Sunday, January 31, 2021

Now Showing: Columbine

Columbine
Genre: Drama
Director: Harmony Korine
Writer: Alex Conn
Cast: Charlie Plummer, Logan Miller, Willow Shields, Bella Thorne, Laurie Metcalf

Plot: We hear bombs and gunshots juxtaposed with video of a little kid that his mom calls the golden boy.

We see a young man, Dylan Klebold (Charlie Plummer). He has long hair and has a Metallica T shirt. He looks at a group of girls that he likes and look at him in disgust. He does theater and no one talks to him. It is revealed that it is Columbine High School when Dylan is at theater.

He has a crush on a girl named Rachel (Willow Shields) who is in his theater class and she is the lead in the play and he is just an ensemble member. Dylan, after theater, goes home to his parents. He goes home and cries and writes in his diary. He writes love notes and poetry. He goes to school and things happen the same as they did yesterday and we see basically the same shots over and over again.

Dylan goes to school the next day and sees a kid named Eric Harris (Logan Miller) who is in a fight with a kid. Eric Harris is in his English class but he is almost always ditching class. Today he decides to go to class. Dylan asks Eric if he wants to hang out and Dylan agrees. Eric goes to Dylan’s house. After Eric leaves Dylan continues to write poetry we hear the voice over of him writing to the girl he has a crush on Rachel.

Because of his friendship with Dylan, Eric starts attending class more often. Eric introduces Dylan to his favorite book which is Mein Kamf. Dylan is disturbed by it as he is a bit Jewish. Dylan is reading Mein Kemf and it is snatched by his mother who says it’s disgusting.

Dylan starts making friends with a girl named Devon Adams (Bella Thorne) which Eric Harris doesn’t like. Eric Harris starts telling Dylan that he disapproves of his relationship with Devon Adams.

Dylan talks to Eric they both share a blunt. Rachel and her new boyfriend look at them and Dylan overreacts and yells at them. Dylan has an idea of starting to make videos to creep out their classmates.
Dylan and Eric start making videos including one called Hitman for Hire for their economics class. The video involves Dylan and Eric protecting a kid from bullying. In one scene Dylan goes on a profane rant on a kid who is in the video bullying the child. Dylan and Eric are asked to go to the principals who lets him off with a slap on the wrist.

Dylan out of nowhere has a fantasy of killing his classmates. Dylan says to Eric that he feels like he wants to commit suicide and Eric says that he does too but Eric wants to shoot up Columbine High School first.

Dylan and Eric start studying the Oklahoma City bombing and they want to start a revolution. They start videotaping their plans. Dylan for the first time seems excited. Dylan and his mom (Laurie Metcalf) start having arguments. Dylan Klebold and Eric Harris start planning their shootings. Eric starts writing blogs.

On April 20th 1999 the two teens arrive late and drop bombs and they don’t go off. They then shoot their first victim Rachel Scott and her boyfriend outside they then go to the cafeteria. But most of their carnage happens in the library where they eventually kill themselves.


Release: Bad Dreams Come True


Bad Dreams Come True
Genre: Thriller/Mystery
Director: Cate Shortland
Writer: Billy Cruder
Cast: Elisabeth Moss, Bryan Cranston, Stephen Amell, Sterling K. Brown, Mila Kunis, Allison Janney, Vanessa Hudgens, Imogen Poots, Maya Hawke, Finn Jones, Brittany O'Grady





Budget: $34,000,000
Domestic Box Office: $38,856,093
Foreign Box Office: $55,205,997
Total Profit: $25,120,064

Reaction: Once again, the thriller genre proves fruitful for the studio. While the genre doesn't have as high of a box office ceiling as action, superhero, sci-fi or fantasy films, the box office floor is much higher which helps the studio avoid major losses on films like this.




"The cast is consistently good across the board in this solid thriller/mystery. Elisabeth Moss once again shows why she is becoming one of Hollywood's go-to actresses for troubled female leads with another great performance." - Stephen Anderson, Entertainment Weekly




"I really wanted to like this one, but it took one turn too many for me. What was a decent thriller was lost on me with the ending, which comes way out of left field." - Harvey Wallace, New York Magazine

"Bad Dreams Come True takes some twists that are ridiculous at times, but I honestly didn't see the final twist coming. I would have liked a little more Cranston and Amell, but Moss commands the screen." - Jeremy Raren, RottenTomatoes.com









Rated R for graphic bloody violence, disturbing/frightening images, langauge and sexual content including nudity

Saturday, January 30, 2021

In Development

The Punisher: Jeremy Jordan (American Son, "Supergirl"), Tony Cavalero (The Dirt, "The Righteous Gemstones"), Vincent Kartheiser (A Kind of Murder, My Friend Dahmer), Fred Melamed ("Medical Police", Dragged Across Concrete) and Mira Sorvino (Stuber, Exposed) will round out the cast of the Mel Gibson-led The Punisher, the new Marvel Universe film from director S. Craig Zahler and writer Dwight Gallo. Jordan, Cavalero and Kartheiser will play the sons of the mob boss played by Jodie Foster. Melamed will play an NYPD higher-up. Sorvino will play Gibson's deceased wife who comes to him in visions.

Worried Mind: Eve Hewson (Alien" Isolation, Tesla), Emily Watson (The Hunt, Everest) and George MacKay (Excalibur, Oklahoma!) have joined the Robert Pattinson-led Eric Clapton biopic. Watson will play Clapton's mother, while MacKay and Hewson will play his siblings. Andrew Haigh directs the film from a script by Chad Taylor.

The Youngest Hart: Forest Whitaker (Shake Hands with the Devil, Teslin, Yukon), Aaron Stanford (The Associate, Horse Girl) and Malina Weissman (Nine Lives, "A Series of Unfortunate Events") have been added to the cast of The Youngest Hart. Whitaker will play a science teacher who tries to help the "youngest Hart" (played by Emily Alyn Lind), Stanford will play the ex-husband of Reese Witherspoon's character, and Weissman will play the best friend of Emily Alyn Lind's character. Greta Gerwig is directing the film from an original script by Jacob Jones.

Buffy the Vampire Slayer: Jacob Elordi ("Euphoria", The Kissing Booth 2), RJ Cyler (Drugstore Perfume, The Vegan Movie 2: Tariq Goes to Sarah Lawrence), Elisabeth Shue (The Kiss Quotient, The Tower) and Teagan Croft (He Kills, "Titans") have all signed on to the upcoming Buffy the Vampire Slayer film reboot. Elordi will play Buffy's love interest, Cyler will play his best friend, while Shue and Croft will play Buffy's mother and sister, respectively. Cathy Yan helms the film from a script by Walter McKnight, which reportedly aims to combine the more comedic tone of the original film with the deep mythology of the TV series.

The Journey: Tom Holland (Tail, Circumstances of Time) and Kiernan Shipka (Life After Life, "Chilling Adventures of Sabrina") will headline the romantic drama from writer Meirad Tako (1965, The Smoke in the Red Country) and director Fernando Gonzalez Molina (Crazy Little Thing Called Love, The Legacy of the Bones). Holland will play a pop star in England who begins an online correspondence with a fan in America, played by Shipka.

Tumor: Julianne Moore (Y: The Last Man, 7 Days) will star in and make her directorial debut on the film Tumor from writer Jimmy Ellis (One Day More, The Devil's Revenge). The film tells the story of how a family handles their daughter being diagnosed with a brain tumor. Moore and Steve Carell (Bright Neon Lights, Spark of Madness) will play the parents while Sadie Sink (Born in Brooklyn, Red Sonja) played the aforementioned daughter.

Now Showing: Bad Dreams Come True

Bad Dreams Come True
Genre: Thriller/Mystery
Director: Cate Shortland
Writer: Billy Cruder
Cast: Elisabeth Moss, Bryan Cranston, Stephen Amell, Sterling K. Brown, Mila Kunis, Allison Janney, Vanessa Hudgens, Imogen Poots, Maya Hawke, Finn Jones, Brittany O'Grady

Plot: Los Angeles. Samantha Hammond (Elisabeth Moss) is the daughter of a wealthy and prominent electoral advocate and upcoming election politician named Ed Laverty (Bryan Cranston). Her husband Frank (Stephen Amell) is a lawyer who works in the same firm as her father-in-law. They all live together in a big house with Joan (Maya Hawke), Frank's teenage daughter from a very short previous marriage when he was very young. A few weeks earlier a woman named Julia Green (Mila Kunis) had moved into the house next door, a not particularly talented actress but quite famous in Hollywood for alleged flirtations with important actors and for her unruly life that often ended up on newspapers. In fact, Julia often throws big nightly parties filled with alcohol and drugs that often infuriate Samantha, who usually enjoys the regular and peaceful life inside her home. Julia, on the other hand, wakes up very late in the day and spends the afternoon in the pool or sunbathing with a few drinks. Samantha often finds herself observing her in those quiet moments. Ever since Julia moved into the house near Samantha, she has suffered from insomnia and sometimes terrible dreams and other times where images of wild orgies, drugs and sex are conjured up. To try to remedy the problem, she decided to turn to a psychoanalyst, Dr. Steers (Allison Janney) who advises her to write in a diary everything she remembers of dreams.

During a meeting between Ed and Frank, they discuss a court case they are working on involving various betrayals by a pair of designers. Then a phone call is made from an anonymous woman who claims to Ed that she has harmful information about her family. Then Frank's secretary Debbie (Imogen Poots) brings the coffee to the two men and Frank takes a look at Debbie's ass when she leaves the room. Ed, realizing this, asks Frank if he has been unfaithful to Samantha on any occasion, but Frank categorically denies it. At the end of the job, however, we see Frank going into an apartment and we discover that he has a clandestine affair with Debbie, his secretary. It is late and then the two greet each other with another kiss. Frank returns home and finds Samantha in a changing bra before bedtime. During that night Samantha's dreams seem to seem stranger and more complicated and during the scenes they appear to be dreams or hallucinations but may be partly real. Frank, seeing the woman's very tormented night, advises her to go to the psychotherapist again. The next afternoon he goes to her and describes the previous night including a lesbian encounter between her and Julia, culminating in Samantha stabbing the seductive Julia to death multiple times. In an enigmatic queue to the dream sequence, Samanthaa says she saw two hooded hippies who apparently witnessed the murder without intervening. The next night we see Samantha having a dream very similar to the previous night. In the morning Frank asks his wife if she had a good night but the woman says no, disconsolate and almost crying. Frank hugs Samantha. As long as the two have breakfast, confused sounds can be heard in the vicinity of their home. The two look out and see the police and an ambulance at Julia's home. In addition, many journalists begin to arrive. The two go out to find out what's going on and go there to find out what's going on. Detectives Tyrone Corbin (Sterling K. Brown) and young Amy Mendoza (Vanessa Hudgens) are in charge of the investigation. Amy and Tyrone wander around the house and we see that the room and condition of the corpse are identical to the depiction in the dream sequence that Samantha had. Upon learning of the murder, Samantha runs inside escaping the controls and about seeing the crime scene and when she enters Julia's apartment and sees the body, she loses consciousness and is taken by Corbin before falling into the blood.

After eliminating a false and selfish confession of a delusional habitual at Green's party, Corbin focuses on Samantha Hammmond despite Amy not seeming very convinced. Meanwhile, Samantha, on a shopping excursion with Joan, sees two hooded people walking out of a market who appear to match the ones she saw in her dream. Samantha invites Joan to follow them. Following them in an old abandoned theater where there are other people who are doing a strange show despite the effects of the drug on these people being quite evident. Suddenly the two women are approached by two of them who had noticed their presence. They introduce themselves as Ralph (Finn Jones) and Sarah (Brittany O'Grady. Joan asks them if they know Samantha or have never seen her before. However, the answer of the two is negative.

After speaking to Dr. Steers, the police secretly obtain Samantha's fingerprints and match the ones found on the murder weapon and she is soon arrested and charged with killing Julia. However, doubts begin to circulate between Corbin and Mendoza as they wonder if she really is the killer and why she was describing the murder to her psychoanalyst in detail before it actually happened. Amy suggests it could be that something one read her dream journal which she stored and modeled the murder on the dream images she described to frame her for something she fantasized about. Corbin also wonders if Samantha is the killer - the two hooded people who claim to have witnessed her crime without intervening. While Samantha is awaiting trial near a maximum security sanatorium, she sees one of the hooded people break in and chase her across the grounds with a long knife. Samantha escapes into the building and, in an attempt to hide, enters a room containing a horrific experiment with bound and dismembered people. Samantha passes out in horror. When he arrives, there is no trace of the threatening person. The sanatorium director believes Samantha had one of her elaborate hallucinations.

Meanwhile, Samantha's father swings into overdrive with her case and manages to elaborate a suspicion that appeals to the police. In fact, one day he witnesses a kiss between Debbie and Frank and develops a theory to protect his daughter. She reveals with great attorney skill to Corbin that Frank is having an affair with Debbie and that Julia may have blackmailed him for money so as not to expose his extramarital affair to Samantha. Ed's argument is enough to release his daughter on bail momentarily, but Frank remains free for obvious lack of evidence. After her release, while relaxing by the pool, Samantha is contacted by a woman who reveals she has important news about Julia's death and agrees to meet her on a secret date at a hotel. Once there, Samantha is attacked by the usual hooded man in the basement and chased through the building where she is attacked by bats in the attic and brutally stabbed when the man reaches her on the roof. But Samantha is saved by a guard who heard her scream. The next day Joan looking for information to exonerate her mother and decides to go to the old abandoned theater where the hippies are present. Sarah becomes aware of her presence and waves her goodbye. The next day, Joan is found dead, with her throat slit, in an alley near a garbage can. Corbin and Mendoza meet Samantha who is recovering at her father's estate in Bel-Air to inquire about who is trying to kill her (although no one has ever seen these hooded people trying to attack her) and about the blackmail Julia may have planned for Frank. Meanwhile, the police find some traces on the body of poor Joan.

Corbin finally tracks down and arrests the hippie couple, Ralph and Sarah, whom he takes to the scene of the crime to interrogate them about the murder of Julia Green. Although Ralph admits to have stalked Samantha and murdered Joan, they protest their innocence claiming not to remember anything about that night because they were full of LSD. Then a phone call comes informing the police that Ed Laverty found dead at his estate, the victim of a suicide, and leaving behind a note confessing to the murder of Julia Green which seems to wrap up the case.

A few days later, Samantha is at her father's grave when Corbin and Mendoza arrives to offer their condolences to her. When Corbin asks Samantha about the phone call that her father got from probably Julia Green which Samantha admits that she knew about, he asks how did she know that Julia phoned Ed Laverty on the day before she was murdered since he never told anybody about it. Too late to realize her slip, Corbin deduces Samantha's guilt as she was with Julia during that day the phone call was made.

As it turns out, Samantha really did kill Julia after she threatened to go public with their lesbian relationship they've been having for some months. Samantha did break into Julia's apartment and stabbed her to death, only to realize that two hippies saw her, which made her panic and leave the scene of the crime. Samantha had felt certain that the two hippies would describe her to the police. The murderous, but perfectly sane, Samantha entered the event in her dream diary immediately afterwards so by combining details of the murder with images from the recurring nightmares for which she had sought treatment, she hopped to avoid a murder sentence and get off with guilt by temporary insanity that the dream diary would provide plausible evidence in court of a split personality. But Samantha did not realize that both hippies where high on LSD and unable to register the significance of what they saw that night. Samantha is then led away by Inspector Corbin and Mendoza from her father's grave to a waiting police car.


Friday, January 29, 2021

Resume: Elisabeth Moss


Elisabeth Moss first worked with Last Resort Films all the way back in Season 1 and has continued to work relatively steadily since. In this latest edition of Resume, we will take a look at the filmography of the ever-dependable actress....























Season 1
Invisible Monsters
Director: Ryan Murphy
Writer: D.R. Cobb


Budget: $53,000,000
Domestic Box Office: $28,815,044
Foreign Box Office: $35,122,141
Total Profit: -$68,665,327




Moss' first LRF role was one of the first films produced by the studio (the fourth to be exact). While the film received mixed reviews and was a certified box office disaster, Moss managed to secure the very first GRA for Best Supporting Actress for her role as the spoiled Evie Cottrell.


Season 7
The Death of the Honest Man
Director: Yorgos Lanthimos
Writer: Dominic Wilkins


Budget: $24,000,000
Domestic Box Office: $25,905,656
Foreign Box Office: $22,233,921
Total Profit: -$2,201,610




After a handful of seasons away, Moss returned for two films in Season 7. The first was the dramedy The Death of the Honest Man, where she played one of Colin Farrell's mistresses. The film was a hit with critics, winning two Golden Reel Awards.




Plastic Man
Director: Rawson Marshall Thurber
Writer: APJ


Budget: $180,000,000
Domestic Box Office: $302,973,210
Foreign Box Office: $345,001,087
Total Profit: $279,100,751




Later in Season 7, Moss played the relative straight man in the DC Comics Universe film, Plastic Man. Her character was the FBI Agent love interest of the ne'er-do-well title superhero. The film was a hit with critics and audiences alike.



Season 9
Hippies in New York
Director: Greta Gerwig
Writer: Alex Conn


Budget: $22,000,000
Domestic Box Office: $10,159,113
Foreign Box Office: $4,021,775
Total Profit: -$25,007,916




Next up for Elisabeth Moss was a role in an early Alex Conn-written film, Hippies in New York. The film was a bomb at the box office and was very disliked by the critics as well, with the consensus being that the characters were all unlikable and unrealistic.



Season 15
Visions
Director: Ben Wheatley
Writer: Jack Slipter


Budget: $24,000,000
Domestic Box Office: $48,024,880
Foreign Box Office: $70,002,444
Total Profit: $51,950,020




After another handful of seasons away, Moss finally returned with the hit supernatural thriller Visions. Critics raved about her performance in the film, with many feeling she deserved a GRA nomination for Best Actress.


Up Next: Moss has two films due out this season. First is the thriller Bad Dreams Come True which is about to debut. Later in the season she will star in the latest Stephen King adaptation from writer Matt Parker. Slightly further in the future, Moss is expected to return for the long-awaited Plastic Man sequel, Plastic Man 2: Electric Boogaloo.


Review:
  • Highest Grossing Film: Plastic Man ($647,974,297)
  • Most Profitable Film: Plastic Man ($279,100,751)
  • Most Awarded Film: The Death of the Honest Man (2 wins, 5 nominations)
  • Best Reviewed Film(s): The Death of the Honest Man (Metascore: 85)

LRF NOW Writer Commentary: Green Lantern Corps with APJ

Green Lantern Corps
Genre: Action/Superhero/Sci-Fi
Director: Christopher McQuarrie
Writer: APJ
Based on DC Comics characters
Cast: Tom Cruise, John Boyega, Luke Evans, Carrie Coon, Rafi Gavron, Terence Stamp, Cleopatra Coleman, Miranda Otto, Bryan Brown, Valerie Pachner, Vinnie Karetak

Plot: Two members of the the intergalactic police force, the Green Lantern Corps: Hal Jordan (Tom Cruise) and Thaal Sinestro (Luke Evans) are on patrol in Sector 2814, home of Jordan's home planet Earth and the rest of the Milky Way Galaxy [1]. Far off in the distance of space, they see a violent meteor shower hurtling toward a space station. Jordan flies toward the station, but it has already been damaged by one of the meteors. Jordan uses his green power ring to create a protective bubble to seal the station from space. Jordan tells Sinestro that the personnel on-board the station will die if they don't take it back to the safety of Earth. Sinestro admits that he's ever been to Earth. Sinestro tells Jordan that he should handle it alone as the humans of Earth probably wouldn't be keen to welcome aliens. Jordan then notices the Ferris Air logo on the side of the space station. Jordan says he might be a while on this one, and suggests meeting back up with Sinestro on Oa. Sinestro agrees and leaves the area. Jordan carries the station down through Earth's atmosphere and down to the headquarters of Ferris Air on the outskirts of sunny Coast City. Workers on the airstrip are shocked by the arrival of the Ferris Air Deep Space Research Station on the runway. President of Ferris Air, Carol Ferris (Carrie Coon), is notified of the situation. She looks out of her office window in amazement as Jordan safely lowers the station to the ground. The green protective bubble disappears back into Jordan's ring. Jordan makes sure the station's personnel are alright. As Jordan prepares to fly back toward space, he catches a glimpse of Carol watching him from her office window. For a brief moment, the two make eye contact as Jordan slowly disappears into the clouds. [2]

[1] By the time I started toying around with the idea of a Green Lantern Film, the various Green Lanterns were one of the only major DC Comics characters missing from the LRF DC Comics Universe. I'd always considered writing one, but it wasn't until John Malone knocked Superman out of the park with Superman: The Man of Tomorrow that I actually sat down to start figuring things out.

[2] Tom Cruise was my first and only choice for the role of Hal Jordan. I always wanted to include multiple Lanterns somehow, but once I had Cruise in mind is when I had the idea of making him the mentor to another Green Lantern. After his popularity in animated form, John Stewart became the obvious choice of mentee for Jordan.

Meanwhile on Oa, the planet that serves as the home base of the Green Lantern Corps, Tomar-Re (Bryan Brown) is assisting in the training of some new recruits including Katma Tui (Cleopatra Coleman), when a large explosion rocks the planet [3]. Before the planet is even done shaking, thousands of android killing machines known as the Manhunters descend on the planet. The Lanterns work together to try to fight off the Manhunters, but are outnumbered. Green Lanterns begin falling to the Manhunters. With each Lantern death, their power rings fly off their fingers to find a successor. The remaining Lanterns, including Tomar-Re and Katma Tui, lead a group of Manhunters away from Oa and manage to destroy them in open space.

[3] I wish I could take all the credit for coming up with Bryan Brown for the role of Tomar-Re, that distinction would have to go to John Malone. Apparently Cocktail was a movie he watched a lot growing up and he suggested reuniting the two stars of that film, Brown and Cruise, in this one. After Brown was cast, I couldn't picture anyone else as Tomar-Re (even if it was just a motion-capture and voice-over role).

Amon Sur (Rafi Gavron), the son of the legendary Green Lantern Abin Sur, enters the Oa Citadel [4]. The Guardians of the Universe ask him what he wants, and he says that wants revenge for them abandoning his father and allowing his power ring to be wielded by a human like Hal Jordan. The Guardians order him to leave, but he refuses. A group of Manhunters appear behind him and assassinate the Guardians. Amon Sur then breaks into the citadel's forbidden chamber where he finds a star map that will lead to the fabled Yellow Power Battery, which would allow the creation of yellow power rings that would feed off of fear.

[4] I knew people would be expecting someone major like Sinestro as the villain of the film, but that felt too obvious for my liking. Sinestro is a complicated character who requires a lot of set-up and I didn't want to make the entire movie about Sinestro, so I needed another character and Amon Sur fit the bill as someone who would have a persona vendetta of sorts against the GLC, and even Hal Jordan, and I felt he could help set up Sinestro for the future.

Meanwhile on Earth, US Marine John Stewart (John Boyega) is in a firefight against insurgents in Libya. His squad is under heavy fire behind their humvees. Suddenly a grenade lands between Stewart and three other men in his platoon. Knowing there isn't time for them to get away from the explosive device, Stewart dives down on the grenade to save the lives of his fellow soldiers [5]. The grenade goes off, but Stewart finds himself unharmed and surrounded by a green glow. He comments to himself that he should be dead. He then notices a large green ring on his finger. Just as Stewart is able to get onto his feet, the green glow around him whisks Stewart through outer space until he finds himself on Oa. He throws up and faints from the shock of the trip to Oa.

[5] In the comics, John Stewart is an architect, but that always seemed like something of an odd choice to me. Why would an architect be chosen to become an intergalactic police officer? So instead of that, I decided to co-opt the Justice League cartoon's backstory and make Stewart a US Marine. Being a soldier just makes more sense for the character to me.

Carol Ferris watches security footage of Jordan's returning of the deep space research station on a loop. She calls one of her employees, Thomas Kalmaku (Vinnie Karetak), into her office [6]. She pauses the footage and zooms in on the visage of Jordan's masked face. She asks Kalmaku who the man looks like. Kalmaku is confused, until Carol suggests she try to picture the mystery man without the mask. Kalmaku stares at the screen for a beat, before dropping his jaw and saying the guy looks just like Hal Jordan. He comments that Jordan's been declared dead by now, but Carol points out that no body was ever recovered from the crash that everyone thought killed him. Kalmaku thinks it sounds pretty far-fetched that Jordan somehow became a green spaceman, but Carol says that in a world with "Supermen" and "Hawkpeople" anything is possible.

[6] The role of Thomas Kalmaku was a tricky one to cast, and I probably spent more time researching possible choices for that role than I did for any of the others. In the comics, Thomas is Inuit, and I felt it was important to keep that aspect of the character, even if it isn't explored in-depth because other adaptations have always ignored the character's background. The tricky part is that there really are not very many Inuit actors. I had seen Vinnie Karetak in an episode of the TV series "The Terror" and discovered that he actually has a comedy background as well, which seemed perfect for Kalmaku.

When Hal Jordan returns to Oa, he is shocked by the destruction he finds. Countless bodies of deceased members of the Green Lantern Corps line the ground. Jordan finds Tomar-Re and the lone surviving Guardian of the Universe, Ganthet (Terence Stamp), and ask what happened. Ganthet explains that he and the other Guardians created the Manhunters eons ago as a precursor to the Green Lantern Corps to help police the stars. The androids, however, were corrupted by one of the former Guardians and became uncontrollable, resulting in their destruction, or so he thought. Jordan asks if they were just there for revenge. Ganthet tells Tomar-Re and Jordan to follow him. They go down to the destroyed hidden chamber and informs them that the Manhunters stole the only object containing the location of the yellow power battery, which can power a dangerous and more volatile power ring [7]. Hal Jordan realizes that Sinestro is nowhere to be found and asks if either of them have seen him. Tomar-Re shakes his head no. Ganthet tells them that there is good news though: the stolen map doesn't lead directly to the battery, but rather to another map that when combined with the stolen map will reveal the location. Ganthet suggests that one of them go to the planet Zamaron and collect the other map piece to keep it away from the Manhunters and whoever they're working with. Tomar-Re volunteers to go to Zamaron, and asks that Jordan train the latest Green Lantern Corps recruit: another human.

[7] The Manhunters being part of the film really came about because a singular villain just wouldn't make any sense to take on an entire army of Green Lanterns, so the Manhunters felt like a natural choice as their backstory could help with some of the backstory of the GLC while also acting as a formidable enemy that could kill Lanterns without too much trouble.

Sinestro flies to his home planet, Korugar. He meets with his wife, Arin Sur (Miranda Otto), the sister of his former partner Abin Sur [8]. She is relieved that he is alive, saying that she was worried that he was part of the destruction on Oa. He assures her that he was helping Hal Jordan in Sector 2814 and just got back. Sinestro tells his wife that he has some matters to attend to, but that he will see her soon. Sinestro flies to the anti-matter planter Qward where he finds Amon Sur and a group of Manhunters waiting for him. Amon Sur hands over the map, and reminds Sinestro that he promised to destroy the remaining Green Lantern Corps members once he had the yellow power battery. Sinestro takes one look at the map and instantly knows that it is just part of the map.

[8] Casting someone on the rise like Luke Evans as Sinestro was a great score for the film. Generally Sinestro is portrayed as older than Hal Jordan since he mentored him in the past, but at the end of the day Sinestro is a magenta-skinned alien so his age wasn't as important as finding the right performer who could properly handle the deceitful nature of the character.

John Stewart wakes up to find Hal Jordan waiting. Stewart is glad to see another human face, and asks where they are. Jordan explains that Stewart, much like himself, has been chosen by a power ring to join the Green Lantern Corps, an intergalactic police force that defends the galaxy from threats. Stewart doesn't believe him and insists they must be part of some sort of military experiment. Jordan tells Stewart to get up, and he takes him on a tour of what remains of Oa. Stewart is amazed by all the different life forms that make up the Green Lantern Corps on the planet. Jordan tells Stewart that he isn't sure why they ring chose Stewart, he isn't even why it chose him a decade earlier, but he's been asked to train him so he is going to do just that. Jordan motions to the ring on Stewart's hand, telling him that it can conjure anything he can think of, his mind is the limit. Jordan uses his ring to project a glowing green tornado that flies around Stewart. Jordan tells Stewart to think of something and the ring will create it. Stewart closes his eyes tight. When he opens them, his ring has created a tank. Jordan now says to control the creation. Stewart closes his eyes again, and the tank fires a glowing green projectile. Jordan uses a giant green hand to catch the projectile before it blasts into a building [9].

[9] I can tell you right now - one of the most difficult parts of writing a Green Lantern Corps film ended up being figuring out all the ring constructs. I felt like each character, especially Jordan and Stewart, absolutely needed ring constructs that were unique to their backgrounds as a soldier and pilot respectively. This obviously comes more into play during the climactic battle, but I wanted to set the ground work here.

Tomar-Re and Katma Tui come to the training ground to inform Jordan that they are leaving for Zamaron now. Stewart stares at Katma Tui while the two veteran Lanterns talk. Katma Tui asks Stewart what he was doing when he was chosen. Stewart tells her that he was in the middle of a war. She tells him that he'll fit right in then since they are seemingly at war now. After Tomar-Re and Katma Tui leave, Stewart asks what makes the ring work. Jordan takes him to the Central Power Battery, a giant glowing green orb at the center of Oa that powers all of the power rings of the Green Lantern Corps. Jordan tells Stewart that while the battery will provide power to the ring, it will be Stewart's willpower that truly controls the ring and the power the battery provides to it. Stewart points out Jordan's Green Lantern Corps armor and asks when he gets his. Jordan tells him that he will create it with his ring. Stewart closes his eyes, and GLC armor similar to Jordan's appears on his body, but with no mask covering his eyes. Jordan asks why he didn't make a mask, and Stewart comments that soldiers don't wear masks.

Tomar-Re and Katma Tui arrive on Zamaron and go to see Queen Aga'po (Valerie Pachner). They inform her of the current situation, and she agrees to lead them to the vault where the Zamaron piece of the map is located. However, when they arrive at the vault, Tomar-Re and Katma Tui discover they have been lured into a trap and are locked in the vault. Amon Sur emerges from the shadows and tells them that the only reason he hasn't had them killed is that he wants them to live just long enough to witness the complete destruction of Oa. Tomar-Re tells Amon Sur that his father would be ashamed of him. Amon Sur, in a rage, rants about how the Green Lantern Corps and the Guardians of the Universe abandoned his father, left him to die and then allowed his ring to be passed on to a pathetic human. Tomar-Re calmly reminds Sur that the ring chooses the wearer, not the Guardians or anyone else - only the ring can deem someone worthy. Amon Sur claims that his father's ring should have come to him all those years ago instead of to Hal Jordan. Tomar-Re says that means he isn't worthy. Amon Sur tells the Manhunters to kill Tomar-Re.

Hal Jordan finds himself thinking about Carol Ferris since seeing her, and decides to visit Earth [10]. He looks around at the new experimental air-crafts at Ferris Air when he is confronted by Carol, who recognizes Jordan despite his mask and Green Lantern Corps energy armor. Jordan takes his mask away. Carol slaps Jordan. Holding his face, he asks why, and she reminds him that he's been gone for a decade without so much as a goodbye. Jordan explains that he didn't have much of a choice. Carol tells him that she was heartbroken when she thought he was dead, and now she's heartbroken again upon finding out he's been alive all this time. Jordan apologizes to her. He gives Carol a kiss before letting her know that he has to leave again, but that he will be back soon. Jordan's mask comes back and he flies away from Earth.

[10] A lot of actresses were considered for the role of Carol Ferris, as you may have noticed from the film's trivia section on its database page. We needed someone who was believable as a past love of Hal Jordan, someone who appeared somewhat age appropriate, and someone with the toughness to be believable as the CEO of a military contracted aviation company. The age appropriate part proved incredibly tough because of how damn good Tom Cruise looks for his age. The guy is pushing 60, but he looks like he's in his early 40s. Carrie Coon's name was one that was thrown out fairly late in the development process. It was the final role cast right when shooting was scheduled to commence. It came down to the final handful of actresses, but Chris McQuarrie and myself felt that Coon seemed the least intimidated by acting opposite a legend like Cruise, which is really what put her ahead of the others in contention.

Thaal Sinestro arrives at the location of the map, finding that it is a canister floating in space. He blasts the canister open with his power ring, revealing glowing yellow cylinder. Sinestro takes the cylinder back to Qward and stakes it into the ground. The cylinder suddenly begins growing and transforming into a power battery. Amon Sur and some Manhunters arrive on the planet to see the progress. Sinestro informs him that it shouldn't be too long until the battery is operational, then he can give Amon Sur a yellow power ring as promised for his assistance in dismantling the Green Lantern Corps and disposing of the Guardians of the Universe and their hypocrisy [11].

[11] Obviously we are trying to set up the Sinestro Corps for a future film, but I really didn't want to spend half a movie of endless exposition explaining the yellow rings and all that. I think the final product is an efficient way of getting the yellow power into the hands of Sinestro, but having him go up against Hal already would have been a waste so I thought it was best to keep Sinestro behind the scenes of the villainy in this one.

Queen Aga'po goes down to the vault and apologizes to Katma Tui and releases her [12]. Aga'po tells her that she just wanted to do what she thought would best protect her people as she did not want Zamaron to end up cannon fodder for the Manhunters like Oa did. Katma Tui does not accept her apology and chastises her for allowing the death of Tomar-Re. She asks Queen Aga'po if she truly believes that Amon Sur and the Manhunters will spare her planet. Katma Tui then leaves the planet, flying back toward Oa with Tomar-Re's body in tow.

[12] The subplot with Queen Aga'po was a way of splitting up the characters and providing a balance of men and women in the cast. The Green Lantern comics have always done a great job of showing both male and female Lanterns fighting together as equals. I felt that the previous adaptation of the character didn't show this very well, pretty much only focusing on the male side of the GLC and its world. I made a point of making sure there was a strong female presence in the film with Aga'po, Katma Tui and Carol Ferris.

Hal Jordan goes back to Oa where he tells John Stewart that the best way to train him at this point will be to head out on a patrol. Ganthet stops them and expresses worry about Tomar Re's mission on Zamaron. Jordan assures Ganthet that he and Stewart will go an investigate. Jordan and Stewart fly toward Zamaron when they are attacked by a group of Manhunters. Jordan makes a giant fist and punches the Manhunters. Stewart creates an M27 rifle with his ring that he uses to fire at the Manhunters. Jordan and Stewart successfully defeat the Manhunters. Stewart asks Jordan what exactly they're dealing with, and Jordan says that someone has activated robotic killing machines to destroy the Green Lantern Corps, and there aren't many Lanterns left to fight the battle. Stewart tells Jordan that he's never backed down from a battle, no matter what planet he's on. Jordan and Stewart continue toward Zamaron when they encounter Katma Tui traveling with Tomar-Re's corpse. Jordan asks what happened and Katma Tui breaks down crying when she explains that Amon Sur was working with the Manhunters. She tells them that Amon Sur has the other map piece and now it's too late. The three head back to Oa.

Arin Sur travels to Qward by ship and is shocked by the sight of a yellow power battery at the heart of the planet. Sinestro sees her and explains that the Green Lantern Corps has to pay for their crimes, including allowing humans into the Corps and for not properly honoring the service of Abin Sur for all those years. Arin Sur tells her husband that as his wife, she will stand by any plan he has even if she doesn't fully understand the goals. Sinestro thanks his wife for her loyalty. Sinestro holds his hand in the power battery and his green power ring turns yellow. His suit changes color from green to yellow in the process.

On Oa, Hal Jordan confronts Ganthet, telling him that he's done searching for puzzle pieces and informing him that Amon Sur killed Tomar-Re and has both map pieces by now. Ganthet admits there isn't much to do except try to defeat Amon Sur and hope for the best. John Stewart interrupts, saying that he isn't one to sit around and wait for a fight to happen and wants to know where this Amon Sur guy is so that they can take the fight to him. Ganthet tells him that Amon Sur hails from the planet Ungara, so they might as well try to find him there. Stewart is eager to go, but Jordan takes him to recharge his power ring at the central battery first so that they are at full power. Katma Tui says that she wants to come with them, but Jordan asks that she stay on Oa to personally protect Ganthet since he is the last of the Guardians left. Katma Tui begrudgingly agrees to stay back.

Sinestro arrives on Ungara and gives Amon Sur a yellow power ring as promised. Amon Sur happily puts the ring on his finger, feeling the power of the fear element course through his body. Sinestro asks what he plans to do know, and Amon Sur reveals that he intends on killing Hal Jordan and taking his father's ring back. Sinestro warns Amon Sur that Hal Jordan, despite being human, has become a formidable Lantern over the years. Amon Sur laughs at the idea that a human could ever defeat an Ungaran. Sinestro tells him that he's been warned before leaving Ungara and heading back to Qward.

When Hal Jordan and John Stewart arrive on Ungara, they find the planet deserted. They scan the planet, but don't find anything. Suddenly, hundreds of Manhunters burst out of the ground and attack the Lanterns. Jordan and Stewart both conjure Gatling guns with their rings. Jordan and Stewart stand back to back and fire upon the Manhunters surrounding them. Amon Sur suddenly appears, wielding his yellow power ring. Jordan tells Stewart to keep fighting the Manhunters while he pursues Amon Sur. Jordan chases Amon Sur through the tunnels and caves of Ungara. Finally, Amon Sur fires a blast from his ring at Jordan. The blast hits Jordan in the shoulder, sending him to the ground. Jordan looks at this shoulder, revealing a hole in his Green Lantern armor made by the yellow blast. Jordan conjures an F22 Raptor fighter jet around himself with his ring. He pilots it just like the real thing, firing the jet's missiles at Amon Sur. Jordan then flies back toward Stewart, who is struggling to fight off the horde of Manhunters by himself. Jordan fires at the Manhunters with his conjured jet's rotary cannon, taking out several. The jet disappears and Jordan uses his ring to conjure a giant hand that slaps away many Manhunters. Stewart creates a sniper rifle with his ring, and begins taking out Manhunters with it. He sees Amon Sur approaching far off in the distance, and fires a shot that hits Amon Sur in the chest. Amon Sur looks at his chest and sees a hole in his armor. He grows angrier, telling the Manhunters to stand down as he wants to destroy Hal Jordan himself. Amon Sur then fires a powerful yellow blast at Jordan, who blocks it with a green blast of his own. The yellow blast begins to slowly overtake Jordan's blast until John Stewart joins in and fires a green blast of his own. The power of the two Green Lanterns slowly overpowers Amon Sur's yellow blast. The combined power of the three blasts creates a giant explosion of energy. When the dust settles, Jordan and Stewart find the Manhunters destroyed and Amon Sur has been incapacitated. Jordan walks over to Amon Sur and destroys the yellow power ring [13]. Jordan and Stewart return to Oa and inform Ganthet that Amon Sur has been defeated. Ganthet informs them that he will have the universe's remaining Green Lantern Corps search their sectors for the yellow power battery.

[13] The climax of the film was a lot of fun to write. As soon as Tom Cruise signed on to the film, I knew there had to be some flying in the film even if him flying around a power ring constructed jet isn't the most obvious way of doing so. It just felt like a unique way of having the fight without it simply being two people flying around at each other. Superman's already done that plenty of times, so I wanted something unique to Hal Jordan.

Hal Jordan returns to Earth and visits Carol at Ferris Air. Thomas spots him and waves at him. Jordan asks Carol who else knows its him, and she says that a little domino mask covering his eyes doesn't hide his identity very well. Hal spots a an experimental jet in one of the hangars and asks Carol if he can take it for a spin. Jordan flies off in the jet with Carol as his co-pilot. Jordan asks her how fast the thing goes before pushing the throttle all the way, sending the jet blasting forward in a sonic boom [14].

[14] And there's the more obvious way of getting Tom Cruise behind the throttle of a jet. I knew a needed a closing scene between Hal and Carol, and Cruise's take on the character is more than charming enough to talk his way into the cockpit.

Post-Credits: On Qward, Sinestro has weaponers forge power rings from the power battery. Sinestro tells his wife Arin Sur that the defeat of Amon Sur changes nothing. The Green Lantern Corps must be destroyed and he will create his own army to ensure that it happens [15].

[15] So that was Green Lantern Corps. When I wrote the film, I really wasn't sure that it would become quite the mega-hit that it became. I knew Cruise's name would put butts in the seats in his first superhero role, but Green Lantern isn't the most popular brand in the world and we weren't doing the traditional origin story type of film. Well, the credits are about over, so I hope everyone enjoyed hearing my thoughts on this production. Before I go, yes, there will be a Green Lantern Corps sequel in the future. I just have to write it!




Thursday, January 28, 2021

Premiere Magazine #173


The Roundup with Jeff Stockton (Season 18 Round 3)

 
The studio hit a real box office rough spot with this round. Here's The Roundup....

3. Soundtracks
This isn't really a comment on the soundtracks of this round themselves. I just think it is a good sign that we already have six soundtracks for the season. And once again, about half of them are good. At this rate, we could end up six or so soundtracks that are actually contenders for the Best Soundtrack GRA (and let's face it, usually there's only a few worthy contenders).

2. Recursion
I liked the idea of Recursion more than I really liked the execution, to be honest. Chris Pratt and Jennifer Lawrence once again had good chemistry with each other, which helped the film tremendously.

1. Attraction/Deception
This was a fairly simple film, especially given that it comes from writer Meirad Tako, the writer of Hotel California and Mr. Earthling. In this case, the simplicity worked.



3. Mask of the Phantom
The first film was okay, but this one makes it look like a masterpiece in comparison. Adapting a musical that didn't get good reviews turns out to not have been worth the risk in this case - even with it being the sequel to a success.

2. Recursion
That's right, Recursion is Number 2 on the Top 3 AND the Bottom 3. The film is a mess. Despite having parts and pieces that worked, overall the film was just too confusing. Maybe that's a problem with the source material. Sometimes a literary source needs to be simplified to help it work on the big screen.

1. Box Office
Not good. Not good at all. Even movies like Mask of the Phantom and Recursion, which both grossed a lot of money at the box office couldn't find a way to turn a profit. I suspect it's going to be a rough season.

Wednesday, January 27, 2021

On Location (Season 18 Round 3)

Attraction/Deception
- Vancouver, British Columbia, Canada


Mask of the Phantom
- Prague, Czech Republic


Recursion
- Toronto, Ontario, Canada

Box Office Breakdown (Season 18 Round 3)

Attraction/Deception
Budget: $28,000,000
Total Box Office: $52,788,516
Total Profit: $10,290,565



Mask of the Phantom
Budget: $110,000,000
Total Box Office: $195,935,212
Total Profit: -$39,959,880


Recursion
Budget: $120,000,000
Total Box Office: $256,928,658
Total Profit: -$17,102,840



Box Office Facts
Attraction/Deception

Attraction/Deception is the first LRF movie with Taron Egerton as the top-billed star in the cast list to make a profit. He previously was previously top-billed in Carbon (except on the poster due to Mel Gibson's contract) and Evangelion. Those two movies lost a combined $73 million at the box office

Mask of the Phantom
Everything that could go wrong at the box office for this film did. The film cost $15 million more than its predecessor, and grossed $70 less at the box office.

Recursion
Jennifer Lawrence's first three films for the studio were all box office successes that totaled a profit of $69 million, but now with the release of Recursion she has two consecutive films with losses to her name. Her two most recent films, The Killings and Recursion have combined to lose to $22 million.



Genre Rankings
Attraction/Deception

Drama: #123
Romance: #10

Mask of the Phantom
Drama: #14
Musical: #3

Recursion

Sci-Fi: #52
Thriller: #5



Season 18 Round 3
Total Box Office: $505,652,568
Total Profit: -$46,772,155

Season 18 Totals
Total Box Office: $1,104,429,340
Total Profit: $32,740,240



Season 18 Box Office Summary
1. Recursion - $256,928,658
2. The Black Cat - $234,887,580
3. Mask of the Phantom - $195,935,212
4. Lowell - $145,618,878
5. Lock Every Door - $95,764,744
6. Care of Death - $70,184,678
7. Attraction/Deception - $52,788,516
8. The Vegan Movie 2: Tariq Goes to Sarah Lawrence - $28,667,958
9. Less - $23,652,934

Tuesday, January 26, 2021

Release: Recursion


Recursion
Genre: Sci-Fi/Thriller
Director: Duncan Jones
Writer: Wesley Campbell
Based on the novel by Blake Crouch
Cast: Chris Pratt, Jennifer Lawrence, Michael Fassbender, Raffey Cassidy, Jessie Buckley, Steven Yeun, Emily Hampshire, Dev Patel, April Bowlby, Zach Gilford, Andre Royo, Norbert Leo Butz




Budget: $120,000,000
Domestic Box Office: $86,234,907
Foreign Box Office: $170,693,751
Total Profit: -$17,102,840

Reaction: This film was simply too expensive - largely due to Pratt and Lawrence each earning $20 million for their roles - to break even. A box office gross over $250 million is usually enough to hit profits, but it just wasn't in this case. It's still a step in the right direction for writer Wesley Campbell as it becomes his second most successful film at the box office (following just Peter and the Shadow Thieves).


"Good luck following this one. You shouldn't have to watch something multiple times AND keep notes in order to understand and enjoy a story. This story probably works better as a novel, and could work as a television series where you have more time to set up and explain the story, but as a two-hour film - boy, is it frustrating." - Reggie Dunn, Sacramento Bee

"Recursion almost feels like a mashup of Christopher Nolan films like Inception and Tenet. While Recursion is not as good as either of those films, it is not without its own merits. Chris Pratt and Jennifer Lawrence once again have good chemistry with one another, as they did in Passengers, and Fassbender makes for an entertaining villain." - Ben Fullmer, Knoxville News Sentinel

“Confusing is an understatement, the story is broken up too often, when something interesting happens to a character, it immediately changes to another. Second and perhaps third viewings are required to get a grasp on the film. The actors do what they can with the premise and when its all said and done Recursion is an entertaining film.” - Jeremy Cousins, Collider






Rated PG-13 for violence, language, some sexual content and thematic material including suicide

Last Resort Films Jukebox: Recursion




1. "Going the Distance" - Chilling Matenda


2. "Above (Original Mix)" - Reasonandu & E-Mantra


3. "Horizon" - Chilled C'Quence


4. "Solaris" - Juno Reactor


5. "Memory Lane" - SPVCEMAN


Monday, January 25, 2021

Now Showing: Recursion

Recursion
Genre: Sci-Fi/Thriller
Director: Duncan Jones
Writer: Wesley Campbell
Based on the novel by Blake Crouch
Cast: Chris Pratt, Jennifer Lawrence, Michael Fassbender, Raffey Cassidy, Jessie Buckley, Steven Yeun, Emily Hampshire, Dev Patel, April Bowlby, Zach Gilford, Andre Royo, Norbert Leo Butz

Plot: Rushing to the scene, Barry Sutton (Chris Pratt), an NYPD detective, responds to a suicide attempt at the Poe Building's top. As he reaches the top, he attempts to talk a woman, Ann Voss Peters (April Bowlby), off the edge. Refusing to move, she tells him she has a condition called False Memory Syndrome or FMS. The months prior, she suddenly received a new set of memories she'd never experienced before. To understand what's happening to her, she tracked down her false husband, Joe (Zach Gilford), but he didn't know her. Her false memories also had his alternate wife, Franny, jumping from a building. Ann thought if she tried the same, Joe'd rescue her too. When Joe doesn't arrive, Ann throws herself over. Barry watches in horror, frozen in place.

Waking up, Helena Smith (Jennifer Lawrence) experiences some deja vu. She calls her father and asks about mom, who's suffering from Alzheimer's. She goes to work in her neuroscience lab. A man Helena doesn't know, Jee-woon Chercover (Steven Yeun), enters, complimenting on Helena's work with memory. Knowing her Stanford money's running out, he offers her a job. Because she wants her work to help Alzheimer's patients, she considers it.

Barry meets his ex-wife Julia (Jessie Buckley) for the anniversary of their daughter Meghan's death. Barry realizes how much he misses Julia, but then they talk about Meghan, making it a bit awkward. Afterward, Barry meets his coworker Gwendoline Archer (Emily Hampshire) for drinks. He tells her about his failure to save Ann. They wonder about FMS and the many suicides resulting from the condition recently as the public's starting to seriously wondering about it.

Helena flies to Fawkes Station, a rig off the Californian coast, where she meets a famous inventor and scientist, Marcus Slade (Michael Fassbender). They talk about their work together, particularly her devotion to saving Alzheimer's patients' memories.

Barry reads a 15-year-old police report detailing Franny Behrman's attempted suicide, her husband Joe's success talking her off the Poe Building. Curious by it all, he takes a train to the Behrmans.

For 79 days, Helena has been at Fawkes. Along with her team, she's building the chair she has dreamed of, a technology capable of mapping and preserving memories.

On Day 270, the team waits for two processors to arrive. During a video chat w/ her parents, Helena worries about her mother, whose condition worsens. Though the rig's isolated, Helena is grateful for her teammate Raj (Dev Patel).

On Day 312, Helena's excited they'll complete their first human trial in the chair soon. During a conversation with Helena, Slade asks about her inspiration. She explains how relative time is, how memory alters the individual's perception of reality.

Barry arrives at the Behrmans and is shocked to see Franny's indeed alive, making Barry question Joe. When Barry asks, Joe denies any knowledge of Ann. Barry then asks about Franny's attempted suicide; Joe sternly tells him to leave. On his way back, Barry notices a man following him. At a diner, his nose slowly starts bleeding violently. Then he's flooded with false memories; he thinks he caught FMS from Ann.

On Day 500, Slade and Helena argue about the chair's possibilities. Slade seems to know more about Helena's history and work than she remembers telling him. He suggests implementing a deprivation tank and killing subjects to transport them back in time through recorded memory. This idea scares Helena as she saw Slade's dark expression.

As Barry wakes up & exits the diner, Joe Behrman calls to confesses that Franny did jump, and also he did know Ann. He tries explaining that a group of people transferred him in time so he'd save his wife. Joe won't tell him who the people are but gives an address.

Barry drives to the location, called Hotel Memory, and goes to sit at the bar inside. When Barry tells the bartender, he's a cop and inquires about the hotel, the bartender and Vince (Andre Royo) drug Barry dragging him into a room. When he awakens, a man asks him to recall his daughter's death.

When threatened, Barry recounts the night Meghan (Raffey Cassidy) died. He's watching baseball when she asked to meet her friends at DQ. He'd let her go through. It's late; she was killed in a hit and run on her return ride home.

Barry wakes up, almost believing he died. A man explains he stopped his heart, which is why he feels strange. Gradually Barry sinks back into the memory of the night Meghan died. He realizes he's back in the body of his younger self. Suddenly, Meghan stands in front of him, begging to go out. Shortly after leaving the house, he realizes he can stop her death, running after her.

Slade enters Helena's room, waking her. They have the same dialogue they've had before. He explains how successful their trial's been, showing her a video of the test subject's death in the deprivation tank. Shaken, she demands to leave the rig. Suddenly her nose begins bleeding, recalling a new set of memories. With evilness, Slade reminds her how the chair lets people return to their pasts.

Barry chases after Meghan, calling her without an answer. Finally, he sees her, about to cross the street as a car speeds by. Barry calls her and grabs her before she's hit. She doesn't understand why he's so emotional. She hugs him then goes to DQ.

Slade explains that deprivation's capable of sending individuals back into any of their memories. Helena worries about how the chair could be used for evil. Slade scoffs, tells her she's no longer on the original timeline, relieving a memory. He tells her once he worked as her assistant, killing her to rebuild the chair according to his design. Every time they go back into the past, Slade explains, they won't gain access to alternate remembered timelines. Only until they live up to the initial time disruption point, all competing timelines then can merge.

Barry moves through his former home, marveling at being back in his past. He's overcome by emotion. The next morning, he finds he's still in the past. He reconciled how he and Julia initially acted on this day and their present interactions' peacefulness.

Slade and Helena discover that all of his memories became false when they put their test subject, Reed, into the tank. They call these "dead memories." Day 613 days on Fawkes, Slade reports Reed's suicide. Guilt plagues Helena. She realizes there's only one way to escape Slade. Later, she quickly sneaks herself onto the chair before Slade and his goons can stop her.

Helena is back in her Palo Alto lab. Helena leaves the lab, withdraws everything from her bank account, and drives far away. She spends time in the middle of nowhere, eventually landing in Haines Junction, Yukon, to avoid Slade and keep him from recreating the chair and endangering humanity. After several years, Helena returns home to visit her mother. In a moment of clarity, she tells Helena she's proud of her. Meghan graduates and leaves home. Barry and Julia eventually divorce.

Years later, on his way home one night, Barry encounters a police barricade: a woman jumped from the Poe Building. In the middle of the night, Julia comes to his apartment. She thinks she has FMS. She now has memories of Meghan's death. Realizing what's happening, Barry rushes to Meghan. They find her on the floor. She also has FMS, remembering her own death. Though sworn to secrecy, Barry explains the situation, how he's been reliving a previous life. At a bar, he tells his family they cannot tell anyone. Everyone's noses begin bleeding, and even the reporter's on the television. An enormous building's appeared in the middle of the city. Barry realizes everyone's affected by the shifts in time; each individual is flooded with false memories.

Barry meets Gwen, explaining what's happened. They realize changing memories alters reality. They still cannot understand what the chair inventor's up to. Later, Megan texts Barry saying she cannot live anymore. He rushes to Meghan's, but by the time he arrives, their home's aflame. Barry sees her body covered by a sheet on the curb. He rushes to Hotel Memory. Before he can enter, Helena appears and stops him, warning him of the danger.

Helena recounts to Barry all the things she knows about his life. She tells of her experiences with the chair and Slade, warning Barry of the dangers. Helena says FMS is a significant side effect of the chair. Together they drive to Helena's warehouse, where she's independently rebuilding the chair.

She begins telling him things that'll happen soon. She says they've worked together in and another life. In another iteration, they've already attempted raiding Slade's lab, having to jump in time to save themselves. Helena thinks if they work together on rebuilding the chair, they may have a chance of saving the world. She knows if everyone continues remembering their false pasts, they'll be incapable of coping. The brain won't agree with the changes.

Helena remembers the lives she's already lived with Barry. She wishes he could remember what they meant to each other. Later, Helena mentions wanting to be never born, never to have invented the chair. She knows they can never stop cause and effect from governing the world. At the appointed time, they return to Slade's, planning to redo the raid more successfully.

Helena begins initiating a new timeline into which they can escape. Moving towards the lab, they encounter Jee-woon with a gun. They have a shootout. Barry sustains a wound. Helena rushes towards the tank so she can reverse time before Barry dies. Suddenly, dead memories flood him; he recalls his history with Helena, in a flash reliving every moment.

Helena points a gun at Slade, explaining that she has relived the same years to stop him. Slade still doesn't think his work with the chair is negative. He says she's yet to travel the way he has and cannot understand the chair's real power.

Barry reawakens to see Slade fleeing the lab. NYPD officers flood the facility with Gwen's at their head. Attempting to escape from the confused cops, Barry gets shot repeatedly.

Raj and his DARPA team hold Helena captive. He promises they are using the chair for a good, recently having reversed a school shooting. He explains all the government agencies discovered the chair after FMS swept the world. Helena still fears the chair's capabilities. Raj keeps trying to convince Helena her work is saving lives.

The team begins meeting, discussing further possibilities for the chair. They consider reversing mass genocides and other global atrocities. Helena's the voice of reasoning; they may save lives but will also remove others from existence. Over time, they establish ground rules for using the chair. As traumas occur, they work together to decide which makes the most sense to reverse, successfully saving many.

One night, supervisor John Shaw (Norbert Leo Butz) visits Helena. He says the military wants access to the chair, and they don't have a choice. All their work becomes intertwined with military objectives. One day, Helena and two teammates experience conflicting and overlapping tragedies, bridges falling, and buildings crumbling. They realize time's looping over and over in fast succession. Someone outside DARPA is controlling the chair. The news reports a "Mass Memory Malfunction in Manhattan." People en masse begin committing suicide. They hear the same phenomenon is occurring globally. Someone leaked word of the chair to foreign governments. The team decides to send Helena back to her childhood. Aware of all the lives she has lived, Helena records April 16, 2019, as the world's end.

Barry wakes up in the desert with Helena beside him. She tells him he just jumped 33 years of memory. His memory timelines will merge soon as the mass memory phenomenon occurs. Barry starts recalling his old lives, how he met then fell for her, the experience they made together, and their determination to save the world.

He realizes they've attempted to reworking the chair without successfully stopping Slade from unleashing the technology. Barry tells Helena he can now remember he's been in love with her for years. Soon after, they receive word of suicides sweeping the world. Helena tells Barry she'll have to relive her life again. She says he doesn't have to do it with her, that she can choose not to meet him if he no longer wants to be involved. He says he'll live every life with her.

Barry wakes again, this time on a mountainside with Helena. She says they failed also. Barry's flooded with memories, their life together repeated. He realizes how hard it must be for Helena to know they are reliving their relationship while he doesn't. On their phones, they receive word of a ballistic missile threat. They rush to the car, speeding to their home and the tank. Before they make it back, a missile descends. After the explosion, they manage to excavate themselves from the car and race home.

This time, the lab is hidden in the basement. Barry is overcome by emotion, watching Helena descend into the tank despite her wounds. The horrific images of bodies riddled by the attack flood Barry's mind.

Barry wakes yet again, this time near the ocean, and Helena's nowhere around. His memories aren't returning as readily. He makes it back to their town, locating their lab. He finds a series of complicated equations in his handwriting on the wall; he cannot comprehend them without returning his memories. He marvels at memory and time. Helena's sudden presence fills Barry with love. He tells her she is the bravest person he has ever known.

He realizes then that her demeanor is altered, understanding how time is beginning to defeat her psyche. Before she enters the tank, they consider the possibility they will never succeed at stopping Slade. Barry then remembers Slade saying he had traveled differently from others, believing he may possess some knowledge of the chair they don't. So, They decide to locate Slade in the next life.

Barry wakes up at his former desk in the NYPD building. He realizes Helena didn't come to find him in this life. His nose starts bleeding. He admits in this life, and he married Julia. The ballistic missile threat appears on his phone. Online he discovers Slade died the year prior. He looks up Jee-woon and calls him. He asks Jee-woon if he knows how Slade was able to undo dead memories. Jee-woon doesn't know but knows there's away.

Outside, the city is in chaos. Time gradually slows matter floating in the air. He believes Helena is still alive somewhere.

Barry wakes in bed with Helena at their European home. Helena explains why she didn't live in the previous timeline. They talk about how they still haven't succeeded in their mission. Several hours pass, and Barry recalls all his prior lives. Once his memory returns, he tells Helena what he discovered about stopping dead memories, that she needs to find Slade in the next life.

Barry wakes upon in the Marin County countryside with Helena. She leads him to a cell in which Slade is locked. They watch him through the glass; he doesn't know why he's there. When his nose begins bleeding, his memories return. He recalls how they know one another. Barry reminds him of what he said about his knowledge regarding dead memories, explaining how dangerous the chair has become to the world. Slade is unresponsive, which angers Barry. Helena says she must return to the tank.

Slade suggests he and Barry watch the world end together. Outside, Barry asks Slade why he killed Helena on the original timeline. Slade explains that he saw an opportunity to be someone great through Helena's work. They watch as the city descends in explosions. Barry presses him to reveal what he knows. Finally, Slade says Helena has to go back to the event that initially began the loop. The secret is that Helena has to enter a dead rather than a living memory to undo the mass memory effects. Barry worries about mapping a dead memory.

Slade explains he returned to a dead memory to erase Helena's memory, to keep her discoveries to himself. He finally tells Barry that he killed her, urging him to get to Helena before the current timeline ends. Barry races to the house. Helena's already in the tank. He lifts the lid, but it's too late; the world ends before he can tell her Slade's information.

Barry wakes in an unfamiliar facility. Finally, he realizes he's alone on a station in Antarctica. Barry waits anxiously for his memories to return. He pushes play on the TV. Helena speaks on the recording, explaining the circumstances that she's already died.

Barry's memories then return. Helena explains that they decided to give up as her mind's failing her. Barry watches another iteration of himself enter the screen. She assures him everything's okay; they let the mission go as the world is doomed anyway. She tells him not to return for her.

When the video ends, Barry watches news reports of Global nuclear warfare. He considers everything he's learned about time. Moving through the craft, Barry finds Helena's coffin buried in ice. Suddenly he remembers everything Slade revealed, realizing he must go back and tell Helena: there's still a chance of saving the world.

Barry wakes in a stilled world. Moving through a familiar, he realizes he's back on the original timeline, meeting Julia for the anniversary of Meghan's death, admitting he doesn't know Helena in this life.

Barry's overcome by emotion while talking to Julia. He realizes he succeeded; FMS plagues no one on this timeline. Barry talks to Julia about their failed marriage. They both agree their relationship was only for a time.

The next day, Barry travels to California to visit Slade's home. Barry tells him he has investigated a murder that's about to happen, referring to Slade's plan to kill Helena. Slade moves to shoot Barry, but Barry broke in earlier and emptied Slade's gun.

Barry finds Helena at a bar, consumed in her work. He watches her, feeling nervous about introducing himself, hoping she'll love him, who he is now.