Monday, March 31, 2025

Release: Mirror's Curse

 


Mirror's Curse
Genre: Horror/Supernatural
Director: Cate Shortland
Writer: Billy Cruder
Cast: Charlie Heaton, Naomi Scott







Budget: $12,000,000
Domestic Box Office: $31,480,235
Foreign Box Office: $22,045,945
Total Profit: $29,111,171

Reaction: By keeping the production scale and budget low on this two-hander, the outcome was strong numbers with a nice little profit.





"Lead by an enjoyable pair duo of Heaton & Scott, the film is tense thrill ride that only gets crazier the longer it goes on. For better or for worse. Shortland showcases knack for horror filmmaking but it's not enough to completely ignore it's reflective faults." - Frannie Drake, CBC News





"Mirror’s Curse has all the makings of a modern gothic chiller — atmospheric direction, an eerie central object, and two likable leads in Naomi Scott and Charlie Heaton—but occasionally buckles under the weight of its own self-seriousness. For all its flickering lights and whispering shadows, the film never quite escapes the feeling that we’ve been here before — emotionally and narratively. Mirror’s Curse isn’t broken, but its reflection is a little too familiar to be truly frightening." - Lenora Chase, The Daily Prophet


“I’m not entirely sure where I fall on this film, I watched it with complete silence around and I did find some spots scary, I also thought some of the tropes were weak. Performances in some scenes were good, while others bad. I falls short for me, and I see it as an average film, right down the middle. Not good, not bad. Watch the film yourselves and come up with your own judgement." - J. Darell Ellington, Behind the Camera










Rated R for frightening images, thematic elements, and some violence






In Development

 

Joker vs. Deadshot: Vincent Gallo (The Cry of the Night Lady, Shut In), Lea Seydoux (At Night All Blood Is Black, Watch Dogs), Louisa Krause (Dark Waters, Here Today), and Drew Starkey (Queer, "Outer Banks") are set to round out the supporting cast of the latest DC Comics Universe production. Gallo will play the son of the mob boss played by Al Pacino, Seydoux will reprise her previous role as Waller's assistant Sasha Bordeaux, Krause will play Deadshot's clueless wife, and Starkey will play a Joker foot soldier named Johnny Frost. Danny McBride is directing the action-comedy from a script by APJ.

Sexual Paradise: The latest collaboration between director Wes Anderson and writer Jacob Jones is also filling out the rest of its cast with the additions of Sierra McCormick (The Last Stop in Yuma County, VFW) and Jake Ryan (Eighth Grade, Asteroid City) in smaller supporting roles.

Amityville Horror: Dean Norris (Phantasm: Awakening, Fragments of Heart), Victor Garber (Audible, Torso), David Zayas (Uncharted 4, Body Cam), and Sean Astin (Love Hurts, Hard Miles) have all joined the cast of Amityville Horror, the sequel to the surprise Season 28 horror hit, Amityville. Norris is back in his role as the lawyer of accused murderer Butch DeFeo (Nick Robinson), Garber will play a judge, Astin will play a prosecutor, while Zaya plays a priest. Vincenzo Natali directs from a script by Jack Brown - both returning to their duties from the first film.

The Avengers: More heroes and villains are officially set for LRF's first big Avengers team-up film. Alden Ehrenreich (The Lights, Namor the Sub-Mariner: Imperius Rex) is back as Namor, Arnold Vosloo (Fantastic Four and the Silver Surfer, Kingmaker Chronicles) is back as Galactus, Mark Duplass (The Hulk 2, Black Dublin) is back as Bruce Banner/Hulk, Bryce Dallas Howard (The Hulk, Newbury Street) is back as Betty Ross, and Orlando Bloom (Fantastic Four: Doom, The Deadliest Night in Hollywood) is back as Victor von Doom. Gareth Edwards is directing the blockbuster, working off a script by D.R. Cobb and Mark Newton.

Metroid: The first film of Season 33 will also be the first LRF project for rookie writer Dawson Edwards. He has tackled the writing assignment package for an adaptation of the video game series, Metroid. The film will be headlined by Jennifer Lawrence (An Anonymous Girl, Detroit: Become Human) as Samus Aran, the main protagonist of the series - a galactic bounty hunter. Supporting Lawrence, in voice-only roles, will be Gary Oldman (Tinselftown, Man Made Machine) as the bird-like mentor Old Bird, and Michelle Williams (The Driftwood Populace, Time Out!) voicing the villainous Mother Brain. Cary Joji Fukunaga (Thrill of the Kill, Tokyo Rose) has been hired to direct the film. 

Love Is...: Also due out in Round 1 of Season 33 will be the ensemble dramedy, Love Is..., from director Greta Gerwig (Becoming Carole Lombard, Excellent Women) and writer Joshua Collins (Orange Blossom, Watch Dogs). Paul Dano (Songbird, Shoe Dog) will play a man trying to raise his two children after the death of his wife, Steve Martin (Monopoly, Mimsley and Me) will play Dano's former father-in-law, Zoe Kravitz (Victims, Kindred) will play a potential love interest for Dano, while Blythe Danner (Lowell, The Chaperone) will play a woman in the same retirement home as Martin's character.

Sunday, March 30, 2025

Now Showing: Mirror's Curse

 

Mirror's Curse
Genre: Horror/Supernatural
Director: Cate Shortland
Writer: Billy Cruder
Cast: Charlie Heaton, Naomi Scott

Plot: The scene opens with a wide shot of an antique shop, showing a large collection of old and dusty objects. Sunlight filters faintly through the dirty windows, creating a soft and almost eerie atmosphere. Suddenly, a smiling young couple, Anna (Naomi Scott) and Mark (Charlie Heaton), enter the shop and they begin to walk around the store, looking around curiously. Anna seems fascinated and excited by the amount of antiques, while Mark seems more cautious, carefully observing every detail. The couple makes small talk as they slowly move through the narrow aisles, their hands touching some of the objects on display. As the couple approaches a display case, an old oil lamp seems to light up dimly, as if disturbed by their presence, but Anna doesn't seem to notice.

Anna, walking slowly, suddenly stops in front of an antique mirror. The mirror is leaning against a wall at the back of the shop, almost hidden behind other junk. The camera shows the intricate design of the carved wooden frame, depicting grotesque figures and mysterious symbols. Anna is mesmerized by the mirror. She raises her hand to touch the frame, almost as if drawn by an invisible force. At one point she thinks she hears a noise, almost like a soft whisper in the air, but Anna is the only one who hears it so she doesn't think anything of it. Mark also notices the mirror and approaches Anna. He begins to look at the mirror more critically, but realizes that Anna is fascinated. Anna says that the mirror would be perfect for their living room.

The owner of the shop, an older man, emerges from the shadows. He approaches with a serious expression, stating that the mirror was not for sale. he says in a tone that betrays some reluctance. The couple, especially Anna, insist on buying it and eventually the man slowly nods and walks away to prepare the mirror for delivery. The camera moves closer to the mirror as the owner takes it off the wall. As she moves it, for a moment, the reflection in the mirror shows a dark, vaguely human figure, who seems to look straight into Anna's eyes. The vision quickly disappears, so much so that Anna is not sure she saw anything. After paying, the couple walks away with the owner watching them with a worried look from the shop door.

Anna and Mark have returned home. Cardboard boxes are scattered across the floor, some still sealed, others open with items partially removed. There is a brick fireplace in the center of the main wall, above which the mirror will be hung. Mark is measuring the wall above the fireplace, while Anna holds the mirror delicately and glances at it. The mirror’s frame, with its intricately carved details, seems almost out of place in the modernity of the house, but Anna is convinced it is the perfect piece to complete the living room. Mark approaches the wall with a hammer and nails, ready to hang the mirror. Anna carefully lifts the mirror and positions it so that Mark can stare at it. The camera is trained on the mirror, which reflects Anna’s concentrated face. The reflection appears normal, but for a brief moment, a slight distortion crosses the image, like a flicker in the glass.

After staring at the mirror, Mark walks away to continue working in the other rooms, leaving Anna alone in the room. As he steps over the threshold, the reflection in the mirror remains perfectly still, despite the people moving around the room. Anna starts to put some objects in boxes, moving into the mirror’s field of vision. The camera focuses on the reflection in the mirror, and for a moment, a dark, indistinct shadow appears behind her, like a blurry human figure. The shadow seems to be watching Anna, but it quickly vanishes as she turns around, suspicious of a sudden strange sensation. Anna stops and looks at the mirror, but the reflection that appears is completely normal. She observes the reflection for a moment, then shakes her head, smiling, and continues with her work.

It's nighttime, the alarm clock on the bedside table says 3:07. Anna suddenly wakes up, her eyes wide open as if she had heard something strange while Mark sleeps soundly next to her, unaware. Anna remains still for a moment trying to catch sounds in the house and suddenly, she hears a slight creaking coming from the living room. Anna sits on the bed straining her ears and the noise repeats itself. At that point, with some hesitation she decides to get up to check. The girl puts on a robe and heads towards the source of the noise. Anna enters the living room, finding it immersed in darkness but everything seems normal. She slowly approaches the fireplace. The camera focuses on the mirror, which is now covered in condensation, as if someone had breathed intensely on it. Anna hesitates for a moment and then reaches out to clean the glass with the sleeve of her robe. As Anna walks away from the mirror her reflection appears but keeps its gaze fixed on her as she walks away with her eyes following her every move. The reflected face has a slightly distorted expression, a hint of a disturbing smile that Anna doesn't have at that moment. She turns around suddenly, as if she had perceived something, but the reflection in the mirror seems normal. She scrutinizes the mirror for a few seconds, but notices nothing abnormal. Then she goes back to bed with a little disturbance on her face.

The next morning, Mark stands at the counter making coffee. Anna is in the living room, chatting with her boyfriend about the day ahead. Mark, coffee in hand, heads into the living room to grab his jacket and take a quick look at himself in the mirror before leaving. The camera pans to his reflection in the mirror, as Mark adjusts his tie, looking intently at himself. Suddenly, Mark's reflection in the mirror changes expression, twisting his face into a devilish smile. His lips curl into an evil grin, while his eyes narrow into a sinister glare. However, Mark maintains a serious, focused expression, completely unaware of the change. Mark adjusts his collar and turns to leave, but Mark's reflection continues to smile for a moment after he has already turned away. After a second, the reflection returns to normal, showing Mark walking away. As he approaches the door, Mark pauses for a moment, suddenly feeling uneasy. He looks around the room, as if he sensed something strange, but shakes his head, attributing the sensation to tiredness before leaving the house after giving Anna a kiss.

Anna lies in bed, her eyes wide open as she tosses and turns in her sheets, unable to sleep. The room is silent except for the ticking of the clock. Anna sits up slowly, trying not to wake Mark, and then quietly leaves the room, heading towards the kitchen for a glass of cold water, passing through the living room, glancing at the mirror above the fireplace. Anna seems drawn to the mirror, unable to look away. Anna slowly approaches the mirror, the reflection begins to move independently and disturbingly. The hand rises in a way that Anna has not. The reflection's gaze becomes sinister, with an evil smile slowly spreading across its face. Anna stops, her face frightened and confused, and begins to slowly back away, but the reflection only follows her after a short delay, creating a surreal and disturbing effect. Suddenly, Anna's reflection knocks on the glass from the inside of the mirror. The sound is loud and sudden, causing a crack to immediately form in the glass starting from where the reflection hit. The reflection continues to smile eerily, while the crack slowly widens. Anna runs from the room, running down the hall to the bedroom, slamming the door behind her, waking Mark. The two go down to the living room but the mirror is free of cracks and nothing else strange. Mark calmly returns to the bedroom while Anna stands there for a few moments with a confused and worried expression on her face before following her partner to bed.

Anna quickly walks up the stairs and pushes open the library door. She heads toward the information desk, where an elderly librarian greets her with a nod. She asks for help finding information on old objects. Anna follows the librarian as he leads her through the rows of shelves to an area dedicated to historical archives. Anna begins to look through dusty books and old documents, leafing through yellowed pages and black and white photographs. Eventually, she finds disturbing images of a decrepit old house and newspaper articles about mysterious deaths that have occurred there. Anna’s expression becomes more and more worried as she reads more details about the tragic events surrounding the house and the mirror. In one of the old books, Anna finds a section dedicated to cursed objects. Among them, the mirror is described as belonging to a disgraced noble family. The pages illustrate how the house’s former owners were found dead, with expressions of pure terror on their faces and their bodies twisted into unnatural positions. It is said that they went mad, obsessed with the evil versions of themselves they saw in the mirror. He slams the book shut, gathers his things, and quickly heads for the library exit.

Anna drives home quickly and then runs into her house, visibly agitated. She calls out to Mark, but receives no response as she begins to search the house for him. Anna enters the living room and stops short to find Mark standing with his back to the mirror. Mark's reflection in the mirror seems distorted, with a menacing smile on his face that contrasts with Mark's neutral expression in reality. Anna slowly approaches, calling Mark's name in a shaky voice. He doesn't respond, as if completely hypnotized by the mirror while his reflection continues to stare at him with evil eyes. As Anna tries to pull Mark away from the mirror, Mark's reflection suddenly comes to life and emerges from the glass, grabbing Mark by the shoulders. Anna desperately struggles to pull Mark from the clutches of the evil reflection as the boy seems lost, without any strength to fight back. The reflection's hands pull him closer and closer to the mirror, which now seems almost liquid, ready to swallow him. With a desperate effort, Anna pulls Mark with all her strength and manages to free him from the grip of the reflection. Mark falls to the ground, disoriented, while the reflection disappears in the glass of the mirror, which now seems to return to normal. Anna helps Mark to his feet, but they quickly realize that something has changed. The house, and reality itself, seems distorted. The walls tremble slightly, and the shadow of the mirror lengthens ominously. Anna and Mark look around, holding hands in fear, trying to figure out what to do.

Anna and Mark are sitting at the dining room table. Both are visibly shaken and tired as they discuss the mirror's terrible power and the horrifying stories Anna has uncovered.
Anna is determined to destroy the mirror, but Mark is more hesitant, still under the influence of the cursed object. Anna insists, showing him old newspaper articles and testimonies of past victims, trying to convince him that they must act before the mirror destroys them both. They decide to dismantle the mirror and take it outside to destroy it. The camera follows them as they get up from the table and walk toward the fireplace. Anna grabs a hammer and screwdriver from a toolbox, while Mark stares blankly at the mirror. As they approach the mirror, the light in the room begins to flicker, as if the electricity is being disturbed. The mirror suddenly displays a series of disturbing images: distorted faces, menacing shadows, and evil versions of Anna and Mark glaring at them. Mark stops dead in his tracks, frozen in place as he stares into the mirror, unable to look away. Anna realizes that the mirror is trying to control him again. With the camera lingering on his desperate face, Anna tries to wake Mark from his trance, but he seems to be drawn more and more to the mirror. Anna slams the hammer into the mirror, but instead of breaking, the hammer seems to absorb the blow, creating distorted waves across the surface as if it were made of water. With a sudden bang, Mark's evil reflection appears in the mirror again, laughing sinisterly. The camera focuses on the reflected face, which emits a menacing glow. The shadow of the reflection lengthens and extends out of the glass, slowly enveloping Mark as if swallowing him. Anna screams Mark's name and lunges at him, trying to pull him away from the reflection's influence. The shadows in the room seem to come to life, enveloping Anna and Mark in a vortex of darkness. With extreme effort, Anna manages to pull Mark away from the mirror, causing him to fall to the floor. The mirror emits a screeching sound, almost a scream, and the glass cracks in several places, but does not break completely. Although Mark now appears awake and present, the reality around them remains distorted. The walls flicker, the shadows dance unnaturally, and the influence of the mirror seems to grow in power, as if it has become more dangerous since the attempt to destroy it.

The eerie hiss comes from the cracked glass, like a breath coming from the other side as the two lean against the wall, breathing heavily. Anna looks into Mark’s eyes, knowing that they must destroy the mirror at all costs. Anna grabs a flashlight and a lighter, followed by Mark who grabs a metal bar from among the boxes still scattered around the room.
As they approach the mirror again, the room begins to shake. Furniture moves on its own, lights flicker on and off, and a cold wind blows through the room, despite the windows being closed. Black shadows emerge from the mirror and materialize as ghostly figures. These shadows have distorted human forms, with disfigured faces and eyes that glow red. Anna uses the flashlight to try to push the shadows away, but they seem to pass through the light as if it has no effect. Mark swings the metal bar and hits one of the ghostly figures, but the bar passes through harmlessly. From the mirror, a deep, distorted voice begins to call their names. The camera zooms in on the glass, which begins to reveal an alternate dimension inside, a dark, twisted world where evil versions of Anna and Mark hide. Suddenly, Mark is grabbed by invisible hands and dragged towards the mirror. The camera follows Mark's desperate struggle as he tries to resist, with Anna trying to grab his arms. Mark's evil shadow appears in the mirror, smiling devilishly as he reaches out to grab the real Mark and pull him in. With unexpected strength, Anna throws the lit lighter at the mirror, which immediately catches fire.
The flames quickly spread across the surface of the glass, but instead of burning, the mirror begins to warp and twist. The ghostly figures let out inhuman screams as they are engulfed in the flames. The camera follows the process of the glass being destroyed, shattering into a thousand pieces, creating a shockwave that shakes the entire house. The shockwave hits Anna and Mark, knocking them to the ground. The glass pieces scattered throughout the room. Mark's evil shadow dissolves, freeing him from all of the mirror's influence.

Anna and Mark wake up on the living room floor, surrounded by pieces of broken mirror and residual fumes of other pieces of glass that seem to have vanished. The two get up, helping each other, showing signs of exhaustion and relief.
Anna and Mark slowly get up and begin to clean up the remains of the mirror and as Anna bends down to pick up a small shard of mirror, she notices something strange. A shard of glass that is still intact lies on the floor, reflecting a distorted image of the room and their faces, showing a slight evil undertone to their reflections. Anna gets up and looks at Mark who seems to have had the same vision. Anna feels a sense of uneasiness and looks around desperately. The camera shows that from one of the larger shards, a shadow begins to take shape, slowly recompacting into a familiar figure. The shadow solidifies, revealing an evil version of Anna, with a devilish grin while from another, an evil version of Mark does the same.
Their faces gradually deform until they take on the appearance of their evil counterparts, with disturbing looks and evil smiles.

Anna and Mark look at each other, but their eyes seem cold and devoid of emotion. The evil versions of Anna and Mark grab their real counterparts and begin to drag them towards the mirror. The camera captures the dramatic moment when the two couples are switched. The evil Anna and Mark enter the real world while the real Anna and Mark are dragged into the darkness of the mirror.

The mirror, now perfectly intact, reflects the room with the new versions of Anna and Mark who appear normal but with a sinister and menacing air and who are having breakfast peacefully. The film ends with a zoom on the mirror, which reflects the image of the new occupants of the house and with the real Anna and Mark stuck inside the mirror, desperately looking for a way out to get out of there.


PREMIERE MAGAZINE #317

 

Saturday, March 29, 2025

The Roundup with Jeff Stockton (Season 32 Round 7)


 I didn't have a lot of time this round, so I'm doing a Top 2 and Bottom 2 instead of my usual 3 and 3 for Round 7. Here's The Roundup....

3. N/A

2. Dean
It was better than Alex Conn's other recent political biopic, Repeal and Replace, so Conn and Dean get bonus points for the improvement.

1. The Ballad of Dwight Frye
I found the film to be an inventive and entertaining genre mashup - combining elements of Golden Age of Hollywood, expressionist horror, and even rock and roll. 

3. N/A

2. Chicka Chicka Boom Boom
I guess I just didn't get this one. I'm not familiar with the picture book - which doesn't appear to really have a story based the little bit of research I did. The character designs - letters - didn't really grab me either (which seemed to be the case with general audiences as well).

1. Profits
All three films lost a big chunk of cash this round - a total loss of $132 million. So it is obvious what takes the cake as the bottom 3 for this round.

On Location (Season 32 Round 7)

 

The Ballad of Dwight Frye
- Los Angeles, California, USA



Dean
- Wilmington, North Carolina, USA


Friday, March 28, 2025

Box Office Breakdown (Season 32 Round 7)

 




The Ballad of Dwight Frye
Budget: $40,000,000
Total Box Office: $54,505,718
Total Profit: -$25,097,001











Dean
Budget: $45,000,000 
Total Box Office: $44,090,859
Total Profit: -$38,855,245











Chicka Chicka Boom Boom
Budget: $50,000,000
Total Box Office: $35,688,955
Total Profit: -$68,080,437








Box Office Facts
The Ballad of Dwight Frye
Director Sam Mendes doesn't always choose the easiest material, but The Ballad of Dwight Frye is surprisingly only the second box office dud of his seven films for LRF.

Dean
Writer Alex Conn has a bit of cold streak developing at the box office. The last five films written by Conn have now all flopped at the box office.

Chicka Chicka Boom Boom
Nobody has written more animated films for the studio than Jacob Jones with a whopping 12 on his resume. Even with the failure of Chicka Chicka Boom Boom at the box office, Jones still has a pretty solid track record - 8 of the 12 have earned profits for the studio.




Genre Rankings
The Ballad of Dwight Frye
Horror: #91
Biography: #40
Drama: #202


Dean
Biography: #47
Political: #2


Chicka Chicka Boom Boom
Animation: #24
Family: #12
Comedy: #68




Season 32 Round 7
Total Box Office: $134,285,532
Total Profit: -$132,032,683

Season 32 Totals
Total Box Office: $3,364,067,845
Total Profit: $571,737,258





Season 32 Summary
1. Red Lantern Corps : $647,663,032
2. Captain America: Winter's End : $636,096,655
3. Monopoly : $459,560,933
4. Gargoyles: A Tale Old as Time : $429,582,229
5. Scarlet Witch : $293,121,422
6. Phantasm: Awakening : $171,990,049
7. Songbird : $161,140,388
8. Escape : $103,248,405
9. An Irish Rendezvous : $60,209,570
10. The Ballad of Dwight Frye : $54,505,718
11. Dean : $44,090,859
12. Bigfoot : $43,830,645
13. The Vintner : $41,179,499
14. Sins of the Father : $40,588,621
15. Mr. Happy : $40,306,329
16. Chicka Chicka Boom Boom : $35,688,955
17. Orange Blossom : $30,706,907
18. Love, Death, Revolution : $25,599,887
19. H.H. : $21,940,944
20. On Life and Living : $13,514,798
21. A Tale of Love and Darkness: $9,502,000

Release: Chicka Chicka Boom Boom

 

Chicka Chicka Boom Boom
Genre: Animation/Family/Comedy
Director: Peter Sohn
Writer: Jacob Jones
Based on the children's book
Voice Cast: Julian Hilliard, Mykal-Michelle Harris, JJ Patano, Alexis Hannan, Major Dobson, Leo Abelo Perry, Ryder Allen, Sonja Ball





Budget: $60,000,000
Domestic Box Office: $28,493,915
Foreign Box Office: $7,195,040
Total Profit: -$68,080,437

Reaction: The studio was already expecting low foreign numbers - considering the film hinges on letters in the English language alphabet - but we were hoping that the domestic numbers would be strong enough to cancel that out a bit. Unfortunately, that was clearly not the case here.






"A lovely and visually unique film that teaches the importance of growing up, societal views, and retaining who you are that I'm sure families and children a like will use for repeated viewings." - Jason Helm, New York Observer





"This film - and its source material - skews too young for theater ticket-buying movie-goers, and doesn't hold the same nostalgia as other book series to get parents excited. I found the story overly childish, aiming for an incredibly young audience. I suspect most viewers over the age of five will find themselves tuning out. And good luck if you are a parent, as there is not much here to keep adults entertained and engaged in Chicka Chicka Boom Boom." - Charles Yost, Oregonian



"Chicka Chicka Boom Boom is a wild swing—ambitious, vibrant, and heartfelt—but it's also a bit of an identity crisis in animated form. Based on a book for preschoolers, the film stretches a simple alphabet rhyme into a full-blown coming-of-age drama—with themes like legacy, loss, and peer pressure that younger kids won’t grasp and older ones may roll their eyes at. The voice cast brings charm, and the soundtrack slaps, but the tone swings from playful to unexpectedly heavy, leaving the movie feeling confused about who it’s actually for. In trying to elevate a toddler classic, it forgets to keep it simple." - Clark Davis, JoBlo.com 









Rated G for mild thematic elements






Thursday, March 27, 2025

Last Resort Films Jukebox: Chicka Chicka Boom Boom

 






Now Showing: Chicka Chicka Boom Boom

 

Chicka Chicka Boom Boom
Genre: Animation/Family/Comedy
Director: Peter Sohn
Writer: Jacob Jones
Based on the children's book
Voice Cast: Julian Hilliard, Mykal-Michelle Harris, JJ Patano, Alexis Hannan, Major Dobson, Leo Abelo Perry, Ryder Allen, Sonja Ball

Plot: In the town of Letterton, out by the streets of Alphaland, a lowercase A (Julian Hillard) wakes up, ready to start another day. After having his breakfast of arepa and apple slices, A tells his Mama A (Sonja Ball) that he’s going to go outside to play, only to learn that he has some chores to do, such as taking out the trash and washing the dishes.

In a clear hurry, A blitzes through each chore with precision and darts off to the backyard, his eyes lighting up when he spots his family’s coconut tree. A begins to climb up, ready to spend the entire day in his second home when he hears another letter calling for him.

“Hey, A! Can we come play?”

A peaks out from the leaves, finding friends B (JJ Patano) and C (Alexis Hannan). A invites them in, ready to meet them at the top of the coconut tree. Once B and C enter the coconut tree, the three friends pretend they’re space commanders, exploring the galaxy, using the leaves as wings and the coconut holes as buttons.

Later that day, A, B and C lay on top of the tree, watching the clouds pass by. As the three reminisce about the good times they’ve had on the tree, A realizes that his birthday is coming up and that soon, he’ll be a capital letter like his parents.

B frets that A will become old and wrinkly, like his old man, but C is able to reassure him that no matter what happens, they’ll stay the best of friends. Mama A comes out to the backyard, seeing A with his friends, enjoying themselves. B tries to invite Mama A up, but she claims that she can’t climb like she used to, offering apple slices to the three friends instead.

As the sun sets, B and C make their departure, offering to meet at the top of the coconut tree again tomorrow. A heads inside the house for dinner, finding his mom at the kitchen reading through an old scrapbook. Mama A tells him that it’s a book of memories from when they were children. A looks through the pictures, all taking place from his childhood before coming across an old photo of Mama A climbing the family coconut tree.

“Mom, did you use to climb up the coconut tree?” A asks. Mama A stays mum, merely telling A to run along and prepare for dinner. As young A leaves, Mama A stares at old pictures from her childhood and marriage with Papa A, a sad smile appearing on her face.

The next day, A, B and C are in the coconut tree, playing pirate ship. Captain C appears to have first-mate A in retreat, with B looking to make a save when all of a sudden, they hear several new voices. They look out the tree, finding D (Mykal-Michelle Harris), E (Major Dobson), F and G racing each other to the coconut tree, D claiming victory as she sprints to the top.

As D brags about beating everyone to the top, E claims that this wouldn’t have happened if he had brought his pet egg with him. The group banter with each other as D claims to have the superest, most awesomest present for A for his birthday. A hopes so, everyone is gonna be here for the party.

Skeptical, D asks if A’s the most popular letter in the alphabet. A says that wasn’t what he meant, but D runs on the narrative, asking if A is such an important letter, why have the seven of them been the only ones in the coconut tree. B steps in, claiming that A can get everyone up to the coconut tree.

Intrigued, D dares, no, double dares, no, dare double dares A. If he can get everyone to the top of the coconut tree, D will take a break from being awesome. If A doesn’t, he has to do all her chores for a month. Feeling a sense of pride, A accepts the dare.

As D, E, F and G leave, C chides B for bringing them into this mess and A for accepting the dare. A appears confident, saying that D made a big mistake underestimating his importance to the alphabet, and that tomorrow, he’s gonna prove everyone wrong. A then tasks B with spreading the word. This year, the birthday party is tree-bound.

Inside the kitchen, Mama A is preparing her birthday cake when A enters, asking if she can put the cake inside the tree. Baffled, Mama A asks what the reason is. A lies, claiming there’s no particular reason, he just wants to try something different. The two compromise on having cake slices be allowed up, but not the whole cake. As A heads to bed, he ponders whether or not he should have asked for twenty-six slices, only to shrug it off. The coconuts will do just fine.

The next day, the entire backyard is decorated to the nines for A’s birthday. A waits by the coconut tree, nervously watching for any sign of letters. B and C are the first to arrive, ready to meet him at the top of the coconut tree. It’s not long until D lets out a loud whee, beating E, F and G to the top of the coconut tree. E hands A a “pet egg” all his own, leading to B asking where he can get one. E claims that he brought some for everyone, only for B to crack the first one he opens.

It’s at this point B introduces a rhyme he came up with last night. “Chicka Chicka Boom Boom, will there be enough room?” The rhyme catches on with everyone and leads to a fun-filled atmosphere, complete with dancing and coconut eating. H soon arrives to the coconut tree, having brought A a toy helicopter.

The first signs of trouble emerge thanks as H’s heavy appearence causes the tree to lean. Time passes and no further letters emerge. D turns to A, guessing that he’s lost the bet. A assures D that they’re coming, it’s just taking some time before rushing to B, asking if he told everyone.

B claims that he did, or rather, he told someone else to do it for him, deferring it to I (Leo Angelo Perry). C points out his appearance, watching as the confident letter (along with his groupies J and K) struts to the backyard, asking if this is where the party is. A swoops him and his friends up to the coconut tree, where he learns that I used his reach to get as many letters as possible.

“Hey guys, look who’s coming!” B cries out as a whole swarm of letters emerge, those being the laughing L, the musical M, the nonsensical N, the obedient O and, to everyone’s shock, the perfect P. A sputters, asking I how he got her?

“I know how to spell things out.” I states.

By this point, the party inside the tree is rocking with each letter dancing to music thanks to M’s boombox, handing A presents or eating coconuts. D admits that A’s doing pretty well, but that he’s not quite there yet. Feeling cocky, A claims that this may be better than her so-called awesomest present.

D chuckles, unimpressed by A’s retort. Her present is going to blow everyone away. As D heads off, A finds B and C and asks them how their enjoying the party. B is enjoying himself, saying that P taught him how to do a pirouette, only to fail miserably. C is more concerned about the tree and if it can withhold everyone. A is convinced that is can, it has to if he’s going to win the bet.

Speaking of the bet, E alerts everyone that more letters are coming. This time, it’s Q, R, S and T, U and V. As all six letters enter the tree, a coconut falls off, bringing more worry to C. Another concern rises as space becomes cramped in the tree, A doing everything he can to accommodate the others.

C sits in a corner in the tree, mortified by what’s happened when A and B catch up to her, asking what’s wrong. Having clearly held something back, C lashes out, calling this an absolute mess. All she wanted was a perfectly normal birthday party but no, D had to make this stupid bet. Seeing the concern, A tries to calm C down, saying that it’s almost over. All they need are a few more and it’s done. C gives A an ultimatum, if they aren’t here in the next twenty minutes, she’s leaving.

Luckily, they don’t have to wait long as W, X and Y all arrive at the tree, thus leaving Z (Ryder Allen). The minutes tick by and there’s no sign of Z. C looks ready to head home when B spots someone sprinting towards the tree. It’s Z! He apologizes for being late, handing A a jacket with a zipper. D, amazed that A pulled it off, is ready to reveal her amazing gift only for A to gloat about his success.

A gathers all the letters together, thanking them for arriving to his party. Thanks to them, he has done what was once thought impossible. The whole alphabet up the—

More coconuts fall from the tree, causing to B to peak out, realizing that the coconut tree is about to topple over.

“Oh no.”

The tree creeks, awaiting back and forth before finally hurling every letter out and sending them tumbling down. The other uppercase letter hear the crash and rush outside, finding that all the letters are in a pile and not without casualties. I has gotten tangled up with H, L is knotted up, P has a black eye, E stubbed his toe and D has skinned her knee.

As Mama A helps A, B and C up, the other capital letters try to sort out the mess, taking care of their boo-boos, dusting them off and giving them a hug (or in O’s case, being pumped back up after being twisted alley oop). When the pile clears out, A tries to apologize to everyone, only for C to roll out. A sighs, relieved to have at least won the dare.

“What dare?” Mama A catches wind of this statement, confronting A about this bet. A tries to shrug it off, only to admit that he got into a bet with someone to bring all the letters up the coconut tree. Feeling guilty, D takes full blame, apologizing to both As. Disappointed, Mama A tells everyone to head home, asking D to stay with them.

The As and D walk inside the house, Mama A showing the little letters her scrapbook. She asks A and D if the other A in it looks familiar. A realizes the face, calling it his dad. Mama A reveals that he dared her that he could get the entire alphabet up the coconut tree. She almost did, but the tree broke apart and squished Papa A, killing him in an instant.

Mama A waited to tell A this until he was older, but she tells him this now to teach him a lesson. Don’t make risky dares. A obliges, apologizing for what happened. D heads for home, feeling complete remorse for what happened. When she enters her room, she sees the present she was going to give A, a singing dolphin. D sighs, collapsing on her bed, sniffling as she wrestles with her guilt.

That night, D sneaks out of bed, in search of C’s houses only to bump into B. Realizing they’re both after the same thing, agree to team up. With B leading the way, the two eventually find C’a house and using B’s bouncing ability, sneak into C’s room. Startled, C asks them what they’re doing here. B attempts to convince C to forgive A, saying that he made a mistake.

After a few attempts, C makes a confession. The coconut tree in A’s backyard was like a safe space to get away from life. She feels like she always has to be the responsible one in life and the tree was a place to be herself. Sharing their sympathies, D takes blame for what happened, apologizing to C. The three proceed to come up with a plan.

The next day, A gets called outside by Mama A, being told of a “final birthday surprise”. A heads to the backyard, shocked to find the others with a coconut cake, made with the fallen coconuts of yesterday. D steps forward, saying that this is her way of making up for the dare. A then sees C from the distance and apologizes to her, promising to never make or take another silly dare again. The two share an embrace as everyone enjoys some coconut cake.

That evening, little A sits on the ground, seeing all the stars in the sky and a full moon when Mama A checks up on him. A asks his mom if the stars would look better on top the tree. Mama A isn’t sure, but it’s possible. A asks if his mother would be willing to see, for old times sake. Despite her hesitation, Mama A accepts the offer, causing the two have a friendly race to the top, Mama A winning.

As the two As stare out into the full moon, little A’s suspicions are proven correct. It’s beautiful up in the tree.

Post Credits:
Out on the other side of Letterton, in a small town called Numberly, a small 0 looks up an apple tree, wistfully wondering about what lies up here and if there’s a place for her.


Wednesday, March 26, 2025

Top 10 Alex Conn Films (Take 2)

 

Sherman J. Pearson here for another Top 10. It's been nearly five years since we last took a look at Alex Conn's filmography for this segment, so it seemed like a prime time to reassess. While the top of the list sees little change, the rest is a bit different. Note: This list was compiled prior to the release of Dean.

Top 10 Alex Conn Films
10. Malik
9. High School
8. Free the Chicago Seven!
7. A Life
6. The Letter J
5. The Hippie Preacher
4. Suburban
3. Haunted
2. Kurt & Courtney: All Apologies (co-written by Lon Charles)
1. Heights (co-written by John Malone)

Release: Dean

 


Dean
Genre: Biography/Political
Director: George Clooney
Writer: Alex Conn
Cast: George Clooney, Jessica Chastain, Jeremy Strong, Carey Mulligan, Dane DeHaan, Brian D'Arcy James, Cheryl Hines






Budget: $45,000,000
Domestic Box Office: $25,509,558
Foreign Box Office: $13,581,301
Total Profit: -$38,855,245

Reaction: George Clooney's star power may not be what it once - but the bigger issue here may be the poor box office track record of recent political films and that this film failed to stand above them.



"I was skeptical about Clooney casting himself as the fiery Vermonter in the titular role, as he doesn't exactly read "political outsider" to me. But since Dean's campaign is painted as a cult-of-personality, Clooney's charisma is well-placed and the acting ends up being a highlight across the board with Strong, James, and Chastain all putting in good work. Ultimately, the film is stuffed with some smaller storylines that don't truly impact the story in a meaningful way and so you have over-qualified actors in roles that don't add up to much. It has a clear climax to build around and a thesis in mind, but fails at fully building a compelling narrative that brings those two things together." - Reggie Coscarelli, San Fernando Valley Sun


"Though at times Dean writer Alex Conn's script showed some strong promise, the film itself fails to make its topic of discussion interesting or at least intriguing. George Clooney can try to carry the movie as best as he can (both in front and behind the camera) but it feels like it all loses focus of it's intent as it went along." - Frannie Drake, CBC News



"George Clooney’s Dean is a (moderately) well-crafted but unnecessary political drama that tries to elevate Howard Dean’s 2004 campaign into a grand American tragedy. While the film is sharply acted, the script overstates Dean’s significance, as if he were a fallen revolutionary rather than a briefly promising candidate undone by media sensationalism. Clooney commits to the role, but the film’s reverence for Dean feels misplaced. The infamous “YEEAARRGH” moment is treated like a Shakespearean betrayal, yet it’s hard to shake the feeling that this is a story without lasting consequences. Additionally, the inclusion of several fictional characters hints at the notion that there really isn't enough story for a compelling film based on the subject matter. Dean is a sometimes engrossing political drama, but one that struggles to justify why it needed to be told in the first place." - Dave Manning, Ridgefield Press









Rated R for language and thematic material






Tuesday, March 25, 2025

Fact to Film: Dean

 


For the latest edition of Fact to Film, we will take a look at the cast of Dean. While most of the characters in the political biopic appear to be fictional, there are still a few to take a look at. George Clooney (The Tender Bar, The Boys in the Boat) is directing in addition to starring while Alex Conn (Repeal and Replace, A Tale of Love and Darkness) has penned the script.