Thursday, March 31, 2022

In Development

Odysseus - Part Two: The ensemble cast of the second half of the Odysseus story has been fully cast with Thomas Jane (Odysseus - Part One, Heavy Rain), Dianne Wiest (Let Them All Talk, "Mayor of Kingstown"), David Denman (Ghost Rider, Greenland), Meg Foster (Odysseus - Part One, Hellblazers) and Carice Van Houten (Odysseus - Part One, Incarnate). Jane, Foster and Van Houten will reprise roles from the first half of the story, while Denman and Wiest will play new additions. Ridley Scott directs from a script by Andrew Doster.

The Boy in the Suitcase: Paul Bettany (Northrock, A Little Life), Krystyna Janda (Dolce Fine Giornata, Elles), Charlie Cox (Before You Help, Riot Love) and Bria Vinaite (Mexican Gothic, Habit) have joined the Danish thriller, The Boy in the Suitcase. Bettany and Janda will play a married couple who cannot have a child of their own, Cox will play the husband of Vanessa Kirby's lead character, while Vinaite's role has not yet been revealed. Jennifer Kent is directing the film from a script by Rene Menzie and Rosie JoLove. The film is based on the novel of the same name by Lene Kaaberbol and Agnete Friis.

Extra Ordinary: Now that she has wrapped her work on the soon-to-be-released Elektra, Sofia Boutella (Uncharted 3, Alex + Ada) will join Steve Carell and Paul Rudd in Adam McKay's Extra Ordinary. Asa Butterfield (Teen Titans, The Young Pretender) has also joined the project. Both will play members of Carell's support group for individuals with extraordinary abilities. Jimmy Ellis penned the film.

Hair: Harris Dickinson (Atlantis, Scion 3), David Corenswet (Affairs of the State, "The Politician") and Lili Reinhart (Constantine: The Hellblazer, Resident Evil 2) have been set to headline a new film adaptation of the famed musical, Hair. Dickinson will play Claude, a young Oklahoma man who heads to New York City before reporting for the Army to fight in Vietnam. Corenswet will play Berger, the leader of a group of hippies in the city. Reinhart will play Sheila, a socialite who crosses paths with the hippies. Michel Gondry (But What Am I?, The Green Hornet) is set to direct the film from a script by Lon Charles (Sinatra, The Glass Menagerie).

Caesar Part II: One of the most anticipated film of the season is in full production now with Leonardo DiCaprio (Golden Girl, Sinatra) officially back as Julius Caesar. When we last left him, Caesar had lost his daughter and was taking out his grief by decimation the Eburones army. He reportedly has a three-picture deal to play Caesar, so if this film is anywhere as successful as the first, we can surely expect to see a Part III. Also returning for this sequel are Russell Crowe (Golden Girl, The Emperor of Latium) and Jeremy Irons (Gathering of the Wolves, Caesar). They will once again play the other members of Caesar's Triumvirate, Pompey Magnus and Marcus Crassus. Christopher Nolan (Risico, Caesar) is back behind the camera after his break directing the Bond film, Risico. John Malone (Supergirl, Risico) and Chad Taylor (Broadway, The Black Cat Strikes Again!) are once again responsible for the screenplay.

Fantastic Four: Doom: The primary quartet of John Krasinski (The Fantastic Four, Mr. Big), Sarah Gadon (The Fantastic Four, Halo 6), Jason Segel (Free Spirit, The Fantastic Four) and Jack Reynor (Coma, Y: The Last Man - Part 2) are set to finally return as the Fantastic Four in LRF's Marvel Universe. In this entry the group finds their way as superheroes back on Earth while trying to find the missing Victor Von Doom. Gareth Edwards (The Fantastic Four, Halo 5) is once again directing from a script by Mark Newton (Ghost Rider, Gears of War).

Breaking News: LRF NOW Originals Second Series Announcement


The second show officially picked up to stream on the LRF NOW Originals service has been decided! The show will be a remake of the darkly comedic cult British sci-fi series Misfits, about a group of juvenile delinquents who gain superpowers. The show will be created by writer Mark Newton (Ghost Rider, Gears of War). It is expected to be a fairly faithful adaptation of the original series - at least early on - albeit with an American twist, but there will be a format change. Instead of each episode being an hour long like the original series, Newton's adaptation will utilize the half-hour format.

Once again, expect all kinds of casting and production information at the first LRF NOW Originals Preview event following this season's Golden Reel Awards.





Release: Gracie


Gracie
Director: Mark Pellington
Writers: Roy Horne
Based on the 2013 South Korean film Han Gong-ju
Cast: Sydney Sweeney, Erin Kellyman, Josephine Langford, Owen Teague, Laura Dern, Dermot Mulroney, Desmond Harrington, Jacob Bertrand






Budget: $18,000,000
Domestic Box Office: $14,327,320
Foreign Box Office: $10,005,990
Total Profit: -$9,000,012

Reaction: While not a huge flop, the film failing to turn a profit at the box office has unfortunately finally brought Roy Horne's streak of profitable films to an end.



"Gracie is more than a little depressing in the end, but it is anchored by another fantastic performance from Sydney Sweeney and yet another hypnotic soundtrack curated by writer Roy Horne. As far as small character studies go, this one is pretty solid." - Ron Gardocki, Los Angeles Express





"Sydney Sweeney gives another great performance, but after Poison Ivy (and writer Roy Horne's other recent films) the expectations may have been set too high for Gracie. It is a much smaller film in terms of its scope, almost too small and indie-styled for its own good, and it never quite finds a rhythm with its structure." - Glenn Howard, Total Film



"Like with Chad Taylor and Billy Magnussen and Mo Buck with Mackenzie Foy before them, it seems Roy Horne has found his diamond in Sydney Sweeney. While you could argue that she's a bit too old to play an eighteen-year-old, Sydney still delivers a great performance as a girl trying to make her way through school life, only for tragic circumstances to come into play. It may not be the cleanest movie narratively, but it has an eerily good soundtrack and provides the next step in Sydney's quest to become an A-List star." - Mitchell Parker, New York Times




Rated R for language, violence, thematic material and sexual content/nudity

Wednesday, March 30, 2022

Last Resort Films Jukebox: Gracie





1. "Blue Girl (Dean Hurley Remix)" - Chromatics


2. "Better Yet" - Carla dal Forno


3. "Ceremony" - Chromatics & Glass Candy


4. "Glimpse" - Tess Roby


5. "I Woke Up And The Storm Was Over" - Tropic of Cancer


6. "Death Engine" - I Break Horses


7. "Keep Walking" - Kelly Lee Owens


8. "Half Life" - Zola Jesus

Now Showing: Gracie

Gracie
Director: Mark Pellington
Writer: Roy Horne
Based on the 2013 South Korean film Han Gong-ju
Cast: Sydney Sweeney, Erin Kellyman, Josephine Langford, Owen Teague, Laura Dern, Dermot Mulroney, Desmond Harrington, Jacob Bertrand

Plot: 18 year-old Gracie (Sydney Sweeney) leaves school for the day and is quickly berated by a group of parents for all the pain and inconvenience her actions have caused. Gracie yells back at them that she didn't do anything wrong and what happened wasn't her fault. Her mother Susan (Laura Dern) arrives and yells at the adults that they should be ashamed of themselves for picking on a teenage girl. Susan then threatens to call the police if they don't leave Gracie alone, which causes them to disperse. Susan apologizes to Gracie for being late picking her up as Gracie cries in the passenger seat.

Gracie sits with her parents, Susan and Kevin (Dermot Mulroney), as they break the news that given the current situation and ongoing investigation, they have arranged for her to attend a different school for the rest of the semester leading up to graduation. Gracie has mixed feelings about the change but understands her parents' decision.

Gracie is at school, sitting in the cafeteria with her best friend Haley (Josephine Langford). Donny (Owen Teague), with a black eye, glares at Gracie and her friend Haley. He then goes to sit down next to his best friend, Mike (Jacob Bertrand). Gracie asks Haley if she can talk to her about what happened, but Haley says her parents don't want her talking about it with anyone.

Gracie walks down the halls of her new school trying to find her next class. She stops at an open door where a small group of girls, led by Eunice (Erin Kellyman), are practicing an a cappella song. Gracie stands there listening to the song. Eunice notices her watching. Gracie quickly walks away with her head down.

After P.E. class, Gracie waits for everyone to leave the locker room. She then takes a shower. As she showers, she sings New Order’s “Ceremony”. When she is done, Gracie leaves the locker room and finds Eunice in the hallway. Eunice tells Gracie that she heard her singing and asks if she wants to practice with the a cappella group. Gracie shakes her head no and hurries away.

Kevin is approached at work by Rick (Desmond Harrington), Donny's father, who offers him ten thousand dollars in cash to convince his daughter to recant her story to the police. Kevin flat-out refuses. Angered by the refusal, Rick then makes veiled threats about having Kevin's business ruined if the police don't back off and end their investigation soon.

Gracie goes to the music room where Eunice and her friends are getting ready to practice their a cappella songs. One of the girls uploads some short videos of the practice to social media. When Gracie realizes this, she becomes angry and demands that she delete the videos.

Gracie returns home from school to find her mother painting over the words 'LIAR' and 'WHORE' that someone has spray painted on their front door. Susan tells Gracie not to get upset and that it will all be over soon and will feel like a just a small blip in the grand scheme of life.

Haley and Gracie go to a party at Donny's house, who insists that his parents won't be home for hours. They are offered some drinks. Gracie declines, but Haley convinces her to at least have a beer. Donny says he'll get them some. Donny and Mike slip something into the girls' drinks. As Haley and Gracie dance at the party, they begin feeling drowsy and ill. Donny and Mike help the girls upstairs to a bedroom. On their way up the stairs Gracie passes out. When Gracie wakes up, she finds herself and an unconscious Haley on a bed. Donny, Mike and their friends are taking turns raping Gracie and Haley. Gracie tries to get away, but is held down by Mike while Donny takes his turn. Suddenly the door bursts open and Rick yanks his son off of Gracie. He orders everyone out of the house and begins beating his son. Gracie manages to wake Haley up. They quickly put their clothes on and leave the house. As they walk away, neither of them say anything about what just happened as though they're in disbelief.

Haley takes a pregnancy test which comes up positive. Panicking, Haley chugs a bottle of water and uses several more tests. Haley cries as she sees that each and every test says she’s pregnant. Distraught, Haley walks to a tall bridge. She waits until there are no cars coming, then quickly leaps off the bridge to commit suicide.

Gracie arrives home from Donny’s party. She is in a daze of distress and collapses on the floor in front of her parents. They rush over to her side. When she wakes up, Gracie tearfully tells her parents that she was raped. Susan comforts her daughter while Kevin calls the police. Two police officers arrive at the house. Gracie struggles to tell them what happened as her memory is still fuzzy. She remembers going to Donny’s house with Haley, having drinks, waking up while Donny was inside of her and Mike holding her down.

Gracie finds out that Haley has killed herself. She insists on going to Haley’s funeral. At the cemetery nobody will acknowledge her presence or even look at her. Gracie interrupts the priest and addresses the crowd. She says they should all be ashamed of themselves for how they’ve reacted to what happened to Haley and herself.

At school, Eunice sees how upset Gracie is. She says that she knows about what happened to Gracie and her friend. Gracie reveals that Haley killed herself. Eunice gives Gracie a hug and tells her that it isn't her fault. Eunice tries to kiss Gracie. Eunice puts her hand on Gracie’s leg and tries to kiss her. Gracie shoves Eunice away and runs out of the room.

Gracie stands at the edge of the same bridge Haley jumped from. She looks down toward the water hundreds of feet below. She apologizes to Haley and closes her eyes as she leans over the railing.


Tuesday, March 29, 2022

Breaking News: First LRF NOW Original Series Announcement

 


With several pilot submissions submitted to the LRF offices, president Phil Dolan has officially selected the initiative's debut series. The series will hail from writers Dwight Gallo (Rodeo, X-Men: The Cure) and Jimmy Ellis (Northrock, Atlantis), who previously collaborated on the Marvel Universe film Red Wolf. The series, SCALPED, is based on the Vertigo Comics series of the same name and tells the story of a young man who returns to the Prairie Rose Indian Reservation after several years away as well as the efforts of the FBI to take down a corrupt tribal chief.

The executive producer/pilot director and the cast will be announced at the first ever LRF NOW Preview event following the Golden Reel Awards, while all eight episodes of the first season of Scalped will be released during Round 1 of Season 23.

Expect more announcements as writers submit more series scripts Meanwhile, stay tuned for the start of Round 6 tomorrow with the premiere of Gracie from writer Roy Horne and star Sydney Sweeney!


Monday, March 28, 2022

The Trades with Reuben Schwartz (Season 22)

Season 22 is halfway over and that means it is time for The Trades, my annual mid-season check-in discussing the current storylines and news at Last Resort Films.

For the Golden Reel Awards, there appears to be two major front-runners at the moment: Open Hearts and Broadway. Each film was received warmly by critics and has a certain awards pedigree with their writers and directors. What makes both films perhaps more intriguing is that they are ensemble pieces, which means they will likely have a shot in multiple acting categories. And that indeed seems to be a theme of the season as I will discuss other large-cast projects later in this article. The next rung of films seems to include The Only Good Indians and Audible, both which have acting contenders of their own.

The first half of the season has already seen a good deal of comic book properties but that looks it will be a major storyline in the coming rounds. Zack Snyder’s Elektra, which is right around the corner, has been grabbing headlines with its casting and has the track record of Dwight Gallo’s previous Marvel properties working for it. Speaking of Snyder, Who Watches the Watchmen has a little more question marks. The original graphic novel is well-known but where Jimmy Ellis chooses to take the story from here will be interesting to see. The Fantastic Four was met with a good, if muted, response back in Season 16 but it always seemed like it was setting up for bigger things and we are getting that now with Fantastic Four: Doom. And finally, the second Batman film of the season will close us out with Batman: In the Shadows, the fourth film in the franchise from APJ and a return to the cape and cowl for Jake Gyllenhaal after a nine-season hiatus. I’m sure that the studio is looking to these properties to help bolster the profit margins for the season.

One storyline that also stood out from this season has been writers putting new twists on old material. Nowhere is that more clear than in Round 7. The aforementioned Who Watches the Watchmen sounds like an original take that will continue a self-contained story. Jacob Jones will bring the Sesame Street universe to LRF with Super Grover, which will be interesting to see how those characters translate to the big screen. And finally, OZ will be the debut of writer Jack Brown and take on one of the most well-known films of all time in The Wizard of Oz.

The back half of the season also looks to be packed with historical epics from big name directors. First up is the Ben Collins adaptation of The Betrothed, which bolsters a large ensemble. While that seems like a risk on paper, having beloved filmmaker Martin Scorsese behind the camera should help the film’s chances at success. It’s somewhat appropriate that Season 22 will see multiple part 2’s. The first is a back-to-back, with Ridley Scott’s Odysseus - Part Two being a rare example of sequels being released in consecutive seasons. The first film was a success last season with a positive critical reception and a profit that earned it this sequel. It has been a few seasons since Christopher Nolan’s Caesar after the director went to do a James Bond film in between but now Part II is right around the corner. The first film left high expectations by winning the quartet of Best Picture, Best Director, Best Actor, and Best Original Story.

Films of this type and magnitude rarely get sequels, which begs a few compelling questions for this awards season. Can these films match or even surpass the quality of their predecessors? And if so, would the voting body be willing to reward them again given the previous recognition? Those questions and more will be answered in the coming rounds but one thing seems abundantly clear and that is that Season 22 will be remembered as quite star-studded between the A-list movie stars, brand name directors, and beloved intellectual properties. I'll check in with you all again at the end of the season. So long!

Friday, March 25, 2022

The Roundup with Jeff Stockton (Season 22 Round 5)

 
And just like that, we are already at the halfway point of Season 22. Here's a mid-season edition of The Roundup....

3. Arizona
I had some issues with some of the supporting characters in Arizona (especially Elijah Wood's character, though much of my issue is with the casting of Wood in the first place), the three female leads were all well-cast, and the characters themselves were interesting and not too annoying.

2. Award Races
Between the two "Must See" films of the first half of Season 22, it's looking like we've seen some of the films and performances that could be nominated at the end of the season. I expect to hear names like Skarsgard, Olsen, Teller, Robbie and Cooper come award season. Plus there have been enough decently reviewed films that films like Audible and Black Cat 2 could sneak some nominations as well depending on how the films of the second half turn out.

1. Broadway
Broadway is not a perfect film, but man was it highly entertaining. With so many talented actors playing such colorful characters, it will be interesting to see which performers are put up for GRA consideration, especially in the Supporting categories.


3. Michael B. Jordan
With his box office poison, I have to wonder how much more money Broadway would have made with a less financially toxic actor in such a prominent role.

2. Supercrooks
Supercrooks never felt like a fully thought-out film to me. There were plenty of ideas, but it felt too episodic and the characters were not very memorable or likable.

1. Profits
Not only were profits tiny this round, with the studio barely breaking even, but the streak of profitable films in a row came to an end.

On Location (Season 22 Round 5)

Broadway
- Yonkers, New York, USA


Supercrooks
- Toronto, Ontario, Canada


Arizona
- Albuquerque, New Mexico, USA

Thursday, March 24, 2022

Box Office Breakdown (Season 22 Round 5)



Broadway
Budget: $140,000,000
Total Box Office: $333,872,039
Total Profit: $18,945,606











Supercrooks
Budget: $50,000,000
Total Box Office: $98,579,275
Total Profit: $2,759,204









Arizona
Budget: $25,000,000
Total Box Office: $23,022,496
Total Profit: -$19,998,044








Box Office Facts
Broadway
Broadway has become director Quentin Tarantino's highest grossing LRF project by over $100 million. His previous high was the $220 million grossed by Death and All His Friends Part II.

Supercrooks
Supercrooks is just the second film from writer Wesley Campbell to turn a profit at the box office (out of 7 films). The first was Peter and the Shadow Thieves back in Season 17.

Arizona
Arizona narrowly avoided supplanting Strawberry High as writer Jacob Jones' lowest grossing film by just about half a million dollars.




Genre Rankings
Broadway
Gangster: #1
Noir: #1

Supercrooks
Heist: #2
Superhero: #63

Arizona
Adventure: #48
Comedy: #49
Drama: #220




Season 22 Round 5
Total Box Office: $455,473,810
Total Profit: $1,706,766

Season 22 Totals
Total Box Office: $2,446,796,848
Total Profit: $337,713,067



Season 22 Summary
1. Broadway : $333,872,039
2. Batman Beyond : $332,294,606
3. The Black Cat Strikes Again! : $318,018,157
4. Northrock : $276,349,458
5. Gathering of the Wolves : $276,237,531
6. EarthBound : $209,764,565
7. Tekken: Blood Feud : $201,991,257
8. Audible : $130,781,100
9. Supercrooks : $98,579,275
10. Open Hearts : $78,613,118
11. House Without End : $58,911,490
12. The Only Good Indians : $44,913,788
13. Thrill of the Kill : $33,195,113
14. Arizona : $23,022,496
15. Hope, Sadness and Anger : $20,252,855

Release: Arizona


Arizona
Genre: Adventure/Comedy/Drama
Director: Jason Reitman
Writer: Jacob Jones
Cast: Tessa Thompson, Kristen Stewart, Tyler James Williams, Mackenzie Davis, Elijah Wood, Ryan Guzman






Budget: $25,000,000
Domestic Box Office: $15,065,007
Foreign Box Office: $7,957,489
Total Profit: -$19,998,044

Reaction: Certainly not the box office turnout we were hoping for after how well Jacob Jones' most recent film, Gathering of the Wolves, performed. Hopefully Jones' final film of the season, Super Grover, does a bit better.



"The mix of genres Arizona attempts did not work well for me at all. You cannot take the drama seriously when you have touching moments broken up by meerkat-centric humor - Yes, you read that right. The three leading ladies all do good work in their roles, although Elijah Wood feels very out of place in this film. It's not an absolutely terrible film, and surely some will appreciate it, I'm just not one of them." - Frank Estelle, Boca Breeze



"While I tend to be against any film that subjects its audience to awful Josh Groban music, Arizona isn't all bad. It's a bit of a tonal mess at times with the drama and comedy not mixing particularly well, but the characters are well-drawn and story is coherent. I know that sounds like faint praise, but it is still praise." - Jeff Stockton, The Roundup


"After liking the latest outings written by Jacob Jones, this one didn't feel as enjoyable to me. First off while I think the casting is talented, none of the main cast stands out to be particular good at being funny to me. I do like the creativity which gives the movie a mysterious tension in the beginning. The story does feel adventurous but it all seems too random almost absurd, which probably could have worked if the jokes were working better. It's neither a good adventure nor a good comedy movie. I also felt like after the mysterious build up, the ending was pretty unsatisfying." - Ron Gardocki, Los Angeles Express





Rated PG-13 for some strong language

Wednesday, March 23, 2022

Last Resort Films Jukebox: Arizona




1. "Take Me Home, Country Roads" - John Denver


2. "Road to Nowhere" - Talking Heads


3. "These Boots Were Made For Walkin'" - Nancy Sinatra


4. "Take A Little Ride" - Jason Aldean


5. "River" - Josh Groban


6. "Arizona" - St. Madness

Now Showing: Arizona

Arizona
Genre: Adventure/Comedy/Drama
Director: Jason Reitman
Writer: Jacob Jones
Cast: Tessa Thompson, Kristen Stewart, Tyler James Williams, Mackenzie Davis, Elijah Wood, Ryan Guzman

Plot: Among the desert skyline, a woman drives her SUV along the road, listening to her friend-group sing to John Denver. As the song ends, Michelle (Tessa Thompson) reminds them that they're in Arizona, not West Virginia. Jackie (Kristen Stewart) playfully teases her for ruining their fun and the gang share a good laugh. Reggie (Tyler James Williams) expresses excitement at staying in Phoenix, Arizona for the week, especially given their staying at a hotel. Tanya (Mackenzie Davis) agrees, saying it's been too long since they last hung out. As Michelle pulls into their hotel, she declares that they're going to make this the best spring break ever.

The group of friends soon enter the hotel, becoming in awe of its majesty and begin to head off only for Tanya to point out a mysterious looking man sitting by himself. She smiles, waving at the stranger and trying to greet him. The stranger glances at her and nods, tipping his hat before walking off. Jackie and Michelle ponder this encounter while Reggie playfully calls him The Wandering Stranger (Elijah Wood). The group laugh it off and proceed to the elevator that will take them to floor six, room six.

The next morning, a bellhop brings everyone breakfast in bed and they feast to their delight. Upon finishing, Michelle makes a list of everything they’re going to do during the week. One of things included is seeing the Grand Canyon, something that has been on her bucket list for years. Before she can go further, she begins to hear large amounts of banter going on outside. Curious, Michelle looks out the window and sees the same man they saw yesterday among a small crowd of interested people.

As the group joins the crowd, they find they are just in time for his big announcement. At the farthest reaches of Arizona is the last known diamond mine in America. He challenges anyone in the crowd to find it, saying that if they do, they will obtain riches untold. One person asks where it may be, the stranger cannot say. Another person heckles his answer, saying it may be from 'bumfuck' nowhere. Seeing the hurt on the stranger's face from everyone mocking him. Michelle steps up, accepting the challenge on behalf of her group.

Jackie pushes her back, asking if she's really going to trust this guy. Michelle says that it might be fun, especially if he's right about it. Despite her resistance, Jackie agrees to join them after Reggie and Tanya convince her. The group head off to prepare for their new adventure, The Wandering Stranger looks on, smiling to himself, softly muttering about "finally getting a fresh start".

As the group pack up their belongings and prepare the car, Tanya and Reggie begin to wonder what it would be like to obtain a diamond. Jackie imagines that could pawn it off in exchange for cash. She pauses, realizing that she could pay off her student debts and begins to push the group to finish getting ready. Once finished, the group begin their journey. As Michelle begins the long drive, Tanya asks her where she believes the mine is. Michelle pauses, admitting that she isn't sure. Reggie declares that they'll have to be on the road to nowhere until they get there, drawing some laughter.

Eight hours pass by and a tired Reggie asks if they're there yet. Michelle assures him that they need to be patient. All of a sudden, the car starts to sputter. Spotting a nearby gas station, Michelle manages to approach it just as the fuel tank empties. The group exit the car, stretching their legs as Michelle puts the gas valve in the fuel tank. She lets everyone go inside to get some snacks while she tends to the car. As she does so, she comes across a cute little meerkat. She goes to pet it, only to find there are hundreds of meerkats, staring at her and her car.

The meerkats scurry towards the car, stomping over Michelle despite her best efforts. As she calls out for help, Reggie sees the situation and alerts the rest of her friends. The four try to stop the meerkat ambush but to no avail as most of the meerkats manage to get inside the car and drive away. Despite this setback, Tanya isn't deterred and begins to walk across the desert. As they do so, they again discuss plans on what to do with the diamonds. Reggie hopes to turn it into a tourist landscape and make profit off of it, citing his dad's business experience. Tanya just wants to donate the diamonds for charity and research. Michelle however isn't sure what to do with the diamonds, but assures her friends that she'll think of something. The four find a good place to camp out for the night and drift to sleep.

The next morning, Reggie cries out in pain, having been bitten by a snake. Jackie and Michelle tend to him while Tanya holds back the snake. As the four scramble to solve their snake crisis, The Wandering Stranger returns to get an update. Michelle alerts him to the car and snake but assures him that they are on the right track. As Jackie continues to tend to Reggie's wound, Michelle and the stranger walk off to discuss other topics. Michelle thanks him for creating this journey, calling it a bonding experience.

Initially pleased, the stranger asks her about how her friendships with everyone started. Michelle tells him that they all met in high school, starting with Tanya (the sweetest little angel), then Jackie (the most determined person she's ever met) and finally Reggie (a chill guy who knows how to make you laugh). They've just clicked together since day one. As time passed however, everyone started to drift apart. Adult life can be a bitch and it got to them. That's why she brought everyone to Arizona, so they can spend one more week together before it's too late.

Touched by her explanation, The stranger commends her humility and heart, wishing her success on the journey. Tanya soon arrives, having been looking for Michelle. She tells her that Reggie is better and that it's time to go hiking. Michelle heads off, leaving the stranger all alone. He sheds a small tear, trying and failing to hide his emotions. The stranger then hears a voice asking if he's okay and looks over his shoulder finding a concerned Tanya. He assures her that everything is fine and gently requests for her to run along. She does so, not entirely convinced of his claims.

All throughout the day, Michelle and the rest of the group hike among the deserts of Phoenix when Reggie's stomach starts to churn. When asked about the snacks, Tanya sheepishly admits that she ate them all. Michelle then tells them that they'll break for lunch and go in search of a place to eat. It's not long until Reggie finds a small diner named Chip's and suggests going there. Upon entering and placing their orders, Michelle hears someone asking if they come around often. Michelle tells them they haven't, they're just here for the week. He calls it a coincidence, saying they're only here for the week as well. He introduces himself as Albredo (Ryan Guzman), a world traveller and self-proclaimed nomad.

Michelle then tells him about the mysterious diamond mine they've been searching for (Noticeably, Jackie tries to chime in but is constantly ignored). Intrigued, Albredo offers to help them out, letting them carpool with him. Hearing this, a cautious Jackie takes Michelle by her side, questioning if this is such a good idea. Michelle assures her that it is, citing how nice he seems to be. Despite her growing resentment, Jackie lets Michelle accept Albredo's offer.

After everyone's food arrives, the group get a long awaited break from the mission (though the tension between Jackie and Michelle continues to grow). Some time later, Michelle walks off to the bathroom and on the way accidentally bumps into someone, causing them to spill their drink. She apologizes profusely, even offering to her a new drink before being shoved aside. All hell breaks loose soon after with chairs and fists (most of them coming from the angered person) flying. The patron soon grabs Michelle by the throat, making a threat regarding what they're going to do next when they are suddenly tasered by another person.

The patron collapses onto the floor, leaving a relieved Michelle to thank the mysterious person. The stranger tells her to call him Joseph and orders everyone out. Upon exiting, Joseph reveals he was entering to catch a quick bite when the fight started, thankful to have brought a weapon just in case something happened. He tells them that he cannot stay long and wishes them well. With everyone recovering from the fight, Michelle finds a safe camping place for them to spend the night.

That evening, Reggie tries to sleep but can't after noticing Jackie's absence. After checking to make sure the others are asleep, Reggie sneaks off to try and find her. He soon sees her sitting by herself and asks if he can join her. Despite initially responding coldly, Jackie permits him to stay. Reggie asks what happened between her and Michelle. Jackie claims that Michelle is trying to take her leadership role again. She's not surprised, that's what she's been trying to do ever since they met. To Jackie, Michelle can't go a day without being in the spotlight and she's sick of it. She hopes to find the diamonds on her own so she can finally 'shut her up'. To her surprise, Reggie admits to wanting to find the diamonds alone as well, the idea of him doing it single handedly tempting. Reggie starts to yawn, getting sleepy from their conversation and heads off, wishing Jackie a good night.

The next morning, Albredo brings the group together to share some bad news. It turns out the car he has burned out its engine and he'll need to get a new one. Despite their disappointment, everyone remains committed to finding the mine. For two days the group trudges along, the sun continually beating on them with its intense heat. Soon, they find themselves in the middle of nowhere. Tanya struggles to keep up with the group, growing dizzy and on the brink of collapse from the heat.

A few minutes later, even Michelle has had enough and calls for a timeout. She does a headcount and finds that Tanya is missing. Everyone goes off, trying to find her when Albredo notices someone making out with a cactus. He takes a closer look, finding Tanya. Trying not to laugh, Albredo tells Michelle and she takes a closer look. After prying Tanya away from the cactus, she collapses. Panicking, Michelle orders everyone to find something that has water.

While everyone scatters about, Jackie finds a small river . Before she can point it out, Michelle spots it and brings Tanya over. Upon her recovery, Michelle declares that they'll camp by the riverside tonight. That evening, everyone begins working in their campgrounds when Albredo hears Jackie quietly mocking Michelle by herself. He asks if she's doing okay, only to be brushed off. She mutters how it may not even be worth it anymore.

Reggie then goes on, doubting the mine's existence. Even Michelle begins to question if this has been all a waste of time. She then suggests they have a campfire, an idea approved by everyone except Jackie. Reggie and Albredo go off in search of wood, leaving Michelle and Jackie to tend to Tanya.

Several minutes later, Joseph enters to check up on the group. Michelle tells him that it hasn't all been easy, but they're doing everything they can to find the mine. Joseph tells her how impressed he's been with her handling this and admits he didn't think they'd still be at it. He then looks at Tanya, asking if she's okay. Michelle then addresses the dehydration incident much to his distress. He apologizes to Tanya, saying he should've given them supplies and puts himself down until Michelle comforts him, saying that you can never see these things coming.

Joseph then asks to speak with Tanya and is given permission. He sits with Tanya, asking if she's doing better. Tanya says she is, admitting that she feared her life was flashing before her. The two look up at the sky, noticing all the stars. Joseph thinks of them as the eyes of the sky, watching the Earth as one day goes to another. Albredo and Reggie soon return with wood, creating a small fire for everyone. Reggie then suggests singing a campfire song, Albredo gets out his guitar and asks if anyone knows how to sing. Joseph says he does and tells him to play a song called River.

After the song, the group continue to talk about life for another few hours before Michelle decides to head off to bed. Before they can fall asleep however, Tanya asks where Jackie is. Michelle looks around, finding that she is missing. The group head off, putting together a search party for her.

Far away from the campsite, Jackie tries to find clues that may lead her to the mine. A roadrunner zooms past her, setting Jackie off course. Angered, she chases after the roadrunner, following his every move before finally managing to corner him by an unoccupied road. She marches toward him, ready to pounce when she hears someone's voice. She turns around, finding Michelle.

Michelle gets Jackie off the road, asking what she's doing. Jackie reveals her plan to find the mine all by herself and gets scolded, saying that they were supposed to do this together. Having lost her patience, Jackie goes on a tirade, claiming that Michelle had always been trying to steal opportunities from her to lead. She never liked her from the moment she 'stole' her student council spot and is done being the understudy for her. Concerned, Reggie tries to break things up when Jackie reveals that he wants to find the diamonds on his own too.

Reggie shouts at Jackie, telling her to leave him out of it. The two continue to go at it, Albredo watching with intrigue while Tanya and Joseph stare in horror. Finally, Michelle can't take it anymore and yells at them to shut up. She looks at the miserable state of things and exclaims that all she wanted was for everyone to get along and enjoy the experience and rewards that came with it. She never thought anyone would go behind everyone's backs and find the diamonds for themselves. If this is going to ruin their friendship, then she wants no part of it. She apologizes to Joseph, announcing her withdrawal from the competition before storming off with tears in her eyes.

Joseph observes the rest of the group walking off with her except for Jackie who takes her own path and Albredo who stays with him, shocked at the ‘twists this took'. Distressed, Joseph tells him that he never intended for things to get this bad and fears that he's ruined everything. Albredo suggests that maybe he hasn't, noting that tensions seemed high between Jackie and Michelle before finally flaring up. He tells Joseph that they need to figure something out and that he may have the idea.

Early next morning, Albredo finishes preparing a device with a few materials he was able to find. Anxious, Joseph asks if this is going to work. Albredo says that it has to for the sake of their friendship. He hands Joseph the device, telling him to press the button. He does so, finding that it makes the sound of an eagle.

Jackie continues to walk the trail back alone, thinking about what she said. The same roadrunner from last night returns and stares at her, giving her a raspberry before running off. She stares at the ground, trying her best not to break down in tears. Back at the campsite, everyone begins putting everything away, no one saying a word to each other. Michelle sadly looks at the campfire before everyone hears a cry for help.

The group ventures off to find the source. Tanya looks up, pointing to a man being taken to a nest by a bald eagle. Michelle takes a closer look, seeing that it's Joseph. Everyone follows the eagle, trying to find its nest. Disaster strikes however when the eagle loses his grip and Joseph begins plummeting to the ground. At the last second, Jackie manages to leap in and grab him. She tells everyone to find a first-aid kit in case he's injured.

Tanya brings Jackie the first-aid kit. To their relief, Joseph isn't injured. Albredo comes in, seeing the chaos and reveals that they set it up so they could bring them back together. Joseph confirms this, saying that he didn't mean to drive a wedge through their bond, but before he can go any further Jackie confesses that she made a mistake snapping at Michelle, admitting that years of jealousy got in the way of their friendship. Michelle also confesses that she should've let Jackie take more control. The two make amends, vowing to talk to each other if someone is concerning them.

Joseph looks at the two, a saddened smile on his face. He admits that he never knew what real friendship was until he met them. He had always been sort of an outcast, nobody ever paid much attention to him and he never had that one person to talk to. Oftentimes he'd create big plans and ideas, but nobody cared. They felt he was all talk, no bite. Feeling terrible, Tanya comes up to him, offering to be his friend. Overjoyed, Joseph accepts her proposal. One by one, the others accept him as a part of the group, further warming his heart. He thanks them all, hoping to one day see them again after this is over. As everyone finishes reconnecting with one another, Albredo rushes towards them, claiming to have big news. He leads them to a rock and reveals that if you push it away, you'll find a hole. One that he believes leads to the diamond mine. Joseph sticks his head in and unable to contain his excitement reveals that this is the entrance to the mine.

Everyone takes turns squeezing into the hole, falling into a dark cave-like structure underground. Jackie leads the way, carrying a flashlight and warning everyone to stay close to one another. The group trek deep into the mines, eventually coming face to face with a large boulder. Undeterred, everyone takes turns breaking through the boulder, cracking through it and revealing the diamond mind.

Amazed by its splendor, Joseph tells the group that they've earned the right to take some of the diamonds as a reward for completing this journey. Jackie, Tanya and Reggie happily oblige, but when Michelle goes to take one, she stops, saying that she has no need for them. She already has a good life and wonderful friends. To her, being on this journey was the real reward.

Joseph then reveals to the group that there is one more surprise waiting for them at the end of the mine. One by one, everyone takes turns leading each other through tunnels, pathways and even a bridge. Eventually, Michelle begins to feel light radiating off of her and pokes her head out to find the Great Canyon.

Everyone comes out of the hole, staring at awe over the majesty of The Great Canyon as the sun sets over it. Wanting to commemorate this moment, Michelle brings everyone together to take a selfie. Michelle looks at the picture on her phone, smiling happily when she hears creaking noises. She looks up to find her car, somehow not damaged by the meerkats. After the meerkats leave, Michelle begins to make her way over, thanking Joseph for everything. Tanya is the last to say goodbye, giving him one of the jewels she picked up from the mine, telling him to keep it as a way to remember them by, With tears in his eyes, Joseph looks at his reflection before thanking Tanya and embracing her.

Joseph watches as Michelle and her friends drive off into the sunset, leaving him and Albredo alone. Albredo looks at him, smiling warmly and tells him he did a great job bringing people closer together. He then asks if he'd like to stop by Chip's tomorrow, his treat. Joseph smiles at him, saying:

"In Arizona, being with a good friend is the greatest treat of all."

As these words ring clear to Albredo, the two proceed to sit down and watch the sunset over the grand canyon, soaking in the beautiful view.


Tuesday, March 22, 2022

In Development

The Betrothed: It looks like the massive ensemble cast of Martin Scorsese's latest film, the Italian historical drama The Betrothed, has finally finished casting with Bob Odenkirk (Booster Gold II, Unknown), Annette Bening (Rachel Rising, Purgatorio), Emily Watson (Klondike, Worried Mind), David Thewlis (Worried Mind, Crowley), Maggie Q (The Protege, Fantasy Island), Ralph Ineson (The Green Knight, Gunpowder Milkshake) and Jake Short ("The First Team", Supercool) joining the film. The film was written by Ben Collins.

Who Watches the Watchmen: Pom Klementieff (Tekken: Blood Feud, What We Were Promised), Andrea Londo ("Narcos", SuperFly), Olivia Holt ("Cruel Summer", Status Update) and Tony Curran (Race, Outlaw King) have joined the Watchmen comic sequel film, Who Watches the Watchmen. Their roles have not yet been announced, except the rumor that Curran could be playing a character from the original comic story. James McTeigue is directing the film from a script by Jimmy Ellis.

OZ: Jack Kilmer (To The Max, Body Brokers), Gregg Henry (Cecil, Office Uprising) and Anna Gunn (The Void, Cecil) have rounded out the cast of the R-Rated fantasy/horror adaptation of The Wizard of Oz. Their roles will be in the "real world" of Kansas. Henry and Gunn will play Dorothy's uncle and aunt. Marcus Nispel directs the film from a script by new writer Jack Brown.

Odysseus - Part Two: Ed Skrein (Odysseus - Part One, Star Wars: Knights of the Old Republic) and Olivia DeJonge (Odysseus - Part One, Shouts from the Well) are officially set to reprise their roles from Part One as Antinous and Nausicaa respectively. Three new additions have joined the film as well with Riley Keough (Kurt & Courtney: All Apologies, Stan), , Joel Kinnaman (Eileen, Aliens vs. Predator: The First Hunt) and Donald Sutherland (Kazaria, Cold) joining the project. Andrew Doster penned the film, which is being directed by Ridley Scott.

The Boy in the Suitcase: Jennifer Kent (Blood Countess, The Nightingale) has signed on to direct an adaptation of the Danish novel, The Boy in the Suitcase. Vanessa Kirby (Twisted Metal, Green Arrow: SuperMax) is set to headline the film as Nina Borg, a Red Cross nurse who can't say no to helping anyone in need. In this film she finds herself involved in the investigation of the discovery of a young boy being held in a suitcase.  Noomi Rapace (Zatanna, Steins Gate), Malin Akerman (Beartown, Evangelion) and David Tennant (Batman Beyond, Peter and the Shadow Thieves) have also joined the film. Rapace will play the mother of the child, Akerman will play Kirby's friend, while Tennant will play Akerman's husband. Rosie JoLove (Excellent Women, The Wonder) and Rene Menzie (The Only Good Indians) wrote the adaptation based on the novel by  Lene Kaaberbøl and Agnete Friis.

Extra Ordinary: Steve Carell (Tumor, Circumstances of Time) and Paul Rudd (Gigantor, Lucky Luke and Billy the Kid) have signed on to star in the new film, Extra Ordinary. The film tells the story of a group of people in a support group for individuals with extraordinary abilities. Carell will play the leader of the group, while Rudd has been cast as one of the members. Adam McKay (Don't Look Up, Vice) is set to direct the film which is based on a script by Jimmy Ellis (Northrock, The Mobster's Violin).

Release: Supercrooks


Supercrooks
Genre: Heist/Superhero
Director: Joe Cornish
Writer: Wesley Campbell
Producer: Edgar Wright
Based on the comic series
Cast: Zac Efron, Chloe Bennet, Billy Nighy, Christopher Meloni, Matt Lanter, Jamie Bell, Haley Joel Osment, Bill Skarsgard, Alex Pettyfer, Larry David, James Badge Dale



Budget: $50,000,000
Domestic Box Office: $59,690,384
Foreign Box Office: $38,888,891
Total Profit: $2,759,204

Reaction: Lately there have been some films that relied on the foreign box office to break even, but Supercrooks is definitely the opposite. The studio only made roughly $15 million of the foreign gross, so it needed every last penny domestically (where we get a higher percentage of the gross) to hit the black.




"All of the pieces were there to make Supercrooks an entertaining superhero heist film, but it just didn't work out in the end. The characters weren't particularly likable. That could have been forgiven if the heist elements were done really well, but that wasn't the case. And once again, that could have still worked if the superhero elements were done well enough. Basically, none of the crucial elements of the film were done successfully enough to make up for the short-comings of the other elements." - Dave Manning, Ridgefield Press


"Supercrooks doesn't bring much new to the superhero or heist genres outside of combining them. That said, Zac Efron was fairly solid in the lead role and Nighy was entertaining as The Bastard. The story moves along briskly and the filmmakers seemed to have fun with the world they built. There is nothing groundbreaking about Supercrooks, but I can think of a lot of worse ways to spend a couple of hours." - Gregory Fletcher, Los Angeles Times-Journal



"I really wanted to like this, however I can say I didn’t. Sure there was some fun parts, due mainly to the direction of Joe Cornish, but I just didn’t have as much fun as I should have. A Superhero heist film produced by Edgar Wright sounds like it should be ten times as fun as this was. No real backstory for the characters didn’t have me as invested as I should have been. The ending fight sequence, especially the illusion scene between The Bastard and Kasey was probably the best part of the film and what most will walk away remembering. However, I will walk away remembering the sloppiness of 80% of it." - Jharrel Romano, MovieMedia.com






Rated R for violence, language and sexual content