Monday, November 30, 2020

In Development

The Devil's Revenge: The ensemble cast of the western sequel has added Kristen Connolly (Nocturne, "Zoo"), Stephen Lang (Metal Gear Solid 3, Shake Hands with the Devil), Justin Chatwin ("Manson", Every Secret Thing) and Lennie James ("Fear the Walking Dead", Blade Runner 2049) to its already expansive cast. Connolly will play the sister of the outlaws played by Ethan Hawke and Garrett Hedlund. Lang and Chatwin will play a father-son gunfighting duo, while James will play an old friend of the character played by Mahershala Ali. Lance Daly directs from a script by Jimmy Ellis.

Green Lantern Corps: Luke Evans (Peter and the Shadow Thieves, Alien: Out of the Shadows), Rafi Gavron (A Star Is Born, "Catch-22") and Terence Stamp (Murder Mystery, "His Dark Materials") have all joined the cast of Green Lantern Corps. Evans will play Sinestro, a high-ranking Lantern. Gavron will play Amon Sur, the son of the late Abin Sur. Stamp, meanwhile, will play Ganthet, one of the Guardians of the Universe. Christopher McQuarrie is directing the film from a script by APJ.

The Vegan Movie 2: Tariq Goes to Sarah Lawrence: Keiynan Lonsdale (Oh Johnny Boy, Work It) has signed on as a new cast member of the sequel to The Vegan Movie, playing the college roommate of RJ Cyler's Tariq. Also signing on to the film will be Bella Thorne (ID, The Vegan Movie) and Kara Hayward (The Letter J, The Virgin Suicides) returning in their roles from the first film. Jared Hess directs from a script by Alex Conn.

The Black Cat: LRF's Marvel Universe continues to expand with a film based on the character Black Cat. Ana de Armas (The Mutation, Grand Theft Auto: Vice City) will play the title role of the Black Cat aka Felicia Hardy. Also signing on to the film is Lou Diamond Phillips ("She-Hulk", "Prodigal Son") reprising his role as the legendary thief from "She-Hulk", also Felicia's father. Chad Taylor (Super Mario, The King of Hearts) penned the adaptation, with Karyn Kusama (Rachel Rising, Destroyer) signing on as director.

Less: The globe-trotting Ewan McGregor-led film Less has added Andy Garcia (All The Pretty Horses, "Miami Vice"), Helen Mirren (Uncharted 3, The Hazel Wood) and Zachary Quinto (Gargoyles, The Fountainhead) to its supporting cast. The film tells the story of an author who goes on a literary tour all over the world. Paul Feig is directing the film, which was written by Rosie JoLove and Rachel Hallet Hardcastle.

Care of Death: Jamie Bell (After, Death in the Shadows), Leven Rambin (The Dirt, The Big Ugly) and Jeremy Davies (Damned Ship, Tumulus) have signed on to appear in Care of Death, a horror film set in a mental hospital. Rambin will play a woman sent to the hospital, while Bell will play her brother who wants to get her out. Davies will play the doctor in charge of the facility. Director David Gordon Green (Stronger, Halloween) makes his LRF debut with the film, which was written by Ben Collins (Tail, Hollow Creek).

Now Showing: Kiss Me Katie

Kiss Me Katie
Genre: Drama/Suspense
Director: Jean-Marc Vallee
Writer: Jacob Jones
Cast: Eric Bana, Michael B. Jordan, Mackenzie Foy, Anthony Turpel, Ty Simpkins, Nnamdi Asomugha

Plot: A scene of mass panic occurs at a local high school in Indiana as a SWAT team is flown over to track down a shooter. No time is spared as the cadets’ march toward the school, splitting into different groups to gain better ground. The leader of SWAT team assigns two members Carl (Eric Bana) and Thomas (Michael B. Jordan) on one of the groups and they head out. As Thomas leads the way, they come across the doors to a hallway and peak in finding one student running for his life as several shots are heard. A hint of desperation in his eyes, Carl almost enters the hallway but is restrained by Thomas who says they need to plan this accordingly. After a brief back and forth, Thomas bolts inside looking every which way before finding a trail of wounded students following it the best he can. Meanwhile, his partner can only keep guard outside and hope for the best. To him, it’s more than just lives on the line.

Four Months Ago:
It’s the 4th quarter of the big football game between the Manning High Jets and the Summer Valley Rams. The score 21-17. Third down with just twelve seconds on the clock. Denver Hopkins (Ty Simpkins) is going over strategy as the seconds tick down, settling for a vertical route with him aiming for wide receiver Andrew Race (Anthony Turpel). As the offensive scheme is formed, he looks over to his right and sees his dad cheering him on. But then his eyes start to follow a girl not far from his father. This distraction proves costly as he tries to keep pace with a defensive player but winds up being just out of reach as the game ends with an interception, sealing the win for the Rams.

Dejected, Andrew slumps over a locker room bench before Denver and their coach, Coach Pryter (Nnamdi Asomugha) confront him, asking what happened. He admits to being distracted and promises that it won’t happen again. He is then reminded that they have a chance to go to the playoffs and that they can’t afford any more slip-ups. Another teammate heckles Andrew, saying he got caught making ‘goo-goo eyes’ causing Denver to stand up for his friend and creating a tense three-way standoff which is broken up by Pryter. After a brief pep talk from coach, Andrew joins Denver by the parking lot and sees the girl again. After being lightly teased over earlier, she introduces herself as Katie (MacKenzie Foy). Denver then asks if he wants to join them for a tailgate party at his house. Andrew says he can't, his father's going to want him to do some of his homework. As he leaves, he takes one last look at Katie and smiles dreamily.

Present Time:
Thomas continues to follow the trail only to come across a crossroads. He looks both ways before going leftward. As he trudges onward, he gets an update on the situation. Eight dead and many more wounded. Hearing the gunshots grow louder, Thomas picks up the pace and is able to catch a glimpse of the gunman before he sees him and flees. Thomas reports the update to the SWAT team before going off to try and catch him. All the while, his mind is racing, hoping that it's not who he thinks he is.

Three Months Ago:
Andrew is shown walking down the school hallways before coming towards Denver and Katie. As the three chat, it's clear that there is some chemistry between her and Andrew, something Denver plays up to laughs. As the bell rings, Denver heads off leaving the two alone. It is there the two get to know one another better. Katie is a varsity cheerleader hoping to earn a degree in Physical Science while Andrew hopes to play in the NFL when he's older, though his dad wants him to be in the police force. The two then exchange Discord IDs and head off to class. For the rest of the day, Andrew's lust for Katie clouds his mind.

Present Time:
A figure hides inside the men's bathroom, cowering in a corner and softly weeping. Thomas comes across the bathroom and takes a glimpse at the figure. It's Katie. Despite his wishes to comfort her, he is asked to give an update on the situation. Last he's heard, ten people have been killed. Thomas then gives a parting look towards her before rushing off. Back outside Carl begins to worry for his partner, he usually solves cases quicker than this. His suspicions becoming ever more prevalent. His son may be the shooter. But then...he wouldn't be surprised.

Two Months Ago:
Andrew is shown in his room, lights dimmed as he plays a shooter game on his laptop, eating Cheetos at his stead and chatting with Katie on Discord. Carl then calls him to see him by the kitchen table. Irritated, Andrew heads over to see his father and finds his report card. Just passing by the skin of his teeth. He tells him that it's not up to his usual standard and asks him what's going on. Not wanting to expose himself, Andrew lies about the stress of football getting to him. This in spite of being named player of the game recently by Pryter. He then brings up the fact teachers say he's often caught writing poetry and doodling instead of listening to teachers. Andrew snaps, telling his father to mind his own business and storms off to his room, locking the door in the process.

The next day, Andrew is shown in the cafeteria telling his friends that he was grounded for a week with no computer. Despite the disappointment, his friends happily announce that they're going steady. Andrew fakes his happiness for them, being crushed on the inside. As his lust for Katie grows, his poetry becomes more descriptive and graphic in their content.

Present Time:
Carl can hear gunshots coming from inside. Fearing the absolute worst, he rushes inside and goes in search of Andrew. His search is then interrupted by the screams of someone, forcing him to change objectives and try to find the source of the voice.

One Month Ago:
As Andrew's obsession over Katie spirals further, his grades and performance on the field continue to suffer. After one especially bad game, Coach Pryter takes him aside and asks if he's been doing alright. Andrew admits he hasn't been 'on his game' recently and apologizes. As he does so, several players from the opposing team taunt him to no end, causing him to exclaim that at least he was dating someone. Everyone appears shocked by the outburst and when pressed further, he claims to be dating Katie.

The next day, all anyone can talk about is how Katie and Andrew (who coincidentally 'got sick') are dating, leading to malicious rumors about Katie's sex life and getting the nickname 'Kissing Katie'. That night, the two get into a heated argument on Discord which ends with her saying that she will never date him. Panicked, Andrew tries to contact her again and again only to receive no response. Mentally broken, Andrew writes one more poem in his journal, a disturbing look into his psyche called 'Kiss Me Katie'. As the thoughts of Katie seducing him taunt his mind, he rips several pages out of the journal in rage. After does so, he receives one final message from Denver, saying that if he ever comes across her again, he will kill him.

Present Time:
Carl comes inside the men’s bathroom, just missing an opportunity to confront the shooter. He walks in slowly and is horrified to find the lifeless, bloodied body of Katie as several of her friends gather together in hysterics. Carl tries to assure them that everything will be alright and runs off to find Thomas, evading anything he sees so he doesn't blow his cover. He contacts Thomas via walkie talkie asking him where he is. Thomas reports that he’s nearing the door to the opposite end of the hallway, he’s followed the trail up to this point but has been unable to locate the killer. He did, however, get a good enough glimpse of who he may be, explaining that he was wearing a black hoodie and jeans, something Andrew usually wears. Carl speeds off, trying desperately to find him.

One Week Ago:
Having grown the courage to return to school again, Andrew heads over to the school’s gym where a very angry Denver shoves him down to the ground and being forcibly restrained by players and Coach Pryter. Tensions remain high all practice as Denver refuses to even hand the ball to Andrew. Unwilling to let any turmoil come against his star quarterback and wide receiver before a crucial game versus the Indianapolis High Tornadoes, Coach Pryter sits the two down so they can talk about it. In the end, the two agree to put aside their differences for the game. Indeed they do just that as during the Jets’s opening drive, Andrew catches a 50 yard bomb for a touchdown. The game is fast and fierce with both offenses scoring left and right leading to a deadlock of 45-45 as overtime comes upon them. The Jets win the coin toss and elect to receive. An excellent kick return gives the Jets an opportunity to seal the game and make the playoffs.

And then, one of the other team's linebackers begins to heckle Denver over ‘Kissing Katie’ attempting to get into his mind. It works as he misfires a shot. The taunts continue throughout the drive and while Denver tries to snap out of it, it’s clear memories of the past few weeks are messing with him. The final straw comes when a defensive end says that Andrew would make a better boyfriend than Denver ever would, causing him to sling the ball as hard as he can, aiming for Andrew’s head only for it to be tipped and intercepted by someone from the other team. All the Jets can do is watch as he makes the touchdown, giving the Tornadoes the stunning victory and ending any playoff hopes for the Jets.

As the team makes their dejected walk to the locker room, Denver is unusually silent. Andrew tries desperately to talk to him, but to no use. Finally, Denver punches Andrew straight in the jaw, saying that this wouldn’t have happened if he hadn’t lied about dating Katie. The next day, convinced that things will never be settled between the two, Andrew goes straight to Coach Pryter’s office and tells him that he’ll be dropping out of the team. Without giving a reason, Andrew exits the office and worried for his mental health calls Carl to explain the situation.

At home, Andrew is shown playing his shooter game when Carl comes up to him saying Pryter told him that he quit the team. Andrew tries to explain it, but it's clear Carl has had enough. He tells him that he's gonna march over to Pryter tomorrow morning and beg for his spot on the team back and that he won't get his computer privileges back until then. As Carl sits alone on a chair, he gets a call from Thomas and the two have an in-depth talk about Andrew's behavior. After listening to him rant about the last several weeks, Thomas tells Carl that he's being too hard on Andrew. After all, first love is often the hardest on a young adult. The two then talk about the hardships of life, eventually bringing up the death and funeral of Andrew's mother Rochelle. Noting how much he looked up to his mother, they both agree he was never the same after her death.

Inside his room Andrew wallows on his bed, his obsession having consumed him whole. He stares at his journal, fervently writing the word 'Katie' over and over again. It's at this point he finally realizes that he can't live like this any longer and writes a message to Pryter, begging for him to take him back on the team and to save him from what he's become.

Present Time:
Carl hides by several lockers when he hears several gunshots, after searching every possible way he gets a closeup of the shooter's back and sees Thomas and him battling for the gun. Thomas then sees his partner and baffled asks what he's doing here. Carl explains that he couldn't wait to see what would happen to his son and needed to stop him before he killed any further people. It is there the shooter sees him and puts the gun down, telling Carl that Andrew was indeed the murderer. Horrified, Carl goes down on his knees and begs the shooter for forgiveness, saying he'll do anything to make it up to him.

Before the shooter can say anything, a shaken voice rings out from by a trash can calling for his dad. He looks by the trash can and manages to find Andrew, having hidden by the can the whole time. Overjoyed, the father-son duo hug, but are soon confronted with the mystery of the shooter's identity. Thomas declares that at this point, it should be obvious and rips open the hoodie of the jacket to reveal Denver. After much interrogation from Carl and Thomas, he proceeds to tell his side of the story.

Yesterday:
Denver is shown lying on his bed in a frenzied state, not too similar to the ones Andrew was in/ The words 'Kissing Katie' echo through his head like a siren as Andrew's lie haunts him further. Realizing what he needs to do, he sneaks out of his house and gets inside his car, muttering to himself that he needs to 'save' Katie. Denver soon finds himself at Andrew's house where he tries to get in by sneaking through the back door. He looks around the living room, attempting to find a key. The search appears hopeless at first, but when he comes across a family picture of Andrew and his father, he finds on the backside the key, which he uses to open the lock to Carl's gun.

Present Time:
In the end, Denver declares that Andrew is the real murderer saying that his lies caused the deaths of not just Katie, but several others. Andrew finally cracks, apologizing profusely to his father for not telling him about anything as Thomas attempts to handcuff Denver. Denver is able to outmuscle him however and aims his gun ever so slightly towards Carl, saying that only he and Andrew remain on his list.

Andrew stops Denver at the last minute however, begging him to spare his father, sacrificing his own life in the process. Before he pulls the trigger however, Denver offers a genuine apology for the escalation of everything. With nothing more to lose, Andrew is shot and slowly dies in the warm embrace of Carl's hands as Thomas finally manages to handcuff Denver and send him away.

In Heaven:
A figure awakens from an unusual slumber, noticing his surroundings. For some reason he has found himself in a utopia filled with clouds, people and angels. One of the angels tells him that he has made it to heaven along with several others who sadly passed away in the shooting. He looks around the area, visibly in awe over not just the landscape but the fact he was even got here in the first place.

The angel then recalls his remorse and willingness to turn around when things were at their bleakest and that despite everything, she knew that he would do the right thing. He then hears another voice saying the same thing, soon stunned to find that it's Katie calling for him. Elated, he rushes to Katie and finally gets his kiss, confirming that he was indeed forgiven.

"Anyone can get a second chance, but it takes a good person to accept it. And after today, I think it's clear you're a good person Andrew."

The angel watches on as Andrew and Katie walk off hand in hand.


Sunday, November 29, 2020

LRF NOW Writer Commentary: The Temptations with Lon Charles

The Temptations - Writer Commentary
Genre: Biography/Musical
Director: Clint Eastwood
Writer: Lon Charles
Cast: Lakeith Stanfield, Nate Parker, Andre Holland, Jason Mitchell, Corey Hawkins, Michael Stuhlbarg, Jeffrey Wright, Tyler James Williams, Columbus Short, Alexandra Shipp, Jesse Williams, Jurnee Smollett, Kimberly Elise

Plot: 1958 - Detroit, Michigan. Otis Williams (Lakeith Stanfield) attends a concert with his friend Elbridge "Al" Bryant (Tyler James Williams). [1] While The Cadillacs performs "Buzz-Buzz-Buzz", Otis and the lead singer lock eyes. Otis is suddenly inspired. After the concert he tells Al that he now knows what he wants to do with his life: he wants to start his own band. Al is reluctant, but agrees to help Otis. They go to the local barber shop to get their hair done up in the ducktail style like Tony Curtis.

[1] I knew for a while that the Temptations were a group that would be pretty perfect for a jukebox style musical, but one thing that was pretty difficult to determine was the exact time line of the film. The group was formed in 1960 and continues to tour to this day with founder Otis Williams still part of the group, giving me quite a long stretch of time to choose from for the story. Ultimately, I decided to cover a combination of their greatest hits - both the songs and the events in the lives of the group.

When Otis gets home, his family is shocked and angered by Otis' new hairstyle. When asked why he would do such a thing to his hair, Otis tells them that it is for his music career. His mother and step-father scoff at the idea and tells Otis that it is about time for him to come work on the assembly line and act like a grown man instead of chasing a boy's dream of a music career. Otis rejects their suggestion and storms off to his bedroom.

Otis and Al are singing on a street corner singing "Splish Splash". [2] Suddenly another group of singers across the street starts singing the same song. Otis and Al stop their singing and listen, impressed by the group's bass singer, Melvin Franklin (Nate Parker). When the group stops singing, Otis and Al start to follow Melvin home, hoping to ask him to join their group. Melvin spots them and starts running away, thinking they are gang members. Otis and Al eventually catch up to him and introduce themselves. Melvin is relieved that they aren't gang members, but ask what they want. Otis asks Melvin if he'd like to join his singing group, Otis Williams & the Siberians. Melvin agrees to join.

[2] Director Clint Eastwood and I were trying to take a bit of fourth-wall breaking musical approach like Eastwood previously did with Jersey Boys, which was an admitted influence on the development of this project. Getting Eastwood himself on board to direct only solidified this approach for me with the writing.

Otis, Al and Melvin are singing "Earth Angel" when they notice a trio of girls watching them. [3] It isn't long before the guys are making out with the girls in the back of Al's milk truck. Otis asks one of the girls, Josephine (Jurnee Smollett) out on a date. Otis, Al and Melvin go to a local record company they found listed in the Yellow Pages, but when they get there they find it is just an apartment building. Al and Melvin are discouraged, but Otis rings the doorbell anyway. Johnnie May Matthews (Kimberly Elise) answers the door. Otis tells her that they are a singing group, and Johnnie May invites them in. She agrees to be their new manager and producer, but changes the name of the group to Otis Williams and the Distants.

[3] "Earth Angel" isn't a famed Temptations song, but I love the song. The song is most famously sung by The Penguins, but when I found out that the Temptations had covered the song I knew I had to include it in the film even if it was at the expense of one of their more famous works.

1960. Otis and Melvin and two backup singers Johnnie May hired to perform with them are waiting to perform at a party. Al is hasn't arrived at the event yet. At the party, they meet Paul Williams (Jason Mitchell) and Eddie Kendricks (Andre Holland), singers for a group called The Primes. [4] Otis and Melvin continue to schmooze the guests while waiting for Al to show up, meeting Smokey Robinson (Jesse Williams). [5] Al finally shows up, but doesn't immediately look for Otis and Melvin. Instead, Al's attention is captured by the beauty of Diana Ross (Alexandra Shipp), singer for the Primettes. Paul and Eddie tell Al that his bandmates have been looking for him. Al snaps at them that he's talking to a girl right now, but by the time he turns back around Diana has moved along. The Primes and the Primettes perform, and Otis, Melvin and Al are all impressed by their sound. The Distants finally have their turn to sing and give the party a rendition of "Come On". After their performance, Otis notices Berry Gordy (Jeffrey Wright), the owner of Motown Records, enter the bathroom. Otis and Melvin follow him into the bathroom to meet him. While Berry is trying to use the toilet, Otis and Melvin introduce themselves. Berry promises to give them his business card so they can contact him if they let him use the toilet in piece. Otis and Melvin agree. After the party, the group gets a ride with Johnnie and she tells them that the single they recorded is starting to sell and shows them a roll of cash. The group asks when they will start getting paid, which infuriates Johnnie. She kicks them out of the car and tells them they'll need to get another manager. Otis, Al and Melvin start walking down the highway back toward downtown Detroit. Al tells them that he doesn't think he can do this anymore. He already has a job as a milk man, so he's going to just focus on that and starting a family instead.

[4] Casting the rest of the group that would eventually become The Temptations was honestly a tough task. Really the entire casting process of this film was tricky. There are only so many actors in the necessary age range that had the right look and feel that was needed for the era. I think we did about as well as we could casting this one, but it was certainly not easy.

[5] While not a member of the group proper, Smokey Robinson's song writing was crucial to the group's success, so I felt it was very important to make sure he was a decent-sized part of the story of the film.


Melvin excitedly tells Otis that he just heard that Eddie and Paul left the Primes and are interested in joining forces with them. Otis is reluctant, but decides to give it a try when Al shows up and apologizes for ditching them. The group renames themselves once again, this time calling themselves the Elgins. Paul teaches Otis, Melvin and Al how to dance, telling them that it is important in the business.

1961. Otis enters the headquarters of Motown Records and waits to meet Berry Gordy. Berry tells Otis that he likes the sound of the group, but he hates the name "The Elgins". He tells Otis that he would be willing to sign them to his label if they can come up with a better name. Otis tells Berry that he will meet with the rest of the group and come up with a better name by the end of the day. Berry tells him to be back at 4pm. Otis meets the rest of the group outside of the building, and they sit on a curb trying to come up with a new name. At 4pm, the entire group enters Berry's office and tells them the new name: The Temptations. [6] For the first time as the Temptations, the group sings "Oh Mother of Mine" for Berry in a studio. Otis excitedly tells his girlfriend Josephine the good news. She, however, informs him that she is pregnant. Otis is shocked, but he promises to take responsibility for the baby.

[6] Given all the names the group had and flirted with before they became well-known, I wanted the selection of the name that would live on for going on 60 years now to be a big moment, a crowd-pleasing moment. I'm pleased with how the moment turned out in the final product.

1963. The group records several songs in the studio written by Berry himself, but have failed to make a hit for Motown Records. Leading up to a New Years Eve party the group is playing, they express their doubts about their future with the label. At the end of their performance, the crowd starts chanting for an encore. The group gets ready to head back out on stage, except for Al, who starts throwing beer bottles at the others. He says he's done with the group. The group tells him to get lost and take the stage without him. They begin performing "Shout". During the song, David Ruffin (Corey Hawkins) [7] storms the stage and begins singing and dancing along with the Temptations. At the end of the song, the group invites David to go out to eat with them. At a diner, the group asks David if he would like to join the group since they need a replacement for Al.

[7] Ruffin wasn't with the Temptations for very long, but he is still one of the most recognizable voices in the group's history - namely due to his lead vocals in "My Girl". He had an amazing voice and it certainly was not a coincidence that the group really took off once he joined, although as we go through in the film, he felt the same way which led to a lot of friction between the various strong personalities of the group.


1964. The group heads back to the studio to record a new song Smokey Robinson wrote specifically for them. The group records "The Way You Do the Things You Do", which becomes an instant hit, putting the group on the map. With a hit song, Berry Gordy sends the group to join a tour of various other Motown artists like the Vandellas and Marvin Gaye. When the tour ends they arrive back in Detroit, Josephine sees Otis talking to one of the Vandellas and assumes he is cheating on her. The group heads back to the studio to record another song Smokey has written for them: "My Girl".

1966. David Ruffin begins to believe he is the reason for the Temptations' recent success. After the group records "Ain't Too Proud to Beg", Otis and Melvin pay him a visit, telling him that they are concerned by his recent egocentric behavior. They tell him to shape up or else they will fire him from the group. Back at the studio, Berry Gordy introduces the group to their new manager, Shelly Berger (Michael Stuhlbarg). Shelly tells the group about his ideas of how to expand the group's fanbase to the mainstream white audience. Otis and Melvin say they are reluctant because they don't want to alienate their long-term fans. Shelly arranges for the Temptations to join Diana Ross' group the Supremes for a month long tour. [8] The final show of the tour is them playing the famed Copacabana nightclub in New York City. David shows up late for the concert and announces that he thinks the band should be called David Ruffin and the Temptations or else he will not perform in the show. Otis tells him that there's no way they would ever do that. David leaves the club and the group performs the show without him. After the show, the group holds a meeting to have a vote on whether they should keep David in the group. Otis, Melvin and Paul vote to kick him out of the group. Only Eddie votes to keep him. Otis asks Shelly to break the news to David. Shelly heads over to the hotel and hands him a note telling him he's out of the group and walks away. David then begins trashing the hotel room.

[8] One fun part of the development of the film was the process of deciding which other Motown legends we would see on-screen, which would be actual characters in the film, and which would just be referenced. Obviously some of the younger audiences may not be familiar with all of these names, but hopeful fans of Motown music appreciate the nods.

1968. After a string of replacement singers, the Temptations hire Dennis Edwards (Columbus Short) to officially replace David. [9] During a concert, the group is about to sing "Ain't Too Proud to Beg" when a drunk and high David Ruffin storms the stage from the audience and begins singing the song himself. The others uncomfortably go along with the song, but when everyone goes backstage, Otis gets security to escort David off the premises.

[9] The Temptations had a pretty large revolving door of members of the years, as can be expected of a music group that is around for 60 years with just the one original member, Otis Williams, still left with the group. One challenge was to figure out how much of some of the other more short-lived members to include. I think we did a good job of giving a good balance, but I won't blame the audience if they mix up some characters like Dennis or Eddie that don't have the flashier parts in the film's story.

1969. Melvin is in a doctor's office being given the news that he has rheumatoid arthritis in his legs and he needs to stay off his feet more. Melvin tells the doctor that he needs to be able to stand with ease in order to perform. The doctor tells Melvin that he could get cortisone shots to ease his symptoms, but they won't cure his ailment. Meanwhile, Paul begins drinking heavily to the point that he spends most his days in a perpetual drunken stupor. Otis arrives home from the studio to find Josephine waiting with divorce papers. Otis, Melvin, Dennis and Eddie have a meeting about Paul to figure out how to approach his increasingly debilitating drinking problem. Melvin proposes they have Paul take a leave of absence from the group to get his act together. Eddie is against this, saying they should stick by Paul and be with him at all times to make sure he doesn't drink. [10]

[10] This sequence is the beginning of the traditional "fall" section of a music biopic, but there was really no way around it in a film about The Temptations. Things got pretty dark for a handful of years there between the clashing egos, drug and alcohol abuse, etc. We tried to make the film not feel too stereotypical in this section by focusing on how the issues and problems affected by the group itself, and not just focus on the personal lives of the characters in the section. The film is called 'The Temptations' after all.

Eddie visits David and they do cocaine together. David trashes Otis and Melvin, calling them no-talent hacks who have made a fortune off the abilities of better singers like Eddie and himself. With Paul feeling better after laying off the booze, the group heads to the studio to record "Just My Imagination". [11] After the recording session, Otis and Eddie get into an argument where Eddie compares Otis to a slave owner. Otis tries to attack Eddie, but Dennis and Melvin separate them. Eddie storms out of the studio, saying he's done being just another one of the Temptations.

[11] Even as the group was beginning to disintegrate, they were recording some of their most famous works, which seems to be a rare case. Usually, especially in films about musicians, the personal problems usually come hand in hand with professional problems, but in the case of the Temptations, they were continuing to record great songs, although some of these great songs did not sell as well as the record company would have liked - especially after 1972 when Paul died.

1972. As the group prepares to record "Papa Was a Rolling Stone" in the Motown Studios, Paul shows up clearly drunk. He tries to prove he's fine by doing a dance, but he stumbles and falls to the floor. The rest of the group asks Paul to leave and not come back until he is better. A week later, the group is informed by Shelly that Paul was found dead in his car - he killed himself. At the funeral, the group sees Eddie, who comes over and greets them. Eddie gives them a hug and says that while they may not be bandmates anymore, he still considers all of the Temptations his family.

1977. The Temptations have relocated to Los Angeles, but they haven't had any major hits since 1972. The group begins planning out a new tour since they are low on income. One day, a thief tries to steal Melvin's car at gunpoint. Melvin tries to fight him off, but the thief shoots Melvin in the legs and drives away with his car. Melvin tells Otis he should go on tour without him since he knows that the group needs the money. [12]

[12] This scene almost ended up on the cutting room floor because I felt like it might come across as a bit overly down or too much of a bummer scene, especially immediately after the death of Paul. It ultimately stayed in the film though because it alludes to cash flow problems for the group, as well as Otis himself, and Otis never had as low of lows as some of our other Temptations like David, Paul or Melvin, so it was important to give the era a context and to give the ending a greater impact.

1980. Melvin is still trying to rehab his legs and has been unable to perform with the band since his shooting. Eddie is performing at a small nightclub in Detroit one night when he spots David in the audience. Once he finishes the song, he brings David up on stage with him and they sing "Cloud Nine" together. After everyone leaves the club, Eddie and David have a drink at the bar and agree to start their own faction of the Temptations. David says he's already talked to Dennis and he'd be on board to join them. Meanwhile, Otis and Melvin move back to Detroit to record at Motown Studios again. Berry and Shelly start planning a reunion tour for the group, but Otis and Melvin have to get the others on board if they're going to make any kind of serious money. Otis goes to visit Eddie and finds him rehearsing with David and Dennis. He tells them that Motown wants to put on a tour for the group, but he needs them to sign on. They ask him why they should do something like that, and Otis reminds Eddie what he said at Paul's funeral about the Temptations being a family, despite their differences. While the group is on tour, Otis and Melvin notice that David is still using drugs and discuss whether to bring the issue to Shelly or the record label, but they decide to turn a blind eye since they need the tour to be a hit.

1989. Otis, Melvin, David, Eddie and Dennis are inducted into the Rock and Roll Hall of Fame. They perform "Treat Her Like a Lady" together at the ceremony. As the performance goes on, the band is replaced by the classic Temptations line-up of Otis, Melvin, David, Eddie and Paul. Together the classic Temptations sing "The Way You Do the Things You Do". [13]

[13] To end the film, it was important for me to give fans of the group one last chance to see the group's "classic five" perform one last number together even if it is a fantastical moment in a mostly non-fantastical film. Hopefully that move doesn't anger any hardcore Dennis Edwards fans, but I think everyone will admit that the group was most successful with those classic five members in the group. Anyways, that was The Temptations. I had a lot of fun writing the film, especially since it gave me an excuse to revisit some great tunes and some important moments in American music history.


Premiere Magazine #168


Saturday, November 28, 2020

The Roundup with Jeff Stockton (Season 17 Round 8)

There are just two rounds left and the overall box office is looking very light so far. There were some bright spots though so, here's The Roundup....


3. Jonathan Glazer
Jonathan Glazer, ever since his first film Sexy Beast, has been a director I've kept my eye on. He's only made three movies. One really good (Sexy Beast). One not so great (Birth). One super interesting, but not wholly good (Under the Skin). It was nice to see him get an opportunity with LRF (and a big one at that).

2. Elle Fanning
Elle Fanning is super talented and does everything she can with the two lead roles in High School. While the film fizzled at the box office, it wasn't a bad movie. It was too episodic and too niche, but not bad.

1. The Sandman
I dug The Sandman. It takes a while to get used to the world of the film, but the script by Chad Taylor keeps things fairly simple (which certainly helps the audience). It was also nice to see Depp get another starring role with LRF.



3. High School
The film isn't technically bad, but I am not surprised by its failure at the box office. Canadian teen lesbian coming of age drama about the teen years of singers who are only famous in small, niche circles. Does that sound like the makings of a box office hit to you?

2. All The Pretty Horses
This film felt cold and too close to the book, which is surprising given the director. Like the novel, it got too carried away with the details of the Mexican landscape and not enough on its characters.

1. Box Office
Talk about a rough round at the box office. I feel like I've said that a few times this season, but I certainly mean it here. The only success was a minor one, while the two flops, well, they flopped pretty hard. Right now, the season is on pace to be the lowest grossing season in the history of LRF, althought profits are looking decent. Thankfully for LRF, they have still have two potential major blockbusters on the schedule: Namor the Sub-Mariner in Round 9 and Green Lantern Corps in Round 10. If those two films (along with the other four releases left) can gross $1.6 billion, then the studio can avoid an all-time low.

On Location (Season 17 Round 8)

All The Pretty Horses
- El Paso, Texas, USA


High School
- Calgary, Alberta, Canada


The Sandman
- London, England, UK

- Buffalo, New York, USA

Friday, November 27, 2020

Box Office Breakdown (Season 17 Round 8)

All The Pretty Horses
Budget: $28,000,000
Total Box Office: $23,258,720
Total Profit: -$30,108,814




High School
Budget: $29,000,000
Total Box Office: $21,613,722
Total Profit: -$31,003,478



The Sandman
Budget: $80,000,000
Total Box Office: $206,331,292
Total Profit: $19,504,222



Box Office Facts:
All The Pretty Horses

The Western genre has made a bit of a comeback in recent seasons thanks to several strong films in the genre from LRF, but All The Pretty Horses has now become the lowest grossing western in the history of the studio (barely grossing half of the gross of the next film, Stray Dogs).

High School
Star Elle Fanning has shown a pretty solid box office track record with her LRF projects. High School is her eighth film for the studio, but just the second to lose money (after The Reign of Lady Morgana).

The Sandman
The Sandman is the lowest grossing film set in the DC Comics Universe (and the first not featuring a superhero character), however it still managed to turn a profit.



Genre Rankings:
All The Pretty Horses

Drama: #172
Western: #15

High School
Drama: #174

The Sandman
Fantasy: #38
Horror: #16



Season 17 Round 8
Total Box Office: $251,203,734
Total Profit: -$41,638,070

Season 17 Totals
Total Box Office: $4,453,620,078
Total Profit: $1,340,618,392



Season 17 Box Office Summary
1. Super Mario - $879,072,958
2. Justice League Dark - $807,421,208
3. The Hulk - $619,719,920
4. Skyrim III: Dovahkiin - $585,936,144
5. Alien: Out of the Shadows - $377,769,450
6. Peter and the Shadow Thieves - $356,275,927
7. The King of Hearts - $300,678,164
8. Hex: The Cult of Cain - $225,552,570
9. The Sandman - $206,331,292
10. The Hit Maker - $149,867,108
11. Kylie Dates New York City - $101,389,367
12. The Smoke in the Red Country - $97,817,192
13. Pulp - $95,866,240
14. After - $79,878,890
15. Whammy - $78,105,335
16. Suburban - $76,179,186
17. Burnt Dreams - $66,608,062
18. Natasha, Pierre & The Great Comet of 1812 - $58,269,150
19. One Day More - $52,746,828
20. He Kills - $45,681,834
21. A Life - $27,524,140
22. All The Pretty Horses - $23,258,720
23. High School - $21,613,722
24. 1965 - $7,698,362

Release: The Sandman


The Sandman
Genre: Fantasy/Horror
Director: Jonathan Glazer
Writer: Chad Taylor
Based on DC Comics characters
Cast: Johnny Depp, Florence Pugh, John Goodman, Sam Claflin, Aisling Franciosi, Eva Marie Saint, Timothy Spall, Noah Jupe, James Norton, John Gallagher Jr., Grace Van Dien, Gabriella Wilde




Budget: $80,000,000
Domestic Box Office: $110,469,095
Foreign Box Office: $95,862,197
Total Profit: $19,504,222

Reaction: Very solid numbers. We kept the budget a bit low as we were not sure what the MPAA would rate it, but the PG-13 rating certainly helped the box office so it could appeal to the greater fanbase of the DC Comics Universe.


"Parts of the film are really interesting, but the thing might just be too strange and out there for the mainstream audiences required to appeal to for hit films. The casting was good, but the story didn't give enough to connect to. Maybe the characters will grow on me if there are sequels, but they don't provide much to latch onto here." - Bruce Vickers, Baltimore Sun

"Johnny Depp looks to continue his recent comeback following his strong supporting turn in Crimson. He gives Dream a real otherworldly feel, playing things a bit low-key, but his charisma is still present." - Glenn Magnus, Maxim

"The standard DC Comics Universe fans may be a bit taken aback by this stranger fantasy take on the universe. Then again, these are the same fans who have turned Swamp Thing and Constantine: The Hellblazer into hit, so I might be wrong there. Either way, this film was a good one and helped take the DC Comics Universe to strange new places." - Ben Mazur, SciFiNow



Rated PG-13 for some strong violent content, dark thematic material and frightening imagery

Thursday, November 26, 2020

Comic to Film: The Sandman

For the latest edition of Comic to Film, we will take a look at The Sandman, the latest DC Comics adaptation from Last Resort Films. The film hails from director Jonathan Glazer (Under the Skin, Birth) and writer Chad Taylor (Super Mario, The King of Hearts)