Tuesday, March 31, 2020

In Development

Halo 6: Rounding out the cast of Halo 6 will be returning Halo series actors Allen Leech (Halo 4, Halo 5), Jason Statham (Halo: Reach, The Meg), Milla Jovovich (Red Sonja, Halo 5) and Kevin Durand (Rocket Red, Halo 5). They will reprise roles they have already previously played, and they will be joined by one new cast member: Mark Strong (Crimson, Uncharted 3). He will play Rear Admiral Musa Ghanem. David Yates directs from a script by Mo Buck.

The Cape: The upcoming superhero horror film from director Ari Aster and writers Wesley Campbell and HG Hansen has also rounded out its cast with the additions of Dan Fogler (Plastic Man, "Rolling Stone"), Michael Kelly ("House of Cards", "Jack Ryan") and Lauren Graham ("Zoey's Extraordinary Playlist", "Parenthood"). Fogler will play a friend of James Marsden's character, Kelly will play a detective, and Graham will play a younger version of Charlotte Rampling's character. The film is based on the comic series and short story of the same name by Stephen King's son, Joe Hill.

The Andromeda Strain: Arliss Howard ("When We Rise", Concussion), Rachelle Lefevre ("Mary Kills People", "Proven Innocent"), John Aylward (Gangster Squad, A Million Ways to Die in the West) and Tate Donovan (The Upside, Rocketman) have all signed on to the upcoming Tom Cruise-led sci-fi thriller, The Andromeda Strain. Howard will play the US President, Aylward will play a man who survives a deadly virus, and Donovan will play a US Army General. Dwight Gallo penned the adaptation based on Michael Crichton's novel.

A Reputation: Pierce Brosnan (Time Passages, "The Son"), Michelle Pfeiffer (To the Other Side, Maleficent: Mistress of Evil) and Adam Sandler (Nobody, Uncut Gems) will round out the cast of Noah Baumbach's latest film. Brosnan and Pfeiffer will play the parents of Brie Larson, while Sandler will play the talent agent of Larson's actress character. Mo Buck wrote the original screenplay.

The Killings: The Ryan Gosling and Jennifer Lawrence-led crime drama The Killings has added Mel Gibson (The Squared Circle, How to Survive in Hell), Hayley Atwell (Ypsilanti, Rachel Rising) and Andrew Scott ("Fleabag", 1917) to its cast. Gibson will play the Gosling and Lawrence's superior officer with the Dallas Police Department, Atwell will play Gosling's wife, and Scott will play Lawrence's love interest. Jimmy Ellis and Chad Taylor wrote the film.

Of Rocks and Sand: Chris Pine (Lullabies for Little Criminals, Salem's Lot), Sam Rockwell (The Raven, Hawkworld) and Nicolas Cage (Zoe Maye, Sandbox) have signed on to headline the modern western from director Taylor Sheridan (Wind River, "Yellowstone") and writer James Morgan (Walker, Teslin, Yukon). Pine and Rockwell will play two brothers who are involved in crime in New Mexico, while Cage will play a mysterious character named Cain.

Premiere Magazine #143


Monday, March 30, 2020

The Roundup with Jeff Stockton (Season 15 Round 3)

This latest round was a highly successful round for the studio that didn't leave a lot for me to complain about. Here's The Roundup....


3. Elisabeth MossShe is forced to do a lot of heavy-lifting with her role in Visions, and she absolutely pulled it off. The list of actresses who could have successfully pulled off the role isn't pretty long, so that's a testament to Moss.

2. Hawkworld
I liked Hawkworld a lot. The scale compared to the first film is is impressive and it brings a whole new planet-hopping sensibility to the DC Comics Universe.

1. To The Max

I really enjoyed the dark comedy/crime balancing act that Taylor and Charles pulled off with the script. On top of that, the characters were all pretty memorable - I especially loved Kilmer and Revolori as the film's version of Rosencrantz and Guildenstern.



3. Visions
Overall, I enjoyed the film. However, the supporting cast really isn't given a lot to do and none of them are particularly memorable.


2. N/A
I honestly didn't have a lot of issues with this round. All three films were pretty good, and the overal box office was solid.

1. N/A

See above.

On Location (Season 15 Round 3)

Hawkworld
- Brisbane, Australia


- Cleveland, Ohio, USA


Visions
- New Orleans, Louisiana, USA



To The Max
- San Francisco, California, USA

- Los Angeles, California, USA

Sunday, March 29, 2020

Box Office Breakdown (Season 15 Round 3)

Hawkworld
Budget: $196,000,000
Total Box Office: $602,195,588
Total Profit: $170,503,012


Visions
Budget: $24,000,000
Total Box Office: $118,207,324
Total Profit: $51,950,020


To The Max
Budget: $22,000,000
Total Box Office: $29,297,778
Total Profit: -$9,611,904



Box Office Facts:
Hawkworld

Taylor Kitsch has now starred in three films post-Justice League International, with Hawkworld bringing the total box office gross of the three films up to just over $950 million.

Visions
Visions is the third highest grossing supernatural thriller for the studio, behind The Dead Zone and Nocturne and ahead of Tumulus. All four films have made over $100 million at the box office and managed to turn a healthy profit of $154 million between the four films.

To The Max
Once again the Dark Comedy genre fails at the box office, with now only one out of the seven films managing to turn a profit. To The Max was not that film, and it barely avoiding becoming the lowest grossing Dark Comedy for the studio - The Mask grossed $27.56 million, less than $2 million fewer than To The Max.



Genre Rankings:
Hawkworld

Action: #32
Superhero: #15
Fantasy: #5

Visions
Thriller: #21
Supernatural: #5

To The Max
Crime: #37
Dark Comedy: #6




Season 15 Round 3
Total Box Office: $759,700,690
Total Profit: $212,841,128


Season 15 Totals
Total Box Office: $2,505,880,424
Total Profit: $440,041,386


Season 15 Total Box Office Summary
1. Justice League Europe - $691,451,042
2. Hawkworld - $602,195,588
3. Circumstances of Time - $275,432,424
4. The Phantom of the Opera - $265,349,660
5. Crimson - $239,431,798
6. Police Story: Extradition - $198,460,608
7. Visions - $118,207,324
8. The Second Life of John Wilkes Booth - $76,054,202
9. To The Max - $29,297,778

Release: To The Max

To The Max
Genre: Crime/Dark Comedy
Director: Matt Spicer
Writers: Lon Charles & Chad Taylor
Cast: Noah Centineo, Rob Lowe, Kathryn Hahn, Timothy Olyphant, Jack Kilmer, Tony Revolori, Eliza Scalen, Antoine Olivier-Pilon, Matt Dillon, Garret Dillahunt, Guy Fieri



Budget: $22,000,000
Domestic Box Office: $18,492,078
Foreign Box Office: $10,805,500
Total Profit: -$9,611,904

Reaction: The film wasn't very expensive, so losses were kept minimal. Once again, a dark comedy from the studio fails to make much of a dent at the box office.



"To The Max takes a real life crime and has made a high energy black comedy romp out of it thanks to strong writing from Lon Charles and Chad Taylor and entertaining performances from its young cast and its celebrity cameo." - Charles Triano, Los Angeles Times


"The tone of the film doesn't always work as the filmmakers try to make a comedy about a dangerous sociopath. The shift between levity, black humor and drama is a tricky balancing act. Sometimes it hits with a big laugh, but other times moments land with a thud." - Michael Van Patten, Slant Magazine

"Noah Centineo has gotten a lot of flack recently as an actor, but this film appears to play to his strengths as a performer and he has great chemistry with his co-stars Jack Kilmer and Tony Revolori. The rest of the cast also nail their roles." - Stephen Ridley, Boston Globe



Rated R for strong language, violence and some sexual content

Saturday, March 28, 2020

Last Resort Films Jukebox: To The Max



1. "Don't Stop the Party" - Pitbull

2. "Bitch, Don't Kill My Vibe" - Kendrick Lamar

3. "Contact" - Daft Punk

4. "Theme from Mission: Impossible" - Lalo Schifrin

5. "Suburbia" - Kavinsky featuring Havoc

6. "Mindfields" - The Prodigy

7. "Testarossa Autodrive" - Kavinsky

Now Showing: To The Max

To The Max
Genre: Crime/Dark Comedy
Director: Matt Spicer
Writers: Lon Charles & Chad Taylor
Cast: Noah Centineo, Rob Lowe, Kathryn Hahn, Timothy Olyphant, Jack Kilmer, Tony Revolori, Eliza Scalen, Antoine Olivier-Pilon, Matt Dillon, Garret Dillahunt, Guy Fieri

Plot: Celebrity chef extraordinaire Guy Fieri (Guy Fieri) makes his way through San Francisco's premiere exotic car dealership, British Motors. He examines the various Aston Martins, Alpha Romeos and Bentleys before stopping his tracks at the sight of a banana yellow Lamborghini Gallardo. The salesman starts going through his sales pitch, but Fieri tells him to shut up and let the car sing to him. He tells the salesman that he wants all the bells and whistles, all the possible upgrades, no matter the cost. When he's told that the car will take two weeks to be ready and cost him $190,000, Fieri tells him if they can have it ready in a week he'll make it an even $200,000.

In the suburbs of San Francisco, Max Wade (Noah Centineo) lives a comfortable life in one of the most affluent neighborhoods in America. He comes and goes to his high school as he likes, a laissez-faire attitude that mirrors that of his parents Troy (Rob Lowe) and Denise (Kathryn Hahn) (which helps him fly under their radar). For his 16th birthday, his parents buy him thee jet black motorcycle he has always wanted.

At school, he meets up with his Colby (Jack Kilmer) and Trevor (Tony Revolori) and shows off his new ride. The three of them give no effort towards their classes, opting instead to hit on girls, share crude memes with each other and play their part in the school’s weed market. While smoking in Trevor’s car during lunch, a stoned Colby wonders aloud where they all will be in five years. Trevor says his parents want him to go to college but that’s not his style. Max says what they’re all thinking: they’ll be exactly where they are right now, smoking in Trevor’s car. They all laugh.

On the first day of the new school year, Max is bummed to find that Colby and Trevor aren’t in his first period math class. He considers skipping already but chooses to go. He is immediately smitten by a new girl, Eva (Eliza Scanlen). With no hesitation he tries flirting with her but she isn’t receptive to it. She has a certain degree of coldness to her behind her gorgeous looks, which makes her even more attractive to Max. After school, he tells his friends about her and they boost his ego, saying no girl has ever turned him down before. Behind his back, Colby and Trevor list off the girls who have rejected Max over the years.

After initially failing, Max decides to take his time and let her become attracted to him. On the day of a math test, Max notices her struggling with a certain problem. He whispers the answer to her and she smiles and quietly thanks him. After class, he tells Colby about this and admits that he had no clue what the right answer is, he sucks at math! Max and Eva’s friends groups start to merge and they have conversations more. Still, anytime Max gets flirtatious, she shuts him down.On the weekend, the group plans to go out to the nightclubs in a few weeks as they all have fake IDs, except for Eva. Max tells her he knows where he can get her one for free. She thanks him again for his generous offer.

At home, Max tries to contact the guy who hooked him up with his ID but finds out that the man currently in jail for pissing off a police officer. No, sorry, he read that wrong - pissing on a police officer. Max talks with his buddies and they ask why doesn’t he just try to make one himself. That’s not a bad idea, he thinks. He asks his mom for some money but she turns him down, saying they just bought the motorcycle. He retorts by saying the money is for a very protective helmet. It works and she says OK. He uses this money to buy a commercial-grade ID printer and “Operation Fake ID” is a go.

Max gives Eva her fake ID and she is incredibly grateful for it. She says that she’ll see him later that weekend when they all go out to the clubs. Meanwhile, Max sees the profitability in the fake ID business so he starts selling them to the other rich kids at his school. This is a success and Max starts making bank, so much so that he stops attending school regularly again. His mom, who is usually oblivious to his actions, asks if she can see the helmet he bought. He stalls the conversation and later goes to a special motorcycle shop downtown, asking for the cheapest helmet they've got. As he is looking around at their selection, he sees tinted visors and asks if he can have one added on. The shop worker obliges and Max shows it off to his mom, who now believes him. Afterwards, he discards of it in his closet since he never wears helmets.

When the group of friends finally go out to the clubs, they all get in thanks to their fake IDs. Max knows his boundaries with Eva but those start to blur the drunker he gets. Meanwhile, as she is talking with her friends, they joke how pussy-whipped Max is for a girl that doesn’t even like him. Eva says he seems like a good guy and all but - actually, no, he doesn’t seem good at all. “He rides a motorcycle to school, for god's sake” one of the friends jokes. As he is walking by, Trevor catches that last part and relays it to Max. Eva then comments on a blonde guy, Landon (Antoine Olivier-Pilon), across the room and says that he is totally her type and the friends agree. Meanwhile, Trevor tells Max about the motorcycle comment. Max, with his eyes fixated on Eva as she talks to the blonde guy, shrugs his shoulders and says “ok” as if to accept his fate before going off to hit on other girls at the club.

The next day, Max shows up at British Motors, San Francisco's premiere exotic car dealership. He struts in ready to buy a Lamborghini but it becomes abundantly clear that he hasn't made nearly as much as he was giving on and is turned down immediately. At home, he vents about this to Trevor and Colby as they chat over their online game. Trevor says that Max is an entrepreneur after all, so why doesn't he find a DIY way to get a Lamborghini. Colby agrees and says that he could break into the dealership secret-agent-style and get the car himself. But then Colby walks the idea back a bit, realizing that Max, as he is killing virtual baddies, loves his friends' ideas (and the subtle ego-stroking that goes along with it) and says he can just make himself a fake ID. Max says they should totally go forward with "Operation Steal-A-Fucking-Lambo".

At the dealership, Max is dressed in all black gear and wearing a makeshift headset from his gaming gear. Trevor and Colby help him set up a rope to the roof and he climbs up the side of the building. Once on the roof, he talks to his friends over the headset and they tell him the coast is clear. He prepares to rappel down from the ventilation system but the weight mechanisms are off and he goes crashing to the floor. He gets up and dusts himself off and is flabbergasted to see that the door nearby is actually unlocked. He wonders - somewhat rhetorically - how they missed that in their survey of the target.

Now that the hard work is done, Max scopes out the potential cars. Finally, he sees the most tricked-out yellow Lambo in the dealership. He tells Trevor and Colby that he has met the girl of his dreams - after Eva, of course. His friends start to become panicked when they think they see security monitoring the area. Max sees the keys in the car and makes a break for it. However, he soon realizes he has doesn’t know the different controls and the windshield wipers start squealing as he makes pulls out of the lot. His friends tell him that the guards were a false alarms and just some random homeless guys. At this point, Max is flying on the Golden Gate bridge, with the camera catching a glimpse of the license plate: THATGUY.

The local news broadcast the next morning covers a story about the stolen car of celebrity chef Guy Fieri. In a brief statement outside of his home, a teary-eyed Guy pleads for justice and that his baby be brought back to him in one piece.

Max pulls up to his high school in Guy Fieri's Lamborghini. He saunters up to Eva and tells her to check out his new car. She asks how he could afford such a car, and he pulls out a wad of hundred dollar bills. He assures her that he has the money to buy her anything she wants. She isn't impressed by his display of wealth, and tries to brush past him. Max stops her and asks her what time he's picking her up in the Lambo for Valentine's Day. Eva breaks the news to Max that she's dating Landon. Max tries to hide his disappointment and tells her to "drop the zero and get with the hero" before hopping back into the Lambo and speeding away.

On his way home, Max talks to himself - comparing himself to Landon and finding himself superior in every category. Eliza’s news is incomprehensible to him. He then gives himself a pep talk and convinces himself that he doesn’t lose. He’s not taking no for an answer.

On Valentine’s Day, Max sneaks into his parents' room and steals his dad’s pistol and loads it. He goes to his room and starts working out while spending all day watching films to get him pumped up: Scarface, Rambo II, The Matrix. He is interrupted by Troy, who sits down on Max’s bed to talk to his son. Max freezes, assuming he knows about the gun. Troy, however, talks about how Max has been acting differently lately and he is worried about him. Troy blames it on himself, saying they never had “The Talk” and he figured now would be a good time given what day it is. Max looks at his dad with disgust and says that he’s 16 - he’s already had sex ed for Christ’s sake. Troy apologizes for misreading the situation and Max dismisses him from the room.

Max sits on his motorcycle dressed in all black, including his tinted helmet. He sits patiently outside a house until a truck pulls up. Eva walks from the house and into the truck, which turns out to be Landon’s. They drive off and Max starts to follow them. When he gets an opening on a street with little traffic, he pulls into the left lane beside Landon’s truck. He pulls out the pistol from his waistband and starts shooting. The windows on Landon’s truck shatter as Max riddles it with bullets. However, he starts fumbling the gun, which causes him to lose control of the motorcycle so he drops the gun. Landon’s truck veers right and hits a utility pole. Meanwhile, Max turns around to pick up the gun and speeds off.

In the truck, Landon and Eva look at each other with slight shock. She then lets out an exasperated sigh of relief and they hug, realizing that somehow neither one of them got hit by any of the bullets. As Max is driving away, he nods to himself - proud of what he has done (or at least what he thinks he has done).

Later, Max hangs out with Colby and Trevor and brags about what he did. They break the news to him of that Landon came out of the incident uninjured. Max refuses to believe this but regroups and curses out Eva before admitting that he still likes her. He then lights up and says that he has a new idea.

Bay Area police detective Ben Garrett (Matt Dillon) and his partner Terry Dressing (Garret Dillahunt) review the case of the drive-by shooting. They checks any nearby security footage and discovers that the motorcyclist was seen stopping at a gas station to get gas literally minutes after the shooting. Terry posits to his partner “How dumb can this guy be?”. Det. Garrett spots something in the footage and asks to zoom in. He tells Terry “You know how you tease me for being a big motorcycle guy? Well who gets the last laugh now, bitch?” He says that helmet the suspect is wearing can only sold by a certain store or online and the only one nearby is in San Francisco.

The two detectives visit the motorcycle shop and easily narrow down who bought the helmet in question. The name: “Carmine Columbo”. They look up this name in the police database but aren’t able to find someone. They decide to call Eva back in for questioning to see if they can get another lead. She tells him that there has been this guy who has basically been stalking her and constantly asking to ride in his lambo. They ask to see a picture of the guy. She shows him Max, who they take to the motorcycle shop owner, who verifies that that is who purchased the helmet. They realize that they don’t have a current address for Max so ask Eva if she’d like to help a little bit more in this investigation.

Max, Colby, and Trevor sit in a dark, makeshift “heist-planning room” like you would see in the movies. They are planning out a robbery of a high-end jewelry store, so he can steal diamonds to give to Eva - which would surely make her finally infatuated with him. However, they are interrupted when Max gets a text from Eva asking if he is free. She finally wants to take him up on his offer for a ride. Max celebrates this occasion and his friends pump him up and hi-five him. He texts back for her to meet him at a storage facility where the car is parked.

Max and Eva arrive near the same time. He acts overly flirty, and she somewhat acts that way back this time. Before he can open up the storage unit to get the car out, he can sense that something is wrong. He turns around to find multiple police cars pulling up. He calls Eva a “stupid fucking bitch” and starts running but the police are able to tackle him. They open up the locker and find everything: Guy’s Lambo, the motorcycle, the helmet, the gun, Max’s money, everything. Terry laments to Garrett how dumb someone could be to keep all of this incriminating evidence in one location. They talk to the storage unit owner, who says that the unit was owned by a “Carmine Columbo”. He shows them the picture of the ID and it is a fake ID with Max’s picture.

In the visitation room at the Marin County jail, Max's parents introduce him to high-priced defense attorney Charles Dresow (Timothy Olyphant). Dresow asks Max to give his side of the prosecution's case against him. As soon as Max starts to speak, Dresow cuts him off and urges Max to not speak - ever. Dresow turns to Troy and Denise and tells them that the jury is going to hate Max since he comes across as entitled and, frankly, like a douchebag. Denise is shocked that someone would use such a term toward her baby, but Troy tells her to keep her opinion to herself. Dresow is the best in the business and they should follow his lead. Dresow tells them that the plan will be to keep Max as far away from the stand as possible. The more Max talks, the more he will hurt the case. Max starts to get angry and insults Dresow. Troy smacks Max on the back of the head and tells him to shut up. Dresow says that their best bet is to paint Max as a dumb kid who didn't know any better and cross their fingers and hope the judge decides to try him as a juvenile rather than an adult.

In court, Max smirks as the judge lists the very serious charges against him. The judge announces that despite Max only being 17, he will be tried as an adult based on the serious and violent nature of the crimes he has been charged with committing. Troy and Denise are shocked. Dresow thanks the judge for his time and leaves the courtroom. Max is then taken away by the bailiff, while puffing his chest out trying to look as big and tough as possible.

During the trial, Troy and Denise sit right behind their son. Charles Dresow is in his element and starts to show why he was hired in the first place. He has the arresting officer's testimony completely thrown out after he argues that owning a motorcycle does not make him an expert enough to identify the merchant who sold a particular motorcycle helmet. Everything appears to be going Max's way, until the prosecution calls Guy Fieri to the stand. The jury is clearly star-struck. Even Max's mother Denise is impressed by Fieri taking the stand and takes a quick picture on her phone. Guy Fieri gives an impassioned testimony about how much the car Max stole means to him. When he was a young boy growing up in rural Ohio, the idea of owning a Lamborghini was the ultimate sign of status for his close knit Italian family. His grandfather would always tell him that owning such an automobile is the only way to prove one has truly made it in life. He had worked so hard throughout his life to attain that status his late grandfather always wanted for him. Fieri starts to tear up as he describes the police notifying him that the car was stolen, comparing it to finding out one's own child has been abducted. By the time Guy Fieri is done with his testimony, the jury is practically in tears. Even Max's own mother is misty-eyed. Max, however, smiled throughout the entire testimony, proud of the work he did. Dresow puts his head down in defeat. It doesn't take long for the jury to end their deliberation and announce that they find Max Wade guilty of all charges. The judge dismisses the court and announces that court will resume next week for sentencing.

Late one night, Colby and Trevor pull up behind the jail in a stolen car, radio booming. They open up the trunk and pull out a sledge hammer and a set of bolt cutters. They walk up to the perimeter fence and cut a sizable hole with the bolt cutters. They look at the building, and spot someone waving from a high first floor window. Colby and Trevor give each other a nod and forge forward toward the exterior wall of Max's cell. Colby and Trevor start arguing about who gets to use the sledgehammer to break down the wall. They play Rock, Paper, Scissors, which Trevor wins. He gleefully grabs the sledgehammer, rears back, and hits the wall as hard as he can. It makes a very loud sound, but doesn't so much as scratch the paint on the outside of the jail. Trevor drops the sledgehammer and begins holding his hands in pain. Colby bemoans Trevor's lack of upper body strength and picks up the sledgehammer. He tells Trevor to watch and learn. Colby swings the hammer at the wall, but once again, despite the thunderous sound it makes, the hammer failed to even make a dent in the wall. They start yelling up at the window for Max about what they should try next since the sledgehammer plan isn't working. As Colby and Trevor stand there dumbfounded, completely surprised that they couldn't break down a jailhouse wall with a hammer, a half dozen flashlights appear in the distance and start closing in on them. Colby points out the flashlights to Trevor and says they should make a run for it. They yell "Sorry Max!" and hurry back to the car and speed off before the guards can catch them. Max sits in his jail cell with his head in his hands as he hears Colby and Trevor make their getaway.

Max Wade is back in court with his parents and Dresow at his side for the sentencing hearing. Max has a smile on his face, filled with confidence that he will get off with a slap on the wrist. The judge announces that due to Max's reckless disregard for the life and well-being of others and his seeming complete lack of remorse, he feels he has no choice but to sentence Max to the stiffest punishment possible: life in prison. Max's mother breaks down crying, literally throwing herself onto the ground. Max's father gives him a long overdue look of disappointment. Charles Dresow quickly gathers his things and exits the courtroom as the bailiffs escort Max out of the court room.

Guy Fieri is in his garage, with a tear in his eyes has his arms embrace the front hood. "I've missed you, so much," he whispers.


Friday, March 27, 2020

Top 10 Taylor Kitsch Films

Sherman J. Pearson here for another edition of Top 10. Taylor Kitsch is an actor who has steadily made a name for himself as a leading man with Last Resort Films, so after the release Hawkworld I decided to would be a good time to take a look at his filmography.

Top 10 Taylor Kitsch Films
10. XIII
9. The Creature: The Beginning
8. Atlantic City
7. Outlaw Country
6. The Raid
5. Hawkworld
4. Revolution
3. The Stand
2. Scion
1. Justice League International

Release: Visions

Visions
Genre: Thriller/Supernatural
Director: Ben Wheatley
Writer: Jack Slipter
Cast: Elisabeth Moss, Chiwetel Ejiofor, Yvonne Strahovski, Katheryn Winnick, Samara Weaving, Alyvia Alyn Lind, Zazie Beetz




Budget: $24,000,000
Domestic Box Office: $48,024,880
Foreign Box Office: $70,002,444
Total Profit: $51,950,020

Reaction: Very strong numbers from this surprise hit film. The supernatural genre isn't one the studio tackles a lot, but it has been quietly successful with eight of the ten films released making a profit.


"Ben Wheatley makes his LRF directorial debut with Visions, which makes good use of his skill in the horror and thriller genres. Add in a talented cast, and you have a solid film even with the story feeling awfully familiar at times." - Harvey Wallace, New York Magazine



"Despite a strong leading performance from Elisabeth Moss, the story just doesn't feel tied together very well. The tone bounces around a lot from being subdued to very melodramatic." - Michael Carthage, Associated Press

"While the supporting cast isn't given a lot to do, Elisabeth Moss does all the heavy lifting herself with an excellent lead performance. Between this and The Invisible Man, she might be carving out a new role as queen of the thriller." - Bruce Vickers, Baltimore Sun



Rated R for strong violence and sexual content including nudity

Thursday, March 26, 2020

In Development

Halo 6: Even more familiar faces will be showing up in Halo 6, with Halo 5 alumni Nikolaj Coster-Waldau (Halo 5, Lost Planet), Morris Chestnut (Halo 5, "Drive"), Uzo Aduba (Halo 5, "Orange Is the New Black") and Sophie Turner (Genetic Descent, Halo 5) all set to return to their respective roles. David Yates is directing the film from a script once again written by Mo Buck.

The Cape: Natalie Morales ("Abby's", Stuber), Iain Armitage ("Hitman", "Young Sheldon") and Connor Kalopsis ("Outmatched", Maximum Ride) have all signed on to the superhero horror film, The Cape. Morales plays a woman caught between the two brothers played by James Marsden and Ryan Hurst, while Armitage and Kalopsis will play the younger versions of the two brothers. Ari Aster directs the film. HG Hansen and Wesley Campbell penned the screenplay based on Joe Hill's comic and short story.

Drugstore Perfume: Alex Conn's latest directorial effort has added Conn regular RJ Cyler (The Vegan Movie, Theater Kids), as well as Jason Ritter (The Tale, "Kevin (Probably) Saves the World") and Abigail Breslin (Dino Crisis 2, Zombieland: Double Tap). Cyler will play the main character's comical best friend, Ritter will play the finace of Aubrey Plaza's character, and Breslin will play a young woman who dates the main character, played by Alex Wolff.

The Andromeda Strain: Lorenza Izzo (Once Upon a Time in Hollywood, The House with a Clock in Its Walls), Laurence Fishburne (Control, Bright Neon Lights) and Dean Norris (Someone Else, Splinter Cell: Blacklist) have all been cast in the Tom Cruise-led sci-fi thriller, The Andromeda Strain. Izzo will play a pathologist who works on Cruise's team, Fishburne will play a general in charge of the White Sands Army base, and Norris will play the colonel who commands the Army Medical Research Institute of Infectious Diseases. Joseph Kosinski directs the film. Dwight Gallo penned the adaptation based on the novel of the same name by Michael Crichton.

A Reputation: Ben Stiller (The Powerpuff Girls, Brad's Status), Winona Ryder (Into Thin Air, "Stranger Things") and Gary Sinise (I Still Believe, "13 Reasons Why") have joined the latest Noah Baumbach film, A Reputation. Stiller will play a Hollywood director, Ryder will play a journalist, while Sinise will play another director. Mo Buck wrote the original screenplay.

The Killings: Ryan Gosling (Survivor, The Question: The End) and Jennifer Lawrence (Eileen, Burial Rites) have signed on to star in a new film from director Alejandro Gonzalez Inarritu (The Revenant, Birdman). Jimmy Ellis (The Second Life of John Wilkes Booth, The Devil's Passage) and Chad Taylor (A Lost Sense of Heaven, The Fall Guy) penned the film which will follow two Dallas Police detectives, played by Gosling and Lawrence, on the hunt for a serial killer.

Now Showing: Visions

Visions
Genre: Thriller/Supernatural
Director: Ben Wheatley
Writer: Jack Slipter
Cast: Elisabeth Moss, Chiwetel Ejiofor, Yvonne Strahovski, Katheryn Winnick, Samara Weaving, Alyvia Alyn Lind, Zazie Beetz

Plot: The film begins in a psychiatric hospital Marta Harding (Elisabeth Moss) near a window. In the room there is also his psychologist who is talking. We see confused flashbacks in which Marta meets a man, an architect named Mario (Chiwetel Ejiofor) in the shop where she works. Marta is a clairvoyant who runs a small shop and consultation working mainly with the Tarot cards and selling macabre or hidden objects. Marta suffered a strong attraction for him. Mario seems to be very sweet and nice and the first dates between them seem to be going well. He even agrees to have his hand and Tarot read. Marta is very happy when the "The two lovers" card is released. One evening, however, we see Marta going to collect her car in an underground parking lot after shopping. Near her car we see Mario waiting for her, Marta is surprised to see him there but smiles for the fact that she has the opportunity to see him again. But he seems different from the previous days, he is silent and gloomy and looks at the woman with a disturbing look. Suddenly he snaps and punches her and then tries to abuse her violently while he holds her tight and holds a hand in front of her mouth. The woman tries to react by biting his hand and then trying to escape but he drops her to the ground and rapes her while Martha cries silently with her head turned towards the asphalt. Then we return to the psychiatric hospital while Marta is discharged after a few months spent there and is helped by her best friend Monica (Yvonne Strahovski). After that terrible episode in fact Marta was severely traumatized and began to suffer from a form of PTSD and agoraphobia and had been admitted to the psychiatric hospital for that reason. The two women are going up the elevator to Monica's house and Marta has another flashback in which she is a young girl (Alyvia Alyn Lind) and it is together with her mother Jillian (Katheryn Winnick) that is revealing her special nature to her. Marta apparently inherited her clairvoyance ability from her mother even though she was often told that "Nobody can see everything", that some things will remain hidden. In the flashback we see that Marta is holding her father's photo in her hand while her mother brushes her hair. From their dialogue it is clear that he is dead and only Jillian can see and talk to us and Marta is very sad about this. As the camera moves away we actually see his ghost sitting on the bed next to them. The scene returns to the present where Marta is helped by Monica who helps her settle in a small uninhabited apartment for many years (in a building of Monica's uncle), since Marta refuses to return home because Mario knows his address . From the dialogue of the two friends, we learn that Mario had been interrogated and released and that shortly after, a charred corpse had been found that the scientist had attributed to him. But Martha was convinced that he was still alive and had tried to convince the police, but without success. While Marta looks at the house with a sketch of a smile she sees a box with Tarot cards and other objects from her shop and intimates her friend to burn everything. Monica opposes saying that those objects have helped many people and Marta replies that it is true but they had not helped her making her understand that Mario was dangerous. Then she has a fit of anger and kicks the box while Monica tries to calm her down. Eventually Marta asks Monica to go away and leave her alone. Later we see Marta arranging the clothes in her room. In a drawer he finds an old bracelet, probably belonging to some past owner. Also find an old photograph of a smiling woman hugging a little dog. While arranging the house he also finds other objects, a box with homemade woolen sweaters inside, an old broken music box, a book. Towards evening Marta is on the bed while reading the book and is disturbed by neighbors who are howling loudly while having sex. Marta snorts and opens the fridge and remembers that she has nothing to eat and decides to have a pizza brought in. The woman walks around the house barefoot and starts dialing the number. During the call for a moment she hears screams and disturbing voices and the phone emits strange interferences. She closes her eyes and after a few seconds everything returns to normal hoping that she has not gone completely mad. Then Marta enters the shower and we see another flashback in which you can still see Marta as a young girl and understand that Marta can also communicate with ghosts, sometimes simply by comforting them. In the past, along with his mother Jillian, he also helped the police find out what a murder actually was by finding a dead body in a wood.

After the shower Marta waits for the pizza and then goes to bed. Call Monica asking if she knows who lived in that house before her, Monica says no and will ask her uncle. Then she takes a pill and tries to sleep despite being disturbed by the neighbors' wild screams and the usual whispers in her head. After a while she gets up to drink a glass of water and peeks out the window in the direction of the neighbors. She sees with surprise that her neighbors are two lesbian lovers who at that moment are giggling near the window kissing each other. One of the two is seen to notice Martha watching them. Without being seen by the other woman, the neighbor Tammy (Samara Weaving) takes a large knife in her hand and brings it to the back of the other woman Amy (Zazie Beetz) smiling in the direction of Marta. At this point Marta is visibly frightened and immediately closes the curtain. In the morning Marta is awakened by an incessant knock on her door. The woman's voice is feminine and says to be Tammy, her neighbor. She intimates Martha rather vigorously to open the door and she just wants to talk. But Marta doesn't open and pretends not to be at home. When he looks through the peephole he sees Tammy in skimpy clothes who is returning to his house with the knife in his hand visibly angry. Later around noon he receives Monica's visit, brought her something to eat and her computer since there is no TV yet. Monica says that she has not yet had the opportunity to ask for the information requested by Marta about the previous tenant. When Monica leaves, Marta finds a free wi-fi connection and accesses the internet. Marta falls asleep and has a nightmare in which she sees her apartment flooded with blood on walls and floors where there is a figure lying on the ground. In the dream there is also the neighbor Tammy who brandishes the knife and who knocks violently on the door. Marta wakes up all sweaty, it's night now and it's raining heavily. There are also lightning and thunderstorm. Marta takes a sleeping tablet and goes to the kitchen and looks out the window. With horror he sees a figure that looks a lot like Mario walking on the sidewalk looking around. Terrified, Marta calls the police, who tell her that Mario is dead and tell Marta to calm down. Immediately afterwards he hears screams in his mind and the phone emits strange interference as a couple of days before. Soon after, everything returns to normal. In the morning Marta then covers the windows with pages of newspapers and cardboard and orders surveillance devices via the Internet. Tell the bell boy to leave things at his door. Marta installs surveillance cameras in her home and cameras that overlook the street and the landing. As long as she is covering the windows, she witnesses a violent quarrel between Tammy and her lover Amy.

Later she receives a visit from Monica who is not happy to see how Marta's paranoid aspect is becoming more and more. However, she hugs her friend saying that she believes that she saw Mario the night before and the stories about the crazy neighbor. At this point Monica reveals to Marta that her uncle told her that it does not seem to him that nobody was killed there. She says that a neighbor had been suspected for a short time but there was no evidence. In the evening the cameras seem to work until they start emitting a strange hiss and then have the usual interference. Martha tries to fix them until behind her, in one of them, sees a woman crawling on the ground with a long trail of blood behind it. Subsequently he has another terrible vision in which the bathroom is smeared with blood. In the morning Marta searches for news on the internet and with difficulty finds old articles in which a woman had been killed with a large kitchen knife.The articles also speak of an aggressive neighbor who had been suspected for a short time but in the end there is no it was no evidence to indict her. At this point we see that a video camera shows the figure that looks like Mario near the building. Marta, however, is distracted by another video camera, the episode that shows outside her door that portrays Tammy who is carrying a suitcase that seems very heavy outside her apartment. Marta is very worried about Amy's fate, but shortly after she sees her come out and Marta breathes a sigh of relief. At this point Marta falls asleep but is awakened by disturbing noises that come from the cameras. The noises stop and she hears that her front door is slowly opening. The woman pulls out a knife from under the pillow and walks around the house despite the cameras showing that she looks empty. She looks out the door and sees nothing until the elevator doors open and only red blood comes out. Marta closes the door and steps back.

The whispers in his mind get louder and louder until nail marks appear on the wooden floor as if a person tries to hold on to it until he is dragged away. Furthermore, the screech that Marta hears is very strong. The woman puts her hands in her ears and shouts. When he opens his eyes everything is back to normal. The woman walks around the house with the knife in her hand until she sits on the armchair in a crouched position and cries. floor. But she finds herself not in her house but in the elevator. Marta almost has a panic attack but manages to reach her apartment. While stra returning is attacked by Tammy who accuses her of spying on her. After a confrontation between the two Marta manages to lock herself in the house. When he enters the house he sees that a red liquid is falling from the walls as if it were blood. The woman continues slowly in the corridor while behind her Tammy continues to knock on the door willingly. Martha trembles to see blood everywhere and even pools of blood are born on the ground. Martha also sees a hand asking for help getting out of a pool of blood before she passes out. When he regains consciousness, everything has returned to normal. She prepares a hot tea and decides that she must help the spirit trapped in that house that makes these terrible visions make her. In the meantime, he tells Monica what's going on and that he wants to help the spirit. He asks Monica for help and to bring her some sandalwood and lavender essence, some purple candles he had in his shop and a piece of willow bark. Shortly afterwards the cameras still show signs of malfunction and from one of them he sees that behind him a bloody figure is standing up. Marta turns around and there is nothing but sees that in the cameras the bloody figure that crawls out of the bathroom continues into the corridor and then staggers until she reaches the elevator area. He also hears the sound of water coming from the bathroom, but when it arrives it is normal. At this point he takes the photo of the old tenant in his hand saying that he would help her very soon. Suddenly for a few moments the mirror glass breaks and the sink water starts on its own. At this point Marta prepares for the ritual by drawing a strange symbol on the floor by arranging some objects and the photo of the deceased in the middle of the symbol. While she is getting ready wearing a black dress and looking in the mirror in the bedroom she sees herself as a pretty attractive woman as she once was. She hears Monica ring the bell with the objects Marta had asked for in her hand. Monica is always sympathetic to Marta's behavior but she thinks she is going completely crazy and talks to her about a specialist who can help her.Marta replies that she is not crazy and that maybe she will call him. Marta kneels near the symbol and begins the ritual by lighting the candles and inebriating the air with the essence brought by Monica. Martha shuffles the Tarot and draws 3 cards, violent death, the demon and need for justice. At the end of the ritual the two friends greet each other. After taking a shower, Marta remains in the bathroom and stands in front of the mirror to dry and comb her hair. Meanwhile, we see that the entrance door is opening. Marta puts the objects down and opens the door taking the medicine in her hand. When he closes it behind him Mario appears, who takes her by the hair and slams her on the mirror, which breaks. Marta falls to the ground, almost passed out, losing blood from her forehead. Meanwhile, Mario walks around the apartment, browsing in his room. Marta tries to get up and is joined by Mario who begins to caress her and pass her blood all over her face, telling her that she has been waiting for this moment for a long time and that she missed her very much. Then he slams her on the wall and tries to abuse her again by dropping her in the shower. Marco tries to cling and accidentally opens the water that begins to fall. At this point Mario takes a pair of scissors and uses them as a weapon. towards Martha's belly screaming in pain while Mario sighs when he sees the blood come out. Mario seems almost in a state of trance and Marta makes him fall and the man bangs his head on the floor violently. Seriously injured, Marta comes out of the shower, slowly dragging herself from one room to another, trying to reach safety.She goes to the room near the bed and tries to stand up and take the phone and Call Monica, trying to explain it, but it is not clear how much Monica understands. She sees herself through the camera and every moment is identical to her visions and realizes that her visions were not the visits of the ghost of the old tenant, but her gift that tried to warn her of her impending future. Marta tries to drag herself down the corridor by making a trail of blood on the ground and dirtying the walls when she tries to get up. She struggles to open the door and get close to the elevator when she is reached by Mario and brought back into the house. She falls to the ground and he drags her away and she leaves the nail marks on the floor and then throws her at the kitchen table where there were the objects she had used in the ritual. He tries to strangle her and she manages to take one of the candles and put it in Mario's eye and then with a paperweight breaks his head. Marta completely covered in blood and seriously injured risks dying of bleeding from the injuries but manages to get to the elevator where she falls to the ground closing her eyes. The film closes with Marta, now perhaps at the end of her life where she sees some happy memories of her childhood with both of her parents until the elevator seems to reach the ground floor, the doors open and you hear a female voice that call the name Marta.


Wednesday, March 25, 2020

Release: Hawkworld

Hawkworld
Genre: Action/Superhero/Fantasy
Director: Julius Avery
Writer: APJ
Based on DC Comics characters
Cast: Taylor Kitsch, Jessica Biel, Sam Rockwell, Joseph Sikora, Gil Birmingham, Chris Geere, Michaela Conlin, Jemaine Clement



Budget: $196,000,000
Domestic Box Office: $229,994,086
Foreign Box Office: $382,201,502
Total Profit: $170,503,012

Reaction: Long gaps between films in a series can always result in some odd box office data. For this one, the domestic box office gross was about the same as the first film, but the foreign box office was much higher. It could be because the main characters increased their exposure by appearing in Justice League International, and it could also be that the story was simply easier to translate to overseas audiences than the first film.


"Similar to Silver Surfer: The Power Cosmic, this long-awaited sequel is a completely different beast at a tonal level than the film that preceeded it. The first film was much more simplistic with its plot and characters, while this film dials up both areas in a big way." - Tom Lane, Detroit News



"Hawkworld runs the gamut. There are sequences that are fun and exciting, but other scenes bring the momentum to a screeching halt. I feel like the filmmakers were trying for a Thor: Ragnarok/Guardians of the Galaxy type of vibe with this sequel, but it's too inconsistent to fully pull off the effort." - Allen Poole, AV Club


"I liked the first Hawkman movie, but Hawkworld is a much more fun movie. It delivers more humor and bigger action with higher stakes. There is also much more of an ensemble cast this time around, with the film peppered with fun characters throughout."  - Janet Donnelly, Empire Magazine




Rated PG-13 for frenetic sci-fi/fantasy violence