Friday, May 5, 2023

Now Showing: Caesar Part III

 
Caesar Part III
Genre: Historical/Biography/Epic
Director: Christopher Nolan
Writers: John Malone & Chad Taylor
Cast: Leonardo DiCaprio, Uma Thurman, Will Poulter, Douglas Booth, Daisy Edgar-Jones, Steve Coogan, Zachary Quinto, Matilda De Angelis, Michael Cimino, Walker Scobell, Raffey Cassidy, Stephen Graham, Gabriella Wilde

Plot: The Year is 53 BC. Julius Caesar (Leonardo DiCaprio) wakes up in a cold sweat. He and his army are in the thick of the Gallic Wars, currently camped outside of a Gallic stronghold of Alesia that has proven impenetrable as dozens of thousands of Gallic soldiers stand watch. Caesar stares worryingly at a shadow in the corner of his room before Mark Antony (Douglas Booth) enters with urgent news. The Gauls are sending reinforcements so the Romans must decide swiftly their next move. Caesar stares at the shadow in the corner once more before leaving the tent.

In the middle of the night, Caesar and his lieutenants wake up the Roman soldiers. He instructs them of their plan: they will build a double-sided fort around Alesia. The outer wall will block the reinforcements while the inner wall will starve the soldiers in town by cutting off their supplies. He then adds that they should make one section of the fort vulnerable. Antony gives him a worrying look and Caesar whispers that you must always think like your enemies if you want to out-maneuver them. The soldiers, tired and haggard, are initially resistant as they will need to work nonstop to build the 20 miles worth of support. Caesar starts to talk but then offers for Antony to rouse up the soldiers instead. Caesar's protege seizes the opportunity and is able to convince the soldiers that this is the smartest move for them.

After an intensive building process, the Gallic reinforcements arrive and attack the outside fort as their soldiers in Alesia attack the inside fort. The Gallic strategy fails miserably as some break through the flaw in the wall and fall right into Caesar's trap. The Roman soldiers are able to capitalize on this and successfully siege Alesia while holding off the soldiers on the outside. After the siege ends, Mark Antony gives Caesar a nod of approval and says that the people of Rome are going to love him for this.

Later, in 48 BC, Julius Caesar is the dictator of Rome. Despite the immense power he wields, Caesar has quickly grown bored without a powerful enemy to conquer. He is reminded by his wife Calpurnia (Daisy Edgar-Jones) that it will soon be the anniversary of the death of his daughter Julia. He is depressed when he realizes that it has now been eight years since her death during childbirth but the occasion has yet to be truly acknowledged. Calpurnia then lays down on the bed, naked, suggesting that trying to make an heir can help Caesar take his mind off other things. Caesar disrobes and has quick dispassionate sex with his wife.

At the Roman Forum, Caesar tells the Roman Senate, now seemingly led by the younger upstart Cassius Longinus (Zachary Quinto), that he plans on throwing a massive event in the heart of Rome in his late daughter’s honor. Cassius is against the idea as he feels it wouldn’t be in good taste to throw a fortune away on what amounts to a funeral party, but he acknowledges that in today’s Rome the Senate holds little real power. He wants it to be the biggest event in generations with stage plays, chariot races, gladiator battles, beast fights and exotic displays. Caesar tasks Falco (Stephen Graham), the master of ceremonies at the Roman Colosseum, with bringing life to his vision of the events. Caesar tells Falco that cost is no object in putting on the best possible show to honor Julia. Falco tells Caesar that it will take a bit of time to line up all the events, but that he will start working on it immediately. Caesar thanks Falco, and is sure to remind him how important it is that the games on display be grand.

Caesar gives a grand announcement of the games in Julia’s honor at the Roman Forum. After he is done giving a short speech about his daughter, a woman charges at Caesar, trying to stab him with a short sword. Mark Antony pushes Caesar out of the way and stabs the woman in the heart, killing her. Caesar demands to know why the woman attacked him. Antony inspects the sword the woman used, quickly surmising that the woman must have been the spouse of a soldier who died in the Gallic Wars.

Caesar tells Calpurnia that the assassination attempt opened his eyes. He isn’t afraid of dying, but he is afraid of what will happen to Rome should he meet an untimely end. Caesar bemoans not having a male heir to the throne. Calpurnia is apologetic, but Caesar is uninterested in hearing it. He instead asks if he has any male descendants that could be groomed as a successor in case he never has a son of his own. Calpurnia thinks about the family tree, finally proposing Caesar’s nephew Octavius, the son of his niece Atia.

Caesar and a large procession, including Antony and Calpurnia, take the road leading away from Rome to the southeast until they arrive in the rural village of Velletri. When they arrive, Caesar and Calpurnia are greeted warmly by Caesar’s niece Atia (Gabriella Wilde). She mentioned that she is surprised by the visit as Caesar has never come to town for one before. Caesar tells her that he wishes it was just a family visit, but that there is serious business to conduct that will affect the future of the entire Roman Empire. They all sit down on a balcony looking over a field where Octavius (Walker Scobell) rides on horseback. Caesar motions toward the boy and tells Atia that he wishes to adopt the boy and make him his official heir, at least until he and Calpurnia can make a son of his own. Atia isn’t thrilled with the idea of her son leaving home at such a young age, but Caesar insists that Octavius and Atia will both be treated like royalty. Atia calls Octavius in from the field. Octavius dismounts from his horse and runs over to his mother. Atia introduces her son to her great-uncle Julius Caesar for the first time. Octavius quickly kneels down to show respect to the leader of Rome. Atia informs her son that he will be leaving with Caesar for Rome where he will live now. Octavius is heartbroken to leave Velletri. Caesar and Calpurnia escort Octavius away from the property while Antony stays behind to give Atia a payment of gold.

Caesar, Calpurnia, and Octavius return to Rome to a crowd to greet their arrival. Near the back of the onlookers, Servilia (Uma Thurman) observes intently. She visits the home of her son Brutus (Will Poulter), where is currently writing a pamphlet telling the life of his mentor Cato the Younger. Months have passed since Cato's death but it still weighs on Brutus, who has since gotten married to a young woman named Claudia. Servilia tells him that she is here to deliver some disappointing news. She had heard rumors and now has seen it with her own two eyes: Caesar has decided on an heir who is not even his direct kin. Brutus continues writing, acting as if he is not even listening, before slamming his fist down angrily. After a brief silence, he asks her if this was her fault, this rejection. She is initially angry at this line of questioning but can tell that her son is hurting, for multiple reasons. She sits next to him and reminds him that he can forge his own path. Write his pamphlet, bear children with Claudia, perhaps even become a senator some day. His anger resigns.

Now resuming his political duties, Caesar has requested the presence of Cicero, an old political foe. Beforehand, Mark Antony pulls Caesar aside and advises against bringing back someone who fought so adamantly against them. Caesar reminds Cicero is in a weak position, exiled from his own home, and thus that gives them something to gain. Cicero (Steve Coogan) is nervous amidst his return to Rome. To his relief, Cicero is pardoned by Caesar, who thanks him for pulling out his support of Pompey and Cato towards the end. Cicero is honestly unsure what to say but is grateful to be on Caesar's good side for once. As they talk, Cicero notices young Octavius playing in the courtyard and asks Caesar about him. Caesar is honest in wanting to raise Octavius to be his heir as dictator, at least for now. After a thoughtful gaze, Cicero asks if he could repay Caesar's favor and teach Octavius the political ropes of Rome. Caesar admits that he is a busy man and, if there's anyone who has the wealth of knowledge to pass down, it would be Cicero. He agrees to Cicero's proposal.

The games in Julia’s honor are finally set to begin as Caesar is taken to the Colosseum in an extravagant parade. The people of Rome are marveled by the sight of giraffes and elephants being led through the streets. The games get off to a rousing start as a gladiator squares off against a large Eurasian brown bear. After an intense, but short battle, the gladiator manages to slay the bear. Falco orders his crew to clean up the bear carcass for the next event. During the next event, a trio of golden chariots race around the arena. Calpurnia questions the extravagance and cost of the golden chariots, angering Caesar. After several bloody gladiator duels, Falco announces the end of the first night of the games to the crowd after a brief stage play re-enacting the birth of Julia.

As the events escalate, Cassius is angered by what he perceives as Caesar using barbaric entertainment to distract the people of Rome from his own exertion of power. This mainly falls on deaf ears given Caesar's undeniable power, although he does find some support amongst the lingering Cato supporters at a small memorial for the fallen Senator. Cassius runs into Brutus, who he remembers to be one of Cato's proteges. Brutus is honored to talk with a politician of growing stature. Cassius offers his sympathies over the loss of Cato, whom he considered a friend. They look across the room at Cato's daughters and says that he really feels for them; young and fatherless. As he talks, Brutus makes brief eye contact with the eldest daughter, Portia (Raffey Cassidy), who shares her father's eyes. He asks if she is betrothed or not. Cassius says she is not, although the legions of supporters for her father could likely use someone to rally behind and whoever she marries would be a prime candidate.

During the next day of the games, the crowd has apparently become desensitized to the violence of gladiator combat as they are not as uproarious as they were the day before. Caesar orders Falco to immediately bring out the most exciting event he has planned. Falco nervously agrees. The next event is a group of gladiators pitted against an entire pride of lions. Caesar watches on with Antony, Calpurnia and Octavian at his side. As the lions maul the gladiators, Calpurnia covers Octavian’s eyes. Soon the entire group of gladiators have been killed by the lions and Falco must call in the lion tamers to round them up. Caesar looks out over the crowd in the Colosseum, which has grown deathly quiet with discomfort.

The Senate demands a meeting with Caesar over the financial burden his games are putting on the entire empire of Rome. Caesar says that he still doesn’t care what the actual financial cost of the events are as he cares more about honoring his daughter’s memory. Cassius comments that he doesn’t think Julia would be pleased with the blood shed during the games, and he doesn’t think that her husband Pompey would be pleased either. Mark Antony raises a sword to Cassius’ throat, ready to kill Cassius. Caesar tells Antony to stand down before leaving. Caesar goes home to Calpurnia where he mourns the death of both his daughter as well as Pompey. Calpurnia asks why he’s so broken up about Pompey. Caesar tells her that he regards Pompey as the only worthy adversary he ever faced and it was a travesty that he was erroneously killed by forces in Egypt trying to curry favor with Caesar and Rome. Caesar decides to set sail for Egypt to confront Pompey’s murderers. He publicly names Antony as the governor of Italy, entrusting him to maintain order in Rome while he is away to find and punish those who beheaded Pompey. Caesar waves goodbye to a crowd as he sails across the sea with a small legion at his disposal.

As Caesar and his legion approach Alexandria, the entire ship is in awe at the sight of the Lighthouse of Alexandria, the tallest man-made structure in the known world. As they make their approach, Caesar regales the men in the story of how the city was founded by Alexander the Great nearly 300 years earlier. As soon as their ship makes it to the Great Harbor of Alexandria, Caesar and his legion immediately and expertly seize the port. Caesar demands an immediate presence with King Ptolemy or else he will have the entire force of the Roman military destroy the city. The guards at the port quickly give in to Caesar’s demands and escort him and most of his legion to the royal palace of Alexandria. Caesar is greeted by the young Ptolemy XIII (Michael Cimino) - the King of Egypt. Caesar is surprised by the youthfulness of the king. He demands to know why his friend Pompey was beheaded. Ptolemy tries to explain that he was attempting to show loyalty to Caesar with the act. He feared that Pompey was trying to maintain a base of operations for his war against Caesar in Egypt, which would only bring the war across the sea to his lands and hurt the people of Alexandria and other Egyptian cities. Caesar asks Ptolemy who gave him this idea as it does seem like the thoughts of such a young man. Ptolemy claims he was simply acting on the advice of the advisors his father set into place to help him run Egypt. Caesar coldly tells Ptolemy that his so-called advisors had him behead and murder his best friend and someone must pay for that. Ptolemy calls his advisors into the room. They enter alongside Ptolemy's sister, Cleopatra (Matilda De Angelis). Ptolemy then orders his guards to behead the group of advisors as an act of goodwill toward Caesar and his Roman empire. Cleopatra and Caesar catch each other’s eyes as the guards drag away the dead, headless bodies. Caesar comments that it would seem his work in Egypt is done, but Ptolemy insists that Caesar stay at the palace as a guest of honor. The city can throw a great feast in honor of his visit. Caesar agrees and is escorted to the guest chambers.

Late at night, Caesar stays up to write a letter back to Rome when Cleopatra sneaks into his chambers. She informs him that Ptolemy is completely incompetent and cannot be trusted. Caesar asks why she speaks of her own brother this way, and she replies that in their father's will, he asked that both herself and Ptolemy should rule Egypt together, but now Ptolemy is forcing her to marry him as part of a loophole that would give him complete power over Egypt. Cleopatra insists she must be going before she is found outside of her chambers. She kisses Caesar on the cheek and asks him to help her for the sake of the futures of both of their empires. After Cleopatra leaves, Caesar sits back down to finish his letter, which he seals with a wax stamp.

In Rome, Brutus takes Portia down a scenic path as they get to know each other better. He tells her about his suspected belief that Caesar is his father and Caesar’s harsh rejection. She clearly holds a hatred towards Julius as well given his rivalry with her father. Eventually the conversation turns and, as he speaks, she leans in to kiss him but apologizes, knowing he is married. He traces his finger across the palm of her hand before passionately kissing her.

Afterwards, he visits his mother and tells her that he plans to divorce Claudia and marry Portia. Servilia is incensed to hear this, asking if it a bit rash. She says that he already has a loving wife and one that is the daughter of a powerful senator. He can’t help but laugh, saying of course she would bring up how he’s just a political puppet for her. She tries to hold his hand but he pulls away. He tells her that he’s done playing games for others. She becomes stern and demands that he stay here and talk this out. He leaves, instead.

Ptolemy throws a grand feast in honor of Caesar and his legion at the palace, complete with wine, food and dancing. Ptolemy gives a toast to Caesar and his men, proclaiming the evening to be the start of a great period of friendship and peace between Rome and Egypt. Caesar drinks to the toast and smiles at Cleopatra. During the festive revelry, Ptolemy grows jealous when he spots Caesar and Cleopatra exchanging glances. That evening, Caesar once again retires to the palace’s guest chambers. He is soon joined by Cleopatra. He informs her that he sent off a letter that morning off to the rest of his legion at the Great Harbor telling them to collect men from any nearby legions and for them to come to Alexandria at once. Cleopatra asks how long that could take. Caesar says it shouldn’t take long at all, a day at most, for more troops to come as he has legions stationed all throughout the Mediterranean and Aegean Seas. Cleopatra thanks Caesar before completely disrobing in front of him. She then lays naked, sprawled across the bed, offering herself to Caesar. He climbs on top of her, and together the two ravenously make love. In the morning, Ptolemy finds Caesar and Cleopatra in bed together. He throws his crown to the ground and storms off in anger, loudly declaring Cleopatra as a traitor to Egypt. The commotion awakens Caesar and Cleopatra. She panics, thinking that Ptolemy will have them killed before Caesar’s forces arrive. He tries to calm her, insisting that they have the element of surprise over him. All they have to do is stay alive and string Ptolemy along long enough for his reinforcements to arrive in Alexandria. Cleopatra passionately kisses Caesar. She tells him that she had a dream where together they brought Rome and Egypt together as one great empire and ruled the lands together as king and queen.

Caesar and Cleopatra go to leave the palace to join up with his legion which already took control of the Great Harbor upon his arrival in Egypt, but Ptolemy refuses to let them leave the building. Ptolemy then calls upon his guards, ordering them to keep his whore sister and Caesar from leaving. Caesar asks to see Ptolemy XII’s will, as he thinks the guards would like to know who they should really be serving. Cleopatra accidentally reveals that Caesar has legions of soldiers on their way to Alexandria. Ptolemy isn’t sure whether to believe his sister’s boisterous claim and finally agrees to allow Caesar to leave, but Cleopatra must stay in the palace. Caesar prepares to draw his sword, but Cleopatra stops him and agrees to her brother’s demand. Caesar kisses her and assures her that he will be back for her. Caesar returns to the Great Harbor just as several Roman ships are arriving from Cyprus. Caesar calls upon every soldier present at the Great Harbor and announces that they are going to assault the royal palace and overthrow the current king, Ptolemy XIII, in favor of Cleopatra.

When Ptolemy sees Caesar’s legions marching toward the palace, he panics. He attacks Cleopatra but he locks herself in her chambers, with Ptolemy unable to reach her. As Caesar’s army gets closer, Ptolemy decides he must flee the palace. Caesar confronts Ptolemy, but Caesar doesn’t see the young Ptolemy as a physical threat and lets him leave, instead choosing to ensure Cleopatra’s safety. Caesar finds Cleopatra’s chambers and convinces her to come out to him. Ptolemy runs from the palace and gets into a small raft and attempts to sail away from Alexandria, but is stopped in his tracks when he sees the Roman naval ships that have already taken the Great Harbor. Caesar and Cleopatra leave the palace and see Ptolemy’s raft sitting in the water with nowhere to go. Ptolemy finally jumps from his boat and attempts to swim back to shore. Caesar orders some soldiers to arrest Ptolemy as soon as he makes it back. Cleopatra tells him that will not be necessary as her brother cannot swim. Ptolemy flails in the water before finally disappearing under the surface, drowning to death. Caesar proclaims that Cleopatra is now the Queen of Egypt and anybody who takes issue with that will have to take it up with the might of Rome.

In Rome, Servilia, still angry over her son’s actions, goes to confront who she believes to be culpable: Cassius. However, she instead runs into Calpurnia, who is on a walk with Cicero and Octavian. Calpurnia says she is sorry to her about her son’s divorce, they seemed like a happy couple. Servilia, knowing Calpurnia’s disdain for her over his ongoing affection, takes this as a underhanded dig and says her son will alright. She asks about Calpurnia’s son while looking directly at Octavian, who Cicero is quick to usher away from this confrontation. Calpurnia clenches her teeth as Servilia “remembers” that Calpurnia has not given Caesar a real son yet. “But I guess that’s why Egypt, right? On to his next tryst?”. Calpurnia eventually smiles and says that Servilia can stay bitter knowing that her progeny will never be acknowledged as the son of the most powerful man in Roman history.

Before Caesar is set to return to his duties in Rome, Cleopatra takes Caesar on a cruise down the Nile River on a large and ornate thalamegos ship to show him some of the ancient Egyptian monuments, such as the Giza pyramids and the Luxor Temple. The two make love on the beach of the Nile and are married by an Egyptian priest. Caesar promises to one day send for her to join him, and together they will be able to fulfill the dream she had about them ruling a great kingdom together.

At a small ceremony of his own, Brutus is married to Portia. Amongst those in attendance are various family members and supporters of Cato but Servilia is absent. Cassius arrives late and this catches Portia’s eye. She encourages Brutus to go talk with Cassius to see what could be done about Caesar. They approach him and Cassius congratulates them on their marriage, saying he always knew they’d make a good match. Brutus asks if they could briefly talk.

The two of them go on a short walk and Brutus asks if Cassius has heard about Caesar’s ongoing actions in Egypt. He says that he has and that he finds it painful more than anything. He says that he’s the eldest of three sons born to his mother. His younger brothers were never brighter than him but they were honorable young men. Brutus asks if he knows either of them. Cassius shakes his head and says that both were killed in Caesar’s Civil War. And so as he sees this man continue to sacrifice the lives of others for his own personal vendettas and glory, it hits home. Brutus is angered hearing this, given his own misgivings with Caesar. He asks what they can do formally to stop him. “What if we kill him?,” Brutus asks, almost immediately backpedaling on this suggestion. But Cassius is receptive. He says that there is clearly a growing contingent of senators fed up with the near-divine treatment of Caesar. Brutus adds that there are those of his age who see no path forward in a political system based on the dictatorship of one man and eventually his “descendants.” They debate when the best time to do it would be and say he will need to be relatively isolated from Antony and other supporters, eventually landing on the Ides of March—the date when new senators will be sworn in.

Upon his return to Rome, Caesar has renewed vigor regarding Roman politics, in part to set an example for Octavian. He re-distributes parts of the surrounding farmlands to the thousands of veterans who fought under his watch, echoing a move that Pompey attempted and failed before the Triumvirate. Back at his home, there is an unspoken tension with Calpurnia but she does not ask about his time in Egypt, despite hearing the rumors. On the eve of the Ides of March, Calpurnia lays restless as she recalls the assassination attempt by the woman at the Forum. She finds herself struggling for breath and turns in bed to find her husband in a pool of blood. She clings to his lifeless body and screams in agony. This awakens Caesar in reality, who shakes his wife awake and tells her she is dreaming. She is in tears and tells him of her dream before begging him to retreat from public life for a while. He calms her down, saying that it is just a dream, not an omen. He holds her until she falls back asleep, now with his own eyes wide awake.

Caesar arrives outside the Senate House, late, finding Antony stalling for him until he could arrive. Caesar announces that they can now begin the Ides of March and swear in the newly elected senators. Caesar then enters the theatre ahead of everyone else outside. Antony goes to follow him but he is tackled and held down on the ground. He tries to call out for Caesar, but Caesar cannot hear him inside the building. Caesar takes his seat to begin the proceedings. Cassius and several other senators surround Caesar. He jokingly tells them that they may sit now that he is seated. Two of the senators pin Caesar's shoulders against his seat. Caesar violently throws one of the men down to the ground, but is stabbed in the side with a dagger by the other. Caesar is then attacked from all directions, sustaining slashes and stabs to his face, thigh and back. Caesar attempts to fight back, but trips and falls off the stage. He begins crawling away from his attackers, bleeding profusely. He makes it to the entrance of the building where he is stopped in his tracks at the base of a half-built statue of his old rival Pompey Magnus. The senators surround Caesar once again. Brutus then emerges from the crowd holding a dagger. Caesar mutters, "You too, Brutus?" Brutus chokes back tears as he stabs Caesar in the heart, killing him. As Caesar lay lifeless in a pool of his own blood. Cassius suggests they kill Antony to avoid any future retribution, but Brutus stops him, stating that their mission was to take down a tyrant, not kill everyone in their way as that would make them no better than Caesar. They release Antony. He initially is ready to avenge Caesar's murder right then and there, but seeing how outnumbered he is, Antony retreats. Brutus, Cassius and their conspirators march through the city announcing that Rome is free once again, but the citizens do not rejoice. People begin gathering near Caesar's body in shock. Finally a few of them decide that it is not respectful to leave him there. They pick up Caesar's body and carry it through the city streets toward Caesar's home.

Later, Caesar's loved ones gather at the Roman Forum to pay their respects and witness his cremation. Calpurnia chooses not to speak, instead kissing her husband's forehead and then returning to Octavius's side and weeping quietly to herself. Marc Antony leads the ceremonies and eulogizes his friend, recalling some battlefield tales but also Julius's undeniable charm. Eventually, though, Antony's eulogy turns into a rousing speech about the state of Rome in Caesar's death. He says that they will hold Caesar's assassins accountable and ensure that his will is carried out through the ascent of Octavius as the eventual leader of Rome. He lights the funeral pyre, illuminating the faces of the grieving onlookers. The shot of the fire transitions into fires at the Roman Senate, where scores of lower-class townspeople are rioting over the assassination. The Roman Republic is well and truly dead.

After Caesar's funeral, Antony reads some of Caesar's journals where he learns of the true nature of his relationship with Cleopatra in Egypt. Believing she deserves to hear of her lover's death in person rather than from a messenger, Antony sets sail for Egypt just as his mentor had done. When Antony arrives at Cleopatra's royal palace, he discovers that she has an infant son. Antony gives her the news of Caesar's death. She becomes briefly emotional before regaining her composure. Cleopatra calls her son Caesarion. Antony, sensing Cleopatra's love for Caesar, comments that the boy has a strong name. Cleopatra tells Antony that she named him after his father, Julius Caesar.


Thursday, May 4, 2023

Release: Death of a Comic

 

Death of a Comic
Genre: Drama
Director: Thomas Vinterberg
Writer: Mo Buck
Cast: Adam Sandler, Michael Keaton, Juliette Lewis, Albert Brooks, Marcia Gay Harden, Angourie Rice, Patton Oswalt, Connor Swindells, Michael Imperioli, Chris Tucker





Budget: $69,000,000
Domestic Box Office: $48,583,002
Foreign Box Office: $29,501,509
Total Profit: -$31,493,599

Reaction: At the end of the day, for its subject matter and genre this film simply cost too much money to have much of a shot at profits, especially considering drama films don't travel very well overseas and Adam Sandler doesn't have as much of a box office draw outside of the United States.







"Adam Sandler delivers a fine performance in this film. The plotting and structure were a little confusing at times, but I imagine that was Vinterberg and Buck's way of trying to keep the audience more engaged. I liked the film, even if it isn't an easy film to watch." - Cal Crowe, Washington Globe




"Once more, Adam Sandler has demonstrated a more serious side of himself that viewers (me included) have been hoping to witness for a long time. Although the storyline is not particularly unique in light of the #MeToo movement, Vinterberg's direction is solid but not remarkable in comparison to the countless other celebrity scandals that have come to light in recent times." - Dallas Atteberry, Belton Journal



"Aside from some of the doubt the filmmakers chose to throw in with the story structure and how/what they reveal information, I felt like I consistently knew where this one was heading. It hit most of the beats I was expecting - just with a frustrating lack of resolution in the end. The performers all give their all, even if some characters feel like wasted afterthoughts (I was surprised Chris Tucker agreed to his role specifically)." - Leslie Vandergort, Minneapolis Star Tribune





Rated R for language, violence, sexual content/nudity, drug use and thematic material

Interview: Mo Buck

 
For the latest edition of Interview, Last Resort Films president Phil Dolan sits down with one the studio's most well-regarded writers, Mo Buck, to discuss his recent film slate....

PD: After a handful of seasons away from LRF you returned with Collapse last season. Did your approach or goals as a writer change in those five seasons away?

MB: I wouldn't say my goals changed. Obviously, I'm not someone who's too concerned about box office returns, given the genre that I usually work in, but it's always nice to have nice box office returns. I'm still trying to write films that will get good reviews and hopefully win some GRAs down the line. But I would say that my approach changed. I'm taking my time to write now, instead of trying to write as much as possible. Collapse and Death of a Comic are the last two movie concept I developed before my hiatus and were written over more than a year. I think there are subtle changes you'll see in my future films.

PD: Speaking of Collapse, the film didn't do very well at the box office but did manage to win a GRA and scored solid reviews. Are you happy with the outcome of your return film?

MB: I'm happy with the outcome, but obviously I'd love it to at least break even. I had some nice reviews, which is always nice and I'm really happy for Sally Field, although I didn't envision her winning a GRA when I was writing the part. I'm disappointed for Ryan Gosling, but I have to recognize the competition and tip my hat to Dwight Gallo for his work with The Punisher. I'm not the biggest fan of comic book movies, as I've grown really tired with the oversaturated genre, but I really enjoy what he's done with the character.

PD: Death of a Comic has a similar "ripped from the headlines" feel as A Reputation did back in Season 15. Can you talk about your influences for this project?

MB: I'd say that most of my original stories are inspired by my life, or things I read about, or things I've heard. This particular project had a lot of changes from what I originally intended it to be. It was going to be a movie about a group of washed-up comedians going on-tour together for one last shot at fame, but I took inspiration from newspaper articles I read and completely changed the story. The comedy scene is quite different between the US and Quebec, where I'm from. The comedy scene is saturated and the biggest comedians have a god-like status and are universally loved, no matter what they do. Something came out about a couple of them that was less than glorious and it shook the industry. I tried to imagine what would happen when one of these big stars isn't what you thought he was and that's when the story of Death of a Comic was born.

PD: What's next for you?

MB: I wrote two movies with other writers that I'm really excited about. I don't want to overshare about these two particular films, but I think we did great work and have good casts that can elevate our work. As for my solo projects, I've written an original sports drama that was also ripped from the headlines, although at a more local level, but that still shook me. I've surprised myself by writing two adaptations, one of a novel by the same author of the book I adapted into 7 Days all the way back in Season 10, and another film based on an obscure French Canadian film, that will reunite an Academy Award winning director with a frequent collaborator, an Academy Award winner himself. 

Wednesday, May 3, 2023

Now Showing: Death of a Comic

 
Death of a Comic
Genre: Drama
Director: Thomas Vinterberg
Writer: Mo Buck
Cast: Adam Sandler, Michael Keaton, Juliette Lewis, Albert Brooks, Marcia Gay Harden, Angourie Rice, Patton Oswalt, Connor Swindells, Michael Imperioli, Chris Tucker

Plot: Tim (Adam Sandler) is going seventy miles an hour in his convertible on a desert road. Hair in wind, the sand thrown in the air by his tires, he grabs his sunglasses and throw them behind him.

A tap on his shoulders by his attorney (Michael Imperioli) brings Tim back to reality. The judge, with his grave voice, asks the jury if they have reached a verdict in the case of State v. Larson and the foreman is affirmative.

Sue (Marcia Gay Harden) sits a dinner table in a fancy restaurant with her father Tom (Albert Brooks), sharing a laugh with the waiter, but once he’s gone, she gets frustrated that her brother is late again. Tom defends him saying he’s a busy guy and to try and stay polite, she’s only getting nervous because her brother is supposed to pick up the bill. Tim finally arrives, almost knocking down an adjacent customer. He tells them he’s sorry he’s late and is father is understanding, but Sue isn’t. She takes a jab at him, saying it’s nice to see Mr. Big Shot come back down to earth to spend time with his family, but Tim completely ignores her. He tells her that she’s still having money problems, he could cut her a check, but all she must do is to be tough enough and ask it herself. Sue gets visibly frustrated, but their father calms them down and ask them to enjoy their dinner together, they don’t see each other enough as it is.

About an hour later, the spirits are high, all three laughing and between two glasses of wine, Sue excuses herself to the ladies room. Tim then asks his father how come Sue still doesn’t know what he’s the one giving her money. Tom says the topic hasn’t come up, she’s a proud woman and she’s really hard on herself. Her last two business failed and he believes she started drinking again. After all, she drank a whole bottle of wine by herself tonight and is halfway through another one. Tim asks him how big of a check he needs to write this month and before he gives him a number, Tom tells his son that he’s a good man for doing this. They stop their conversation when Sue comes back, but then Tim receives a text message from his agent and has to leave. He pays for everyone’s meal and hugs them goodbye. Once Tim is gone, Sue asks her father for money and Tom, with a comforting smile says that he can send her some.

Tim arrives at the hospital, and he sees his friend Mike (Michael Keaton) and his agent, Richard (Patton Oswalt), but everyone calls him Dicky. He asks to be on their best behaviour, because they have a tough crowd today and he opens the door to a group of sick children. They’re all happy to see him and they joke together. He’s doing a charity event and journalists take pictures, children are happy, and everything goes well. At the end of the event, Tim and Mike pose with doctors and a big check for a large amount of money, it’s a donation in their name to the children’s hospital. Right before they leave, Dicky said that went well and thanks them for doing this, it means a lot to him. A journalist asks Tim why he cares about children so much and Dicky tries to say the event is over so they can’t accept any more questions, but Tim simply says that he just loves children.

On his way home, Tim receives a call from his wife Julia (Juliette Lewis) asking him when he’ll come home and he says he’s heading to the bar with Mike and he’ll come home later, so she should just go to bed, he won’t be home for a couple of hours. She asks him how it went with his sister, and he says she was her usual self, stubborn and rude, but she still doesn’t know he’s giving her the money and not his father. Julia asks him why he bothers so much about her when clearly, she doesn’t care about him, but he says that family is everything to him, because without his family he wouldn’t be who he is today. They hang up and Tim looks at his cell phone while driving and he received a lewd selfie from a young blonde. With a big grin on his face, he throws his cell phone on the passenger seat and accelerates.

Tim pulls up at a chic hotel downtown and gives his car to the valet who greets him, it’s not his first time visiting this establishment. He jogs to the elevator like a kid runs to the Christmas tree on Christmas morning. He knocks a door and Kim (Angourie Rice) opens, wearing nothing but black lingerie. They start to kiss and move towards the bed, until Tim stops and asks her if she’s alright, she seems off. She assures him it’s alright and they continue to make kiss passionately. Julia, all the way back in the suburbs, his sipping red wine, playing with her wedding ring, looking at the moon. She then removes her wedding ring when I man (Chris Tucker) comes out of the bathroom, naked, and asks her if she’s ready.

Tim, wearing nothing but a robe, comes out of the bathroom all wet. He asks Kim, who’s laying on the bed, if she wants to come have some more fun with him, but she doesn’t answer. He says it’s not a habit for her to fall asleep afterwards and she doesn’t react. He repeats her name a couple of times goes over to the bed. He runs his fingers all over her leg and asks her to come and play with him, but still, no reaction. He calls her name a couple of times, but she doesn’t answer. He flips her over and stumbles backwards, knocking down a nightlamp. He tries to find a pulse, to no avail, because Kim died. He paces around the room, speaking gibberish and his first reflex is to call Mike. Mike is at home sipping scotch and watching a basketball game when he gets the call. He can’t believe what just happens and asks where Tim is and he’ll come find him. Tim is vehement that nobody can know that he was there. He then calls Dicky. He stutters a lot and Dicky tells him to calm down and to stay where he is, he’ll take care of it, but he mustn’t do anything if he doesn’t want it to get out. He asks if anyone saw him come in and he answers that only spoke to the valet. Dicky says they’d need to take care of him too and Tim says he doesn’t want anyone else dead, and Dicky says he was just joking, he was just trying to be funny.

Tim is still pacing around the room, panicking. He wonders what to do and gets dressed. Someone knocks at the door, and he opens quickly, thinking it’s Dicky or Mike, but he sees tall young man (Colin Swindells) instead. Tim tries to close the door, but he’s overpowered by him. He sees Kim on the bed and screams her name. When she doesn’t answer, he rushes to her side and finds out she’s dead. He starts crying, but he’s still mad. He says he knew she was cheating on him, but she didn’t think it was with an old, sad man like Tim. Harris says he better call the police and Tim tries to stop him, but he’s still able to call 911. Tim tries to talk his way out of the situation, but the young man, who’s named Scott, isn’t having any of it, he’s boiling. He punches Tim straight on the nose. Scott is crying and Tim is trying to stop the bleeding when Mike arrives in the doorframe wondering what the hell happened here.

Dicky arrives at the hotel after the police arrived at the scene. A distraught Tim is interviewed by the police, with Mike in disbelief standing a couple of feet behind. Word around town spread and journalists are there to cover the event, taking plenty of pictures. Dicky wonders how he’s going to manage this and takes off before he’s seen. The police take Tim’s story and detain him. The press takes pictures when he’s in handcuffs, but Mike immediately posts bail. They get out of the secured perimeter and are harassed by journalists until they get in their car. Mike calls Tim and asks if he’s ok, but Tim is mad, saying that of course he’s not ok. Mike reassures him that everything is going to be alright, but Tim hangs up. The story is all over the news on the radio and Tim turns it off, speeding off under the street lights.

When he gets home, he makes as little noise as possible and finds his wife peacefully asleep in the bed. He puts his pajamas on and leans against her, as if nothing happen.

Dicky sighs and swears while slamming down a pile of tabloids on his desk. The headline reads “I JUST LOVE CHILDREN” in all caps with a picture of his arrest. Somehow a rumour got out that Kim was a seventeen and he just wants to confirm with Tim that it’s not true. He calls him, but Tim doesn’t pick up, which frustrates Dicky. Tim isn’t picking up because he’s too busy avoiding plates hurled at him by Julia, who can’t believe he’s a creep and he cheated on her with a seventeen-year-old bimbo. She says he ruined her life. She screams so much that Tim can’t even say a word. She throws him out of the house, kicking his shins. She says she never wants to see him again and throws some of his stuff out in the yard. Tim just wants his phone and she throws it at him and he barely catches it. He looks at the screen, 58 missed calls.

Tim waits on the curb next to a pile of personal belongings. None of his neighbours talk to him. He tells them that they used to be friendly to him and they all turn their back to him for things that aren’t true. A Hollywood tourist double-decker bus passes in front of the house and of course they take pictures of him, but despite all his struggles and the drama around him, he’s nice to them and jokes that he’s just taking out the trash and even throws a baseball cap on the bus. The bus turns the corner and when they’re out of sight, Tim starts crying, until Mike arrives in his SUV and helps him get his stuff in the trunk.

On their way to Mike’s, he wants to know the real story of what happened in that hotel room and how all of it happen, he can’t believe that he was cheating on Julia, they seemed so happy together. Tim doesn’t want to open up, so Mike pulls to the side of the road and stops the car, saying he’s not driving again until he hears the full story. Tim starts to cry, saying his career is over and he lost everything, but Mike reminds him that he was once in a similar situation. He did drugs and served time, but Tim was always there by his side and didn’t let him down. He’s going to do that for him down, it’s his turn. His career is doing just fine, he was able to act again and is making good money now. That’s what happens in Hollywood, people forget. Sure, it might be rough for a while, doing small gigs in bars, getting paid in beers, but he’s going to bounce back, he knows it. After the reassuring words from his best friend, Tim tells him what really happened.

It all started a couple of months ago. Kim had won a VIP contest and got backstage access at one his shows and it included a meet and greet. She didn’t particularly stood out from the small group, but he remembers she insisted getting a hug from him. As he always does, he stayed with them a bit, talking about life, basketball and cracking some jokes. People are usually too starstruck to have a genuine conversation with him, but Kim told him all about her paper she was writing about him in college. She asked for some alone time with him. He called home first, but didn’t get an answer. It turns out Julia was having sex with Jules at the time, unbeknown to Tim. He drove her to a café, without any sexual thoughts in mind and they really did talk about her paper. Things escalated from there and she kissed him on the sidewalk. He pushed her aside, saying he’s a married man and called home again, but still, Julia didn’t answer. Kim followed him and kissed him again, but this time Tim couldn’t resist.

Dicky is still trying to talk to Tim. He finally gets an answer, but it’s Julia who answers the phone. She asks him to stop calling and leave her alone, she just threw out Tim. She then gives Dicky a piece of her mind. To be fair, she never liked him and now is her chance to finally let him know. He asks her where Tim went and she says he left with his junkie friend Mike. She should’ve known what she got herself into. Tim was friends with a junkie and a weirdo after all. Before he hangs up, he asks her if she’s really sleeping with Jules. She asks him how he knows that and Dicky asks her why does she think Tim continued to cheat on her ? She tells him to go to hell and hangs up.

It turns out that paparazzi and journalists were waiting for Tim at Mike’s. Mike curses them out and threatens to run over them if they don’t get out his way, but Tim tells him to just drive away, he’ll find somewhere else to go. Mike keeps cursing and drives off, as Tim says that he’ll hurt his career if he keeps helping him, but Mike is having none of it, he wants to be there for Tim, just like Tim was there for him. Tim found out where he’ll go, but it might take a while…

Dicky’s phone is heating up as numerous sponsors call to distance themselves from both Tim and Mike. He turns on the TV and sees the news segment with Mike flipping off journalists and people and now he understands why people are dropping Mike too. Dicky is freaking out in his office and has to slow down, as he thinks he’s having a heart attack, but it turns out to be a false alarm. He always knew that these two would end up killing him.

Mike finally drops Tim in Arizona in front of father’s estate. Tom, with a tear in his eyes, isn’t sure if he wants to welcome his son home. Tim swears that he didn’t do anything wrong and Tom eventually agrees to let Tim stay with him. Tim waves Mike goodbye and enters the house with Tom. His father asks what’s going to happen with the money, because they all know that they can’t keep his lifestyle if Tim doesn’t have any money. He heard on the news that Julia will ask for divorce. Did they sign a prenup like he wanted them to do ? Tim cuts his father short as he can’t believe he’s focusing on money during these troubling times. Tom gets angry and says that he’ll answer to every question he has if he wants to stay under his roof. Tim says he paid for that roof, but Tom didn’t think that was funny.

The journalists are harassing Julia at her place, asking her if she knew or where Tim is, but she doesn’t know anything. She announces she’s divorcing Tim and as she says that, a journalist sees Jules, her lover, coming out of a bathroom behind her. They ask Jules if he and Julia are an item now and Jules, as controversial as ever, makes a crude comment about how he’s now working on Tim’s wife so he can suck on that.

As Mike gets back home, the journalists are still waiting for him. He curses and makes his way to his driveway. He tries to sneak in his garage, but he’s blocked by a bunch of journalists who want to know Tim’s whereabouts and how he’s involved in all of this. Mike tells curses at them and flips off the camera. Dicky watches all of this from the television in his office and can’t believe what he’s seeing, wondering how in the world he is going to get out of that one.

A couple of days later, Scott, Kim’s boyfriend, is interviewed on television by an acclaimed journalist on primetime television. He then tells his side of the story, about how Tim Larson abused his girlfriend and took advantage of her and the situation he found them in. He firmly believes and swears on his life that Tim killed his girlfriend and he’s trying to use his money and fame to get away with it. Tim, who’s watching with his father, can’t believe all the lies Scott is saying. Tim’s sister, Sue rings the doorbell. Tom opens the door and goes to confront her brother, about how she can’t believe he’s dragging the family name into the ground and how it affected her business, all her clients left her. Tim asks her which clients left her, her business is always in trouble. He bailed her out countless times, at least she could show her support now. Sue claims she doesn’t know what he’s talking about. Tim snaps and asks her where she thought all the money came from for the past twenty years. Tom lost nearly everything in 2008 and hasn’t worked in over thirty years. Her businesses are always failing. He’s been the one keeping this family on a ventilator for years, but this whole scandal is threatening to pull the plug and he won’t be able to bail her out anymore if he loses everything, so right now, he’d appreciate the support of his own family while everyone is turning his back to him. This leaves Sue speechless and asks Tom if it’s all true and he admits that Sue has been living off a lie for years.

They’re interrupted by the sound of helicopters over their heads. Police lights flood the darkness of Tom’s home and the police come to arrest Tim, with the news helicopters witnessing the events. Tim calls his lawyer and asks him to come over.

A couple of days later, Tim enters the courtroom, looking around and he sees, Mike, who gives him a thumbs up, Dicky, who looks tired as ever, Sue and Tom, who came to support him, as well as Scott and Kim’s parents, who look devastated and look at Tim with disdain. The flashes of cameras blind him a little as he sits down. Tim appears nervous as the judge enters the courtroom. His lawyer taps him on the shoulder and whispers to him that everything will be alright, stick to the story, he’s innocent and he knows it. As the two lawyers make their opening statements, Tim seems to drift off a bit.

We see a marquee indicating that tonight’s show by comedian Tim Larson at the Apollo is sold out. As the camera goes inside the theater, the crowd laughs loudly at Larson’s final joke of the show. He thanks them for being here tonight and bows down. He looks backstage and sees his best friend Mike, with a big grin, giving him two thumbs up, shouting at him that he killed it. Tim gets a standing ovation and sinks it in, thanking the crowd once again. It remains unclear if this happened after the events, or if it’s all in Tim’s head, leaving Tim's fate unknown.


In Development

 
Paki: To round out its cast, Joe Alwyn (Pocahontas, Pulp), Paki has added Florian Munteanu (Red Sonja: Blood + Bone, Creed II) and MMA fighter Conor MacGregor to its cast. While the film is not necessarily a sequel of Pulp, Alwyn will be reprising his role as inept boxer Marcus Baynes from that film in Paki. Munteanu will play an imposing fighter in the film, while MacGregor will play a volatile fighter trained and managed by Tom Hardy's character. Guy Ritchie directs from a script by Jimmy Ellis and John Malone.

Footage from the Past: Celeste O'Connor (A Good Person, The In Between), Julia Goldani Telles ("The Girlfriend Experience", The Space Between), Annalise Basso (Buffy the Vampire Slayer, Blue Beetle) and Saxon Sharbino (Beyond the Law, "Freakish") have been added to fill out the ensemble cast of the found footage horror film Footage from the Past. The Blair Witch Project director Eduardo Sanchez directs from a script by Carl Flimmer.

The Devil's Run: Mahershala Ali (Audible, Justice League Unlimited) is back for a third film in the Devil's Westerns series as outlaw Harry Holt. In this entry, he is trying to get home to see his family with an army of bounty hunters and lawmen on his trail. Bill Pullman (Who Watches the Watchmen, The Devil's Revenge), Eric Christian Olsen (Daredevil, At the Mountains of Madness) and Lucas Till (The Devil's Revenge, McCain) are also all returning for this entry as well. Irish filmmaker Lance Daly (The Devil's Revenge, Black '47) is back for this one, which was once again penned by Jimmy Ellis (Atlantis: Bloodline, Made Men).

The Day: Joel Kinnaman (Eileen, Odysseus - Part Two) has been cast in a remake of a recent Italian horror film, The Day? Kinnaman will play a businessman who gets trapped in an elevator while a zombie outbreak occurs all around him. Emily VanCamp (Alien: Out of the Shadows, Parasite) and Matt Bomer (Uncharted 4, The Case Against 8) will also appear in the film. VanCamp will play Kinnaman's wife, while Bomer will play a police officer. Alfonso Gomez-Rejon (The Current War, Me and Earl and the Dying Girl) is set to direct from a script by Andrew Doster (Tinseltown, The Last of the Mohicans).

Fantastic Four and the Silver Surfer: A team up of two popular Marvel Universe series, the Fantastic Four and the Silver are joining forces. Keanu Reeves (The Emperor of Latium, Silver Surfer: The Power Cosmic), John Krasinski (Fantastic Four: Doom, Mr. Big), Sarah Gadon (Halo 6, Fantastic Four: Doom), Jason Segel (Free Spirit, Fantastic Four: Doom) and Jack Reynor (Fantastic Four: Doom, Y: The Last Man - Part 2) are all set to return as Silver Surfer, Reed Richards/Mr. Fantastic, Sue Storm/Invisible Woman, Ben Grimm/The Thing, and Johnny Storm/Human Torch, respectively. In this film, they will team up to defend Earth from Galactus' latest herald, Annihilus. Gareth Edwards (Fantastic Four: Doom, Halo 5) is once again directing from a script by Mark Newton (Fantastic Four: Doom, Ghost Rider).

The Night Swim: Tessa Thompson (Arizona, Y: The Last Man - Part 2), Rooney Mara (The Glass Menagerie, The Crucible) and Joe Cole (Blue Ridge, "Gangs of London")  have been cast in an adaptation of the novel The Night Swim by Megan Goldin. Thompson will play a true crime podcaster who goes to a small town that is being torn apart by a rape trial. Rooney will play a woman in town with a mysterious past, while Cole will play the young man accused of the crime. Nia DaCosta (Little Woods, Genetic Descent) is directing the film based on an adaptation by Rene Menzie (The Only Good Indians, Mexican Gothic). 

Tuesday, May 2, 2023

#Trending (Season 26)

 

In #Trending, some of the trends the studio has noticed behind the scenes and around the office water coolers....

#GlenPowell
Not only does Glen Powell have his first big leading role in LRF to his name now with Captain America, but he also has multiple franchises in LRF now: Captain America/Marvel Universe, Gears of War and The Fall Guy. Due to these commitments, he has had to turn roles in several other upcoming films.

#MidBudgetMarvel
It would appear that writer Dwight Gallo has popularized the mid-budget Marvel film with his work on films like The Punisher and Red Wolf. Now other writers are starting to talk to the studio about following in his footsteps.

#NovelAdaptations
Even with the overwhelming trend in recent seasons of novel adaptations flopping with both critics and the box office alike, it hasn't slowed down the novel adaptation submissions to the studio offices much. The studio expects to release at least 10 novel adaptations over the next two seasons alone. However, that is pushing upcoming seasons toward the limit for adaptations vs. original stories.

#HorrorReboots
After the success of films like Friday the 13th and Krueger, it would now appear that more studio writers are proposing new reboots of classic horror franchises. Not many are complete yet, but there should be more news on this in the next few seasons. The studio has reportedly already been approached regarding reboots/remakes of The Omen, The Amityville Horror, Phantasm, The Entity, and others.

Monday, May 1, 2023

The Comic Book Guy (Season 26)

 

I am The Comic Book Guy. As a self-proclaimed expert with exquisite taste in the medium, I am going to give my unfiltered thoughts on this season's slate of comic book films - both already released and those soon to be released. Here we go...


The Invincible Iron Man
Iron Man in the Cold War setting does work. Jack Huston may be no Robert Downey Jr. but he does suit the part as presented in the comics (especially less recent stuff). Denzel Washington was a huge swing and a miss for me as Nick Fury. We already got a black "Ultimate Nick Fury" in Disney's onslaught of Marvel adaptations. Is one comic accurate depiction so much to ask for? Sadly the most accurate screen depiction of the character over the years is still David Hasselhoff (alongside the formerly succulent Lisa Rinna before she carved up her face like a jack-o-lantern). As for the villains... Who was the villain in the end? We had Crimson Dynamo, Lady Mandarin and the little Asian boy, but all three couldn't equal one solid villain. Maybe Billy Zane will make the inevitable sequel more entertaining - or at least give it one good villain instead of three (or two and a half) mediocre ones.



Atlantis: Bloodline
I honestly don't know what the hell these Atlantis films are trying to do. Why can't Jimmy Ellis just give us Aquaman being Aquaman already. Enough with Timothee Chalamet trying to be an underwater Joaquin Phoenix in Gladiator and Harris Dickinson meandering around with abs and blonde hair. I liked Gillian Anderson as the villain in this one, although covering her face up with a mask should be illegal (unless she's made-up like Margaret Thatcher). Hopefully Jimmy will start mixing in some more well-known villains in the future to keep things - I mean finally make things - exciting. Black Manta perhaps? Enough with the deep sea politics already. I want action and I want Aquaman! 



Titans: Evil Incarnate
Raven was the only character with a story arc, so it was good that Joey King was the best actor in the film. Trigon is kind of goofy in live-action and on a big screen, and his sons were even goofier (and barely could even be called characters with how under-written they are). I'd like to see more Starfire and Raven and less Dick in the future of this franchise. I've had enough Dick at this point. He's been in enough DC Comics Universe films. I don't think there's anything left for him to accomplish (and I don't foresee APJ replacing Jake "The Steak" Gyllenhaal with a shrimp like Taron Egerton as the main Batman ever). The only place left to go for Dick is to adapt Nightwing #93.



Captain America
The decision to split the film into two time periods, while making sense for the character, felt jarring. The ultra-hunky Glen Powell was perfectly cast as Cap though. Lightyears better than Chrissy Evans. I actually liked this film a decent amount. It's easily the best comic book movie of the first half of the season. A lot of possibilities were set up for the future - Arnim Zola, Winter Soldier, SHIELD, Hydra, Avengers, etc. - so I am curious to see which route they go forward with. 



Fantastic Four and the Silver Surfer
This one could be really good or really bad. The first Silver Surfer was good while the sequel was kind of lame, while the reverse could be said about the Fantastic Four (the first lame, the sequel solid). If Mark Newton can capture an epic tone and action, it'll be good, but Newton's been inconsistent in that regard. I hope Keanu Reeves' appropriately spacey Silver Surfer takes a front seat over the dopey John Krasinski's Mister (kinda) Fantastic.



Green Lantern Corps: Sinestro War
APJ has a bit of a better track record than Newton in the action department. I have pretty high expectations for this one as we will finally be seeing Green Lantern's arch nemesis acting in that capacity - for the first time ever. Don't mess it up, APJ! I think we've all wanted to see Hal Jordan vs. Sinestro on the big screen for a long time now. Tom Cruise may be 60 years old, but he's still arguably the best superhero on the market.



The Hulk 2
The news out of the LRF Comic-Con that HG Hansen was taking over the character from Newton has me quite worried. Hansen's track record on superhero films is pretty poor - with the trend being that the action is unimaginative, the heroes take a backseat to supporting characters that were just introduced, and the running time goes on way too long. Newton set up the character nicely in the first film, so hopefully the quality doesn't nosedive in this one. Even if the film is a dud, at least we'll get to see Bryce Dallas Howard's luscious red locks on-screen again where she isn't running away from CGI dinosaurs.