Wednesday, April 30, 2025

COMIC BOOK GUY (SEASON 32)

 

Welcome to Comic Book Guy, where this season punches harder than a Hulk-Namor team-up. Red Lantern Corps lights up the darkest sector of the DC Comics Universe. Captain America: Winter’s End proves Glen Powell’s Steve Rogers belongs on the Mount Rushmore of Marvel Universe heroes. Scarlet Witch drags us deep into chaos magic and nightmare fuel. Joker vs. Deadshot turns Gotham’s underworld into a Yuletide bloodbath. And The Avengers finally assembles Earth's Mightiest Heroes for a Galactus-sized war that actually lives up to the hype. Saddle up, true believers.



RED LANTERN CORPS
Red Lantern Corps is what happens when a studio actually has the guts to say, ‘Yes, we're putting a talking chipmunk and a space dog in our serious space opera — deal with it.’ And somehow, miraculously, Ch’p and G’Nort not only work, they straight-up steal the movie. If you ever wanted a Green Lantern movie that leans harder into the Geoff Johns 2000s cosmic angst while still letting a rodent save the day, this is it.




CAPTAIN AMERICA: WINTER'S END
Instead of drowning in magic stones or cosmic dread, Captain America: Winter’s End wins by going full Tom Clancy.... with a shield. Peter Berg directs it like he thinks Clear and Present Danger is peak art, and somehow, he’s right. The SHIELD elements don't always work - but they don't have to when Glen Powell kicks ass across the jungle.




SCARLET WITCH
If you ever wondered what would happen if Doctor Strange and The Exorcist got mashed together by a chaos magic-obsessed Sadie Sink, Scarlet Witch has your twisted little wish granted. Leigh Janiak turns Kamar-Taj into the spookier version of Hogwarts, complete with dead apprentices, Nightmare showing up like Freddy Krueger's artsy cousin, and a possessed Clea who stabs Jet Li right through the soul. 




JOKER VS. DEADSHOT
Imagine if Lethal Weapon got drunk on eggnog and swallowed a whole deck of Joker cards - hat's Joker vs. Deadshot. Caleb Landry Jones is peak chaos as a deranged Santa, Walton Goggins is the grumpiest deadeye this side of Deadpool's Rolodex, and Danny McBride somehow makes brotherly dysfunction funnier than Harley Quinn on a sugar bender. Bonus points for finally answering the question: what if Home Alone ended with the mob getting blown up?




THE AVENGERS
I was a little worried about this one being a letdown - BUT - at long last, Earth's Mightiest Heroes assemble, and somehow it’s actually worth the 29 seasons of foreplay and cosmic breadcrumb trails. Bonus points for using the Ultimate Nullifier properly — meaning they actually read Fantastic Four #50 instead of just Googling it. RIP Tony Stark 1941–2025.

Tuesday, April 29, 2025

CASTING GRADES (SEASON 32)

 

Jeff Stockton here with this season's edition of Casting Grades. In this segment I will dissect the casting of several films from the season - namely adaptations featuring characters that exist in other formats (or reality). Here we go....




SONGBIRD

Taylor Swift as Joni Mitchell
Appearance: B+
Performance: B+
Thoughts: She can sing the part and is believable in the music elements. She did a surprisingly decent job in the dramatic moments as well. She's better looking than the real Joni Mitchell but looked the part pretty well as well.
Overall Casting Grade: B+

Paul Dano as David Crosby
Appearance: B+
Performance: B
Thoughts: Like most of the supporting players in Songbird, Dano only gets a limited time to make an impact as Crosby, but he does a good job invoking the real man.
Overall Casting Grade: B+

Josh O'Connor as Chuck Mitchell
Appearance: B
Performance: B
Thoughts: O'Connor looks enough like Mitchell to be believable. His performance is fairly one-note but still pretty good.
Overall Casting Grade: B

Anna Camp as Myrtle Anderson
Appearance: B
Performance: B
Thoughts: A small part, but Camp brought a nice motherly energy to the role.
Overall Casting Grade: B

Jared Keeso as Bill Anderson
Appearance: B-
Performance: B-
Thoughts: Keeso is believable as a Canadian farmer here.
Overall Casting Grade: B-

Tom Hughes as Graham Nash
Appearance: B+
Performance: B+
Thoughts: Hughes felt a good deal like Nash in this one to me.
Overall Casting Grade: B+

Frank Dillane as Jaco Pastorius
Appearance: B
Performance: B-
Thoughts: I don't know much about Jaco in real life, but it did seem like Dillane was a bit out-matched by the other cast.
Overall Casting Grade: B-

Finn Wittrock as James Taylor
Appearance: B+
Performance: B+
Thoughts: I don't normally like Wittrock much, but he did a great job capturing James Taylor's vibe.
Overall Casting Grade: B+

Ebon Moss-Bachrach as Leonard Cohen
Appearance: B+
Performance: B+
Thoughts: This was a sneakily good casting job.
Overall Casting Grade: B+

Victoria Pedretti as Judy Collins
Appearance: B+
Performance: B+
Thoughts: Pedretti finally found a post Tara's Web role to make good use of her talents.
Overall Casting Grade: B+

Carina Battrick as Young Joni
Appearance: B
Performance: B
Thoughts: Battrick was believable as young Taylor Swift and that's what the role here required.
Overall Casting Grade: B

Overall Film Casting Grade: B+






RED LANTERN CORPS

John Boyega as John Stewart
Appearance: A-
Performance: B+
Thoughts: Boyega has slowly grown into the role of Stewart more over the years, giving his best DC performance yet. 
Overall Casting Grade: B+

Idris Elba as Atrocitus
Appearance: B
Performance: B+
Thoughts: Elba brings his usual angry gravitas to the role of Atrocitus. He doesn't have the biggest arc, but Elba does what he can. 
Overall Casting Grade: B+

Luke Evans as Sinestro
Appearance: B+
Performance: B+
Thoughts: Evans has nailed the role of Sinestro since his first appearance - this time is no different.
Overall Casting Grade: B+

Seann William Scott as Guy Gardner
Appearance: B+
Performance: B+
Thoughts: One of the bigger, pleasant surprises of the film was SWS's take on Guy Gardner.
Overall Casting Grade: B+

Riley Keough as Laira Omoto
Appearance: B
Performance: B
Thoughts: Laira does a lot of plot and exposition heavy lifting while the other characters get to do a lot of the fun stuff.
Overall Casting Grade: B

Kevin Durand as Kilowog
Appearance: B+
Performance: B+
Thoughts: Durand continues his great version of Kilowog now in his third appearance.
Overall Casting Grade: B+

Thomas Middleditch as Ch'p
Appearance: N/A
Performance: A-
Thoughts: Ch'p and G'Nort unexpectedly were major highlights in this film with their surprisingly badass roles.
Overall Casting Grade: A-

Tony Hale as G'Nort
Appearance: B+
Performance: A
Thoughts: Ch'p and G'Nort unexpectedly were major highlights in this film with their surprisingly badass roles.
Overall Casting Grade: A

Bryan Brown as Tomar-Re
Appearance: B
Performance: B
Thoughts: Tomar-Re doesn't have a ton to do here other than be an authority figure, but he does the job.
Overall Casting Grade: B

Freddie Fox as Dez Trevius
Appearance: A-
Performance: B-
Thoughts: Fox's performance was okay, but he nailed the look.
Overall Casting Grade: B+

Karl Yune as Ampa Nnn
Appearance: B
Performance: C+
Thoughts: Not much to do in this one other than fight some good guys (and lose).
Overall Casting Grade: C+

Richard T. Jones as Ke'Haan
Appearance: B
Performance: C+
Thoughts: I've liked Jones in other stuff, but I wasn't feeling him here.
Overall Casting Grade: C+

Terence Stamp as Ganthet
Appearance: B+
Performance: B
Thoughts: A small appearance, but Stamp oozes authority and grandness.
Overall Casting Grade: B+

Overall Film Casting Grade: B+





GARGOYLES: A TALE OLD AS TIME

Vin Diesel as Goliath
Appearance: B+
Performance: B+
Thoughts: Goliath feels tailor-made for Diesel's stoic, gravelly talents.
Overall Casting Grade: B+

Cynthia Addai-Robinson as Elisa
Appearance: B
Performance: B
Thoughts: She had a better arc in the first film, but she still works well enough as Elisa here.
Overall Casting Grade: B

Zachary Quinto as Xanatos
Appearance: B
Performance: B
Thoughts: Quinto feels a little more weaselly than the source material, but it works for the most part.  
Overall Casting Grade: B

Toby Kebbell as Brooklyn
Appearance: B
Performance: B-
Thoughts: His eyes are dead-on, but Brooklyn feels underdeveloped compared to some of the other gargoyles.
Overall Casting Grade: B

Brian Cox as Hudson
Appearance: B+
Performance: B+
Thoughts: Cox nails the role, bringing a gruff theatricality necessary. 
Overall Casting Grade: B+

John C. Reilly as Broadway
Appearance: B+
Performance: A-
Thoughts: JCR is my favorite of the Gargoyles casting. He looks the part, sounds the part - no issues.
Overall Casting Grade: A-

Evan Peters as Lexington
Appearance: B
Performance: B
Thoughts: Peters may be ageing out of roles like this at this point, but he brings a fun energy.
Overall Casting Grade: B

Melissa George as Demona
Appearance: B
Performance: C+
Thoughts: Another character that feels like she has less to do this time around, but I still liked her role.
Overall Casting Grade: B-

Josh Pence as Owen
Appearance: B-
Performance: C-
Thoughts: Pence doesn't bring to the role and Owen doesn't bring much to the film either.
Overall Casting Grade: C

Iain Glen as MacBeth
Appearance: B
Performance: B
Thoughts: MacBeth was a nice addition to the story, and Glen gets no serious complaints as the talent he is.
Overall Casting Grade: B

Overall Film Casting Grade: B





CAPTAIN AMERICA: WINTER'S END

Glen Powell as Steve Rogers/Captain America
Appearance: A+
Performance: A
Thoughts: One of the better superhero casting decisions in LRF history continues here.
Overall Casting Grade: A+

Willa Fitzgerald as Sharon Carter
Appearance: A-
Performance: B
Thoughts: She is relegated to being a bit of a sidekick in this sequel, but I liked the hints of romance between her and Cap.
Overall Casting Grade: B+

Tom Selleck as Tony Stark
Appearance: B+
Performance: B+
Thoughts: Selleck just seems like a boss - exactly what Stark is in the story here.
Overall Casting Grade: B+

Paul Mescal as Winter Soldier
Appearance: B
Performance: B
Thoughts: Mescal seems a bit outmatched in the action scenes but does well with the drama.
Overall Casting Grade: B

Noah Taylor as Arnim Zola
Appearance: B
Performance: B+
Thoughts: He's in hologram mode now, but still a bit chilling as the Hydra scientist.
Overall Casting Grade: B+

Tom Burke as Baron Zemo
Appearance: B+
Performance: B+
Thoughts: Burke brought lots of gravitas to the role of Baron Zemo.
Overall Casting Grade: B+

Alain Moussi as Batroc
Appearance: B
Performance: C+
Thoughts: More about fighting skill than dramatic talent, Moussi works.
Overall Casting Grade: C+

Danny Glover as James Rhodes
Appearance: B+
Performance: B+
Thoughts: I really liked Glover's weary take on Rhodes - and his chemistry with Selleck.
Overall Casting Grade: B+

Overall Film Casting Grade: B+





ESCAPE


Reese Witherspoon as Carolyn Jessop
Appearance: B+
Performance: A+
Thoughts: Witherspoon nails the role completely - not much else to say.
Overall Casting Grade: A

Harrison Ford as Merril Jessop
Appearance: A-
Performance: A-
Thoughts: Ford doesn't get many chances to test his acting skill, but he delivered.
Overall Casting Grade: A-

Al Pacino as Rulon Jeffs
Appearance: B+
Performance: A-
Thoughts: It's been a long time since Pacino has given a real performance, but Fincher managed to wring a great one out of him.
Overall Casting Grade: A-

Jade Pettyjohn as Betty Jessop
Appearance: A-
Performance: A
Thoughts: Talk about a surprise. Give this young woman a GRA!
Overall Casting Grade: A

Montana Jordan as Mark Jessop
Appearance: B
Performance: B+
Thoughts: Jordan rose above his sitcom resume with his performance here.
Overall Casting Grade: B+

Violet McGraw as Emma Jessop
Appearance: B
Performance: B
Thoughts: McGraw is solid in a small role.
Overall Casting Grade: B

Gabriella Sengos as Sarah Jessop
Appearance: B
Performance: B
Thoughts: Sengos, like McGraw, doesn't have to do a lot, but the Jessops feel like a lived in family.
Overall Casting Grade: B

Mia Kirshner as Natalie Malonis
Appearance: B
Performance: C+
Thoughts: Kirshner is decent in an exposition heavy role.
Overall Casting Grade: B-

Linda Hamilton as Foneta Jessop
Appearance: B
Performance: A-
Thoughts: I'm not a fan of Hamilton, but she brought a passive-aggressive menace to the role here that was pretty much perfect.
Overall Casting Grade: B+

Anja Savcic as Miriam Jessop
Appearance: B-
Performance: B+
Thoughts: Savcic doesn't have a ton to do, but I liked the energy she brought as a younger sister wife.
Overall Casting Grade: B

Overall Film Casting Grade: A-






SCARLET WITCH

Sadie Sink as Wanda Maximoff/Scarlet Witch
Appearance: B+
Performance: A
Thoughts: Sadie Sink once again nails this role which is tailored to her performance strengths.
Overall Casting Grade: A-

Andrew Lincoln as Doctor Stephen Strange
Appearance: B+
Performance: B+
Thoughts: I was surprised by Lincoln's Dr. Strange - in a good way. He brings a different, less jokey, energy than Cumberbatch.
Overall Casting Grade: B+

Jet Li as The Ancient One
Appearance: B+
Performance: B+
Thoughts: Solid casting. He has a few really good scenes to show off his performance.
Overall Casting Grade: B+

Hero Fiennes Tiffin as Pietro Maximoff/Quicksilver
Appearance: B
Performance: B
Thoughts: I feel like Pietro has a smaller role here, but he played the heartbreak well.
Overall Casting Grade: B

Nina Dobrev as Clea
Appearance: B
Performance: B+
Thoughts: Another surprisingly strong performance. I'm not familiar with her prior work, but she manages to play all the different elements of the character with nuance.
Overall Casting Grade: B+

Ben Wang as Wong
Appearance: B+
Performance: B
Thoughts: Interesting take on Wong - WAY different than Disney. 
Overall Casting Grade: B

Kate Winslet as Natalya Maximoff
Appearance: B
Performance: B+
Thoughts: Just a cameo, but she brings gravitas.
Overall Casting Grade: B+

Loren Dean as Robert Frank
Appearance: B-
Performance: C+
Thoughts: Another cameo - not much of a performance though.
Overall Casting Grade: C+

Betsy Brandt as Madeline Frank
Appearance: B-
Performance: C+
Thoughts: Another cameo - not much of a performance though.
Overall Casting Grade: C+

Overall Film Casting Grade: B+






THE BALLAD OF DWIGHT FRYE

Barry Keoghan as Dwight Frye
Appearance: B
Performance: A-
Thoughts: Keoghan gives a haunting, manic performance that nails the character.
Overall Casting Grade: B+

Richard E. Grant as James Whale
Appearance: B+
Performance: B+
Thoughts: Grant brings his usual skills to the role of Whale, making an impact with a thinly written role.
Overall Casting Grade: B+

Makenzie Leigh as Laura Frye
Appearance: B
Performance: B
Thoughts: More of a reactionary role, but she is solid.
Overall Casting Grade: B

BJ Novak as Carl Laemmle Jr.
Appearance: B+
Performance: B+
Thoughts: Novak has one of the bigger supporting roles and the studio exec and does a good job.
Overall Casting Grade: B+

Overall Film Casting Grade: B+






DEAN

George Clooney as Howard Dean
Appearance: B
Performance: B
Thoughts: I don't think I learned anything about Howard Dean, but Clooney was his usual charming self which gets him some points.
Overall Casting Grade: B

Jeremy Strong as Joe Trippi
Appearance: B-
Performance: B-
Thoughts: Strong looks a bit like Trippi, but isn't given much to perform.
Overall Casting Grade: B-

Brian D'Arcy James as Terry McAuliffe
Appearance: C-
Performance: B-
Thoughts: James looks nothing like McAuliffe and is saddled with an awkwardly devised role.
Overall Casting Grade: C+

Overall Film Casting Grade: B-





JOKER VS. DEADSHOT

Caleb Landry Jones as The Joker
Appearance: A
Performance: A
Thoughts: CLJ brings his chaotic Joker back with the R-rating allowing him extra room to get creatively.
Overall Casting Grade: A

Walton Goggins as Floyd Lawton/Deadshot
Appearance: A-
Performance: A
Thoughts: Talk about perfect casting. 
Overall Casting Grade: A

Julia Garner as Harley Quinn
Appearance: A-
Performance: A-
Thoughts: Garner clearly has some fun with the R-Rating in this one.
Overall Casting Grade: A-

Al Pacino as Lou Maroni
Appearance: B
Performance: B+
Thoughts: Pacino gave his second good performance of the season as a fairly traditional mob boss.
Overall Casting Grade: B+

Halle Berry as Amanda Waller
Appearance: B
Performance: B
Thoughts: Berry has made Waller her own by now.
Overall Casting Grade: B

Vincent Gallo as Sal Maroni
Appearance: B
Performance: B+
Thoughts: Gallo was great as the slimy son of Pacino's mob boss.
Overall Casting Grade: B+

Louisa Krause as Susan Lawton
Appearance: B
Performance: B
Thoughts: Small role but I liked the warmth she brought as Deadshot's wife.
Overall Casting Grade: B

Drew Starkey as Jonny Frost
Appearance: B
Performance: B-
Thoughts: Starkey looks the part, but is mostly a bystander to the story.
Overall Casting Grade: B-

Lea Seydoux as Sasha Bordeaux
Appearance: B
Performance: B-
Thoughts: Same thing as Frost, but on the other side of the law.
Overall Casting Grade: B-

Overall Film Casting Grade: B+






AMITYVILLE HORROR

Wes Bentley as George Lutz
Appearance: B-
Performance: B+
Thoughts: He doesn't look a ton like the real guy, but he brings a dark edge to the role.
Overall Casting Grade: B

Alice Eve as Kathy Lutz
Appearance: B
Performance: B+
Thoughts: Eve is immediately likable and relatable as the female lead.
Overall Casting Grade: B+

Nick Robinson as Butch DeFeo
Appearance: B+
Performance: A-
Thoughts: Robinson returns as Butch, this time giving a different type of performance behind bars.
Overall Casting Grade: A-

Sophie Nelisse as Dawn DeFeo
Appearance: B+
Performance: B+
Thoughts: Now a spirit in the house, Nelisse is given a tough part but comes off well.
Overall Casting Grade: B+

Dean Norris as William Weber
Appearance: B+
Performance: B
Thoughts: He has a couple nice moments, but he's mostly to serve the plot.
Overall Casting Grade: B

Victor Garber as Judge Stark
Appearance: B
Performance: B
Thoughts: Every courtroom needs a judge. While the role is underwritten, Garber does a decent job.
Overall Casting Grade: B

David Zayas as Father Pecoraro
Appearance: B-
Performance: B-
Thoughts: Zayas seems a bit tough for the role, but he's a good actor and mostly makes it work.
Overall Casting Grade: B-

Winslow Fegley as Daniel Lutz
Appearance: B
Performance: B-
Thoughts: It's hard to judge children in roles. He did what was required - no more, no less.
Overall Casting Grade: B-

Skylar Betteridge as Missy Lutz
Appearance: C+
Performance: B-
Thoughts: She had the more interesting kid role and did a pretty decent job.
Overall Casting Grade: B-

Sean Astin as Gerard Sullivan
Appearance: B
Performance: C+
Thoughts: He looks the part, but I didn't fully buy his performance.
Overall Casting Grade: B-

Overall Film Casting Grade: B+






THE AVENGERS

Keanu Reeves as Norrin Radd/Silver Surfer
Appearance: B+
Performance: A
Thoughts: With Galactus debuting in the first Silver Surfer film, Reeves is left with some heavy-lifting in this film. He nails it though.
Overall Casting Grade: A-

Alden Ehrenreich as Namor
Appearance: B
Performance: B+
Thoughts: Namor doesn't have a ton to do outside of action, but the character has a couple of really good moments.
Overall Casting Grade: B+

John Krasinski as Reed Richards/Mister Fantastic
Appearance: A-
Performance: B
Thoughts: Krasinski is saddled with a ton of exposition in this one.
Overall Casting Grade: B+

Sarah Gadon as Sue Storm/Invisible Woman
Appearance: A
Performance: B-
Thoughts: Not a ton to do, but she can play Sue in her sleep at this point.
Overall Casting Grade: B+

Jason Segel as Ben Grimm/The Thing
Appearance: B+
Performance: B
Thoughts: A couple decent scenes, but definitely sidelined a bit in this one.
Overall Casting Grade: B+

Jack Reynor as Johnny Storm/Human Torch
Appearance: B+
Performance: B-
Thoughts: His scenes with Namor sizzle.
Overall Casting Grade: B

Mark Duplass as Bruce Banner/Hulk
Appearance: B+
Performance: B+
Thoughts: Duplass' Banner gets some of the better dramatic acting early in the film.
Overall Casting Grade: B+

Glen Powell as Steve Rogers/Captain America
Appearance: A
Performance: B+
Thoughts: Powell's Cap doesn't have a ton to do in this film, but he delivers.
Overall Casting Grade: A-

Mila Kunis as Natasha Romanov/Black Widow
Appearance: B
Performance: B
Thoughts: She is sidelined from most of the action, but her chemistry with Selleck's Stark was good.
Overall Casting Grade: B

Orlando Bloom as Victor Von Doom
Appearance: A-
Performance: B
Thoughts: The Marvel Universe's ultimate wildcard, Bloom's Doom has a couple really good scenes in this one.
Overall Casting Grade: B+

Tom Selleck as Tony Stark/Iron Man
Appearance: B+
Performance: B+
Thoughts: Selleck gets a big dramatic moment in the end.
Overall Casting Grade: B+

Bryce Dallas Howard as Betty Ross
Appearance: B
Performance: B
Thoughts: A small role in this one, but I like her opposite Duplass' Banner.
Overall Casting Grade: B

Arnold Vosloo as Galactus
Appearance: B
Performance: B
Thoughts: We don't see him in all his glory until the end, but he is Galactus at this point.
Overall Casting Grade: B

Gemma Arterton as Shalla-Bal
Appearance: B
Performance: B
Thoughts: She does a solid job despite being saddled with some extra CGI.
Overall Casting Grade: B

DeObia Oparei as Morg the Executioner
Appearance: B+
Performance: B-
Thoughts: Not a ton to do other than fight a couple good guys, but it works.
Overall Casting Grade: B

Overall Film Casting Grade: B+

Monday, April 28, 2025

The Roundup with Jeff Stockton (Season 32 GRA Edition)

   
 
 
For this awards-centric edition of The Roundup, I will go through each category and tell you who I think should win the award, who I think actually will win the award, who I think has no chance to win, who I think may have been snubbed out of a nomination (if anyone) - followed by a brief thought on the category this season.

BEST PRODUCTION DESIGN
Who Should Win: Scarlet Witch
Who Will Win: Scarlet Witch
No Chance: N/A
Snub(s): Monopoly

Thought(s): I think this could be anyone's award, but I'm putting my money on Scarlet Witch. This category will be that film's best shot at a trophy.

BEST SOUNDTRACK

Who Should Win: The Ballad of Dwight Frye
Who Will Win: Songbird or The Brothers Kendrick
No Chance: Scarlet Witch
Snub(s): N/A

Thought(s): 
Voters seem to like stories about musicians in this category, which leaves Songbird or The Brothers Kendrick as the favorites. I'm more partial to The Ballad of Dwight Frye though due to its fun combination.

MOST WANTED SEQUEL
Who Should Win: The Avengers
Who Will Win: The Avengers
No Chance: Monopoly
Snub(s): Joker vs. Deadshot

Thought(s): This is obviously The Avengers' trophy to lose - a film 29 seasons in the making. Hopefully it won't take 29 more seasons for a second one.

BEST ENSEMBLE CAST

Who Should Win: The Avengers
Who Will Win: Escape
No Chance: Songbird
Snub(s): N/A

Thought(s): My pick is The Avengers due to the size and scope of the cast and characters, but something tells me voters could give Escape the trophy here to make up for other awards it may lose later on in the ceremony.

BEST STARRING COUPLE
Who Should Win: Walton Goggins & Caleb Landry Jones - Joker vs. Deadshot
Who Will Win: Walton Goggins & Viggo Mortensen - The Vintner
No Chance: Tom Glynn-Carney & Tom Holland - The Brothers Kendrick
Snub(s): N/A

Thought(s): Either way the voting turns out, Walton Goggins is definitely going to leave the ceremony with a Best Starring Couple trophy.

BEST VILLAIN
Who Should Win: 
Christopher Heyerdahl - Phantasm: Awakening
Who Will Win: Steve Martin - Monopoly
No Chance: Nina Dobrev - Scarlet Witch
Snub(s): Arnold Vosloo - The Avengers

Thought(s): Heyerdahl perfectly captured the Tall Man tone originated by Angus Scrimm, so I would love to see him win the trophy. Steve Martin is the safe money though - star power, classic character, etc.

BEST ADAPTATION
Who Should Win: Monopoly
Who Will Win: The Avengers
No Chance: Joker vs. Deadshot
Snub(s): N/a

Thought(s): This an interesting category this season - no prestige type films, all genre films. I think The Avengers will win based on its Metascore, but Monopoly is pretty inventive so it has my vote.

BEST ORIGINAL STORY
Who Should Win: The Vintner
Who Will Win: The Vintner
No Chance: The Ballad of Dwight Frye / Orange Blossom
Snub(s): Songbird

Thought(s): The Vintner is the clear favorite with Escape being its only real competition. I don't expect any surprises here.
 
BEST SUPPORTING ACTRESS
Who Should Win: Jade Pettyjohn - Escape
Who Will Win: Jade Pettyjohn - Escape
No Chance: Rosamund Pike / Ann Dowd
Snub(s): N/A

Thought(s): Jade Pettyjohn should win this one. The only wildcard in my eyes is Berenice Bejo, but I still have my money on Pettyjohn.

BEST SUPPORTING ACTOR

Who Should Win: 
Walton Goggins - The Vintner
Who Will Win: Walton Goggins - The Vintner
No Chance: Nick Robinson - Amityville Horror
Snub(s): N/A

Thought(s): I'd bet my house that Goggins will win this - he deserves it too.

BEST ACTRESS
Who Should Win: Reese Witherspoon - Escape
Who Will Win: Taylor Swift - Songbird 
No Chance: Alice Eve / Margaret Qualley
Snub(s): N/A

Thought(s): Voters like biopics, which applies to the two favorites in this category - Witherspoon and Swift. Witherspoon deserves the award here, but Swift fans are relentless so I think there is a decent chance she could win.

BEST ACTOR
Who Should Win: Viggo Mortensen - The Vintner
Who Will Win: Viggo Mortensen - The Vintner
No Chance: Everyone else
Snub(s): N/A

Thought(s): There is no way in hell Viggo doesn't win.

BEST DIRECTOR
Who Should Win: Pablo Larrain - The Vintner
Who Will Win: David Fincher - Escape
No Chance: Sam Mendes - The Ballad of Dwight Frye
Snub(s): Max Barbakow - Monopoly

Thought(s): Larrain vs. Fincher. Larrain deserves it more, but Fincher is the big name and he has multiple nominations without a win, so I think voters could throw him a bone here.

BEST PICTURE
Who Should Win: The Vintner
Who Will Win: The Vintner
No Chance: The Avengers / Songbird
Snub(s): Joker vs. Deadshot

Thought(s): The Vintner is the clear favorite here once again. Escape has a slight chance. No other film has a shot. 

Sunday, April 27, 2025

For Your Consideration with Reuben Schwartz (Season 32)

 

Welcome back to For Your Consideration with Reuben Schwartz! In this post, I will recap the nominations for the latest Golden Reel Awards, the various storylines going into the ceremony and look back to locate its place within LRF's history.

Storylines:

Across the board, this ceremony appears to be largely a two-horse race: Escape vs. The Vintner. The two films stand head-and-shoulders above the rest of the field in nominations, with eight and nine respectively. It is two of the studio’s longest-tenured and most-respected writers in Lon Charles and Dwight Gallo. Charles won Best Picture for Solution back in Season 2 but it has eluded him ever since, notching an astonishing 15 Best Picture noms since that ceremony. Solution beat Blackwater that season, one of his 10 Best Picture nominations. He has won the award three times (Born in Brooklyn, Territory, AKA Billy the Kid).

The Avengers will continue the fight of superhero movies trying to break through in the Best Picture category. A comic book film has been nominated in the category in seven of the last eight seasons, including two Justice League films in a row recently. Now Marvel will get its shot, although that is admittedly a long one. Perhaps Gareth Edwards could score a win in the Best Director category like Michael Bay last season. Edwards has quietly been one of the steadiest workers throughout LRF’s history, his films having earned the studio a whopping $3.4 billion in profits alone. More on him later.

There has also been talk around town about the show’s producers pulling out all the stops for this ceremony, with a biger-than-usual audience tuning in due to the devoted fanbase of Best Actress nominee Taylor Swift. A Swift performance to open the show perhaps? Joni Mitchell isn’t known for making show-stopping hits, exactly, but I’m sure they can figure something out.

Returning Winners:

Margaret Qualley - Don’t look now but Margaret Qualley is on a bit of a hot streak at the moment. While her roles are few and far between, she has won a Golden Reel Award in hr last two performances at the studio: Best Actress for Observance in Season 20 and Supporting Actress for Miracles in Season 26.

Sam Mendes - Mendes is a sole Best Director nominee to have previously won the award, which he nabbed for Season 17’s The Glass Menagerie. This is his fourth time being nominated for the prestigious award.

Viggo Mortensen, Jesse Plemons, and Nick Robinson - This trio all have won one Golden Reel Award in the past: Best Villain. They will now all be striving for their first award in one of the main acting categories. Mortensen won for Batman: In the Shadows and was nominated for Best Actor once before for Berserker. Plemons was nominated for Best Villain and Actor for his memorable turn in The Tower, but only won Villain. Robinson, meanwhile, could join the rare likes of Leonardo DiCaprio and Sydney Sweeney for winning GRAs across different seasons for playing the same character, as his Best Villain win came for Amityville in Season 28.

Returning Nominees:

David Fincher - The Best Director nominee has been nominated four times before (Cold, Survivor, Heights, The Dogs of Winter) but has yet to win the award.

Reese Witherspoon - This is the star’s third time in the Best Actress category, having previously been nominated for Kylie Dates New York City and Nevada, Iowa.

Harrison Ford - Witherspoon’s Escape co-star was a first-time GRA nominee last season for Willamette and now returns a season later to try and claim victory.

Alice Eve - It has been a longer wait for Eve, who was last nominated for a GRA back in Season 12 for her supporting role in Doctor Love.

Barry Keoghan - The “Ballad of Dwight Frye” nominee returns to the Best Actor category after his nomination for The Terminal Spy in Season 26.

Rosamund Pike - This is now two Best Supporting Actress nominations for Pike in a row, having been nominated two seasons back for her turn as Emma Frost in X-Men: Hellfire.

Al Pacino - It is great to see the legendary Al Pacino back at the Golden Reel Awards. He has been nominated for an individual award just once before, way back in Season 10 for Haute Couture.


First-Time Nominees:

I’m going to try something a little different this year and break down this category based on how many films they have made for the studio. First up…

Walton Goggins - This is Walton’s first individual acting nomination for his eleventh film at LRF, debuting back in Season 2 in Blood Meridian. Over that time, he has been in five films nominated for Best Ensemble.

Joshua Collins - The writer made his LRF debut back in Season 21 with Gigantor and has maintained a steady presence ever since. His Best Original Story nomination for Orange Blossom marks his first writing nomination.

Jamie Bell - The On Life and Living actor is also making his LRF debut in his tenth film for the studio, having debuted in Season 4.

Gareth Edwards - A worthy nomination for the Avengers director after a long and storied career at LRF. The Marvel extravaganza is his ninth film for the studio, putting him in the upper echelon of prolific directors. He started back in Season 1 with Halo, a franchise whose five films marked the first half of his LRF career, before pivoting to The Fantastic Four and co. in Season 16.

Ann Dowd - Like Walton Goggins, this respected character actress has been a mainstay in the Best Ensemble category but is receiving her first individual acting nomination in her fifth role at the studio.

Jade Pettyjohn - The young star catapulted into the spotlight with her supporting turn in Escape, but this is actually been a slow ascent as it is her fifth role at the studio.

Pablo Larrain - The stylish Chilean director only made his debut a few seasons back (The Last Days of the American Cowboy) and is now nominated for his second LRF film.

Berenice Bejo - Bejo is another representative of The Vintner who has been nominated for their second film, having debuted in Season 24 in Akin.

Nic Suzuki - The writer’s LRF career is off to a promising start after writing two smashing box office successes in Gamera and Monopoly, and now a Best Adaptation nomination to boot.

Taylor Swift - And finally, the pop superstar making her LRF and GRA debut simultaneously with her portrayal of Joni Mitchell in Songbird.

Friday, April 25, 2025

SEASON 32 GOLDEN REEL AWARD VOTING



The highly competitive nomination phase is over and you, the voters, have decided who will be nominated for the Season 32 Golden Reel Awards. You may now vote to see which nominees will come out victorious at this season's upcoming award ceremony....













































Tuesday, April 22, 2025

SEASON 32 GRA NOMINATIONS POLL

 The first step of any awards show is to determine the nominees. The choices will be announced in just about 72 hours, so vote soon.

In each category, please select your top FIVE choices. All of the categories are below, so just keep scrolling and vote.

Slightly off-topic, but if you are interested at all in being a critic for Season 34, please fill out this form : https://forms.gle/ky1v6m5aSGKmETQdA


Create your own Polls



Created with Poll Maker






Created with Poll Maker



Create your own Polls



Created with Poll Maker



Create your own Polls



Created with Poll Maker



Created with PollMaker



Created with PollMaker



Created with PollMaker



Created with PollMaker



Created with Poll Maker



Created with Poll Maker

PREMIERE MAGAZINE #320

 

The Roundup with Jeff Stockton (Season 32 Round 10)

 

Season 32 ends on a big high note thanks to the long-anticipated Avengers film - a film 29 seasons in the making. 
For the last time in Season 32, here's The Roundup....



3. Box Office
Much like Planet Earth, the Season 32 Box Office found itself saved by The Avengers.

2. Amityville Horror
While it wasn't quite the game changing horror classic that the creative team had with their first Amityville film, this sequel was still a very strong supernatural horror film.

1. The Avengers
The Avengers delivers everything it promised. Massive action and superhero spectacle. There's not much else to say. It will be interesting to see what direction the Marvel Universe goes in next - obviously there has to be another Avengers project eventually given the massive success here.


3. N/A

2. Sexual Paradise
Roy Horne said it better and more eloquently a few days back on the forum, but Sexual Paradise clearly felt like multiple films crammed into one. No storyline felt fully fleshed out - the film simply has an identity crisis. As for the starring role, I don't think Alex Wolff is ever going to develop into the leading man a few LRF writers seem to want him to be.

1. Wes Anderson
Wes Anderson has to have one of the worst box office track records for a director in LRF. Three huge flops out of four films.

Monday, April 21, 2025

On Location (Season 32 Round 10)

 
Sexual Paradise
- Atlanta, Georgia, USA



Amityville Horror
- Atlantic Highlands, New Jersey, USA



The Avengers
- New York City, New York, USA

- Vancouver, British Columbia, Canada

Box Office Breakdown (Season 32 Round 10)

 




Sexual Paradise
Budget: $36,000,000
Total Box Office: $26,776,537
Total Profit: -$33,000,001











Amityville Horror
Budget: $25,000,000
Total Box Office: $162,689,278
Total Profit: $74,030,222











The Avengers
Budget: $285,000,000
Total Box Office: $1,485,276,460
Total Profit: $580,070,033








Box Office Facts
Sexual Paradise
Wes Anderson does not have a very strong box office track record with his LRF resume. He has now directed four films for the studio - Amelie, The Driftwood Populace, The Scam of Success, and now Sexual Paradise. Only The Scam of Success managed to earn any profits. The four films have combined to lose a substantial $92 million for the studio.

Amityville Horror
This sequel was still quite the successful horror film, but it did not perform quite as well as the first film. Overall box office gross for the sequel was down 18% while profits were down 31%.

The Avengers
The Avengers has become the 8th highest grossing film in LRF history, the highest grossing of all the Marvel Universe production, and the highest grossing non-DC Comics Universe film in LRF history.




Genre Rankings
Sexual Paradise
Drama: #304

Amityville Horror
Horror: #36
Supernatural: #16

The Avengers
Action: #8
Superhero: #8 




Season 32 Round 10
Total Box Office: $1,674,742,275
Total Profit: $621,100,254

Season 32 Totals
Total Box Office: $5,629,098,215
Total Profit: $1,273,680,072





Season 32 Summary
1. The Avengers : $1,485,276,460
2. Red Lantern Corps : $647,663,032
3. Captain America: Winter's End : $636,096,655
4. Monopoly : $459,560,933
5. Gargoyles: A Tale Old as Time : $429,582,229
6. Joker vs. Deadshot : $337,705,330
7. Scarlet Witch : $293,121,422
8. Phantasm: Awakening : $171,990,049
9. Amityville Horror : $162,689,278
10. Songbird : $161,140,388
11. Escape : $103,248,405
12. Patient Zero : $78,285,838
13. The Brothers Kendrick : $61,947,637
14. An Irish Rendezvous : $60,209,570
15. The Ballad of Dwight Frye : $54,505,718
16. Mirror's Curse : $53,526,180
17. Dean : $44,090,859
18. Bigfoot : $43,830,645
19. The Vintner : $41,179,499
20. Sins of the Father : $40,588,621
21. Mr. Happy : $40,306,329
22. Chicka Chicka Boom Boom : $35,688,955
23. Fading Nights : $34,402,850
24. Orange Blossom : $30,706,907
25. Sexual Paradise : $26,776,537
26. Love, Death, Revolution : $25,599,887
27. War of the Currents : $24,420,260
28. H.H. : $21,940,944
29. On Life and Living : $13,514,798
30. A Tale of Love and Darkness: $9,502,000

Sunday, April 20, 2025

Release: The Avengers

 

The Avengers
Genre: Action/Superhero
Director: Gareth Edwards
Writers: D.R. Cobb & Mark Newton
Based on Marvel Comics characters
Cast: Keanu Reeves, Alden Ehrenreich, John Krasinski, Sarah Gadon, Jason Segel, Jack Reynor, Mark Duplass, Glen Powell, Mila Kunis, Orlando Bloom, Tom Selleck, Bryce Dallas Howard, Arnold Vosloo, Gemma Arterton, DeObia Oparei



Budget: $285,000,000
Domestic Box Office: $660,496,003
Foreign Box Office: $824,780,457
Total Profit: $580,070,033

Reaction: The latest mega-production has thankfully managed to become a mega-hit - staking its place as the highest grossing non-DC Comics Universe film in LRF history.



"Let me be clear: this is not Kirby. But in a cinematic landscape where most 'comic book films' are less adaptation and more content slurry, The Avengers dares to honor the cosmic terror of Galactus with something approaching reverence. Gareth Edwards captures the scope of Galactus as a metaphysical force rather than just a big purple dude. Reeves’ Silver Surfer is legitimately the most faithful translation of a Lee/Kirby archetype in years, and the inclusion of the Ultimate Nullifier — handled with surprising narrative restraint — suggests the writers actually read the source material. It's not perfect: Doom is too quippy, Namor too softened, and the Third Act leans more toward spectacle than allegory. But it dares to pose cosmic questions - with non-stop action to back it all up." - Sloan Armitage, Sequential Sanctum Quarterly


"The Avengers is like a galaxy-sized punch to the face, in the best possible way. Gareth Edwards balances world-ending drama with emotional punches that land just as hard as the Hulk's. Keanu’s Silver Surfer is equal parts zen and deadly. The fight scenes are gnarly, the visuals are insane, and the Galactus reveal? Legit jaw-dropping. There are some pacing bumps in the middle and the Tony Stark send-off feels a little too fan-servicey, but that final act? Pure comic-book bliss. Bonus points for Johnny Storm trying to be relevant. Poor dude." - Jaz Flores, ScreenJunkiezBuzz!


"At long last, The Avengers receives a cinematic treatment that aspires to something grander than capes and quips, thanks to Gareth Edwards’ somber sensibilities and an uncharacteristically meditative script. While the film struggles beneath its own cosmic weight at times — particularly in the overlong second act and the tiresome reliance on multicolored explosions — there are flashes of genuine awe. Arnold Vosloo’s Galactus is a true cinematic menace, and Keanu Reeves as the Silver Surfer brings a mournful gravitas that elevates the proceedings beyond juvenile fare. There’s a touch too much shouting and smashing for my taste, and the presence of Mr. Stark’s heroics feels like a studio-mandated ghost clinging to the frame. Yet, for all its overstuffed grandeur, The Avengers offers a glimpse of what the superhero genre could become: tragic, mythic, and — dare I say — sincere." - Reginald Thistlewaite, The London Review of Film









Rated PG-13 for intense sequences of sci-fi violence, destruction, some language, and thematic elements.