the neck. Dorrance falls straight to the ground unconscious. Dick, torn costume and face fully revealed, holds Barbara in his arms. Rohrbach bursts into the room and the façade comes crashing down. He looks at her with tears in his eyes. She looks at him sympathetically and nods, she tells him to go, explaining that she will forge the documents for his exemption. He thanks her and runs off with Barbara in his arms. She calls Delmore Redhorn and requests backup and EMT’s for Dorrance, who begins to shift back, his body convulsing wildly. He goes still, she hangs her head in overwhelmed grief.

Dick arrives at a hospital in Bludhaven at night. We see Dick walk through the hospital and buy some flowers, he continues walking and gets on an elevator, we see Dick’s eyes well up with tears before he keeps his emotions in check. He gets off the elevator and walks into a room. Barbara Gordon is there in a wheelchair, Dick is told by the doctor that she can return home now, but will require extensive rehab, reminding him that she will never walk again. Dick wheels Barbara out of the hospital, as she sits without emotion due to the painkillers. Barbara tells Dick to drive her to her new place. Dick follows the directions all the way to the Gotham Clock Tower. They take an elevator up to the very top of the tower and into the clock itself, which has been equipped with state of the art technology. Barbara wheels herself over to a computer that has a flashing red light. She tells Dick that there is a robbery in progress across the river back in Bludhaven. She gives Dick an earpiece and offers to lead him there. Dick puts it into his ear and suits up in his new Nightwing suit.

At night, Nightwing hangs off the side of a building and leaps down like the acrobat he is to follow police cars with their sirens wailing as they chase after the latest criminal Bludhaven has to offer.


Top 10 Lon Charles Fact-Based Films

 
Sherman J. Pearson here for another edition of Top 10. This round will close out with the latest biopic penned by Lon Charles, Believe It or Not!. Charles has long been known for his fact-based films, so I decided to take a look at all of them.

Top 10 Lon Charles Fact-Based Films
10. Femme Fatale (Edie Sedgwick)
9. Kurt & Courtney: All Apologies (Kurt Cobain)
8. Stained (Bill Clinton; Monica Lewinsky)
7. Sinatra (Frank Sinatra)
6. Bad Education (Frank Tassone)
5. Crowley (Alester Crowley)
4. Deprogramming (Rick Ross & Jason Scott case)
3. Green River - Director's Cut (Gary Ridgway; Ted Bundy)
2. Hiroshima (US President Harry Truman; Bombing of Hiroshima)
1. The Producer (Roy Radin; Cotton Club Murder)


Monday, January 30, 2023

Release: Nineteen Minutes


Nineteen Minutes
Genre: Drama
Director: Matt Ross
Writer: Joshua Collins
Based on the novel by Jodi Picoult
Cast: Elsie Fisher, Alex Garfin, Kate Hudson, Pedro Pascal, Aaron Eckhart, Melanie Lynskey, Timothy Simons, Peyton Wich, Jahi Di'Allo Winston, Sadie Stanley, Ian Patrick




Budget: $27,000,000
Domestic Box Office: $19,580,029
Foreign Box Office: $10,348,928
Total Profit: -$25,341,587

Reaction: It probably should not come as a surprise that a drama about a school shooting failed to attract a large audience at the box office. While it lost a decent chunk of money, it could have been worse - even if it does restart the trend of novel adaptations losing money after Revival's much needed profits.

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"Nineteen Minutes is certainly emotionally manipulative, but it mostly works without becoming too distracting. I had some trouble with some of the casting and the time jumps though. For a film about a school shooting, that was probably the least interesting sequence in the film. The present day courtroom drama was much more engrossing than the shooting or the lead up to it." - Cooper Wilson, The Earl Hays Press




"Nineteen Minutes means well, but gets in its own way repeatedly. The jumps in time are not handled particularly well or effectively, with several flashbacks feeling mostly pointless. On top of all that, Elsie Fisher - who has made a career out of playing young outcasts - feels woefully miscast as the pretty, popular Josie. In fact, pretty much all of the kid characters were unlikable leading up to the school shooting, causing the film to lose the impact of the ensuing violent deaths." - George Ryan, Philadelphia Inquirer



"Joshua Collins' script for Nineteen Minutes is probably too faithful to the novel at times, giving this film some of the same pacing issues I recall from that read. Matt Ross' careful direction of the film helped soften up some the film's many minor issues. The end result isn't a groundbreaking or life-changing film experience, but it should play well with audiences that like emotional drama films." - Ken Hammerschmidt, Washington Post





Rated R for disturbing violent content and some sexual content - all involving teens

Last Resort Flims Jukebox: Nineteen Minutes




1. "The Finish Line" - Snow Patrol


2. "Supersymmetry" - Arcade Fire


3. "I'm Leaving" - Low Roar


4. "A Perfect Sonnet" - Bright Eyes


5. "All Go Down" - Fair


6. "Blowing up the Outside World" - Soundgarden


7. "Everybody Here is a Cloud" - Cloud Cult


8. "The Whistler" - The White Buffalo


9. "How to Save a Life" - The Fray


10. "Pumped Up Kicks" - Foster the People

Sunday, January 29, 2023

Now Showing: Nineteen Minutes

Nineteen Minutes
Genre: Drama
Director: Matt Ross
Writer: Joshua Collins
Based on the novel by Jodi Picoult
Cast: Elsie Fisher, Alex Garfin, Kate Hudson, Pedro Pascal, Aaron Eckhart, Melanie Lynskey, Timothy Simons, Peyton Wich, Jahi Di'Allo Winston, Sadie Stanley, Ian Patrick

Plot: At the start of the film, we see slow motion as a group of kids are seen playing and laughing on a playground. Overheard, is a narration of Josie Comier (Elsie Fisher), “In nineteen minutes, you can mow the front lawn, color your hair, watch a third of a hockey game. In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five. Nineteen minutes is how long it took the Tennessee Titans to sell out of tickets to the play-offs. It's the length of a sitcom, minus the commercials. It's the driving distance from the Vermont border to the town of Sterling, New Hampshire. In nineteen minutes, you can order a pizza and get it delivered. You can read a story to a child or have your oil changed. You can walk a mile. You can sew a hem. In nineteen minutes, you can stop the world, or you can just jump off it.”

As the narration draws to a close, the camera slowly zooms in on a young boy standing alone at the playground as the group of kids play around him. “In Nineteen minutes,” Josie’s narration continues, the boy tilts his head down with a fierce stare and we cut to black, “You could get revenge.”

We are introduced to our main characters going about their day in small town of Sterling New Hampshire, so small that everybody knows everybody. Alex Comier (Kate Hudson), a judge, is on her way to work. Lacey Houghton (Melanie Lynskey), a midwife, is busy with a patient giving birth. Lacey’s husband, Lewis (Aaron Eckhart) is in the middle of a class lecture at Sterling College. Patrick Ducharme (Pedro Pascal), a detective is caught in traffic on his way to work as there is a car accident on his path. Josie Comier is at school, with her boyfriend, Matt Royston (Peyton Wich), wrapped around her. He is Sterling High’s star hockey player. They meet up with friends at the school.

A little time passes and Patrick hears on the police radio that all available units go immediately to Sterling High and there is an active shooter at the school. Patrick manages to wedge himself out of the traffic and heads to the school. When he gets there, an onslaught of police surround the building as kids who rushed out of the school are there waiting for their parents to get them. Patrick and the police run into the school, Patrick steps around people either injured or killed to find the shooter, whom he finds in the locker room with Matt Royston laying dead on the locker room floor, Josie is laying beside him with blood running down her head. Patrick sees a boy, Peter (Alex Garfin), sitting down on the ground and leaning up on the bottom locker. Patrick, unaware at first, asks Peter where the shooter is. Peter doesn’t respond, but holds a gun to his own temple. Patrick orders Peter to drop the gun. Peter decides not to shoot himself and disarms, allowing police to flood in and cuff him. Josie begins to stir, Patrick notices her and gets down to the floor on her level. Josie can hardly talk, but Patrick has a quick vision of his Goddaughter, Tara, painting his toenails not even 24 hours before the incident.

We flash back to twelve years before, Peter and Josie are 5 years old and on their first day of kindergarten. Both of their mothers, Alex(Josie) and Lacey(Peter) are friends, therefore, Peter and Josie became friends by that association. Peter has an older brother, Joey, who does his job as an older sibling in teasing his younger brother. Like Peter being excited to start kindergarten with Joey quipping, “Its just school, don’t be such a loser.” Peter gets on the school bus and Josie calls out to him that she has a seat saved for him. He sits next to her and shows her his Superman lunchbox. Not before another kid on the school bus takes the lunchbox and throws it out the bus window.

Later on, Alex gets a call from the school that Josie had been fighting. She said she hit a kid for picking on Peter. Alex tells her “what’s always the best thing, isn’t the right thing,” Meanwhile, Lacey is talking with the school about Peter being bullied and they offer little to no help in solving the problem, saying some kids are just the fall guy. Lacey tells Peter that she will punish Peter if he doesn’t stand up for himself.

During an open house at the school, Lacey and Alex witness Josie and Peter playing house together, showing how close they’ve become as friends. But soon after, during another playdate at Peter’s home, Alex and Lacey discover the kids playing in the basement, Josie holding a gun owned by Lacey’s husband, Lewis. This causes Alex to forbid Josie from playing with Peter outside of school anymore.

We now flash forward to present day in the wake of the incident. The kids that survived the incident are released from the hospital. Most of them permanently injured, but Josie came out unscathed, aside from the aforementioned small head gash. Peter is walked to a room where he can meet his defense lawyer, Jordan McAfee (Timothy Simons). They don’t get much time to speak, and Peter only asks, “how many did I get,” to which Jordan doesn’t answer.

The small town of Sterling is now the center of a media circus. Lewis Houghton is forced by Sterling University to “take time off” without any promise of being able to return, even when/if the circus blows over. Even Lacey is feeling the pressure, losing patients because they don’t want the mother of a murderer near their newborn babies. In deep mourning over losing Matt, Josie tries to attempt suicide by taking too many sleeping pills, but she ends up spitting the pills out and wails on the bathroom floor, Alex finds a way to reach her daughter and try to console her. We learn a little about some of the victims of the shooting: Kaitlyn, a student with Downs Syndrome. Topher, the school’s marijuana dealer. Edward McCabe, the only teacher killed, who died trying to protect his students. Edward is also gay. Matt, Josie’s boyfriend. Courtney (Sadie Stanley), Josie’s friend.

Patrick does some investigating detective work to help build the case against Peter. One interesting piece of evidence is a yearbook with many of the students’ pictures circled, and Josie’s is the only one with an ‘X’ over her picture, with the words, ‘Let Live’ written underneath. He also finds that there was another gun used with an inconclusive print on it that supposedly didn’t belong to Peter, and that Matt Royston was the only one shot twice.

We get a flashback to five years before, when Peter and Josie are still hanging out at school. They have sense forgotten why they aren’t permitted to be together outside of school, but they’ve made it work. Peter is still being teased, mainly by Matt and his best friend, Drew (Jahi Di'Allo Winston). Josie is questioning whether she is friends with Peter because she wants to be or has to be. She is growing up and its no longer cool to be seen with Superman notebooks or lunchboxes anymore. Peter is also excited to be able to go hunting with his dad, a promise he made to him for years, and it was something Peter’s brother, Joey, couldn’t do because he couldn’t stand the sight of blood, the one thing Peter had over Joey. Lewis takes Peter hunting, and just as Peter is about to fire at a deer, he found he couldn’t kill the deer. Peter was also forced to play soccer during this time as a means to help him socialize and ‘fit in’ with the other kids. He mainly rode the bench, and his mother, who came to one of his games, embarrasses him by confronting the coach on not letting him play a game in front of the rest of the kids.

At this age, Peter had one chance to fit in with the kids. He was sitting behind one of the girls in class and noticed her seat was bleeding. Peter called out in front of the class ‘Delores(the girl in question)’ is having her period! This opened the door for the rest of the kids to join in and tease Delores. Peter got to be the talk of the town, gossiping about what he saw. The kids even planned to come to class and hand out tampons to Delores. Peter was going to join in, but he saw Delores was trying not to cry and he saw the kid that spent his school career being teased like this and telling the other kids to stop. It was Josie’s turn to drop a tampon at Delores’ desk, Peter tried to protest, but Josie chose “the popular crowd” by letting the tampon roll off her fingers and land on Delores’ desk, saying “Oops”

Most of the ‘current day’ scenes take place some time after the school shooting. Josie trying to figure out how to move on. Matt’s friend, Drew, tries to hit on Josie, but she turns him down, saying she isn’t ready to move on from Matt. Patrick’s story is of him investigating and forming a relationship with Alex. Alex was initially going to be the judge for the case, but she steps down when Josie would eventually be called in as a witness. Jordan is working hard to build his defense case for Peter, citing Peter was suffering from PTSD after all the years of bullying and didn’t know what he was doing at the time of the shooting. He also endures some attacks from the public of his own, like having his tires slashed. We also learn that Joey Houghton, who joined in on the bullying, died in a car accident by an impaired driver. He also had a heroine addiction, which Lacey tried to cover up because she couldn’t accept her kid as nothing but perfect. We witness Lewis and Lacey’s marriage crumble as time goes on. There is one scene where Lewis visits the gravesites of the Sterling High victims. Lacey catches Lewis going to the graves and confronts him for not so much as seeing his son in prison but has been visiting the victim’s graves. Lewis admits he favored Joey over Peter and though he mourns for what his son did, he mourns even more for the victims.

We gets some insights into Josie and Matt’s relationship in the flashbacks. There was a point where Matt flat out attacked Peter right in front of her. She attempts to question why she can’t just leave Peter alone. They have some heated scenes where Matt turns his bullying onto Josie, like a part where they are at a party and Matt wants to leave, Josie wants to stay, Matt grabs her so hard he leaves a bruise on her arm. He also calls her a slut in front of the partygoers.

There is a point when Josie finds out who her biological father is and she asks Matt to take her to meet him. Her father is a politician, Logan Rourke, who was Alex’s law professor. When Josie comes over to meet him, Logan tries to bribe her go away. This upsets Josie, and Matt takes the opportunity of one of her most vulnerable moments to manipulate her into having sex with him in his car on the way home from Logan’s house.

There was a point when Peter was into computer game development. He and a friend he made while playing soccer, Derek, designed a first-person-shooter game at a high school. Peter even blurted out to Derek, “Wouldn’t this be cool when it actually happens?”

There was a point when Peter was into computer game development. He and a friend he made while playing soccer, Derek (Ian Patrick), designed a first-person-shooter game at a high school. Peter even blurted out to Derek, “Wouldn’t this be cool when it actually happens?”

There is a point in the film where Josie and Peter rekindle their lost friendship not too long before the shooting. They ended up getting a job together at an Office Depot type of store, running the photo-copying and printing department. It was almost like time hadn’t passed much between them. They didn’t have to deal with the stress and peer pressure of school or having to be perfect at home. They could be themselves. Josie confided in Peter that her relationship with Matt isn’t perfect and how shes happy that Peter could be himself in school and not have to feel like he’s playing a role. He tells her it doesn’t have to be like that for her, but she doesn’t quite listen. This part of their friendship doesn’t last too long: Peter does a school project about popularity for a math class. One of the kids asks Peter what a ‘bridge’ is, and Peter explains its a person that falls into several groups, like Josie for example. Josie doesn’t take this too well. Causing another rift in their friendship.

Peter gives a testimony where he explains what exactly it was that caused him to do what he did, much to the protest of his attorney, but Peter wanted to do it. We see the testimony play out as Peter recalls what happened: He was realizing he loved Josie and wrote a love letter he intended to give Josie. The letter never made it to Josie, as it was intercepted by her friend, Courtney. Courtney and Drew decide to write up the letter and spam it to the entire student body. This only embarrasses Josie even more, and Josie completely cuts ties with Peter. After the letter issue blew over, Peter woke up on the day of the shooting. He had to print up some schoolwork and fumbled around with his glasses on his desk. The glasses fell over and he squinted really hard to try to find the files he was looking for. He leaned down to grab his glasses and put them on, only to come face to face with the dreaded letter. He must have accidentally clicked on the file, and seeing it as clear as day again with his glasses on, it all flooded back to him. He waited until his parents left for work before he started stuffing a bag full of guns and pipe bombs.

In the present day, it is time for Josie to give her testimony in court. After she had claimed to Patrick that she couldn’t remember anything about the school massacre, due to her mind blanking out the incidents, the memories came flooding back. She thought about the times Matt abused her, there was even a time when he threatened to kill her by crushing her windpipe and how she said hated him. We see her recall the moment in the locker room when her and Matt are cornered by Peter.

A gun falls out of Peter’s bag and lands at Josie’s feet. Josie picks up the gun and points it at Peter. Peter tries to reason with Josie, Matt yells at Josie to shoot Peter and to not be an idiot. Peter yells at Matt to not talk to her like that. Josie closes her eyes, barely puts her finger on the trigger and fires the gun. We see that Josie shot Matt in the stomach. Matt falls over, “You…you shot me you fucking bitch.”

Josie, caught up in the stress of the moment and registering what she did, asks Peter to help. Peter walks up to Matt, stares down at him, a camera shot of the barrel points at Matt, curled up from the first wound to his stomach, stares up at Peter. Josie screams at Peter, “No!” Peter shoots Matt in the head.

Josie is in shock, stares at Peter. Peter tells her not to worry, that he will take all of the blame and nobody will have to know what really happened. She faints, and hitting her head on the locker room floor is where she had the bloody gash from earlier.

In the end, Peter is still found guilty and sent to life in prison. Josie is sent to prison, but given a lesser charge of five years. Alex and Patrick are in a relationship and expecting a child. Lacey and Lewis are divorced.

In prison, Peter stuffs a sock in his throat, and as he begins to choke himself, we see an image of the same little boy from the beginning, now riding alone in the back of a school bus. No idea where he is going, just a lone image of a young kid lost in his thoughts. He stares out the window and a smile slowly grows on his face.

The end.


In Development

 
Nineteen Minutes: Peyton Wich (Goosebumps 2: Slappy's Revenge, Darlin'), Jahi Di'Allo Winston (Hillside, Charm City Kings), Sadie Stanley (Somewhere in Queens, "Cruel Summer") and Ian Patrick (Class Rank, "The Neighbors") will round out the ensemble cast of novel adaptation Nineteen Minutes. They will play students at the high school that becomes the setting of a school shooting. The film is based on the novel by Jodi Picoult. Matt Ross directs from an adaptation by Joshua Collins.

Believe It or Not!:
Patrick Warburton ("A Series of Unfortunate Events", Inheritance), Sara Paxton (Blonde, The Front Runner) and Scott Grimes ("The Orville", Pearly Gates) will round out the cast of the Robert Ripley biopic, Believe It or Not! Warburton will play a newspaper editor, Grimes will play a cartoonist, while Paxton will play famous actress Marion Davies. In addition to starring as Robert Ripley, Seth MacFarlane is directing the film based on a script by Lon Charles.

The Watsons Go to Birmingham: Marcus Scribner (Along for the Ride, "Black-ish"), Keith David (Metal Gear Solid, Nope), Issac Ryan Brown (Kings, Believe) and Braylon Owens (Live by Night) have filled out the large supporting cast of novel adaptation The Watsons Go to Birmingham. Dee Rees is directing the film from an adaptation by Wesley Campbell.

The Long Way Home: Comedian David Letterman, Hank Azaria (Stained, Out of the Blue) and singer Diana Ross have joined the cast of Cameron Crowe's LRF debut. Letterman will play the father of Andrew Garfield's character, Azaria will play a TV producer, while Ross will play the sister of Yahya Abdul-Mateen II's character. Chad Taylor peneed the original story.

Scarlet: As announced at the latest LRF Comic-Con, Sadie Sink (The Big One, Tumor) will play LRF's version of Marvel character Scarlet Witch. In this take on the character, she will play an adopted girl who finds out that she was born with magical powers that have begun to manifest. Kate Winslet (The Squared Circle, Revolution) has been cast as her biological mother and Hero Fiennes Tiffin (After Ever Happy, The Woman King) as her brother, Quicksilver. Leigh Janiak (Fear Street Trilogy, Honeymoon) is set to direct Sink in the film based on a script by Roy Horne (The Hammer of Thor, Red Sonja: Blood + Bone).

We Know Where You Live:
Toby Kebbell (Gargoyles, Femme Fatale), Matthew Fox (Metal Gear Solid, Who Watches the Watchmen) and Radha Mitchell (Jonestown, Supergirl) have been cast in a new horror project from writer Jack Brown (OZ, Friday the 13th). A classic home invasion story, Fox and Mitchell will play a married couple who go to a lake house with their family for a holiday, only to encounter a dangerous cult led by Kebbell's character. Franck Khalfoun (Prey, Maniac) is set to direct the film.

Saturday, January 28, 2023

Premiere Magazine #247

 

The Roundup with Jeff Stockton (Season 25 Round 7)

 
The novel adaptation curse is seemingly at an end now, but not before the box office took on more damage. Here's The Roundup....

3. Jacob Jones
I must commend writer Jacob Jones for taking the criticisms of Kazaria to heart and working on fixing most of that film's issues with the sequel. Obviously it all didn't pan out at the box office, but that was more of a financial issue than a storytelling issue.

2. End of the Adaptation Curse
The Novel Adaptation Curse has finally been broken thanks to Revival. We do have two more novel adaptations on the schedule for this season, Nineteen Minutes and The Watsons Go to Birmingham, so we may not be out of the woods yet. Next season should also have at least 4 or 5 novel adaptations, so hopefully the writers of those films have learned from some of the recent failures.

1. Revival
I really enjoyed Revival. It clearly wasn't an easy story to adapt, but Chad Taylor did a pretty damn good job taking a difficult novel and making it easily digestible on the big screen. Bringing Frank Darabont in to direct was also a smart move given the skill in adapting King's work, especially his less obvious horror work, in the past.

3. Kazaria: Burns of the Lavita
I thought this film was a big improvement on the first Kazaria film, but I have to question the logic in making the sequel dramatically more expensive than the first film which barely made any profit with the casting of more expensive talents like John Cena and Dwayne Johnson (who managed to bilk the studio into an extra $5 million on top of his original $20 million if the Gossip Rag is to be believed).

2. Bunny
Nothing about Bunny worked for me other than casting Kaitlyn Dever in the lead role. The plot  didn't work very well in a film format. The characters were annoying and unlikable, and it seemed like the filmmakers and the author of the novel were all more interested in being quirky than being legitimately entertaining.

1. Box Office
Obviously the box office has had a bit of a rough patch, and not just with novel adaptations. Right now this season is on pace to be one of the least profitable in LRF's long history. It will obviously be up to films like Nightwing and Carte Blanche to bridge the gaps and avoid being the all-time least profitable season (Season 14 with a profit of $897,635,701 - right now we are at just $277,880,752 after 7 rounds).

Friday, January 27, 2023

On Location (Season 25 Round 7)

 
Kazaria: Burns of the Lavita
- Madrid, Spain



Bunny
- Ann Arbor, Michigan, USA



Revival
- Portland, Maine, USA
- Sacramento, California, USA

Box Office Breakdown (Season 25 Round 7)





Kazaria: Burns of the Lavita
Budget: $145,000,000
Total Box Office: $324,018,295
Total Profit: -$16,498,032












Bunny
Budget: $26,000,000
Total Box Office: $19,426,905
Total Profit: -$27,950,061












Revival
Budget: $68,000,000
Total Box Office: $248,873,632
Total Profit: $79,096,491









Box Office Facts
Kazaria: Burns of the Lavita
This sequel grossed $26 million more than the first Kazaria, but cost $30 million more than that film. This helps explain how the first film made a $14 million profit while this film lost $16 million.

Bunny
Abbie Q is not off to a great start at the box office. Abbie's two films, Bunny and Akin, have now combined to lose $68 million at the worldwide box office.

Revival
Revival ends the streak of novel adaptations to flop at the box office at eight. The last novel adaptation before Revival to break a profit at the box office had been The Dark Tower III: The Waste Lands in Season 23.



Genre Rankings
Kazaria: Burns of the Lavita
Fantasy: #35
Adventure: #25

Bunny
Horror: #90
Fantasy: #79
Thriller: #97

Revival
Drama: #13
Supernatural: #8
Horror: #13



Season 25 Round 7
Total Box Office: $592,318,832
Total Profit: $34,648,398

Season 25 Totals
Total Box Office: $3,973,704,873
Total Profit: $277,880,752




Season 25 Summary
1. Man Made Machine : $616,890,306
2. The Hammer of Thor : $509,900,994
3. The Fall Guy: Trouble in Tahiti : $409,668,726
4. Batgirl : $346,205,888
5. Kazaria: Burns of the Lavita : $324,018,295
6. Troll Mountain : $303,048,640
7. Revival : $248,873,632
8. The Punisher: Last Exit : $238,435,459
9. The Sandman: Season of Mists : $234,395,098
10. Nomad : $101,180,300
11. The Last of the Mohicans : $99,805,328
12. Krueger : $87,619,371
13. Skin : $80,231,441
14. Malik : $61,838,323
15. No Promises in the Wind : $59,565,167
16. The Young Heiress : $58,814,528
17. The Driftwood Populace : $46,472,988
18. Survive the Night : $45,361,661
19. Collapse : $41,967,604
20. Letters : $39,984,219
21. Bunny : $19,426,905

Thursday, January 26, 2023

Release: Revival


Revival
Genre: Drama/Supernatural/Horror
Director: Frank Darabont
Writer: Chad Taylor
Based on the novel by Stephen King
Cast: Kyle Chandler, Tom Hanks, Mike Faist, Maxwell Jenkins, Madison Iseman, Olivia Rodrigo, Rachel Keller, Laura San Giacomo, Belmont Cameli, David Morse, Tracy Letts, Aidan Quinn




Budget: $68,000,000
Domestic Box Office: $153,483,405
Foreign Box Office: $95,390,227
Total Profit: $79,096,491

Reaction: Revival is a much needed hit, not just for the studio, but also for novel adaptations as a whole. More on that in the Box Office Breakdown....



"More so than most of Stephen King's works, Revival is difficult to pin down to one genre. I was expecting a bit more horror with the King name attached, but director Frank Darabont and writer Chad Taylor don't let that bog them down though, telling a sprawling, entertaining supernatural story with a game cast led by Kyle Chandler and Tom Hanks." - Joel Sapperstein, Las Vegas Review-Journal



"Even though I would like someone like Mike Flanagan to deliver more chills to this creepy source material, Frank Darabont delivers on the rest, making it at least unsettling. It evolves more uneasily as it goes. It is more drama than horror, though, which will estrange folks excepting more horror. Chandler & Hanks (the star throughout) work perfectly as a couple. I didn't know I wanted them to perform together. However, overall, the experience of dread & commentary on life & the beyond that will satisfy King fans." - Steve Lidle, Associated Press


"Not knowing anything about this story going in, I can happily say I was engrossed in the story. Not only the story but the characters as well. The moment Charlie Jacobs came on screen was when the film took off for me, and I 100% need to commend Mike Faist. In a film full of amazing performances (Chandler, Hanks, Iseman) I found Faist to be the best, he truly played his role to perfection, and even better than the more experienced Hanks. I think I can say this is my favourite Stephen King adaptation.” - J. Johnson, DailyMovieNews.com





Rated R for violence, language, drug use and frightening imagery

Last Resort Films Jukebox: Revival




1. "This Will Be Our Year" - The Zombies


2. "Take The Joker and Run (Early Take)" - Steve Miller Band


3. "What A Fool Believes" - The Doobie Brothers


4. "You Belong to the City" - Glenn Frey


5. "Black Velvet" - Alannah Miles


6. "Zombie" - The Cranberries


7. "Falling Away from Me" - Korn


8. "Another Version of the Truth" - Nine Inch Nails

Wednesday, January 25, 2023

Now Showing: Revival

Revival
Genre: Drama/Supernatural/Horror
Director: Frank Darabont
Writer: Chad Taylor
Based on the novel by Stephen King
Cast: Kyle Chandler, Tom Hanks, Mike Faist, Maxwell Jenkins, Madison Iseman, Olivia Rodrigo, Rachel Keller, Laura San Giacomo, Belmont Camelli, David Morse, Tracy Letts, Aidan Quinn

Plot: “So. Tell me about this Pastor Jacobs,” a voice (Tracy Letts) asks.

Jamie Morton (Kyle Chandler) contemplates his answer.

“From the beginning?”

Harlow, Maine | Summer 1967

14-year-old Jamie Morton (Maxwell Jenkins) plays football in the yard with his brother Conrad (Belmont Cameli), who is a year older than him and who everyone refers to as Con. Jamie isn’t as into sports as Con, the back-up quarterback for the football team. Their older sister Claire (calls out to them that it almost time for church. Jamie asks why they have to go to church and Con says it makes their parents happy. Give it a few years and they’ll never have to go to church again. He then whispers that at least they’ll get to see Mrs. Jacobs in a dress.

At Harlow United Methodist Church, we are introduced to the young pastor Charlie Jacobs (Mike Faist). He oozes charisma and has the entire congregation in the palm of his hand, including all the teen girls who have a crush on him. A similar thing could be said of his wife Patsy (Madison Iseman), who radiates every time she walks in a room. Jamie’s parents are more skeptical than some about the young couple but at least their kids are enthusiastic about church every week.

On Wednesdays, the neighborhood children attend a Ministry Youth Fellowship meeting hosted by Pastor Jacobs. He shows a keen interest in science and specifically electricity, often tying them into his Bible lessons. Jamie becomes unexpectedly nervous this week when Charlie handpicks Jamie to show the ropes to the new girl, Astrid Soderbergh (Olivia Rodrigo). She is in Con’s grade and her family just recently switched churches. They get along instantly and Jamie’s nerves quickly wash away. However, their bonding is interrupted by Charlie’s young son Morie. At four-years-old, Morie is very impressionable and looks up to the older kids in Youth Group and they all treat him like a younger brother.

On the Fourth of July, Con is going to a party with some of his teammates. Jamie asks if he can tag along, which annoys Con but he agrees. It becomes clear why Jamie wanted to attend as Astrid also happens to be there. She smiles upon seeing Jamie and they pick up where they left off. Jamie watches as his brother and friends smoke cigarettes and Astrid asks if he smokes. Jamie scoffs and says that if they taste like they smell, he imagines cigarettes are awful. They both laugh. As the night gets older, Jamie and Astrid grow more flirtatious and eventually kiss. They’re interrupted once again, this time by a commotion. There has been an incident with the fireworks and it seems one of them has hit Con in the throat.

As the days go by, Con is unable to speak and none of the remedies seem to be working. This weighs heavily on his family, including Jamie. On Wednesday, he vents about this to Pastor Jacobs when Charlie inquires about Con’s absence. Upon hearing about this issue, Charlie instructs Jamie to bring Con to him as he might have something that can help.

The following night, Claire drives Con and Jamie the Pastor’s home. She says she’ll wait in the car. They are both a bit dumbstruck when Patsy Jacobs answers, dressed in her nightwear. Charlie intercepts and says he’s been expecting them. He takes the two boys back to his garage where they see his various tools and prototype inventions. He pulls out a device that looks like a small belt and is connected to a low-voltage electric current. Jamie nervously asks if Con has ever tested this before and he assures them several times. They put the belt around Con’s neck and turn on the electricity. It only lasts a few seconds and Con is breathing heavily afterwards. Jamie and Charlie look at him in nervous anticipation before they finally hear “can you hear me?”. Jamie runs over and happily hugs his brother.

A few weeks later, Jamie is woken up by a knock on his door. It is Claire, in tears. She sits on the side of his bed and tells him some sad news: Patsy and Morie Jacobs were killed in a car accident. Jamie is in shock and says he wants to go visit Pastor Jacobs but Claire says they should give him time to grieve. Jacobs takes a brief sabbatical before returning to the church a few weeks after the death of his wife and son. The congregation sits in nervous sympathy as Pastor Jacobs struggles to speak at first. He thanks them for their hospitality in this time of need. He then tells three stories he read in the newspaper archives about churches being destroyed by tornadoes and children drowning in public pools. He wonders what those people, those poor victims, did to deserve a fate such as that. He then begins openly questioning the existence of a God. Some people begin walking out and others politely ask him to stop. He wraps up by saying his little boy wanted to go to Disneyland much more than he wanted to go Heaven. Religion is like an insurance scam — you’re paying money into your whole life, only to get to the end to find the money isn’t there. He walks out.

Jamie runs out of the church to try and talk to Charlie before he leaves. The pastor says he must be going but thanks Jamie for always being an eager listener. Jamie thanks him for helping his brother and for being a caring mentor.

Days later, a car pulls up to the Morton household and begins honking. Jamie looks out to see that it is his girlfriend Astrid, having just got her driver’s license. He joins her and they go for a joyride. He complains about what happened to Pastor Jacobs and she agrees that it was a raw deal. He even admits that Charlie’s words have him now questioning his faith. An oncoming thunderstorm forces them to stop at a park in outer Castle County. It is at that park, in that car that Jamie loses his virginity. Afterwards, Astrid pulls out a pack of cigarettes and gives Jamie a look. He laughs, says he doesn’t mind and then says he’d take one actually. The camera pulls out as smoke billows out the windows of her sedan and lightning strikes in the far distance.

“That was the last I’d heard from Pastor Jacobs. At least for a while.”

Tulsa, Oklahoma | Fall 1991

Jamie (Kyle Chandler), now in his mid-40s, has made a career as a blues rock guitarist. His band Chrome Roses has found middling success over the years, enough to make a decent living for Jamie. But as the band gets ready to play at the Tulsa County Fairgrounds, Jamie is nowhere to be seen. His bandmates vent about him no-showing another gig. Meanwhile, Jamie is laying in his hotel bed. He is strung out on heroin and so the phone continues to ring in the background. He gets a knock on his door and it is the hotel manager. She says she’s been asked to pass along a message: he has been fired from the band. He thanks her and then heads back to bed.

The next morning, Jamie feels a bit defeated. He considers calling one of his old bandmates but decides against it. Instead, he wanders out to the county fair where the band played the night before. He silently walks past the various booths and looks on at all of the kids and families and imagines what his life could have been. Given the path he has chosen, he’s now there by himself to search for drugs. And then something catches his eye: a large crowd has gathered for a show called “Portraits in Lightning”. On stage is someone by the name of Danny Jacobs (Tom Hanks), who Jamie immediately recognizes as his former pastor (although strangely under a different name). The on-stage showmanship is undeniable. Jamie watches as Jacobs calls for a volunteer and picks a homely 22-year-old girl named Cathy Morse. Cathy sits down in something that looks like an electric chair, prompting Cathy’s father protests but Jacobs insists that this is entirely safe. He then pulls a lever that sets off a series of electrical currents around the stage before a bright flash. Jacobs reveals a sizable blue plate on which Cathy’s likeness has been burned onto, leaving the crowd in awe as it looks like Cathy but she is now beautiful with long blonde hair and diamond earrings. He hands Cathy the plate and then says he will be here for the rest of the fair and you too can get your lightning portrait, for a small fee. And then, as he looks out into the crowd, he spots Jamie. Just as Jamie recognized him immediately, the same is true for the reverse. And in that instant, an intense shiver is sent down Jamie’s spine and he passes out.

Jamie wakes up and finds Danny Jacobs sitting beside him, who asks how Jamie is feeling upon seeing him awake. Jamie asks where he is and Jacobs explains that he took him to his trailer when Jamie passed out. He says this reunion was less than ideal but he jumped in when he saw Jamie go down. They catch up on each other’s lives in the time since they’d seen one another. Jacobs said he found it hard to return to the church after the death of his wife and son so he decided to move around the country and closer pursue his hobbies. Jamie jokes about how Jacobs always loved his inventions and experiments. He then asks about the name and Jacobs says Daniel is his middle name - Charles Daniel Jacobs. So just a little change of pace. It is Jamie’s turn and he talks honestly about it all: the music career, the drug addiction, the recent troubles. Jacobs asks about Jamie’s family. He says that Con is a marine life researcher at a university in Hawaii, which he know sounds surprising given that Con was a jock when Jacobs knew him. Claire…he says it is still hard to talk about her. She got married and worked as a schoolteacher in Castle Rock. She then got divorced and her husband didn’t take that too well. One day — November 11th, 1979, a Friday — he walked into the school with a gun and shot Claire three times. Right in front of her students. Jacobs is very sorry to hear this and then begins to inquire more about Jamie’s heroin addiction. He asks if he would be willing to try one of his experiments. Jamie says he has literally nothing to lose.

Jamie sits down nervously in one of Jacobs’s machines. He asks is Con was his first patient in this regard. Jacobs confirms that he was but he has treated many people since, in a variety of ways. He says this will only take a small voltage of electricity and should do the trick. Jamie flashes back to how scared he was when his brother was in this position all those years ago. However, it does happen rather quickly and Jamie feels almost nothing at all. Jacobs instructs Jamie to come back to him in a few days but his addiction should now be cured. Jamie asks if Jacobs wants any money for this and Jacobs shakes his head, saying Jamie was one of his favorite pupils. They shake hands and go their separate ways.

A few days pass. Jamie sits in his hotel room with a sweat on his brow. On a table in front him are a handful of drugs he has recently bought. As he contemplates which to take, he hears someone behind him say his name. He turns around and is shaken to his core when he finds that it is his sister Claire. She looks 35, the age she was when she died, and in her blouse are three blood-stained bullet holes. “Help me, Jamie,” she says but he can’t find himself able to speak. She begins to cry and begs for his help. He begins to tremble himself and runs over to hold her hand, although he jerks back when he finds it to be ice cold. He begins to repeatedly say her name until he wakes up in hospital bed in a cold sweat. He is relieved to find it was all a dream.

As he goes about his day, Jamie finds that he has none of the urges that he once did. He is feeling no withdrawals and feels as clean as he has in years. He returns to the fairgrounds to visit Jacobs’s trailer. However, when he gets there, he discovers that Jacobs has left town. He asks one of the nearby workers if they’ve seen him and the worker tells him that rumor has it that there was some kind of altercation with a patron that led to Jacobs leaving. Jamie thanks the worker and then leaves town. He’s ready to start anew.

“Did you ever find more about that ‘altercation’?”

“I did. But I also found so much more.”

Sacramento, California | Spring 2007

Jamie has now spent the last ten years as a guitarist for a re-formed line-up of rock group Steve Miller Band, who he had listened to growing up. Given that the group tours regularly, it has led to a nice steady living for Jamie. He has been sober for fifteen years; sixteen come the Fall.

After a recording session, Jamie chats with their audio engineer Hugh Yates (David Morse). Jamie complains a bit about a small ringing in his ear, as if his hearing is starting to go out. Hugh says that he had that problem once and was diagnosed with Ménière’s Disease. Jamie asks how Hugh is coping and he says that he was actually healed of it about five years back. He’d seen an advertisement about a traveling revival tent led by a faith healer named Charles Daniel Jacobs. Jamie drops his head as Hugh continues his story. Jacobs used electrotherapy to cure the disease. Jamie decides not to tell about his personal history with Jacobs just yet. He asks if Hugh would recommend Jamie to go to this Jacobs. Hugh says it might be better to wait and see if the hearing loss worsens. Jamie asks why and Hugh says he has experienced some unusual visions — visions he never had before he met Jacobs. Jamie looks up to the recording booth window and sees a reflection of Claire and quickly looks away. Hugh says he can’t pinpoint if the electrotherapy is the exact reason but he has his suspicions.

Jamie goes home but cannot stop thinking about what Hugh said. He goes to his computer and his keyboard skills are still developing but he begins researching his former pastor. Jacobs does indeed now go by his full name and advertises himself as a faith healer, harnessing the power of God through lightning to help those in need. This makes Jamie chuckle but he continues searching. He finds an old newspaper article about the altercation at the Tulsa County Fair in 1991. The film transitions into a flashback as Jamie reads it. Apparently after Jacobs’s demonstration, Cathy Morse went to a nearby jewelry store and repeatedly banged her head into a glass case until it broke open. She stole the diamond earrings inside and then tried to leave the store but was apprehended. Her father angrily returned to the fair and viscously beat Jacobs, blaming him for what happened to his daughter.

Back in 2007, Jamie searches Cathy’s name and finds that she committed suicide in 1999. This leads him down a rabbit hole of looking into other people “cured” by Jacobs and finds that quite a few of them have died young. While Jamie is obviously alive, we have a brief flashback of him waking up one day from the pain caused by him repeatedly stabbing his arm with an ink pen while sleepwalking, as if he was trying to inject heroin. And then, of course, there’s the whole Claire thing. Jamie is shaking in anger as he reads through these stories and finally he decides to write down Jacobs’s cell phone number. He first calls Hugh and says he plans on confronting Jacobs about the effects of his experiments. Hugh declines helping as he has hadn’t visions in quite a while and doesn’t want to trigger them.

Jamie nervously paces the room before calling Jacobs. The old pastor answers and immediately can tell it is Jamie from the voice. Before Jamie can even say why he is calling, Jacobs said it’s funny that he reached out as he was about to call Jamie himself. Jamie hesitates with revealing his true intentions now. Jacobs says he had recently heard from an old “friend” of Jamie’s: Astrid Soderbergh. She had recently been diagnosed with incurable colon cancer and contacted Jacobs, having remembered what he did for Jamie’s brother back in the 60s. Jamie is very emotionally conflicted hearing this. Jacobs then reveals why he planned to call: Astrid’s procedure requires an extra level than he is used to and so he needs someone who act as his assistant. Jamie was the natural choice since the electricity has run through him. Plus he was Jacobs’s favorite pupil. While Jamie initially called to confront Jacobs, he finds himself unable to say no to this offer. He hadn’t thought about Astrid in years but she never left his mind.

Jamie returns to his home state of Maine and heads to Astrid’s country home, where Jacobs is staying with her. He greets Jamie at the door and he looks much older than the last time he’d seen him. But maybe that was just the drugs speaking. Jacobs hugs Jamie and says he is happy to see him looking so healthy. Jamie says he’s been meaning to tell him for fifteen years that he has never used a mind-altering substance since that day in Tulsa. Jacobs nods his head and says he knew deep down that was the case. Jacobs guides Jamie in and Jamie is horrified at what he sees. Astrid (Laura San Giacomo) is in her bed, seemingly sleeping. She looks very frail, almost nothing like those summers of the late 60s. But Jamie knows he has changed as well. He goes to hold her hand but finds that it is ice cold, sending him into an intense flashback to the vision he had of Claire and feeling her hand. He immediately checks and finds that Astrid is not breathing. He whips a look at Jacobs and asks what is going on here. Jacobs requests Jamie not be mad at him; he did not mean to intentionally mislead him. Jamie is irate, saying he said he was coming to help heal Astrid. It is clear that he is too late.

Jacobs takes Jamie to the parlor so they can talk. He first apologizes but says he knows Jamie wouldn’t have come if he had revealed his true intentions. Jacobs assures his pupil that Astrid lived a peaceful life and she really did reach out to him but it was too late. And now an opportunity has presented itself, an opportunity that Jacobs has been looking for over decades. Jamie interrupts him to ask if he knows about all of the negative after effects his former patients have experienced. Jacobs knows of a few but says all of his patients knew there was a chance of after effects. Jamie asks what Jacobs’s master plan is and Charles holds Jamie’s hand. He says that tonight they are going to revive Astrid Soderbergh. Jamie shakes his head and says he can’t be a part of this. Jacobs won’t let go of his hand and reminds his pupil of what he said about being 15 years sober, thus he owes him some assistance. Jacobs is tearing up as he says he wants to know what happened to his love and to his boy. He just wants to know. Doesn’t Jamie wonder about Claire? Jamie can see the sincerity in Jacobs’s cause, even if he disagrees with the method.

The lightning storm intensifies outside and Jacobs says they must act quickly. He hooks Astrid’s corpse up to his machine and waits until the right lightning strike. When it hits, he pulls the lever and Astrid’s body begins to convulse. Her eyelids jolt open but her eyes are rolled in the back of her head. Jacobs tries to gently talk to her, saying her name, and she slowly turns her head towards him. A voice begins to speak but it sounds unnatural. She calls herself Mother and warns against humans meddling with the outer realm. Jamie is stunned to silence. Jacobs, still pushing, asks what happened to his family. Are they in an afterlife? Mother begins to laugh as the insides of her mouth begin to move strangely, as if hands are reaching out from them. Her cheeks begins to expand as a pale face starts to push out from Astrid’s mouth. It is the face of Patsy Jacobs. Charles is in tears and can’t find himself able to talk. Patsy starts to talk, sounding as she did way back then but her face is wretched. She says it is awful. She says the last forty years have been spent in a place called the Null, traveling endlessly as slaves to large ant-like creatures. They are being taken to be fed to a deity called Mother. It is truly worse than anyone could have ever imagined. Charles asks about Morie and Patsy says that he’s been with her the whole time. It tears her apart every waking minute seeing their son - seemingly stuck forever at 4-years-old — go through this.

Patsy then looks scared as she retreats back into Astrid’s throat. Mother begins speaking again and asks Jacobs if he got what he was looking for. Astrid’s possessed body then lunges towards Jacobs for interfering with her world. Jamie, in a moment of panic, breaks out his trance to find Astrid’s gun nearby and shoot Astrid multiple times. She falls to the ground, Mother seemingly been extracted from her. He then goes to check on Jacobs and finds that the episode caused him to have a stroke, which appears to be fatal. Jamie places the gun in Jacobs’s hand to make it appear like he is the one that shot Astrid. In a daze, he wanders out of the home.

“And that is how I ended up here.”

In 2014, Jamie is sitting across from his therapist, Dr. Edmonds (Tracy Letts). Jamie asks candidly if he thinks what he saw that day was a vision or the real thing. Dr. Edmonds says he always been agnostic so he has always chosen to believe there is some degree of truth and falsehood in religious experiences across time. He asks what Jamie thinks. Jamie says he knows what he saw. And he knows people will think he is crazy. But then there are Jacobs’s various patients. Had they seen what he saw? Is that what led them to their untimely ends? How could you live life knowing what was next? And it wasn’t just Cathy Morse. In 2004, a man cured of paralysis hung himself in his children’s bedroom. In 2009, Hugh Yates intentionally drove his car into oncoming traffic.

As he talks, we see Jamie leave the office and head to a mental institution housed in the same office complex. All of the staff greet him as he seems to be a regular. He visits a room labeled “Conrad Morton”. Inside is his brother Con (Aidan Quinn), now in his mid-60s. He is unable to form full sentences, just as was the case years before. Jamie tells Dr. Edmonds that in 2012, Con killed his longtime partner and attempted to kill himself. It failed and Con ended up here. Jamie wonders why he, of all people, was spared but then says he guess talking to Con is his purpose. I guess we’ll never really know. Jamie tells Con he loves him and looks to his left to find Claire looking on, smiling softly.