Friday, April 30, 2021

Release: Hillside


Hillside
Genre: Drama
Director: Barry Jenkins
Writer: Jimmy Ellis
Cast: Alex Hibbert, Ben Foster, Shameik Moore, Regina King, Jahi Winston, Zoe Kazan, Kofi Siriboe, Tyler James Williams, Tom Hughes




Budget: $22,000,000
Domestic Box Office: $18,003,936
Foreign Box Office: $9,572,007
Total Profit: -$9,575,595

Reaction: The box office has been going pretty well so far in Season 19, but there are always going to be a handful (or more) films that won't perform well. Looking at the numbers, this one could not find an audience overseas and didn't gross enough domestically to overcome that deficit.




"Hillside may have some interesting thematic elements, but it doesn't feel like the filmmakers have provided enough of a plot to explore it all." - Paul Landon, Film School Rejects




"The story itself isn't anything to write home about, but Barry Jenkins' latest film is anchored by two strong performances from the always reliable Ben Foster and the young Alex Hibbert." - Audrey Columbus, Collider





"Hillside is somehow feels like both a timely film and a film that feels a bit dated at times. It's an emotionally compelling film for most of its running time, even if it takes a long time to get going." - Dennis Smith - Orlando Sentinel







 Rated R for language, thematic material and violence

Top 10 Ben Foster Films

 
Sherman J. Pearson here for another edition of Top 10. This round features another performance from the always-reliable, super-talented Ben Foster in Hillside from director Barry Jenkins and writer Jimmy Ellis. That inspired me to take a look at Foster's filmography...

Top 10 Ben Foster Films
10. Resident Evil
9. The Flash
8. Halo 6
7. Task Force X
6. Halo 2
5. Halo 3
4. Halo 5
3. Fractured
2. Kurt & Courtney: All Apologies
1. Hated: The Ballad of GG Allin

Thursday, April 29, 2021

Now Showing: Hillside

Hillside
Genre: Drama
Director: Barry Jenkins
Writer: Jimmy Ellis
Cast: Alex Hibbert, Ben Foster, Shameik Moore, Regina King, Jahi Winston, Zoe Kazan, Kofi Siriboe, Tyler James Williams, Tom Hughes

Plot: Up Bright and early it’s a school day for Deshawn Bernard (Alex Hibbert), he lies in bed and stares at the ceiling without even a thought of moving. Voiceover: “Hillside. A Place of Broken Dreams, dangerous gangs, abandoned mothers and…” Deshawn looks over at a photo of him and two others in a happy picture, the others, Tyris Bernard (Tyler James Williams) and Jaheim Bernard (Shameik Moore). Voiceover: “…Fallen Brothers.” Deshawn slips around his room and slips into any clothing he can find. The room is covered with Basketball posters. He straps on his backpack and kisses the top of his fingers and presses them against the image before he leaves. Deshawn heads for the kitchen, and stops right outside the door, he peeps around the corner where he hears his mother Tonya (Regina King) in an argument with his brother Jaheim, Jaheim is telling his mother that he is the man of the house now, he will get money and support the family. Tonya is looking at the newspaper and sobs. Jaheim puts his arm around her. She wipes the tears and says she has to go to work. She hops up and leaves. Jaheim grabs the newspaper and storms off, not before throwing the paper in the bin. Deshawn goes to the bin and picks up the newspaper. On the frontpage is an article with his brother Tyris’ picture with the title, “Man Killed by Police, No Weapon Found.” He rips the article out of the paper.

Deshawn walks along a sidewalk with his best friend Byron aka Spike (Jahi Winston), on their way home from school. They talk about how they can’t wait till school is out, and they can school all the other kids on the basketball court. They wonder who they will play for when they go pro. Spike then brings up that his brother told him that Deshawn’s brother will be leading the Hillside Boyz (The Local Gang) with him. Spike says that they will be Hillside Boyz leaders next. The two hoot and chant Hillside Boyz!

Deshawn is on the basketball court alone, he is practicing his shots, he is really good, never misses. A cop car cruises past. Inside the car is Officer Chance Montgomery (Ben Foster). Chance surveys the neighbourhood as dispatch is communicating with other officers in the background. Chance slows down almost to a full stop to watch Deshawn as he makes one perfect shot after another. Deshawn is ready to take another shot when a Flashback crosses his mind. Flashback: Deshawn is even smaller than he is now. His older brother Tyris stands behind him and they both look up to the basketball hoop. Tyris is teaching him how to shoot properly, to aim for the backboard. Deshawn sinks his first ever shot as the two high five. Flashback Ends

Deshawn’s eyes fill, before tears can fall he throws the ball in range, he falls down to the ground and sobs all alone. Chance pulls the car over and retrieves the ball, he dribbles the ball, with no experience over to Deshawn. Deshawn, defensively jumps to his feet and gazes at the cop. Chance asks if the ball is Deshawn’s (Knowing it is). Deshawn doesn’t answer but looks at Chance with Rage. Chance introduces himself to Deshawn and Deshawn says his name. Chance tries to talk to him, but Deshawn snaps asking what he is doing in this part of town, Deshawn says the people of Hillside don’t like cops. Deshawn turns to walk away and it hits Chance that he is Tyris Bernard’s brother. Chance apologises as Deshawn turns back around and yells at Chance. Deshawn mentions that when he makes it big in the NBA he will change Hillside forever. Chance asks if he is any good to which Deshawn takes the ball and without hesitatio0n turns and hits the jump shot. Chance wants him to do it again, with defence. Deshawn wants cash if he gets it in, Chance whips out a $20 bill. Deshawn dribbles the ball between his legs like an absolute pro. Chance comes at him to block him from making the shot. He manages to push him back to the other side of the court. Trapped, Deshawn takes the shot. The two watch as the ball fly through the air and lands perfect into the basket. Chance is blown away. Deshawn holds out his hand for the money. Deshawn takes the money and walks away.

Chance arrives home to his rich gated off community. He walks into his bedroom, where his wife Kristen (Zoe Kazan) is lying in bed waiting for Chance to come home. Chance hops into the bed and is immediately chastised for not telling her he was patrolling Hillside, she says it is one of the most dangerous places in America. He says that it’s his job, she has none of it and is furious. He gets out and walks to the kitchen, Kristen follows. He tells her all about Deshawn. She knows the last name and says that Tyris had a gun, that’s what the news said. Chance shakes his head saying he didn’t. He says that he looked Tyris up, he had promise, aspirations, he finished college and was an aspiring architect, just because he grew up in that neighbourhood doesn’t mean he deserved to die, no-one does. Kristen says something Chance doesn’t like about Tyris. Chance snaps at her he says that he is a cop, he wants to help the innocent not just stand by and watch. She is stunned into silence. Chance storms off into the bedroom.

Chance is too awake to sleep. Kristen comes in. She climbs in and carefully cuddles up to Chance. Chance wraps his arm around her. She apologises and knows that he needs to help them, she just wants him to be careful. Chance plants a kiss on her lips. Kristen closes her eyes but Chance’s eyes stare at the ceiling.

Chance parks the cruiser on the side of the road. He watches Deshawn and his friends play a game of ball. Deshawn goes to take a shot when he sees Chance’s car. He tosses the ball to Spike and tells him to keep playing. Deshawn jogs to the cop car and Chance gets out. The two shake hands. From a distance, Spike and a few of the other boys watch in disbelief. Deshawn checks out Chance’s car. And asks if he can get in, Chance lets him. The two hop in the cruiser. Deshawn is amazed by all the gear. He asks Chance what else he gets as an officer, Chance tells him and as he says gun, Deshawn asks him for it, he obviously doesn’t give him it. Chance says that he has heard the Hillside Boyz are bad men. Deshawn says they protect them from the police, Chance is shocked they aren’t all bad. Deshawn has a smile and looks at Chance, “I Know.” Deshawn looks around, he picks up an officer ball cap. He asks if he can have it, Chance nods. Deshawn sports the hat. He checks himself out in the sun visor mirror. Dispatch comes on and Chance answers it, gunshots were heard not too far from where they are. He tells Deshawn to stay put he has to go. Deshawn hops out. Chance flips on his lights and bolts down the road out of sight. Deshawn puts on his ball cap. Spikes runs over and gets in Deshawn’s face, he calls him a sellout. Spike says that that cop killed Tyris, Deshawn knows he didn’t, Spike says they are all the same anyway. They have a big argument. Spike says that if he is a Hillside Boy he needs to get rid of the hat. Deshawn snatches the hat off his head. The boys watch as he crosses the park to a trash can. A hint of guilt plops on his face before he shoves it in. HE heads back to Spike and they continue playing Basketball.

Deshawn is doing homework on his bed when he hears sirens. A reminder. He opens the window and hops out. Deshawn creeps across the park to the trash can from earlier. He pulls out the police cap now covered with food and trash. He hoses off the cap at home. Tonya walks into the laundry room. She looks worn down and nearly defeated. She gets read to open the dryer when Deshawn runs in. He says that he can do it and tells his mom to go to bed, she needs the rest. Deshawn waits until she’s out of sight. He pulls the clothes from the dryer. He pulls the police ball cap out of the mix. Deshawn pulls out a shoe box from under his bed. Inside is a gun, the news article of his brother Tyris and a large fold of cash. He places the ball cap into the box and closes it shut.

Chance is at his locker when another officer, Thomas (Tom Hughes), walks in. Thomas says he doesn’t know how he patrols Hillside. Chance mentions Deshawn and Thomas doesn’t like it. Thomas says Mark the man that killed Tyris is getting off. He won’t be charged. Chance is furious. Thomas says that it was self-defence, Chance gets angrier saying there was no weapon, how is it self-defence. They go back and forth arguing about it. Chance slams the locker and storms towards the door. He stops and turns back to ask Thomas why he is an officer. Thomas says he wanted to protect friends and family. Chance snaps back,” Yeah? Well who protects their friends and family from danger? Who’s going to make sure they’re communities are safe enough to live in? Huh?” No reply from Thomas. Chance walks out.

Chance rushes toward the exit when he sees a crowd of cops off to the side. At the center is Officer Mark Raines, the cop accused of killing Tyris. The cops surround him shaking his hand wishing him luck on getting off. Chance swells like a raging bull. He storms over to the crowd, pushes his way through. Chance punches him straight in the nose, cops pull him off as Mark holds a bleeding nose.

Chance pulls up in front of Deshawn’s home. There is a car already in front. A man in a suit carrying a briefcase, a lawyer, comes down the steps and hops into his car. Deshawn comes out of the house. He isn’t happy at all. He must have heard the news. Chance gets out of the car. Deshawn burns with hate. The cop hat dangles in his hand. And Deshawn throws the hat at him, yelling at Chance. Angry tears roll down Deshawn’s cheeks as pain swallows him up. Jaheim comes out of the house, he pulls his brother to him and asks Chance if there is a problem. Chance looks at the gun dangling by Jaheim’s side and says no. Chance gets back in his car and leaves.

Chance jogs through his neighborhood. He takes notice of his beautiful surroundings. Each home, a repetition of the one before it, beside it and across from it. A cookie-cutter neighborhood. Chance passes by each row of streets with more replicas of lovely homes. Nuclear families work and play in their perfect yards. Worry-free smiles on their faces. Chance breaks into a run. He breaks when he comes to the entrance of his community. The huge black steel gates with key code entrance. He watches as a citizen leans out of her car to key in her code. The gate opens automatically and closes immediately after she drives in. Chance stares at the massive gates, a metaphor of his life; safety, protection, crime-free neighborhood, great schools, law-abiding neighbors; a perfect lifestyle. A lifestyle Deshawn and others like him have never known or would ever know in their lifetime and generations to come. Unable to tolerate the notion, Chance turns away and jogs back home.

Jaheim sits in a car next to his best mate Derrick Tank Brasman (Kofi Siriboe). Tank asks what he will do for his initiation into the Hillside Boyz. Jaheim says he wants to ambush a cop, and tells Tank to get the guys to meet them at the warehouse.

Chance prepares to leave. Kristen straightens up his uniform. She tells him to be careful and watch out. She kisses him, and he leaves for his patrol. Chance strolls through the neighborhood. There is an eerie dead silence in the air. Dispatch buzz in a domestic disturbance just around the corner.

Chance hops out of the car. He waits for any sounds. He walks up to the door and listens. Silence. He knocks. A woman answers the door with a scowl on her face. She asks what he wants but before he can answer gunshots are heard and the woman slams the door shut. Chance ducks down. He draws his gun. He reaches for his magazine but he can’t find it. Chance sneaks out to his car. Coming toward him is a massive group of men armed with all sorts of weapons. Jaheim spots Chance trying to get in his car. He shoots at the car. Chance runs off on the side of the house. He watches as the boys shoot up the cop car. Others smash the glass and stab the tires. Chance disappears behind the house.

Deshawn is on the bed, anger evident on his face. Tonya bursts through the door and tells him to get down, they are shooting. Deshawn quickly gets to the floor. Tonya crawls out of the room. Deshawn looks up at the picture of him and his brothers. Tonya crawls out of the room. “Jaheim.” Deshawn says to himself and climbs out the window. Deshawn creeps down the street. Gunshots are still heard in the background. Deshawn notices the burning cop car. He spots the familiar name on the rear, Montgomery. Fear floods his face. Jaheim and his mob hoot and holler down the street. He turns to them. Jaheim yells out to spread out and find the cop. Chance dodge between bushes and over fences from yard to yard. He hides behind a car, when he hears a noise behind him, it’s Deshawn, at first Chance doesn’t want him there but he says he knows a spot he can hide. Chance is reluctant at first but when the mob gets closer he follows Deshawn.

Deshawn and Chance hide out in an abandoned house they sit down puffing and Deshawn says he’s gonna hit the cop that killed his brother. Chance laughs and says he’s already done it for him, flexing his wrapped knuckles. Deshawn laughs. Deshawn finds a phone and knows that Spike will help him, so he rings him and tells him where he is and that he is with the cop.

Jaheim is surrounded by some of his crew waiting. Spike runs up to him and says he knows where the cop is and tells him he’s with Deshawn, Jaheim is angry.

Sudden gunshots beat against the house. Chance pulls Deshawn to the ground covering him with his body. Jaheim stands in front of large crowd of boys and men. Spike and Tank by his side. He demands the cop let Deshawn go. Jaheim yells out to his brother saying he is proud and that he should bring the cop out. Deshawn looks at Chance and shakes his head. Chance yells out to Jaheim and says that they are coming out. The mob waits as Deshawn and Chance come from around the back. Chance keeps Deshawn behind him just in case. Chance puts his hands up and tells Deshawn to go to his brother. Deshawn refuses. Jaheim tells Tank to get the cop. The mob yells out. They drag Chance to the street. Deshawn tries to break from Tank’s grip. He looks over at Spike. Spike nods with a sinful smile. He walks off to join the crowd. Chance is on the ground. Fear pounds in his eyes. Jaheim kicks him. Some of the others join in. Deshawn yells out for them to stop. Tank gives Chance a couple of punches to the face. Chance is too weary to fight back. A gun cocks. The boys stop their assault. Chance looks up weakly at a gun point down at him. He looks past the barrel at the hateful look in Jaheim’s eyes. Deshawn breaks from his bonds. Jaheim eyes welling up, “This is for my brother.” Deshawn stands in between Chance and Jaheim. Deshawn is furious, he shoves Jaheim. Jaheim staggers back as his brother continues to shove him. Deshawn asks if Jaheim wants him to lose another brother. Jaheim pushes back but Deshawn keeps coming at him with a mix of punches and shoves. “You want momma to lose another son? What’s going to happen if we lose you?” Everyone watch the two brothers go at it. Jaheim shoves Deshawn to the ground. “They killed our brother it’s time we kill theirs.” Jaheim goes back to Chance who is crouched on the street. He doesn’t move in fear of his life. Jaheim aims the gun at him. Deshawn hops off the ground. He gets in between them again. Deshawn lets the gun push in his head. His eyes fiery with boldness. No more fear. Jaheim is stunned. Cop sirens blare in the background. An ocean of cop cars races toward them. Tank grabs Spike and runs. Other follow. Chance quickly gets off the ground. Jaheim looks at the flood of cops as they get near. He looks scared for the first time. The cars stop and cops get out all weapons aimed at him. Jaheim turns to Chance, Chance says he can help him, he just has to put the gun down. Jaheim stares at Chance with uncertainty. He looks down at Deshawn. Deshawn is frightened. He may lose another brother. He looks back at the cops who are ready to fire. Jaheim lays the gun on the ground. He puts his hands up. Chance pulls Jaheim’s hands behind his back. They walk slowly to the cops. Jaheim looks back at Deshawn, fear and apology in his eyes. A couple of cops take him off of Chance’s hands. Deshawn watch as the car drives off. Chance comes over to him. Chance asks if Deshawn is ok. Deshawn shakes his head as his eyes fill. He breaks into a cry. Chance kneels and pulls him close. Deshawn wraps his arms around the cop as if to cry to his father.

ONE YEAR LATER: A cop cruiser drives toward them. Deshawn yells out that it’s Jaheim. Deshawn bolts through the yard onto the porch of his house. He yells out to his mom. Tonya bursts out of the door. The cruiser parks in front of the house. Neighbors come out to see the commotion. Chance hops out of the car. He goes around the side to let Jaheim out. Deshawn runs into his arms. Jaheim looks up at his crying mom. Deshawn looks at Chance and smiles. Jaheim says that Chance helped him out early. Chance hands Deshawn a box. Deshawn opens the box. A huge smile brightens his face.

Deshawn takes a break from a game of basketball with Spike and his friends. One of the other boys calls for them to come back to the game. Deshawn reaches into his pocket and pulls out an official police badge with his name on it. Deshawn shoves the badge back into his pocket and joins the boys.



A Second Look: Death Dream


Welcome back for the first Season 19 edition of A Second Look with Jeff Stockton! In this segment I will take a "second look" at a past LRF release with a fresh set of eyes. For the first few films I've covered for this segment, I took a look at films with middle-of-the-road receptions. To mix things up this season, I'll be looking at films with more extreme receptions- either extremely positive or extremely negative.

First up, I will take a look at a film I remember quite fondly... Death Dream. The film very deservedly won 5 Golden Reel Awards back in Season 6 - including Best Picture and the first Best Actor trophy for star Alden Ehrenreich.

Death Dream, directed by David Robert Mitchell and written by John Malone, was based on a little known 1974 horror film from director Bob Clark (Christmas Story, Porky's, Black Christmas). Malone's script takes the original, which was a borderline zombie film, and turns it into a suspenseful meditation on the affects of warfare. Going in I considered the film to be one of the top 5 films ever released by LRF - and upon this new reflection it completely holds up. It more than holds up, I'd even rate it a little higher than I did originally. I highly recommend all of you take another look at this masterpiece.

Original Grade: A

New Grade: A+


Death Dream Link:
https://sites.google.com/site/lrfimdb/death-dream



Wednesday, April 28, 2021

Release: Chris, Travis & Juliet


Chris, Travis & Juliet
Genre: Drama/Thriller
Director: Alex Conn
Writer: Alex Conn
Cast: Emile Hirsch, Will Poulter, Allison Williams, RJ Cyler, Kristin Davis, Alex Conn (cameo)






Budget: $12,000,000
Domestic Box Office: $16,509,120
Foreign Box Office: $3,490,472
Total Profit: $1,783,182

Reaction: While the film barely broke even, it is still a welcome sight after Alex Conn's previous two directorial efforts failed to make any money for the studio.




"Chris, Travis & Juliet feels like a film in search of an identity. It starts out as the story of a young man who finds a mentor, but soon becomes a story of a rivalry between the two and their indie film projects that are all of a sudden made - without us ever seeing either really work on them - all of which suddenly and inexplicably turns deadly. Some scenes work in a vacuum, but they don't always add up to anything sensible despite the strong villainous work from Emile Hirsch - who seems like he's having a blast chewing up scenery left and right in this one. In this film, 2+3=11. But hey, at least it's not Columbine..." - Charles Yost, Oregonian



“Although not his usual teen movie, a lot of Alex Conn’s trademarks follow him here. Sex, Drugs and even talking about suicide. The film felt rushed and the screenplay is subpar. Emile Hirsch’s performance is ok but nothing special. The ending (minus the epilogue type scene) was a tiny redeeming quality as it came to a thrilling end. I would love to see Conn branch off into other genre’s and try to get away from his defining characteristics.” Bridget Alexander, Empire Magazine



"Emile Hirsch is creepy and charismatic in his performance, and really the only cast member given anything interesting to do - even if things go too far over the top by the end. As for the story itself, the first half or so is pretty interesting with Poulter falling for Hirsch's charisma, but it seems there was about as much effort put into the second half of the film as there was on the film's title - evidently not much. Writer/Director Conn feels like he's on the right track here, but he needs to finish a story without forcing the ending." - Tim Durand, San Francisco Chronicle







Rated R for strong language throughout, some graphic violent content and sexuality/nudity.


Last Resort Films Jukebox: Chris, Travis & Juliet




1. "Here Comes Your Man" - Pixies



2. "Jump Start" - The Hang Ups



3. "Mr. Brightside" - The Killers



4. "1979" - The Smashing Pumpkins



5. "Where Is My Mind" - Pixies



6. "Flourescent Adolescent" - Arctic Monkeys



Tuesday, April 27, 2021

Now Showing: Chris, Travis & Juliet

Chris, Travis & Juliet
Genre: Drama/Thriller
Director: Alex Conn
Writer: Alex Conn
Cast: Emile Hirsch, Will Poulter, Allison Williams, RJ Cyler, Kristin Davis, Alex Conn (cameo)

Plot: Chris (Will Poulter) is on Tinder and he is swiping left and right trying to find love. Chris goes to see his parents and they ask about his writing and his love life and he responds unenthusiastically. He says that his poetry book has sold less than a 100 copies. He works at a movie theater in Brooklyn. At a movie he meets a young indie filmmaker named Travis (Emile Hirsch) who is poor but is an accomplished independent filmmaker. Travis and Chris exchange numbers.

Chris then starts becoming fast friends with Travis and Travis starts bringing Chris under his wing. Travis then introduces Chris to his girlfriend Juliet (Allison Williams). Juliet explains how she fell in love with Chris after seeing his first film. She was just in college and she admired how he made a film on a low budget and it was powerful for her and her dad was addicted to drugs at the time and her mom and he saved her . Travis explains about how making art can get him a girlfriend because of that story. Juliet laughs uncomfortably. They go to a nice restaurant and they take a selfie. Chris sends a picture to his mom (Kristin Davis) and she's happy he has friends. Chris has an instant crush on Juliet. Chris then talks to Travis almost every day and Travis invites Chris to work on one of his movie sets which is very DIY and only has three other people on it. It is revealed that Travis isn’t just an indie filmmaker but a poet and novelist. Travis hands his poetry book to Chris. Chris thinks it’s good.

Chris's friend Ben (RJ Cyler) who lives in Queens hangs out with Chris after Chris’s shift at the movie theater. Ben has read Travis”s work and thinks it’s awful and thinks Travis is just full of himself and Chris says that Travis isn’t bad. The next day Juliet then invites Chris over to his house and Juliet slowly seduces Chris and they both have sex. Juliet promises to never tell Travis and Chris promises to do the same. Chris then calls his mom and informs her about the fact that he had sex with a woman with a boyfriend and she guesses it’s Travis”s girlfriend Juliet who she thought was pretty. His mom says that that girl is bad for him even if she’s a good person because even if she breaks up with Travis. Travis will badmouth Chris.

It is New Years Eve and Chris is very happy and is waiting for his shift at the movie theater to end and looks at Travis’s Twitter and Travis is saying things about how his movies are the best films of the decade so far. There is a New Years Eve party at Travis’s apartment and Chris brings a joint and then scolds him for smoking marijuana saying that he’s straight edge. Juliet then comes back after doing her makeup and hugs Chris. They then talk about movies and John just talks about how lonely is it romantically and Juliet then says he’s cute and he shouldn’t worry about dating and Travis looks at Juliet with anger. Travis then shows Chris around the apartment and Chris notices his gun and Travis says that that’s how he sticks it to his liberal neighbors. He and Travis then just hang out and Chris then sleeps over and then he goes home. Chris then calls his friend Ben about the gun and he is creeped out too.

Travis then invites Chris to a vegan restaurant and Travis says that he knows that there is an attraction between Chris and Juliet. Travis then threatens him tho and says something bad will happen if he goes on the attraction. Chris then goes in his room and looks up on the sky. Chris gets a text from Juliet informing him that Travis is going away to meet with some friends. Chris and Juliet have very intense sexual intercourse. They have a really great time. They go to the movies and Chris helps Juliet write her screenplay. Travis and Juliet then have an intense phone conversation and Travis reminds her that she is so lucky to be dating an interesting indie filmmaker and not her previous boyfriend who was a nerdy guy from her home state.

At the movie theater it is revealed Juliet is starting to work at the movie theater. Juliet every break goes down on Chris.

The next week it is revealed that Travis put a security camera in his apartment which told him about all the sex and cheating. At the same time Chris is writing a new film and once he finishes it it immediately gets funding which is something Travis has never gotten. Chris calls Travis and Travis says don't trust Hollywood and that they screw over creative people and they are horrible. Even when Chris says it's an independent financier he says they are still horrible. Travis says that he had a film he tried to get financed through that system and he says it's soul crushing.

Chris in the morning calls his financiers and he talks about the script and he off hand mentions Travis and the financier says that Travis is a joke. Everyone saw his debut movie which sucked and he sent it around to financiers and everyone hated it and his next film sucked even more. When Chris says that Travis is a friend they tell him he's a joke and not a good influence.

Travis has dinner with Chris and threatens that their friendship is over if he has sex with Juliet again. Chris also starts filming his movie. It has a big crew and it goes well and there is a montage of the shoot.

Travis at the same time writes a screenplay and films it for a much lower budget then Chris. The film is a romance comedy drama set in one location. They are a lot of pretty girls but not a lot of plot.
While he is filming Chris”s relationship with Travis starts getting worse and worse. But he starts getting a better relationship with Juliet as they text every night and Chris sends her set photos.

Both films are eventually and Chris informs Travis that his film got into Sundance and that upsets Travis.

A few days later Chris is then invited to Travis's apartment and he is castrated as punishment for having sex and Chris fights against it and as he is being castrated he says that everyone in the industry thinks Travis is a joke and Travis then pulls out his gun and shoots him. Juliet then comes in and breaks up with Travis and then Juliet sees Chris's dead body and screams and then Travis shoots Juliet.

1 year and a half later Travis goes to an indie film premiere of his low budget film which is a romance film about a man with his ex girlfriend who commits suicide. He says it’s about how his girlfriend Juliet commits suicide. He then meets another filmmaker James (Alex Conn) who is at his premiere and they meet and talk similar to the way Travis and Chris met.


In Development

Hillside: Zoe Kazan (The Kindness of Strangers, The Big Sick), Kofi Siriboe ("Queen Sugar", Girls Trip) and Tyler James Williams (Corndog, The Temptations) have signed on to round out the cast of Barry Jenkins' latest film for LRF, Hillside. Williams will play a brother of the main character, played by Alex Hibbert. Siriboe will play a gang member and Kazan will play the wife of a police officer, played by Ben Foster. Jimmy Ellis penned the film.

Still Lives: The Jennifer Lawrence-led art scene thriller has added Yvonne Orji ("Insecure", Night School), Aidan Gillen (Splinter Cell: Conviction, Black Dublin) and Michelle Trachtenberg (Village of Madness, The Scribbler) to complete its cast. Orki will play Lawrence's friend, Gillen will play a journalist and Trachtenberg will play another museum employee. Sam Taylor-Johnson is directing the film from a script by Rachel Hallett Hardcastle - based on the novel by Maria Hummel.

Firestorm: Alfie Allen (Blue Heat, Teslin, Yukon) has signed on to play a villain in the upcoming DC Comics Universe film, Firestorm. He will play Cliff Carmichael, who becomes The Thinker. Also signing onto the film are Jonathan Banks ("Better Call Saul", Mudbound) and Teresa Palmer (The Mutation, Vixen: The Totems of Zambesi). Banks will play a scientist, while Palmer will reprise her role from Vixen: The Totems of Zambesi, Caitlin Snow. William Eubank is directing the film from a script by Jimmy Ellis and HG Hansen.

For Those Who Don't Read Me: Hot off his triple-GRA-nominated work on Lowell, Ben Affleck (Lowell, Born in Brooklyn) has agreed to play a supporting role in his brother Casey's latest directorial and starring effort, For Those Who Don't Read Me. Alex Lawther (Until Dawn, How to Survive in Hell) and Keri Russell (Fear of the Dark, Halo: The Fall of Reach) have also joined the film in supporting roles. Mo Buck wrote the script for the film based on a French-Canadian movie of the same name.

Prodigy: Hugh Dancy ("The Path", "Hannibal"), Noemie Merlant (A Good Man, Jumbo) and Tom Hollander (Bird Box, Bohemian Rhapsody) have signed on to the film Prodigy from director Todd Haynes and writer Chad Taylor. The film tells the story of French child prodigy Minou Drouet (played by Julia Butters). Dancy will play Minou's music teacher, Hollander will play a literary figure, and Merlant will play an older version of Minou.

Monday, April 26, 2021

LRF NOW Writer/Director Commentary: Somewhere, Somehow with Chad Taylor

Somewhere, Somehow
Genre: Romance/Teen/Comedy
Director: Chad Taylor
Writer: Chad Taylor
Cast: Alex Wolff, Garance Marillier, Madison Iseman, Haley Lu Richardson, Harry Styles, Charlie Plummer, Aaron Eckhart, Rebecca Romijn

Plot: On a summer night in June 2007, Chad (Alex Wolff) and Sara (Madison Iseman) share a hammock under the moonlight. After some small talk, there is a lingering silence before Chad says awkwardly excuses himself to go to the bathroom. There, he texts with his friend Ashton who tells him what to say. When he returns, he confidently converses before looking Sara in the eye and asking if they are official. She squeezes his hand tighter and matches his eyes and affirms as long he doesn’t run to the bathroom every time it gets serious between them. Chad gives off a goofy grin as the opening credits roll as we see him texting his friends, telling them he and Sara are officially dating.1

1
Welcome to the commentary for my directorial debut. Hopefully this can provide some unique insight into the filmmaking process. When this film came out, it was my 18th feature film as a writer and, thus, felt like the right time to do a semi-auto-biographical story. To be clear, this isn't all a true story and it's not all a story about me. It is built pretty equally from both personal anecdotes of my own life involving people in my life (so some about me, some about others) and works in the high school drama/comedy genre that act as my influences (which I will discuss a bit later). While I did consider having other directors to take up this story, I ultimately decided that this was of a manageable scale to tackle for my first project.

In August, Chad is starting his sophomore year of high school. He has found his comfort zone in his little Midwestern suburban life with his tight-knit friends group of charmer Evan (Harry Styles), class clown Cheese (Charlie Plummer) (a nickname earned from his last name being Kraft), and Ashton (Haley Lu Richardson) – a tomboy who has been a family friend of Chad’s since he was young.2 They are a part of the popular kids in school, especially now that Chad is dating Sara – one of the richest girls in town. On the Friday before classes start, Chad has dinner at Sara’s house – meeting her parents Tom (Aaron Eckhart) and Jane (Rebecca Romijn) and is nervous around them as he really wants to impress both Sara and her parents.

2With these first few scenes, I wanted to firmly establish our main players and their relations to one another. I settled on a group of six as it allows for some variety in personalities while also not feeling overwhelming or confusing to follow. They each certainly play the part of an archetype: the popular girl (Sara) and guy (Evan), the class clown (Cheese), the friend-who-wants-to-be-more (Ashton). And then Chad as this neutral position that sees him as the main connecting point between them all (if you recall, one of the posters for the film emphasized this web in its design). 


Complicating things is the arrival of Melanie (Garance Marillier), a French foreign exchange student being hosted by Sara’s family. It becomes immediately obvious that there is a clash between Sara’s pristine preppiness and the edginess of Melanie. This personality clash is accentuated by Sara being the one having to guide Melanie around school and practically spend all day with her. At first this annoys Chad as he wants to spend as much time with Sara as possible but upon seeing the stress this causes her, he vows to assist in guiding Melanie through American high school life.3

3
The introduction of Melanie was always key to this story. Obviously we know now that she is a love interest for Chad but I wanted to initially introduce her as a roadblock to his relationship with Sara (something I can't recall seeing in much other teen films). In some ways, she also becomes our second protagonist and I think that bringing her in after we met everyone else was key as we should empathize with her trying to fit in with pre-established friend dynamics.

When Evan throws a party while his parents are out of town, Sara’s parents insist on her taking Melanie with her. At the party, various drinking games are played while a pop-music radio station blasts in the background.4 With Chad introducing her, Melanie seems to mesh well with everyone at the party – especially Ashton and Cheese, who begins to take a liking to her. Sara grows irritated at the attention Chad is devoting to Melanie and demands he spend time with her. During this time, Melanie grows bored with the radio and plugs in her iPod – which blasts harder rock songs that the kids would classify as emo. Things become awkward and someone changes the music back, making both Melanie and Sara deeply embarrassed.

4Let's talk about influences. I knew I wanted to include a party scene as it felt like a quintessential element to this formula as this natural event that coalesces all of our characters together as they all have differing motivations. So what works influenced Somewhere, Somehow? Here are a few: Dazed and Confused, Superbad, The Edge of Seventeen, Lady Bird, Boyhood, The Spectacular Now, American Graffiti, 10 Things I Hate About You, The Last Picture Show, and in the TV realm, 'Freaks & Geeks', 'Friday Night Lights' and 'Degrassi: The Next Generation'. A lot, I know, but I felt that I needed that kind of backing when heading into the endeavor of directing for the first time.

While Melanie exiles herself alone in Evan’s bedroom, Chad tells Sara he is going to get a refill but really goes to check on her. At first she wants to be alone, but Chad becomes inquisitive about what else she has on her iPod. He admits that, unlike the other kids, he kinda likes that music and wants to hear more – but he is adamant that she not tell anyone what he just said. She offers to split her headphones and they both share playful laughter as they jam to the songs on the bed. Evan and a girl bursts in, apologizing at first but then saying how he needs the room. Evan gives Chad a suggestive look (as if to say: niiice), but Chad shakes his head no to deny anything happening. When Chad gets home, he briefly chats with Sara on MySpace before telling her goodnight and sending Melanie a friend request.5

5
As was brought up in some of the reviews, the soundtrack and technology are also common elements of films like this. While I was working on a tight budget in terms of production design, using things like MySpace, iPod's, and the songs helped firmly place the film in recent past. When I work with my music team on building soundtracks, it doesn't usually come from an area of personal taste but instead what fits the film's tone the best. In this case, I felt it was best to use that personal flavor (for good and for meh). I don't love all of my musical tastes from my teen years but I felt it was best to translate it over to evoke a certain mood.

Chad wakes up happy in the morning when he learns that she accepted it and plays the song featured on her profile as he gets ready for the day. A few weeks later, the popular kids hold a weekend bonfire. Cheese takes everyone by surprise by asking Melanie to the Homecoming dance (which she accepts). Chad asks Sara if he has to formally ask her to the dance and she tells him technically no, but she would be really happy if he did it here and now. And so he follows in Cheese’s footsteps and makes a grand announcement asking Sara to the dance, who is happy that the attention is back on her. Melanie seems bummed by this development, but still happy that Cheese asked her.

Later in the night, Chad and Ashton lay on the bed of one of the trucks and gaze at the stars. He asks her who she thinks she’ll go to the dance with, and she is unsure. When he asks who she wants to ask him, there is a lingering silence (implying her crush is Chad) but she says maybe Evan. Chad agrees that would be rad. When she asks him who he wants to go with, he acts offended – as it’s already obvious he is going with Sara. He then realizes that his affection towards Melanie is at least partially obvious from the outside, but he continues to downplay it. Their arms touch briefly, to which Chad pulls back and puts his arm around her in a friend type of way.6

6
I wasn't planning to be subtle here in this scene as it was always to set up for later. I really liked the chemistry that Haley and Alex displayed in this scene, something that we were able to capture in only a few takes as they just naturally clicked. If the film were longer, I probably would've spent some more time with the Chad-Ashton friendship but I know that nobody really wants to see a high school movie that runs over two hours. 

At school, Evan, Ashton and Cheese come to Chad to tell him they are skipping lunch and P.E. to walk to the nearby movie theater and see Superbad. Sara, never one to break the rules at school, is adamant that they not but Melanie thinks it sounds fun. Amidst pressure from Sara, Chad turns down their offer while the four of them go. At lunch, Sara wants to see what Chad is listening to and scoffs when she sees that it is Melanie’s type of music. He excuses himself to go to the bathroom, but instead sprints to the theater after only have missed the first ten minutes of the movie.7 He takes a seat next to Melanie, who is happy to see he is there.

7This is one of the first scenes that came about in the writing process. I wanted to directly reference one of my influences while also allowing for the long take of Alex running down the street as he feels a sense of relief that he is finally fully living. I knew that 'Ocean Avenue' by Yellowcard was the song I wanted playing in this moment and the lyrics to that song is where I ended up getting the title of the film.

When they return to school and go to class, Ashton, Cheese, and Melanie are pulled out of class by the vice principal for skipping the previous period. Chad is confused, especially why he wasn’t pulled, and he is about to get up to join them but Sara holds him back. She tells him she told them that Chad fell ill in lunch and that’s why he missed P.E. (implying she told on the others when grilled).8

8
Looking back, I think the major change I would make in the film is making Sara a little more likable. She cares about Chad but their personalities just don't fully click - something that they are both aware of and that she is trying to course correct for while they are on a sinking ship. There's probably an alternative version of the script that could be taken from her perspective and give some of that insight.

On the eve of homecoming, Chad shocks his friends by dying his hair bleach blonde reminiscent of My Chemical Romance lead singer Gerard Way. Melanie is obviously amused by this and compliments him on it. Chad picks up Cheese and then Sara and Melanie on his way to the dance. At the Homecoming dance, Cheese drinks the alcohol from his flask too fast and vomits in the bathroom, with Evan and Chad helping him clean up. Realizing this has left Melanie alone, Chad goes back out to the dance floor but she is not there. He and Sara slow dance while Chad constantly looks over her shoulder for Melanie.9

9
Just like the party scene, having some kind of high school dance in all its awkwardness felt like a must. 

After the dance, Chad and Sara find Melanie sleeping in the back of Chad’s car, listening to her iPod. Sara actually comments that she finds it adorable, albeit in a partially condescending way. The group all get together and Evan comes up with the idea that since Melanie is of drinking age in France, they should see if she can convince the liquor store clerk to sell her alcohol. Sara, and Chad to a degree, are apprehensive to this but Melanie says she is cool with it. As everyone watches on nervously, it is a success and the party is on.

At the after-party at a friend's farmhouse out in the country, Evan and Ashton put Cheese to bed as he still feels ill. Chad and Sara passionately kiss in private but he can’t seem to get in the mood. Sara storms off, upon which Chad wanders off and finds Melanie drinking by herself. Chad approaches her, taking her hand to guide the bottle down, and passionately kisses her. She tells him she can’t even remember how long she’s been waiting for him to do that, making him laugh. When he spots Ashton alone in the kitchen, he promises Melanie he will be right back.

When Chad tells Ashton that he just kissed Melanie, she tells him she obviously knows – as does anyone else in the vicinity. When he asks her what he should do next, she runs her hand through his hair, messing it up and emphasizes that he be himself. He gives her a hug then makes a detour to the bathroom before heading back to Melanie.10 It is locked so he goes outside to do his business and is shocked to find Sara making out with Evan. He pushes his friend and asks him what the hell he’s doing – prompting an upset Sara to go back inside. Evan tries to calm Chad down and insists that he doesn’t want to hurt his feelings. He says he knows Chad doesn’t want to hear it now but he has to make up his mind about what he wants – if he likes Melanie, choose Melanie but don’t string Sara along as he does it. Plus, she’s the hottest girl in school – so when she wants to make out, you make out (a line that does not soothe Chad’s anger much).11

10Once again, Haley does some of my favorite work in the film in this scene. Having to give dating advice to the person you've always had feelings for is something that Ashton is grappling with in the moment but plays it off with a casual charm. 

11At the time of filming, Harry had only done two films I believe: Dunkirk and Welcome to Paradise at LRF. So this was a bit of test but I think this scene shows why he was the right fit for Evan in how he contrasts from Chad. Additionally, I wanted this scene to create a bit of a distance between Chad and the audience. You're not supposed to totally support him in this moment. By directly cutting from Chad-Melanie to Evan-Sara, I wanted to show Chad's hypocrisy in his anger towards Sara and Evan in the moment. Even if we're led to believe he has more chemistry with Melanie, him stringing Sara along is still hurtful.


They hear a commotion inside and it turns out the cops have arrived. Evan panics and tells Chad to run with him as they go out into the barren cornfield behind the house.12 They lay flat on the ground and it works as the cops check the backyard but can’t see much beyond that. As they lay trying to stay silent, Evan whispers an apology to Chad. Everyone underage inside the house gets citations from the police.

12*Sigh*. I know this may seem contrived but I wouldn't have included it if it hadn't been something that actually happened (rural parties, what can you do?). At the very least, it did allow for my cinematographer to get some good-looking long shots of the landscape at night.

Sara’s parents scold her about what this will look like for her college applications and she points the blame to Melanie for buying the alcohol. Although Melanie denies that any of it was her idea, she admits that she bought the alcohol and Sara’s parents are furious. Worried about the bad influence she is on their daughter, the family make an arrangement for Melanie to move in with Ashton’s family for the remainder of her stay (only a couple of weeks at this point).

Chad is preparing to confess to Sara about kissing Melanie but she breaks up with him before he can. She apologizes about the Evan incident and echoes pretty much every sentiment Evan had already laid out. Chad apologizes to her for trying to figure out both who he is and what he wants – and leaving her tangled in the middle of it all. She says she’ll see him around and they go their separate ways.13

13
While the actual set-up was not too difficult, this was something we had to shoot multiple times to get it just right (along with the next scene). Again, this is a moment that we'd been on a collision course to for nearly the entire film so it was important to pull it off right. And we ended up deciding that it would be best if the relationship did not end with a bang but with a whimper. At this point, both parties had come to an understanding that this wasn't going to work so this is quieter than your typical break-up scene (which was a conscious choice).

He talks to Melanie after school, them both holding hands. They kiss again but she pulls away, looking sad. When he asks her what’s wrong, she opens up about how afraid she was to leave home for somewhere 4,000 miles away, where she would always be an outsider. Then her clash with her host family only exacerbated those worries. And now she has feelings for Chad but even then they must confront the impracticality of loving someone thousands miles away with an ocean in between. When Chad tears up and tries to reason with her that they could work it out, she tells him no but caresses his cheek and says they should be happy they met. She reasons that Chad was always more attracted to the idea of Melanie than the actual person, as it allowed him to embrace his true self and break out of chasing something he was not. Chad denies this, telling her his feelings are real, but he comes to realize she has a point because of how he thinks of Sara. He was always attracted more to the idea of the beautiful rich girl for what it meant to his social status – never caring about Sara as a person. And now it has taken Melanie to realize that is not what he truly wants. He has always admired Melanie’s ability to not care what anyone else thinks, the opposite of his own feelings. She smiles and tells him none of that changes how they actually feel about each other. She says she loves him and he responds “Je t’aime” – his first attempt at French, and butchering it a bit. They laugh at his feeble attempt, agree he stick to English and kiss.14

14The emotional climax of the movie was something I knew we needed to execute well. Similar to Chad and Sara never discussing the Melanie of it all, I wanted this to act as a mirror image in that Chad and Melanie never discussed the impracticality of their relationship. It establishes Chad as someone who avoids those type of conversations, allowing for Garance to really take this scene by storm (even if Alex is the one showing off his emotional turmoil). It was a moment that allowed for a character to finally address Chad's contradictory actions and for him to fully come to terms with it (and what Melanie's arrival meant to him). This was the coming-of-age realization that was always needed.

One month later, in December, Chad and friends are at the airport as Melanie is set to go back to France. When they get a moment of one-on-one time, Chad and Melanie embrace for an extended period of time. She tells him how wonderful he and his friends have made her time in America and how she’ll never forget him. He vows the same. From his back pocket, he reveals that he has a Christmas gift for her. After opening it, he explains that it is a CD that he burnt with some of their favorite songs and a special surprise on the end. She is mad at herself for not getting him a gift but does leave him with one last message – perhaps he should start to consider Ashton as someone who could be more than a friend. He seems opposed at first, but smiles when looking towards Ashton’s way and realizes she might be right – given how similar she is to Melanie rather than Sara. They kiss goodbye one last time and she promises they will meet again some day.15

15
The obligatory "she's been right in front of you the whole time" moment. Did audiences expect Chad and Melanie to end up together? That is something that I am generally curious about (and if any of you listeners want to share your opinion, drop a few words in the "LRF NOW" thread on the LRF forum. The plan was always for Melanie to be this temporary element in Chad's life - someone who passes through and is a catalyst to self-realization but never the true love of his life. Or is she? It's something that I did grapple with while writing but I like where we ended up because of the outstanding work that Haley put in to the role of Ashton.

The next day, Chad fixes his MySpace Top 8 (a collection of eight friends the person chooses to display on their profile – indicating how much you like them) – removing Sara altogether and adding Evan back in to the top row to join Cheese, Melanie, and Ashton. He clicks save but then goes back to it and puts Ashton in the number one spot and saves again. He then clicks on her profile to send a message. As he usually relies on her to help him talk to girls, he is stuck on what to say – but smiling while he thinks. As he contemplates, he picks up his guitar and starts to play an acoustic cover of the song Melanie awkwardly played at the party. We see cross-cutting shots of Melanie in France, listening to the final track of the CD with a smile on her face.16

16
Based on test screenings, I think we stuck the landing here. The technology returned (which I felt the need to explain a bit). There is a callback to all the times that Chad asked Ashton for relationship advice, which was necessary for this very moment. And then there is the cross-cutting from the U.S. to France as Melanie listens to a recording of Chad playing a song for her. And that does it for this director's commentary. This was a lot of fun! Maybe I will return to it one day for an Orchid commentary (a film that doesn't seem as well-liked as this one but I am proud of my work on). Speaking of pride, I am very happy that I chose this to be my first film as a director. It is not something I want to do often and so the project has to be just right. I like the characters crafted here, even if some parts could use improvement. Who knows - maybe one day you will see them return for a high school reunion in Season 28 or 38 or something like that. In terms of stuff that is actually happen, I like to use these commentaries to break some news from time to time. And with this one, I just want to say that I have formalized plans to return to the directing chair for my third feature in a future season. See you then!



Premiere Magazine #182

 

Sunday, April 25, 2021

The Roundup with Jeff Stockton (Season 19 Round 2)

 
LRF's strong start to Season 19 continued in Round 2. Here's The Roundup....


3. Police Story: Case Closed
This third entry was the best one yet. The action was bigger and better. The big flaw of the film was the almost complete lack of Chan.

2. Shouts from the Well
The film was too long and the casting was a bit iffy. But the visual style of the film with Fincher at the helm made the film a unique experience.

1. Box Office
Despite Shouts from the Well losing a chunk of money for the studio, LRF is off to a very strong start to its 19 season at the box office.



3. Metascores
While this round didn't feature any films that were complete turkeys, there was a sizable drop in the average Metascore from Round 1 to this second round. Round 1 had an average Metascore of 73, while Round 2 has an average of 59.

2. Rainbow Six
Honestly, I was a bit disappointed with Rainbow Six. It just felt small in scale compared to what it should have been. Not a terrible film, but a minor letdown for sure.

1. Awards-Worthy Films
The studio has done a pretty good job in recent years of trying to release some awards-friendly films earlier in the season. So far of the six films, only Kansas City looks to me like a contender.

On Location (Season 19 Round 2)

 
Shouts from the Well
- Brest, France


Police Story: Case Closed
- Sydney, Australia


Rainbow Six

- Baltimore, Maryland, USA



- Hereford, England, UK


Saturday, April 24, 2021

Box Office Breakdown (Season 19 Round 2)

Shouts from the Well
Budget: $51,000,000
Total Box Office: $67,161,270
Total Profit: -$30,709,110




Police Story: Case Closed
Budget: $72,000,000
Total Box Office: $202,787,841
Total Profit: $23,163,909



Rainbow Six
Budget: $140,000,000
Total Box Office: $310,490,666
Total Profit: $95,894,704




Box Office Facts
Shouts from the Well

While Shouts from the Well lost a lot of money, it is not the biggest bomb in writer Ben Collins' filmography. It is still beat by Dead Space in Season 6, which lost nearly $58 million.

Police Story: Case Closed

Writer Meirad Tako's Police Story series has now grossed over half a billion dollars at the box office (the exact box office total is $544,635,081).

Rainbow Six
Rainbow Six's box office success makes five hits in a row for writer Mark Newton. His last box office dud was Hunter back in Season 12.



Genre Rankings
Shouts from the Well

Historical: #23
Thriller: #54
Mystery: #16

Police Story: Case Closed
Action: #116

Rainbow Six

Action: #86



Season 19 Round 2

Total Box Office: $580,439,777
Total Profit: $88,349,503

Season 19 Totals
Total Box Office: $1,465,239,434
Total Profit: $403,829,362



Season 19 Box Office Summary
1. Task Force X - $602,264,488
2. Rainbow Six - $310,490,666
3. Princess Natalie - $208,392,030
4. Police Story: Case Closed - $202,787,841
5. Kansas City - $74,143,139
6. Shouts from the Well - $67,161,270

Release: Rainbow Six


Rainbow Six
Genre: Action
Director: Peter Berg
Writer: Mark Newton
Based on the novel by Tom Clancy
Cast: Tom Hardy, Jay Hernandez, Tim Roth, Julian Morris, Melissa Benoist, Scott Speedman, Miraj Grbic, Jeffrey Donovan, Stephan James, Adam Beach




Budget: $140,000,000
Domestic Box Office: $113,457,096
Foreign Box Office: $197,033,570
Total Profit: $95,894,704

Reaction: While not as profitable as its precursor, Without Remorse, was back in Season 2, this sequel did manage to gross more at the box office. The drop in profits is probably due to Tom Hardy's higher salary increasing the budget for this entry.



"While Without Remorse probably had too much going on, this one somehow feels too light even with the bigger action and more video game style of globetrotting. While we learned a lot about John Clark in the previous film, Rainbow Six feels like it's completely missing character development." - Dave Manning, Ridgefield Press




"It's hard to go wrong with Tom Hardy killing terrorists. Sure, it's a little lacking in the character and story departments, but it has plenty of entertaining sequences and an easy to follow plot." - Justin Rodriguez, Detroit Free Press






"I was expecting something a lot bigger from a sequel to the Season 2 hit Without Remorse after such a long wait. While the end result isn't a disaster, it's certainly not as big and entertaining as it probably should have been." - Albert Perry, Orange County Register








Rated R for intense bloody action/violence and language