Friday, February 28, 2025

Now Showing: Mr. Happy

 

Mr. Happy
Genre: Drama/Thriller
Director: Hiro Murai
Writer: Wyatt Allen
Based on the short film
Cast: Jesse Plemons, Adele Exarchopoulos, Rob Riggle, Nonso Anozie

Plot: Steve McNulty (Jesse Plemons) is expressionlessly sitting down in the dark on his apartment floor. His apartment is only furnished sparsely, no flowers or pictures of his friends or family to be seen. A big plastic bag in his hands that he examines. He lays down while putting the plastic bag over his head and tightens it around his neck, trying to suffocate himself with that. We see him gasping for air for a bit until his hands let go of the plastic bag and it loosens. Steve takes the plastic bag off.

The next day at work. Steve seems bored from his everyday life. He is working at a home depot store but doesn’t seem to care much about the things going on around him. One loud and extroverted coworker is approaching him, we can see his name tag that says Lonnie (Rob Riggle). Lonnie only calls Steve by his last name McNulty and asks him about his weekend. Before Steve even could answer Lonnie tells him about the weekend he had. He tells Steve about a woman he met a while ago on a dating app and how he finally got to sleep with her with this weekend. He tells Steve that he „fucked her brains out“ and gives some explicit details about it. Steve replies that he is happy that Lonnie has found someone.

In his lunch break Steve is looking at a dating app on his phone. He goes through some of the women’s profiles and swipes a couple of them right. He checks if he matches with any person he liked, finding out that he unfortunately has zero matches.

After work Steve is sitting in front of his laptop in his apartment. The only light is coming from the display. Steve is searching the internet for ways to kill himself. In a forum thread where one guys is asking the exact same question he sees some posts about how life is beautiful and suicide is not the solution. The advice given to the original poster asking the question is that he should seek out professional help and he shouldn’t deal with this alone. But another poster is sharing the link to a website called „mrhappy.com“ and suggest to take a look at it. Of course Steve clicks on the link, sending him to a website that looks like it was made in the 90s and didn’t change since than. The website is covered in smiley faces. In a bright red comic sans type font it says „MR. HAPPY“.

Another day at work and Steve seems to be relieved and even a bit happy. Not even Lonnie could get on his nerves this day. Suddenly while he was reordering the things in the shelves. A big intimidating customer (Nonso Anozie) is asking Steve in a serious tone if he is Mr. McNulty. Steve is visibly a bit scared not knowing what to expect from that but of course he says the he is indeed Mr. McNulty. The tone of he customer changes with a friendly smiles he says that he heard that Steve is the expert in drills and he would love to get his opinion on a drill he wants to buy. Steve helps him and on his way back he sees a female customer (Adele Exarchopoulos) looking overwhelmed. He asks her if he could help and she says that she would like to know where they store their batteries. Steve leads her to the place where they store their batteries and shows her the exact ones she needs.

After work Steve drives in his car to make some purchases. He notices a black car behind him, following him wherever he drives to. He grows more and more suspicious of the car but shortly before arriving at his destination the car behind him turns differently, letting go of him. He walks to the grocery store where he sees a tough looking guy in front of it, staring him down. The guy reaches for something of the inside of his jacket. It looks like he is pulling out a gun at first and we can see the panic in Steve’s eyes. It is shown that it wasn’t a gun but just a lighter and a pack of cigarettes that the tough guy was pulling out of his jacket.

After leaving the grocery store and wanting to get back to his car, he gets surprised by the woman he helped to find some batteries at work earlier that day. Steve reacts very frightened to her, but soon recognizes her. She introduces herself to him as Victoria. Steve sees that Victoria is packing things from a transporter into some sort of art gallery and is asking her about it. She tells him that it’s her own art gallery, she rented the place for today in hopes of getting people to buy her paintings. She tells Steve that he should come too and bring some friends with him.

Steve is sitting in front of his computer in his apartment. He contemplates going to the art gallery. On an online board he is asking if anyone wants to visit an art gallery with him.

Steve visits the art gallery alone. It’s already pretty late and Victoria is the only one there, she is happy to see Steve but still seems disappointed. Steve asks her if she sold any of her paintings. She didn’t. She is drinking wine out of a bottle while Steve is looking at her paintings, telling her that she is really talented. She tells him that he is nice for saying that. She grabs his hands and tells him that she wants to show him something. She grabs another bottle of wine while leading Steve to the roof of the building. On the roof she gives the bottle to Steve and tells him to take a look at the stars and the beautiful night sky. She is tipsy and dances around, telling Steve that she feels so free under the stars. She wants Steve to dance with her, but he is too shy to. They instead sit down enjoy the night sky while Victoria takes another sip out of the wine bottle, she asks Steve if he has any dreams he wants to accomplish. Steve tells her that he stopped dreaming a long while ago, he is more pessimistic now. Victoria mentions that Steve seems to be more on the quiet side. Steve apologizes for that but she smiles at him and tells him she likes it that way. She mentions that she seems to have a thing for quiet guys as they come close to kiss each other.

The next morning Steve wakes up in his bed next to Victoria. She tells him that the has to rush, but she really enjoyed last night and that he should call her. After she leaves Steve has a huge smile on his face that soon turns into a facial expression of panic. Steve starts his laptop hectic and opens up mrhappy.com. He reads a disclaimer that already completed deals can not be taken back. He also finds a number to contact them.

We go back to the day where Steve found the mrhappy.com site for the first time. It is revealed that this website offers the service to order somebody to get yourself killed. Steve has to go through a form, entering his name and address, giving reasons on why he wants to end his life and choosing how he wants to be killed. Steve chooses the painless option. There is one last hindrance on the website asking Steve if he is really sure he wants to do this. Steve takes a deep breath and thinks about it for a few seconds, he than clicks yes to continue. He verifies his information and pays for the service with his credit card. He gets the confirmation and it says that his order will be fulfilled in the span of one week. Steve leans back, he is relieved.

Back in the present, Steve is trying to call that number but can’t reach anyone. He double checks if he really got the right number. He does but still no one answers his call.

Steve and Victoria are eating dinner at a restaurant. Steve is visibly nervous, always carefully watching the people sitting around them and the people entering the restaurant. Victoria tells Steve that she still feels pretty much isolated after moving from France to the states. Steve can empathize with that as he often feels so too, telling her that he only has his brother and his brother’s kids he visits from time to time. A man dressed in all black with sunglasses on enters the restaurant. He is looking for someone. He directly looks at Steve with a determined look on his face. A woman behind Steve signals the man dressed in black to come sit with her, as it turns out that he wasn’t looking at Steve.

Once again Steve is trying to call that number to take back his order but he is not successful in that as he can’t reach anybody through the phone. He writes a message to their contact form explaining his situation and telling them that he doesn’t want to do the deal anymore but that they can keep the money he already paid. Steve looks up when he made the „order“, finding out it will be exactly one week after the weekend. By thinking that every order is guaranteed to be fulfilled in one week, Steve thinks that he only needs to make it through the weekend. He calls Victoria and asks her even though it is a bit spontaneous to go on a weekend road trip with him to visit his brother. Victoria is a bit unsure but agrees to come with him

Steve and Victoria are driving in Steve’s car. She tells Steve that she can’t really believe that she is doing this, they just met and now she is already on his way to meet his family, but she says that she is really excited to meet Steve’s brother and also his brother’s kids, while Steve is permanently checking the rear view mirror paranoid thinking that they are being followed. Victoria seems to have taken notice that something is off about Steve and asks him if everything is fine. Steve tells her he is fine, he is just a little nervous as he doesn’t really often bring someone with him when visiting his brother. He goes on to tell her that he was is in a very dark place lately before meeting her but he feels really good with himself for the first time in a long time. Victoria leans onto him.

They stop at a gas station, Victoria was sleeping but is just waking up. Steve informs her that they still have a while to go and they need to refuel. Victoria uses the gas break to visit the restroom, while Steve fills the car with gas. Steve seems lost in his thoughts but a happy smile comes apparent on his face. We zoom out a bit and see that a gun is aimed at the back of Steve’s head. The trigger is pulled and Steve gets shot in the head. It is revealed that Victoria is the one handling the gun and pulling the trigger. We see a lot of conflict on her face, as a black SUV pulls up behind her. She gets in the SUV and they drive away. As they flee we are shown the license plate, it says „MRHAPPY“.


Top 10 Worst Seasons Ranked by Average Metascore

 

Sherman J. Pearson here for another Top 10. In Round 4 I took a look at the Top 10 seasons with the highest average Metascore, so this round we will take a look at the opposite end of that list... the ten seasons with the lowest average Metascores.

Top 10 Worst Seasons Ranked by Average Metascore
10. Season 17 - Average Metascore: 62.4
Highlights: The King of Hearts, The Glass Menagerie, Justice League Dark, Pulp, Namor the Sub-Mariner

9. Season 24 - Average Metascore: 62.2
Highlights: Monaco, Natural Selection, The Big One, Luke Cage: Power Man, Shoe Dog

8. Season 29 - Average Metascore: 61.9
Highlights: Murder Mysteries, The Champ, Starkweather, The Dogs of Winter, Five Boroughs

7. Season 9 - Average Metascore: 60.7
Highlights: Spark of Madness, Calamity, To the Moon, Batman: Caped Crusader, Halo 4

6. Season 18 - Average Metascore: 60.3
Highlights: Cocaine Cowboys, The Punisher, Caesar, Lowell, Sleeping Beauties

5. Season 3 - Average Metascore: 60.1
Highlights: Into Thin Air, The Prisoner, Blood Countess, American Playboy, Femme Fatale

4. Season 4 - Average Metascore: 60
Highlights: Missoula, Alan Wake, The Price of Fame, Last Rites, Guilt

3. Season 2 - Average Metascore: 59.6
Highlights: The Question, Blackwater, Flicker, Blood Meridian, Solution

2. Season 10 - Average Metascore: 59.4
Highlights: Kite, Blackbird, Ghost Town, Letter to Myself, Hands on a Hard Body

1. Season 11 - Average Metascore: 58.1
Highlights: Buried Child, Suzanne, The Raven, Mass Effect 3 - Part 1, Martian Manhunter

Thursday, February 27, 2025

Release: Captain America: Winter's End

 

Captain America: Winter's End
Genre: Action/Superhero/War
Director: Peter Berg
Writer: D.R. Cobb
Based on Marvel Comics character
Cast: Glen Powell, Paul Mescal, Willa Fitzgerald, Tom Selleck, Tom Burke, Noah Taylor, Alain Moussi, Eduardo Noriega, Andrea Londo, Danny Glover




Budget: $160,000,000
Domestic Box Office: $347,004,100
Foreign Box Office: $289,092,555
Total Profit: $242,610,970

Reaction: The numbers for this one are a mixed bag. While the film grossed slightly more at the worldwide box office, profits were down slightly compared to the first film due to increased expenses. The numbers were obviously still superb, but it's always a bit of a bummer when profits dip in a franchise. That said, it is safe to say that Captain America is a safe bet to return for a third film.... if he survives the events of The Avengers at the end of this season.



“While Glen Powell and Tom Burke are great in their lead and villainous roles respectively, I can’t help but continue my thoughts from last film that Paul Mescal is out of place as Bucky Barnes, even more so here as the winter soldier. As for the film itself the guerilla take that Berg & Cobb went with was a welcome one. Again I'm not sure where i fit with LRF’s Captain America but they are enjoyable movies nonetheless.” - J. Darrell Ellington, Behind the Camera



"A tense, action-packed spy thriller, Winter’s Reckoning delivers brutal combat, political intrigue, and emotional stakes that elevate Captain America’s legacy. Glen Powell shines as a conflicted Steve Rogers, facing Paul Mescal’s relentless Winter Soldier and Tom Burke’s sinister Zemo. With gripping set pieces and a strong supporting cast, the film blends high-stakes action with emotional character-driven storytelling." - Liv Simmons, Rogue River Press



"I would have liked a bit more character development for Captain America in this one as he does not seem particularly phased by his arctic 75 year slumber from the first film. Glen Powell continues to be great in the role though, making Rogers effortlessly likable. Tom Burke as the villain did a decent job living up to Lars Mikkelsen's fantastic Red Skull from the first film, giving SHIELD a credible threat to take out. A lot of this film is devoted to Paul Mescal's Winter Soldier, but some of those aspects felt a little rushed. Overall, it was a solid action flick and a good sequel to the first film." - Olive Carroll, Houston Chronicle









Rated PG-13 for intense action and thematic elements






Comic to Film: Captain America: Winter's End

 

In this edition of Comic to Film, we will take a look at the first of three Marvel Universe film set for release this season, Captain America: Winter's End. This second Captain America film brings back director Peter Berg (Captain America, Rainbow Six) and writer D.R. Cobb (Wonder Woman: Labyrinth, Captain America).












Wednesday, February 26, 2025

Now Showing: Captain America: Winter's End

 

Captain America: Winter's End
Genre: Action/Superhero/War
Director: Peter Berg
Writer: D.R. Cobb
Based on Marvel Comics character
Cast: Glen Powell, Paul Mescal, Willa Fitzgerald, Tom Selleck, Tom Burke, Noah Taylor, Alain Moussi, Eduardo Noriega, Andrea Londo, Danny Glover

Plot: At an extravagant Christmas-themed charity gala in the heart of Manhattan, James Rhodes (Danny Glover), CEO of Stark Industries, delivers a speech about supporting disabled veterans, especially during the holiday season. As Rhodes' heartfelt words draw applause from the crowd, a figure with a metal arm (Paul Mescal), codenamed Winter Soldier, assembles a sniper rifle from a high balcony. As Rhodes steps away from the podium, gunshots ring out. Panic spreads as guests scream and scramble for cover. Security rushes to escort an injured Rhodes to safety, but the Winter Soldier emerges and brutally dismantles two guards. SHIELD agents, led by Sharon Carter (Willa Fitzgerald), arrive on the scene, and pursue the Winter Soldier. Outside, Rhodes is rushed into an armored vehicle. The Winter Soldier pursues on a motorcycle. He fires a grenade launcher, blasting the armored vehicle off the road. The Winter Soldier walks towards the vehicle, ripping its doors off with his cybernetic arm. He drags Rhodes out of the vehicle, but before the Winter Soldier can execute Rhodes, Sharon and her SHIELD team catch up with them. Sharon opens fire at the Winter Soldier as the area becomes surrounded by more arriving SHIELD agents. The Winter Soldier realizes his chance to kill Rhodes is at an end. He detonates an explosive charge as a distraction, disappearing into the smoke and debris as Sharon tends to the severely injured Rhodes.

At SHIELD HQ in Washington, Steve Rogers (Glen Powell) enters a large conference room with his shield strapped to his back. The room falls silent as Tony Stark (Tom Selleck) begins the briefing. Stark presents footage of the Winter Soldier as James Buchanan Barnes, recalling their mission during World War II to take down the Red Skull. Stark confirms that Barnes has been working as Hydra's top assassin, somehow still alive after all these years. Stark explains that their intelligence indicates that Barnes is under the command of Baron Helmut Zemo, a rogue Hydra leader based on the Central American island of Cortena, where he has allied with the nation's military dictator, General Esteban. Stark presents Rogers and Carter with their mission: infiltrate Cortena and dismantle Zemo's operation. Rogers asks about rescuing Barnes. Stark warns Rogers that Barnes may not be redeemable. 

Hydra's base on Cortena is surrounded by jungle. Baron Helmut Zemo (Tom Burke) discusses the failure to kill James Rhodes with Barnes and Batroc (Alain Moussi), who chastises Barnes' failure. Barnes and Batroc begin to argue, but Zemo angrily silences them. He tells them that what matters most is focusing on the big picture - unleashing a chemical attack on SHIELD, which will mark the dawn of a new Hydra. Zemo orders Barnes back to the reconditioning chamber as Batroc looks on in disdain.

A SHIELD stealth aircraft soars high above the clouds under the cover of night. Inside Rogers and Sharon prepare for a HALO jump. Sharon reminds Rogers that HALO stands for High altitude, low opening, so if they miss their mark, they'll be splattered all over the jungle. The doors of the plane open and the two leap into the sky. As they plummet skillfully through the air, Sharon pulls her ripcord, but the parachute fails to deploy. She begins to panic. Rogers immediately notices her spiraling out of control. Without hesitation, he adjusts his trajectory, angling himself toward Sharon as the ground quickly races toward them. Rogers grabs hold of Sharon and pulls his own ripcord, and his parachute deploys. It's too late for a full recovery though. They crash into the jungle canopy at high speed. Rogers twists his body to shield Sharon from the impact. They hit the ground with a heavy thud, the force leaving Rogers winded but alive. Sharon expresses her gratitude to Rogers for saving her life just then. Together, they disappear into the shadows of the dense jungle.

Rogers and Sharon are suddenly surrounded by a militia group, guns trained on them from all sides. Ana Cortes (Andrea Londo) emerges, ordering Rogers and Sharon to drop their weapons. Ana's group of rebels binds Rogers and Sharon's hands, marching them to a camp hidden deep in the jungle. Ana confronts them, demanding to know why Hydra sent them. Rogers tries to explain that he and Sharon are not part of Hydra and have actually been sent to stop Hydra. Ana is not convinced though and explains that Cortena used to be a safe place, but once the government aligned with Hydra it became a battleground. Rogers looks Ana in the eyes and assures her that he is there to stop Hydra. She scoffs at one man being able to do anything against such a force. Rogers stands and easily breaks free from his bounds to the shock of Ana and her rebels. Rogers and Sharon explain their mission to Ana and the rebels. She offers her militia's resources and knowledge to help in the mission to stop Zemo and Hydra. She informs them that there is a Hydra outpost nearby that has been their main supply hub for months and offers to lead them there through the jungle.

The jungle is eerily quiet as Rogers, Sharon, and Ana's rebel team approach the Hydra outpost - a fortified cluster of buildings surrounded by barbed wire and a watchtower housing Hydra guards and a spotlight. Sharon slips away, scaling a tree to get a vantage point on the tower. She takes out the spotlight operator using a silenced pistol, then disables the light itself. The Hydra guards are now on high alert. Rogers leads a charge into the outpost, shield in hand. Hydra guards open fire on him, with the bullets deflecting off Rogers' shield. Rogers then hurls the shield, knocking out two guards in one motion. Ana and her rebels follow close behind, engaging in an intense firefight with the Hydra soldiers. Inside the compound, Sharon hacks into a computer terminal, downloading schematics and files on Zemo's operations. The team regroups near the central building, but are attacked by Batroc. The mercenary drops from a rooftop, acrobatically attacking Rogers, who uses his shield to block Batroc's blows and force him back. The fight is fast and brutal, but Rogers finally overpowers him, slamming Batroc back into a stack of crates. Batroc, bloodied but grinning, retreats into the shadows. As more Hydra reinforcements close in, Ana plants explosives on the supply caches, and the team retreats into the jungle as the explosives engulf the outpost in flames. Sharon begins reviewing the downloaded data, learning that Zemo is building weapons for an attack on SHIELD.

Baron Zemo oversees preparations in an refurbished Cold War era Hydra lab. An AI hologram of Arnim Zola (Noah Taylor) flickers to life as General Esteban (Eduardo Noriega) enters the room. He surveys the lab with suspicion. Zemo explains the purpose of the facility and its historical significance, highlighting how his father had laid the foundation for Hydra's presence in the region. Zemo speaks with pride about the Winter Soldier program, presenting it as a model for the new world order he envisions. Zola's hologram showcases footage of James Buchanan Barnes being experimented on decades earlier. Zola assures both Zemo and Esteban that any issues with the Winter Soldier's conditioning will be resolved. Zemo shifts to the larger picture, using Cortena's resources to aid his planned strike at SHIELD. Esteban listens intently, but is more concerned with how much power he will have in the planned new order. Zemo assures Esteban that their continued alliance will lead to more power than he can imagine. In the background, Barnes silently observes the conversation from his reconditioning chamber as his metal arm begins twitching faintly.

Rogers, Sharon, and Ana's rebels make their way through the jungle toward Zemo's main compound. As they walk Sharon quietly asks Rogers if his mission is more about saving Barnes or defeating Hydra. Rogers pauses for a moment while he thinks, finally suggesting that he can do both. They reach a narrow ravine with towering cliffs on either side. As they begin crossing, Hydra forces, led by the Winter Soldier, ambush them. The rebels fight back, but the ambush is overwhelming. Barnes moves down below, opening fire on Rogers. Rogers focuses on deflecting gunfire and taking out multiple enemies to protect the rebels. Sharon provides cover fire. Rogers finally comes face-to-face with Barnes. The two engage in a brutal hand-to-hand fight, Rogers trying to reason with the soldier he once fought alongside. Barnes remains expressionless as the fight continues. Meanwhile, Batroc enters the fray, flanking the rebels. Sharon tries to stop him, but she is knocked unconscious from a violent kick from Batroc. Hydra soldiers capture Ana and make her watch as they execute her remaining rebels. Rogers continues to battle Barnes, refusing to give up on him. Barnes manages to knock Rogers' shield away and begins hammering him with his metal arm. Rogers, Sharon, and Ana are all taken away by Hydra forces.

At SHIELD Headquarters, Tony Stark visits James Rhodes in the advanced medical facility where he's recovering from the attempt on his life. Rhodes asks to take a look at the intel on Hydra's activities in Cortena. While Rhodes looks over the intel, Stark paces the room, frustrated that Hydra could strike so close to home. Their conversation turns reflective as they discuss their history as Iron Man and War Machine in the 1980s. Rhodes then brings up Rogers, expressing doubts about whether an old-fashioned soldier is the best option to fight a modern Hydra threat. Stark defends Rogers, calling him the kind of hero the world still needs. 

Inside Zemo's compound, Rogers is restrained with fortified chains. Zemo enters and begins lecturing "Captain America" about the foolishness of clinging to his outdated ideals. Zemo reveals his plan to Rogers to launch a chemical missile at SHIELD Headquarters. Zemo activates a monitor, and Arnim Zola's AI hologram appears, explaining how Barnes was reconditioned to become the perfect solider, devoid of a past or humanity. Barnes then enters the room, his face emotionless. Zemo orders him to attack Rogers to prove his loyalty. Rogers pleads with him to remember the raid on Hydra's base all those decades earlier. Barnes doesn't respond and begins beating on Rogers in a brutal fashion. Sharon, hearing Rogers being beaten, calls out his name. A battered Captain America is dragged into a holding cell. Barnes watches, briefly hesitating as his eyes catch Rogers'. 

Rogers, Sharon, and Ana are locked in separate cells within Zemo's compound. Ana uses a loose pipe in her cell to knock out a guard, steals his keys, and frees herself and Sharon. Together they overpower another guard and retrieve weapons before breaking Rogers out of his cell. Rogers leads the way out of the facility, knocking out several Hydra operatives in the process with Sharon and Ana following close behind.

Later, Zemo meets with General Esteban at the presidential palace. Esteban implies that Zemo's rogue Hydra operations may be endangering his power in Cortena. Zemo listens calmly but coldly informs Esteban that Hydra does not share power. Esteban begins to argue and orders his guards to arrest Zemo, but the guards begin chanting "Hail Hydra!" Zemo then executes Esteban. Zemo thanks the guards for the loyalty, promising to make Cortena the launching point of a new global order.

Ana guides Rogers and Sharon into the heart of Cortena's capital, where Zemo has repurposed a Cold War-era Soviet silo to launch his chemical missile. They navigate narrow streets and cut through abandoned buildings, avoiding Hydra patrols. They sneak into the silo, fighting through a wave of guards as Zemo observes the assault from a control room high above the missile chamber. Zemo orders Barnes to intercept Rogers and Batroc to engage the others. Rogers enters the missile chamber as alarms blare, only to find Barnes waiting for him, ready for a fight. The two engage in a brutal battle. As they fight, Rogers pleads with Barnes, urging him to remember who he once was. Barnes rips the shield from Rogers' grasp, but hesitates, staring at the shield in his hands. Zemo's voice crackles through a communicator, commanding the Winter Solder to finish the mission and kill Captain America. Rogers manages to turn the tables and knock Barnes communicator away. Rogers gets his shield back and gains the upper-hand in the fight. Instead of delivering a finishing blow, Rogers releases Barnes and gives him a knowing nod. Barnes scrambles off.

Rogers climbs the staircase to the missile control room, where Zemo is waiting. As the missile's launch countdown ticks down, Rogers throws his shield at Zemo, knocking him into a wall. Zemo puts up a decent fight, but is no match for Rogers' super soldier strength. Rogers incapacitates Zemo and stops the missile launch with mere seconds to spare. Rogers hands Zemo off to Ana and her rebels to with him what they please. With Zemo defeated, his soldiers all stand down without a leader. Barnes leaves the silo, but as attacked by Batroc, who insists on finishing what Zemo started. Batroc uses his agility to land several blows on Barnes, but Barnes uses his mechanical arm to deliver several powerful punches, defeating Batroc. 

Ana approaches Rogers, thanking Captain America for helping rid her people of Hydra's control. Barnes approaches them, with Sharon on high alert and aiming her weapon at him. Barnes holds his hands up. Rogers tells Sharon to stand down. He confesses that he doesn't know how Hydra was able to control him all these years, and requests Rogers' help getting rid of the conditioning for good. The sound of aircraft roars overhead. SHIELD transport planes arrive led by Tony Stark and James Rhodes, bringing dozen of SHIELD agents along with them to help to arrest the remaining Hydra soldiers and help Ana and her people take back Cortena for good.

Back at SHIELD Headquarters, Rogers is called into Tony Stark's office. Stark plays surveillance footage of various superheroes in action: the Fantastic Four battling Annihilus, the Hulk rampaging through a city, Namor emerging from the ocean, and the Silver Surfer gliding through space. Stark informs Rogers of an impending threat - Galactus - and tells him that Earth will need heroes like him to stand together. He calls the prospective group of heroes The Avengers. Stark asks Rogers if he's willing to be part of a team to defend the planet. Rogers picks up his shield and gives Stark a determined nod.


In Development

 

Scarlet Witch: The cast of Scarlet Witch is reportedly set to fill out with a few talents from the first film returning in smaller, cameo capacities. Betsy Brandt (Scarlet, The Valet), Loren Dean (Dean, Ad Astra), and Kate Winslet (Scarlet, The Squared Circle) are set to return as Madeleine Frank, Robert Frank, and Natalya Maximoff, respectively. Leigh Janiak directs the Marvel Universe production from a script by Roy Horne.

The Ballad of Dwight Frye: BJ Novak (Vengeance, But What Am I?) and rock star Alice Cooper are set to join the cast of The Ballad of Dwight Frye from director Sam Mendes and writer D.R. Cobb. Novak will play Universal studios president Carl Laemmle Jr., while Cooper's role has not been disclosed. 

Dean: Carey Mulligan (Zero Hour, Run) and Dane DeHaan (The Mars Room, Life of a Champion) have joined the cast of Howard Dean political biopic, Dean. Mulligan will play a reporter, while DeHaan will play a political activist, both of whom cross paths with the Dea presidential campaign. George Clooney is directing and starring in the film. Alex Conn wrote the script.

Chicka Chicka Boom Boom: Animation director Peter Sohn (Elemental, The Good Dinosaur) is set to make his LRF debut with an animated film based on the children's picture book Chicka Chicka Boom Boom by Bill Martin Jr. and John Archambault. Julian Hilliard (Boy's Life, Amityville), Mykal-Michelle Harris ("Raven's Home", "Big Little Lies"), JJ Pantano (Unsung Hero, Foe), and Alexis Hannan (Halloween Candy) have all joined as part of the voice cast. Jacob Jones (Guy on the Fly, An Irish Rendezvous) has penned the adaptation.

Patient Zero: Cristin Milioti (Newbury Street, The Flash #2) and Brandon Sklenar (It Ends With Us, "1923") have been cast in the lead roles of the zombie thriller Patient Zero. Milioti plays a doctor trying to find the first zombie from an outbreak to create a cure, while Sklenar will play a mercenary hired to keep her safe. S. Craig Zahler (Territory, The Punisher: Last Exit) is set to direct the film from an original story by Matt Parker (Knievel, The Dark Tower IV: Wizard and Glass).

Fading Nights: Donald Glover (One By One, The Beat Goes On), Idris Elba (Zero Hour, Wish You Were Here), and Daveed Diggs (Run For Your Life, "Snowpiercer") are set to headline an urban crime drama for director Ryan Coogler (The Beat Goes On, Grand Theft Auto: San Andreas) and writer Jimmy Ellis (The Beauty, H.H.). Glover will play a man recently released from prison who finds himself pulled back into the criminal world alongside his brother (Diggs) and uncle (Elba).

Tuesday, February 25, 2025

PREMIERE MAGAZINE #314

 

The Roundup with Jeff Stockton (Season 32 Round 4)

 
 
 
The season had its first rough round at the box office of Season 32 with two films failing to turn profits. Here's The Roundup....



3. Orange Blossom
Welcome back Joshua Collins. He showed a different side of his writing with Orange Blossom. It is definitely a flawed film, but the relationships between the characters were well done.

2. Award Races
I don't think very many nominations are going to come from the first 4 rounds this season - and the Metascores seem to back me up there. Of the season's first 12 releases, I'm not sure there's a Best Picture nominee in the bunch (although there are a few films that I think will get some of the smaller nominations).

1. Phantasm: Awakening
Writers Horne and Malone had a tricky task here as Phantasm fans (or Phans as they call themselves) are known to be one of the most devoted horror fanbases in all the land. I think this remake/reboot did a good job of honoring the original while adding smaller elements into the story to make it feel bigger. And they nailed the Tall Man casting, in my opinion, which could not have been easy.


3. Joseph Gordon-Levitt & Margaret Qualley
As you all know, I occasionally have a habit of pointing out nitpicks I have with otherwise solid/good/decent films.   In Orange Blossom, we are supposed to believe that 44 year old Joseph Gordon-Levitt and 30 year old Margaret Qualley were childhood friends/romantic interests. Both talents look young for their ages, but nowhere close to the same age, in my opinion. 

2. Love Death Revolution
Early on the story there is a very decently done forbidden romance between Shipka and Quinn's characters. Sadly it gets bogged down by subplots and a sluggish pace, taking a backseat to several less interesting and successful elements.

1. Box Office
This round barely squeaked out a profit this round with the season's worst box office yet. Next round has a Captain America sequel, so it surely has to turn out financially stronger than Round 4 was.

Monday, February 24, 2025

On Location (Season 32 Round 4)

 

Orange Blossom
- Clearwater, Florida, USA



Love, Death, Revolution
- Prague, Czech Republic



Phantasm: Awakening
- Ojai, California, USA

Box Office Breakdown (Season 32 Round 4)

 




Orange Blossom
Budget: $23,000,000
Total Box Office: $30,706,907
Total Profit: -$15,995,777











Love, Death, Revolution
Budget: $38,000,000
Total Box Office: $25,599,887
Total Profit: -$40,990,751











Phantasm: Awakening
Budget: $50,000,000
Total Box Office: $171,990,049
Total Profit: $60,017,797








Box Office Facts
Orange Blossom
Joshua Collins' latest film, his first since Season 28, did not do great at the box office. In fact, it became the lowest grossing film on his resume, grossing just $200,000 less than Nineteen Minutes, his previous lowest grossing film.

Love, Death, Revolution
Director Garth Davis is not off to a great start in terms of profits for his LRF career. After two films - Run and Love, Death, Revolution - the director's work has lost the studio $59 million.

Phantasm: Awakening
Horror reboots/remakes are on a positive trend at the box office for LRF. The previous five films that fit the criteria prior to Phantasm: Awakening have averaged a profit of roughly $61 million at the box office - which is almost exactly what this film pulled in.



Genre Rankings
Orange Blossom
Comedy: #70
Drama: #282

Love, Death, Revolution
Drama: #304
Romance: #34
Historical: #49

Phantasm: Awakening
Horror: #31
Fantasy: #69



Season 32 Round 4
Total Box Office: $228,296,843
Total Profit: $3,031,269

Season 32 Totals
Total Box Office: $2,075,241,382
Total Profit: $410,414,136





Season 32 Summary
1. Red Lantern Corps : $647,663,032
2. Monopoly : $459,560,933
3. Gargoyles: A Tale Old as Time : $429,582,229
4. Phantasm: Awakening : $171,990,049
5. Songbird : $161,140,388
6. An Irish Rendezvous : $60,209,570
7. Bigfoot : $43,830,645
8. Orange Blossom : $30,706,907
9. Love, Death, Revolution : $25,599,887
10. H.H. : $21,940,944
11. On Life and Living : $13,514,798
12. A Tale of Love and Darkness: $9,502,000

Sunday, February 23, 2025

Release: Phantasm: Awakening

 

Phantasm: Awakening
Genre: Horror/Fantasy
Director: David Robert Mitchell
Producer: JJ Abrams
Writers: Roy Horne & John Malone
Based on the film series
Cast: Wyatt Oleff, Joe Keery, Wyatt Russell, Christopher Heyerdahl, Lulu Wilson, Meg Foster, Elizabeth Lail, Dean Norris




Budget: $50,000,000
Domestic Box Office: $106,339,595
Foreign Box Office: $65,650,454
Total Profit: $60,017,797

Reaction: This one - the first collaboration between Horne and Malone - turned out to be quite the successful horror reboot of the cult franchise. This film was reportedly conceived as the first film in a trilogy, which the studio is confident saying has the green light now.




"Phantasm: Awakening resurrects the cult horror franchise with a fresh cast while maintaining its surreal interdimensional horror roots. Joe Keery and Wyatt Oleff deliver compelling performances as brothers battling the iconic Tall Man and his sentinel spheres, creating genuine emotional stakes amid supernatural chaos. The film's strengths lie in its atmospheric tension and intriguing cosmic horror elements, particularly the haunting Red Planet sequences. Despite a derivative plot and predictable narrative, the movie offers enough nostalgic thrills and sibling sacrifice to satisfy genre fans." - Ted Milo, Montasefilm



"Director David Robert Mitchell's latest is a well-told reimagining of the cult classic Phantasm series that shines mostly through its capable cast, anchored by a great villain performance from Christopher Heyerdahl. The results are solid, although it doesn't branch out much from the original." - Liv Simmons, Rogue River Press




"Phantasm: Awakening successfully reanimates the eerie, dreamlike terror of Don Coscarelli's 1979 cult classic while expanding its mythos for a new generation. The film retains the surreal, nightmare logic that made the original so haunting. The performances are all top-notch, especially Christopher Heyerdahl’s portrayal of the Tall Man is chilling, paying homage to the late Angus Scrimm without simply imitating him. While it may not surpass the sheer dread of Coscarelli’s masterpiece, Phantasm: Awakening is a worthy successor that respects the source material while carving out its own sinister identity." - Ken Hammerschmidt, Washington Post










Rated R for strong horror violence, disturbing images, language, and brief nudity.