The Great Beyond: Rounding out the cast of the sci-fi drama from director Ang Lee will be Ella Balinska (Charlie's Angels), Jeon Jong-seo (Burning) and Rainn Wilson ("Call My Agent", Blackwater). Balinska will play Idris Elba's daughter, Jong-seo will play John Cho's fiance, while Wilson will voice the astronaut's contact back at mission control. The film was written by Jimmy Ellis and Chad Taylor.
Harrelson: The true crime film, Harrelson, is also rounding out its cast. Nick Wechsler ("Revenge", "Dynasty"), Rhys Coiro (Huntress, Hustlers), Marin Ireland ("Sneaky Pete", The Irishman) and Sarah Snook ("Succession", Winchester) have all signed on to the project. Snook plays Harrelson's first wife, Ireland will play a woman he meets while in prison, Wechsler will play a shady lawyer with Coiro playing his convict brother. D.R. Cobb and Mo Buck penned the script, with David Mackenzie behind the camera.
Sunny Days: The fact-based professional wrestling drama Sunny Days has added Spencer Locke (Walk Ride Rode, Insidious: The Last Key), Matty Cardarople ("A Series of Unfortunate Events", Itsy Bitsy), Jason Dolley ("American Housewife", "Good Luck Charlie"), Brittany Snow (Parasite, "Almost Family") and Alan Ritchson (Masters of the Universe, "Showtime") to its cast. Locke will play the wrestler Sable, Cardarople will play Marc Mero, Dolley will play Billy Gunn, Snow will play Luna, while Ritchson will play Bret Hart. Bennett Miller is directing the film from a script by Jacob Jones.
The Stranger: Yorgos Lanthimos' absurdist dark comedy has added Tim Blake Nelson ("Watchmen", Hands on a Hard Body), Max von Sydow (The Squared Circle, Skyrim II: Dragonborn), Alexander Siddig ("Gotham", 21 Bridges) and Bill Camp (Cascade, Joker) to its ensemble cast. Dominic Wilkins has penned the film based on the novel by Albert Camus.
Uncharted 3: Ryan Reynolds (Bright Neon Lights, Don't Hang Up), Brie Larson (Hands on a Hard Body, Haute Couture), Bryan Cranston (Batman: Arkham, Uncharted 2) and Sofia Boutella (Uncharted 2, Alex + Ada) have all signed on to reprise their roles in Uncharted 3. Reynolds is back as treasure hunter Nathan Drake, Larson is back as reporter Elena Fisher, Cranston is back as Drake's mentor Sully, and Boutella is back is fellow treasure hunter Chloe Frazer. Brad Peyton (Rampage, Uncharted 2) is back behind the camera, while APJ (Batman: Arkham, Swamp Thing) once again wrote the script.
A Lost Sense of Heaven: Florence Pugh (Red Farm, One for the Ages) and Molly Parker ("Lost in Space", 1922) are set to star in the drama A Lost Sense of Heaven, from writer Chad Taylor (The Fall Guy, The Young Pretender) and director Lynne Ramsay (Before You Help, Riot Love). Pugh will play a young pregnant woman, while Parker will play her mother in prison.
Friday, January 31, 2020
Now Showing: The Great Beyond
The Great Beyond
Genre: Drama/Sci-Fi
Director: Ang Lee
Writers: Jimmy Ellis & Chad Taylor
Cast: Amy Adams, Idris Elba, John Cho, Naomie Harris, Ahn Sung-ki, Elsa Pataky, Ella Balinska, Jeon Jong-so, Rainn Wilson (voice)
Plot: In the vast openness of space, the three-person crew of the International Space Station begin to wake on their 88th day on the station. Terrence Lord (Idris Elba) is a British astronaut who is now in his third trip to space, the most of anyone on the crew. He wakes first and begins to have his "morning" meal before being joined by Park Sung-min (John Cho), the second Korean to ever fly aboard the ISS. Finally, they are joined by May Wilson (Amy Adams), the lone American and lone female on board. Their personalities differ but 3 months on the space station mean they've built a camaraderie where they talk like long-time friends. Terrence is brash and talkative while Sung-min has a more dry sense of humor (and sometimes struggles with English being his second language). May, meanwhile, is more reserved than the both of them but they still mesh well together.
Today, May conducts a spacewalk to repair part of the outside of the station. Terrence and Sung-min assist from the inside and all goes smoothly.
They are interrupted when they get an emergency alert on their ship's computer. They help May inside and phone in Graham (Rainn Wilson), their main line of communication at NASA. He makes sure they are all there together and delivers some sobering news: a previously undiscovered mile-wide asteroid is on a collision course with Earth in 20 hours’ time. The news has spread around the world and people are in shock and saying their goodbyes as this will likely wipe out human life on Earth. The astronauts are, just as everyone else, are in a bit of denial and ask if the planetary defense plans can do anything but Graham says that the short window means they can't.
After the denial has worn off a bit, the astronauts look face-to-face with Earth's fate. May asks her comrades if they should de-orbit to be with their families at the end. Terrence is all for this idea but Sung-min voices his concern that he is not sure if they would reach Earth in time. May says that, for her, it is worth the risk. They bring this idea to Graham but he says that not only could they not make it in time but there would be no one on the ground to assist their landing. Everyone has something bigger to worry about.
Graham tells them that NASA will try to get in contact with their families, if possible. The minutes feel like hours as millions of thoughts race through their minds at the moment. Terrence's wife Shauna (Naomie Harris) is first contacted and they both cry as they say their goodbyes. Terrence gives a message for each of his five kids and tells them that he loves them and will see them soon. Sung-min talks to his father, Jun-ho (Ahn Sung-ki), and Jun-ho reminds his son how proud he is of his accomplishments and Sung-min says he wouldn't have done it without a father like him. Unlike Terrence and Shauna, Sung-min and Jun-ho never touch directly on the asteroid and thus they act as if it is just any conversation. Graham gets back on the line and is sad to inform May that they were unable to get into contact with her spouse. May is devastated and briefly lashes out and pleads with Graham but he says that this is the end for him, too. It is time for him to go home with his family and say his goodbyes. Earth communication signs out for a final time.
The tense wait is on as the asteroid continues hurtling towards Earth. The three of them look at each other, they all join hands and close their eyes hoping for the best. The asteroid hits the Earth and straight away all water around it rippled in all directions, the land then was washed away. The contents of Earth are catapulted into the sky, slowly creating a uniform cloud over the Earth. It’s happening all around the world, Europe, Africa, Australia, Asia, Antarctica, South America and North America, there is nothing left. And it all happened in a flash.
Terrence is the first to open his eyes, he begins to tremble but no tears he is gobsmacked, he can’t believe what has just happened, the world is over. May opens her eyes at the same time as Sung-min, May begins crying and leaves the window to go back to her quarters. Sung-min continues looking at the blue planet turn red/orange before totally being blocked out by the dust and ashes entering its atmosphere. The Earth is know completely blocked out from the Sun, just as they had feared. Sung-min looks to Terrence as if to ask what just happened. No words delivered just silence. They stand in shock.
The days pass and they can't quite get themselves to speak about what has occurred. They are all smart, scientific people, but even they are struggling to come to terms with what has happened. Terrence pulls them together and tries to break the tension (if it could even be called that). Now that they can't go back, what were their last few days on Earth like? May says there is one moment that sticks out in her mind as the film cuts to a flashback sequence narrated by May.
May reveals that moments before she left to get on the shuttle, Vera (Elsa Pataky), her partner told her that the sperm donor worked that she has fallen pregnant. May has excitement written all over her face she hugs Vera and tells her that she will be back ASAP. She then kisses her on the cheek and gets on the shuttle, waving goodbye. Sung-min asks if she preferred a boy or a girl before immediately regretting asking. May tells him it is ok and says she would unconditionally loved whatever they had so it didn’t matter to her.
This brings a smile to Terrence's face - a rarity around these parts since the asteroid. He says that his lasting memory was on the opposite end of the spectrum. He and his wife were preparing to send their eldest of five, Jasmine (Ella Balinska), to university in the States. This was a monumental landmark in his parenting journey - except for one thing. Days after arriving, Jasmine told him that she wanted to drop out of school and join the street artist scene. Knowing how this would disappoint his mother, he kept this to himself and gave her money (on the down low) to help her pursue this. He feels guilty about having lied to his wife but felt that this scenario was the only one where everyone could be happy. In the present, he says that he knows she made some killer art.
Sung-min smiles when it gets to his turn to talk about his last days on Earth. In the memory, he took his father out for a round of golf and dinner after. Back in the present, May asks what they talked about over dinner. Sung-min struggles to remember before admitting that he was lying. He and his father weren't even on speaking terms. He spent those last few days alone. Terrence asks about the time they just spoke before the asteroid. Sung-min is at a loss for words and says that is the first time he and his dad had talked in 15 years, when Sung-min's fiancee died. He hangs his head in shame and says he didn't even know that his dad knew he was an astronaut. And then to hear him say he is proud of what Sung-min has become. May and Terrence put their arm around him and console him and he thanks them.
The realization starts to wash over them again that they have all lost people that are very close to them. However, how are they to feel about this when everyone else is gone too? Nothing in life prepares to mourn like this. They try to break up the gloominess by playing cards and getting back to routine activities but find it impossible. What's the point of anything anymore? May says that, as hard as it may be, they should use this opportunity to celebrate life as we knew it. A funeral for Earth, if you will.
Later, they all sit around and make small talk (which all feels different under these circumstances). They start to come to terms with the fact that human life - or at least this incarnation of it - is over. They are the last of it. May asks if they believe in an afterlife. Terrence, a devout Christian, says he knows there is. Because he knows his family is waiting for him. Sung-min, meanwhile, says that he has never been the religious type so he doesn't often think about the afterlife. He believes that human choices had direct consequences and played no part in a greater plan. When his fiancee died in a traffic accident, he struggled to accept that it was "meant to be". He ran through all the scenarios in his head of how he could have prevented it. All the little choices made that day that could have led to a different outcome. This guilt is what caused him to distance himself from others and he wanted to only be responsible for his own life.
Sung-min then posits that something will probably rise from the ashes of the old Earth. Life will emerge again and something - humans or not - will bring the planet back to prosperity. They know, as scientists, that Earth has a history of asteroid strikes and there was always the possibility. Maybe they can take solace in the fact that they are at the end of this cycle but at least it is a cycle that will continue turning.
May, who has mainly stayed silent on the religious and philosophical front, says she clings to the hope that there are alternate dimensions out there. Maybe a different dimension for every small decision that Sung-min just mentioned. Not heaven, really. People talk about heaven as a continuation. May would like to believe that there is somewhere out there where the asteroid missed and she and Vera are watching their kids play soccer and worrying about paying bills and all that jazz. At least that's what she'd like to think.
As time is passing, May, Terrence and Sung-min begin to become skinnier, and skinnier. Their supplies are running low, along with their motivation to go on. Terrence is getting dressed and his bones are visible, and sickly. May looks at a photo of her and Vera, where the difference in body is visible, she has no jaw line. Sung-Min just sits and day-dreams in the distance.
Terrence lays down, unable to sleep. Unprompted, he begins to cry. Sung-min comes from a different part of the station and lays down next to Terrence. In Terrence's comforting embrace, Sung-min starts to cry as well. This goes on unbroken for a minute straight.
Early the next morning, Terrence wakes both Sung-min and May and tells them that he has a request. He says that he is ready to go and needs their help in exiting the space station. They try to convince him to stay with them so they can ride it out together but he is adamant that his decision is the right one. He's ready to see his family again. He reminds Sung-min the things he said earlier about choices, well this is Terrence’s final choice. Sung-min is still unsure but May says they should help him out. Terrence exits the station for a spacewalk without a helmet and succumbs to quick death due to the lack of oxygen.
After Terrence's passing, Sung-min and May sense that the end is near for their bodies. They debate going out the way he did, to end it there but they want to die in someone else's company. May proposes that they board The Soyuz (which transports humans to and from the Space Station) and face the darkness unafraid. Sung-min cracks a smile and says why not? They load up in The Soyuz and head out into the unknown. May starts fading first and lays her head on Sung-min's shoulder.
As May starts passing out the screen goes black and then lights up with white. May is with Vera and gives her a kiss. She hears a laugh from behind her and a little girl, a toddler, runs and hugs her leg. May chases her around the house laughing and catches her she picks her up and gives her a huge hug. Vera walks over and the happy family group hug.
Sung-min is on Earth, about to get on the shuttle. This time, his father is there and gives him a hug before he leaves. To his surprise, his youthful-looking fiancee Yu-mi (Jeon Jong-so) is also there and gives him a kiss before he leaves. He steps aboard the ship.
The ISS floats alone in the open void of space, on the brink of the great beyond.
Genre: Drama/Sci-Fi
Director: Ang Lee
Writers: Jimmy Ellis & Chad Taylor
Cast: Amy Adams, Idris Elba, John Cho, Naomie Harris, Ahn Sung-ki, Elsa Pataky, Ella Balinska, Jeon Jong-so, Rainn Wilson (voice)
Plot: In the vast openness of space, the three-person crew of the International Space Station begin to wake on their 88th day on the station. Terrence Lord (Idris Elba) is a British astronaut who is now in his third trip to space, the most of anyone on the crew. He wakes first and begins to have his "morning" meal before being joined by Park Sung-min (John Cho), the second Korean to ever fly aboard the ISS. Finally, they are joined by May Wilson (Amy Adams), the lone American and lone female on board. Their personalities differ but 3 months on the space station mean they've built a camaraderie where they talk like long-time friends. Terrence is brash and talkative while Sung-min has a more dry sense of humor (and sometimes struggles with English being his second language). May, meanwhile, is more reserved than the both of them but they still mesh well together.
Today, May conducts a spacewalk to repair part of the outside of the station. Terrence and Sung-min assist from the inside and all goes smoothly.
They are interrupted when they get an emergency alert on their ship's computer. They help May inside and phone in Graham (Rainn Wilson), their main line of communication at NASA. He makes sure they are all there together and delivers some sobering news: a previously undiscovered mile-wide asteroid is on a collision course with Earth in 20 hours’ time. The news has spread around the world and people are in shock and saying their goodbyes as this will likely wipe out human life on Earth. The astronauts are, just as everyone else, are in a bit of denial and ask if the planetary defense plans can do anything but Graham says that the short window means they can't.
After the denial has worn off a bit, the astronauts look face-to-face with Earth's fate. May asks her comrades if they should de-orbit to be with their families at the end. Terrence is all for this idea but Sung-min voices his concern that he is not sure if they would reach Earth in time. May says that, for her, it is worth the risk. They bring this idea to Graham but he says that not only could they not make it in time but there would be no one on the ground to assist their landing. Everyone has something bigger to worry about.
Graham tells them that NASA will try to get in contact with their families, if possible. The minutes feel like hours as millions of thoughts race through their minds at the moment. Terrence's wife Shauna (Naomie Harris) is first contacted and they both cry as they say their goodbyes. Terrence gives a message for each of his five kids and tells them that he loves them and will see them soon. Sung-min talks to his father, Jun-ho (Ahn Sung-ki), and Jun-ho reminds his son how proud he is of his accomplishments and Sung-min says he wouldn't have done it without a father like him. Unlike Terrence and Shauna, Sung-min and Jun-ho never touch directly on the asteroid and thus they act as if it is just any conversation. Graham gets back on the line and is sad to inform May that they were unable to get into contact with her spouse. May is devastated and briefly lashes out and pleads with Graham but he says that this is the end for him, too. It is time for him to go home with his family and say his goodbyes. Earth communication signs out for a final time.
The tense wait is on as the asteroid continues hurtling towards Earth. The three of them look at each other, they all join hands and close their eyes hoping for the best. The asteroid hits the Earth and straight away all water around it rippled in all directions, the land then was washed away. The contents of Earth are catapulted into the sky, slowly creating a uniform cloud over the Earth. It’s happening all around the world, Europe, Africa, Australia, Asia, Antarctica, South America and North America, there is nothing left. And it all happened in a flash.
Terrence is the first to open his eyes, he begins to tremble but no tears he is gobsmacked, he can’t believe what has just happened, the world is over. May opens her eyes at the same time as Sung-min, May begins crying and leaves the window to go back to her quarters. Sung-min continues looking at the blue planet turn red/orange before totally being blocked out by the dust and ashes entering its atmosphere. The Earth is know completely blocked out from the Sun, just as they had feared. Sung-min looks to Terrence as if to ask what just happened. No words delivered just silence. They stand in shock.
The days pass and they can't quite get themselves to speak about what has occurred. They are all smart, scientific people, but even they are struggling to come to terms with what has happened. Terrence pulls them together and tries to break the tension (if it could even be called that). Now that they can't go back, what were their last few days on Earth like? May says there is one moment that sticks out in her mind as the film cuts to a flashback sequence narrated by May.
May reveals that moments before she left to get on the shuttle, Vera (Elsa Pataky), her partner told her that the sperm donor worked that she has fallen pregnant. May has excitement written all over her face she hugs Vera and tells her that she will be back ASAP. She then kisses her on the cheek and gets on the shuttle, waving goodbye. Sung-min asks if she preferred a boy or a girl before immediately regretting asking. May tells him it is ok and says she would unconditionally loved whatever they had so it didn’t matter to her.
This brings a smile to Terrence's face - a rarity around these parts since the asteroid. He says that his lasting memory was on the opposite end of the spectrum. He and his wife were preparing to send their eldest of five, Jasmine (Ella Balinska), to university in the States. This was a monumental landmark in his parenting journey - except for one thing. Days after arriving, Jasmine told him that she wanted to drop out of school and join the street artist scene. Knowing how this would disappoint his mother, he kept this to himself and gave her money (on the down low) to help her pursue this. He feels guilty about having lied to his wife but felt that this scenario was the only one where everyone could be happy. In the present, he says that he knows she made some killer art.
Sung-min smiles when it gets to his turn to talk about his last days on Earth. In the memory, he took his father out for a round of golf and dinner after. Back in the present, May asks what they talked about over dinner. Sung-min struggles to remember before admitting that he was lying. He and his father weren't even on speaking terms. He spent those last few days alone. Terrence asks about the time they just spoke before the asteroid. Sung-min is at a loss for words and says that is the first time he and his dad had talked in 15 years, when Sung-min's fiancee died. He hangs his head in shame and says he didn't even know that his dad knew he was an astronaut. And then to hear him say he is proud of what Sung-min has become. May and Terrence put their arm around him and console him and he thanks them.
The realization starts to wash over them again that they have all lost people that are very close to them. However, how are they to feel about this when everyone else is gone too? Nothing in life prepares to mourn like this. They try to break up the gloominess by playing cards and getting back to routine activities but find it impossible. What's the point of anything anymore? May says that, as hard as it may be, they should use this opportunity to celebrate life as we knew it. A funeral for Earth, if you will.
Later, they all sit around and make small talk (which all feels different under these circumstances). They start to come to terms with the fact that human life - or at least this incarnation of it - is over. They are the last of it. May asks if they believe in an afterlife. Terrence, a devout Christian, says he knows there is. Because he knows his family is waiting for him. Sung-min, meanwhile, says that he has never been the religious type so he doesn't often think about the afterlife. He believes that human choices had direct consequences and played no part in a greater plan. When his fiancee died in a traffic accident, he struggled to accept that it was "meant to be". He ran through all the scenarios in his head of how he could have prevented it. All the little choices made that day that could have led to a different outcome. This guilt is what caused him to distance himself from others and he wanted to only be responsible for his own life.
Sung-min then posits that something will probably rise from the ashes of the old Earth. Life will emerge again and something - humans or not - will bring the planet back to prosperity. They know, as scientists, that Earth has a history of asteroid strikes and there was always the possibility. Maybe they can take solace in the fact that they are at the end of this cycle but at least it is a cycle that will continue turning.
May, who has mainly stayed silent on the religious and philosophical front, says she clings to the hope that there are alternate dimensions out there. Maybe a different dimension for every small decision that Sung-min just mentioned. Not heaven, really. People talk about heaven as a continuation. May would like to believe that there is somewhere out there where the asteroid missed and she and Vera are watching their kids play soccer and worrying about paying bills and all that jazz. At least that's what she'd like to think.
As time is passing, May, Terrence and Sung-min begin to become skinnier, and skinnier. Their supplies are running low, along with their motivation to go on. Terrence is getting dressed and his bones are visible, and sickly. May looks at a photo of her and Vera, where the difference in body is visible, she has no jaw line. Sung-Min just sits and day-dreams in the distance.
Terrence lays down, unable to sleep. Unprompted, he begins to cry. Sung-min comes from a different part of the station and lays down next to Terrence. In Terrence's comforting embrace, Sung-min starts to cry as well. This goes on unbroken for a minute straight.
Early the next morning, Terrence wakes both Sung-min and May and tells them that he has a request. He says that he is ready to go and needs their help in exiting the space station. They try to convince him to stay with them so they can ride it out together but he is adamant that his decision is the right one. He's ready to see his family again. He reminds Sung-min the things he said earlier about choices, well this is Terrence’s final choice. Sung-min is still unsure but May says they should help him out. Terrence exits the station for a spacewalk without a helmet and succumbs to quick death due to the lack of oxygen.
After Terrence's passing, Sung-min and May sense that the end is near for their bodies. They debate going out the way he did, to end it there but they want to die in someone else's company. May proposes that they board The Soyuz (which transports humans to and from the Space Station) and face the darkness unafraid. Sung-min cracks a smile and says why not? They load up in The Soyuz and head out into the unknown. May starts fading first and lays her head on Sung-min's shoulder.
As May starts passing out the screen goes black and then lights up with white. May is with Vera and gives her a kiss. She hears a laugh from behind her and a little girl, a toddler, runs and hugs her leg. May chases her around the house laughing and catches her she picks her up and gives her a huge hug. Vera walks over and the happy family group hug.
Sung-min is on Earth, about to get on the shuttle. This time, his father is there and gives him a hug before he leaves. To his surprise, his youthful-looking fiancee Yu-mi (Jeon Jong-so) is also there and gives him a kiss before he leaves. He steps aboard the ship.
The ISS floats alone in the open void of space, on the brink of the great beyond.
Thursday, January 30, 2020
The Roundup with Jeff Stockton (Season 14 Round 7)
Another round in the rear-view mirror, and we're another round closer to the Golden Reel Awards. Here's The Roundup....
3. Tobey Maguire
It was nice to see Tobey Maguire back on the big screen. The film wasn't to my liking, but Maguire was not one of the issues in the film. He gave a solid, emotional performance.
2. Y: The Last Man
I do dislike it when a film doesn't tell a complete story, instead telling just part of a story with plans for a franchise. Y: The Last Man did that, but it didn't bother me as much as it usually does. The film just had so much fun energy to it.
1. Born in Brooklyn
I really enjoyed Born in Brooklyn. The cast was great and the story was not what I was expecting - in a good way. I could see it garnering at least a few GRA nominations (Best Director, Best Supporting Actor & Actress, Best Original Story, Best Production Design, etc.).
3. Female Leads
This season has had a lack of quality female lead roles, even more so than usual. At this point, I don't even think there is a front runner in the Best Actress category. It's likely going to be a toss up in terms of the nominations, with some actresses getting nominations that probably wouldn't be nominated in other seasons.
2. Box Office
The box office was a little light this round, even with Y: The Last Man being a solid hit. And looking at the upcoming schedule, outside of the upcoming sequels, I don't think there are any sure things for the rest of the season.
1. Sabbatical Recovery
I was not a fan of Sabbatical Recovery. It was long and depressing, and didn't really seem to go anywhere at the end of the day. It wasn't a complete train wreck, as some thought clearly went into the story, but I think those thoughts ended up focused on the wrong aspects of the plot.
3. Tobey Maguire
It was nice to see Tobey Maguire back on the big screen. The film wasn't to my liking, but Maguire was not one of the issues in the film. He gave a solid, emotional performance.
2. Y: The Last Man
I do dislike it when a film doesn't tell a complete story, instead telling just part of a story with plans for a franchise. Y: The Last Man did that, but it didn't bother me as much as it usually does. The film just had so much fun energy to it.
1. Born in Brooklyn
I really enjoyed Born in Brooklyn. The cast was great and the story was not what I was expecting - in a good way. I could see it garnering at least a few GRA nominations (Best Director, Best Supporting Actor & Actress, Best Original Story, Best Production Design, etc.).
3. Female Leads
This season has had a lack of quality female lead roles, even more so than usual. At this point, I don't even think there is a front runner in the Best Actress category. It's likely going to be a toss up in terms of the nominations, with some actresses getting nominations that probably wouldn't be nominated in other seasons.
2. Box Office
The box office was a little light this round, even with Y: The Last Man being a solid hit. And looking at the upcoming schedule, outside of the upcoming sequels, I don't think there are any sure things for the rest of the season.
1. Sabbatical Recovery
I was not a fan of Sabbatical Recovery. It was long and depressing, and didn't really seem to go anywhere at the end of the day. It wasn't a complete train wreck, as some thought clearly went into the story, but I think those thoughts ended up focused on the wrong aspects of the plot.
Wednesday, January 29, 2020
On Location (Season 14 Round 7)
Born in Brooklyn
- Brooklyn, New York, USA
- Yonkers, New York, USA
Y: The Last Man
- Boston, Massachusetts, USA
- Los Angeles, California, USA
Sabbatical Recovery
- Chicago, Illinois, USA
- Brooklyn, New York, USA
- Yonkers, New York, USA
Y: The Last Man
- Boston, Massachusetts, USA
- Los Angeles, California, USA
Sabbatical Recovery
- Chicago, Illinois, USA
Box Office Breakdown (Season 14 Round 7)
Born in Brooklyn
Budget: $43,000,000
Total Box Office: $100,573,331
Total Profit: $20,128,404
Y: The Last Man
Budget: $80,000,000
Total Box Office: $280,337,896
Total Profit: $48,119,010
Sabbatical Recovery
Budget: $24,000,000
Total Box Office: $26,578,377
Total Profit: -$26,188,503
Box Office Facts:
Born in Brooklyn
Dwight Gallo has now written 21 movies for Last Resort Films, with 18 of them grossing over $100 million at the box office. Born in Brooklyn is the lowest grossing of those 18 films, barely crossing the $100 million mark.
Y: The Last Man
Jack Reynor is off to a good start as a leading man, with it out-grossing all of the other LRF films he's appeared in. His previous highest grossing film was Torso, which grossed just under $275 million compared to the $280 million Y: The Last Man grossed.
Sabbatical Recovery
Sabbatical Recovery became the lowest grossing film of the season so far by a large margin with a gross of approximately $26.5 million. This is less than half of the season's next lowest grossing film, The Young Pretender ($53.8 million).
Genre Rankings:
Born in Brooklyn
Drama: #50
Y: The Last Man
Adventure: #18
Sci-Fi: #41
Sabbatical Recovery
Drama: #138
Season 14 Round 7
Total Box Office: $407,489,604
Total Profit: $42,059,911
Season 14 Totals
Total Box Office: $4,519,403,916
Total Profit: $704,367,486
Season 14 Total Box Office Summary
1. Superman: The Man of Tomorrow - $1,200,035,705
2. Captain Atom 2 - $359,703,502
3. The Fall Guy - $327,561,974
4. Tales of Skyrim: Stormcloak - $303,967,771
5. Aliens vs. Predator: The First Hunt - $302,038,080
6. Oh Deer - $293,644,485
7. Y: The Last Man - $280,337,896
8. Red Sonja - $252,600,908
9. Black Lightning - $232,107,670
10. The Temptations - $138,681,418
11. Born in Brooklyn - $100,573,331
12. Julie - $96,351,124
13. The Devil's Passage - $96,266,756
14. The Letter J - $96,100,755
15. Walker - $89,852,959
16. Scream 5 - $79,445,884
17. The Refugee - $63,546,384
18. Zombielove - $62,794,407
19. The Young Pretender - $62,395,522
20. Germinal - $53,819,008
21. Sabbatical Recovery - $26,578,377
Budget: $43,000,000
Total Box Office: $100,573,331
Total Profit: $20,128,404
Y: The Last Man
Budget: $80,000,000
Total Box Office: $280,337,896
Total Profit: $48,119,010
Sabbatical Recovery
Budget: $24,000,000
Total Box Office: $26,578,377
Total Profit: -$26,188,503
Box Office Facts:
Born in Brooklyn
Dwight Gallo has now written 21 movies for Last Resort Films, with 18 of them grossing over $100 million at the box office. Born in Brooklyn is the lowest grossing of those 18 films, barely crossing the $100 million mark.
Y: The Last Man
Jack Reynor is off to a good start as a leading man, with it out-grossing all of the other LRF films he's appeared in. His previous highest grossing film was Torso, which grossed just under $275 million compared to the $280 million Y: The Last Man grossed.
Sabbatical Recovery
Sabbatical Recovery became the lowest grossing film of the season so far by a large margin with a gross of approximately $26.5 million. This is less than half of the season's next lowest grossing film, The Young Pretender ($53.8 million).
Genre Rankings:
Born in Brooklyn
Drama: #50
Y: The Last Man
Adventure: #18
Sci-Fi: #41
Sabbatical Recovery
Drama: #138
Season 14 Round 7
Total Box Office: $407,489,604
Total Profit: $42,059,911
Season 14 Totals
Total Box Office: $4,519,403,916
Total Profit: $704,367,486
Season 14 Total Box Office Summary
1. Superman: The Man of Tomorrow - $1,200,035,705
2. Captain Atom 2 - $359,703,502
3. The Fall Guy - $327,561,974
4. Tales of Skyrim: Stormcloak - $303,967,771
5. Aliens vs. Predator: The First Hunt - $302,038,080
6. Oh Deer - $293,644,485
7. Y: The Last Man - $280,337,896
8. Red Sonja - $252,600,908
9. Black Lightning - $232,107,670
10. The Temptations - $138,681,418
11. Born in Brooklyn - $100,573,331
12. Julie - $96,351,124
13. The Devil's Passage - $96,266,756
14. The Letter J - $96,100,755
15. Walker - $89,852,959
16. Scream 5 - $79,445,884
17. The Refugee - $63,546,384
18. Zombielove - $62,794,407
19. The Young Pretender - $62,395,522
20. Germinal - $53,819,008
21. Sabbatical Recovery - $26,578,377
Tuesday, January 28, 2020
Release: Sabbatical Recovery
Sabbatical Recovery
Genre: Drama/Comedy
Director: Mike Mills
Writer: H.G. Hansen
Cast: Tobey Maguire, Kirsten Dunst, Jason Bateman, Kate McKinnon, Noah Wyle, Fiona Shaw, Columbus Short
Budget: $24,000,000
Domestic Box Office: $16,130,402
Foreign Box Office: $10,447,975
Total Profit: -$26,188,503
Reaction: There goes the streak of five consecutive profitable films, including two dramas. It’s hard to see exactly why this one performed so poorly at the box office, but we at the studio suspect that Tobey Maguire may not have the same kind of draw at the box office that he once had and the film’s subject matter isn’t exactly a marketing department’s dream come true.
“Despite being labeled as a drama/comedy, there is little to no comedy to be found here. The film tries to tackle sensitive subjects like suicide, rape and AIDS, but doesn’t handle them with much subtlety. It was a serious drama with a couple slightly light-hearted moments, but that doesn't exactly say comedy to me. If the filmmakers would have simply on the drama they may have been able to more successfully walk the tightrope they put themselves on with their chosen material.” - Lisa Winger, Newsday
“I’m not usually one to have issues with more depressing subject matter. The problem with Sabbatical Recovery though is that the characters themselves are so depressed and negative about their lives that it begins to wear thin pretty quickly. The actors did a good job with the material, but I would say I had a problem with the material they were given.” - Janelle Arbor, Vogue
“It’s been a while since Tobey Maguire has graced the big screen, and here in Sabbatical Recovery he is given a showy role to show off his talents. He wrings every ounce of energy out of the role, easily giving the film’s best performance.” - Richard Park, Globe and Mail
Genre: Drama/Comedy
Director: Mike Mills
Writer: H.G. Hansen
Cast: Tobey Maguire, Kirsten Dunst, Jason Bateman, Kate McKinnon, Noah Wyle, Fiona Shaw, Columbus Short
Budget: $24,000,000
Domestic Box Office: $16,130,402
Foreign Box Office: $10,447,975
Total Profit: -$26,188,503
Reaction: There goes the streak of five consecutive profitable films, including two dramas. It’s hard to see exactly why this one performed so poorly at the box office, but we at the studio suspect that Tobey Maguire may not have the same kind of draw at the box office that he once had and the film’s subject matter isn’t exactly a marketing department’s dream come true.
“Despite being labeled as a drama/comedy, there is little to no comedy to be found here. The film tries to tackle sensitive subjects like suicide, rape and AIDS, but doesn’t handle them with much subtlety. It was a serious drama with a couple slightly light-hearted moments, but that doesn't exactly say comedy to me. If the filmmakers would have simply on the drama they may have been able to more successfully walk the tightrope they put themselves on with their chosen material.” - Lisa Winger, Newsday
“I’m not usually one to have issues with more depressing subject matter. The problem with Sabbatical Recovery though is that the characters themselves are so depressed and negative about their lives that it begins to wear thin pretty quickly. The actors did a good job with the material, but I would say I had a problem with the material they were given.” - Janelle Arbor, Vogue
“It’s been a while since Tobey Maguire has graced the big screen, and here in Sabbatical Recovery he is given a showy role to show off his talents. He wrings every ounce of energy out of the role, easily giving the film’s best performance.” - Richard Park, Globe and Mail
Rated R for language, some sexual content and strong thematic elements
Top 10 Non-Superhero Comic Adaptations
Sherman J. Pearson here for another edition of Top 10. Following the release of Y: The Last Man, I thought it would be interesting to take a look at the studio's comic adaptations that are not superhero related.
Top 10 Non-Superhero Comic Adaptations
10. Luky Luke and the Daltons
9. Lucky Luke and Calamity Jane
8. Akira
7. Rachel Rising
6. XIII
5. Alex + Ada
4. Lucky Luke and Billy the Kid
3. Sweet Tooth
2. Y: The Last Man
1. Torso
Top 10 Non-Superhero Comic Adaptations
10. Luky Luke and the Daltons
9. Lucky Luke and Calamity Jane
8. Akira
7. Rachel Rising
6. XIII
5. Alex + Ada
4. Lucky Luke and Billy the Kid
3. Sweet Tooth
2. Y: The Last Man
1. Torso
Monday, January 27, 2020
Now Showing: Sabbatical Recovery
Sabbatical Recovery
Genre: Drama/Comedy
Director: Mike Mills
Writer: H.G. Hansen
Cast: Tobey Maguire, Kirsten Dunst, Jason Bateman, Kate McKinnon, Noah Wyle, Fiona Shaw, Columbus Short
Plot: Jack Walker (Jason Bateman) and Sandra Wells (Kristen Dunst) are having a romantic date at home as Barry White plays out. Sandra suggests they go to the bedroom. Jack makes a joke as they begin to head over. Jack hears the phone and goes to pick it up. Sandra tells him to ignore it. Jack explains it may be Maxwell asking him something about work. He tells her to go on ahead and he quickly wraps it up. He turns to go but the phone rings again. He turns answers like he thinks it’s work but is interrupted. The call turns out to be from a hospital.
Jack and Sandra head down the halls as Sandra asks why they are helping Toby. Jack tells her it’s because none of his relatives are nearby or they’ll lock him up for a while. Sandra doesn’t get it and Jack explains further it’s so he’ll be safe. They head inside as it is almost a concerning moment till Toby makes a smartass joke about how Sandra looks like she’s just coming from a slumber party. Sandra gets upset and goes to get something. Toby makes one more comment about how Sandra, out of all his dumb girlfriends, he likes the best. Jack sighs as he tells him how happy suicide hasn’t slowed his comedy. Toby asks why he is here and Jack replies he’s taking him to his home to stay for a while. Toby refuses till Jack tells him the hospital will put him in a ward if he doesn’t. Toby groans as Jack makes a joke about how he feels the same.
“Why Can’t I Change” by Passenger plays over a montage of Toby’s, Jack’s, and Sandra’s drive back home. Toby stares out the window in the backseat as Sandra seem busy not paying attention to Toby. Jack has the look of a man who is preparing himself for later. An overshot angle shows their drive as it also shows the title card.
They get to the house and Toby doesn’t wait to make a comment about how the management business must in recline with the rest of the world. Sandra makes a look at him and Jack sighs deeper than usual.
We go to Jack’s brother, Maxwell Walker (Noah Wyle), asking him at a bar the next night why he chooses to bring him to his home. Jack makes a case of how he has no one to turn. Max tells it’s cause no one likes to be around him, not even their sister when she dated him. Max makes a case hoe he always makes things uncomfortable as if it’s his superpower. Jack makes a case how he’s made something of himself by being a famous author but Max reminds him it was off of only one. He goes further on how Toby’s attitude during the book tour is the reason no one wants to work with him ever. Jack then reminds him of how Toby never meets his father and how he didn’t even show up when he was famous. Max gives up and tells him to be careful. Jack has a good life going for him and Max doesn’t want to see Toby shake it up. Max drinks his beer and orders another set as Jack starts to look worried.
Jack and Sandra wake up to see Toby making breakfast. It looks like he’s serving them till they see the food is for him. They calmly go get their breakfast as they carefully ask him what happened last night. Toby just tells them it was a bad day plainly. He tries to refocus the conversation to what’s new with them. It’s been a while since they all talked. Jack and Sandra tell him they’re getting married soon. Toby congratulates them then makes a joke about when the baby arrives. Sandra makes a face at Toby. Jack goes back to why wasn’t Toby’s mother there last night. Toby grows quiet as he avoids answering. He gets up and cleans his dishes. Jack tells him Sandra will be here if he needs anything. Sandra makes a face at him and Jack reminds her it’s only for today. Jack heads out leaving Toby and Sandra making a bet of how long it will take for them to destroy each other.
Jack walks into the office of Dr. Kate Carsen (Kate McKinnon). Jack thanks her for the meeting but she says it’s no problem since she knows Maxwell. Jack thinks they dated but Max dated her sister, who is white. Dr. Kate makes Jack uncomfortable only as a joke. Kate asks what Jack is doing in her office. Jack asks for her help with Toby and explains what happened last night. Kate didn’t look interested at first until she finds out he’s the writer of her favorite book.
Sandra runs on an errand and leaves Toby alone. Toby calls an Uber and drives to a nursing home. He meets his mom Lacey Connors (Fiona Shaw) and they have a talk. He tells her tried to end himself and she doesn’t act surprised as she actually expected it. Toby reveals to her that she wasn’t the perfect parent, how she tore him down and how she never was interested in him as a kid. Lacey asks if there is anything else he wants to say. Having no effect on her, he leaves the room.
Toby arrives back to the house as Jack and Sandra wait outside for him. Jack freaks out as Toby doesn’t tell them where he went. Jack tells him he’s gonna see a shrink. Toby doesn’t agree but gives up anyway. We then get sessions of Dr. Carsen trying to figure Toby has too impressive of misdirecting the conversation. Dr. Carsen then digs deep as she can see something is eating Toby alive and then goes on how she thinks he sabotaged himself during his book tour. Toby gets uncomfortable and leaves abruptly.
A backyard barbeque is seen with Jack’s and Sandra’s place. Many of their neighbors and friends attend. Everyone is having a good time as Toby sits in lawn chairs by himself. The neighbors gossip about Toby and then make fun of him till Toby tells them that the suicide, that everyone cares so much about, didn’t kill his hearing. They quiet down as Jack is talking to Max about how their business is failing as some money is missing. Max reacts shocked by the news. They continue to talk as Jack says he’ll have to lay off people now. Max excuses himself as he has to go to the bathroom and Toby watches him with interest. He sees Sandra talking to Alec Jefferies (Columbus Short) and gets up to walk away.
Jack and Sandra are cleaning up as Toby walks out looking around. Toby asks if he can help and Sandra makes a comment about how he could have been social. Toby makes a comment on how events that remind you of the past are for weaklings. Sandra makes an argument which Toby happily concedes to entertain “Housewife Barbie”. Jack stops it in its tracks and tells Sandra to head inside. Sandra quietly eyes Toby as she heads inside. Jack and Toby have a talk about how Toby needs to talk to Dr. Carsen but Toby makes a case how talking won’t solve his problems. Jack makes his case how he’s putting his neck out for him and his recovery. Toby backs up tells he’ll go back and continues to clean.
Toby is back at Dr. Kate Carsen’s office as they talk about Toby’s childhood. Toby tells her he was never good at making friends and his mom never helped to make him feel better. Carsen goes deeper and talks about what happened at the last book tour. Toby made a big scene and said unfavorable things about his fans. Toby just says it was a bad day. She always wants to talk about the famous rape scene in his book but Toby starts to wall up. Carsen tries even harder to get a clear answer but it upsets Toby and he rips into her and airs out her dirty laundry as he looked her up. He goes into how life sucks just like her marriage and how her family wants nothing to do with her. Dr. Carsen makes him leave as she can’t take being around someone who clearly hates himself more than anyone could.
Toby heads back home and Jack waits for him. Jack tries to find out why Dr. Carsen called him about the last session. Toby blows him off and Jack reaches his boiling point and kicks him out after Toby tells him he doesn’t owe him anything.
Days go by, Jack and Sandra are at their rehearsal dinner and their friends and family gather around. Sandra looks worried but not for how the rehearsal will go but if Toby will be in a sound mind to around people. Maxwell walks up to Jack and talks about how things are going. The rehearsal starts as we have the best man and bridesmaids give their speeches. We get to Maxwell till Toby walks in making a scene as he is “drunk as a spunk”. Toby takes over the speech and goes to make a revealing speech about how he’s responsible for Jack and Sandra meeting. He goes onto talking about how Sandra actually wanted to just get close to Maxwell and he talked her out of it. Then he goes to how he got published and how his ‘so-called friend” stopped calling after he started to get attention. Max tries to take the microphone away after Jack and Sandra signal him to. Toby dodges through the room and makes even more of an ass of himself. He goes to how one by one everyone he thought cared stopped even being around him, knowing full he’s never had, anyone. Max finally grabs the microphone away and Toby yells at him to give it back. Max tells him he had enough yet Toby replied: “Just like everyone had enough of your drug use?” He goes deeper into how he’s the reason Jack and Max’s business almost failed. Everyone is shocked as Toby explains how he knows a drug user when he sees one. He’s seen Max’s texts and emails. Jack reacts shocked by this and asks Max if it’s true. Max finally admits it and then goes to blame him for inviting Toby in the first place. Jack tries to avoid that but then Sandra goes in as they argue about how he never asked her about Toby staying. Toby then makes a comment about how she never asked Jack it was okay to sleep with other people when they were on break years ago. Sandra loses her cool as she unleashes all her problems with Toby and Toby shrugs her off by the stress of being unintelligent as a lying b-word. Sandra storms off as does Maxwell. Toby ends his speech obviously until he sees Alec Jefferies sitting at a table and freezes. He drops the microphone and quickly walks away from the damage he caused. The DJ tries to pick it up by starting the dancing leaving the room more uncomfortable.
Toby is seen in a hospital room as he looks like he has been given really bad news. He stares into space as he looks like his world has been shuttered.
Toby is at the back of the building, stumbling to light his cigarette. Jack walks out in a huff as he starts getting upset at him. But Toby interrupts him by asking help to light his cig. Jack does it and goes back to yelling at him, Toby interrupts again by thanking him for cleaning out those long overdue skeletons in the closet. Jack now explodes as he can’t believe he let him back into his life. He goes further about how everyone always tells him to leave Toby behind. “Like Alec Jefferies?” Toby says. Jack asks why that is relevant. Toby responds its cause Alec Jefferies is one who gave him AIDS. Jack is shocked as he figures out why he tried to kill himself. But Toby does one better as he tells him how Alec raped him in high school, the same day he stopped acting nice to people. Jack asks why he didn’t say anything. Toby tells him how since Alec was “the man” at high school no one would believe the trailer trash kid with no dad. Then he reveals how he wrote a book about to reveal the truth but everyone took it as fiction and made his suffering a joke. Jake then realizes that’s why he sabotaged his book tour. Toby tells him why he should ever care when the world always pushes him down. Jake sympathizes with him about how he wants to be his friend because he can’t stand how he always has it good. Toby connects with him a bit for the first time but Toby finishes his cigarette and walks away. Jake watches as his friend disappears in the darkness.
Jake walks up to the front as he sees Sandra talking to Alec. They notice him and stop talking. Alec asks Jake if he is alright but Jake punches him hard in the face knocking him down. Alec asks why and Jake tells him he knows what he did to Toby. Alec’s face says it all and tries to defend himself but Jake tells him to stay away from him and anyone he knows. Alec complies and walks away before things get worse. Sandra asks what that was about but Jake only wants to talk about their issues. They work them out and promise to actually be honest with each other. Suddenly, they see a car slam into a stone statue near them. They run up to see Toby in the driver seat, passed out. They try to get him and call for help.
Earlier in the day, Toby is seen in Dr. Kate Carsen’s office. Dr. Carsen doesn’t look happy to see him as Toby apologizes for the other day. Dr. Carsen makes a joke about if he thinks that’s the first time that happened; he’s stupider than she thought. Toby is more open with her as he reveals the novel is about him. The mother problems, his hard childhood, and then the night he was assaulted. Dr. Carsen makes an observation about how Toby doesn’t believe he deserves to be loved. She then goes to if he actually met his father yet. Toby reveals the story of how he actually did find him when he saw his father was already happily married and the reason he left. He found something better. Dr. Carsen makes a metaphor about poker, stating just because you get bad hand every turn, doesn’t make your bluff stronger. Toby gets up and thanks to the doc. He tells her he actually likes her for she sees the world for what it is. Dr. Carsen is shocked by this as Toby walks away.
Toby is lying on the hospital bed unconscious as Jake and Sandra sit together watching him. They talk about how Toby needs medical help. The right kind of help. Jake tells her what Toby told him earlier in a brief form. Sandra suddenly feels for Toby for the first time and wishes him well. She leaves to go grab a coffee as she needs to process what she was told. Maxwell enters before she leaves though. Max and Sandra share a look at each other as they both now feel the sting of the rehearsal. Max asks if Toby will be alright and Jake tells him dully he’ll live unfortunately for Max. Max tries to explain how the job was more than he thought it would be and he got caught up trying to keep up. Jake doesn’t hear it and told him the only reason Max still has a job is cause he can’t work alone. Jake then tells him he has to go to rehab or else he will hire someone to replace him. Max agrees but Jake tells him to do it now. Max thinks he’s kidding but Jake is dead serious considering he’s next to his friend’s lifeless body. Max gets the picture and leaves the room. Toby starts to wake up a bit and Jake tells him he’ll help him the right way this time. Toby weakly tells him though he’s not going with him and how it’s time to let the professional help. Jake asks him that’s what he truly wants and Toby tells him it’s time to stop making his problems everyone’s problems. Sandra makes a good joke about that and Toby laughs along. They all share a laugh as the camera pan away from them.
Jake visits Lacey in the nursing home. Jake tells her Toby is doing okay but Lacey doesn’t care about that. Jake finds how Lacey knew Toby had gotten assaulted and how he has AIDS. Jake is set back by this news and then rips into her about how bad of a mother she is and how it’s part of her fault her only son turned into a mess. Lacey pays no attention to him and makes a remark about life is hard. Jake leaves after telling her she is a horrible human being and Lacey admits without hesitation.
Toby can be seen in a room at a mental ward as Toby looks outside. His room has photos of Jake’s and Sandra’s wedding and they’re first kid which they named Toby. We see letters behind them. He admires the view as he can see nature untouched. He begins to tear up as he finally believes life will be better from here on.
Genre: Drama/Comedy
Director: Mike Mills
Writer: H.G. Hansen
Cast: Tobey Maguire, Kirsten Dunst, Jason Bateman, Kate McKinnon, Noah Wyle, Fiona Shaw, Columbus Short
Plot: Jack Walker (Jason Bateman) and Sandra Wells (Kristen Dunst) are having a romantic date at home as Barry White plays out. Sandra suggests they go to the bedroom. Jack makes a joke as they begin to head over. Jack hears the phone and goes to pick it up. Sandra tells him to ignore it. Jack explains it may be Maxwell asking him something about work. He tells her to go on ahead and he quickly wraps it up. He turns to go but the phone rings again. He turns answers like he thinks it’s work but is interrupted. The call turns out to be from a hospital.
Jack and Sandra head down the halls as Sandra asks why they are helping Toby. Jack tells her it’s because none of his relatives are nearby or they’ll lock him up for a while. Sandra doesn’t get it and Jack explains further it’s so he’ll be safe. They head inside as it is almost a concerning moment till Toby makes a smartass joke about how Sandra looks like she’s just coming from a slumber party. Sandra gets upset and goes to get something. Toby makes one more comment about how Sandra, out of all his dumb girlfriends, he likes the best. Jack sighs as he tells him how happy suicide hasn’t slowed his comedy. Toby asks why he is here and Jack replies he’s taking him to his home to stay for a while. Toby refuses till Jack tells him the hospital will put him in a ward if he doesn’t. Toby groans as Jack makes a joke about how he feels the same.
“Why Can’t I Change” by Passenger plays over a montage of Toby’s, Jack’s, and Sandra’s drive back home. Toby stares out the window in the backseat as Sandra seem busy not paying attention to Toby. Jack has the look of a man who is preparing himself for later. An overshot angle shows their drive as it also shows the title card.
They get to the house and Toby doesn’t wait to make a comment about how the management business must in recline with the rest of the world. Sandra makes a look at him and Jack sighs deeper than usual.
We go to Jack’s brother, Maxwell Walker (Noah Wyle), asking him at a bar the next night why he chooses to bring him to his home. Jack makes a case of how he has no one to turn. Max tells it’s cause no one likes to be around him, not even their sister when she dated him. Max makes a case hoe he always makes things uncomfortable as if it’s his superpower. Jack makes a case how he’s made something of himself by being a famous author but Max reminds him it was off of only one. He goes further on how Toby’s attitude during the book tour is the reason no one wants to work with him ever. Jack then reminds him of how Toby never meets his father and how he didn’t even show up when he was famous. Max gives up and tells him to be careful. Jack has a good life going for him and Max doesn’t want to see Toby shake it up. Max drinks his beer and orders another set as Jack starts to look worried.
Jack and Sandra wake up to see Toby making breakfast. It looks like he’s serving them till they see the food is for him. They calmly go get their breakfast as they carefully ask him what happened last night. Toby just tells them it was a bad day plainly. He tries to refocus the conversation to what’s new with them. It’s been a while since they all talked. Jack and Sandra tell him they’re getting married soon. Toby congratulates them then makes a joke about when the baby arrives. Sandra makes a face at Toby. Jack goes back to why wasn’t Toby’s mother there last night. Toby grows quiet as he avoids answering. He gets up and cleans his dishes. Jack tells him Sandra will be here if he needs anything. Sandra makes a face at him and Jack reminds her it’s only for today. Jack heads out leaving Toby and Sandra making a bet of how long it will take for them to destroy each other.
Jack walks into the office of Dr. Kate Carsen (Kate McKinnon). Jack thanks her for the meeting but she says it’s no problem since she knows Maxwell. Jack thinks they dated but Max dated her sister, who is white. Dr. Kate makes Jack uncomfortable only as a joke. Kate asks what Jack is doing in her office. Jack asks for her help with Toby and explains what happened last night. Kate didn’t look interested at first until she finds out he’s the writer of her favorite book.
Sandra runs on an errand and leaves Toby alone. Toby calls an Uber and drives to a nursing home. He meets his mom Lacey Connors (Fiona Shaw) and they have a talk. He tells her tried to end himself and she doesn’t act surprised as she actually expected it. Toby reveals to her that she wasn’t the perfect parent, how she tore him down and how she never was interested in him as a kid. Lacey asks if there is anything else he wants to say. Having no effect on her, he leaves the room.
Toby arrives back to the house as Jack and Sandra wait outside for him. Jack freaks out as Toby doesn’t tell them where he went. Jack tells him he’s gonna see a shrink. Toby doesn’t agree but gives up anyway. We then get sessions of Dr. Carsen trying to figure Toby has too impressive of misdirecting the conversation. Dr. Carsen then digs deep as she can see something is eating Toby alive and then goes on how she thinks he sabotaged himself during his book tour. Toby gets uncomfortable and leaves abruptly.
A backyard barbeque is seen with Jack’s and Sandra’s place. Many of their neighbors and friends attend. Everyone is having a good time as Toby sits in lawn chairs by himself. The neighbors gossip about Toby and then make fun of him till Toby tells them that the suicide, that everyone cares so much about, didn’t kill his hearing. They quiet down as Jack is talking to Max about how their business is failing as some money is missing. Max reacts shocked by the news. They continue to talk as Jack says he’ll have to lay off people now. Max excuses himself as he has to go to the bathroom and Toby watches him with interest. He sees Sandra talking to Alec Jefferies (Columbus Short) and gets up to walk away.
Jack and Sandra are cleaning up as Toby walks out looking around. Toby asks if he can help and Sandra makes a comment about how he could have been social. Toby makes a comment on how events that remind you of the past are for weaklings. Sandra makes an argument which Toby happily concedes to entertain “Housewife Barbie”. Jack stops it in its tracks and tells Sandra to head inside. Sandra quietly eyes Toby as she heads inside. Jack and Toby have a talk about how Toby needs to talk to Dr. Carsen but Toby makes a case how talking won’t solve his problems. Jack makes his case how he’s putting his neck out for him and his recovery. Toby backs up tells he’ll go back and continues to clean.
Toby is back at Dr. Kate Carsen’s office as they talk about Toby’s childhood. Toby tells her he was never good at making friends and his mom never helped to make him feel better. Carsen goes deeper and talks about what happened at the last book tour. Toby made a big scene and said unfavorable things about his fans. Toby just says it was a bad day. She always wants to talk about the famous rape scene in his book but Toby starts to wall up. Carsen tries even harder to get a clear answer but it upsets Toby and he rips into her and airs out her dirty laundry as he looked her up. He goes into how life sucks just like her marriage and how her family wants nothing to do with her. Dr. Carsen makes him leave as she can’t take being around someone who clearly hates himself more than anyone could.
Toby heads back home and Jack waits for him. Jack tries to find out why Dr. Carsen called him about the last session. Toby blows him off and Jack reaches his boiling point and kicks him out after Toby tells him he doesn’t owe him anything.
Days go by, Jack and Sandra are at their rehearsal dinner and their friends and family gather around. Sandra looks worried but not for how the rehearsal will go but if Toby will be in a sound mind to around people. Maxwell walks up to Jack and talks about how things are going. The rehearsal starts as we have the best man and bridesmaids give their speeches. We get to Maxwell till Toby walks in making a scene as he is “drunk as a spunk”. Toby takes over the speech and goes to make a revealing speech about how he’s responsible for Jack and Sandra meeting. He goes onto talking about how Sandra actually wanted to just get close to Maxwell and he talked her out of it. Then he goes to how he got published and how his ‘so-called friend” stopped calling after he started to get attention. Max tries to take the microphone away after Jack and Sandra signal him to. Toby dodges through the room and makes even more of an ass of himself. He goes to how one by one everyone he thought cared stopped even being around him, knowing full he’s never had, anyone. Max finally grabs the microphone away and Toby yells at him to give it back. Max tells him he had enough yet Toby replied: “Just like everyone had enough of your drug use?” He goes deeper into how he’s the reason Jack and Max’s business almost failed. Everyone is shocked as Toby explains how he knows a drug user when he sees one. He’s seen Max’s texts and emails. Jack reacts shocked by this and asks Max if it’s true. Max finally admits it and then goes to blame him for inviting Toby in the first place. Jack tries to avoid that but then Sandra goes in as they argue about how he never asked her about Toby staying. Toby then makes a comment about how she never asked Jack it was okay to sleep with other people when they were on break years ago. Sandra loses her cool as she unleashes all her problems with Toby and Toby shrugs her off by the stress of being unintelligent as a lying b-word. Sandra storms off as does Maxwell. Toby ends his speech obviously until he sees Alec Jefferies sitting at a table and freezes. He drops the microphone and quickly walks away from the damage he caused. The DJ tries to pick it up by starting the dancing leaving the room more uncomfortable.
Toby is seen in a hospital room as he looks like he has been given really bad news. He stares into space as he looks like his world has been shuttered.
Toby is at the back of the building, stumbling to light his cigarette. Jack walks out in a huff as he starts getting upset at him. But Toby interrupts him by asking help to light his cig. Jack does it and goes back to yelling at him, Toby interrupts again by thanking him for cleaning out those long overdue skeletons in the closet. Jack now explodes as he can’t believe he let him back into his life. He goes further about how everyone always tells him to leave Toby behind. “Like Alec Jefferies?” Toby says. Jack asks why that is relevant. Toby responds its cause Alec Jefferies is one who gave him AIDS. Jack is shocked as he figures out why he tried to kill himself. But Toby does one better as he tells him how Alec raped him in high school, the same day he stopped acting nice to people. Jack asks why he didn’t say anything. Toby tells him how since Alec was “the man” at high school no one would believe the trailer trash kid with no dad. Then he reveals how he wrote a book about to reveal the truth but everyone took it as fiction and made his suffering a joke. Jake then realizes that’s why he sabotaged his book tour. Toby tells him why he should ever care when the world always pushes him down. Jake sympathizes with him about how he wants to be his friend because he can’t stand how he always has it good. Toby connects with him a bit for the first time but Toby finishes his cigarette and walks away. Jake watches as his friend disappears in the darkness.
Jake walks up to the front as he sees Sandra talking to Alec. They notice him and stop talking. Alec asks Jake if he is alright but Jake punches him hard in the face knocking him down. Alec asks why and Jake tells him he knows what he did to Toby. Alec’s face says it all and tries to defend himself but Jake tells him to stay away from him and anyone he knows. Alec complies and walks away before things get worse. Sandra asks what that was about but Jake only wants to talk about their issues. They work them out and promise to actually be honest with each other. Suddenly, they see a car slam into a stone statue near them. They run up to see Toby in the driver seat, passed out. They try to get him and call for help.
Earlier in the day, Toby is seen in Dr. Kate Carsen’s office. Dr. Carsen doesn’t look happy to see him as Toby apologizes for the other day. Dr. Carsen makes a joke about if he thinks that’s the first time that happened; he’s stupider than she thought. Toby is more open with her as he reveals the novel is about him. The mother problems, his hard childhood, and then the night he was assaulted. Dr. Carsen makes an observation about how Toby doesn’t believe he deserves to be loved. She then goes to if he actually met his father yet. Toby reveals the story of how he actually did find him when he saw his father was already happily married and the reason he left. He found something better. Dr. Carsen makes a metaphor about poker, stating just because you get bad hand every turn, doesn’t make your bluff stronger. Toby gets up and thanks to the doc. He tells her he actually likes her for she sees the world for what it is. Dr. Carsen is shocked by this as Toby walks away.
Toby is lying on the hospital bed unconscious as Jake and Sandra sit together watching him. They talk about how Toby needs medical help. The right kind of help. Jake tells her what Toby told him earlier in a brief form. Sandra suddenly feels for Toby for the first time and wishes him well. She leaves to go grab a coffee as she needs to process what she was told. Maxwell enters before she leaves though. Max and Sandra share a look at each other as they both now feel the sting of the rehearsal. Max asks if Toby will be alright and Jake tells him dully he’ll live unfortunately for Max. Max tries to explain how the job was more than he thought it would be and he got caught up trying to keep up. Jake doesn’t hear it and told him the only reason Max still has a job is cause he can’t work alone. Jake then tells him he has to go to rehab or else he will hire someone to replace him. Max agrees but Jake tells him to do it now. Max thinks he’s kidding but Jake is dead serious considering he’s next to his friend’s lifeless body. Max gets the picture and leaves the room. Toby starts to wake up a bit and Jake tells him he’ll help him the right way this time. Toby weakly tells him though he’s not going with him and how it’s time to let the professional help. Jake asks him that’s what he truly wants and Toby tells him it’s time to stop making his problems everyone’s problems. Sandra makes a good joke about that and Toby laughs along. They all share a laugh as the camera pan away from them.
Jake visits Lacey in the nursing home. Jake tells her Toby is doing okay but Lacey doesn’t care about that. Jake finds how Lacey knew Toby had gotten assaulted and how he has AIDS. Jake is set back by this news and then rips into her about how bad of a mother she is and how it’s part of her fault her only son turned into a mess. Lacey pays no attention to him and makes a remark about life is hard. Jake leaves after telling her she is a horrible human being and Lacey admits without hesitation.
Toby can be seen in a room at a mental ward as Toby looks outside. His room has photos of Jake’s and Sandra’s wedding and they’re first kid which they named Toby. We see letters behind them. He admires the view as he can see nature untouched. He begins to tear up as he finally believes life will be better from here on.
Release: Y: The Last Man
Y: The Last Man
Genre: Adventure/Sci-Fi
Director: Ana Lily Amirpour
Writer: Matt Parker
Based on the comic series
Cast: Jack Reynor, Tessa Thompson, Constance Wu, Gal Gadot, Julianne Moore, Mackenzie Davis, Samara Weaving, Elizabeth Henstridge, Lara Jean Chorostecki, Svetlana Khodchenkova, Aimee Teegarden, Lauren Ambrose
Budget: $80,000,000
Domestic Box Office: $163,952,776
Foreign Box Office: $116,385,120
Total Profit: $48,119,010
Reaction: It looks like Matt Parker will have a couple franchises on his hands after the success of this film and last season’s The Dark Tower: The Gunslinger. This series-starter exceeded expectations, and has certainly proven that Jack Reynor could be next big young superstar in Hollywood.
“Jack Reynor had his work cut out for him as the lone male character the film. His character bounces back and forth from being, arrogant, obnoxious, funny and heroic, and it’s a testament to Reynor’s performance that he remains likable throughout.” - Clark Haverford, Nerdist
“The film has a lot that works, but it is ultimately just a sliver of a story. Y: The Last Man devotes the majority of its running time to simply setting up the world, not allowing enough time to really delve into it.” - Joel Sapperstein, Las Vegas Review-Journal
“Ana Lily Amirpour injects the film with a lot of energy as director, and her cast has clearly fed off that energy. The resulting film is a fun ride, even if it doesn’t result in much at the end.” - Roger Taggart, Chicago Tribune
Genre: Adventure/Sci-Fi
Director: Ana Lily Amirpour
Writer: Matt Parker
Based on the comic series
Cast: Jack Reynor, Tessa Thompson, Constance Wu, Gal Gadot, Julianne Moore, Mackenzie Davis, Samara Weaving, Elizabeth Henstridge, Lara Jean Chorostecki, Svetlana Khodchenkova, Aimee Teegarden, Lauren Ambrose
Budget: $80,000,000
Domestic Box Office: $163,952,776
Foreign Box Office: $116,385,120
Total Profit: $48,119,010
Reaction: It looks like Matt Parker will have a couple franchises on his hands after the success of this film and last season’s The Dark Tower: The Gunslinger. This series-starter exceeded expectations, and has certainly proven that Jack Reynor could be next big young superstar in Hollywood.
“Jack Reynor had his work cut out for him as the lone male character the film. His character bounces back and forth from being, arrogant, obnoxious, funny and heroic, and it’s a testament to Reynor’s performance that he remains likable throughout.” - Clark Haverford, Nerdist
“The film has a lot that works, but it is ultimately just a sliver of a story. Y: The Last Man devotes the majority of its running time to simply setting up the world, not allowing enough time to really delve into it.” - Joel Sapperstein, Las Vegas Review-Journal
“Ana Lily Amirpour injects the film with a lot of energy as director, and her cast has clearly fed off that energy. The resulting film is a fun ride, even if it doesn’t result in much at the end.” - Roger Taggart, Chicago Tribune
Rated R for language, some graphic violence, and sexuality/nudity.
Sunday, January 26, 2020
Last Resort Films Jukebox: Y: The Last Man
1. "New York Groove" - Ace Frehley
2. "Take Me To The Top" - Motley Crue
3. "Love, Reign O'er Me" - The Who
4. "Hallelujah" - Leonard Cohen
5. "It Takes A Muscle [To Fall In Love]" - Spectral Display
6. "Dance Yrself Clean" - LCD Soundsystem
Comic to Film: Y: The Last Man
The latest edition of Comic to Film will take a look at the cast of the adaptation of the acclaimed comic series, Y: The Last Man, written by Matt Parker (The Dark Tower: The Gunslinger, Depth Perception) and directed by Ana Lily Amirpour (The Bad Batch, Crimson Fox).
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