Thursday, July 4, 2024

Top 10 Sexiest Films in LRF History

 

Sherman J. Pearson here for another Top 10. Tara's World was released this round, another film in the studio's ever-growing stable of films in the Erotic genre. While there haven't been very many films with that specific genre label yet, it did get me to thinking about some of the sexiest films in LRF's 30 season history. I may have some glaring omissions, as it is hard to look back at all 30 seasons, so this was mostly based on my memory. If you think I missed something big, feel free to comment below or on the forum and let me know.

Top 10 Sexiest Films in LRF History
10. Revolution
9. Wish You Were Here
8. Wolf
7. Cat People
6. Tara's Web
5. Triangle
4. Natural Selection
3. Poison Ivy: Mind Games
2. Open Hearts
1. Poison Ivy

Release: Tara's World

 

Tara's World
Genre: Drama/Erotic
Director: Lynne Ramsay
Writer: Jacob Jones
Cast: Victoria Pedretti, Grant Gustin, Kristine Froseth, Keke Palmer, Isabella Ferreira, Will Chase, Damien Priest, Corey Stoll






Budget: $26,000,000
Domestic Box Office: $29,834,304
Foreign Box Office: $20,000,220
Total Profit: $1,775,290

Reaction: Numbers are close but slightly down for Tara's World compared to its predecessor, Tara's Web. That can probably be attributed to a slightly higher budget (mostly due to a raise for star Victoria Pedretti) and a weaker critical reception.



"While Victoria Pedretti once again brings intensity and sensuality to her character, Grant Gustin falls flat in the male lead opposite her. Jacob Jones' script does a decent job exploring the layers of power and seduction the story calls for, but the plotting becomes more complicated than it should at times, making for an ambitious yet flawed sequel." - Katie Barnes, Washington Herald




"Tara's World lacks the intrigue the first film had. In the acting department, Victoria Pedretti is once again quite good as the title character. But in the male lead department, Grant Gustin is a major, monumental step down from Jacob Elordi in the first film. Gustin has none of the edge or gravitas to pull off a role in a film like this. The story itself is a little less focused in this sequel, with lots of new characters and subplots offering little additional substance." - Dave Manning, Ridgefield Press



"Despite Victoria Pedretti's presence, this sequel fails to impress from the last one. The plot twists feel forced, the betrayals are melodramatic soap opera levels, and the excessive sex scenes can't compensate for the weak character development and cheesy storytelling. The convoluted ending adds to the disappointment, making this film a letdown overall. If this is Tara's world/web, I don't wanna live in it." - Rebecca Barazotto, Wired.com








Rated R for strong sexual content/nudity, language, and some violence





Wednesday, July 3, 2024

Last Resort Films Jukebox: Tara's World

 




Now Showing: Tara's World

 

Tara's World
Genre: Drama/Erotic
Director: Lynne Ramsay
Writer: Jacob Jones
Sequel to Tara's Web
Cast: Victoria Pedretti, Grant Gustin, Kristine Froseth, Keke Palmer, Isabella Ferreira, Will Chase, Damien Priest, Corey Stoll

Plot: Out among the rainy skies, a woman wanders the streets of New York City wearing a trenchcoat and hat to keep herself hidden before finally coming across a restaurant labeled “Flippin’ Freddy’s”. She steps in, noticing the group of people scattered about. She steps in line, muttering to herself before finally it’s her turn to order. She asks for a burger with a medium fry and takes her seat. As she does so, she looks up at a nearby TV, watching a news story about a woman who led three people to their arrest. She lets out a sly grin before receiving her order.

The woman stays inside the restaurant in various ways until night falls. A lone employee sweeps up for the night when his broom touches something. He looks under the table, surprised to find a woman sleeping under. He wakes her up, telling her that she can’t stay here, they’re closed for the night, only for the woman to turn it around and shove the janitor onto the table. She smirks, taking off her hat and trenchcoat, revealing only lacy black lingerie. She tells him that she’ll stay, as she offers a great price. With that, she takes off her bra, revealing her chest. Stunned, the janitor tells her that it’s fine so long as no one squeals. She assures him that they’ll be fine. Besides, once a spider’s got you in her web, you’re in it forever.

Early the next morning, a snappy-dressed businessman is rushed inside his car by his assistant, alerted of an unusual occurrence. Upon reaching the door, his eyes widen to find a topless woman waking up. She waves back, nonchalant as ever. He opens the door, glancing at the woman, asking if this is a dream. She shrugs, asking if he wants his fantasy to be fulfilled.

The two laugh it off before the businessman introduces himself as James Sampson (Grant Gustin), son of Griffin Sampson. Tara (Victoria Pendretti) introduces herself, impressed by his pedigree. James admits it’s nothing special, just a local fast-food chain. Tara then looks outside, noticing a freaked-out group of people, and suggests heading off. James offers to find her some new clothes.

A few minutes later, a newly clothed Tara and James walk among the streets of New York, Tara revealing that she’s been wanted by the FBI for grand theft. A car here, some jewelry there, but really, all she’s guilty of is stealing hearts. James smirks, reminding her that she was the one who manipulated a man into doing her bidding. Yet, he’s not turning her in because, in all honesty, he’s impressed. He’s heard of her legend for many years and is a celebrity around these parts. Flattered, Tara asks if she can visit his house, convinced she’s likely never to see her mansion again.

After much driving, James and Tara arrive at his house. Inside, Tara gets acquainted with his financial consultant, Eden (Isabelle Ferrera), and enters his bedroom where she spots a large blueprint. James reveals that this is for a gentleman’s club he’s always wanted to open, but never been able to due to financial reasons. She offers to help bankroll, citing her immense amount of cash. Just let her be the face and he can do the rest.

Grateful, James vigorously shakes Tara’s hand, saying that she’s got a deal. Tara does however one more request, strutting toward the bed and getting down on all fours. After confirming that he’s single (despite several attempts at relationships), Tara takes off her clothes, asking if he’d like a bit of fast action. Aroused, James agrees, buttoning off his shirt. What follows is a passionate sexual exchange that ends with Tara cuddling James’s chest, telling him that they’re going to make for great business partners.

A whole year later, in front of a sleek building, James steps forward in front of a crowd of eager upper-class men to introduce the hottest new club in town, The Web. Several scantily clad women usher several guys inside the building, decked to the nines with the finest designs and furniture. On top of the tables are several strippers dancing provocatively, Tara watching on, impressed with their work.

Later that afternoon, James and Tara are interviewed by Sam Sheffield (Will Chase), a reporter for the local news. During said interview, an argument breaks out involving several men, James is about to break them up when Tara snaps her fingers, bringing in a tall, muscular man, choking out two men. She introduces the audience to Cliff Hyde (Damien Priest), a bouncer for the Web. He winks to the camera before throwing the belligerents out.

That evening, Tara checks up on Cliff, who reveals the brawlers have been turned to by the authorities. Impressed, she pecks him on the cheek and tells him that he’s earned a reward. Calling a limo, the two ride off to Tara’s mansion, and traverse into Tara’s bedroom. Cliff sits in bed, watching Tara perform a striptease of her own, complete with hip-shaking and “accidental” nip-slips”. As Tara climbs onto the bed, Cliff reaches out to her, only for Tara to wring her hand around his throat, reminding him that she makes the first move. From there, she takes off her top and the two begin to passionately make out

The next afternoon, Tara walks in early, checking in on her fellow models. Two in particular catch her eye, AJ (Kristine Froseth) and Deanna (Keke Palmer). Full of spunk, AJ shakes Tara’s hand, profusely thanking her for the opportunity. Deanna stays behind, looking at Tara with disinterest. Eden walks in, making sure that everything is alright. Tara teasingly claims everything will be once Deanna smiles. She does, but only when she spots Eden. They’re ready to go for tonight. As AJ and Eden make their exit, Deanna looks toward Tara, asking if she’s the same woman who conned three people and threw them into jail.

“The one and only. Why, do you want an autograph?” Tara asks.

Deanna sneers, claiming that she would have gone further. Tara smirks, asking her to prove it tonight. That evening, Deanna does so with a topless performance for the crowd. Tara watches on, nodding as the group hoots and hollers. At the end of the day, Tara comes up to Deanna and congratulates her on a ‘fine’ performance. Now keep going. Deanna rolls her eyes and walks off. Eden watches on, unnerved by what happened. James rolls in soon after, preventing Eden from talking to her. The two are about to head off when they come across Sam, noticeably more disheveled and slurring his words as he proceeds to interview the duo again. Seeing this, AJ skips up, wanting to join, only for Eden to usher her away.

That evening, James and Tara are in the middle of another sex session, but Tara stops. James asks her if something’s wrong. Tara claims it’s nothing, saying it’s just, she’s gotten to know him for quite a bit now and she’s grown to admire him over the year plus. But also, the house he’s living in is kind of outdated. She admits that the mansion she thought was condemned was still in good shape and asks James if he’d want to move in. James thinks about it and asks for a tour tomorrow.

The morning after, James arrives via limo at a large mansion, being greeted by Cliff who opens the door. His jaw soon drops when he sees Tara in the most alluring bit of lingerie imaginable. She welcomes James into his mansion and thus begins the grand tour. All goes well until the very end when they hear loud noises from outside. Tara goes outside to find a clearly intoxicated Sam wrestling with Cliff. She breaks the skirmish up, telling Cliff to stay with James.

In a small, empty room, Sam slumps onto the chair, being interrogated by Tara as to why he keeps messing around with them. She cracks Sam with a whip on the chest before he breaks, revealing that his family died in a fire accident, including his wife and kid. Taking pity on the man, Tara offers to spend some time with him, at least until he’s well and good, taking Sam by the hand and entering the bedroom, a bottle of wine by the bed. That evening, the two partake in mad drunken sex when Cliff walks in, having finished the tour for Tara. Tara caresses Sam, calling him a “good boy” when she learns that James had “business” to take care of after the tour.

Said business comes when James discovers AJ in lingerie, wanting to test out some new moves. She presses James onto the couch, clumsily posing for him before pulling herself onto his body…

The next evening, Eden tends to Tara with herheadache when she sees AJ and Deanna make their way up on stage. Eden questions how they ended up in this business venture. Tara merely tells her that’s how some people are. No need to judge them. Eden is about to answer back when her jaw drops, pointing at a fully nude Deanna dancing on top of a table, despite there being some clear discomfort on her face. Upon seeing some pervs trying to get frisky with her, Tara steps in, throwing them out. As she makes her way back to her seat, she spots Sam who thanks her for being there for him last night, he owes her one and exits. As Sam leaves, Cliff sees that he dropped his phone, but he’s too late to catch up to Sam. Instead, Cliff hands it off to James.

As The Web closes up, James is about to put the phone away when AJ pops in, asking if she can take the phone home for “safe-keeping”, promising to be careful. Reluctantly, James accepts, walking her skip away as the memory of their encounter plays in his mind.

Tara checks up on Deanna and commends her performance. Deanna, still a bit shaken up, claims that she knew what she was doing. It’s there Tara decides that the time has come to up the ante, inviting her to the mansion for one last test. Before introducing her to Cliff, Tara asks Deanna if she’s ever had sex before. On the bed, Cliff and Deanna proceed to make out, Tara examining Deanna’s progress. Deanna attempts to take off her clothes, unsure of what she’s doing. Finally, she admits that she can’t do it and runs out with the blanket wrapped around her.

Tara rushes outside, seeing the embarrassed Deanna hiding on the front. Deanna tells Tara that she’s a virgin, uncomfortable with having sex with other people after being taken advantage of in the past. The only reason she took the job was because she was desperate for money and wanted to seem cool. Tara understands, expressing sympathy for “this bullshit” and being proud of Deanna for finding a boundary, something she never had.

James has trouble sleeping and opts to call Eden. It takes a bit as it appears Eden is busy, but she does call. James asks her if she’s doing something wrong, claiming he may be committing adultery with AJ over Tara. Eden asks James if he’s having any sexual thoughts for both. James is, more so with Tara, but he can’t get the image of AJ in lingerie out of his head. Eden suggests boundaries just in case.

The next evening, all appears normal with The Web when Tara receives some disturbing messages from Sam on her phone. Incensed, Tara tells James that she’s leaving early. Upon alerting Cliff of the news, the two drive off to Sam’s house, the former introducing herself to Sam. The two seat themselves in the kitchen, Tara interrogating Sam on the disturbing texts. Sam claims his innocence, only for the words to contradict his actions. Tara calls Sam out on being that desperate and accuses him of faking his family’s death for pity points. With that in mind, Tara tells Sam to take a good look at her, flashing him before Cliff stabs Sam in the back repeatedly, killing him in a flash. Cliff and Tara then bury the body outside the house, driving off before anyone can see them.

Sam’s disappearance is the main story going forward as the news station he’s employed holds a search and rescue party. James expresses his disappointment in the matter, while Tara refuses to comment, instead asking where Eden is. As it turns out, she’s taking the day off. That evening, before The Web closes up, Tara sees a slightly disheveled AJ preparing to go home. Tara checks up on her, making sure the job isn’t too stressful. AJ admits that it’s not easy working with finances, having graduated with a graphic arts degree, but she’ll manage. The two manage a brief discussion, Tara getting a cutesy, almost soft girl-like interior from AJ, perhaps too much. As Tara wishes AJ a good night, she opts to keep an eye on her.

The first sign of trouble comes a few days later when Eden still hasn’t come to work. Opting to get to the bottom of this, Tara and Cliff drive to Eden’s quaint little house and go in search of her, looking everywhere with no luck until Tara hears music froma nearby room. The two enter Eden’s bedroom, taken aback to find Eden stripped down to her underwear, provocatively dancing with her laptop on. When Eden finds Tara, she’s horrified and turns everything off. Tara’s chill with it, admitting that she always knew Eden had this side in her, instead asking where she’s been. Eden claims that James told her to take the week off, something Tara doesn’t recall happening. Eden assures Tara that she’ll return to work tomorrow, barring any further matters. Afterward, Eden shows Tara what webcamming is like.

James sits in his office, debating everything that’s happened recently when AJ waltzes in, asking where Tara and Cliff are. James tells her that they’re in search of Eden. AJ proceeds to sit on his desk, flirting with James all the while. Seeing the direction of this conversation, James backs off, telling AJ that they can’t keep doing this. His heart lies with Tara. AJ assures him that one more time isn’t going to hurt anything, putting on the puppy-dog eyes. When Tara returns to deliver the news, she finds AJ and James making out by the office walls.

AJ dismisses herself, leaving Tara to question James’s part in the matter. James confesses that not only has AJ been trying to take advantage of him, but he feels she’s put sexual pressure on him, revealing the lingerie incident. To James’s relief, Tara forgives him on the grounds that AJ is fired. The two shake on it and share a kiss. Outside James’s office, AJ has overheard the whole thing and runs off before anyone can notice. AJ drives off, enraged over being foiled. She enters her house, ready to trash the living room when she accidentally turns on the TV, the mystery of Sam’s disappearance still a top story. Curious, she drives to the scene of the crime, finding the burial spot. She looks around the area, including the house, for clues, stopping when she comes across a knife full of dry blood.

The next day, Tara, Cliff, and James spot a commotion ongoing at The Web and intervene, asking what’s going on. To their surprise, AJ pops through, accusing Tara of murdering Sam, claiming to have found the knife. Tara objects to this, claiming that she wasn’t the one responsible. It’s no excuse, AJ claims, she’s still guilty by association. Cliff appears ready to rip AJ’s head off when the police, particularly an officer named Joe (Corey Stoll), swoop in, gun in his hand as he calls for everyone to stand back. He goes to handcuff Tara, only for Cliff to try and stab him. Tara tells him to settle down, she’s got this.

Tara and Cliff are led to the back of the police car, the former being caught up by AJ. She smirks, revealing that while Tara’s been away, screwing everyone’s brains out, AJ’s been the mastermind this whole time. As Tara watches AJ skip off, her eyes dart toward Joe as he drives off, another plan forming in her mind.

“She may have gotten away with it this time, but every spider knows when to bite back…”


Tuesday, July 2, 2024

In Development

 
Fragments of Heart: Rounding out the cast of James Gray's World War I romance film will be Stephen Graham (The Omen, Caesar Part III), Charlotte Hope ("Catch Me a Killer", The Nun) and Dean Norris (Amityville, Knight Rider). Hope will play a nurse, while Graham and Norris will play military figures. Ben Collins penned the film.

Redhead: Two redhaired actresses, Holland Roden (Teen Wolf: The Movie, Ted Bundy: American Boogeyman) and Alicia Witt (Batgirl, Blood on the Moon), are set to join the aptly-titled Redhead, a horror-thriller from writer Billy Cruder and director Scott Cooper. Alan Cumming (The Deadliest Night in Show Business, Still Lives) has also signed on to the project as a small-town priest.

Brothers in Law: Johnny Knoxville (Blood on the Moon, Jackass Forever) and Pam Ferris ("Call the Midwife", Tolkien) have completed the cast of the dark comedy wester Brothers in Law. Knoxville will play the ne'er-do-well brother of Matthew McConaughey's main character, while Ferris will play Knoxville's mother-in-law. Armando Iannucci is directing the film from a script by Jimmy Ellis. The film is presented by Hill Valley Entertainment.

Masters of the Universe: The Sword of Power: More returnees are set for the long-awaited He-Man sequel with Eleanor Tomlinson (Masters of the Universe, "The Outlaws") back as Teela, Manu Bennett (Red Sonja, Mortal Kombat) back as Man-At-Arms, Olga Kurylenko (Metal Gear Solid 2, All the Pretty Horses) back as Evil-Lyn and Katheryn Winnick (Undefeated Abe, Tekken: Blood Feud) as the Sorceress. Len Wiseman is taking over as director of the cartoon adaptation, which has been penned by Mark Newton.

The Scam of Success: Bill Murray (The Driftwood Populace, The Big One) is set to headline a new comedy/drama from longtime collaborator director Wes Anderson (The Driftwood Populace, Amelie). Murray will play a aging scam artist and aspiring inventor who is rocked by the arrival of a young new child scam artist on the scene. Sharon Stone (Who Watches the Watchmen, Kurt & Courtney: All Apologies) and Al Pacino (Broadway, The Mobster's Violin) have also signed onto the project as Murray's wife and mentor, respectively. Jacob Jones (Connected, Heartstone) penned the film.

An Anonymous Girl: Jennifer Lawrence (Detroit: Become Human, We Were Never Here) and Nicole Kidman (The Phantom of the Opera, Obsession) have been hired to star in An Anonymous Girl, an adaptation of the novel by Greer Hendricks and Sarah Pekkanen. Lawrence will play a woman struggling to make ends meet in New York City who signs up for a questionable psychological study led by a doctor who will be played by Kidman. Cate Shortland (Bad Dreams Come True, Crush) has been tasked to direct the film. Rosie JoLove (In Five Years, My Sister) wrote the adaptation.

Release: Klitih: A Way of Life

 

Klitih: A Way of Life
Genre: Drama/Horror
Director: Meirad Tako
Writer: Meirad Tako
Producer: Joko Anwar
Cast: Bryan Domani, Tio Pakusadewo, Kevin Arilova, Yuki Kato, Meirad Tako (CAMEO)






Budget: $6,000,000
Domestic Box Office: $14,081,607
Foreign Box Office: $9,237,284
Total Profit: $7,100,045

Reaction: Klitih has become the first profitable directorial effort from writer/director Meirad Tako in his sixth try. It is also the first NC-17 film released by LRF to break even (Meirad Tako also penned the other NC-17 film, The Cry of the Night Lady).



"An honestly brutal and violent film, this movie is driven by Tako's vision. It's a daring attempt that doesn't always land its punches as intended. However, the mere fact that such a film was made is an accomplishment, even though it sometimes indulges a bit too much. Side note: If you have a weak stomach, it's best to avoid this one." - Edith Moss, Times (UK)





"Obviously the language barrier is a slight problem with a film like this, however once you get over it and read the subtitles the film is visually pleasant, while the subject matter is not. Alwi’s progression in the story felt rushed and a few of the twists left me unsatisfied, however it didn’t fully take me away from the story. Not as good as Meirad’s previous Indonesian films, 1965 & If We Know the Right Way, however it leads me to wanting more from them." - Robert Clapton, The New York Times



"Klitih: A Way of Life is a terrifying drama of youth run violently amuck in the seemingly picturesque Indonesia. Meirad Tako's latest film takes a little while to get going, but once Alwi crosses paths with 'FriendlyUser' things take a rapid, fascinating, chillingly violent turn. This film is career-best work from Tako that I fully expect to get some serious GRA consideration in the Best Original Story category." - Dave Manning, Ridgefield Press








Rated NC-17 for graphic violence, disturbing thematic content, sexuality and language





Monday, July 1, 2024

Interview: Meirad Tako

 
In the latest edition of Interview, Last Resort Films president Phil Dolan sits down with the one and only Meirad Tako to discuss his latest directorial effort, Klitih: A Way of Life....

PD: Your latest film, Klitih: A Way of Life, feels different than previous films on your resume. Can you talk a little bit about your inspirations for the film?

MT: Is it!?, welp, i didn't realize. To be honest, the main inspiration of the story is reality. I don't know much about it, but I've read multiple source on it. Klitih, the act of random killing done by teens and late teens, have existed in Yogyakarta since the 90s or even later, depending on who you ask. It's been known and have been neglected by the government and breeds itself among the local. When i wrote the script the news about it were viral and people on the internet are quick to give their thoughts and solution on the problem but most have been rejected or argued against by Yogyakartans. At the time also, several of my senior in college is having KKN (Kuliah Kerja Nyata), a mandatory program for all university student to implement their knowledge directly to village people, is sent to Yogyakarta in a village that i already forgot, they have talked about meeting some klitih doers that have been let loose. Several news also said that several of these kids that murdered other people have been released due to Indonesia Law on Child Criminal, or so they say. As a law student it don't make sense cause it's not true, according to Article 12 Paragraph 2 point a of Law Number 11 of the Year 2012 on Juvenile Justice System, you can't bail children that have done crime that has maximum penalty of more than 7 years in prison, killing, according to article 338 of Indonesian Penal Code has a penalty of maximum 15 years in prison. That's that. To be honest, i kind of regret writing the story that can be perceived as glorifying it, which i don't but perception is subjective and i can't control how people perceive things which mainly due to my fault on the way i write it.


PD: You last two films, Something and/or Nothing and Who Do You Trust When the World is at War?, both won GRA trophies. Does that increase your expectations going forward?

MT: For GRA? Well, as i believe all writers do, i always have feeling that my work is going to be awarded in some kind. So yeah, i have some degree of expectations on this.


PD: Do you have any new projects in the works?

MT: I've been meaning to write another movie but all falls flat into something cringy, so sadly, i have no confirmed project to share, i only can confirm that I'm still writing movie until this moment.

Now Showing: Klitih: A Way of Life

 

Klitih: A Way of Life
Genre: Drama/Horror
Director: Meirad Tako
Writer: Meirad Tako
Producer: Joko Anwar
Cast: Bryan Domani, Tio Pakusadewo, Kevin Arilova, Yuki Kato, Meirad Tako (CAMEO)

Plot: In Yogyakarta, in the year 2003, a baby boy came into the world within a middle-class household. Quietly, his father recited the adhan into his ears, and then, speaking softly to his frail mother, declared that the boy would be named Alwi Sukanto. Alwi (Bryan Domani) was raised in a devout and disciplined household. His father, Hajji Sukanto Riyadi (Tio Pakusadewo) gained recognition as an esteemed imam and a lecturer at Gadjah Mada University. Meanwhile, his mother, Hajjah Titik Kusumo, served as a teacher at the local madrasah. Alwi is an introverted individual who occupies a significant portion of his day secluded within his room. On one occasion, when his father confiscated his gadget, he remained inside his room for two full days without venturing outside.

Alwi finds it challenging to make friends because he lacks an inclination for socializing with others. He frequently engages in solitary activities, immersing himself in his thoughts, phone, and a notebook where he crafts stories about captivating subjects. These tales often involve scenarios such as becoming a world-conquering pirate or rescuing a damsel from a perilous situation. His only friend is Mario (Kevin Ardilova), a neighbor who shared the same interest to him but he also introduced him to horror movies and even snuff film that always scares Alwi.

As an unofficial fasting month tradition, at least in his family, they will try to not go out after dusk . Even his father always refuse to be the imam of dusk prayer as well as the Taraweeh prayer. When Alwi asked about it, his father always answer with "It is dangerous".

Yogyakarta, in the year 2020, Alwi, a new student at a nearby Senior High School, began to receive group assignments that required spending a lot of time outdoors for completion. When the fasting month arrived, despite his father's cautionary advice, he allowed his son to continue working on his assignments. At 1 AM, the sound of an aged motorcycle's engine reverberated through the quiet street. Alwi was at the helm as the driver, with Mario occupying the rear seat. They both lamented the mounting, yet seemingly futile assignments. Alwi expressed his dissatisfaction the most, confiding in Mario that he believed he had depleted his social energy and couldn't continue engaging in such activities. While engrossed in their conversation, a light suddenly illuminated them from behind, revealing a motorcycle rapidly approaching. Through the rearview mirror, they discerned a passenger on the back seat brandishing a lengthy machete. In panic, Mario yelled for Alwi to accelerate while repeatedly shouting "Klitih." Alwi immediately revved his motorcycle to its maximum speed, darting through the otherwise quiet street. The pursuing motorcycle continued to chase them relentlessly. As Alwi passed a couple ahead of them, the motorcycle chasing them viciously attacked the unsuspecting pair with their machete. The couple tumbled to the ground, prompting the assailants to halt their motorcycle, dismount, and continue their assault.

Alwi and Mario could only witness the gruesome scene through the rearview mirror. Alwi's heart raced, and he made a conscious effort to maintain steady breathing. Upon arriving at Mario's house, which was about ten steps from Alwi's own, they began discussing the shocking incident. Alwi remained clueless about what had transpired, while Mario grew increasingly agitated by Alwi's lack of awareness. Mario went on to clarify that the horrifying event they had witnessed was referred to as "Klitih." Originally, this term meant "seeking the wind" or "searching for fresh air to breathe." However, over time, it had evolved into something much darker, signifying "random acts of killing for the sake of killing." Strangely, these incidents had been occurring for decades, particularly during the fasting month, for reasons that remained unknown.

After returning home, Alwi began to grasp why his father consistently avoided being outside during the fasting month. His father greeted him with a concerned expression, asking if everything was alright, to which Alwi tersely replied, "yes." Without delay, Alwi headed straight to his room, where he started exploring the internet for information about Klitih. He moved from one website to another, from one forum to the next, delving deeper into the world of Klitih. For days on end, he continued to dig this virtual rabbit hole. Mario, expressing his concern, questioned Alwi's obsessive behavior. Alwi responded that he felt betrayed by his father for not sharing such adrenaline-inducing events with him. Mario, troubled by Alwi's increasingly disturbing behavior, reluctantly reduced their time together.

Alwi's numb gaze led him to delve deeper into the abyss, where he unexpectedly stumbled upon a website that featured a disconcerting pop-up. In this pop-up, a man (Meirad Tako) held a sign that read "Welcome," accompanied by a chilling smile. Alwi promptly clicked the "X" in the upper right corner of the pop-up. He then spent several hours on the website until an account with the username "FriendlyUser" privately messaged him, offering an introduction to the thrilling and captivating realm of Klitih. In this message, "FriendlyUser" explained that Klitih was more than just random acts of violence; it was a way of existence, a means of dedicating oneself to the world's chaos, and even considered a form of devotion to a higher power. It was described as a unique expression, almost like a love letter to God. FriendlyUser conveys that in a world where people attempt to control and suppress chaos, they are, in fact, suppressing their own humanity. The genuine human essence within us remains confined and awaits liberation. It's only when chaos exists that our true humanity emerges, igniting excitement and a sense of being truly alive. FriendlyUser goes on to recommend that Alwi confront his own inner choice to succumb to the pressure of suppressing their humanity and instead, experiment with introducing a small measure of chaos. Anything that unsettles our subconscious brings us one step closer to realizing our genuine humanity.

Following their conversation, Alwi cautiously ventures into the realm of chaos, taking one step at a time. He begins by defying his parents' orders, skipping prayers, and intentionally ignoring Mario's attempts to initiate conversations. At the end of each day, Alwi reaches out, expressing his deep regret and inner turmoil about his actions. In response, FriendlyUser encourages him to confront the unrest in his heart and conscience, as it's the very thing preventing him from attaining his true human essence.

Day by day, Alwi progressively introduced more significant chaos into his life. On one occasion, while engaging in the cruel act of tormenting a cat, he happened to glance to his right and noticed a silhouette doing the same. In that shared moment, they exchanged smiles, recognizing the liberating sensation of breaking free from the constraints of societal peer pressure.

On another fateful night, as Alwi was in pursuit of a cat to subject it to torment, he unexpectedly encountered Mario, who had stopped by the roadside and honked to greet him, inquiring about his actions. Alwi found himself at a loss for words, witnessing the widening gap between himself and the cat. He gazed deep into Mario's eyes, startling him. In a swift, chilling motion, Alwi's machete came to rest against Mario's skull, and the once quiet night echoed with Mario's horrified screams. In the moment of silence and motionless, Alwi gaze into Mario laying on the side of the road bleeding from his disfigured face, leaving no trace behind, Alwi moves back to his house to connect with FriendlyUser once again to confess on how liberated he feels. When you know that you are free of boundary, to be able to just step across the line, to just be free, it is when you are just who you are, a behemoth of a creature, a human. FriendlyUser expressed their enthusiasm and sent a series of clapping emojis to congratulate Alwi on embracing his newfound freedom. They indicated that it was time to move on to the main course of Klitih, where chaos would engulf both the doer and its victim. FriendlyUser extended an invitation for a real-world meetup, which Alwi eagerly accepted, looking forward to meeting such an insightful and liberating individual.

Their rendezvous took place in Bandung, a considerable distance from Yogyakarta. To justify his absence from home, Alwi fabricated a study tour permission form, which he managed to get his father to sign. Although there were arguments and an underlying sense of his father perceiving a change in him, Alwi dismissed these concerns with a dismissive click of his tongue. Alwi anxiously occupied his assigned seat, eagerly awaiting the arrival of someone he greatly admired. After a full hour had elapsed with no sign of their presence, Alwi was on the verge of leaving. Just as he was about to do so, a young woman hurriedly took the seat in front of him. Sporting an odd grin, she apologized profusely for her tardiness, explaining that the bus had been delayed due to a collision with a motorcyclist who had recklessly run a red light. She shared this disturbing detail with an innocent laugh. Introducing herself as Melati Halawa (Yuki Kato), or by her more common moniker, FriendlyUser, she initiated a conversation with Alwi. Their interaction immediately forged a connection between them. Melati and Alwi dedicate their day to explore the city, with Melati sharing her personal story as they wander. She unravelled her first encounter with Klitih, narrating it with an unshakeable innocence shining in her smile. She explained that at the age of 12, she became exasperated with her dysfunctional home life, which was exacerbated by the trauma of terminating a pregnancy, a child tragically conceived by her own father.

From the tender age of six, her existence was limited to captivity within a cramped room, where nourishment was served from beneath the door. Each time her father returned from his role as a civil servant, he would violate her, using her as a personal coping mechanism for his grief over losing her mother — Melati’s birth had resulted in her mother’s unfortunate demise. At the age of 12, as she fled under both rain and scorching sun, she came to a profound realization. She grasped that there was an invigorating freedom in chaos. Many shy away from chaos out of fear of losing their comfort, but they are deceived by those in power above them. These individuals profit greatly from chaos, as they craft a sense of comfort that they can ultimately exploit for their gain. This includes figures like the president, war industrialists, and religious leaders, all reaping the rewards of turmoil.

When the clock strikes midnight, their dialogue takes a sensual turn and, acknowledging her longing for the physical intimacy she once had with his father, they find a local inn. As soon as the door shuts behind them, Alwi urgently seeks out her lips, his hands exploring her curves as she reciprocates by attempting to stimulate his manhood. Out of breath, Alwi methodically undresses her until she stands bare against the door, passionately kissing her as she undoes his outfit. They proceed to the bed, maintaining their oral engagement while his right hand caresses her most sensitive spot and she fervently strokes his arousal. Upon concluding their sensual preparation, Alwi places himself accordingly before immersing himself in a realm of carnal pleasure, gently rocking his hips to the rhythm of her pleasure-induced moans. Gradually, he picks up the pace, her cries of delight escalating in response to his frantic thrusts. He has finally comprehended the essence of true satisfaction as each muscle flex spasms in ecstasy and his warmth fills her. Laying down beside her, he bestows upon her one last kiss before they succumb to the realm of dreams.

Their time in the inn extends into more days until Melati proposes an evening visit to a city park close by, a place she promises will proffer an unforgettable spectacle. In the midst of trees in the park, Alwi and Melati stand, their eyes drawn to an elder man fully engrossed in the manuscript he is crafting at a nearby bench. Before long, the serenity is ruptured by the hurried approach of a hooded figure. The aged man senses danger and makes an attempt to detach himself from the oncoming presence and starts to ambulate away. The stranger, however, relentlessly closes in. As terror grips him, the elder breaks into a sprint, which is corrugated by the aggressor's brutal tackle that sends him to the ground unceremoniously. In a horrifying instant, the hooded malefactor takes a blade and drives it mercilessly into the elder’s throat, embedding it with a chilling depth. The victim releases an agonized grunt while he helplessly gasps for breath, each labored inhale an attempt to reclaim the life being cruelly stolen away. Once the brutal spectacle concluded and the hooded figure nonchalantly distanced himself from the grisly scene, Alwi and Melati hauntedly approached the lifeless elderly man. The smile, which Alwi maintained during the entirety of the violent act, evaporated the instant he identified the elderly man—his own father. "Surprise!" Melati exclaimed exuberantly, her eyes shining with twisted delight. Alwi, tears starting to well in his eyes, returned her merry expression with a dumbfounded one. She confessed to deceiving his father into coming to Bandung under the guise of an academic conference invitation—a real event but one in which his father's presence was virtually unthinkable. Rooted to the spot, Alwi was at a loss for words. Seizing this moment, Melati took his hand and cooed, "Don't look at me like that," her face still adorned with that insidiously innocent smile. She guided his hand onto her right breast and then to the left one, kindling an intense carnal fire. Without delaying further, they succumbed to their primal urges, letting their bodies intertwine right at the macabre scene, the grisly aftermath serving as a horrifying backdrop to their intimate act.

Days morph into months, which in turn, meld into years. Alwi and Melati, bound by their shared devotion to chaos, revel in each other's tantalizing warmth and carnal satisfaction. Each horrifying act they commit is punctuated by a primal coupling, with Alwi leaving his seed within Melati every single time. Time slips by in a rush and after seven swift years, they cross the boundaries into Yogyakarta together. Alwi's face holds an icy composure, betraying no emotion. He navigates the bustling city streets with Melati clasped firmly to his side. After hours lost amidst the city's hectic pulse, they find solace in a quieter refuge. Their entwined hands are a tangible connection amidst the carnage. Alwi's stride freezes suddenly as a haunting memento from his past appears before him.

"Alwi!?" echoes a familiar voice, the amiable lilt quickly morphing into a caustic snarl. Harnessing the rage pent up over the years, the man lunges towards Alwi, thrusting a gleaming knife directly into his heart, viscera seeping through his fingers. "Mario", Alwi manages to gasp the name out with his dying breath, before he crumples lifelessly to the ground.

Mario, sharp with vindication, violently seizes Melati. His hands find her body, throttling her, his brutal strength forcing her down to the grimy ground. He rips apart her jeans, his eyes blazing with malevolent intent. He brutally forces himself upon her, every thrust an eerie punctuation to his triumph. Gloating about capturing the very person the powers above had been hunting, his despicable violation ends with an abrasive grunt, leaving Melati devastated and defiled in his wake. The echoes of Mario's disconcerting laughter ripple through the silence, his form eventually lost in the shadowy darkness.

The scene transitions abruptly, panning out to reveal an unsettling digital caricature of a man grinning maliciously on a computer screen. The view continues its withdrawal, revealing an unsuspecting young boy clicking the "x" on the macabre pop-up. Oblivious of the journey he is about to embark upon, a new tale of chaos is set to unfurl.