Tuesday, October 31, 2023

Animation to Film: The Hunchback of Notre Dame

 

In this edition of Animation to Film, we are going to take a look at the cast of the latest live-action adaptation of an animated musical - The Hunchback of Notre Dame. Based on the Disney animated film and the novel by Victor Hugo, the film is being directed by Sam Taylor-Johnson (A Million Little Pieces, Fifty Shades of Grey) and was written by Walter McKnight (Anastasia, The Monster Squad).










Last Resort Films Jukebox: The Hunchback of Notre Dame

 



Monday, October 30, 2023

Now Showing: The Hunchback of Notre Dame

 

The Hunchback of Notre Dame
Genre: Historical/Musical/Drama
Director: Sam Taylor-Johnson
Writer: Walter McKnight
Based on the animated film and the novel by Victor Hugo
Cast: Taron Egerton, Hailee Steinfeld, Aaron Taylor-Johnson, Christopher Walken, Robert Sheehan, Bernard Hill, Charlie Murphy, Santiago Cabrera, Peter Serafinowicz, Matt Berry

Plot: 15th Century France. Clopin (Robert Sheehan), presents a marionet puppet show for a group of children. He tells them that the story he is about to perform is the story of Quasimodo, the "Hunchback of Notre Dame". Clopin begins singing as he begins the show ("The Bells of Notre Dame").

1462. A Romani couple, Florica (Charlie Murphy) and Jehan (Santiago Cabrera) are attempting to sneak into Paris for a better life with their infant son. Just as they get close to the outskirts of the city, they are cornered by a group of soldiers working for Judge Claude Frollo (Christopher Walken). Florica and Jehan begin running away. Seeing Florica carrying something, Frollo tells his soldiers that the woman must have stolen goods. Jehan tries to stop the soldiers from grabbing his wife. The soldiers tackle Jehan and arrest him. Florica continues running, making it to the steps of the Notre Dame Cathedral. She pounds on the doors of the church, begging and pleading for sanctuary for herself and her baby. On horseback, Frollo himself catches up to Florica. He kicks her in the back of the head from atop of his horse. Florica goes tumbling down the stairs, breaking her neck and dying.  Frollo then discovers that Florica was not carrying stolen goods but rather a deformed baby when it begins crying. Frollo is about to drown the baby in a nearby well, calling it an unholy demon, but he is stopped by the Archdeacon (Bernard Hill) who accuses Frollo of killing an innocent woman. Frollo denies any wrongdoing, insisting the woman was a criminal and he didn't mean to kill her. The Archdeacon tells Frollo that he cannot hide from heaven. Feeling guilted by the Archdeacon, Frollo reluctantly agrees to raise the deformed child on the condition that the child grow up hidden away in the cathedral's bell tower. Frollo names the child Quasimodo as a cruel joke as it means "half-formed".

1482. Quasimodo (Taron Egerton) has grown up and continues to live in the bell tower. He has developed into a muscular young man with a heavily curved back, resulting in a large hump above his right shoulder. His face is still deformed as well. Quasimodo moves expertly and athletically through the tower as he feeds pigeons. He tells the birds that he thinks he will finally go to see the Festival of Fools in person this year. Frollo then arrives and discovers quickly that Quasimodo wants to go to the festival. Frollo becomes angry when Quasimodo points out that Frollo attends every year. Frollo insists that he only goes because he is required to go as a public official and hates every minute of it. Frollo reminds Quasimodo of his appearance, telling him that people will think he is a monster - even his own mother had abandoned him. Frollo advises Quasimodo to stay in the bell tower as it is his only safe haven ("Out There").

Captain Phoebus (Aaron Taylor-Johnson) arrives in Paris during the festival after many years away at war to serve as the new captain of the guards for Judge Frollo. He sees a gypsy dancer, Esmeralda (Hailee Steinfeld), being hassled by two guards, Victor (Peter Serafinowicz) and Hugo (Matt Berry), who have accused her of stealing a sack of coins. Esmeralda insists that she rightfully earned the money dancing for the crowd. Phoebus, who is immediately taken by Esmeralda's beauty, steps in and orders the guards to leave the young woman alone. Phoebus then introduces himself to the guards as their new captain and orders them to lead him to see Judge Frollo.

Even after Frollo's warnings, Quasimodo decides that he still wants to leave the tower and see the city. He sneaks out of the tower while wearing a large hood to hide his appearance. He tries to stay out of sight, but stumbles while trying to avoid a group of running children. He falls into Esmeralda's tent. She comments on his "mask", asking how he made it so lifelike. Quasimodo stumbles out of the tent, afraid to talk to Esmeralda.

Phoebus is brought before Frollo to become acquainted with his new position. Frollo begins listing off some highlights of Phoebus' impressive war record, which does not impress Phoebus. Frollo says that he expects Phoebus to do better than the last captain, who was a massive disappointment to him. Frollo explains that a major goal of his is to stop the gypsies from coming into Paris once and for all. Frollo tells Phoebus that he has heard they live in a place called the Court of Miracles. Frollo then tells Phoebus that he must attend the festival and invites his new captain to join him.

Esmeralda begins another dance as Frollo and Phoebus arrive ("Topsy Turvy"). Quasimodo is crowned the King of Fools by Clopin based on his "mask". Frollo is stunned to see Quasimodo at the festival. The crowd cheers for Quasimodo as Clopin announces that Quasimodo was crowned as the ugliest face in Paris. Frollo glares at Quasimodo. Guards, including Victor and Hugo, come in to break up the festival as they are supposed to clear out once they have named their King of Fools. The guards and the crowd conflict, resulting in a riot. Phoebus attempts to step in, but Frollo holds him back, suggesting he observe rather than act right now. Esmeralda helps Quasimodo. She takes the crown off his head, telling him that she doesn't like how the crowd made fun of him. She throws the crown at Frollo, feeling he deserves to be crowned as the biggest fool instead. Frollo orders his guards capture Esmeralda, but she manages to escape. Frollo then confronts Quasimodo, sending him back inside the cathedral. Frollo then tells Phoebus that he must bring Esmeralda to him alive.

Quasimodo walks back to the cathedral, saddened. He is being followed by Esmeralda, who herself is being followed by Phoebus. She realizes she is being followed and runs into the cathedral after Quasimodo, who has quickly climbed his way up to the bell tower to feed the pigeons. Phoebus enters as well and is attacked by Esmeralda. He tells her that he does not want to arrest her inside Notre Dame or at all if he can help it. Frollo then enters the cathedral as well and orders Phoebus once again to arrest the gypsy woman. Phoebus tells Frollo that he cannot arrest her, covering for her by saying that she claimed sanctuary and thus cannot be arrested as long as she remains in Notre Dame. The Archdeacon arrives and breaks up the commotion. Frollo grabs Esmeralda by the arm before he leaves, telling her that he is patient and she won't be able to stay inside the church forever. He then sniffs her hair as he is pushed away by Esmeralda. The Archdeacon kindly advises Esmeralda that it would serve her best to not anger Judge Frollo further as no good will come of it. She expresses frustation that the crowd would treat Quasimodo so cruelly just because he looks a little different. Seeing others praying in the cathedral, Esmeralda decides to give it a try, praying through song for all those suffering ("God Help the Outcasts").

Esmeralda explores the cathedral, eventually walking up the long staircase to the bell tower where she finds Quasimodo. He tells her that her singing was beautiful. He shows her around his home, telling her that she is the first company she has ever had. He tells her the names he has given to every single one of the cathedral's bells. He invites her to stay, but she says she cannot. Quasimodo tells Esmeralda that she is nothing like how Frollo has always described the Romani people. She asks how a cruel man like Frollo could have raised a sweet man like Quasimodo. He tells her that Frollo took him in when no one else would because of his monstrous appearance. Esmeralda offers to give Quasimodo a palm reading. She tells Quasimodo that he is no monster, only a misunderstood soul. Quasimodo offers to help Esmeralda sneak out of Notre Dame so that Frollo and the guards do not see her leave. She thanks Quasimodo and draws him a map to the Romani hideout, the so-called Court of Miracles, should he ever choose to leave Notre Dame. As she leaves, Esmeralda gives Quasimodo a kiss on the cheek, which makes him blush.

When Quasimodo goes back to the bell tower, he finds Phoebus going through his things. Quasimodo becomes angry that a guard would be searching his tower and demands he leave. Phoebus explains that he did not mean to trap Esmeralda there and simply wants to make sure she is safe. Phoebus leaves, apologizing for disturbing his things before he exits. Quasimodo looks out over Paris as he thinks about Esmeralda ("Heaven's Light").

Meanwhile from his balcony at the Palace of Justice, Judge Frollo is also overlooking the city of Paris. He is disturbed by the lustful thoughts he feels for Esmeralda. He prays to the Virgin Mary for guidance ("Hellfire"). Frollo goes inside and looks at his burning fireplace. He tells himself that Esmeralda will either be his or she will burn in hellfire.

In the morning, Frollo learns that Esmeralda has escaped Notre Dame. He orders a city-wide manhunt for her. He and Phoebus begin tracking down Romani people hiding throughout the city, even offering them pieces of silver for information on Esmeralda. Each person refuses, so Frollo has them arrested for obstruction of justice. Frollo traps a family that refuses to speak to him in their house is prepared to set their house on fire if they don't give him information. Phoebus is appalled, realizing that Frollo has lost his mind. Phoebus politely refuses to kill innocent civilian as that is not what he was trained to do. Frollo angrily interjects that Phoebus was trained to follow orders. Phoebus still refuses to kill the family and even stops Frollo from doing so. Frollo orders Victor and Hugo to arrest Phoebus. Frollo says that he looks forward to the execution date of the treasonous Phoebus. Phoebus manages to break free from his binds and begins running away. Frollo orders the other guards to open fire on Phoebus with their bows. Phoebus is hit by an arrow and falls into the Seine River. Frollo smiles, saying that if the arrow doesn't kill him, the river should. Esmeralda finds Phoebus' unconscious body and takes him to Quasimodo at Notre Dame for refuge. As Esmeralda tends to Phoebus' wounds, Quasimodo can tell that Esmeralda has romantic feelings for Phoebus. Quasimodo is disappointed, but tries to hide it from her.

Judge Frollo begins burning Paris to the ground in his hunt for Esmeralda ("Paris Burning"). Determined to figure out how she escaped the cathedral in the first place, Frollo decides to pay a visit to Quasimodo. When Frollo arrives, Quasimodo once again helps Esmeralda escape the building. Before she leaves, she makes Quasimodo promise to take care of Phoebus. Phoebus is still not awake, so Quasimodo manages to hide him. Frollo share some grapes with Quasimodo. Frollo finally explodes, yelling that he knows Quasimodo helped Esmeralda escape him. Frollo can tell that Quasimodo has feelings for Esmeralda, but explains that she is a gypsy woman that is incapable of love. Before he leaves, Frollo bluffs that he knows where the Court of Miracles is and intends to attack it at dawn. Frollo leaves. Phoebus reveals that he woke up and heard everything they said. He asks Quasimodo to help him finding the Court before Frollo can. Quasimodo agrees to help for Esmeralda's sake and pulls out the map she made him.

Phoebus and Quasimodo make their way to the Court of Miracles where they are captured by Clopin, who accuses them of being spies for the judge ("The Court of Miracles"). Esmeralda steps in and explains who they are, calling them her friends. Phoebus tries to convince the court to move on away from Paris before Judge Frollo and his soldiers arrive at dawn to slaughter them. Everybody starts to pack up. Esmeralda thanks Phoebus for telling them, but he insists that Quasimodo is the one that deserves their thanks. Suddenly, Frollo's army appears and captures everyone. He reveals that he followed Phoebus and Quasimodo to their location. Frollo has everyone locked up. Quasimodo pleads with Frollo, but he refuses to listen. Frollo has his soldiers take Quasimodo back to the bell tower.

Judge Frollo charges Esmeralda with the crime of witchcraft and announces that she must be burned. He gives her one chance to become his lover in exchange for him sparing her life. Esmeralda spits in Frollo's face. Frollo smiles and orders Esmeralda to be burned at the stake. He gets a torch and burns a mound of wheat that Esmeralda is tied above. The smoke causes Esmeralda to pass out. Quasimodo suddenly dives into the fray and rescues her. He carries her back to Notre Dame with Frollo and his guards chasing after them. Once inside, Quasimodo yells "Sanctuary!" Frollo grabs a sword and orders his men to attack the cathedral. Phoebus frees the Romani people that Frollo has arrested and rallies them to stand up to Frollo's tyranny. The Archdeacon tries to stop Frollo from entering the church, but Frollo shoves him aside. Frollo finds Esmeralda and Quasimodo and prepares to stab Esmeralda with his sword. Quasimodo tackles Frollo, disarming him. Frollo, for once, shows fear. Esmeralda wakes up. She and Quasimodo run away from Frollo, but are cornered on a balcony. Frollo attacks Quasimodo and Esmeralda. Quasimodo protects Esmeralda from Frollo, grabbing him. Frollo and Quasimodo both fall from the balcony. Frollo falls first, to his death. Quasimodo falls soon after, but Phoebus manages to break his fall. 

The citizens of Paris and the Romani people all celebrate the end of Judge Frollo's tyranny. Esmeralda and Phoebus finally kiss for the first time ("Someday"). Quasimodo joins the celebration outside. Clopin apologizes for how he treated Quasimodo at the festival and leads the crowd in hailing the young hunchback as a hero.


Premiere Magazine #271

 

Sunday, October 29, 2023

The Roundup with Jeff Stockton (Season 28 Round 1)

  
Season 28 is off to a pretty entertaining start. Here's The Roundup....

3. Season 28
I think this season is off to a pretty good start. In the first three films, we had two profitable films, two films with a 70+ Metascore and the first box office  blockbuster of the season. Let's see if that can continue in Round 2....

2. Gas Bar Blues
I found Gas Bar Blues to be one of writer Mo Buck's better films in recent seasons. When compared to films like The Passenger, Tomato Can and Collapse, the characters work a lot better here, giving Tom Hanks his best LRF role since The King of Hearts (Yes, I liked him better here than in Revival).

1. Task Force X: Jungleland
I thought this third entry had the best-written action scenes and featured one of the more entertaining character lineups of the TFX series.

3. Award Contenders
While the season has just begun, I simply don't forsee any of the first three releases being serious awards contenders. Maybe Hanks or one of the supporting actors in Gas Bar Blues if the categories are weak enough.

2. John David Washington
I liked Task Force X: Jungleland, and don't necessarily think JDW is terrible in it, but I simply cannot figure out why Hollywood is trying to push him as a star. He lacks charisma and range, simple as that. 

1. D.I.C.K.
Much has been said about DICK already, so I won't continue beating a dead horse by going into too much detail with my issues. I will say that I think the general concept is a good one, but the execution wound up featuring more than a couple fatal flaws, dooming the story.

On Location (Season 28 Round 1)

 
Task Force X: Jungleland
- Korup National Park, Cameroon

- Toronto, Ontario, Canada



D.I.C.K.
- Atlanta, Georgia, USA



Gas Bar Blues
- Pittsburgh, Pennsylvania, USA

Saturday, October 28, 2023

Box Office Breakdown (Season 28 Round 1)

 




Task Force X: Jungleland
Budget: $180,000,000
Total Box Office: $610,069,035
Total Profit: $200,105,777











D.I.C.K.
Budget: $40,000,000
Total Box Office: $44,477,176
Total Profit: -$30,665,394











Gas Bar Blues
Budget: $52,000,000
Total Box Office: $110,118,073
Total Profit: $16,102,818








Box Office Facts
Task Force X: Jungleland
The Task Force X series has been a consistent performer for the studio with the three films now combining to gross over $1.83 billion at the box office.

D.I.C.K.
Dark Comedy has been a difficult genre at the box office. Only 1/3 of all dark comedy films released by he studio have managed to turn a profit. D.I.C.K. obviously has joined the other 2/3 that have failed at the box office.

Gas Bar Blues
Gas Bar Blues puts an end to a string of flops for writer Mo Buck. Prior to Gas Bar Blues, Mo Buck's last five films all lost money at the box office (with total losses of $130 million).



Genre Rankings
Task Force X: Jungleland
Action: #64
Superhero: #41

D.I.C.K.
Dark Comedy: #7

Gas Bar Blues
Drama: #80



Season 28 Round 1
Total Box Office: $764,664,284
Total Profit: $185,543,201

Season 28 Totals
Total Box Office: $764,664,284
Total Profit: $185,543,201



Season 27 Summary
1. Task Force X: Jungleland : $610,069,035
2. Gas Bar Blues : $110,118,073
3. D.I.C.K. : $44,477,176

Release: Gas Bar Blues

 

Gas Bar Blues
Genre: Drama
Director: Ron Howard
Writer: Mo Buck
Based on the 2003 French-Canadian film Gaz Bar Blues
Cast: Tom Hanks, Jesse Plemons, Harry Melling, Finn Wolfhard, Kerry Condon, Nick Offerman, Matt Walsh, John Magaro, Eric Roberts, Tony Hale, Keith Carradine



Budget: $52,000,000
Domestic Box Office: $58,113,484
Foreign Box Office: $52,004,589
Total Profit: $16,102,818

Reaction: This film is a box office turnaround for both director Ron Howard and writer Mo Buck after a string of box office flops (more on that in the Box Office Breakdown), which should have everyone involved pleased.



"Ron Howard may not have felt like the most natural fit for the material as a filmmaker, but he always gets a good performance out of Tom Hanks who is not the juggernaut performer he once was. The actors playing his children - Plemons, Wolfhard, Melling, Condon - don't look like they could be Hanks' kids, but they all manage to sell it with their performances for the most part."  - Roger Taggart, Chicago Tribune




"A story about a family-owned gas station feels a bit dated at times. The film's tone doesn't always walk its tightrope of heavy drama and cute comedy successfully. Tom Hanks does help save a lot of scenes with a vintage performance from the days when people looked forward to a new Tom Hanks flick, but I don't know if he quite manages to save the whole thing." - Chris Price, Boston Herald



"It is always a pleasure to experience a new Mo Buck film, and this one comes close to being a triumph for the writer. The exceptional cast, featuring Offerman, Condon, Plemons, and an incredibly committed Finn Wolfhard, truly shines. Hanks delivers a moving and tender performance, imbuing the film with heartfelt emotion. However, Howard's direction seems inadequate for the task, as it fails to contribute anything substantial and prevents the film from achieving actual classic status." - Austin Gabe, Dallas-Herald Chronicle






Rated PG-13 for language and thematic material

Friday, October 27, 2023

Last Resort Films Jukebox: Gas Bar Blues

 



Now Showing: Gas Bar Blues

 

Gas Bar Blues
Genre: Drama
Director: Ron Howard
Writer: Mo Buck
Based on the 2003 French-Canadien film Gaz Bar Blues
Cast: Tom Hanks, Jesse Plemons, Harry Melling, Finn Wolfhard, Kerry Condon, Nick Offerman, Matt Walsh, John Magaro, Eric Roberts, Tony Hale, Keith Carradine

Plot: 1989
Police cars are pulling up at the gas station. Policemen get out of the cars and draw their guns, asking the suspect to get out with his hands up. Inside the gas station, the owner Frank (Tom Hanks) is telling Bob (Eric Roberts), a long-time client to calm down, as he’s holding Frank’s son Alan (Finn Wolfhard) at gunpoint. Outside, more officers pull up and tell clients to clear the way. Back inside, Frank changes places with his son and Bob now holds Frank at gunpoint. Bob tells the officers that they’re coming out now and they better not do anything or else he’ll shoot him. Frank has Bob’s arm around his neck and has trouble walking. They exit the gas station and the camera zooms on Frank’s face and freezes. Frank now speaks off-camera. “It hurts to have a gun on the temple, but once I get a bullet to the head, all the trembling will be over. My name is Frank, but everyone calls me the Boss. I’m a slave to my business. Since my wife died, I’ve been trying to keep my family together around my gas bar. My kids aren’t happy here, perhaps I should’ve realized it sooner. Our lives have been a mess for a while. This could be the end of me, but a new beginning for them. Perhaps they’d be happier.” Then, a gunshot is heard and it cuts to the opening credits.

Frank and his son John (Jesse Plemons) are in the basement doing the monthly accounting for the gas bar and they’re short of about one hundred and fifty dollars for the previous month. John curses and says it’s probably his brother who messed up. Alan is in his room, trying to sleep. He looks at the clock and notices it’s around one in the morning. Frank tells John not to worry about it, he’s going to pay it out of his pocket, but John reminds him that they can’t do this every month. Frank pats his son on the shoulder and says he did it for the last year, that’s just how it is. Alan closes his eyes, as if he was asleep.

In the middle of the night, Norm (Harry Melling), wakes up his brother Alan to play him a recording of his band from tonight’s show. Alan wishes to go back to sleep, but Norm insists they listen to it and plays his tape, a rendition of “The Slam” by Andy Just. Alan begs him to turn it off so he can go back to sleep. Norm should sleep too; he’s working tomorrow morning.

Norm is in the gas bar behind the counter, playing harmonica. An everyday customer, Mr. Norm Smith (Nick Offerman), tells him to stop playing, Norm’s sister is waiting at the pump. Norm heads out to find his sister Nathalie (Kerry Condon). Mr. Smith heads out with him and teases Nathalie about her “kid-sized car” and she says it’s still better than Norm’s rusty pile of crap and Smith laughs. Norm asks her what she’s up to so early in the morning, but she’s evasive. He asks her why she never comes to visit them, and she says every time she comes over he isn’t there. She asks Mr. Smith if he can her oil change and he says he’s never touching a European car again, unless it’s worth it. She tells him she has his pay, taking out bottle of gin out of her car. She stops her car and Mr. Smith asks her to go get him pints of oil in the backstore. Back there, she sees Joe (Matt Walsh), another regular client, peeing in the sink.

Later that day, as Alan is working at the gas station with his father Frank, Norm tells his father that he’s leaving for a show tonight. He tells him not to come back too late, he’s working again tomorrow. Frank looks at Alan outside, helping a customer and he notices Norm has trouble starting his car, so he sends Mr. Smith to help him, but he wants to finish his beer first. Alan leaves and goes to the bathroom at the back of the building where he lights a cigarette. When he’s done and comes back, there are two cars at the gas station. He goes to Norm who tells him he should choose another time to hide to smoke and Alan says he isn’t smoking. He notices his father struggling to check the oil in a car because his hands are shaking. Frank thanks him for his help and goes back inside.

That night, John arrives at the gas bar on his motorbike and throws a newspaper on the counter. The headline reads that the Berlin Wall is going down. Joe arrives shortly after, joining Mr. Smith who’s already there. Pit (John Magaro), the neighborhood dimwit arrives shortly after too and orders a couple of beers. John reads the Time magazine and Pit says he’s only reading that to look intelligent, but he’s just dumbed like the rest of them. He looks at Pit, baffled, and says that unlike him, he’ll get out of the neighborhood one day. A customer, Bob, arrives and John goes over to his car. He starts to belittle John, laughing at his job and asks to get his car filled. He keeps belittling John, who stares at him dead in the eye. Once he’s done, he asks to put it on his tab, but John refuses, saying his pile of bills is getting quite big, but Bob gets insistent. He gets out of his car and tries to bully John, but John fights back. Frank arrives just on time, and he tells John to put it on his tab. Bob smiles and taps John on the back of the head. The Boss brings John inside and says he doesn’t want him to fight with these guys. John says they’re making of fool out of his father, but Frank says he doesn’t care what people think about him. John says people come here, put gas on their tab and never come back and they never pay. Frank says he's been doing this for more than twenty years, he knows how to handle a couple of bums.

The following day, Norm is working when another customer, Vince (Keith Carradine) arrives and tries to buy to packs of cigarettes. He says he’s going out of town to get two new strippers for his bar, and he doesn’t want to be out of cigarettes on the road. He asks Norm if he’s the musician of the family and Norm answers affirmatively. Vince says he knows musicians need a little kick before they get on the stage, just like his strippers and he shows him a little bag of cocaine. He says if he ever needs some, he can call him. Mr. Smith comes in early, as usual, and as Vince sees him, he leaves. Mr. Smith grabs Norm’s arm and twists it and tells Norm that he ever sees him doing dirty business with Vince he’s going to break his arm. He’s his godfather and they both have the name; he doesn’t want him to become a junkie and doing dirty business. Norm laughs it off and Mr. Smith says he’s serious.

That night, the police are at the gas bar, tending to John’s broken nose. He asks the officers what they’re doing out there, there’s been three hold-ups in the last month, they need to do something about it. The Boss arrives and meets with Mr. Smith and Joe who tell him what happened. They say someone came in for the cash and held a gun to their face, while John was mopping the floor. He swung the mop at him, and he dropped his gun and John jumped on him and tried to remove his mask, but he ran away. The Boss gets inside and talks to John, asking him what he was thinking about. He could’ve been killed; the gun was loaded. He’s got insurance for that kind of thing. John says he never declares it and pays for it himself. He’s tired of seeing his father getting taken advantage of by other people. He’s devoted his life to this and it’s eating him away. Frank knows there’s a rage inside John and he doesn’t like it. It looks like John isn’t happy here. John says he’s happy here, but he’s tired of seeing his father getting run over by everybody.

The following morning, John is arguing with Norm at the gas bar. Norm was supposed to be working when there was a hold up, but John had to cover for him again for a show, and he says it’s never going to happen again. Norm begs him to let it live his dream, but John says he’s tired and he wants to live a little too. Norm says he’s tired of the gas bar too, but he’s never going to tell his dad, it’d kill him, and John says one day he’s going to leave this place and never come back. Norm says he’ll believe it when he sees it and leaves. John sees the newspaper he brough the other day about the fall of the Berlin Wall and he closes the gas bar and leaves.

Alan is awakened by John talking to his dad in the other room. Frank says he can’t believe he’s leaving them like that, just to witness history. John says such a big moment will never happen again in his lifetime. Frank asks him what they’re going to do at the gas bar without him and he suggests asking his sister Nathalie to cover for a while, but Frank refuses, saying it’s too dangerous with all the hold-ups. John says they could hire Pit, but Frank refuses, saying he can’t count to ten, he doesn’t trust him and besides, Frank wants to run the place with his sons, not with strangers. John asks him if he ever wondered if they asked for this life, but Frank doesn’t answer. He wants to ask Alan to help, but John is adamant that Alan must stay in school. Frank says no matter what he says, he’s not going to change his mind, so he wishes him a good trip and John leaves. After he leaves, Frank is seen trembling as he goes in Alan’s room and sits next to him crying. Alan asks him if everything is alright and Frank says it’s time for him to have more responsibilities at the gas bar and he wants him to open it tomorrow, so he should go back to sleep, as Frank wipes his tears away.

It’s a quiet morning at the gas bar and Mr. Smith asks Alan if he wants a cigarette to pass the time. Alan refuses, saying he doesn’t smoke, but Mr. Smith says he doesn’t have to hide in the bathroom to smoke when he’s around. Alan denies again, but Smith keeps offering him a cigarette and Alan eventually grabs one and Smith knocks it off his hand, saying he knew he was smoking. Alan begs him not to tell his father and Smith says his secret is safe with him. Pit arrives and asks if Boss is around, he asked to meet him today. As he says that, Frank enters the gas bar and gives Pit his new uniform. Alan is visibly annoyed, and Frank ends up talking to him alone. Alan says he’s tired of being seen as a child, he’s hiring Pit to look after him and he’s smarter than he is. He just wants to be like all his brothers. Frank says he can’t have Alan working double shifts, he needs his hands when he’s working and can’t have Alan pull double shifts at his age. Alan is understanding and goes to help the next customer; Vince, back with his two strippers and ask for his car to be filled. While he fills the car, the strippers show their cleavages to Alan. Vince gives him a big smile, asking him if he likes his tip today, before leaving.

That night, Norm is closing the gas bar while Frank and Nathalie are watching TV. Norm is counting money in the safe and he notices bills are torn off. On television, they listen to a news report about the Berlin Wall and people from the East Germany are reacting. Frank grabs an envelope, and he says they received mail from John. John’s voice narrates his letter. He says he’s glad to be there, he’s witnessing history. He has a girlfriend over there and lives with her. He’s made a couple of friends and he took some photographs for them to see. He’s fascinated by the culture and the joy from the population over there.

The following day, Norm shows his car to Mr. Smith and he tells his godson that he should stop driving that thing or it’ll get him killed. Joe arrives and says he’s going to the bathroom, but he goes to try and grab money from the safe with a hook. Smith tells Norm to grab him a pint of oil from the backstore and Joe just has time to leave before Norm arrives, but he forgets his hook. Norm sees the hook and tries to run after Joe, but he’s long gone. He tells Smith about it and he says he’ll take care of Joe.

The following morning, Frank opens the store with Alan and sees someone towing Norm’s car, all wrecked up. The man says they found the car in a remote road, but no sign of the driver. The Boss is shaken and starts crying at the thought of Norm being dead somewhere. He asks Alan to call in the urgent cares to know if they’ve seen Norm. All day, Frank is shaking uncontrollably, and he cries near his son’s car.

The following morning, he’s in the car with Nathalie, saying he hates going there. He doesn’t see any improvement and it’s driving him crazy. She says she loves him, and she hates to see him like that. He should go in there; it’d make her happy. He reluctantly agrees and gets out of the car. As she turns the corner, Frank enters the treatment facility for his Parkinson’s, but gets out of the door when Nathalie is out of sight. He walks back to the gas bar, and they received a new letter from John, but Frank doesn’t want to open it, he’s already had enough with Norm.

That night, Frank is visiting Nathalie’s apartment and they open the letter. John’s voice narrates it. He voices his dissatisfaction with his life in Berlin. He broke up with his girlfriend and he’s growing tired of hearing people tearing down the wall. People on the East side look more peaceful, so he moved there. He doesn’t believe opening the wall was a good thing. It should’ve stayed there. He’s drinking a lot over there; the beer is cheap, and he thinks is newfound freedom makes him happy.

Frank went back to the gas bar to take over from Pit. He serves a customer (Tony Hale), who reveals himself to be an inspector for the company that owns the gas bar. He criticizes the regulars sitting in front, saying it’s intimidating for new customers when they see that. He says the pumps are dirty and Frank didn’t check his oil or his tire pressure, both required by the company. He’ll hear from them, and they won’t be happy.

Frank spent all night at the gas bar, trying to balance the accounts. He’s awakened by a knock on the window. It’s Norm, covered in bruises. Frank is mad at him, saying they were worried about him, he could’ve called them. Alan arrives to open the store and is happy to see his brother. Frank leaves them, angry. His hands are shaking, and he puts them in his pockets. Norm follows him and Frank screams at him saying he isn’t working here anymore. If he wants to go play music and abandon his family, then so be it. He then throws Norm out and he starts crying as he locks himself in his office.

Later that morning, Joe arrives at the gas bar and asks Alan to fill his car while he goes to the bathroom. Smith saw him pull up and hid in the backstore. Joe has his hook in the safe and Smith surprises him. He accuses him of stealing and throws him in the ice box and he sits on it. He says he’ll think twice when he wants to steal from his friends again.

Later that day, Smith is watching the television and they talk about a young Canadian who was arrested in Berlin trying to rebuild the Wall. They’re expatriating him on his way back. Smith clearly sees the man in question is John and he goes in Frank’s office. Frank opens for him and says that he knows, they called earlier, he’ll go to the airport tomorrow morning. As Smith leaves the office, they show John getting arrested. He was drunk and hurling insults at the officers. Smith says under his breath that he looks like he's gone crazy.

The following morning, Frank is in his car with John. He looks angry and tells his son that he looked deranged on television. He tells that’s now how he raised him. John wants to explain, but Frank doesn’t want to hear it. He says his sons are making his life miserable lately. They’re both silent on their way home. When they get back home, John takes the messages on the voicemail. One is from Alan’s school, asking why he doesn’t go anymore and the other from Frank’s doctor asking him if they should give his place to someone else for treatment since he never shows up. John confronts his father about it. They talk it out and Frank admits his wrongs and so does John. Frank swears he’ll go to his treatments and John will stay off the alcohol and help him with the gas bar.

The following morning, John drops his father off at the clinic and goes to the gas bar to work. Only Mr. Smith is there before he opens and he wants to talk about what happened in Berlin, but he respects John’s wishes not to. Their first customer is George, the inspector of the company. Smith tells John to serve him well, he’s the inspector that gives the Boss trouble. John goes to his car and asks him what how he can help. He says he’s just here to see if they cleaned up the gas bar a little, but it doesn’t look like they did. He gets out of his car to inspect the pump and John grabs him by the tie and throws him on the ground. He says he should be careful, he’s crazy, they said it on TV. He grabs his wallet and looks at his address. He says he won’t give his father trouble or else he knows where to find him. Smith looks on smiling.

When Alan gets back from school, he goes straight to the gas bar and asks Frank’s help for his math homework. Then, Bob gets to the gas bar with a mask on and asks for the money, holding Alan at gunpoint. Frank gives him the money and begs Bob to let his son take his place as the police, who was patrolling the neighborhood pulls up and ask Bob to exit the gas bar with his hands in the air. Bob argues a little, but he agrees to take Frank instead. They exit the gas bar and Bob threatens the policemen and one of them ends up shooting Bob in the head. Frank collapses on the floor and they come to his help. Alan rushes to his father’s side to make sure he’s alright. Mr. Smith came back from home and sees the commotion. They ask Frank if he wants to go to the hospital, but he refuses. He sits at the bar and lights a cigarette. He gives one to Alan too.

That evening, Frank is joined by Nathalie on the balcony. He puts out his cigarette and she ask how’s Alan. He says he’s alright, he’s a tough kid. She sees him thinking and she asks what he’s thinking about. He says he’s thinking about his list of mistakes. She says he’s too harsh on himself and he begins to list every mistakes he made lately. He fired Norm and he left the house, John was so tired of the gas bar that he left for Berlin and came back a crazy man, he even threatened the company inspector, and then today, Alan could have died. He’s just trying to keep his boys around him, but he’s losing them one by one. She says she doesn’t see him like that. She sees him as a caring father who loves his sons a lot. He’s worked all his life, he’s done enough for his family.

Frank then goes to a local bar where a band is playing. He sees his son Norm playing harmonica and singing. He sits in the middle of the crowd and then Norm notices him when the song is over. Frank waves at him and Norm whispers at his band mates. They then start playing “Heart of Gold” by Neil Young, Frank’s favorite song. Once the song is over, Frank smiles and nods at Norm who smiles back.
That night, Frank closes the gas bar, writing on the door that it’s closed forever. As he walks away with the money from the safe, Mr. Smith thanks him for everything. They had fun, but it’s time Frank gets some rest.


Thursday, October 26, 2023

In Development

 
Gas Bar Blues: Matt Walsh (Flamin' Hot, You People), Eric Roberts (Nomad, Red Sonja: Blood + Bone), Tony Hale (Bad Education, Faster Higher Stronger) and Keith Carradine (Don't Hang Up, The Raven) have all been cast to round out the ensemble cast of the Tom Hanks-led Gas Bar Blues. Ron Howard is directing the film from a script by Mo Buck. The film is based on the 2003 Quebecois film Gaz Bar Blues.

The Hunchback of Notre Dame: The big-budget live-action adaptation of the animated film, The Hunchback of Notre Dame, has added Charlie Murphy ("Peaky Blinders", "Obsession"), Santiago Cabrera (The Crow: Wings of Isaiah, The Crow: Resurrected), Peter Serafinowicz (
White House Plumbers", The School for Good and Evil) and Matt Berry (Blue Beetle: Legacy, "What We Do In the Shadows") to its cast. Murphy and Cabrera will play the parents of Quasimodo, while Serafinowicz and Berry will play Parisian guards. Sam Taylor-Johnson is directing the film from an adaptation by Walter McKnight.

The Beat Goes On: The ambitious jukebox musical The Beat Goes On has added music superstar Rihanna (Broadway, Hair), Paul Mescal (Audible, Captain America) and Paul Giamatti (Whaling, Kazaria) to its high-profile cast. Rihanna will play a disco star mistress of the main character (played by Will Smith), Mescal will play a heartland heartthrob rock singer, while Giamatti will play a music manager. Ryan Coogler is directing from an original story by Chad Taylor.

Red Wolf: Wanderer: The latest Marvel Universe production - the sequel to Red Wolf - has added the likes of Jessica Matten ("Dark Winds", The Empty Man), Keith Jardine (The Kid, "Godless") and Michael Horse (Red Wolf, The Call of the Wild). Horse will be reprising his role as the hero's father. Matten will be playing Danielle Moonstar, an illusion creating mutant. Jardine, meanwhile, will play a violent biker named Bulldozer. Sterlin Harjo is back to direct, once again from a script by Dwight Gallo and Jimmy Ellis.

The Incredible Shrinking Man: Andrew Garfield (The Long Way Home, Shoe Dog) has been tapped to star in a new adaptation of Richard Matheson's novel The Shrinking Man. Garfield will play a man exposed to a chemical that begins to slowly shrink his body. Mary Elizabeth Winstead (The Long Way Home, Krueger) has also signed on to the project as Garfield's wife who struggles to adjust to her husband's shrinking size. Jason Reitman (Arizona, Maple Leaf) has been hired to direct the film. Billy Cruder (Camping, The Liberation of Evil) penned the film.

Watch Dogs: Gerard Butler (Blood in the Water, The Black Cat) has been cast in the lead role in an adaptation of the video game Watch Dogs. He will play a hacker and vigilante seeking revenge after the death of a family member. Willem Dafoe (Days Without End, To the Other Side) and Al Pacino (Broadway, The Mobster's Violin) have also joined the project in supporting roles. Dafoe will play a fellow hacker to Butler's character, while Pacino will play a Chicago mobster. Neill Blomkamp (Batman Beyond, Mr. Earthling) is set to direct the action film. Joshua Collins (Nineteen Minutes, Krueger) wrote the film based on the video game of the same name.

Release: D.I.C.K.

 

D.I.C.K.
Genre: Dark Comedy
Director: Chris Morris
Writer: Jacob Jones
Cast: Adam Sandler, Omari Hardwick, Hilary Swank, Noah Centineo, Ajiona Alexus, Raul Esparza, Christopher McDonald, Riley Reid





Budget: $40,000,000
Domestic Box Office: $31,593,013
Foreign Box Office: $12,884,163
Total Profit: -$30,665,394

Reaction: Dark Comedies rarely work at the box office and this film, despite Adam Sandler's star power, turned out to be no different in that regard.



"While Jones & Morris may have had an intended message with this movie, I found it incredibly irritating. Sandler's character is by far the least appealing he's ever portrayed, making his previous man-child roles seem endearing by comparison. Unfortunately, the cast is severely underutilized. One scene featuring Swank was so off-putting that I lost all interest in the film's conclusion. In my opinion, one might find more value in observing drying paint than in watching this film." -  Gordon Sheffield, London Times


"There were aspects of D.I.C.K. that worked, especially the casting and the concept, but it often mistakes shock value for genuine humor. The lead role should have been a homerun with Adam Sandler in the lead, but the character is so mean-spirited that it completely burns out Sandler's natural every-man likability within the first few scenes." - Brenton Smalls, Playboy



"D.I.C.K is a mess of a film, I tend to dislike majority of Adam Sandler’s “comedy” films, just finding them childish and stupid, this is no exception. I don’t think there was a single time I laughed in this film (something the other Sandler comedies could at least make me do). In saying that I am sure that there is an audience out there for this, otherwise why would Sandler keep making films like this?" - Terry Setev, The Bateau Gazette





Rated R for strong language, violence, sexual content/nudity and thematic material