Friday, December 31, 2021

Now Showing: Maledicta

Maledicta
Genre: Horror
Director: Adam Wingard
Writer: Ben Collins
Cast: Madison Iseman, Dylan Sprayberry, Owen Teague, Lana Condor, Kathryn Newton, Elizabeth Banks, Timothy Olyphant, Toni Collette, Emily Beecham, Violet McGraw

Plot: The film begins as two parents, Anita (Elizabeth Banks) and Daniel Davidson (Timothy Olyphant) are preparing to go out for dinner. Anita is wearing an elegant red dress and after putting on her lipstick she is gathering her hair in front of the mirror. Daniel walks up to her, puts a white pearl necklace on her and then kisses her. The two open the door to Julie's room, their daughter, and whisper good night to her. The two parents seem excited by their exit and run down the stairs and into the living room. Sitting on the sofa is Annabeth (Madison Iseman), a blonde-haired, angelic-faced girl who is reading a magazine while she chews gum. The two parents make recommendations to the girl and leave the house after ruffling her hair. From the dialogue we understand that it was not the first time that the girl was babysitting in that house. Annabeth walks over to the living room window, pulling back the curtain and watches Anita and Daniel leave in their station wagon. A few seconds later the kitchen window suddenly opens, scaring Annabeth.

Peter Hale (Owen Teague), his girlfriend Grace Wong (Lana Condor) and their friend Cassie Lawson (Kathryn Newton) enter the house giggling. Peter and Grace sit on the sofa throwing the magazine Annabeth was reading to the floor and turn on the TV and tune in to the Bucks-Bulls game. Cassie instead opens the refrigerator looking for something good because she was hungry. Annabeth just makes a face without saying a word and there's a flashback from a couple of weeks ago about how Annabeth and Grace met in the school bathroom. Annabeth is in the bathroom washing her face when she is approached by Grace and Cassie. With a wry smile, Grace says she knows that Annabeth works as a babysitter to look after Prof. Davidson's brat when he and his wife go out every now and then to rekindle the relationship. With that peculiar introduction, Grace had managed to convince Annabeth to allow her, Peter Hale and Cassie to break into the professor's house the first night the Davidsons had asked Annabeth to babysit their only daughter. In return, she was promised John Wallace (Dylan Sprayberry), Peter's best friend, cutest guy in college and recently single again. At that moment Annabeth's thoughts are interrupted by John's arrival and the two young men exchange a tender smile. Grace asks Annabeth how she got to work for Mrs Davidson's bitch and Annabeth replies that the pay was good and that the baby was real sweetheart. John then kindly turns to Annabeth and tells her that she had been kind to take care of a child she had suffered a lot in the past. Cassie and Peter ask her what she meant and John replies that her mother didn't tell her much except that that baby was not born in a very balanced environment.

To Annabeth's stunned gaze, Grace was quick to say that John's mother is the town sheriff, Margaret Wallace (Toni Collette). She then asks where the little parasite was. Annabeth a little nervous by Grace's statement says that she is resting in her room because he is sick and not to call him a parasite or a brat anymore because he is a very good child. Grace says "Ok boss .." teasing Annabeth causing Cassie and Peter to laugh. At that point Grace gets up from the sofa approaching Annabeth and turning to John and Peter asks them to relax with the basketball game until they take care of the matter that everyone was there for that night. Then Grace took Annabeth by the hand, leading her upstairs to her house. Cassie soon joins the two too.

The three girls arrive upstairs. Cassie tries to ask Annabeth if she knew anything else about the biological family of Julie, the daughter of the Davidsons. Annabeth nods and says that Julie was the youngest of seven children and that her mother had died in childbirth. The year after the birth of Julie, the eldest son, 16-year-old George was found dead in the bathtub following a suicide. Then she goes on to say that with each passing year the suspicious death of another family member was added until only Julie, her father and Tina, one of her sisters, remained. Tina was twelve while Julie had just turned seven. As Grace and Cassie looked at Annabeth with a very scared face, she continued to tell the story. She says that the father, more and more destroyed by grief, had completely lost her reason and started accusing Julie of being responsible for the deaths of his wife and the rest of her children. Following Tina's death, Julie's father tried to kill her but the police were able to stop him in time. Julie was subsequently placed in foster care with the Davidsons a few weeks later and her father was put in prison where he died a year later, also committing suicide. Cassie, frightened, begins to hold her hands to her chest, stammering about the absurd story she had just heard. Grace instead shakes her head scratching her hair and at that point Annabeth asks her what she had to retrieve at Professor Davidson's house. Grace says they had to find an important item that had been requisitioned by Davidson. Annabeth said she might be in Anita's office pointing to the door down the hall.

At that point the scene moves to the ground floor. The game was over and Peter found a music channel by turning up the volume. Peter asks what he thinks of Annabeth. Meanwhile John was walking around the living room looking at the family photos hanging on the walls and leaning against the furniture saying that she is really very nice and kind and then they started to gossip about John's old girlfriend, Melissa O'Malley. Suddenly John said it was very strange that there wasn't even a picture of the Davidsons with Julie as they had been living together for almost two years. At that moment the two boys were distracted by the sound of someone's footsteps coming down the stairs. It was Annabeth and she was alone. Peter asks where she was her girlfriend and Annabeth said she was in the bathroom because she cut her finger in Mrs. Davidson's study. At that point John, with a chuckle, asks if they had found the murder weapon to which Annabeth only replied with a glare and asks Peter to follow her upstairs to help her search until Grace was cured and asks John to stay there and stand guard and warn them in case the Davidsons arrive. Peter and Annabeth go up the stairs and then approach the door of Anita's study and enter. Meanwhile, John rummaged in the drawers looking for images that portrayed Julie. As he was examining useless papers, a male scream froze his blood. John throws his cards in the air and runs upstairs calling for Peter. Suddenly the door to the room at the end of the hall swings open with force and bloody and screaming, Peter walked out and met John's gaze and yelling at him to run away. Behind him appears Annabeth, who slams the door to the room and locks it. The girl now wore some kind of emerald green tunic that covered the ordinary clothes she was dressed in. The girl's long blond hair was hidden under the hood of her tunic. Around her neck hung a large medallion with strange, unknown symbols. The two ran and shut themselves in the bathroom. At that point John noticed that the deep wound on his friend's arm had almost severed it. Peter was crying and kept saying softly that he wanted to go home. The girl started knocking on the door, ordering the two out, while John tried to dab his friend's wound with towels. "His eyes ... Oh John, his eyes !! And that mouth, oh what a horrible mouth !!", repeats Peter as his friend rummaged in the medicine cabinet for the first aid kit. John was slipping on Peter's blood but manages to keep his balance by holding on to the shower so as not to fall and in doing so he tears the curtain. John backs away unable to speak. Peter, too, with little strength left, looks on and starts to vomit. Grace lay dead. Or rather what was left of Grace. Her body was as if withered: the hollows in the eyes of the empty sockets, her body a body devoid of lymph. At that moment they hear Cassie's screams coming from the hallway beyond the bathroom door. The girl has her hands tied and a wound on her stomach from which she is dripping blood onto the floor. The girl cries and screams as Annabeth talks to the boys saying that if they didn't get out right away their friend would have a bad end. The two, however, were unable to speak, mumbling only monosyllables. At that point Annabeth makes a face saying "Ok ..." and grabs Cassie by her hair and pushes her into the door on their right and immediately locks it. At that point, after a few seconds of inhuman screams, silence returned. Meanwhile, they noticed from the small bathroom window that the Davidsons' car had returned and the couple were walking into the house holding hands. John and Peter exchange a hopeful look.

The two boys heard the front door open but they haven't heard Annabeth's footsteps coming down the stairs and they begin to think the girl might have fled. Peter was very pale from abundant blood loss and John starts asking for help. John heard someone coming up the stairs but avoids opening the door in case Annabeth was still somewhere. He suddenly he hears the voice of Daniel Davidson asking Annabeth what was going on and after a few seconds of silence he heard the girl say that Wong and Lawson were dead and that the other two had barricaded themselves in the bathroom and had decided. At that point Anita's voice is also heard asking worried if Julie was safe in her room. John and Peter exchanged looks filled with genuine confusion and terror.

Anita and Daniel learn that John Wallace, the sheriff's son, is also in the bathroom. Annabeth begins to apologize to the couple saying that she didn't know who he was otherwise I would never have let him go there risking compromising everything. Anita sympathetically puts her hand on Annabeth's shoulder saying that nothing has happened that cannot be remedied. She then she asks the girl to go down and prepare the other guest. She then orders her husband to go down and get her ax. John and Peter haven't said a word and are listening to Annabeth's and Mr. Davidson's footsteps coming down the stairs. Anita starts knocking and orders the two to open immediately. Meanwhile, inside the bathroom, John broke the mirror and took a large piece of glass and ordered his friend to follow him. Suddenly John opens the door and throws it wide without giving Anita time to react. With a firm blow, he slipped the piece of glass into the woman's left leg. The two run down the stairs to find Annabeth near the door and Daniel brandishing the ax. Peter looks at his friend and whispers the word goodbye and pounces on Daniel who fell to the ground. In the fall, however, Peter had his head against the tip of the ax killing him instantly. Meanwhile John tried to reach the back door which was in the kitchen and took two knives chased by the two enemies calling them Satanists. At that point Daniel bursts out laughing almost hysterically leaving the boy speechless. Daniel states that the being they serve is much older than any known demon or devil.

He then says that each of the offspring of this mighty being requires sacrifices, each year more and more stating that he, his friends and a drug addict he and Anita had captured that night. Daniel says Julie was born after her mother, Sally, also a cult member, became pregnant with a mysterious being they worshiped who left the message that when the baby was born she had to continue feeding on a member once a year. of his family at a time. Sally's husband, Ethan, immediately changed his mind and decided to leave the cult by taking away his pregnant wife and the six children the couple had already had but it didn't take them long to find them. At that point they remained prisoners of the cult until Sally gave birth to Julie and was devoured by her own child a few hours after her birth. As long as Julie had one member of her family to feed on, the sacrifice of just one individual was enough, and each year Julie fed on a different family member. Daniel says that the family members are gone now and that Julie is growing up and three to four people is the perfect number of sacrifices that would satisfy her for a long time. Suddenly Anita, limping down the stairs, attacking John by surprise, who defended himself by sticking the knife into his heart. Anita dies giving Daniel one last look whispering something. Daniel, full of anger at the death of his beloved wife, pounces on the boy who manages to stick the other knife in his throat. Meanwhile, Annabeth watched the scene with particular tranquility. John quickly took the knife from Anita and ran to Annabeth who was standing still. Annabeth smiles as she looks at the boy running towards him. When the boy was near her, she suddenly drew a large ceremonial dagger with a curved, serrated blade from under her tunic and there was only silence.

It is 0.30 at night. Sheriff Margaret Wallace gets out of her car after arriving at the Davidsons' house. The place is full of policemen and ambulances. Agent Karen Norton (Emily Beecham) was already there with a grim and serious face. Karen says there was a terrible carnage, she states that there were seven bodies, four of dubious identification and the others of the spouses Davidson and Peter Hale. Margaret is shocked to see her son's friend die like that. Margaret bends down to quickly examine the bodies of the Davidsons. Karen then accompanied Margaret upstairs. The ME puts a hand on Margaret's shoulder and walks into her in the bathroom where he immediately recognized Grace Wong's body. As soon as the coroner showed the other body to Margaret, the woman fell in tears to the ground. Three bodies lay in the room, which was a child's bedroom, little Julie's bedroom. One of them was John Wallace, and not even her mother would have recognized the body as it had been hollowed out were it not for her mark on her left arm, a triangular mark that Margaret knew very well belonged to her son. The woman screams and cries comforted by Karen Norton. Meanwhile, the car Annabeth drove is racing fast along the highway. "We'll be home soon, Julie, we'll be with Dad soon," Annabeth said to the passenger in the back seat who's looking down as she's reading a children's booklet. At that point the little girl looks up at Annabeth and a small devilish smile painted her lips.


Release: Blue is the Warmest Color


Blue is the Warmest Color
Genre: Romance/Drama
Director: Luca Guadagnino
Writer: Alex Conn
Based on the 2013 French film
Cast: Kaitlyn Dever, Dakota Fanning, Jake T. Austin, Joel Courtney, Melissa Leo, Michael Angarano





Budget: $19,000,000
Domestic Box Office: $14,492,086
Foreign Box Office: $4,079,852
Total Profit: -$10,001,902

Reaction: Romance and Drama are two genres that don't travel to other markets well, which certainly it didn't help this film's chances overseas. It also didn't help that none of the leads are all that well-known or marketable to those audiences.


"Blue is the Warmest Color is unlikely to be considered a highlight for its cast or filmmakers, but it's also not a low-light. There are some decent performances in the film. From a writing standpoint, it is middle-of-the-road work from Alex Conn. Some elements are incredibly clunky, especially the lesbian elements, but at least it wasn't just a carbon copy of the original film." - Cal Crowe, Washington Globe


"Outside of the more salacious moments, this remake has little to do with the original. That is both a strong point and a weak point in the film. It's a strong point because the filmmakers try to do something new for much of the running time. It's a weak point because it will not attract curious fans of the original and is not as well-plotted as the original French story. For much of the running felt equally baffled and appreciative of the new material. While not an absolute mess, things do fall apart by the end." - Gregory Fletcher, Los Angeles Time-Journal



"First of all the film did not need a remake. This screenplay is sloppy at best. Alex Conn has taken a step back once again. I’m sorry to say nothing from the film works. I wanted to like it, purely because of Dever and Fanning, but even they couldn’t bring me in." - Sam Nestera, The Daily Telegraph









Rated R for graphic sexual content/nudity, language and drug use

Thursday, December 30, 2021

In Development

Maledicta: Dylan Sprayberry (Ghost Stories, Death in the Shadows), Owen Teague (The Stand, Salem's Lot), Emily Beecham ("Into the Badlands", Cruella) and Violet McGraw (Black Widow, "Jett") have signed on to the upcoming horror film Maledicta, rounding out its cast. McGraw will play the girl Madison Iseman's character has been hired to babysit. Sprayberry and Teague will play college students, while Beecham will play a police deputy. Adam Wingard is helming the film based on a script by Ben Collins.

The Mobster's Violin: Jack McMullen ("The First Team", Ford v. Ferrari), Ashley Benson (The Reign of Lady Morgana, The Birthday Cake) and Mckenna Grace (Ghost Stories, The Powerpuff Girls) have all joined Joaquin Phoenix in Damien Chazelle's latest film, The Mobster's Violin. McMullen will play a man in heavy debt to the mob, Benson will play a waitress at a small diner, while Grace will play Benson's daughter. The film was penned by Jimmy Ellis.

Ghost Rider: Virginia Madsen (American Underdog, Operation Christmas Drop) and David Duchovny (The Craft: Legacy, "Californication") have signed on to join the cast of the latest Marvel Universe production, Ghost Rider. Madsen will play a nun, while Duchovny will have a supporting role as the demonic Mephisto. Ilya Naishuller is directing the film from a script by Mark Newton.

Winter's Displeasure: The ensemble cast of director Nancy Meyer's latest film, Winter's Displeasure, has added Jennifer Jason Leigh (Kindred, Bonnie and Clyde), JK Simmons (Bonnie and Clyde, The Price of Fame), Stephen Root (Harrelson, Mandingos) and Jonathan Banks (Firestorm, "Better Call Saul"). Leigh will play the love interest of Liam Neeson's character, while Simmons, Root and Banks will play residents of a retirement community. The film was written by Eden Townsend.

The Rise and Fall of Ziggy Stardust and the Spiders from Mars:
Tom Hiddleston (Mexican Gothic, Ghost Stories) has signed on to star as the David Bowie persona, Ziggy Stardust, in a film based on Bowie's concept album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars. In the film, Hiddleston will play a rock star struggling with addiction when it is discovered that Earth only has 5 years left of existence. The long-titled film will be directed by David Fincher (Shouts from the Well, Heights) and penned by Meirad Tako (If We Know the Right Way, The Emperor of Latium).

Free Spirit:
Rising star Billy Magnussen (Kazaria, Oklahoma!) has signed on for a new leading role in LRF. This time he will play a ghost who befriends a young girl in a family comedy. Brooklynn Prince (Zatanna, Bioshock), Jason Segel (The Fantastic Four, Strangers Friends) and Mila Kunis (Bad Dreams Come True, Hotel California) will also star in the film. Prince will play the girl who befriends the ghost, while Kunis and Segel will play her parents. Acclaimed animated film director Pete Docter (Soul, Inside Out) will make his live-action directorial debut with the project which was written by Chad Taylor (Run For Your Life, Super Mario).

Now Showing: Blue is the Warmest Color

Blue is the Warmest Color
Genre: Romance/Drama
Director: Luca Guadagnino
Writer: Alex Conn
Based on the 2013 French film and the graphic novel
Cast: Kaitlyn Dever, Dakota Fanning, Jake T. Austin, Joel Courtney, Melissa Leo, Michael Angarano

Plot: In 2007 Adele (Kaitlyn Dever) who is a senior in high school is getting ready to go to high school. She has a drink of coffee but before she goes to school she has a drink of coffee and does morning prayer with her family. She then walks to school and sees a girl with blue hair (Dakota Fanning) walk across the street. She envisions making love to her but immediately forgets that thought. She then goes to school and meets a guy who plays the keyboard in the band and he makes eyes at her. They then see each other on the bus and she is reading a book and he immediately talks to her she looks annoyed.

The next day Adele and her friend Johnny (Joel Courtney) who is gay takes her to a gay bar. At the gay bar she goes to a lesbian party and she meets Emma, the girl with the blue hair. Emma explains she’s a 1st year college student but she still lives with her parents sadly but she’s glad her parents are accepting of her sexuality. Adele is impressed by her family’s acceptance of her sexuality. They then have sex at Emma’s house. Emma’s mom (Melissa Leo) asks questions and are very happy to meet Adele. Adele then says she has to go home and when she gets home she lies and says she was sleeping over with a friend.

The next day the musician guy, Thomas (Jake T. Austin), tries to ask her out but she confidently says no. She then after school goes and has sex with Adele. Adele then goes home and meets with her but says she has to go home.

Adele then is rumored to be a lesbian by the musician guy Thomas and she is ostracized by her friend group. Her mom even asks if she is a lesbian and she says no she’s not. Her mom then in a coffee shop sees her making out with Emma and kicks her out of the house violently. Emma then comforts her and offers her a place to stay at her place. Emma then has sex with Adele in the most passionate way. Emma even has a dildo ready and they fist.

Emma then introduces Adele to her art friends Johnny and Kyle (Michael Angarano). They are discussing The 400 Blows and Adele has never seen it so they play it for her and she cries. Adele discusses how it deeply effected her. Adele and John and Kyle then smoke weed and John mentions that Emma has had a lot of girlfriends in the past but it seems like she really loves her. Emma goes home and writes a poem for her but is too scared to show it to Emma.

Adele then graduates from high school but without her family which makes her emotional but Emma and her mom are there to cheer her on.

The film then cuts to years later in 2015 Emma and Adele are living together and Emma and Adele try to have sex but it’s not the same anymore. Emma and Adele then go to an art gallery for Emma’s work and Adele feels jealous. Adele is watching Emma talk with her friends and ignoring her. Adele and Emma then drive home not talking to each other. When they get home Adele breaks up with Emma. Adele starts saying she’s Ex gay and starts going to ex gay rallies. She starts wearing a cross around her neck She starts speaking at churches and soon enough she’s on TV all the time and she has a job at a right wing radio station.

Adele and her family have dinner for the first time in a while and they say that they’re proud of her for making this decision. We then cut to Emma and her mom and Emma is crying. Emma tries to confront her once before she goes to work but then Adele says she’s living a sinful lifestyle.

Adele meets Thomas again who is now a church organ player and Thomas again asks her out. Adele and Thomas go on a date and they try to have sex but it doesn’t go well. She thinks about Emma for a second but immediately is disgusted.

Emma starts doing a new project where she paints pictures of their life when it was good up until the breakup into now. The collection goes to the art gallery and people clap. As this is happening Thomas and Adele are getting married and at the wedding Adele apologizes for her sin.

The next day the Supreme Court ruling on same sex marriage happens and Emma cries and goes and celebrates with her art friends but also says she wishes she could have married Adele and prevented her from going crazy but she is comforted.

Emma then does some cocaine with her friends. Emma then goes upstairs and masturbates with a detachable shower head thinking about Adele. Thomas and Adele than have a serious conversation about having children. Thomas really doesn’t want them and tells Adele to just tell everyone that they’re having trouble having children. Adele kind of wants children.

The next night Emma is having a panic attack and dreaming about Adele and commits suicide by hanging herself. Adele hears about this through Emma’s mother begging Adele to change her ways and then she reveals it. Adele then breaks up with Thomas and she goes on a radio show and denounced her ex gay views. All of her fans come in the street and yell at her but Emma’s mom invites her to an art gallery exclusively of her work. She sees the art and cries at the art which is supposed to depict their relationship. Adele goes on a radio show to talk about her new progressive views. She gets email after email calling her out. She goes to Emma’s funeral and it is an emotional day. Adele goes on the podium and cries and reads the poem she wrote for Emma years ago and she apologizes for what she said before. She then along with the family puts flowers on her grave.


Wednesday, December 29, 2021

Release: Atlantis


Atlantis
Genre: Action/Superhero/Fantasy
Director: David Michod
Writer: Jimmy Ellis
Based on DC Comics characters
Cast: Harris Dickinson, Timothee Chalamet, Nikolaj Coster-Waldau, Saoirse Ronan, Natalia Dyer, Charlotte Rampling, Clive Standen, Will Patton, Richard Dormer




Budget: $178,000,000
Domestic Box Office: $202,056,558
Foreign Box Office: $305,973,052
Total Profit: $142,775,046

Reaction: You'll never see us complain about a movie grossing over half a billion dollars at the worldwide box office, so we certainly won't here. It's not a record-breaking hit, but considering there is no character name recognition in the title of the film, we're very pleased with the results.



"Writer Jimmy Ellis brings us an interesting take of the legend of Atlantis, complete with excellent performances by Nikolaj Coster-Waldau and Harry Dickson. It’s a mysterious, almost dystopian world unlike what most films about this underwater city, complete with the fall of one king and the rise of another. What really takes the film over the top for me however is the impeccable character development of all characters involved." - Mitchell Walker, New York Times



"Atlantis is ambitious, but it is a slog to get through at times. The film is far too short on action, and far too filled with Atlantean political maneuvering lacking in context and interest. Jimmy Ellis' script makes a lot of the same mistakes as Jacob Jones' Kazaria, focusing on building a world rather than building interesting characters and creating exciting set-pieces to wow the audience." - Gregory Fletcher, Los Angeles News-Tribune



"In what basically amounts to a prequel to the well-known DC Comics characters, Atlantis mostly does the trick. At times it feels a bit too much like an underwater Game of Thrones, with a lot of talk of back-stabbing and political alliances and a lack of focus. The scale of the film helps make up for some of the boring moments, and Harris Dickinson is solid as Arthur Curry - although it never feels like his film, even though Aquaman is clearly the draw for the audience." - Cal Crowe, Washington Globe






Rated PG-13 for fantasy violence

Comic to Film: Atlantis

For this edition of Comic to Film we will take a look at the cast of Atlantis. Four seasons after the Marvel Universe brought the underwater kingdom of Atlantis to the screens, now the DC Comics Universe is getting into the underwater game with Atlantis - a take on Aquaman and other DC Atlanteans. Atlantis is directed by David Michod (Outlaw Country, The King), written by Jimmy Ellis (The Void, Red Wolf) and produced by Steven Spielberg (The Life of the Party, Circumstances of Time).












Tuesday, December 28, 2021

Now Showing: Atlantis

Atlantis
Genre: Action/Superhero/Fantasy
Director: David Michod
Writer: Jimmy Ellis
Based on DC Comics characters
Cast: Harris Dickinson, Timothee Chalamet, Nikolaj Coster-Waldau, Saoirse Ronan, Natalia Dyer, Charlotte Rampling, Clive Standen, Will Patton, Richard Dormer

Plot: King Orvax Marius (Nikolaj Coster-Waldau) of Atlantis leads his Atlantean army into battle with the leader of the Kingsguard, Siron (Clive Standen). Their army is large compared to that of the opposing, Xebelian army, however the army of Xebel contain more weapons such as sharks at their disposal. King Ryus (Richard Dormer) of Xebel is leading his men in the great battle. The battle begins through the charge of a great monstrous shark toward the Atlantean army. The shark manages to take out a few Atlantean soldiers. Orvax declares that the war has begun, he commands his men to begin the attack. Some men swim like a torpedo and others ride aquatic creatures. The battle continues for a little while longer. However, seeing the deaths of many men, Orvax and Ryus come to the realisation that this war is meaningless and wrong. The two meet in the middle of battle and declare that from this day forth the kingdoms of Atlantis and Xebel will be allies once more. The reunification of Xebel and Atlantis will breed success for both kingdoms.

10 Years Later
In the majestic underwater kingdom of Atlantis, King Orvax Marius waits for the arrival of his right-hand man, Siron. When Siron arrives, the two discuss a plot to wage war against the surface world. As Orvax speaks the camera goes across the great ocean showing many different species of animals dying from the pollution and the toxicity of the water. As the camera finally returns to Orvax it shows the outskirts of Atlantis surrounded by wrecked ships and submarines. Siron fears Atlantis’ impressive military may not meet the demands of a war with the surface world, and so Orvax suggests that a union with the neighbouring kingdom of Xebel may assemble the power they need to launch their assault. Siron praises Orvax’s idea, and Orvax decides he will offer his son, Prince Orm, to marry Xebel’s princess Mera as a means of bonding the kingdoms even more. Unbeknownst to the two, Atlantis’ chief scientific advisor, Nuidis Vulko (Will Patton), eavesdrops anxiously.

On the top floor of the ancient tower of the Widowhood, a sacred organisation serving Atlantis for centuries, Reverend Mother Cetea (Charlotte Rampling) attempts to educate Prince Orm (Timothee Chalamet) on Atlantean tradition and culture. Their lesson is interrupted by Orvax, who has a private word with Cetea before inviting Orm for a talk.

Walking through the Widowhood’s gardens, Orvax informs Orm that he plans to betroth him to Princess Mera of Xebel, a major step in Orm’s journey in becoming King of Atlantis. When Orvax leaves, a ponderous Orm spots a young member of the Widowhood tending to flowers. Orm greets the girl, who reveals her name to be Tula (Natalia Dyer). Before Orm can ask how a girl so young could already be a member of the Widowhood, Cetea arrives and scolds Tula, ordering her away, before inviting Orm to continue his lesson.

In a low-lit tavern sitting along the cragged rock of Amnesty Bay, Vulko approaches a figure sitting in the corner, with soaking-wet hair and a sparkling silver quindent at his side - Arthur Curry (Harris Dickinson), the half-breed son of Thomas Curry and Queen Atlanna, the true heir to the Atlantean throne.

As waves thrash upon jagged, jet-black rock, Vulko persistently follows Arthur up to his father’s lighthouse, attempting to convince him to come to Atlantis. Arthur insists he wants nothing to do with meaningless Atlantean politics, until Vulko reveals Orvax’s secret plot. Arthur asks how an outcast like himself could attempt to stop Atlantis’ ruler, but Vulko insists his presence and wisdom may sway Orvax.

Arriving by sea-horse-drawn carriage, Xebelian royalty King Ryus and his daughter, Princess Mera (Saoirse Ronan) are welcomed by Orvax and Cetea. Orvax and Ryus reminisce about their youth in the Brine Wars, while Cetea, assisted by Tula, invites Mera on a tour of the Atlantean royal grounds.

From afar, Orm watches his future wife, Mera, wondering if he is truly ready for this yet. Suddenly, Arthur arrives to the astonished gasps and whispers of everyone, recognising him as the son of Atlanna by his quindent. Orvax looks upon the half-breed bastard, sardonically welcoming him. Orm’s eyes widen at the sight of his half-brother, the first time he has ever seen his sibling.

A meeting of the Atlantean Royal Council is held, as Arthur’s arrival has caused much controversy. Many members see him as an embarrassment to the kingdom’s history, while others are more open to accepting him as a member of their community. After much internal deliberation, Orvax decides to allow Arthur to stay, and even offers him a seat upon the council. After the meeting is dismissed, Siron catches up with Orvax, scared Arthur’s presence may disturb their plans. Orvax calms Siron’s fears by revealing he means to use Arthur as a source of information of the surface world, and also plans on converting him to anti-surface ideologies. Siron praises Orvax’s genius, and Orvax watches with a smile as preparation for the royal wedding commences.

In an attempt to better know his half-brother Orm, Arthur joins him on a hunting trip to Calculha’s Forest. On their way, Arthur sees the immense poverty that the Atlantean peasants are living in, as well as the strictness and brutality of the Kingsguard’s enforcement. While on their hunt, Orm asks Arthur what their mother was like. Arthur reveals he can’t remember much, but he recalls her being incredibly beautiful, kind and caring. Orm divulges that she died in childbirth, and he wishes he’d met her, regardless of her “betrayal”.

As their children prepare to be wed, Orvax and Ryus watch a good-old-fashioned gladiator match from the royal booth. Ryus is nostalgic for his glory days of combat, however Orvax argues that those days aren’t over just yet. Ryus is confused, there has been peace among the oceanic kingdoms for over a decade, however Orvax reveals there is an enemy that threatens not just Atlantis and Xebel, but the ocean itself - the surface.

Meanwhile, Mera endures a gruelling session of costume-fitting. Finding the perfect choice, Cetea leaves to inform the Widowhood’s dressmakers. Left alone with Tula, Mera notices the girl’s silent envy, wishing she could escape her life as a princess.

After returning from he and Orm’s hunting trip, Orvax invites Arthur for a talk. Strolling the castle grounds, an inquisitive Orvax questions Arthur for details of the surface, and Arthur suggests Orvax’s interest may transcend mere curiosity. Orvax attempts to convince Arthur that the surface is the enemy - the way they mistreat their own people, the way they pollute the ocean, the way they are pushing the planet closer to the brink of extinction. Orvax mentions how unfortunate it was that Atlanna mistakenly ignored the surface’s evil, and wishes for Arthur to correct her mistake. Amongst a crowd in front of Orvax’s castle, a furious Arthur exposes Orvax’s plans to wage war on the surface, and condemns his harsh, totalitarian reign. A displeased Orvax orders for Arthur’s immediate arrest and imprisonment, as a shocked Mera looks to her father.

A vexed Mera argues with her father Ryus, demanding to know whether she was merely a pawn in Orvax’s military plan. Ryus reveals that he has already agreed to unite he and Orvax’s forces, realising he has been manipulated. Mera runs away, leaving Ryus speechless and broken.

An emergency meeting of the council is called, as Orvax throws a furious tantrum. One of the members blames Orvax for allowing Arthur to stay, and Orvax sends him to the dungeons.

Orm, dressed up in traditional Atlantean groom-wear, sits on a staircase forlornly. He is met by Tula, who sits next to him. Orm tells her that he feels so alone, as if he doesn’t belong as a royal. Tula comforts him, saying he does belong and he is not alone, promising him that the name of Orm Marius will soon be legendary. Smiling, Orm thanks Tula, then comments on how similar they look. Orm places his crown on Tula’s head, jokingly suggesting she could take his place.

Meanwhile, now in an orange-and-green prison uniform, Arthur sulks in his prison cell. He is visited by Vulko, who apologises for how things went, but thanks Arthur for setting things in motion. Confused, Arthur then deduces that this was Vulko’s plan all along, just like Orm, Mera and Ryus, he was but a pawn in a grander scheme. Vulko admits the truth, and Arthur asks what happens next. Vulko says the only thing to do now is to have faith that Arthur is naturally inspirational.

Outside of Orvax’s castle, a large crowd of peasant protesters have formed. Inside, an infuriated Orvax clenches his fist. With Siron and Cetea standing before him, Orvax orders Siron to unleash the Kingsguard upon the protestors. Shocked, Siron hesitates, until Orvax orders he follow his command immediately. Cetea pays Siron a solemn nod, and Siron reluctantly orders his forces to abide Orvax’s demand. A bloodbath ensues as the Kingsguard mercilessly slaughter the peasants. Orm and Tula watch in horror, and Orm begins to doubt whether his father truly is the noble leader he once thought he was.

Orm visits Arthur in prison, informing him of the atrocity that occurred the night before. Arthur tells Orm that if he means to blame him for what his father did he better leave, and so a conflicted Orm leaves Arthur to himself.

Elsewhere, Mera, disguised under a cloak, walks through the small town of Dagon just outside of Atlantis. Vulko spots her, and tells her this is no place for a Xebelian princess. Mera threatens to kill Vulko if he tries to return her to her father, but Vulko reveals he has something else to show her.

In the castle, Orm sits alone, thinking. His father approaches him, and speaks to him of the troubles of being a king, troubles Orm will learn to deal with. Orm bluntly retorts that murdering protestors is no business of a true king, leading Orvax to slap him across the face, cursing the “rotten whore” that bore him. Orvax leaves, muttering how Orm is no son of his. Orm starts to sob, wishing he was a better son.

In his prison cell, drifting away in thought, Arthur is then brought back to reality by the sounds of combat echoing through the prison corridors, with Mera, Vulko, and a host of revolutionaries soon appearing before his cell. Breaking him out, Vulko informs Arthur that the time is ripe for revolution, but they need to inspire the peasants to join them.

Siron privately meets with Orvax, admitting that he wishes to resign from his duties as captain of the Kingsguard. Orvax feigns understanding, before shoving a dagger deep into Siron’s side. As blood rises from Siron’s body, Orvax taunts him by telling him his ancestors would’ve never grown weak over a pile of dead peasants. Orvax calls for Ryus, where he interrogates him on whether he is still loyal to their arrangement. Sensing doubt, Orvax threatens that if Ryus breaks their deal, he will have every Xebelian man, woman and child butchered, with their heads topping spears decorating the Atlantean castle grounds. A sickened Ryus grows pale, and Orvax also promises to do “unspeakable things” to Mera in addition. Falling to his knees, Ryus pledges allegiance.

Joined by Mera, Vulko and the revolutionaries, Arthur appeals to the peasants of Atlantis to join them in an armed uprising against Orvax.

Meanwhile, Orm looks at a painting of his mother, wishing she was there to comfort him. Cetea tells Orm that it is time for another lesson, but soon the chants of “DOWN WITH ORVAX!” fill the air. Looking out of the window, Orm sees huge crowds of peasants, armed with weapons, approaching the castle. Worry spreads over Cetea’s face, who orders Orm to go to his father immediately. Orm runs to Orvax, telling him about the uprising. Orvax orders the Kingsguard to go and suppress the uprising, while Orm decides to join the fight to win back his father’s acceptance.

Outside, an intense battle ensues, but the Kingsguard are greatly outnumbered. Orvax orders Ryus to send his guard out into battle, and Ryus reluctantly gives the command, as Orvax leaves for his safe room. Chasing after Vulko, Orm threatens to execute him for treason. Vulko tells him that he must join the uprising against his father. Vulko reveals that after Atlanna was taken back to Atlantis, she was arranged to marry Orvax, who forced himself upon her and impregnated her, then he had her assassinated after she gave birth. Fighting back anger and tears, Orm leaves Vulko.

Meanwhile, Ryus watches as his men brutalise the innocent peasants, then orders them to turn on Orvax’s Kingsguard. Ryus is then gunned down, and Mera runs to his dying body. Ryus tells Mera he is so deeply sorry, before passing away. Mera is overcome with an incredible rage, and unleashes her hydrokinetic powers, as Arthur watches in amazement.

Orm enters his father’s safe room, lying that the Kingsguard are winning, and that he has killed Arthur. Orvax, joyous, hugs his son close, telling him he was wrong to doubt him. As Orvax leads his son to a room Orm stabs his father in the back. As Orvax bleeds slowly, Orm catches his father while repeatedly apologising, but saying that Atlantis has suffered under his rule long enough. As Orvax’s body is found, the revolution ends, and Vulko declares Arthur as the new king of Atlantis, to the cheers of the peasants and the groans of the nobles.

Soon, the news of Orvax’s death spreads across the ocean, and a figure wearing a monstrous mask swears revenge...


LRF NOW Original Film: Picture This

Picture This
Genre: Dark Comedy/Action
Director: Jonathan Lynn
Writers: Malcolm Taylor & Jack Ryder (story by)
Cast: Bruce Willis, Frank Grillo, Beanie Feldstein, Mark Proksch

Lex Powell (Bruce Willis) and Tank Brister (Frank Grillo) are a duo of mafia hitmen who share a certain rapport after years of working together. We begin with a montage of them killing throughout the years. In the present, they keep smalltalk about their lives and the latest Bills game as they drive to their next job. As they are executing the hit in an alleyway, Tank notices a car slowly driving by and seemingly taking a picture of them using a camera on top of the car. Once Lex kills the person, Tank tells him about what he just saw. They both seem annoyed and then decide they need to tail that car and get their hands on that picture.

In a small smart car, Jess (Beanie Feldstein) is singing along to the Spice Girls as she drives slowly down the street. She gets a call from her supervisor Stan (Mark Proksch) who asks how her route is going. She quickly turns down the music to say it is going great. Behind her on the road, Lex and Tank sound off on their annoyance about the size of these smart cars these days. As they near Jess’s car, they notice big letters on the back read “GOOGLE”. They talk about how weird it is that a website would have a car.

They motion Jess to pull over and she sees this but then shrugs her shoulders since it isn’t a police car. They inch closer and continue flashing their lights at her while she motions at them to just go around them. They pull up beside her and Tank in the passenger seat tells her to pull over. She rolls down her window and explains that she is on the job and that driving is a part of that. Lex sighs, pulls ahead and then gets in front of her car and slowing down. Jess’s heart is beating as she decides to go around them and speed off, leading to a chase through Buffalo between Lex’s muscle car and Jess’s Google Street View car.

As the chase winds down, Tank leans out the window and shoots the camera off the top of Jess’s car. This finally brings her to stop as she finally pulls over. They take her out the car as she explains to them that her job is to drive around an take images of the streets for Google. They don’t really understand what she’s telling them but instruct her that she needs to delete her last thirty minutes of images. She says she can’t as they’ve already been saved to the cloud and sent to the regional Google headquarters. They look up to the sky and ask if she is trying to pull their tail by implying that a website’s headquarters are in a cloud.

Tank yells that he can’t stand this and says they should just kill her. When he yells this, Jess’s car thinks he is prompting it to “call Stan” and that’s what it does. Jess awkwardly talks to her supervisor and asks about the process of deleting images while Lex and Tank look on intimidatingly. Stan explains that he can review the imagery and apply blurs but Lex and Tank motion “NO”. Jess says nevermind, no big deal and hangs up. She says that she can pull up the picture and show them what she captured, which they reluctantly agree to. She locates the image and finds that the two men were obscured anyway so the camera didn’t even capture the murder. They let out a sigh of relief and say that they’ll be on their way.

Before they get back to their car, she flags them down and says that they owe her. They look at each other like “what the hell?” and say that Google can pay for any damage to the car. She leans forward and says that she knows their faces very well now and could turn them into the police. Tank looks to Lex as if to say “let’s just kill her” but Lex asks what they can do to make her keep silent. She takes a second to think.

A few weeks later, Lex and Tank are sitting in the front seat of their car Jess all glittered up in the backseat dancing (and them looking miserable). They arrive in New Jersey after a road trip to arrive at a big football stadium. Cut to Jess singing her lungs out at the Spice Girls reunion tour as Lex and Tank stand next to her unimpressed. A girl next to her asks if who the rough-looking men are and if she is safe. Jess blows it off and says those are her two dads. She nudges them and they struggle to force a smiles onto their faces.



"Picture This is very slight in its ambitions. It doesn't try to do too much, but the film still manages to work thanks to the creative use of the various on-screen personas of its three stars"





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