Thursday, June 26, 2025

In Development

 
The Thin Man: Rounding out the Golden Age Hollywood remake The Thin Man will be Nell Tiger Free (The Beauty, Forever Hold the Peace), Peter Jacobson (Smile 2, Fly Me to the Moon), and Stephen Graham (The Omen, Fragments of Heart). Richard Linklater is directed the remake, which is also based on the source novel by Dashiell Hammett. Carl Flimmer penned the adaptation.

Cleveland: The crime drama from director Edgar Wright is also filling out its cast with the additions of Pablo Schreiber (Den of Thieves, "Halo"), Manny Jacinto (What We Were Promised, Top Gun: Maverick), Ben Schwartz (Renfield, Sonic the Hedgehog), and Thomas Middleditch (Red Lantern Corps, Splinter Cell: Blacklist). Schreiber and Jacinto will play a pair of hitmen, while Schwartz and Middleditch will play a pair of bumbling police officers. Jimmy Ellis is the writer behind the screenplay.

The Hammer of Thor: The Frost War: Several more familiar faces are set to return for the sequel to The Hammer of Thor Mark Hamill (The Hammer of Thor, Skyrim III: Dovakhiin) is back as Odin, Sophie Lowe (The Hammer of Thor, Poison Ivy: Mind Games) is back as Lady Sif, Laurie Davidson (The Hammer of Thor, Cats) is back as Fandral the Dashing, and Denis Menochet (The Hammer of Thor, The Beasts) is back as Volstagg the Valiant. Roar Uthaug is directing the film once again. The Marvel Universe film was written by Roy Horne. 

Splendour: The fact-based drama about the death of Natalie Wood has added more to its cast. Michael Pitt (Resident Evil 5, Grayson) will play Christopher Walken, Wyatt Russell (Phantasm: Awakening, The Hippie Preacher) will play the captain of the yacht, and Ron Livingston (El Dorado, Thrill of the Kill) will play a detective. Brady Corbert is directing the film.

Danya: Danya has added more talents to its voice cast the hirings of Nick Offerman (Gas Bar Blues, Nick Fury and His Howling Commandos) as a Russian police officer, Sarah Silverman (Spider-Man: Requiem, Maestro) as the manager of a successful rapper who will in turn be voiced by Riz Ahmed (Paki, Sherwood). Genndy Tartakovsky is directing from an original story by Jacob Jones.

The Legend of Zelda: The Legend of Zelda Nintendo video game franchise is finally on its way to the big screen in the form of an animated film from director Jon Watts (Duel, Inner Demons) and writer Dawson Edwards (Metroid, Before Love Came to Kill Us). Noah Schnapp (Police Story: Brother, The Dark Tower IV: Wizard and Glass) and Florence Pugh (Beasts, Eye of the Scarecrow) are set to lead the voice cast as Link and Zelda, respectively.

From the Desk of Alfie Ellison, VP of International Development: Forbidden Planet

 

In a groundbreaking move that promises to redefine the science fiction genre, actor and producer Glen Powell has announced that his production company, Barnstorm, will partner with Last Resort Films Studio to develop an ambitious adaptation and remake of the iconic 1956 film Forbidden Planet.

The project, which will combine Powell's bold vision for modern storytelling with the rich legacy of the original, aims to reimagine the story for a new generation while staying true to the groundbreaking themes that made Forbidden Planet a beloved classic.

Forbidden Planet was originally inspired by William Shakespeare’s The Tempest and set on the distant planet of Altair IV. The story follows a futuristic crew who discover a lost, technologically advanced civilization, only to encounter a terrifying, unseen force that threatens their survival. With groundbreaking special effects for its time and a haunting score, the film became a touchstone for sci-fi fans and filmmakers alike.

“Forbidden Planet is one of those films that has had a profound influence on the sci-fi genre, inspiring everything from Star Trek to Star Wars,” said Glen Powell. “When I first saw it, I was captivated by its world-building, its philosophical themes, and its timeless questions about humanity. It’s an honor to be part of the team that will bring this story back to life and reimagine it for today’s audience.”

The new adaptation will be a mix of cutting-edge visual effects, innovative world-building, and deeper character-driven storytelling, exploring the dangers of unchecked technological power, the complexity of human emotion, and the mystery of the unknown in space. The project will also feature an ensemble cast of rising stars, with Powell himself set to play a leading role alongside other major names still to be announced.

“We’ve assembled a talented team of filmmakers, writers, and designers to ensure this remake honors the spirit of the original while pushing the boundaries of what audiences can expect from a modern sci-fi epic,” said Powell. “We’re working closely with Last Resort Films, whose track record of producing boundary-pushing films aligns perfectly with our goals for Forbidden Planet.”

The remake of Forbidden Planet will be the first project under the new partnership between Barnstorm and Last Resort Films, which plans to produce a slate of ambitious, genre-defining films over the next several years.

“We’re incredibly excited to work with Glen and the Barnstorm team,” said Phil Dolan, CEO of Last Resort Films. “Forbidden Planet is a cultural touchstone, and together, we are going to craft a version that both honors the original’s legacy and provides a fresh, thrilling experience for audiences worldwide.”

For any inquiries please contact LRF Vice President of International Development Alfie Ellison

Forbidden Planet
Project Details:
Based on the novel and film from 1956
Attached Talent:
Star Glen Powell

Wednesday, June 25, 2025

Release: Sniper

 


Sniper
Genre: Action/Thriller
Director: Jose Padilha
Writer: Nic Suzuki
Based on the 1993 film
Cast: Josh Brolin, Michael Pena, Demian Bichir, Adria Arjona, Ed Harris





Budget: $40,000,000
Domestic Box Office: $40,013,108
Foreign Box Office: $46,583,005
Total Profit: $13,500,236

Reaction: This one turned out to be a smartly conceived, moderate grossing film at the box office. With a $40 million budget, the studio wasn't expecting a $1 billion grosser - a solid profit is plenty at these costs.




“Sniper is a taut, brooding update of the 1993 cult favorite, transformed here into a morally complex slow-burn thriller about conscience in a world that doesn’t reward it. Josh Brolin is in peak form in a role that could’ve easily defaulted to cliché. Director José Padilha drenches the film in tension and murky geopolitics, delivering action that’s visceral but never showy, always grounded in the weight of decisions that can’t be undone. Michael Peña plays against type and Ed Harris’s late-game appearance crackles. While the plot hits familiar beats — ‘one last job,’ a betrayal, a chase — it does so with skill.” - Evelyn Shadwell, The Lexington Herald


"Sniper sticks to familiar territory but executes it with pinpoint accuracy. Between its striking cinematography and edge-of-your-seat pacing, it’s another win for writer Nic Suzuki, who’s quickly showing he can bring his A-game to any genre he touches. Sniper is further proof that Suzuki’s star is only getting brighter." - Dexter Quinn, Cinematic Observer Newsletter




"Sniper is a gritty, morally charged thriller that turns a familiar premise into something more reflective and unsettling - a far cry from the mediocre original. Josh Brolin delivers a weary, nuanced performance as a marksman questioning the meaning of his service, while Michael Peña is chillingly pragmatic as his handler. Director José Padilha brings a harsh realism to both the action and the politics, balancing brutal, grounded shootouts with tense character moments and ethical murk. The Colombian setting feels alive, and the story’s final act smartly pivots from assassination plot to personal reckoning. It’s a film that fires with precision — and leaves its impact long after the shot." - Vince DeSalvo, Empire State Tribune









Rated R for violence and language






Top 10 Wyatt Allen Films

 
Sherman J. Pearson here for another Top 10. Boys from the Forest is Wyatt Allen's 13th film as a writer with Last Resort Films, which means he's overdue as the subject of a Top 10 list.

Top 10 Wyatt Allen Films
10. A German Tragedy
9. The Untitled Paul Nichols Project
8. Boys from the Forest
7. Mr. Happy
6. Antarctica
5. The Life Survey
4. Tamahagane
3. Ruthersville, Brazil
2. Shoe Dog
1. Whaling

Tuesday, June 24, 2025

Now Showing: Sniper

 
Sniper
Genre: Action/Thriller
Director: Jose Padilha
Writer: Nic Suzuki
Based on the 1993 film
Cast: Josh Brolin, Michael Pena, Demian Bichir, Adria Arjona, Ed Harris

Plot: Tom Beckett (Josh Brolin) lies prone on a jagged, snow-covered rock ledge in a mountain range in an undisclosed Eastern European county. His breath is controlled as he dials in the scope of his sniper rifle. He watches a heavily guarded mountain villa below where a high-value target - a military arms dealer - is hosting a meeting. Beckett makes adjustments for wind and elevation. In his earpiece, Richard Miller (Michael Pena), overseeing from a nearby outpost, checks in. After hours of silence, the target steps outside for a smoke, flanked by guards. Beckett breathes in, exhaling slowly as he takes the shot. The man collapses without a sound as a mist of blood splatters on the snow. Chaos breaks out below, but Beckett is already on the move as he dismantles his rifle. He meets Miller at an extraction helicopter, and they fly away.

Beckett is back in the United States, sitting alone in a bar off some dusty rural highway. While nursing a drink, he stares at a real estate pamphlet in front of him advertising acreage in Montana. His phone vibrates. It's Miller, asking for a sit-down. Beckett knows before the call ends that there's another mission - one final job they always say. At a clandestine CIA safehouse, Miller lays out the assignment. The target is President Miguel Alvarez (Demian Bichir) of Colombia. Beckett bristles - he doesn't like political jobs. Miller sidesteps Beckett's moral protest, assuring him that this one is sanctioned at the highest levels as Alvarez is too idealistic and looking to disrupt cartel and drug control in Colombia, while the CIA wants to maintain the status quo. Beckett doesn't respond.

At a bar off a narrow street in Bogota, Colombia, Beckett sits alone, drink in hand, watching a grainy television bolted above the counter. President Miguel Alvarez is giving a speech—promising to dismantle cartel influence, push out foreign interference, and rebuild Colombia for its people. The locals mostly tune it out. Beckett, half-watching, mutters something dismissive under his breath about how politicians love to talk. A woman at the bar, Maria (Adria Arjona), asks if he always sneers at hope or just when it doesn’t come wrapped in a foreign flag. Beckett gives her a tired shrug, calling it nothing personal. But she doesn’t back off. She launches into a quiet but cutting monologue—about how men like him have judged her country for decades, how her family has lived through the violence and corruption he likely only reads about in reports. Then, she reveals that President Alvarez is her father. She tells him her father’s not perfect, but he’s the first leader in a generation to challenge the cartels and the foreign powers that helped create them. She doesn’t know who Beckett is or why he’s here, but she leaves him with a warning: if he thinks Alvarez is just another corrupt politician, he’s either misinformed—or willfully blind. Then she walks out, leaving Beckett staring at the TV in silence, the speech still playing.

Later that night, Beckett finds Miller alone on the rooftop of their safehouse, overlooking the lights of Bogotá. Beckett asks why they were really sent here. Miller doesn’t look surprised. Becket mentions what Maria told him - that Alvarez is trying to end cartel power, that he’s pushing out foreign contractors, that his government refuses to play by U.S. rules. He wants to know if it’s true. Miller doesn’t flinch. He admits that Alvarez is doing everything he promised, and that’s exactly why they’ve been sent to eliminate him. But Miller makes it clear: their job isn’t about right or wrong. It’s about maintaining the balance of power. Miller reminds him that it's nothing personal - it never is. 

The next morning, Bogotá is buzzing with celebration for the country's Unity Day. Parades roll through the city, fireworks echo in the distance, and in the main plaza, a massive stage has been set for President Alvarez to deliver his keynote address. From a half-crumbled, abandoned apartment building across the square, Beckett lies prone behind his scope. Miller sits nearby, casually checking comms and sipping coffee like it’s any other job. Beckett lines up his shot. The range is perfect. Alvarez is moments from stepping up to the podium. Through the scope, Beckett sees both President Alvarez and his daughter Maria.  Beckett breathes in. Then he lifts his finger from the trigger. He tells Miller quietly that he’s not doing it. He’s out. Miller doesn’t argue. He just rises, grabs his own rifle, and moves toward the window. That’s when Beckett stops him—grabbing his arm. For a moment, it’s still. Then the fight explodes. It’s sudden, savage, and without words. Two trained killers go at each other inside the decaying room, using fists, elbows, broken furniture, anything within reach. Miller slams Beckett into a wall and reaches for his sidearm, but Beckett kicks it away. Beckett pins Miller and drives a broken shard of wood into his gut. Miller gasps, bleeding out, muttering something about how Beckett never understood how the world works. Beckett holds his stare but says nothing. He leaves him slumped in the corner, grabs his pack, and vanishes down the stairwell.

Beckett exits the building and enters the crowded plaza mid parade. Beckett slips into the maze of side streets and alleyways, shedding pieces of gear, scanning constantly. He knows the CIA has contingencies, and Miller wasn’t their only move. Blending into the edge of the crowd, Beckett spots Maria in the front rows, waving a small Colombian flag. He pushes forward through the crowd toward her, brushing past families, vendors, and bodyguards. Once he reaches her, Beckett tells Maria that she and her father are not safe. She sees men in suits closing in through the crowd. Beckett realizes they've been watching him, waiting to see what he would do. Now they know. He makes a quick decision—splits away from Maria, drawing the attention to himself while she moves toward the stage to warn her father. Sirens begin to blare. Security tightens. In seconds, Bogotá erupts from celebration into confusion. Maria tells her father that a foreign operative has warned her that they need to leave the area. Alvarez's aides are wary of her information, but Alvarez believes his daughter. He quickly calls off the public address, retreating behind a wall of security. 

Meanwhile, Beckett is already blocks away, ducking into alleyways, hopping fences, and blending into the city's underbelly. He knows they won’t arrest him—they’ll kill him on sight. The agency can't afford to let a sniper with knowledge of an unsanctioned hit walk around with a conscience. Through his earpiece, still tuned to the CIA's frequency, he hears a voice he recognizes: William Long (Ed Harris), the deputy director, ordering his men to bring Beckett in — and if that’s not possible, to leave nothing behind.

By dusk, the city is locked down. Beckett has made it to a vantage point on a hillside outside Bogotá — an old, half-demolished lookout used during the guerrilla conflicts decades ago. From here, he watches a private airstrip tucked beyond the edge of the city where armored SUVs have pulled up. It’s not government security. It’s CIA. In the scope of his rifle, Beckett spots William Long stepping out of a black vehicle. Long's expression says he already knows what happened. The mission failed. Miller’s dead. Beckett’s gone rogue. He’s here to clean it up. Beckett breathes steadily, crosshairs resting between Long’s eyes. His finger touches the trigger but doesn’t squeeze. Not yet. He flips the safety, shifts slightly, and fires — not at Long, but at the vehicle inches from his head. Long hits the ground for cover. Beckett speaks into his radio. He tells Long he could’ve ended him right now. That he won’t... yet. He informs the deputy director that President Alvarez knows about the assassination attempt. Beckett warns Long that if he or his men come for him or Alvarez again, the next shot won’t miss. Long scans the ridge, looking for Beckett's location. But Beckett’s already gone. 

The next day, Colombian news outlets are ablaze. President Alvarez holds a press conference. He tells the public of an attempt on his life by a foreign agency known for meddling in the region - implying but not directly naming the CIA. Maria stands beside him. Leaked footage begins circulating online - clips of the disrupted Unity Day speech, photos of Miller taken by local civilians just before the chaos. The CIA issues public denials, but behind closed doors, the operation is burned, records erased, loose ends quietly tied.

Far from the city, in the green hush of the Andes, Beckett arrives at a house nestled on a hillside overlooking a river bend. Waiting for him is an envelope - no name, just a national seal. Inside is a deed to the property - a gift from the President Alvarez for saving his life - and maybe a nation. 

Weeks pass. Beckett rises with the sun and feeds the chickens that came with the land. His rifle, once always within reach, now sits locked in a wooden chest.



Resume: Josh Brolin

 


For this edition of Resume, we will take a look at the filmography of the first Best Actor GRA Winner in the studio's history.... Josh Brolin!



Season 1
The Dead Zone
Director: Vincenzo Natali
Writer: Matt Parker


Budget: $61,000,000
Domestic Box Office: $84,952,039
Foreign Box Office: $83,620,080
Total Profit: $83,790,345



Brolin debuted in LRF's 5th film, a new adaptation of Stephen King's The Dead Zone. He played the charismatic villain of the film, which turned out to be pretty big box office hit.



Jonestown
Director: Oliver Stone
Writer: D.R. Cobb


Budget: $42,000,000
Domestic Box Office: $56,245,027
Foreign Box Office: $55,732,146
Total Profit: -$5,899,735



While Jonestown was not a success at the box office initially, it has gone down in history as one of the studio's most acclaimed films. The film went on to win the very first Best Picture, Best Director and Best Actor GRA trophies.



Season 3
Inferno
Director: Tom Tykwer
Writer: Mo Buck


Budget: $121,000,000
Domestic Box Office: $153,964,034
Foreign Box Office: $292,834,669
Total Profit: $81,670,433



Brolin next appeared in Season 3 in a supporting capacity as Julius Caesar in one of the circles of Hell in Inferno. The film won the first ever Most Wanted Sequel GRA trophy in addition to its financial success. 



Season 15
Pirate Latitudes
Director: Ridley Scott
Writer: Matt Parker


Budget: $125,000,000
Domestic Box Office: $122,579,990
Foreign Box Office: $203,668,906
Total Profit: $26,053,532



After a full dozen seasons away from the studio, Brolin returned as the lead in Ridley Scott's big budget pirate film. It was another hit for Brolin at LRF - but it had no awards love despite pretty good reviews.



Season 21
The Void
Director: Jeff Nichols
Writer: Jimmy Ellis


Budget: $74,000,000
Domestic Box Office: $146,111,095
Foreign Box Office: $135,073,023
Total Profit: $75,765,440​



For the second time in his LRF career, Josh Brolin has found himself the leading man in a film that went on to win the GRA trophies for Best Actor, Best Director, and Best Picture. Leonardo DiCaprio and Tom Hardy are the only other actors to accomplish this feat more than once.



Season 26
Miracles
Director: Sean Baker
Writer: Chad Taylor


Budget: $47,000,000
Domestic Box Office: $36,920,494
Foreign Box Office: $29,041,002
Total Profit: -$18,004,060



A rare box office mix for Brolin with LRF, but it still wound up with seven GRA nominations - none for his supporting performance though.



Up Next:
Following his role in Sniper, he has lined up a crime drama with director James Mangold - probably due out for release in Season 35. 


Review:
Highest Grossing Film: Inferno ($446,798,703)
Most Profitable Film: Inferno ($81,670,433)
Most Awarded Film: The Void (4 wins + 1 nomination)
Best Reviewed Film: Jonestown (Metascore: 97)

Monday, June 23, 2025

HISTORY LESSON (SEASON 5)

 

Welcome to History Lesson, where we take a closer look at the movies that dare to tackle real-life events with varying levels of accuracy, drama, and WTF casting choices. These films promise to educate and entertain, but more often than not, they rewrite history with the subtlety of a sledgehammer. We’ll be your guide through the land of miscast biopics, dramatic embellishments, and historical “inspired-by” liberties, breaking down whether these flicks are Golden Reel Award-worthy masterpieces or just a big-budget Wikipedia summary. Either way, it’s more fun than your high school history class—and there’s popcorn.

This time around we will take a look at Season 5's fact-based slate....




HISTORY LESSON: Hated: The Ballad of GG Allin

In Hated: The Ballad of GG Allin, Tom Hardy fully embraces the punk icon’s filthy, feral persona with the kind of energy that screams, “What if Mad Max had diarrhea?” Directed by Todd Phillips — yes, the guy behind The Hangover — this biopic is less “inspirational journey” and more “can you believe this guy was a real person?” Hardy stomps around naked, smearing himself in bodily fluids like he’s auditioning for a particularly disturbing art installation. If nothing else, this film is a testament to Hardy’s dedication to roles no one else in Hollywood would touch with a ten-foot pole.... for hygiene reasons.

The movie dives headfirst into GG’s deranged life, starting with his father (Michael Shannon) naming him Jesus Christ and ending with a funeral where the only thing more offensive than the smell was the playlist. Phillips manages to capture the nihilistic punk vibe, though you’re never quite sure if you’re watching a deep character study or an extended dare to the audience. Between the onstage mayhem, heroin-fueled rants, and literal crap-throwing, Hated delivers a biopic so wild it makes Johnny Knoxville look like a model of restraint. It's a surprisingly accurate biopic - just don’t watch it while eating.





HISTORY LESSON: The Life of the Party

The Life of the Party dives headfirst into the glitz, glam, and downfall of silent film star Fatty Arbuckle, with Eric Stonestreet delivering a career-defining performance. Stonestreet captures Arbuckle’s charm and vulnerability, from his meteoric rise as a comedic icon to his catastrophic tumble into scandal. Spielberg recreates the infamous St. Francis Hotel party with the kind of precision that makes you wonder if he’s got a time machine. Between Lara Jean Chorostecki’s conniving Maude Delmont and the absurd courtroom drama led by Richard Dreyfuss as an opportunistic DA, it’s clear the legal system was less about facts and more about headlines. And let’s not forget Rhys Darby as Buster Keaton, loyally defending Arbuckle while trying not to trip over the film’s own melodrama.

The film’s sharpest edge comes in its critique of tabloid-fueled justice, where facts were as flexible as the comedy routines Arbuckle was famous for. Arbuckle is acquitted after three trials, but not before his career and reputation are obliterated. Spielberg gives us the bleak irony of Arbuckle’s brief comeback — he signs a new film contract, only to die of a heart attack that same night. It’s tragic, yes, but Spielberg’s penchant for over-the-top dramatics ensures you’re left both moved and vaguely annoyed at the cosmic unfairness of it all. If nothing else, this film proves Hollywood’s taste for scandal hasn’t changed a bit in a hundred years.






HISTORY LESSON: The Beatles

The Beatles offers a sprawling, time-hopping journey through the lives of the Fab Four, framed by George Harrison’s final days. Ron Howard directs with an earnestness that’s part homage, part docudrama. The cast? It’s eclectic. Daniel Radcliffe as John Lennon is surprisingly intense, while Harry Styles as Paul McCartney straddles the line between dreamy and daft. Fionn Whitehead’s George anchors the story, but Craig Roberts as Ringo seems more like a mate who wandered onto set and stuck around. The film ping-pongs from iconic moments like the Ed Sullivan Show to the rooftop concert, all the while documenting the escalating chaos that tore the band apart. And yes, Yoko’s here (Karen Fukuhara) in all her divisive glory.

The film’s biggest flaw? It tries to do everything — from Beatlemania to Maharishi-fueled spiritual crises — with the subtlety of a Beatles Greatest Hits album commercial. The pacing is as uneven as John and Paul’s friendship by 1969, with moments of genius interspersed with melodrama. Still, Liam Neeson as elder George is quietly affecting, and the final reunion between Paul, Ringo, and George provides some genuine feels. While the movie might stumble under the weight of its own ambition, it’s hard not to hum along as history’s greatest band takes one last bow.

Release: Boys from the Forest

 
Boys from the Forest
Genre: Drama
Director: David Wnendt
Writer: Wyatt Allen
Cast: Lazar Simaifar, David Ali Rashed, Quang Anh Le, Emilia Eidt, Ruben Meiller, Albrecht Schuch, Michael Lott, Nhung Hong, Martina Eitner-Acheampong





Budget: $11,000,000
Domestic Box Office: $9,480,114
Foreign Box Office: $7,501,599
Total Profit: -$5,873,546

Reaction: Considering its cast and crew are mostly unknown outside of Germany, the numbers here weren't too bad - At least the losses were single-digit.





"David Wnendt’s Boys from the Forest delivers a grounded, affecting portrait of working-class adolescence, with a standout turn from Lazar Simaifar. The film skillfully captures the inertia and quiet desperation of life in Waldhofen, but it occasionally derails itself with jarring tonal shifts—most notably a surreal katana subplot that strains credibility. While the supporting characters often lack depth and the pacing meanders, the film’s core—the friendship between Lazar, David, and Quang—remains emotionally resonant. The film is ultimately flawed but sincere." - Chuckie Smits, MovieCrush Daily 


"Boys from the Forest is what happens when a gritty coming-of-age film takes a detour into anime sword-fight territory. Lazar and his friends feel real, their struggles relatable, but the story wobbles between social realism and straight-up absurdity. The film’s heart — its portrayal of brotherhood and class frustration — keeps it grounded for the most part though. The film is uneven, sure, but at least it’s never boring." - Dave Manning, Ridgefield Press



"While I liked getting an insight into Waldhofen I couldn’t help but think the film was very cliche. Most of Wyatt Allen’s films so far have tended to grab me from the start and not let go, but this one seems to keep its distance the whole time. The characters aren’t intriguing in the slightest. It may be the language difference but I just couldn’t connect at all.” - J. Darell Ellington, Behind the Camera









Rated R for language, drug use, violence, and thematic elements.





Sunday, June 22, 2025

In Development

 

Lucifer:
Vinnie Jones (Standing Back, "The Gentlemen") is set to join the DC Comics Universe's first jukebox musical dark comedy as a vengeful angel from Heaven determined to destroy Lucifer. Also joining the film in cameos as themselves will be rock stars Billy Idol and Sting. Danny Boyle directs the film from a script by John Malone.

The Thin Man: Tom Hiddleston and Zoey Deutch will have company as Rosamund Pike (X-Men: Hellfire, Zero Hour), Guy Pearce (Shatterhand, The Crucible), and Jonathan Bailey (The Pull of the Stars, Home Before Dark) have all joined the remake in supporting roles. Richard Linklater is directing this film, based on the 1932 film as well as the novel by Dashiell Hammett. Carl Flimmer penned the script.

Cleveland: The Ohio-set ensemble crime film from writer Jimmy Ellis and director Edgar Wright has added the likes of John Gallagher Jr. (Eye of the Scarecrow, The Water Cure) as a rogue hitman, Josh Hartnett (Wonder Woman: Labyrinth, The House Down the Street) as a mild-mannered telemarketer who spirals into violence, Julia Fox (Booster Gold: Back in Time, No Sudden Move) as the wife of Hartnett's character, and Aaron Paul (Ghost Rider, Outlaw Country) as an unlucky witness to crimes committed by multiple characters.

The Hammer of Thor: The Frost War: Thor is back on the big screen for LRF with Channing Tatum (The Hammer of Thor, Flash Gordon) back as the title character, Sam Riley (Firebrand, The Hammer of Thor) back as his brother Loki, and Phoebe Dynevor (The Producer, The Hammer of Thor) back as his love interest Jane. In this sequel, Thor will find Asgard at war with the Frost Giants. Roar Uthaug (Love, The Hammer of Thor) is back to direct the Marvel Universe production once again from a script by Roy Horne (Scarlet Witch, Hideaway).

Splendour: Writer Lon Charles (Escape, The Diplomat) is back with a new true story film - this time based on the mysterious drowning death of Hollywood actress Natalie Wood in 1981. Rebecca Hall (The Pull of the Stars, Open Hearts) will play Wood, while Ashton Kutcher (Starman, Pudd'nhead Wilson) has secured his biggest dramatic role to date as Wood's husband, actor Robert Wagner. Brady Corbet (The Brutalist, Vox Lux) has been tapped to direct the film.

Danya: Meg Donnelly (The Saints, Buffy the Vampire Slayer) and Eddie Murphy (Beverly Hills Cop: Axel F, You People) are set to lead the voice cast of a new animated comedy film from writer Jacob Jones (Falling on the Cross, Chicka Chicka Boom Boom) and director Genndy Tarakovsky (Animal Farm, Bringing About Discord). Donnelly will voice the title character, a vain party-hopping Russian socialite who is cursed into becoming a bear to force her to become more humble. Murphy will voice an ancient and cruel Russian spirit. 

Now Showing: Boys from the Forest

 
Boys from the Forest
Genre: Drama
Director: David Wnendt
Writer: Wyatt Allen
Cast: Lazar Simaifar, David Ali Rashed, Quang Anh Le, Emilia Eidt, Ruben Meiller, Albrecht Schuch, Michael Lott, Nhung Hong, Martina Eitner-Acheampong

Plot: Plot:
(Voice Over Lazar Simaifar)„My name is Lazar, I’m 19 years old and today I would like to talk about where I’m from. Do you ever think about how different your life would be, if you would have been brought up in a different neighbourhood? All my life I’ve spent in the same neighbourhood that goes by the name of Waldhofen“

It’s a dark rainy day in Waldhofen. We see a supermarket and alcoholics gathering in front of it, a forrest can be seen approaching from the back of the supermarket. Lazar (Lazar Simaifar) works here, sorting things into the shelves. It’s already pretty late only a few people are still in the store and even fewer employees are around. Ruben (Ruben Meiller) approaches, greets him really friendly and talks about Emilia’s party and if Lazar will be there too. Lazar doesn’t know yet. Ruben tells Lazar that he is a really cool guy, but he really has to look out for who he hangs out with. David (David Ali Rashed) also approaches the two, Ruben tells them that he just wants to buy some alcohol real quick as he is about to meet up with a girl and excuses himself. After Ruben is gone, David asks Lazar if he is friends with Ruben. Lazar tells him that Ruben is his classmate and one of the most popular guys in school and always really nice to him. David tells Lazar that this is his whole ploy and he is just a rich kid who is fake nice. David informs Lazar that the game on saturday starts at 10am and asks him if they can start. Lazar is hesitant, waiting for Ruben to pay for his things and leave the store.

Lazar with a pack of flour in his hands, goes up to one of his coworkers working at the checkout asking him if he knows where he has to put these. The coworker is visibly annoyed telling Lazar that he should know by now. David uses the distraction and packs some alcohol and cigarettes under his sweatpants. He has stuffed the sweatpants into his socks so nothing can fall out of them. He leaves the store, while Lazar is still getting instructions on where to put the flour.

Next day in school. A classroom filled with students. Lazar is sitting in the back, looking out of the window bored while the teacher Herr Friedrich (Michael Lott) is talking about an essay that is due on Monday. Herr Friedrich talks about how that essay will be the last chance to improve their grade before the final exams. Lazar’s eyes wander to Emilia (Emilia Eidt) a classmate of his sitting across the room. As soon as she notices, she looks back, which makes Lazar looks away quickly. Herr Friedrich wishes everybody a great weekend just as the school bell rings and the students leave. On his way out Lazar gets stopped by his teacher. Herr Friedrich tells him that this essay is especially important for him, as he doesn’t see Lazar getting his degree without getting a good grade on his essay. Herr Friedrich says that Lazar is a talented student but he seems to be to focused on other things.

On the hallway Lazar meets Emilia. Emilia invites Lazar to her birthday party at her parent’s place. She tells him her parents aren’t there so she invited most of the class and Lazar can bring some friends too. She also raves about the weed she got from him a couple weeks ago and asks him if he can maybe bring some of that with him. Lazar can’t promise but he tries his best.

Next morning. Quang (Quang Anh Le) plays organized football (“soccer” for the Americans) and David and Lazar are watching from the stands. They are talking about Emilia’s party while Quang is having a really good game. David memorizes that Emilia is the rich girl that Lazar has a crush on. Lazar affirms, but tells him that he doesn’t think that he has a chance with her and he also has to write this essay or else he will probably not get his degree. David is surprised that Lazar is struggling as he thought that Lazar is one of the smartest guys he knows. Lazar replies that he might not know that many people. David wants them to go to the party, he tells him that the rich guys like Ruben always hook up with the cute girls in their daddy’s Benz while they take the bus home alone and that will change tonight.

Meanwhile Quang is only able to be stopped with fouls and gets into a scruffle with his opponent. After some trash talk the situation seems to calm down a bit, until in the next play Quang goes at his opponent playing the ball through his opponent’s legs and gets fouled hard by him. Once again a scruffle starts and Quang is throwing hands that don’t land. The referee gives him a red card, throwing him out of the game.

“My two best friends are David and Quang. I know both of them since kindergarten, can’t even tell you when and how exactly I befriended them. They were just there and than stayed. Sometimes I feel like they are the only people in the world who really get me.”

Quang, David and Lazar are walking through their neighborhood that goes by the name of Waldhofen (loosely translates to forest-city) filled with trees, Plattenbauten (large panel system buildings) with badly done graffitis on them and drunk unemployed people in front of the supermarkets. They are talking about Ruben. Quang says he is a spoiled brat and has heard him talk bad things about them and making fun of Waldhofen, Ruben also sold him laced weed one time. David is wondering why Ruben is selling weed when his parents are rich. The arrive at Quang’s sister’s apartment in a Plattenbau, Quang is playing with his niece distracting her while Lazar and David are buying weed from his sister (Nhung Hong). Lazar asks her about the weed they had when they were smoking with Emilia. She tells him that it was from this weird guy named Kasper, he plants his own but she can’t help him with that anymore as they don’t work together anymore. She hints that Quang knows how to get to him.

After leaving Quang’s sister’s apartment, they are walking to the edge of their neighborhood where a forest is about to start, they sit down on a remote wood bench and David starts to grind and than roll the weed into a joint while Lazar asks Quang about Kasper. Quang tells him that Kasper is a real weirdo, he is in his 30s but still lives with his mother and always hangs around teenagers. He only sells weed to „friends“ of his. Quang’s sister was buying from him for cheap and than reselling it for more to her customers but she told him that it was just too stressful to deal with him, even though the weed was really good. David says that Kasper asked him a couple of times to hang out with him, so maybe they could meet up with him. They smoke some of the weed they just brought and philosophy about life. David looks up Kasper’s social media and sends him a message, asking if he wants to hang out with him and his friends.

Quang has to go to work, Lazar wants to go home and write his essay but David insists on Lazar coming with him because he wants to show him something. They enter David’s apartment that he shares with his grandma. His room is filled with blank white tees and he shows him a design he wants to print on them. He tells him that this is his way out, he already made an instagram page showing off the designs and got many likes. Lazar skeptically asks him about what happened to his rap album he tried to record and if he still works at the phone store. David tells him that this is his true occupation and the phone store was just holding him back. Lazar wishes him best of luck but tells him he has to go and write his essay. David wants him to stay and hang out with him, he still has some weed they can share and Kasper also answered his message inviting them to his place, so Lazar doesn’t really have the time to go home and write his essay.

After smoking weed and playing video games for a while Lazar and David want to go to meet Kasper. They are walking to the high rise multi storey building seen from almost everywhere from their neighborhood. In front of the building they ring the bell and an older woman is answering through the intercom. David asks to visit Kasper and the woman nicely invites them to enter. They take the elevator to the twelfth floor.

“Sometimes it feels like the whole district is its own world, that seems completely normal for all the inhabitants, but to everybody who looks from the outside in, it’s weird almost absurd.”

Arriving there, the older woman (Martina Eitner-Acheampong ) is opening the door, surprised the two ask if Kasper is living here. The woman is introducing herself as his mother as she calls Kasper to come and greet his friends. Kasper (Albrecht Schuch) , a guy in his mid 30s a buzz cut and a white wife beater on, comes to the front door, happy to greet his guests. He tells them to come to his room with him to his „man cave“. They go to his room. It is filled with many posters. We see a poster of Al Pacino in Scarface and one as Michael Corleone, a picture of Denzel Washington in American Gangster and a portrait of Pablo Escobar. He shows them around a bit, it is a small room with a bed, a couch and a big TV. He shows them his biggest pride, goes to his shelf and pulls out a katana, it is rich in details and very sharp. Kasper tells them it is from the movie Kill Bill. He safely steps away from the boys and shows them some very awkward but intense samurai moves with his katana. He tells them if someone ever is dumb enough to play some games with him, he will really regret it. Lazar and David ensure him that his katana is really cool. He has already prepared a couple joints and some soft drinks for the boys as he tells them his plan to play some Tekken with them. David plays against Kasper but gets really annoyed when he always loses and Kasper awkwardly trash talks him. In the meantime Kasper’s mother is bringing them pizza that she just made for them. Now Lazar is playing with Kasper while David is looking through Kasper’s manga collection asking if he has any One Piece or Dragon Ball. David is weirded out by some really over the top hentai he found just as he sees a box filled with weed, a holy sound effect can be heard. While Kasper is distracted playing video games with Lazar, David takes some of it and takes it in his pocket.

Kasper has to use the bathroom. David tells Lazar that they can leave now, as he has what they want. They have an argument as Lazar doesn’t want to steal the weed from Kasper but David tells him he won’t waste anymore of his time with this idiot. Just as he is about go Kasper comes towards him back from the bathroom and asks him why he wants to leave already. David tells him that they promised to help his grandma with a new shelf she just bought but they completely forgot about it. Kasper is visibly disappointed but very understanding, he offers to help but David tells him that his grandma has really bad anxiety and reacts really bad to new people. Kasper wants to show them one last thing before they leave. Kasper wants to give them a present he goes over to his box filled with weed, but notices something is off. He pulls it out of the box and weighs the weed, confirming that something is missing. He turns really serious and tells David and Lazar that they chose to play with the wrong guy, he grabs for his katana as David tries to calm him down. Kasper attacks him with his katana only missing him by a couple inches. David screams at Lazar to run and that Kasper is crazy, as he throws things out of his pocket into Kasper’s face, trying to get a head start.

They pass Kasper’s mother and run out of the apartment followed by an extremely angry Kasper. They run down the stairs of the multi storey building while Kasper is taking the elevator, figuring it out it’s his only chance to get them. On their way down David pushes the button of the elevator on every floor they pass, so the elevator has to stop and open on every floor. Soon Kasper is rethinking his strategy and steps out of the elevator to chase them down the stairs. But their lead was enough and as Kasper reaches the ground floor, Lazar and David are already gone.

Lazar and David recoup and catch their breath, as they feel in safe distance. Lazar is really not happy with how this whole situation went as their was no need for David to steal the weed. David just tells him to relax. They meet up with Quang who just finished his work shift and greets them with a bottle of beer for both of them. Lazar is surprised to get a call from Emilia. She is already in a pretty good mood and asks if Lazar and his friends will still come to her party. Lazar tells her they will be there soon. Quang mentions that Emilia seems to be really into him, else she wouldn’t call him like that. Lazar is not sure about that, he asks David for the weed that he stole from Kasper. David is deeply reaching into the pockets of his track pants but still ends up empty handed. He apologizes to Lazar for seemingly having lost the weed on their escape from Kasper. Lazar can’t believe it, he even thinks of not going to the party but David and Quang build him up again, telling him that he will be fine as he doesn’t need the weed to impress Emilia.

They all drive the bus together so that they can finally appear at Emilia’s party. As they arrive at an upscale area, filled with beautiful single-family homes, a complete contrast to what we’ve seen in the movie up until this point, they walk their way to the house of Emilia’s parents. The backyard is filled with guests celebrating Emilia’s birthday. Lazar is greeted by many but Quang and David don’t seem to know anyone there. They find Emilia and wish her a happy birthday. She is very happy to see them, she hugs Lazar and Lazar is happily introducing her to Quang and David. David is complimenting her parent’s beautiful house. She thanks him and tells him that they should feel at home. She also reminds Lazar that she can’t wait to smoke the „special“ weed with him. Lazar wants to tell her that he doesn’t have it, but they get interrupted by a group of girls grabbing Emilia’s attention by dragging her away to show her a surprise gift.

Quang tells Lazar that he thinks Emilia seems nice and they would look cute together, but Lazar thinks he messed up for not having the special weed. Quang doesn’t think she really cares about it, it just seems like an excuse for her to ask him to hang out with her. Lazar, David and Quang get something to drink and try to get an overview of the party.

They see Ruben who greets Lazar friendly but than gets a little more serious with Quang and David. He puts his hand on Quang’s shoulder and tells them that he is a really good friend of Emilia and he doesn’t want anyone to ruin her party, so he wants them to behave and not make any trouble. Quang puts Ruben’s hand off his shoulder and tells him to fuck off.

Lazar, David and Quang see an unused trampoline and decide that they have to use it. At first all three jump around the same time until they figure out that it’s not working and only two can jump at a time. They play rock, paper, scissors to determine who has to wait. Quang loses and is huffy, he tells them he gets himself something to drink until it’s his time to jump. Lazar and David go crazy on the trampoline, doing somersaults and other cool jumps. The people around them start to look weird at them

David and Lazar are laying on the trampoline looking at the night sky. David tells Lazar that he should make a move, he thinks that Emilia already hinted at him a couple of times that she would like to hang out with him alone and now he has to take initiative and be brave. Lazar says that David is right and sits back up and is looking for Emilia. He gets up and goes up to Emilia and asks her if she has time now to hang out with him. She starts to smile and takes him to her room.

They enter her room, Lazar seems nervous and compliments her on her taste, she tells him they can sit down on her bed. Lazar confesses to her that he couldn’t get the same weed they had last time explaining her a bit of the struggle they had earlier that night, but Emilia doesn’t seem to mind. Lazar is rolling a joint for them while Emilia asks him about David and Lazar, mentioning that they seem pretty close. Lazar agrees, they are from the same poor neighborhood and grew up together, they understand each other like no one else does. Emilia thinks it’s cool that they can trust each other, in their class she feels like you could believe that everybody likes everybody but truthfully no-one really seems to care about each other. She says that most people are very inauthentic but Lazar is different. Lazar gives her the joint and lights it for her. Lazar is being brave by awkwardly telling her that she really looks especially pretty today. Emilia smiles and looks at Lazar’s lips while he moves closer to her.

“I often feel like being from where I’m from is holding me back, like a cement block always dragging me down. Every time something good happens I always wonder when it will be taken away from me.”

Suddenly they get interrupted by a girl who opens the door telling Emilia that there is a crazy guy with a samurai sword in her backyard. Lazar tells Emilia that she should stay in her room, while he runs downstairs to the backyard. Lazar sees how Kasper is standing in front of David with his Katana, clearly threatening him. Quang comes from the side attacking Kasper’s arm that he uses to hold the Katana. Quang can remove the Katana from Kasper and he rings Kasper down before slapping him in his face, telling him to fuck off. When Quang lets go off him, he quickly walks away, holding his cheek where Quang slapped him, while he is whispering curses to Quang and David. Quang is celebrating with the Katana as a trophy while Ruben pushes him away, telling him that he knew that they would only make trouble. Of course David defends Quang telling Ruben that Quang basically saved the whole situation. Ruben doesn’t want to hear it, without them this situation wouldn’t even have happened. He tells Quang that if he continues like that, he will live a miserable life just like his sister, selling drugs with a baby on her arm. Quang loses his cool and punches Ruben in his face, Ruben’s many friends are now going at Quang who of course gets help from David and Lazar. The three are clearly outnumbered and their only option is to leave the party. Ruben screams at them from a far that they should stay at the woods.

At the bus station the three friends sit down depressed from what just happened. David says that the rich kids can fuck off. Lazar has had enough, he loudly tells them that it’s the same shit every time. He is tired of always being on the losing side, watching the others win. Every idea goes wrong, they waste their time making plans while they are high that will never see the light of day. And they never learn from it. Quang can’t control himself, David has a new passion every week that he gives up just as quick and Lazar himself is on the best way of not getting his degree. Nothing will ever bring them out of here, all these ideas are just a distraction from their reality.

It’s quiet for a while, all three are starring to the ground until David mentions that Quang really hit Ruben hard. All three laugh while David replays the situation in an exaggerated way.

The three sit in the night bus. All in the back of the bus but quite a bit separated, keeping to each selves. Lazar listens to music through his head phones while writing his school essay on his phone. He titles it „Jungs aus dem Wald“ (Boys from the woods).

“Being from Waldhofen made me who I am. In the end, I think I’m blessed to have friends like this who always have my back. Things rarely turn out they way I want them to be, but that doesn’t mean that it’s bad. I feel like no matter what will happen to us we always can adapt.

Monday at school, Herr Friedrich is pulling Lazar to the side telling him that he was skimming through the mail that contains Lazar’s essay and he was really satisfied with it. Lazar is a bit embarrassed to see Emilia feeling a bit guilty for destroying her party, but to his surprise Emilia apologizes to him for how this whole thing turned out. She was really impressed by how loyal Lazar was to his friends. Lazar can’t help but starting to smile, he asks her if he can invite her to get some ice cream after school, she says yes.



Saturday, June 21, 2025

PREMIERE MAGAZINE #324

 

The Roundup with Jeff Stockton (Season 33 Round 4)

 
Another dicey round at the box office for the studio. Here's The Roundup....

3. N/A

2. Before Love Came to Kill Us
While I didn't love the formatting/editing of this one, it was a solid second entry for Dawson Edwards as a writer for LRF.

1. Starship Troopers
It's a shame that Starship Troopers didn't find a big enough audience at the box office as I thought it was a very fun coming of age sci-fi war film that made excellent use of both the source novel as well as Noah Centineo's likable screen persona. 


3. Profits
40% of the way through Season 33 and things are not looking good with barely over $100 million in profits so far.

2. Cedar Ridge
I couldn't get into this one. It was too relentless in its misery - then when it would let up it got too maudlin and occasionally saccharin. 

1. Box Office
It's never good when all three films in the round lose money - this time a total loss of $82 million. This makes it two rounds in row to end up in the red. 

Friday, June 20, 2025

On Location (Season 33 Round 4)

 
Cedar Ridge
- Chattanooga, Tennessee, USA



Before Love Came to Kill Us
- Los Angeles, California, USA



Starship Troopers
- Albuquerque, New Mexico, USA


Box Office Breakdown (Season 33 Round 4)

 


Cedar Ridge
Budget: $23,000,000
Total Box Office: $31,944,330
Total Profit: -$14,889,441











Before Love Came to Kill Us
Budget: $47,000,000
Total Box Office: $68,507,173
Total Profit: -$22,028,990











Starship Troopers
Budget: $140,000,000
Total Box Office: $226,993,893
Total Profit: -$45,117,494









Box Office Facts
Cedar Ridge
Film #13 was not the lucky one for writer Joshua Collins as it was the second film this season to fail to earn profits for the studio - although Collins is still over 50% for his career with 7 profitable films out of the 13.

Before Love Came to Kill Us
Sherman Pearson may have a point when he talked about both Denzel Washington and Michael B. Jordan being in need of a box office hit to their resumes. Washington has now appeared in five films for the studio with just two - Bastion and The Invincible Iron Man - managing profits. Jordan has a much more extensive LRF resume with 10 films now - just four of which have avoided losses.

Starship Troopers
Writer John Malone may be known for his successful franchises like Superman and James Bond, but Starship Troopers is not the first film of his meant to start a franchise to fail at the box office. Back in Season 4, Malone's Star Trek: Enterprise opened to losses of just under $19 million - ending that franchise before it became one.



Genre Rankings
Cedar Ridge
Drama: #288

Before Love Came to Kill Us
Crime: #47
Romance: #21

Starship Troopers
Action: #188
Sci-Fi: #85
War: #10




Season 33 Round 4
Total Box Office: $327,445,396
Total Profit: -$82,035,925

Season 33 Totals
Total Box Office: $1,531,546,719
Total Profit: $1110,240,925




Season 33 Summary
1. Metroid : $350,583,992
2. Power Rangers : $298,484,626
3. Starship Troopers : $226,993,893
4. Watchmen : $117,985,916
5. The Ghost Connection : $115,124,004
6. The Essence : $99,316,188
7. Broadway Joe : $93,061,158
8. Before Love Came to Kill Us : $68,507,173
9. Night Stalker : $62,510,302
10. Love Is... : $44,107,837
11. Cedar Ridge : $31,944,330
12. Falling on the Cross : $22,927,300